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Davis, Jefferson Finis
PORTRAIT Jefferson Davis. (1808 Fairview - 1889 New Orleans, Politiker). Brustbild im Halbprofil. Stahlstich von Wegner nach einer Photographie von Brady.
Leipzig, Baumgaertner's Buchhandlung, [ca. 1860]. 14 x 11 cm. (Blattgröße 23 x 12 cm). Unter Feinkartonpassepartout mit Farblinieneinfassung.
Bookseller reference : 57675
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Davis, Stuart - Karen Wilkin
Stuart Davis.
New York., Cross River Press/ Abbeville Press., 1987. 34 x 29 cm. 248 S. OLeinen mit illustriertem OUmschlag., 40D Erste Ausgabe. Umschlag gering berieben und angestaubt. Gutes bis sehr gutes Exemplar.
Bookseller reference : 40DB ISBN : 896597555
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Dawdy Doris Ostrander
Artists of the American West: A Biographical Dictionary Volume 2
Chicago: Sage Books/Swallow Press 1981. 1st printing. VG/no dust jacket bookstore label on title page. viii 275 p. 8vo; Sage Books/Swallow Press hardcover
Bookseller reference : 29396 ISBN : 0804003521 9780804003520
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Dawdy Doris Ostrander
Artists of the American West: A Biographical Dictionary Volume 1
Chicago: Sage Books/Swallow Press 1980. 2nd printing. VG/no dust jacket bookstore label on title page rubbing to bottom corners. viii 275 p. 8vo; Sage Books/Swallow Press hardcover
Bookseller reference : 29395 ISBN : 0804006075 9780804006071
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Dawes Rufus C.; Century of Progress
A CENTURY OF PROGRESS EXPOSITION CHICAGO: OFFICIAL PICTURES IN COLOR
Chicago: Century of Progress 1934. Softcover. Very good. Some offsetting of plates. Wire spiral binding. 30 color plates. 8-1/2"x11-1/4" <br/><br/> Century of Progress paperback
Bookseller reference : P7013
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Dawson Daniel
The Mexican Adventure
London: G. Bell 1935. 433 pp. Booksellers stamp on front end-paper head of spine lightly frayed. A couple of pages have some discoloration from a newspaper clipping being laid in. Maximillian I in Mexico. First Edition. Cloth. Good/No Jacket. 8vo - over 7�" - 9�" tall. G. Bell Hardcover
Bookseller reference : 8412
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Dawson Joseph G. III; III Dawson Joseph G
Doniphan's Epic March: The 1st Missouri Volunteers in the Mexican War
Lawrence Kansas U.S.A.: Univ Pr of Kansas 1999. 230pp/illus. explores and analyzes the many facets of Doniphan's exploits including the tactics that shaped his victory at Sacramento. Clean. 1st Printing. Hard Cover. Fine/Very Good . 8vo - over 7�" - 9�" tall. Univ Pr of Kansas hardcover
Bookseller reference : 007252 ISBN : 0700609563 9780700609567
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Dawson Christopher
La formazione della unità europea dal secolo V all'XI
n. VII bross. edit.
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Dawson Christopher
La nascita dell'Europa
trad. di Cesare Pavese n. 82 in 16°, bross. edit. ill.
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Dawson, Joan
The Mapmakers' Legacy: Nineteenth (19th) Century Nova Scotia Through Maps
152 pages. Bibliography. Index. Wonderfully illustrated, often in colour. Printed upon glossy stock. Handsomely produced. "Plot's Nova Scotia's growth through the careful examination and analysis of maps from the nineteenth century. An exciting time in Nova Scotia's history, this period saw the first serious attempts to gain knowledge of the entire province, its resources and its inhabitants. Traces developments in our province that today are taken for granted." - from back cover. Clean, bright and unmarked with light wear. A high-quality copy. Book
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Day, Alan J.
The Annual Register. A Record of World Events 1998
Clean Copy
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Day, Alan J.
The Annual Register: A Record of World Events. 1990
Ex - Lib sticker to spine and inside cover. Stamp to FEP. Text is clean, tight and bright. Ex - Library
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Dayez, Hugues
Peyo l'enchanteur. Biographie de Hugues Dayez.
Bruxelles, Niffle, 2003. 189 S. Mit zahlr. ein- u. mehrfarb. Illustr. (= Profession). 24 cm. OKlappenbroschur.
Bookseller reference : 91489
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De Beir, Solinas, Tapie.
dames van de barok - Les Dames du Baroque Vrouwelijke schilders in het Italie van de 16de en 17de eeuw
, Snoeck Uitgeverij, 2018 SOFTCOVER , 240 x 210 mm, 272 p, 250 illustrations, NL/ FR edition. ISBN 9789461615022.
Bookseller reference : 51976
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DE POORTER, NORA.
Eucharist Series PART II . VOLUME 1 / Complete work of Rubens.,CORPUS RUBENIANUM LUDWIG BURCHARD. ( vol 1 only )
, Brussels, Arcade, 1977., Bound, black cloth, gilt spine, originale red dust jacket illustrated in b/w, red slip - case, 18x26,5cm, 510pp part II / VOLUME 1. ISBN 2800501251.
Bookseller reference : 6713
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De Kooning, Mil.
LUCIEN ENGELS, oeuvre catalogus. Lucien Engels First Edition.
, aa50 / Vlees & beton 26-27, 1995 Softcover, 124 pages, very richly illustrated with illustrations, 28x23cm, FINE and very RARE !.
Bookseller reference : 57979
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DE MUNCK, Bert.
TECHNOLOGIES OF LEARNING. APPRENTICESHIP IN ANTWERP GUILDS FROM THE 15th CENTURY TO THE END OF THE ANCIEN REGIME.
Turnhout , Brepols, 2007 Pictorial softcover, illustrated cardboard, 175 x 250mm., 305pp., b/w illustration. ISBN 9782503522708.
Bookseller reference : 20990
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DE JONGH, E.
ZINNE- EN MINNEBEELDEN IN DE SCHILDERKUNST VAN DE ZEVENTIENDE EEUW.
Vlaanderen/Amsterdam, Openbaar Kunstbezit in Vlaanderen/Nederlandse Stichting Openbaar Kunstbezit/Prins Bernhard Fonds, 1967 Gebonden, bruine hardcover met goudopdruk, 27.4x20.4 cm. , 102 pp. + 2, geillustreerd in kleur en in z/w.
Bookseller reference : 33938
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DE JONGH, E.
ZINNE- EN MINNEBEELDEN IN DE SCHILDERKUNST VAN DE ZEVENTIENDE EEUW.
Vlaanderen/Amsterdam, Openbaar Kunstbezit in Vlaanderen/Nederlandse Stichting Openbaar Kunstbezit/Prins Bernhard Fonds, 1967 Gebonden, bruine hardcover met goudopdruk, 27.4x20.4 cm. , 102 pp. + 2, geillustreerd in kleur en in z/w.
Bookseller reference : 55523
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De Barthe Joe
The Life and Adventures of Frank Grouard Classics of the Old West Series
Alexandria: Time Life Books 1982. reprint of 1894 edition. Fine/no dust jacket as issued. 545 p. frontis photos AEG marbled endpapers silk bookmark 8vo embossed leather original bookplate and information sheet laid in; Time Life Books hardcover
Bookseller reference : 40333 ISBN : 0809440067 9780809440061
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de Bary William Theodore and the Conference on Seventeenth Century Chinese Thought
The Unfolding of Neo-Confecianism Studies in Oriental Culture Number 10
Columbia University Press 1975. Hardcover. Very Good. Name date and stamp on the half-title page. No markings to text. Light spotting to page edges. 594 pages. Rubbing and small tears to edges of the dust jacket in a protective cover. Columbia University Press hardcover
Bookseller reference : 91229 ISBN : 0231038283 9780231038287
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De Beir, Solinas, Tapie.
dames van de barok - Les Dames du Baroque Vrouwelijke schilders in het Italie van de 16de en 17de eeuw
SOFTCOVER , 240 x 210 mm, 272 p, 250 illustrations, NL/ FR edition. ISBN 9789461615022. Welke rol speelden vrouwelijke kunstenaars in Italie tussen de late renaissance en de barok? Welk pad bewandelden deze kunstenaressen in een wereld geregeerd door mannen? Deze vragen onderzoekt het MSK in haar najaarstentoonstelling. Aan de hand van een 50-tal topwerken brengt het museum de cruciale rol van de vrouw in de Italiaanse schilderkunst van 1580 tot 1680 aan het licht. Spilfiguur is Artemisia Gentileschi (1593-1652), zonder twijfel de bekendste schilderes uit de Italiaanse 17de eeuw. Het MSK linkt haar werk aan haar tijdgenotes en neemt de bezoeker mee naar een bijzonder keerpunt voor de vrouw in de kunstgeschiedenis. Vrouwelijke kunstenaars in het Venetie, Rome, Napels en Bologna van de 16de en 17de eeuw delen een onmiskenbare verwantschap, die binnen de esthetiek van de barok een bijzondere plaats inneemt. Deze vrouwen hadden van schilderen hun beroep hadden gemaakt, en daardoor alleen al staken ze de gevestigde meesters en hun ateliers naar de kroon. Ze waren dochters, zussen, echtgenotes van bekende kunstenaars maar ook kloosterzusters en hun werken vertonen een conceptuele en vormelijke continuiteit binnen de diversiteit van de toen gangbare stijlen. Met gedurfde ingrepen en knappe expressieve vondsten omzeilden ze - subtiel als het moest, doortastend als het kon - de heersende regels en gebruiken opgelegd door de Contrareformatie, de hervormingsbeweging binnen de Katholieke Kerk. 'De dames van de barok' toont hoe de vrouwelijke kunstenaars in het Italie van de 16de en 17de eeuw inventief omgingen met de restricties van hun tijd. De tentoonstelling neemt de bezoeker mee naar een bijzonder moment in de kunstgeschiedenis waarop de vrouwelijke kunstenaar een prominentere plaats begint in te nemen. De grote variatie die in Gent wordt samengebracht is bovendien zonder meer uitzonderlijk, en brengt deze vaak verborgen wereld van vroege vrouwelijke kunstenaars met verve aan het licht.
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DE BOSSCHERE, JEAN.
QUINTEN METSYS.
softcover 21,5x16cm, 137pp, illustre n/b. Collection des grands artistes des Pays-Bas.
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De Brissac Cambell Doorothy.
The Intriguing Duchess. Marie de Rohan, Duchesse de Chevreuse.
New York, Covici Friede Publishers, 1930, in-8, tela editoriale, (8), 392. Con 8 tavole in b.n. e nota bibliografica. Buone condizioni.
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De Bruyckere, Berlinde
BERLINDE DE BRUYCKERE. Edited by Angela Mengoni. With contributions by Emmanuel Alloa, Gary Carrion-Murayari, J. M. Coetzee, Caroline Lamarche, Angela Mengoni and Philippe Van Cauteren.
Brussels., Mercatorfonds., 2014. 31 x 22 cm. 304 S. OPappband mit OUmschlag., 65934BB First printing. Umschlagkanten etwas berieben, oben an der Klappe mit winziger Fehlstelle. Sonst aber sehr gutes und frisches Exemplar.
Bookseller reference : 65934BB
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De Bruyckere, Berlinde
In the Woods there were Chainsaws.
Göttingen., Steidl Hauser & Wirth., 2008. 39 x 29 cm. [100] unpaginierte S. OPappband., 66921BB 1. Auflage. Einband teilweise berieben, sonst gutes Exemplar.
Bookseller reference : 66921BB
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De Caesaris Giovanni a cura di
Gli Ordini di Margarita d'Austria per li suoi Stati d'Abruzzo, del 1571 A cura di Giovanni De Caesaris
bross. edit. con titoli a due colori, piccole rotture in cop.
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De Caprariis Vittorio
Francesco Guicciardini Dalla politica alla storia
bross. edit. con titoli
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DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)
Il lavoro
Xilografia a due legni, 1923, siglata sul legno in basso a sinistra. Firmata a matita in basso a destra. Numerata a matita in basso a sinistra: 132/154. misure: mm 170 x 245. Timbro a secco in basso al centro. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Pittore, incisore e illustratore italiano. Si forma inizialmente a Bologna all’Accademia di Belle Arti e una volta ottenuto il diploma, nel 1892 si trasferisce a Roma. Qui conosce il poeta Nino Costa fondatore del cenacolo In arte libertas che proponeva un rinnovamento dell’arte attraverso la riscoperta dei grandi del Quattrocento sull’esempio dei Preraffaelliti. De Carolis inizia così a frequentare questo gruppo e ne diventa membro iniziando a realizzare dipinti di impronta preraffaellita. Nel 1900 conosce il poeta Giovanni Pascoli per il quale disegna ed esegue un pomo in argento e la targhetta per il bastone dono degli amici della rivista fiorentina Marzocco, inizia quindi ad occuparsi della decorazione grafica di alcune pubblicazioni del poeta. Tale collaborazione si rivela importante nella produzione artistica tra il 1892 e il 1928, perché le opere di questo periodo trattano paesaggi agresti e marini che risentono dell’intonazione pascoliana. Nel 1901 De Carolis lascia Roma per Firenze, dove insegna ornato all’Accademia di Belle Arti dedicandosi alla xilografia. Questa tecnica sarà a lui molto cara e primo in Italia riprenderà l’antica tecnica della xilografia policroma a più legni. Numerose saranno i fogli singoli o le illustrazioni per varie riviste e per le opere dell’amico D’Annunzio. Bibliografia Bardazzi/Carli/Djokic, 50. Amadio/Papetti, 78-79. Conti, 29. Woodcut from two block, 1923, signed at lower left. igned in pencil at lower right. Numbered in pencil lower left: 132/154. Sice: 170 x 245 mm. Dry stamp at bottom center. Excellent impression on smooth ivory paper, wide margins. Size: mm 170 x 245. Adolfo de Carolis (1874 - 1926), was born in Montefiore dell’Aso on the 6th of January 1874. He moved to Rome and was accepted as a member of the exclusive society ‘In Arte Libertas’ (Freedom in Art’) which had been founded by his close friend Giovanni (‘Nino’) Costa. This society opposed official styles promoted by the academies and influential art critics of the day and espoused the politics, philosophy and aesthetics of the British Pre-Raphaelite movement. The main figures in the British movement were William Morris, Dante Gabriel Rossetti, Edward Burne-Jones and Walter Crane. These groups were also almost certainly involved with the Freemasons, and much of the symbolism in their work have been identified as Masonic. De Carolis exhibited work at the In Arte Libertas annual exhibition right up to 1901. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. He was commissioned to produce murals for the Villa Brancadoro in San Benedetto del Tronto, and the ballroom of the Palazzo della Provincia (both in Ascoli Piceno). He also decorated the great hall of the Palazzo del Podestà in Bologna with murals. He designed the Baptismal Font at the Cathedral of Ajaccio, and contributed decoration and murals in many other illustrious edifices around Italy, as well as supervising restoration work in the Borgia apartments in the Vatican. He is also known for his stained glass and mosaics at the Villa Puccini in Torre del Lago. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In 1908 his work was described by a panel of judges in Bologna as ‘magnificent, full of evocative fervour, rich in imagination, and secure in the unity of the whole work’. In the backgrounds of many of his paintings it is possible to recognise the typical landscape of le Marche, which he loved so much. As well as his major works, in his later years he also designed bank notes, theatrical sets, posters, calendars, postcards, advertisements and even product labels. He also wrote essays on art and, from 1922, worked as a teacher at the Academy of Fine Arts in Rome. After world war 1 he was employed by the Ministry of War to design medals and certificates for war heroes. He died in Rome on the 7th of February 1928, but, in 1950, his mortal remains were returned to Montefiore by the then mayor, Francesco Egidi, and re-interred in a marble tomb in the church of San Francesco. And ten years later Egidi donated a series De Carolis’ oil sketches for the ‘Salone del Podestà’ in Bologna (the most prestigious public building in the city) which he worked on for over twenty years, between 1908 and 1928. The De Carolis family also donated the complete collection of engravings on wood (xylography) in 1976.
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DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)
Il timone
Xilografia a due legni, 1908, priva di firma. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Nel primo decennio del 1900, De Carolis dedica molta attenzione alla rievocazione di temi popolari, legati in particolare alle raffigurazioni di marine, così come testimonia questa stampa. L'utilizzo di più colori e quindi di un numero maggiore di legni ben si adatta alla vivacità di questi soggetti. Dopo l'adesione nel '96 al gruppo romano In arte libertas, creato dal paesista Nino Costa, dal 1901 insegna ornato in accademia nella Firenze dei maestri del Rinascimento, del "terribile" Michelangelo, del Böcklin dell'Isola dei morti. Comincia ad ornare libri per D'Annunzio e Pascoli e dal 1903 elabora fregi e d articoli per la rivista "Leonardo" fondata con Papini e Prezzolini. Fra le rigogliose figurazioni per la Francesca da Rimini (1902), le rusticane de La figlia di Iorio (1904), le lapidarie del Notturno del "Vate" (1917-21), le stampe marinaresche esprimono un'autonoma poetica. Il varo, L'argano, Il timone, La foce, Le arche - xilografie eseguite fra il 1904 e il 1908, mentre in Europa esplodono primi fenomeni d'avanguardia - denotano un lirismo contemplativo invischiato nel ristagno simbolista che connota la situazione italiana all'avvio del secolo. Ma al di là dei convenzionali significati latenti, quelli manifesti aprono - pur aderendo al fervore estetico del giapponismo fin-de-siècle - un discorso etnografico che si fa via via più urgente, teso a documentare l'irripetibile patrimonio che la "novella civiltà livellatrice" viene annientando. L'appello del 1920 (L'arte popolare, in "La Fionda", Roma) riscuote entusiastiche risposte, stimolando una sensibilità che nel 1923 porta all'istituzione del Regio Museo di etnografia italiana, dal 1956 Museo Nazionale delle Arti e Tradizioni popolari. Woodcut, 1908, printed from two blocks. Excellent impression, printed on ivory paper, wide margins, good condition. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In the first decade of the 1900s, De Carolis devoted a great deal of attention to the evocation of popular themes, linked in particular to representations of seascapes, as this print testifies. The use of more colors and therefore a greater number of woods is well suited to the liveliness of these subjects. After joining in '96 the Roman group In arte libertas, created by the landscape painter Nino Costa, from 1901 he taught ornament in the academy in Florence of the Renaissance masters, of the "terrible" Michelangelo, of Böcklin of the Isle of the Dead. He began to decorate books for D'Annunzio and Pascoli and since 1903 elaborates friezes and articles for the magazine "Leonardo" founded with Papini and Prezzolini. Among the luxuriant figurations for the Francesca da Rimini (1902), the rusticane of The daughter of Iorio (1904), the lapidarie of the Nocturne of the "Vate" (1917-21), the prints marinaresche express an autonomous poetic. Il varo, L'argano, Il timone, La foce, Le arche - woodcuts made between 1904 and 1908, while the first avant-garde phenomena were exploding in Europe - denote a contemplative lyricism caught up in the symbolist stagnation that characterized the Italian situation at the beginning of the century. But beyond the conventional latent meanings, the manifest ones open - while adhering to the aesthetic fervor of Japanism fin-de-siècle - an ethnographic discourse that becomes more and more urgent, aimed at documenting the unique heritage that the "new leveling civilization" is annihilating. The appeal of 1920 (L'arte popolare, in "La Fionda", Rome) received an enthusiastic response, stimulating a sensitivity that in 1923 led to the establishment of the Royal Museum of Italian Ethnography, since 1956 the National Museum of Popular Arts and Traditions.
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DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)
La sera, ritorno dalla pesca
Xilografia a due legni, 1908, priva di firma. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Nel primo decennio del 1900, De Carolis dedica molta attenzione alla rievocazione di temi popolari, legati in particolare alle raffigurazioni di marine, così come testimonia questa stampa. L'utilizzo di più colori e quindi di un numero maggiore di legni ben si adatta alla vivacità di questi soggetti. Dopo l'adesione nel '96 al gruppo romano In arte libertas, creato dal paesista Nino Costa, dal 1901 insegna ornato in accademia nella Firenze dei maestri del Rinascimento, del "terribile" Michelangelo, del Böcklin dell'Isola dei morti. Comincia ad ornare libri per D'Annunzio e Pascoli e dal 1903 elabora fregi e d articoli per la rivista "Leonardo" fondata con Papini e Prezzolini. Fra le rigogliose figurazioni per la Francesca da Rimini (1902), le rusticane de La figlia di Iorio (1904), le lapidarie del Notturno del "Vate" (1917-21), le stampe marinaresche esprimono un'autonoma poetica. Il varo, L'argano, Il timone, La foce, Le arche - xilografie eseguite fra il 1904 e il 1908, mentre in Europa esplodono primi fenomeni d'avanguardia - denotano un lirismo contemplativo invischiato nel ristagno simbolista che connota la situazione italiana all'avvio del secolo. Ma al di là dei convenzionali significati latenti, quelli manifesti aprono - pur aderendo al fervore estetico del giapponismo fin-de-siècle - un discorso etnografico che si fa via via più urgente, teso a documentare l'irripetibile patrimonio che la "novella civiltà livellatrice" viene annientando. L'appello del 1920 (L'arte popolare, in "La Fionda", Roma) riscuote entusiastiche risposte, stimolando una sensibilità che nel 1923 porta all'istituzione del Regio Museo di etnografia italiana, dal 1956 Museo Nazionale delle Arti e Tradizioni popolari. Woodcut printed from two blocks. Excellent impression, printed on ivory paper, wide margins, good condition. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In the first decade of the 1900s, De Carolis devoted a great deal of attention to the evocation of popular themes, linked in particular to representations of seascapes, as this print testifies. The use of more colors and therefore a greater number of woods is well suited to the liveliness of these subjects. After joining in '96 the Roman group In arte libertas, created by the landscape painter Nino Costa, from 1901 he taught ornament in the academy in Florence of the Renaissance masters, of the "terrible" Michelangelo, of Böcklin of the Isle of the Dead. He began to decorate books for D'Annunzio and Pascoli and since 1903 elaborates friezes and articles for the magazine "Leonardo" founded with Papini and Prezzolini. Among the luxuriant figurations for the Francesca da Rimini (1902), the rusticane of The daughter of Iorio (1904), the lapidarie of the Nocturne of the "Vate" (1917-21), the prints marinaresche express an autonomous poetic. Il varo, L'argano, Il timone, La foce, Le arche - woodcuts made between 1904 and 1908, while the first avant-garde phenomena were exploding in Europe - denote a contemplative lyricism caught up in the symbolist stagnation that characterized the Italian situation at the beginning of the century. But beyond the conventional latent meanings, the manifest ones open - while adhering to the aesthetic fervor of Japanism fin-de-siècle - an ethnographic discourse that becomes more and more urgent, aimed at documenting the unique heritage that the "new leveling civilization" is annihilating. The appeal of 1920 (L'arte popolare, in "La Fionda", Rome) received an enthusiastic response, stimulating a sensitivity that in 1923 led to the establishment of the Royal Museum of Italian Ethnography, since 1956 the National Museum of Popular Arts and Traditions.
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De Cataldo Giancarlo
Il maestro Il terrorista Il terrone
bross. edit. ill. con bandelle
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de Cervantes Miguel Illustrated with eighteenth century engravings translated from the Spanish by Samuel Putnam
Three Exemplary Novels
Pennsylvania: The Franklin Library 1983. 1st edition. full leather. New book. octavo. 179pp. frontis. illusts. Limited Edition. Full bright red leather with bright gilt decorations to both boards & spine; raised bands all edges gilt moire silk end-papers satin ribbon bookmark The Franklin Library hardcover
Bookseller reference : 132340
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De Cesare Raffaele
La fine di un regno Edizione definitiva con aggiunte, nuovi documenti e indice dei nomi
tela edit. con sovrac., piccole rotture e lieve brunitura in sovrac.
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De Cesare Raffaele
La fine di un regno Edizione definitiva con aggiunte, nuovi documenti e indice dei nomi
n. 52 tela edit. con sovrac., rotture, mancanze e tracce d'uso in sovrac., brunitura e fioriture in sovrac., ai tagli e alle prime e ultime pp.
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DE CHIRICO GIORGIO
Giorgio de Chirico
Andros.: Umberto Allemandi. Turin. 1995. Paperback. Very Good. 4to. Original card covers. 244pp. French/Greek text. Essays extensive documentation 82 colour and b/w illusts. <br/><br/> Umberto Allemandi. paperback
Bookseller reference : 020325
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De Cordier, Thierry / Serra, Richard / Smithson, Robert - Christiaan Braun (Herausgeber)
Ik ben de wereld. Museum Overholland - extra muros -. Ver Gezichten. Teylers Museum, Haarlem. 30.11.1996 . 9.2.1997. ik ben de wereld. Kröller-Müller Museum, Otterlo, 31.8. - 26.10.1997.
Otterlo., Kröller-Müller Museum., 1997. 24,2 x 30,9 cm. [70] unpaginierte S. OBroschur als genähtes japanisches Blockbuch gebunden., 3190E Erste Auflage. Minimalst berieben, sonst sehr gutes Exemplar.
Bookseller reference : 3190EB
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De Coster, Charles
Flämische Legenden. Deutsch von Marie Lamping und Friedrich von Oppeln-Bronikowski.
Jena, Eugen Diederichs, 1911. VIII, 213 S. Mit 1 Holzschnitt von F. H. Ehmcke-Düsseldorf. 19,5 cm. OHPgt mit Kopfrotschnitt.
Bookseller reference : 88745
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De Coster, Charles
Vlämische Legenden. Deutsch (u. mit einem Vorwort) von Georg Goyert. Mit 4 Holzschnitten von Max Thalmann. 1.-5. Tsd.
Weimar, Gustav Kiepenheuer, 1916. 263 S. Mit 4 ganzseit. Illustr. (= Die Liebhaberbibliothek, Bd. 35). Kl.-8vo (16,5 x 11,5 cm). Orig.-HALBLEDER mit RVergold. u. RSchild sowie marmor. Deckel-Bezügen.
Bookseller reference : 69624
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De Donno Alfredo
Gli italiani del Risorgimento
bross. edit. ill.
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De Donno Alfredo
Gli italiani del Risorgimento
bross. edit. ill., fascetta edit.
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De Feo Italo
Cavour L'uomo e l'opera
tela edit. con sovrac. ill.
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De Feo Italo
Cavour L'uomo e l'opera
n. 534 bross. edit. ill.
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DE GILDA PIERSANTI
CONSTANTIN GUYS . IL PITTORE DELLA VITA MODERNA. 10/09/1980-05/10/1980. (494 grams)
IN 8 OBLONG. BR [BE]. 206 PP. 150 ILL EN NOIR ET EN COULEURS. 5BE]
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de Goede, Kees
Kees de Goede. Stedelijk Van Abbemuseum Eindhoven [15 mei t/m 26 juni 1988].
Eindhoven., Stedelijk Van Abbemuseum., 1988. 29 x 24 cm. 46 S., 1 Blatt. OKarton., 55090BB Auflage: 1250 Exemplare. Einband etwas angestaubt und minimal lichtrandig, sonst gutes Exemplar.
Bookseller reference : 55090BB
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De Grada, Raffaele und Flaminio Gualdoni
Le Mobilier du XXe siècle en France et en Europe.
Menges, Paris, 1991. 303 Seiten, 4°, 29 x 22 cm, Kunstleder mit Schutzumschlag / Imitation leather with Jacket
Bookseller reference : 37628
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De Gregorio, Giuseppe
Galleria L`Attico. 23 aprile 1960.
Rom., Galleria L`Attico., 1960. 30 x 22 cm. 6 unpaginierte S., inklusive Einband-Innenseiten. OKarton mit OKlappenumschlag., 55104BB Erste Auflage. Kanten teils stärker bestossen, ordentliches Exemplar.
Bookseller reference : 55104BB
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DE JEAN F. BUYCK, PAUL VANDENBROECK, ELIANE GUBIN…
HET KIND IN ONZE KUNST VAN 1800 TOT HEDEN. 18/11/1983-05/02/1984. ( LES ENFANTS DANS L'ART). NAVEZ. DE BRAEKLEER. VIEILLEVOYE. WAPPERS. WIERTZ. HUNIN. DE LOSSE. GALLAIT. DE WINNE. LIES. VAN LERIUS. VERLAT. DE GROUX. GERARD. MEUNIER. VERHAS. CLUYSENAAR....
IN 8 CARRE. BR [MOY]. 304 PP. 121 ILL EN NOIR ET EN COULEURS. [BE]
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de Jonge, C.H.and W.Vogelsang
Hollandische Mobel Und Raumkunst Von 1650-1780
This is a very good hardcover copy in red cloth boards and dark brown cloth spine. Gilt device and titles to the front cover and spine. No dust jacket. Very clean inside and out. Spine top chipped. Text in German. 434 black & white illustrations of 17th and 18th century Dutch furniture. 12" high X 9" wide, 22 text pages + plates. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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DE JONGH, E.
ZINNE- EN MINNEBEELDEN IN DE SCHILDERKUNST VAN DE ZEVENTIENDE EEUW.
Gebonden, bruine hardcover met goudopdruk, 27.4x20.4 cm. , 102 pp. + 2, geillustreerd in kleur en in z/w.
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