‎Fin de siècle‎

‎Duncan Bull.‎

‎Rembrandt Caravaggio.‎

‎Softcover, 208pp., 25x29.5cm., illustr. throughout in col., fine condition. English text. ISBN 9789040091360. Rembrandt - Caravaggio highlights the two geniuses of baroque painting: Rembrandt, the pre-eminent artist of the Dutch Golden Age, and his Italian counterpart Michelangelo Merisi (also known as Il Caravaggio). Both artists are considered revolutionary innovators in Northern and Southern European art, respectively. With their origins in different painting traditions, each developed an original and striking visual language. The juxtaposition in pairs of paintings by the two artists intensifies the comparison of their work. Although they never met - Caravaggio (1571-1610) died four years after the birth of Rembrandt van Rijn (1606-1669) - many parallels can be drawn between the two master painters and their oeuvres. This is the first publication to comprehensively compare the works of Rembrandt with those of Caravaggio. Exploring the use of contrasting colours and chiaroscuro, both artists achieved unexpected realistic detail. Unsettling to their contemporaries, the realism of the works of Rembrandt.‎

‎Duncan, Isadora & Elizabeth - Frank-Manuel Peter (Herausgeber)‎

‎Isadora & Elizabeth Duncan in Deutschland. Isadora & Elizabeth Duncan in Germany.‎

‎Köln., Wienand Verlag / Deutsches Tanzarchiv., 2000. 28,6 x 23,7 cm. 181 S. OPappband mit illustriertem OUmschlag., 69164A Erste Auflage Stauchung am Vorderdeckelfuß, sonst gutes bis sehr gutes Exemplar.‎

‎Durchgehend mit schwarz-weißen Abbildungen versehen. Katalogbuch anläßlich der Ausstellung "Isadora und Elizabeth Duncan - das Land der Griechen mit dem Körper Suchend" des Deutschen Tanzarchivs Köln (Träger: SK Stiftung Kultur/Stadt Köln) im Kölner Mediapark vom 26. Mai bis zum 30. Juli 2000. Texte in deutscher und englischer Sprache. Beiliegend zwei Einladungsklappkarten zur Ausstellung sowie eine postalisch nicht gelaufene Postkarte des Deutschen Tanzarchivs, mit einem handschriftlichen Gruß des Buchherausgebers versehen.‎

Bookseller reference : 69164AB

‎Duncker, Max‎

‎Aus Max Duncker's Vorträgen im dritten Coetus der Königlichen Kriegsakademie, gehalten von Oktober 1873 bis Juli 1886. Erinnerungsgabe an seine Zuhörer. Manuscript.‎

‎Berlin, G. Bernstein, 1888. 412 S. Mit 1 Porträt in Photogravüre. Gr.-8vo. Priv. HLdr. mit Goldpräg.‎

‎"Eigenthum des Rittmstr. v. Reuß" (= hs. Besitzvermerk a. V. verso). - Postum als Manuskript gedruckt. - Zur Französischen Revolution u. ihrer Vorgeschichte. - Der Historiker Maximilian Wolfgang Duncker (1811-1886) war Direktor des Staatsarchivs in Berlin u. Hofhistoriograph (ADB 48, S. 171-199). - Einband berieben‎

Bookseller reference : 53490

‎Duni Egidio Anseaume M. Louis Castaud bookseller Hue Louis Hector active engraver Monthulay active th century pri‎

‎Les deux chasseurs et la laitie€re : comedie en un acte 1763 Leather Bound‎

‎2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1763. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - fre Pages 122. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover‎

Bookseller reference : LB1111004710461

‎Duni Egidio Anseaume M. Louis Castaud bookseller Hue Louis Hector active engraver Monthulay active th century pri‎

‎Les deux chasseurs et la laitie€re : comedie en un acte 1763‎

‎2020. Paperback. New. Lang: - fre Pages 122. Reprinted in 2020 with the help of original edition published long back 1763. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback‎

Bookseller reference : PB1111004710461

‎Duni Egidio Favart M. Charles Simon Castaud bookseller Monthulay active th century printer‎

‎Les moissonneurs : comedie en trois actes 1768 Hardcover‎

‎2020. Hardcover. New. Lang: - fre Pages 158. Reprinted in 2020 with the help of original edition published long back 1768. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover‎

Bookseller reference : 1111004711202

‎Dunker, Balthasar Anton - 1746 Saal/Stralsund - Bern 1807‎

‎Landschaft mit Reitern, Hirtin mit Vieh und Betteljunge.‎

‎o.J. Radierung, 1771, nach C. Dujardin, auf Velin, rechts oben nummeriert ?55?, unt er der Darstellung bezeichnet ?Du Cabinet de Mr. Le Duc de Choiseul. 17,5:15,5 cm. Literatur: Thieme-Becker, Bd. II (Basan), S. 591/92. Provenienz: Sammlung J.N. Seiler, München, nicht bei Lugt. Rundum auf die Plattenkante geschnitten und auf Sammlungsuntersatz montiert.‎

‎Während eines Paris-Aufenthaltes reproduzierte Dunker - 1770-72 - im Auftrag von P.F. Basan (1723-1797) zahlreiche Gemälde aus der Sammlung des Herzogs von Choiseul‎

Bookseller reference : 0546-B

‎DUNLAP Joseph R.‎

‎On the Heritage of William Morris. Some Considerations Typographic & Otherwise. An Address.‎

‎New York: The Typophiles 1976. 18.3 cm x 11.6 cm plain card covers pp. 26. Inscribed by Dunlap. Fine in dust jacket. New York: The Typophiles, 1976. unknown‎

Bookseller reference : 13213

‎Dunlap Kate/Tyler S. Lyman ed‎

‎The Montana Gold Rush Diary of Kate Dunlap‎

‎Denver: Fred A. Rosenstock/Old West Publishing Co./University of Utah Press 1969. 1 of 2000 copies of limited edition. VG/no dust jacket as issued. 76 p. photos color maps appendix biblio folio illustrated boards; Fred A. Rosenstock/Old West Publishing Co./University of Utah Press hardcover‎

Bookseller reference : 31751 ISBN : 0912094141 9780912094144

‎Dunn, Olav‎

‎Die Juwinkinger. Per Anders und sein Geschlecht. Hrsg. von J. Sandmeier. 2 bde. (= komplett).‎

‎Frankfurt a. M. Rütten & Loening, 1927/1929. 575; 585 S. 20 cm. Rotes Ganzleder mit goldgeprägt. Rücken.‎

‎[Juvikingar, dt.]. - Die Bände erscheien im Zweijahresabstand. Gemeinsam mit Olav Dunn aus dem norwegischen Landsmaal übertragen von J. Sandmeier und S. Angermann. - Olav Duun (1876-1939), norwegischer Schriftsteller, mehrf. nominiert für den Literaturnobelpreis. - Kapitale berieben; Papier schwach gebräunt, Schnitt leicht begriffen‎

Bookseller reference : 97515

‎DUNOYER DE SEGONZAC‎

‎Dunoyer de Segonzac. Cinquante ans de peinture. Poster‎

‎Paris: Galerie Charpentier. 1960. First edition. Paperback. Very Good. Original colour lithograph poster for the show printed by Mourlot. Light handling creases. 750x500mm. Galerie Charpentier. paperback‎

Bookseller reference : 019681

‎DUNOYER DE SEGONZAC‎

‎Hommage a Dunoyer de Segonzac. OEuvre Grav�. Poster‎

‎Blois.: Ch�teau de Blois. 1967. First edition. Paperback. Very Good. Original poster for the show. Colour lithographed by Mourlot. 680x500. Light handling creases. Ch�teau de Blois. paperback‎

Bookseller reference : 019717

‎Dupin, Jacques‎

‎Miró.‎

‎(Barcelona), Polígrafa, (1993). 479 S. Mit 293 s/w Abb. und 200 Farbabb. 4to. OLN. m. SU im stabilen, illustr. OSchuber.‎

‎[Miró, engl.] - Gutes, sauberes Exemplar‎

Bookseller reference : 51537

‎Duplessi Bertaux Jean artist Joubert F. E. Franc?ois Etienne active th century publisher‎

‎Album de la jeunesse des amateurs et des artistes compose de vingt-cinq sujets divers arts et metiers chevaux chasses scenes militaires vues et paysages ornes de fabriques et d'animaux etc. 1823 Hardcover‎

‎2020. Hardcover. New. Lang: - fre Pages 82. Reprinted in 2020 with the help of original edition published long back 1823. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover‎

Bookseller reference : 1111008395800

‎Dupre XXX. abbe of Lyons th century.‎

‎Le moine s�cularis�; r�impression textuelle de l'�dition de 1675 1874 Hardcover‎

‎2020. Hardcover. New. Lang: - fre Pages 172. Reprinted in 2020 with the help of original edition published long back 1874. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover‎

Bookseller reference : 1111010086452

‎Dupuy, Jean‎

‎Jaunes Voilets. YPUDU Anagrammiste 1981.‎

‎o.J. 62603AB‎

‎Acryl, gelbe und violette Schrift, Tinte und Stempel auf Leinwand. Stempelsigniert "YPUDU Anagrammiste 1981. 21,0 x 18,5 cm.‎

Bookseller reference : 62603AB

‎DURAND, FR‎

‎Francois Mauriac. Independance et fidelite. Lille.‎

‎1980. Gr.-8vo. 4, 750 S., 1 Bl. OKart.‎

Bookseller reference : 1019159

‎Durant, Will / Durant, Ariel‎

‎Das Zeitalter der Vernunft hebt an. Eine Geschichte der europäischen Kultur zur Zeit Shakespeares, Bacons, Montaignes, Rembrandts, Galileis und Descartes' (1558-1648). (Ins Dt. übertr. v. Hanneliese Hinderberger. 2. Aufl.‎

‎Bern, Francke, (1965). 742 S. Mit 68 Abb. auf 32 Taf. (= Kulturgeschichte der Menschheit, Bd. 7). 24 cm. OLn. m. SU.‎

‎[The Age of reason begins, dt.]. - Gutes Exemplar‎

Bookseller reference : 89869

‎Duratschek Claudia‎

‎Crusading Along Sioux Trails‎

‎Yankton SD: Benedictine Convent of the Sacred Heart 1947. 334 pp. A history of Catholic Indian Missions among the South Dakota Sioux 1839-1945. First Edition. Cloth. Fine/Very Good. 8vo - over 7�" - 9�" tall. Benedictine Convent of the Sacred Heart Hardcover‎

Bookseller reference : 5017

‎DURER Albrecht (Norimberga 1471 - 1528)‎

‎I tre Vescovi‎

‎Xilografia, 1505 circa, monogrammata nella tavoletta in basso a destra. Stato unico, nella terza variante, di cinque, descritte da Meder (n. 233 c/e) Magnifica prova, nitida e ben contrastata, nella terza variante descritta da Meder, caratterizzata da una piccola rottura del legno che comporta una mancanza di circa 5 mm nella parte superiore della linea d’inquadramento. In ottimo stato di conservazione. San Nicola, a sinistra, è identificato dal pane che tiene in mano, che gli fu portato durante una carestia sull'isola dove viveva, dalla barca sullo sfondo. Sant'Erasmo, a destra, sta portando le sue viscere, avvolte intorno a un rocchetto, e inoltre, è identificato dalla ruota con una candela accesa. Al centro c'è Sant'Ulrico, il patrono di Augusta, con in mano il suo simbolo, un pesce. Poiché è al posto d'onore, è stato ipotizzato che questo foglio sia stato commissionato o inteso per essere venduto ad Augusta. Il nome Ulrich non era comune a Norimberga. Questa stampa è spesso considerata come la controparte di un’altra xilografia, raffiguranti i SS. Lorenzo, Sisto e Stefano, sebbene le figure siano più allungate. Alcuni critici hanno anche riconosciuto un concetto spaziale che sembra corrispondere ad alcuni fogli de La Piccola Passione. Di conseguenza, datano questo foglio dopo il ritorno di Dürer dal suo secondo viaggio in Italia, cioè verso il 1508. Ma – osserva Strauss - questa xilografia corrisponde in troppi dettagli ad altre due: il soggetto, lo sfondo, gli uccelli, e inoltre il tipo di carta su cui è stampata, che non la distingue affatto dalle altre cosiddette "modest woodcuts", tutte riferibili agli anni 1503-1505. La forma della tavoletta che porta il monogramma è unica, ma rudimentale. Queste differenze possono essere più propriamente attribuite alla presenza di un'altra mano nella bottega di Dürer che ha modificato il disegno di Dürer in fase di intaglio. Bibliografia Bartsch, 118; Meder, 233 (c/e); Tietze, 398; Panofsky 338; Strauss n. 88. Woodcut, 1505 circa, signed with monogram on tablet lower right. Only state. Impression of Meder variant c/e, with a 5 mm gap in the upper border. Good impression, black, full-bordered, with a 5mm gap in the upper border according the variant c/e described by Meder. Very good condition “St. Nicholaus, on the left, is identified by the bread he is holding, which was brought to him during a famine on the island where he lived by the boat in the background. St. Erasmus, on the right, is carrying his entrails, wound around a reel, and in addition, is identified by the wheel with a burning candle. In the center is St. Ulrich, the patron saint of Augsburg, holding his symbol, a fish. Because he is in the place of honor, it has been surmised that this sheet was commissioned or intended to be sold in Augsburg. The name Ulrich was not common in Nuremberg. This print is often regarded as the counterpart to the preceding one (no. 87), although the figures are longer elongated. Some commentators have also detected a spatial concept that seemingly corresponds to some of the sheets of "The Small Passion' (nos. 106-142). Accordingly, they date this sheet after Dürer's return from his second Italian journey, i.e. c.1508.2 We find that assumption highly speculative. This woodcut corresponds in too many details with at least the two preceding ones: the subject, the background, the birds, and moreover the type of paper that it is printed on, which in no way sets it apart from the other "modest" woodcuts. The shape of the tablet bearing the monogram is unique, yet primitive. These differences can more properly be ascribed to the presence of another hand in Dürer's workshop who modified Dürer's design in preparation for the cutter.” (cf. Strauss, n. 88, p. 296).  Literature Bartsch, 118; Meder, 233 (c/e); Tietze, 398; Panofsky 338; Strauss n. 88.‎

‎DURER Albrecht (Norimberga 1471 - 1528)‎

‎La Pentecoste‎

‎Xilografia, 1510 circa, firmata con il monogramma in basso al centro, nell’immagine. Della serie “La Piccola Passione”. Esemplare dalla prima edizione latina, edita nel 1511. Magnifica prova, ricca di toni e ben contrastata, rifilata alla linea del margine, testo latino al verso, in ottimo stato di conservazione. Nota Strauss che l'apostolo in primo piano ricorda "l’Altare Heller", mentre la Vergine ha una stretta somiglianza con quella di Schäufelein nel foglio corrispondente Conformemente alla Scrittura, i seguaci di Cristo sono sormontati da "lingue di fuoco" (Atti 2:1-3) che simboleggiano "l'effusione dello Spirito Santo". Contrariamente a Schäufelein, l'evento si svolge all'aria aperta, e ci sono molti partecipanti in quanto non c'è evidenza che alla scena assistitano solo i discepoli. Uno studio dettagliato, condotto dalla Hass, rivela l’interpretazione personale dell'artista. L'aspetto più sorprendente della versione di Dürer della Penecoste è che l'effusione dello Spirito Santo non è limitata a Maria e ai discepoli: quindici fiamme escono dalle corone di Maria e dei vecchi e nuovi seguaci di Cristo, mentre sullo sfondo tre dei devoti ebrei menzionati negli Atti sono ancora seduti e, guardando, discuno gli eventi davanti a loro. Mentre l'ampliamento del numero – da dodici a quindici - esseri illuminati dallo Spirito può essere giustificata in termini di descrizione fornita negli Atti, rimane una licenza in termini pittorici. I precursori locali, tra cui il maestro di Dürer, Wolgemut, mostrano principalmente dodici figure benedette tra cui la Vergine. Inoltre, nel suo testo di accompagnamento per questa immagine Chelidonius commenta la discesa dello Spirito Santo solo in relazione ai discepoli; anche questo è in contrasto con l'evidenza visiva nell'immagine di Dürer. Intorno al 1509, mentre stava ancora completando la Grande Passione, Dürer iniziò la sua serie più estesa delle passioni di Cristo, La Piccola Passione, che comprende trentasette xilografie. La serie fu pubblicata come libro; ogni tavola è accompagnata da un testo narrativo-descrittivo composto dall'amico di Dürer, il chierico umanista Benedictus Chelidonius, che aveva precedentemente collaborato con l'artista per i testi delle serie di xilografie della Vita della Vergine e della Grande Passione. Fu Friedrich Winkler che nel 1941 suggerì che a fornire il modello per la Piccola Passione fosse stato Hans Schäufelein, uno degli allievi di Dürer, ma questa proposta non è accettata all'unanimità dagli studiosi. Angela Hass nota che, dato ciò che sappiamo del carattere di Dürer e delle relative doti dei due artisti, il rapporto maestro/allievo da solo è in contraddizione. Così come il fatto che c'è un’alterazione sia nella scelta che nell'interpretazione dei soggetti. Dürer include nove temi che non appaiono nella serie di Schäufelein, il frontespizio e le quattro scene introduttive che precedono l'Entrata di Cristo a Gerusalemme, altre quattro scene leggendarie sono state aggiunte, includono i Santi Veronica, Pietro e Paolo; due scene che figurano nell'arco della serie di Schaufelein sono omesse da Dürer, la Spogliazione di Cristo e, più importante, l'Incoronazione della Vergine.  Un'altra ragione per mettere in dubbio l'opinione di Winkler deriva dal fatto che una parte sostanziale dell'iconografia che Dürer impiega nella serie della Piccola Passione può essere ricondotta a opere d'arte contemporanee e precedenti che erano facilmente accessibili per entrambi gli artisti. Bibliografia Hollstein, 160; Bartsch, 51; Panofsky, 271; Strauss, 135; TIB 1001.251; A. Hass, Two Devotional Manuals by Albrecht Dürer: The "Small Passion" and the "Engraved Passion." Iconography, Context and Spirituality, in Zeitschrift für Kunstgeschichte 63. Bd., H. 2 (2000), pp. 169-230 (62 pages) Woodcut, 1510 circa, signed lower centre in the image with monogram. From the series The Small Passion. Example from the first latin book edition of 1511. Magnificent proof, printed with tone on contemporary laid paper, irreguralely trimmed to the borderline, very good condition. The apostle in the foreground is reminiscent of the “Heller Altarpiece”, whereas the Virgin bears a close resemblance to Schäufelein’s in the correspondong sheet. Conforming to Scripture, Christ’s followers are surmounted by “cloven tongues as of fire” (Acts 2:1-3) that symbolize the “outpourung of the Holy Spirit”. Contrary to Schäufelein, the event takes place in the open air, and there are many participans as there is no record that the scene was witnessed only by the disciples. However, a detailed study reveals the artist’s personal understanding. The most striking aspect of Dürer’s version of the Penecost is similarly that th inspiration of the Holy Ghost is not confined to Mary and disciples: fifteen flames issue forth from the crowns of Mary and Christ’s old and new followers, while in background three of the devout Jews mentioned in Acts are still seated, looking on and discussing the events before them. While Dürer's expansion of the common number of twelve to fifteen enlightened beings can be justified in terms of the description provided in Acts, it remains a license in pictorial terms. Local forerunners, including Dürer's teacher Wolgemut, principally show twelve blessed figures including the Virgin. Further, in his accompanying text for this image Chelidonius comments on the descent of the Holy Ghost in relation to the disciples only; this too is at odds with the visual evidence in Dürer’s image. The original wood block is in the British Museum. Around 1509, while still completing the Large Passion, Dürer commenced his most extensive series of the Passion of Christ, The Small Passion, which comprises thirty-seven woodcuts. The series was published as a book; each platesi s accompanied by a descritive narrative text composed by Dürer’s friend, the humanist cleric Benedictus Chelidonius, who had previously collaborated with the artist on the texts for the woodcut series of the Life of Virgin and the Large Passion. It was Friedrich Winkler who in 1941 suggested that Hans Schäufelein, one of Dürer’s students, provide the model for the Small Passion, but this proposal is not unanimously accepted by scholars. Angela Hass notes that given what we know of Dürer character and of the relative gifts of the two artists, the Master/pupil relationship alone speaks against it. So, too, does the fact that there is an altered emphasis in both the choice and interpretation of subject matter. Dürer includes nine themes that don't appear in Schäufelein's series , the title page and the four introductory scenes that precede Christ's Entry to Jerusalem, further four legendary scenes were added , they include Sts Veronica, Peter and Paul ; two scenes that feature in Schaufelein's series arc omitted by Dürer , the Disrobing of Christ and , more importantly , the Coronation of the Virgin .  Another reason for questioning Winkler’s view arises from the fact that a substantial parte of the iconography which Dürer employs in the Small Passion series can be traced back to contemporary and prior works of art which were readily available to both artists. Bibliografia Hollstein, 160; Bartsch, 51; Panofsky, 271; Strauss, 135; TIB 1001.251; A. Hass, Two Devotional Manuals by Albrecht Dürer: The "Small Passion" and the "Engraved Passion." Iconography, Context and Spirituality, in Zeitschrift für Kunstgeschichte 63. Bd., H. 2 (2000), pp. 169-230 (62 pages)‎

‎Durham Donald Blythe. Achilles Tatius fl. 4th century BC‎

‎Parody in Achilles Tatius.‎

‎offprint Classical Philology XXXIII: 1 January 1938. Soft Cover. Signed. 19 p. 24 cm. "The casual reader of the Greek romances finds them for the most part. similar even to the point of monotony. Most of them present a beautiful exceedingly virtuous heroine and a perfect hero. a closer examination reveals the fact that the characters of Achilles Tatius Greek rhetorician; wrote the romance 'Leucippe and Cleitophon' behave in strange ways. It is the belief of the present writer that. finding the idealism of his predecessors insipid he ridicules it by parody." Stapled without covers; corners soft light soiling; good. Author’s printed ink inscription to Lewis Hall Gordon. stock#31508. offprint, Classical Philology XXXIII: 1, January 1938 paperback‎

Bookseller reference : 31508

‎Durozoi, Gerard‎

‎Die Kunst im 20. Jahrhundert. Sehen und Verstehen.‎

‎Ostfildern., Gerd Hatje., 1998. 30 x 27,5 cm. 206 S., 3 Blatt. Illustrierter OKarton., 13667D Erste Auflage. Einbandkanten mit kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar.‎

‎Durchgehend mit Abbildungen versehen.‎

Bookseller reference : 13667DB

‎Durrieu Paul comte Jacques de Besanc?on active th century Socie?te? de l'histoire de Paris et de l'Ile de France France‎

‎Jacques de Besancon et son oeuvre : un grand enlumineur parisien au XVe siecle 1892 Leather Bound‎

‎2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1892. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - fre Pages 146. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover‎

Bookseller reference : LB1111007292720

‎Durst Paul‎

‎Intended Treason‎

‎South Brunswick: A S. Barnes 1970. 351 pp. Dw nicked. What really happened in the Gunpowder Plot. . First Edition. Hard Cover. Very Good/Good. 8vo - over 7�" - 9�" tall. A S. Barnes Hardcover‎

Bookseller reference : 8248 ISBN : 0498078302 9780498078309