‎Fin de siècle‎

‎18th Century British Engraver‎

‎She With The Sylvan Pen‎

‎London: ca. 1750. Engraving Oblong 6.2 x 2.7 cm. Very Good; with image on recto for October. From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. [London: ca. 1750?] unknown‎

Ссылка продавца : 63-7233

‎18TH CENTURY LEGAL Henry & Thomas Rogerson; Thomas Greive Solomon Henry Samuel Haskell; Samuel Smith; William Archer; Christo‎

‎Sudbury - Attested copy of Lease for a year.‎

‎29th August 1768 . 0. 1768 - Attested copy of Lease for one year. Between Henry & Thomas Rogerson of Swithins Lane London Watchmaker and Thomas Greive Swithins Lane London Gentleman The properties located in Cornard End Street Sudbury Suffolk. Tenants: Haskell; William Archer Christopher Bourney; John Berry; Godwin; and Sherman. Also messuage in Great Wallingfield occupied by James Sparkes. 3 sides watermarked paper cover sheet. Copy made 1794 - signed by Jno Adolphus Cecil Street Strand & Edmd Adolphus clerk to John Adolphus. . 29th August, 1768 . 0 unknown‎

Ссылка продавца : 39106

‎18TH CENTURY LEGAL DOCUMENT Henry & Thomas Rogerson; Thomas Greive; Haskell; William Archer; Christopher Bourney; John Berry;‎

‎Sudbury - Attested Copy for the Release of 7 Houses.‎

‎30th August 1764 . 0. 1764 - Attested copy of Release of 7 houses in the County of Suffolk. By Henry & Thomas Rogerson both of Swithins Lane London to Thomas Greive Swithins Lane London Gentleman. �Six freehold messuages in Cornard End Street Sudbury. Tenants: Haskell; William Archer; Christopher Bourney; John Berry; Goodwin; Sherman. Also one messuage in Great Wallingfield occupied by James Sparkes. 4 sides watermarked paper cover sheet. Copy made 1794 - signed by Jno Adolphus Cecil Street Strand & Edmd Adolphus clerk to John Adolphus. . 30th August, 1764 . 0 unknown‎

Ссылка продавца : 39113

‎18th Century British Engraver?‎

‎Sylvan Scene‎

‎London: ca. 1790. Engraving on Laid Paper 6.3 x 11 cm. Very Good. From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. [London: ca. 1790?] unknown‎

Ссылка продавца : 63-7167

‎18th Century British Engraver‎

‎Trail The Long Rake Or With The Fragrant Load‎

‎London: ca. 1750. Engraving Oblong 6.2 x 2.7 cm. Very Good; with image on recto for August. From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. [London: ca. 1750?] unknown‎

Ссылка продавца : 63-7232

‎18th Century British engraver‎

‎View Of The Coal Exchange Thames Street‎

‎London: 1794. Engraving. 13.5 x 5.75 cm. Very Good with faint inked lettering on verso. Scarce. From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. London: 1794 unknown‎

Ссылка продавца : 63-7064

‎18th Century Vellum Document.‎

‎Wakefield Court Baron: Sarah Rayner.‎

‎Derby: 26 June 1778 . 0. Vellum document. 19" x14". Sarah Rayner formerly of Birstall York but late of Eckington Derby. . Derby: 26 June, 1778 . 0 hardcover‎

Ссылка продавца : 45374

‎18th Century British Engraver‎

‎While The Full-Uddered Mother Lows Around‎

‎London: ca. 1750. Engraving Oblong 6.2 x 2.7 cm. Very Good; with image on recto for July. From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. [London: ca. 1750?] unknown‎

Ссылка продавца : 63-7231

‎18th Century Vellum Document‎

‎Will & Probate of Robert Swann Walden Essex‎

‎20th January 1770 . 0. Folded vellum document. 20" x 26". Probate proved on 3rd November 1770 with wax/paper seal. Robert Swann the elder of Saffron Walden Essex Yeoman. . 20th January 1770 . 0 hardcover‎

Ссылка продавца : 45398

‎18th Century History Roman Empire Omens‎

‎Julii Obsequentis Quae Supersunt Ex Libro De Prodigiis. Cum Animadversionibus Joannis Schefferi et Supplementis Conradi Lycosthenis. Curante Francisco Oudendorpio.‎

‎Lugduni Batavorum: Samuelem Luchtmans 1720. 64 215 57 pages; title page printed in red & black; a few woodcut initial ornaments & tailpieces; Latin text throughout. Title page with the small previous ownership stamp of collector Dr. George R. Brush U.S. Navy; served as a surgeon and medical inspector from 1861-1894. Approx. 5" x 7 1/2" size; bound in green marbled cover boards dark green morocco leather spine gilt decorated and with gilt spine titles; marbled endpapers. Some edge tips wear and rubbing to the cover base of spine covering scraped; contents fresh and clean and in very good condition. First Edition. Illustration. Very Good. Samuelem Luchtmans paperback books‎

Ссылка продавца : 26935

‎18TH CENTURY FRENCH LITERATURE ARTOIS Count d' 1757 1830 DE LA FAYETTE Madame 1634 1693 DAUCORT Claude Godard d'Auco‎

‎Collection of eleven titles of French fiction in sixteen miniature volumes produced for the Count dÂ’Artois in 1780: "Zayde" -- "Le Berceau de la France" -- "l'Histoire d'Aloïse de Livarot" -- "Les Amours de Roger et de Gertrude" -- "Ismene and Ismenias. Roman Grec" -- "Le Prince Gerard Comte de Nevers et la Belle Euriant sa mie" -- "Histoire du petit Jehan de Saint" -- "Histoire de Tristan de Léonois" -- "Confessions du comte de " -- "Le Siege de Calais” -- “Sargines”‎

‎Paris: Imprimerie de Didot l'aîné collection d'auteurs français pour Monseigneur le Comte d'Artois 1780. Hardcover. Good. 1780-1781. Sixteen volumes pocket 18mo 133 x 74mm. Printed on fine laid paper. Uniformly bound in contemporary mottled French calf ruled in gilt with olive morocco lettering labels marbled endpapers gilt edges. This beautiful miniature set was executed at the solitary expense of the Count d'Artois 1757-1830 later Charles X of France and numbered in full 64 volumes; the aim of which collected various sets of French works in verse and prose. Influential Enlightenment writers were thus compiled here many of them French female authors and limited to an overall printing of 100 copies by the famed printer Didot of Paris. Consisting: 1 DE LA FAYETTE Madame 1634-1693. "Zayde." 1780. 3 vols. 156 135 and 166pp. A classic novel with stories on the political social and cultural communities of early modern Spain. 2 DAUCORT Claude Godard d'Aucour 1768-1826. "Le Berceau de la France." 1780. 2 vols. 175 and 152pp. Rare first published in 1744 as a history of French civilization. 3 RICCOBONI Marie-Jeanne 1714-1792. "l'Histoire d'Aloïse de Livarot." 1780. 77pp. 4RICCOBONI Marie-Jeanne 1714-1792. "Les Amours de Roger et de Gertrude." 1780. 79pp. 5 DUCLOS Charles Pinot 1704-1772. “Ismene and Ismenias. Roman Grec." 1780. 115pp. 6 TRESSAN Comte de 1705-1783. "Le Prince Gerard Comte de Nevers et la Belle Euriant sa mie." 1780. 171pp. 7 TRESSAN Comte de 1705-1783. "Histoire du petit Jehan de Saint." 1780. 182pp. 8TRESSAN Comte de 1705-1783. "Histoire de Tristan de Léonois." 1781. 212pp.9 DUCLOS Charles Pinot 1704-1772. "Confessions du comte de ." 1781. 2 vols. 129 and 128pp. First published in 1742 a popular "portrait gallery" of the illustrious French. 10 TENCIN Claudine Guérin de 1682-1749. "Le Siege de Calais.” 1781. 2 vols. 122 and 126pp. First published anonymously in 1739. 11ARNAUD François-Thomas-Marie de Baculard d' 1718-1805. “Sargines.” 1781. 130pp. Good. Only light edgewear and some bumped corners slightest spots otherwise crisp and clean interior. The Count d'Artois friend to Marie Antoinette and lover of the arts sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the CountÂ’s heraldry as in these while others were produced on vellum See Ebert 4938. These works are extremely neatly printed on laid paper and stand as a precursor to DidotÂ’s prolific typographic and printing career. Complete copies of the Count dÂ’ArtoisÂ’s collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. <br/><br/>The Count d'Artois friend to Marie Antoinette and lover of the arts sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the CountÂ’s heraldry as in these while others were produced on vellum See Ebert 4938. These works are extremely neatly printed on laid paper and stand as a precursor to DidotÂ’s prolific typographic and printing career. Complete copies of the Count dÂ’ArtoisÂ’s collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. Imprimerie de Didot l'aîné (collection d'auteurs français pour Monseigneur le Comte d'Artois) hardcover books‎

Ссылка продавца : SAV109

‎18TH CENTURY RELIGIOUS POETRY A TYPOGRAPHY A REMONDINI PRESS‎

‎Componimenti poetici nella solenne professione di suor Maria Teresa Crocefissa al secolo illustrissima signora Girolama Gaudio nellÂ’insigne monistero do Girolama di Venezia consagrati agli illustrissimi signoro Giuseppe Luigi e Clemente Gaudio Fratelli Amorosissimi Della Medesima.‎

‎Venice: Remondini 1764. Hardcover. Very Good. Folio 315 x 240mm. 38pp. I-XXXVIII. Finely printed with decorative chapter headings and tail-pieces. Engraved printerÂ’s device of Remondini depicting bishop with putti carrying crozier and miter. Engraved vignette of muses on dedication page. Decorative paper covered boards; some minor soiling or staining joint repaired on title verso lacking first and last blanks otherwise complete and in good form with good wide margins. <br/><br/>Collection of poetic essays in song of Sister Maria Theresa Crocefissa 1645-1699 an Augustinian nun from Venice known for her long orations printed by the Remondini press. In the 16th century Venice was the marketplace of the world. Its location on the lagoon and its unique connections with the sea distinguished it as a cosmopolitan center among the great cities of the Renaissance. In this larger context commerce and trade played a central role in the development and achievements of music printing. The subject of this work is poems written as canzones and sonettoes or songs and little songs of Sister Maria Crocefissa. From an early age Maria Crocefissa was devoted to long poetic orations. Soon she was also engaged in self-punitive actions including wearing a hairshirt. At the age of 23 she experienced her first religious ecstasies. During these periods of trance some lasting well over a week she regressed into a childlike state that left her completely paralyzed. The presence of Maria Crocefissa in her Augustinian convent of San Girolamo brought about a series of supernatural episodes and mysterious sightings which interested the public. While she was still alive her papers were widely published. This particular title of her poems addressed to Girolama Gaudio is of utmost rarity not located in a contemporary library collection or market worldwide. From the Remondini press who by the second half of the 18th century were employing more than a thousand people in the Bassano del Grappa with hundreds of others busy in their local paper mills and selling their products in scores of countries making them perhaps the biggest publishers in Europe. Between 1751 and 1790 Remondini were granted more licenses for books than all the other Venice booksellers put together. Printed matter was a luxury and the Remondini press was known to employ refined typographical features to suit the tastes of buyers. In this work attention is paid to the decorative elements initials and layout of each page. Remondini hardcover books‎

Ссылка продавца : KC8048

‎19th 20th Century American Photographer; Hall of Records San Jose CA‎

‎Stair Builder. Black and White Photograph Hall of Records Stairs San Jose California‎

‎San Jose CA: Hall of Records ca. 1890. B&W Photograph mounted on board 7.5 x 11 inches overall Good with losses and tears mostly along lower right corner of board toning creasing minor staining minor abrasions to surface of photograph else VG. San Jose, CA: Hall of Records, [ca. 1890] unknown‎

Ссылка продавца : 63-2683

‎19TH CENTURY LITHOGRAPHED VIEW OF MECCA.‎

‎A FINE LITHOGRAPHED MEDINA Medina al-Munawwara ali s�hibh� afzal al-tahiyya.‎

‎N. p. : N. p. 18-19th century. Soft cover. Very Good. 8vo - over 7� - 9�" tall. Original b/w lithographer print of Medina. 215x175 cm. In Arabic. 1 p. A FINE LITHOGRAPHED MEDINA Medina al-Munawwara ali s�hibh� afzal al-tahiyya. It shows Medina city with its building and walls besides its environment. Medina is the capital of the Al-Madinah Region in Saudi Arabia. At the city's heart is al-Masjid an-Nabawi 'The Prophet's Mosque' which is the burial place of the Islamic prophet Muhammad. Medina is one of the three holiest cities in Islam the other two being Mecca and Jerusalem. Medina was Muhammad's destination in his Hijrah migration from Makkah and became the capital of a rapidly increasing Muslim Empire under Muhammad's leadership serving as the power base of Islam and where Muhammad's Ummah Community composed of both locals and immigrants from Muhammad's original home of Mecca developed. Medina is home to three prominent mosques namely al-Masjid an-Nabawi Quba Mosque and Masjid al-Qiblatayn 'The mosque of the two Qiblas'. Muslims believe that the chronologically final surahs of the Quran were revealed to Muhammad in Medina and are called Medinan surahs in contrast to the earlier Meccan surahs. <br/> <br/> N. p. (18-19th century) paperback‎

Ссылка продавца : 052110

‎19th Century British Illustrator‎

‎A Football Match. Old Bailey London. "Boys‎

‎London: ca. 1870. 22 x 28 cm. Full Color Illustration Pulled From Book Good with small tears minor losses creasing staining. London: [ca. 1870] unknown‎

Ссылка продавца : 15-10089

‎19th Century French Artist‎

‎Actualites. Defense Heroique de Belfort. News. Heroic Defense of Belfort‎

‎Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16.5" x 12". Very Good. Reinforced with tape on verso. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s] unknown‎

Ссылка продавца : 18-2332

‎19th Century French Artist‎

‎Actualit�s. D�fense H�ro�que de Belfort. News. Heroic Defense of Belfort‎

‎Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15" x 12". Significant losses on edges. Some text and image missing. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s] unknown‎

Ссылка продавца : 18-2346

‎19th Century French Artist‎

‎Actualit�s. 15 janvier 1871 -- Bataille de Villersexel. News. January 15 1871 - Battle of Villersexel‎

‎Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16.5" x 12". Very Good. Some tears on edges repaired with tape on verso. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s] unknown‎

Ссылка продавца : 18-2343

‎19th Century French Artist‎

‎Actualit�s. 15 janvier 1871 -- Bataille de Villersexel. News. January 15 1871 - Battle of Villersexel‎

‎Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16.5" x 12". Very Good. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s] unknown‎

Ссылка продавца : 18-2335

‎19th Century French Artist‎

‎Actualit�s. Guerre de 1870-1871. Bataille de Bapaume -- 3 janvier 1871. News. War of 1870-1871. Battle of Bapaume - January 3 1871‎

‎Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15" x 12". Very Good. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s] unknown‎

Ссылка продавца : 18-2338

‎19th Century French Artist‎

‎Actualit�s. Guerre de 1870 - 1871. -- Bataille de Bapaume. -- 3 janvier 1871. News. War of 1870 - 1871. - Battle of Bapaume. - January 3 1871‎

‎Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16.5" x 12". Very Good. Reinforced with tape on verso. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s] unknown‎

Ссылка продавца : 18-2334

‎19th Century British Engraver‎

‎Adam Clarke‎

‎London: ca. 1820. Engraving 8.5 x 11 cm. Good with image rubbed loss at upper right corner. Clarke was an Irish Methodist Theologian. [London: ca. 1820] unknown‎

Ссылка продавца : 63-1940

‎19th Century French Artist‎

‎Ah! Les Bonnes Binettes. No. 404‎

‎Pont-�-Mousson: Haguenthal 1870-1900. Large format color broadside Bilderbogen 16" x 11". Good. Some loss in left margin not affecting image. Bottom row of images detached from top two rows. Mounted on paper. Text in French. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Pont-�-Mousson: Haguenthal, [1870-1900] unknown‎

Ссылка продавца : 18-2385

‎19th Century Italian Engraver?‎

‎All Amor Coniugale. L'Amor Coniugale is a one act operat by Simon Mayr based on a libretto by Gaetano Rossi‎

‎Padua: ca. 1800. Engraving on Laid Paper Oblong 6.2 x 7.5 cm. Very Good with minor stain. Printed text on verso in Latin. From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. [Padua: ca. 1800] unknown‎

Ссылка продавца : 63-7197

‎19th Century French Artist‎

‎Angleterre : Map of England. B&W engraving with hand colored borders‎

‎Paris: 19th Century French Publisher 1813. Original gravure. 12.5 x 12 inches. Very Good. Minor toning particularly along edges. Vertical fold along center. Text in French. Light matting. [Paris]: [19th Century French Publisher], [1813] unknown‎

Ссылка продавца : 17-3035