‎Fin de siècle‎

‎Author Unknown‎

‎Peintures Francaises Etrangeres Du XV Au XX Siecle/French and Foreign Paintings from XVth to XXth Century - 25 Studies‎

‎133 pages. Undated. Text in French and English. Appears to be several decades old. Lovely colour illustrations tipped in. Above-average wear. Back strip missing from spine. Binding weak but holding. Contents yellowed. A somewhat frail but nice reference copy. Book‎

‎Authors; Anna Cecilia Koldeweij, Friso Lammertse, Volker Manuth, Fred Meijer, Monique Rakhorst, Vienna van Rosmalen‎

‎Henri de Fromantiou Royal Illusions , ENG.‎

‎Hardback, , 120p, English edition ISBN 9789082296525. Along with the first exhibition on Henri de Fromantiou, looks on this occasion also the first monograph on the artist's light. The book you have before you want it Bonnefantenmuseum fill this gap in art history. There are several chapters included that allow discussed together all aspects of this broad-based man come, as his apprenticeship, his appointment as court painter in Potsdam, his work and his role as an art dealer. After his birth in Maastricht and its nebulous apprenticeship was the Fromantiou based in The Hague and Amsterdam. Samen met de eerste tentoonstelling over Henri de Fromantiou, ziet bij deze gelegenheid ook de eerste monografie over de kunstenaar het licht. Met het voor u liggende boek wil het Bonnefantenmuseum deze kunsthistorische lacune opvullen. Er zijn verschillende hoofdstukken opgenomen die samen alle aspecten van deze breed georienteerde man aan bod laten komen, zoals zijn leertijd, zijn aanstelling als hofschilder in Potsdam, zijn oeuvre en zijn rol als kunsthandelaar. Na zijn geboorte in Maastricht en zijn in nevelen gehulde leerperiode was De Fromantiou werkzaam in Den Haag en Amsterdam.‎

‎Autolycus Auria Giuseppe active th century‎

‎Avtolyci De vario ortv et occasv astrorvm inerrantivm : libri dvo nvnc primvm de Graeca lingua in Latinam conuersi : scholiis antiquis & figuris illustrati de Vaticana Bibliotheca deprompti 1588 Leather Bound‎

‎2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1588. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - lat Pages 94. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover‎

书商的参考编号 : LB1111008402147

‎Autolycus Auria Giuseppe active th century‎

‎Avtolyci De vario ortv et occasv astrorvm inerrantivm : libri dvo nvnc primvm de Graeca lingua in Latinam conuersi : scholiis antiquis & figuris illustrati de Vaticana Bibliotheca deprompti 1588 Hardcover‎

‎2020. Hardcover. New. Lang: - lat Pages 94. Reprinted in 2020 with the help of original edition published long back 1588. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover‎

书商的参考编号 : 1111008402147

‎AVANT-PROPOS PAR ANDRE JOUBIN‎

‎JOURNAL DE DELACROIX. 1822-1863. (514 grams)‎

‎IN 8. BR [MOY]. 440 P¨P. 4 PPL EN NOIR. [BE]‎

‎Avedon, Richard - Shannon Thomas Perich [Herausgeber]‎

‎Die Kennedys - Portrait einer Familie. Vorwort von Robert Dallek. [Aus dem Englischen übersetzt von Ursula Wulfekamp, Matthias Wolf und Marion Kagerer].‎

‎München., Schirmer/Mosel., 2007. 30 x 26 cm. 126 S., 1 Blatt. OPappband mit OUmschlag., 57552BB Erste Deutsche Auflage. Sehr gutes, frisches Exemplar.‎

‎Enthält 97 Abbildungen.‎

书商的参考编号 : 57552BB

‎Averbuch, Ilan‎

‎Skulpturen - Zeichnungen.‎

‎Berlin., Galerie Michael Haas / Lutz Teutloff Modern Art., 1993. 4°. 16 unpaginierte S. OKarton. 3000 Exemplare. Gutes Exemplar.‎

‎Erschien anläßlich der Ausstellungen: 24. April bis 29. Mai 1993 in der Galerie Michael Haas; 30. April bis 26. Juni 1993 bei Lutz Teutloff Modern Art. Durchgehend mit meist farbigen Abbildungen versehen.‎

书商的参考编号 : 52992BB

‎AVERY DEREK.‎

‎History of the United States Fighting Forces‎

‎London: London: Chevprime Limited 1989. Chevprime Limited 1989. Hardcover. Fine/Fine. First edition first printing. Hardcover. B&W and color photos and illustrations. Clipped price corner. Fine book in fine dj. London: Chevprime Limited, 1989. Chevprime Limited hardcover‎

书商的参考编号 : 3009416 ???????? : 1853611077 9781853611070

‎AVERY Gillian reference. Nineteenth century children's books.:‎

‎NINETEENTH CENTURY CHILDREN Heroes and Heroines in English Children's Stories 1780-1900.‎

‎London Hodder & Stoughton 1965. FIRST EDITION 1965 8vo red cloth gilt top edges gilt 260 pages including index. Black and white illustrations. No inscriptions small water stain to top edges. Very good plus in Good DUSTWRAPPER dw: not price clipped slightly frayed at head of spine tail of spine slightly worn spine slightly browned small chips at corners folds slightly worn with a couple of small splits. Also contains Chapters on Fairy Tales by Angela Bull another children's novelist and the biographer of Noel Streatfeild. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. POSTAGE AT COST. hardcover‎

书商的参考编号 : 29674

‎Aviat, Jules-Charles - 1844 Brienne-le-Château/Aube ? Périgueux/Dordogne 1931‎

‎Le Chantier du lycée Lakanal à Sceaux. Die Baustelle der Lakanal Oberschule in Sceaux.‎

‎o.J. Feder in Schwarz, mit schwarzer Feder umrandet, auf Bütten mit Wasserzeichen: J Whatman 1883, rechts unterhalb der Darstellung mit schwarzer Feder signiert ?Jules Aviat?. Darstellungsgröße 25:39 cm, Blattgröße 40,2:53,5 cm. ? Einige Stockflecken und im Rand leicht angeschmutzt. Vorzeichnung für das in den Musées de Chambéry befindliche, 1884 entstandene Gemälde ?Le Chantier du lycée Lakanal à Sceaux ((Inv. Nr. M1369; A 318 (ehemalige Nummer); Board 743)).‎

‎Als Jules-Charles Mauperrin geboren, nahm der Künstler nach dem frühen Tod seines Vaters, den Namen seines Stiefvaters an, den seine Mutter in zweiter Ehe geheiratet hatte. Der jüngere Bruder des Stiefvaters, Auguste Louis Aviat (1819-1876) war Landschaftsmaler, Zeichner und Fotograf. Er entdeckte die Begabung von Jules-Charles, der von 1867-1870 an der Académie de France à Rome bei Ernest Hébert (1817-1908) studierte. Zurück in Frankreich war Jules-Charles Aviat Schüler von Jules Isidore Lafrance (1841-1881), Émile Auguste Carolus-Duran (1837-1917) und Léon Bonnat (1833-1922). Zusammen mit diesen drei Malern arbeitete Aviat an der Dekoration des Panthéon in Paris. Auf Einladung von Samuel Thurston Ballard aus Louisville reiste Aviat im Mai 1905 in die Vereinigten Staaten, wo er seine Gastgeber und deren Freunde porträtierte, unternahm anschließend eine Reise durch die Vereinigten Staaten und kehrte im Februar 1907 nach Frankreich zurück. Als Landschafts- und Porträtmaler war er tätig und hatte sich auf diesen Gebieten einen Namen gemacht.‎

书商的参考编号 : 766-E

‎Avicenna Mu?savi? Muh?ammad Ba?qir active th century Burqa?i? Raz?avi? H?usayn or International Colloquium on Cordoba a‎

‎Daruha-yi qalbi : chahardah bab piramun-i mabahis-i quvayi arvah avarid-i nafsaniyah va daruha-yi qalbi ba nigahi bar tabiiyat va pizishki-i kuhan bar payah-i risalah al-Adviyah al-qalbiyah 1383 FULL LEATHER BOUND‎

‎2019. SUPER DELUXE EDITION. New. Antique look with Golden Leaf Printing and embossing with round Spine completely handmade bindingextra customization on request like Color Leather Colored book special gold leaf printing etc. Reprinted in 2019 with the help of original edition published long back 1383. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure in old look so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - pereng. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED. Normal Hardbound Edition is also available on request. unknown‎

书商的参考编号 : SD1111007010731

‎Avicenna Mu?savi? Muh?ammad Ba?qir active th century Burqa?i? Raz?avi? H?usayn or International Colloquium on Cordoba a‎

‎Daruha-yi qalbi : chahardah bab piramun-i mabahis-i quvayi arvah avarid-i nafsaniyah va daruha-yi qalbi ba nigahi bar tabiiyat va pizishki-i kuhan bar payah-i risalah al-Adviyah al-qalbiyah 1383 Hardcover‎

‎2019. Hardcover. New. Lang: - pereng. Reprinted in 2019 with the help of original edition published long back 1383. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover‎

书商的参考编号 : 1111007010731

‎Avigdor ?ayim active th century.‎

‎Peri ets ayim : . bi-teshuvot . uve-hilkhot ha-Rambam . u-Vaal ha-urim : derushim al ha-Torah . / hekhino . ayim Avigdor. 1997‎

‎2020. Softcover. New. Lang: - heb Pages 170. Reprinted in 2020 with the help of original edition published long back 1997. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible. Hope you will like it and give your comments and suggestions. paperback‎

书商的参考编号 : PB1111017456697

‎Avigdor ?ayim active th century.‎

‎Peri ets ayim : . bi-teshuvot . uve-hilkhot ha-Rambam . u-Vaal ha-urim : derushim al ha-Torah . / hekhino . ayim Avigdor. 1997 Full Leather Bound‎

‎2020. Full Leather Bound. New. Antique look with Golden Leaf Printing and embossing with round Spine completely handmade bindingextra customization on request like Color Leather Colored book special gold leaf printing etc. Reprinted in 2020 with the help of original edition published long back 1997. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure in old look so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - heb Pages 170. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED. Normal Hardbound Edition is also available on request. hardcover‎

书商的参考编号 : SD1111017456697

‎AVONDO Vittorio (Torino, 1836 - Torino, 1910)‎

‎Campagna Romana‎

‎Acquaforte, circa 1870, dimensioni 160 x 255 mm, impressa su carta coeva, in ottimo stato di conservazione. Firma a matita in basso a desta. Dalla attivissima calcografia Lovera di Torino è stampata l'acquaforte di Vittorio Avondo, artista torinese che studiò a Pisa e Ginevra, per poi approdare al naturalismo morbido e sfumato di Fontanesi. Visse anche a Roma dal 1857 al 1865; forse di quel soggiorno resta un ricordo in questa acquaforte della campagna Romana (della quale esistono anche alcuni dipinti in collezione privata), splendido brano intriso di un'atmosfera elegiaca, malinconica, pervaso di una luce vibrante e sfumature delicate. Le acqueforti dell'artista che si conservano non sono molte, forse una decina. Grande collezionista e conoscitore dell’arte medievale e moderna, oltre che pittore paesaggista, Avondo ebbe un ruolo fondamentale nella storia culturale del Piemonte contribuendo, insieme a Alfredo d’Andrade, allo studio e alla tutela del patrimonio artistico del territorio. Importante la sua figura anche per la GAM, egli fu infatti Direttore del Museo Civico di Torino per un lungo periodo, dal 1890 al 1910, e contribuì in modo significativo alla definizione della raccolta d’arte moderna accogliendo ad esempio la donazione delle opere di Antonio Fontanesi.      La nascita in una famiglia dalle ampie possibilità economiche gli permise di coltivare a tempo pieno la passione per la pittura di paesaggio e di compiere viaggi per l’Europa che ne arricchirono la formazione. Tappa obbligata di questa educazione, dopo un primo alunnato presso Alexandre Calame a Ginevra concluso nel 1857, fu un lungo soggiorno a Roma che si protrasse sino al 1860 e che si rinnovò intorno al 1865. Qui egli ebbe modo di conoscere Nino Costa e frequentare un entourage colto e ricco di stimoli in cui spiccavano artisti come Enrico Gamba, Frederic Leighton, George Mason e i tedeschi legati ai Deutsch Römer, come Anselm Feuerbach, Hans von Marées e lo stesso Böcklin.   Ma fu sopratutto la sua sensibilità a contatto con il vasto scenario della campagna romana a condurlo a superare lo stile minuzioso e finito appreso in Svizzera, a favore di un nuovo linguaggio scarno ed essenziale, in grado di restituire per sintesi gli ampi orizzonti del paesaggio laziale. In questa svolta pare di cogliere un gusto artistico in rapido cambiamento, in cui si riflette l’interesse per la resa del paesaggio “sul vero” - tema che anima il fronte degli artisti più avanzati di quegli anni - e che pare testimoniata anche dall’acquisto delle prime stampe fotografiche di quei luoghi. Una scelta che la mostra restituisce attraverso alcune preziose carte salate di Giacomo Caneva che fanno parte della generosa eredità dei beni che Vittorio Avondo lasciò alla Città di Torino alla sua morte.   Il rapporto tra i suoi schizzi, originariamente raccolti in taccuini, e quelle prime immagini fotografiche offre un ulteriore spunto di riflessione su come si modifichi il modo di guardare al paesaggio in quegli anni: uno sguardo che coglie la natura in presa diretta ma che può anche tornarvi in tempi successivi attraverso gli appunti grafici e le prime immagini fotografiche. Una riflessione che porta a interrogarsi sulla stessa funzione del disegno e su scelte e soluzioni che si discostano radicalmente dalla tradizione accademica.    Si apprende da Giubbini che l'opera è stata pubblicata su "L'Arte in Italia" (agosto 1870, tav. 22) con commento di Camerana a p. 128. Riguardo allo stile Giubbini ha commentato molto favorevolmente questa acquaforte, mettendola in relazione con "il gruppo delle incisioni più 'finite' di Appian"; sul piano della tecnica ha osservato: "Da notare che il processo di semplificazione, probabilmente già forte nel passaggio dal disegno preparatorio al disegno tracciato con la punta sulla vernice, continua nelle fasi successive della lavorazione della lastra attraverso la mancata o parziale morsura di molti dei segni ... Etching, circa 1870, size 160 x 255 mm, impressed on coeval paper, in excellent condition. Signature in pencil in the lower right corner. Printed by chalcography Lovera in Turin. Light, and brilliant landscape with the poetical expression of trees, that recalls the traditional Italian painting of the XIX century. The work is characterized by a well-balanced lightening which created a strong feeling of the scene, with the movement of trees in the wind through intense black made shadows and light in far behind of landscapae. Vittorio Avondo, an artist from Turin who studied in Pisa and Geneva, and then came to the soft and nuanced naturalism of Fontanesi. He also lived in Rome from 1857 to 1865; perhaps a memory of that stay remains in this etching of the Roman Campagna (of which there are also some paintings in a private collection), a splendid piece imbued with an elegiac, melancholic atmosphere, pervaded by a vibrant light and delicate nuances. The etchings of the artist that are preserved are not many, perhaps a dozen. We learn from Giubbini that the work was published in "L'Arte in Italia" (August 1870, table 22) with a comment by Camerana on p. 128. Regarding the style, Giubbini commented very favorably on this etching, relating it to "the group of Appian's most 'finished' etchings"; as far as technique is concerned, he observed: "It should be noted that the process of simplification, probably already strong in the passage from the preparatory drawing to the drawing traced with the tip on the varnish, continues in the successive phases of the working of the plate through the lack or partial biting of many of the marks corresponding to the branches of the trees". A great collector and connoisseur of medieval and modern art, as well as a landscape painter, Avondo (1836 – 1910) played a fundamental role in the cultural history of Piedmont, contributing, together with Alfredo d'Andrade, to the study and protection of the artistic heritage of the territory. He devoted himself to painting from an early age, training in Italy, Switzerland and France. After his return to Piedmont, he became a consultant to the City of Turin and since 1863 is part of the commission responsible for selecting the works for the collections of the Civic Museum. His activities are varied: painter, antiquarian, city councilor and member of numerous cultural institutions. In 1872 he bought the castle of Issogne (Aosta) which he restored and redecorated with the help of Alfredo d'Andrade and Giuseppe Giacosa: starting from this experience he collaborated, from 1882, to the construction of the medieval village of Turin and with Emanuele Tapparelli d'Azeglio to the restoration of Casa Cavassa in Saluzzo. In 1890, he succeeded Tapparelli d'Azeglio as director of the Civic Museum: upon his death in 1910, his personal collection was transferred to the Museum. G. Giubbini, L’acquaforte originale in Piemonte e in Liguria 1860 - 1875, Genova 1976, n.3; A. Dragone, J. Conti, I paesisti piemontesi dell'Ottocento, Milano, 1947; R. Maggio Serra e B. Signorelli, a cura di, Tra verismo e storicismo. Vittorio Avondo (18‎

‎Avraham ben Tsevi Hirsh active th century.‎

‎Birkat Avraham : . e-hu beur . al Megilat ohelet . / Avraham ben . Tsevi Hirsh . atsenalenbogen . 1994‎

‎2020. Softcover. New. Lang: - heb Pages 234. Reprinted in 2020 with the help of original edition published long back 1994. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible. Hope you will like it and give your comments and suggestions. paperback‎

书商的参考编号 : PB1111017454096

‎Avraham ben Tsevi Hirsh active th century.‎

‎Birkat Avraham : . e-hu beur . al Megilat ohelet . / Avraham ben . Tsevi Hirsh . atsenalenbogen . 1994 Full Leather Bound‎

‎2020. Full Leather Bound. New. Antique look with Golden Leaf Printing and embossing with round Spine completely handmade bindingextra customization on request like Color Leather Colored book special gold leaf printing etc. Reprinted in 2020 with the help of original edition published long back 1994. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure in old look so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - heb Pages 234. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED. Normal Hardbound Edition is also available on request. hardcover‎

书商的参考编号 : SD1111017454096

‎Avramidis, Joannis‎

‎Zeichnungen. Staatsgalerie Stuttgart, Graphische Sammlung, 14. Juni - 10. August 1986.‎

‎Stuttgart., Staatsgalerie., 1986. 24 x 23 cm. 135S. OKarton mit OUmschlag., 46658AB 1. Auflage. Umschlagkanten etwas nachgedunkelt und mit kleinen Bereibungen. Sonst gutes Exemplar.‎

‎Enthält einen Text zum Werk Avramidis von Franco Russoli sowie zahlreiche s/w Abbildungen. Mit eigenhändiger Zueignung ab'n eine bekannte deutsche Kunsthistorikerin auf dem vorderen Vorsatzblatt, signiert!‎

书商的参考编号 : 17344DB

‎Avril Nicole‎

‎Sissi Vita e leggenda di un'imperatrice (stampa 1994)‎

‎trad. di Adriana Crespi Bartolini cartone edit. con sovrac. ill.‎

‎Awe, Christian‎

‎LIQA '.‎

‎Düsseldorf., Galerie Ludorff., 2016. 28 x 23 cm. 113 S. OKarton mit illustriertem OKlappenumschlag., 1019E 1. Ausgabe. Einbandkanten mit minimalen Bereibungen, sonst sehr gutes Exemplar.‎

‎Durchgehend mit ganzseitigen, hochglanzfarbigen Abbildungen versehen. Texte in Deutsch und Englisch.‎

书商的参考编号 : 1019EB

‎Axelrod Alan ed‎

‎American Frontier Life: Early Western Painting and Prints‎

‎NY: Portland House 1989. 1st printing thus reprint of 1987 edition. VG/VG dust jacket name/date on rear endpaper. 202 p. color/bw illus chapter notes index 4to oblong; Portland House hardcover‎

书商的参考编号 : 22066 ???????? : 0517687860 9780517687864

‎Axmann-Rezzori, Hanna‎

‎Ein Bilderbuch - Un livre d'images. Hommage an Rudolf Springer. Mit Vorworten von Gregor von Rezzori u. Paul Flora].‎

‎Berlin, Galerie Springer, ( 1997). [70] Bll., 1 Porträtfoto als Frontispiz (Ganzfigur) u. [48] Farbabb. auf Tafeln (darunter 1 Falttaf.). Quer-8vo, 22 x 22 cm. Farb. illustr. OKart.‎

‎Die Künstlerin, Schauspielerin (Der junge Törless, 1966; Rio das Mortes, 1971...) u. Kostümbildnerin Hanna Axmann (1921-1999) war die 2. Ehefrau des Schriftstellers u. Schauspielers Gregor von Rezzori (1914-1998), Meghrebinische Geschichten; Memoiren eines Antisemiten... - Rücken etwas gebräunt, sonst gutes Exemplar.‎

书商的参考编号 : 99215

‎Ay-O‎

‎Put finger in hole.‎

‎Verona., Edizioni Factotum-art., 1980. 64844AB Geringe Druckstellen im Papier, sonst noch sehr gutes Exemplar.‎

‎Radierung und Cut-Out auf Fabriano-Büttenkarton, 98,0 x 68,5 cm. Verso auf Etikett handschriftlich signiert und nummeriert 17 / 100. Der Schriftzug "Put finger in hole" läuft in eine endlos sich schlingende Schleife über, die endlich dann im unteren Rand in einem ausgeschnittenen Loch mündet. Aus der Mappe Portfluxus, herausgegeben von Sarenco 1980.‎

书商的参考编号 : 64844AB

‎Aycoberry Pierre‎

‎The Social History of the Third Reich 1933-1945‎

‎<p>New York New York U.S.A.: New Pr. NEW. 2000. Soft Cover. 8vo 1565846354</p> New Pr paperback‎

书商的参考编号 : Germany1052 ???????? : 1565846354 9781565846357

‎AYDIN AYAN, (1953-).‎

‎Aydin Ayan: Mystery and magical reality.= Sir ve büyülü gerçek. [Exhibition catalogue]. Texts by August Wiedmann, Turan Erol, Burcu Pelvanoglu, Ahmet Oktay.‎

‎New Turkish Paperback. Folio. (32 x 24 cm). In Turkish. 446 p., color ills. Aydin Ayan: Mystery and magical reality.= Sir ve büyülü gerçek. [Exhibition catalogue]. Texts by August Wiedmann, Turan Erol, Burcu Pelvanoglu, Ahmet Oktay. A leading light at Istanbul's venerable Fine Arts Academy (now part of Mimar Sinan University), Ayan's work has most fittingly been described as modern symbolic realism.‎