|
|
|
Edited by DIDEM ERMIS.
1989'dan bugüne Istanbul Tiyatro Festivali. Prep. by Özlem Memis, Leman Yilmaz.
New Turkish Paperback. 4to. (27 x 22 cm). In Turkish. 371, [17] p., color and b/w ills. 1989'dan bugüne Istanbul Tiyatro Festivali. Prep. by Özlem Memis, Leman Yilmaz. Istanbu Theater Festival from 1989 to present-day.
|
|
|
Edited by EKREM KAHRAMAN.
Van Gogh sarisi. Vincent Van Gogh'un pesinde modernizmin izinde.
New Turkish Original bdg. HC. Large roy. 8vo. (22 x 19 cm). In Turkish. 680 p., color ills. Van Gogh sarisi. Vincent Van Gogh'un pesinde modernizmin izinde. Van Gogh's yellow. On traces of modernism with Vincent Van Gogh.
|
|
|
Edited by ERSU PEKIN.
Bir tasim keyif: Türk kahvesinin 500 yillik öyküsü. [Exhibition catalogue].
New Turkish Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 453 p., color and b/w ills. Bir tasim keyif: Türk kahvesinin 500 yillik öyküsü. [Exhibition catalogue]. 500 years story of Turkish coffee.
|
|
|
Edited by F. YASAR YILMAZ.
The Ottoman identity in western-style palace furniture.= Bati tarzi saray mobilyasinda Osmanli kimligi. [Exhibition catalogue].
New English Paperback. Pbo. Dust wrapper. Oblong small 4to. (24 x 25 cm). In English and Turkish. 145 p., color and b/w ills. The Ottoman identity in western-style palace furniture.= Bati tarzi saray mobilyasinda Osmanli kimligi. [Exhibition catalogue]. This catalogue was prepared in conjunction with an exhibit entitled. The Ottoman Identity in Western-Style Palace Furniture¿. This exhibit was organized by TBMM General Secretariat Directorate of National Palaces and Marmara University's Faculty of Fine Arts Interior Architecture Department and held at Dolmabahçe Culture Center between 06 July - 06 September, 2005. Furniture shown in the catalogue belongs to the National Palaces Collection. Project Sections were prepared by MUFFA's Interior Architecture Department.
|
|
|
Edited by GURUR ERDEM.
Solo? in contemporary dance.= Çagdas dansta solo?
Fine English Paperback. Demy 8vo. (21 x 15 cm). In English and Turkish. 68, 72, [1] p. Solo? in contemporary dance.= Çagdas dansta solo?
|
|
|
Edited by GÜNES OKTAY.
Theory in the art and design: Add-Ist Art and Design Dialogues Symposium. February 2018 proceedings book and exhibition catalogue.= Sanat ve tasarimda kuram: Add-Ist Sanat ve Tasarim Diyaloglari Sempozyumu - Subat - 2018 bildiriler kitabi ve sergi katalogu.
New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish.304 p., ills. Theory in the art and design: Add-Ist Art and Design Dialogues Symposium. February 2018 proceedings book and exhibition catalogue.= Sanat ve tasarimda kuram: Add-Ist Sanat ve Tasarim Diyaloglari Sempozyumu - Subat - 2018 bildiriler kitabi ve sergi katalogu.
|
|
|
Edited by IPEK TÜRELI.
Retrospective: Aesthetics and art in the 20th century. [= 20. yüzyilda estetik ve sanat].
New English Paperback. 4to. (28 x 21 cm). Edition in English. [6], 135 p., b/w ills. Aesthetics and art in the 20th century. [= 20. yüzyilda estetik ve sanat]. Why this topic? Why now? SANART is the only association of aesthetics in Turkey. It has the mission of enthusing and building up a public for the raised awareness of issues related with aesthetics and art. For the past ten years now, it has carried this mission to the practical realm in Ankara, where it is based, through the organisation of symposia, exhibitions and publications. To coincide with the closure of the twentieth century, on its tenth year, SANART decided to re-evaluate the century in terms of various approaches to the field of aesthetics and art. Twelve participants, who were invited and whose texts are included in this book, were asked to bring forth specific issues within the general problematic of the twentieth century. The objective was more to do with understanding our concerns with the new century, while reflecting upon the previous one, than providing all encompassing accounts of historiography. Why the book? Publications are very important for SANART because as an association it seeks to maintain permanence in the cultural sphere of Turkey, and to achieve that permanence, although the continuity of temporal events help, it is essential to accumulate written material. All of the symposia that SANART has organised have been published or are pending publication. Because of the significance and timely relevance of the topic, this book aims to disseminate the ideas discussed in the symposium to a wider public than that of the locality of Ankara, to a world audience, which is why it has been decided to publish it in English. The programme of the symposium was arranged so that the first half focused on art work and aesthetics followed by the "avant-garde" discussion and the second half concentrated on issues of architecture, politics and aesthetics. In editing the book, the order of the sessions of the symposium was maintained so that the lines of thought that emerged during the Symposium can be followed in the Discussion and Afterwords without much difficulty. In an overview of the texts, it is possible to discern that one of the major shifts that occurred in art in the twentieth century was that with the advent of new technologies and the possibility of wider dissemination, artists vocally assumed new roles to themselves while simultaneously critics and theoreticians assigned new tasks to the domain of art.
|
|
|
Edited by ISIL ALTUN.
I. Uluslararasi Kocaeli ve Çevresi Kültür Sempozyumu Bildirileri. 2 volumes set. 20-22 Nisan 2006, Kocaeli.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 2 volumes set: ([xLix], 1357 p.). Symposium papers of folklore, architecture, urban history, tourism, Turkish language, Turkish literature, philosophy, education, belles arts, archaeology, history of art, communication in Kocaeli City. Kök-Sakiz (Taraxacum kok-saghiz). Translated by Hilmi Arer.
|
|
|
Edited by KIYMET GIRAY.
Art and aesthetics's prime values: Time and place.= Sanat ve estetikte asal degerler mekân zaman.
New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish. 366 p., ills. Art, Art History and aesthetic are the definitions and the witnesses of time. At the same time, they are the definers of the place. That's the reason why, they are the indicators of the human evolution. Time is mostly explained by an evaluated process and, it is also identical with nonspatial dimensional continuum. Time, which is an abstract concept, is an continuing series of events. In Ancient philosophy, time was a space which included all living creatures was measured by specific methods. According to Kant, time is a design which undertake the feelings' primal function. Generally, it is impossible to exclude appearance from time. All of the appearances can destroyed but time cannot disappear by itself. Place is a fact that effects outer sense from Kant's point of view. Kant effected by Newton's idea of absolute time and space's metaphysical shape, he sustains the idea that time is different from place in terms of subjectivity. So, we can explain this definition as time is pure acumen. Bergson, categorizes time as real and psychological and mathematical. Mathematical time's transformation can be achieved in space / place, and real and psychological time's transformation can be achieved in the conscious. Place is space designed in order to compensate human needs and is separated naturally from the environment, for the human's indispensable necessities. Place is the most relevant property of architecture and is identified with the concept of architecture. Time is the most important evidence of Human evolution. Explanations and examples of this evolution are the structures, which we can describe as architectural pieces. Periods, which have constructed the Art History, can all be explained by time and place. Art History, which explains civilizations, states and Empires with properties of their art, examines art works, which are created by the continuity of time and space. The Symposium aims to highlight the progress of art through time and in this sense, it will shed aesthetic theorems which have shaped Art History. Your attendance will be very important for being a witness to the process of Art History in the light of these subjects.
|
|
|
Edited by KIYMET GIRAY.
Interactions in art and aesthetics.= Sanatta ve estetikte etkilesimler.
New English Paperback. Pbo. 4to. (28 x 20 cm). In English and Turkish. [6] ,148 p., color ills. Interactions in art and aesthetics.= Sanatta ve estetikte etkilesimler. Contents: Özyigit, Halil / Çemberlitas Serbest Resim Atölyesi.; Orhan, A. Hande / On'lar Grubu'yla Gelenegin izinde.; Acar, Baris / Sanat Tarihinde Kuramsal Yaklasimlar.; Giray, Meltem / Sydney Opera Binasi.; Gökkaya, Evren Karayel / Modem Türk Resminin Olusumunu Etkileyen Faktörler.; Tetikçi, Ismail / Gelenekten Günümüze Aktarimlar.; Özgöçen, Pelin / Sürrealizm'de Figür-Mekân iliskisi.; Kavas, Kemal Reha / Bir Kuramsal Etkilesim Alani Olarak 'Ekolojik Mimarlik' Söylemi ile Sanat ve Mimarlik Tarihi Yaziciligi Arasindaki iliski.; Ülger, Emir / Schopenhauer ve Wagner Etkilesimi.; Simsek, Serap / Bedri Rahmi Eyüpoglu ve Fransa Yillari (1931-1933).; Çolak, Banu / Sanat - Mekan ve Çagdas Sanat Müzeleri Üzerine.
|
|
|
Edited by LILIYA SATTAROVA.
Leathercraft in the Turkic world. Proceedings of the International Symposium, 4 August 2012, Yelabuga.= Türk dünyasinda dericilik sanati. Sempozyum bildirileri.
New English Original bdg. HC. Roy. 8vo. (24 x 17 cm). Articles in English, Turkish, and Russian. 104 p., color ills. Leathercraft in the Turkic world. Proceedings of the International Symposium, 4 August 2012, Yelabuga.= Türk dünyasinda dericilik sanati. Sempozyum bildirileri.
|
|
|
Edited by LILIYA SATTAROVA.
Proceedings of the 2nd International Symposium on Leathercraft in the Turkic World. Kazan, 19-20 September 2014.= Türk Dünyasinda Dericilik Sanati. 2. Uluslararasi Sempozyum, 19-20 Eylül 2014, Kazan.
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). Articles in Turkish, and Russian. 212 p., color ills. Proceedings of the 2nd International Symposium on Leathercraft in the Turkic World. Kazan, 19-20 September 2014.= Türk Dünyasinda Dericilik Sanati. 2. Uluslararasi Sempozyum, 19-20 Eylül 2014, Kazan.
|
|
|
Edited by M. APLETINE.
Les arts plastiques en URSS. Edition de la Societe des Relations Culturelles avec l'Etranger (Voks). Recueil 9-10 Fevrier 1935.
Very Good French Paperback. Roy. 8vo. (24 x 17 cm). In French. 162, [4] p., many b/w plates and color planches. Les arts plastiques en URSS. Edition de la Societe des Relations Culturelles avec l'Etranger (Voks). Recueil 9-10 Fevrier 1935. First and Only Edition. Rare. Sommaire: Preface, L'art et l'edification socialiste. M. Bouch, A. Zamochkine: L'art pictural sovietique.; N. Chtchekotov: Les jeunes artistes debutants.; A. Bakouchinski: La sculpture en URSS.; K. Tikhonova: La gravure et le dessin sovietiques.; R. Kaufman: L'affiche et la caricature.; Aç Sidorov: La presentation artistique du livre sovietique.; A. Bakouchinski: Les laques d'art en URSS.; E. Jouravliova: Les arts en Turkmenie.; K. Javarichvili: Les arts plastiques en Georgie.; S. Barseguian: Les arts en Armenie Sovietique.; K. Kravtchenko: Le travail et la vie des artistes en URSS.; Quelques portraits: K. Tkhonova: Pierre Kontchalovski. - A. Galouchkina: K. Petrov-Vodkine. - E. Jouravliova et V. Tchepeliev: Martiros Sarian...
|
|
|
Edited by M. BAHA TANMAN.
Ekrem Hakki Ayverdi, 1899-1984: Architectural historian, restorator, collector.= Ekrem Hakki Ayverdi, 1899-1984: Mimarlik tarihçisi, restoratör, koleksiyoner. [Exhibiiton catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 395 p., color and b/w ills. "Ekrem Hakki Ayverdi was raised at a time in which Istanbul was undergoing its late Ottoman-early Republican period. Apart from his persona as an engineer-architect, restorer, and architectural historian, he was a collector passionately dedicated to Ottoman art. Undertaking the construction of different public buildings in Istanbul, Bursa and Edirne, as well as the restoration of many architectural works, Ayverdi not only brought together the most select and refined works of Ottoman art, which had begun to lose its prestige amidst the changing values of high culture in the time he lived, but he also paid particular attention to their conservation and preservation. Ayverdi's two seminal corpuses that study Ottoman architecture from its early days until the end of the Mehmed II era, as well as its examples in Roumelia, continue to maintain their place as the most important reference books for those working in this field. Istanbul Research Institute commemorates Ekrem Hakki Ayverdi, his professional work, and his priceless collection with an exhibition in the 30th anniversary of his passing and hopes to bring together wide audiences with this versatile and colorful man of culture, who, as one of the last representative of a lost world, holds a unique place in Ottoman art studies and Ottoman architectural history in particular.".
|
|
|
Edited by MARIA LAMBRAKI-PLAKA.
Classical memories in modern Greek art.= Çagdas Yunan sanatinda klasik izlenimler.
New English Paperback. Pbo. 4to. (29 x 26,5 cm). In English, Greek and Turkish. 194 p., color and b/w ills. Classical memories in modern Greek art.= Çagdas Yunan sanatinda klasik izlenimler.
|
|
|
Edited by MENEKSE SUZAN TEKER.
2nd International Mediterranean Art Symposium: Natural Dyeing Symposium Workshop Exhibition, 10-12 May 2017. Proceedings book and exhibition catalog.= II. Uluslararasi Akdeniz Sanat Sempozyumu: Dogal Boya Sempozyumu Çalistayi Sergisi, 10-12 Mayis 2017. Sempozyum bildirileri ve sergi katalogu.
New English Paperback. 4to. (30 x 22 cm). In English and Turkish. 309, [41] p., color ills. 2nd International Mediterranean Art Symposium: Natural Dyeing Symposium Workshop Exhibition, 10-12 May 2017. Proceedings book and exhibition catalog.= II. Uluslararasi Akdeniz Sanat Sempozyumu: Dogal Boya Sempozyumu Çalistayi Sergisi, 10-12 Mayis 2017. Sempozyum bildirileri ve sergi katalogu.
|
|
|
Edited by NIHAT TEKDEMIR, DERYA ÖNDER.
Golden grace: Tombac.= Tombak: Altindan süzülen zarafet. [Exhibition catalogue].
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 208 p., color ills. Golden grace: Tombac.= Tombak: Altindan süzülen zarafet. [Exhibition catalogue]. "A magic world unfolded before us during our preparations for the exhibition Tombac: Golden Grace. With Yapi Kredi's tombac collection as our starting point we discovered that behind the graceful and magnificent culture created with gold was in fact thousands of years of know-how and experience. The power and prestige conferred on gold down the ages gave rise to the notion of covering items made from less valuable metals with gold and inspired the development of gold plating methods. Beginning in Central Asia, Turks played a vital role in the production of metal goods and created a valuable culture in this field, crowned during the Ottoman period with the tombac gilding technique. However, the discovery of the electrolysis technique in the 19th century, led in due course to the discontinuation of the tombac gilding method. This book was produced to introduce the still insufficiently researched art of tombac that is about to sink into oblivion. While exploring the subject of gold plating from the early period, the focus is on tombac items which formed the pinnacle of Ottoman metal craft. Nihat Tekdemir examined the gold plating methods used in different periods of the cultural history. He covered the Ottoman tombac gilding technique comprehensively, described the differences between this and other gilding techniques and named the areas in which tombac was used. Prof. Dr. Sümer Atasoy explained that copper always was the most favoured metal in Anatolia, and while relating the story of coppersmithing, he also touched upon production techniques and the decoration of copper before the tombac gilding. Ömür Tufan, expert at Topkapi Palace Museum's Copper and Chandelier Department, described the Ottoman sultan's tombac effects at Topkapi Palace, the characteristic features of the tombacs in the collection and where they were used.". (From preface).
|
|
|
Edited by NORTH CYPRUS MUSEUM FRIENDS.
Chypre du Nord. Une mosaique de cultures.
New French Paperback. Pbo. Small 4to. (26 x 20 cm). In French. 112 p., color and b/w ills., 125 photos, 12 plans. Chypre du Nord. Une mosaique de cultures.
|
|
|
Edited by NÂMIK AÇIKGÖZ.
Firat Havzasi Sanat Tarihi Sempozyumu. 20-21 Mayis 1987, Elazig. Bildiriler.
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [viii], 223 p., b/w plates. Firat Havzasi Sanat Tarihi Sempozyumu. 20-21 Mayis 1987, Elazig. Bildiriler.
|
|
|
Edited by OGUZ CEYLAN.
Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu.
New English Paperback. Pbo. 4to. (29 x 23 cm). B/w and color ills. 256 p. In Turkish and English. 1000 copies were printed. Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu. TURKISH PAINTING History of arts Exhibition.
|
|
|
Edited by OGUZ CEYLAN.
Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu.
New English Paperback. Pbo. 4to. (29 x 23 cm). B/w and color ills. 256 p. In Turkish and English. 1000 copies were printed. Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu. TURKISH PAINTING History of arts Exhibition.
|
|
|
Edited by SABRI KOZ.
Torn is the curtain, shattered is the screen, the stage all in ruins: Yapi Kredi Karagoz Collection.= Yiktin perdeyi eyledin viran: Yapi Kredi Karagöz Koleksiyonu. [Exhibition catalogue].
New English Paperback. Folio. (33 x 23 cm). In English and Turkish. 368 p., color ills. Torn is the curtain, shattered is the screen, the stage all in ruins: Yapi Kredi Karagoz Collection.= Yiktin perdeyi eyledin viran: Yapi Kredi Karagöz Koleksiyonu. [Exhibition catalogue]. Contents: Enis Batur - Illusory images. / Metin And - An important cultural heritage: Karagöz. / Ilyaz Bingül - A revolution in Ottoman Turkish literature: Karagöz. / Turgut Çeviker - Caricature and Karagöz. / Cemal Ünlü - Karagöz on old gramophone records. / Metin And - Not on Karagöz figures. / Metin And - Collecting Karagöz figures. / Talat Parman - The dual function of the screen in the Karagöz shadow play. / Cemal Ünlü - The role, importance and function of music in Karagöz play. / Metin And - Karagöz, Hellmut Ritter and Andreas Tietze. / Cevat Çapan - Ragip Bey's figures. / Nail Tan - Interview with Karagoz player Ragip Tugtekin. / Ugur Göktas - Karagöz dictionary. / M. Sabri Koz - Selected bibliography on Karagöz. / The muddleheaded night watchman / Catalogue. Catalog of an exhibition of the Yapi Kredi Karagöz collection held Apr. 9-Aug. 15, 2004 at the Yapi Kredi Vedat Nedim Tör Museum in Istanbul, Turkey.
|
|
|
Edited by SUNA ALTAN.
Hayalciler birligi: BKM, 1995-2015.
New English Original bdg. HC. 4to. (29 x 23 cm). In Turkish. 195 p., b/w and color ills. Hayalciler birligi: BKM, 1995-2015.
|
|
|
Edited by YUSUF OGUZOGLU, FATIH ÖZÇELIK.
Düzce'de tarih, kültür ve sanat.
New English Original bdg. HC. 4to. (31 x 23 cm). In Turkish. 536 p., color and b/w ills. Düzce'de tarih, kültür ve sanat.
|
|
|
Edited by ZEYNEP ÖNEN.
The Angora goat trilogy: In art, history and tradition.= Ankara keçisi üçlemesi: Sanat, tarih ve gelenek. [Exhibition catalogue].
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 67 p., color ills. The Angora goat trilogy: In art, history and tradition.= Ankara keçisi üçemesi: Sanat, tarih ve gelenek. [Exhibition catalogue]. 1000 copies were printed. HISTORY OF ART Angora goat Ankara History Tradition Turkish folklore.
|
|
|
Edited by ÖMER FARUK SERIFOGLU.
The centennial tale of Turkish painting.= Türk resim sanatinin bir asirlik öyküsü. 2 volumes set. Texts by Kiymet Giray, Kaya Özsezgin, Zeynep Inankur et alli.
Fine Fine English Original bdg. Dust wrapper. 4to. (32 x 27 cm). In English and Turkish. 2 volumes set: (359 p.; 473 p.), color and b/w ills. The centennial tale of Turkish painting.= Türk resim sanatinin bir asirlik öyküsü. 2 volumes set. Texts by Kiymet Giray, Kaya Özsezgin, Zeynep Inankur et alli. 1500 copies were printed. A comprehensive set on history of the Turkish art of painting. A very heavy set.
|
|
|
Edited byBEGÜM AKKOYUNLU ERSÖZ, TANIA BAHAR, ZEYNEP ÖGEL.
Memory and continuity. A selection from the Huma Kabakçi Collection.= Ani ve süreklilik. Huma Kabakçi Koleksiyonu'ndan bir seçki. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 172 p., color ills. Memory and continuity. A selection from the Huma Kabakçi Collection.= Ani ve süreklilik. Huma Kabakçi Koleksiyonu'ndan bir seçki. [Exhibition catalogue]. A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakc¿ began creating the Huma Kabakc¿ Collectionfrom the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey. Apart from the logic of creating the Huma Kabakc¿ Collection, its evolution/growth over time, and its subjectivity, the exhibition was designed by keeping in mind its structure, reviewed and changed from time to time, with both objectivity and an art historical subjectivity. The catalogue, in that sense, brings to fore the common and diverging points of the two generations by which the collection has been sustained, through essays and works explanations.
|
|
|
Edouard Rouveyre
Le mobilier de l'Antiquité au XIXè siècle. Comment discerner les styles enseigné par l'image.
In-4 broché dimensions 285 x 202 mm. Fragile, le dos ne tient pas fortement le corps du texte.
Riferimento per il libraio : PPP-670
|
|
|
Edwards Ralph
The shorter dictionary of English Furniture
Country Life Cartonné avec jaquette 1977 Massif in-4 (32,5*24.5 cm.), cartonné avec jaquette, 684 pages, nombreuses illustrations noir et blanc in-texte, texte en anglais ; pages 55 à 58 décollées, quelques plis et frottements à la jaquette légèrement défraîchie, bon état Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Riferimento per il libraio : dc632
|
|
|
EFDAL SEVINÇLI.
Izmir'de tiyatro.
Fine English Paperback., 20 x 14 cm, 120 p., b/w ills. "Izmir'de tiyatro., EFDAL SEVINÇLI, Ege Yayincilik, Izmir, 1994"
|
|
|
Ehrenzweig Anton
L'ordre caché de l'art
1988 Paris, Gallimard, Connaissance de l'inconscient, , 1974. In-8, broché, couverture blanche glacée a rabats, 366 pp. Bon exemplaire.
Riferimento per il libraio : 12801
|
|
|
Ehrenzweig Anton
L'ordre caché de l'art
1988 Paris, Gallimard, Connaissance de l'inconscient, , 1974. In-8, broché, couverture blanche glacée a rabats, 366 pp. illustrées Bon exemplaire.
Riferimento per il libraio : 12802
|
|
|
Eimert Dorothea
L'Art du XXe siècle
Parkstone (Temporis Collector) 2014 In-8 cartonnage éditeur sous jaquette 23,2 cm sur 16,7. 508 pages. Jaquette comme neuve. Très bon état d’occasion.
Riferimento per il libraio : 88509 ISBN : 1781608016
|
|
|
EKREM HAKKI AYVERDI.
The tulip in the 18th century. Edited by M. Ugur Derman.
New English Paperback. Pbo. 4to. (32 x 22 cm). Color ills. 66 p. How numerous and how exquisitely beautiful are the many pieces of writing on the subject of the tulip and its place in the life of our society during the eighteenth century; this graceful blossom became the symbol of an entire epoch, and gave its name to an era. The Occidental, Turks loved all flowers with unrestrained exuberance. Within the fellowship of Islamic civilization, it was solely the Turks who adopted the flower as an independent element, creating a distinctive and personal universe of ornamentitaion in architecture and in tiles. But the passion for tulips so far surpassed the affecrion for other flowers that it became a wolrd in its on right.
|
|
|
EKREM HAKKI AYVERDI.
The tulip in the 18th century. Edited by M. Ugur Derman.
New English Paperback. Pbo. 4to. (32 x 22 cm). Color ills. 66 p. How numerous and how exquisitely beautiful are the many pieces of writing on the subject of the tulip and its place in the life of our society during the eighteenth century; this graceful blossom became the symbol of an entire epoch, and gave its name to an era. The Occidental, Turks loved all flowers with unrestrained exuberance. Within the fellowship of Islamic civilization, it was solely the Turks who adopted the flower as an independent element, creating a distinctive and personal universe of ornamentitaion in architecture and in tiles. But the passion for tulips so far surpassed the affecrion for other flowers that it became a wolrd in its on right.
|
|
|
Elgar Franck
Van Gogh
Fernand Hazan Broché 1958 In-8 (15 x 21 cm.), broché, couverture illustrée, 319 pages, illustrations couleurs et noir et blanc in-texte, ex-libris ; dos plissé, plats jaunis, coiffes frottées, mors antérieur fendu sur 1 cm., assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Riferimento per il libraio : ny821
|
|
|
ELGIZ CONTEMPORARY ART MUSEUM.
Elgiz 10 (Sevda & Can Elgiz): A decade of commitment to contemporary art in Turkey.= Elgiz 10 (Sevda & Can Elgiz): Çagdas sanat inisiyatifinde 10. yil. [BOXED].
As New English Original bdg. HC. Publisher's special box. 4to. (30 x 24 cm). In English and Turkish. 304 p., color ills. Elgiz 10 (Sevda & Can Elgiz): A decade of commitment to contemporary art in Turkey.= Elgiz 10 (Sevda & Can Elgiz): Çagdas sanat inisiyatifinde 10. yil. Signed and inscribed by Can Elgiz to Tevfik Güngör Uras. Printed to 1000 copies. Published on the occasion of the tenth anniversary of the Proje4L / Elgiz Museum of Contemporary Art. Printed in an edition of 1000 copies in Eindhoven, Netherlands.
|
|
|
Elie Faure
Histoire de l'art (4 volumes)
Plon, Paris, 1939-1941. 4 volumes in-8 brochés sous couvertures illustrées à la main, vraisemblablement par l'ancien propriétaire. Abondante iconographie dans chaque tome. Tome 1 : L'Art antique, 300pp. Tome 2 : L'Art médiéval, 350 pp. Tome 3 : L'Art renaissant, 300 pp. Tome 4 : L'Art moderne : 400 pp.
Riferimento per il libraio : PPP-314
|
|
|
ELIASBERG Daniel
Imagerie populaire chinoise du Nouvel An
Musée Guimet Paris, Musée Guimet 1978. In-4 carré broché, couverture illustrée de 131 pages. Nombreuses reproductions en noir et en couleurs, dans et hors texte. Publié par l'Ecole Française d'Extreme Orient avec le Concours du CNRS. Bon état
Riferimento per il libraio : 173850 ISBN : 286310005
|
|
|
ELIZABETH GALTON.
Moda tasariminda mücevher tasarimi. [= Jewellery design: From fashion to fine jewellery].
New Turkish Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 184 p., color ills. Jewellery Design is an introduction to the world of jewellery. It explores how inspiration and research can be used to build a jewellery collection. It provides an brief overview of how the design process evolves, and demonstrates that even on a limited budget it is possible to carve out a niche in this exciting genre. Each chapter includes interviews with some of the world's most famous jewellery designers, giving an insight into the creative process and exploring their brands. Projects and case studies ensure that students are given a practical and inspirational introduction to the world of jewellery design.
|
|
|
Eluère Christiane
L'Art des Celtes
Citadelles & Mazenod Cartonné avec jaquette sous emboîtage 2004 In-4 (26 x 33 cm), cartonné avec jaquette sous emboîtage, 613 pages, iconographie en couleurs ; dos de la jaquette légèrement jauni, par ailleurs très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Riferimento per il libraio : vp508
|
|
|
Emile Dacier, P. Ratouis de Limay, David Weill (préfacier)
Pastels français des XVIIe et XVIIIe siècles. Etudes et notices.
In-4 broché couverture rempliée et film de protection en papier cristal; dimensions 326 x 254 mm. Très bon état. Manque de papier cristal aux coiffes. Intérieur très propre; pages non coupées.
Riferimento per il libraio : PPP-659
|
|
|
ENLART (Camille). - MANTEYER (Georges de).
EUGENE MÜNTZ. Notice biographique. - Bibliographie.
Rome, imp. Cuggiani, 1903, 1 br., couverture tachée. in-8, titre, 42 pages non coupées, paginées 231 à 272, tiré à 150 exemplaires, celui-ci numéroté 39 ;
Riferimento per il libraio : 12596
|
|
|
ERCÜMENT KALMIK.
Tabiatta ve sanatta doku- texture.
Very Good English Paperback. 4to. (32 x 23 cm). In Turkish. [6], 81 sayfa, s/b levhalar. Tabiatta ve sanatta doku- texture. HISTORY OF ART Turkish art of painting Theory Nature Texture.
|
|
|
Ergmann Raoul
La Peinture française
Ed. Time-Life 1988 In-4 relié. 184 pages. Bon état d’occasion.
Riferimento per il libraio : 58902
|
|
|
ERHAN ALTAN.
Sanatimizda bir dönemeç: 50'li yillar, Ankara. Üç sanatçi anlatiyor: Ahmet Oktay, Ilhan Usmanbas, Lütfü Günay.
New Turkish Paperback. Demy 8vo. (22 x 14 cm). In Turkish. 94 p., b/w ills. Sanatimizda bir dönemeç: 50'li yillar, Ankara. Üç sanatçi anlatiyor: Ahmet Oktay, Ilhan Usmanbas, Lütfü Günay.
|
|
|
Erlande-Brandenburg, Alain; Berthier, François; Bouchard, Jean-Francois; Croissant, Francis; Culter, Antony; Garanger, Jose; Jannot, Jean-Rene; Michelet, Dominique; Pelon, Olivier; Peyre, Christian; Schwager, Klaus; Ziegler, Christiane; Ternois, Daniel; Heitz, Gabrielle; Menier, Mady; N'Diaye, Francine; Pressouyre, Sylvia; Christern, Jürgen; Garms, Georg-Michael; Gyss-Vermande, Caroline; Morel, Jean-Paul; Loyer, François; Cohen, Jean-Louis; Grabar, Oleg; Girard-Geslan, Maud; Schiltz, Véronique; Cuisenier, Jean; Margueron, Jean-Claude
Histoire de l'Art
LAROUSSE In Extenso Larousse (1995) . Fort et dense In-8°, broché, couverture souple sobrement ill d'une tête dorée renversée, 1109 pages sur papier bible. Bon état. Propre.
Riferimento per il libraio : 10562 ISBN : 203750005
|
|
|
Erlande-Brandenburg Alain
Le Sacre De L'artiste. La Création Au Moyen-Âge Xivème-Xvème Siècle
Fayard 2000 In-8 broché 23,5 cm sur 15,3. 242 pages. Bon état d’occasion.
Riferimento per il libraio : 128430
|
|
|
Ernst Hans Gombrich, Combe Edith
L'Art et son histoire : Des origines à nos jours . avec 370 illustrations
R. Julliard Montreuil, Société d'impressions publi 1963 In-4 relié. 449 pages. Bon état d’occasion.
Riferimento per il libraio : 58742
|
|
|
EROL KILIÇ.
Geçmisten gelecege izlerin plastizmi.
New English Paperback. Small 4to. (25 x 21 cm). In Turkish. 57 p. Geçmisten gelecege izlerin plastizmi. TURKISH ART Plastic arts.
|
|
|
Ricevere i risultati per e-mail
Scaricare i risultati in PDF
RSS feed
Link
