‎Dance & ballet‎

‎BALLETS RUSSES.‎

‎Les Ballets Russes. Programme Officiel edite par "Comoedia Illustré ".‎

‎Paris: Comoedia Illustré. 1914. First edition. Paperback. Fair. 4to. Original stapled wrappers with gilt rope. 64pp. 17 costumes in colour by Léon Bakst including two fullpagea double page spread of costumes for Rossignol by Alexandre Benois. Cover illustration of Michel Fokine and Vera Fokina in Schéhérazade costumes by Léon Bakst. Shéhérazade Petrouchka Papillons la Légende de Joseph le Coq d'Or Cléopatre Midas le Rossignol le Prince Igor etc. Covesr rubbed and frayed with marginal loss rear cover detached. Thumbed and dog-eared. <br /><br /> Comoedia Illustré. paperback‎

Bookseller reference : 025989

‎BALLETS RUSSES DE MONTE CARLO‎

‎S. Hurok presents Col. W. de Basil's Ballets Russes de Monte-Carlo. 1937-1938 October - April. 5th American Season‎

‎New York 1937. A near-fine copy with some light wear. Folio 12 x 9.5 inches. Profusely illustrated. Pictorial wrappers. Ballet Russe de Monte Carlo was an influential ballet company founded by Ren� Blum and Colonel Vassily de Basil in 1933. Includes numerous advertisements of Art Deco-inspired design including Helena Rubinstein Lanvin Guerlain and Pinaud. <br/><br/> unknown‎

Bookseller reference : 405842

‎BALLETS RUSSES‎

‎Serge de Diaghileff's Ballet Russe. Souvenir.‎

‎New York Morris Gest & Metropolitan Opera 1916-1917. . 2 vols first and second issuea; large 4to 31.5 x 23.5 cm; text in English with numerous illustrations after Bakst small tour schedule inserted to vol.I ; grey and brown marbled soft wrappers bound with string embossed gilt decor and lettering in good condition. Beautiful souvenir programmes of the troupe's American Tour of 1916-17. Including photographs of Léonide Massine and numerous illustrations of Bakst's costumes. New York, Morris Gest & Metropolitan Opera, 1916-1917. unknown‎

Bookseller reference : 101607

‎Ballets Russes Karsavina Tamar. 1885 1978 Danilova Alexandra. 1903 1997‎

‎Theatre Street - INSCRIBED TO ALEXANDRA DANILOVA‎

‎London: William Heinemann Ltd 1930. First edition. Used; Like New/Used; Like New. An extraordinary association copy of the autobiography of Nijinsky's dance partner at the Ballets Russes inscribed to the inheritor of her mantle the great ballerina Alexandra Danilova. Her account of her early life at the Imperial Ballet School and her subsequent career at the Marinsky Theatre and the Ballets Russes. 341 pp. Foreword by J. M. Barrie plain photographic illustrations publisher's green cloth lettered gilt on the spine inscribed on the front free endpage to Alexandra Danilova: "Dear Choura whom I remember with love Tamara." In good shape apart from a tear at the top of the spine and one photo plate page which is separated.<br><br><br />One of the most popular dancers of her time Danilova was a star at St. Petersburg's Imperial Ballet with the Ballets Russes under Sergei Diaghilev and then with the Ballet Russe de Monto Carlo after Diaghilev's death. One of the greatest dancers of her time she created numerous important Balanchine roles and was an important teacher at the School of American Ballet. When she died at the age of 93 in 1997 her will stipulated a number of bequests to individuals and institutions and most of her correspondence notebooks artwork and memorabilia is now housed at the Library of Congress Kent State University's Costume Museum Ohio's Ursuline College and the New York Public Library. The present item is from the personal collection of her goddaughter one of the ballerina's principal heirs. William Heinemann Ltd hardcover‎

Bookseller reference : 9918

‎BALLETS RUSSES‎

‎COLLECTION DES PLUS BEAUX NUMÉROS DE COMOEDIA ILLUSTRÉ ET DES PROGRAMMES CONSACRÉS AU BALLETS & GALAS RUSSES DEPUIS LE DÉBUT A PARIS 1909-1921‎

‎Paris: M. De Brunoff 1922. Folio green silk over thick beveled boards with large inset color illustration from Natalia Goncharova's design for "Firebird". Endpapers color- stenciled with names of the dances dancers composers and choreographers and in the center that of the impresario Serge Diaghilev. Silk faded; a little edge wear to bottom of front board. An exceptionally nice copy of this magnificent book. A compilation of the most important special issues of the theatrical periodical "Comoedia Illustré" and souvenir programs for the 1909-1921 seasons of the Ballets Russes compiled by the program publishers themselves Maurice and Jacques de Brunoff Explanatory forewords by the critic Valerian Svetlov. Lavishly illustrated with photographs and black and white and splendid color plates some heightened with gilt and silver of the dancers costumes and stage decor. Work by Léon Bakst Valentine Hugo André Derain Alexandre Benois Mikhail Larionov. Natalia Goncharova José Sert Henri Matisse and Pablo Picasso. Dancers include Vaslav Nijinsky Tamara Karsavina Michael and Vera Fokine and Ida Rubenstein. Léon Bakst's brilliantly exotic and vivid designs for costumes and stage design revolutionized theater and fashion in the first quarter of the 20th century drawing on Neo-Russian Orientalist and ancient Greek motifs. The May 1917 issue is devoted primarily to the ballet "Parade". In his introduction "Parade et l'Esprit Nouveau" Guillaume Apollinaire coins the term "surrealism" laying the foundation for this movement. "Parade" is a collaboration among Erik Satie Jean Cocteau Pablo Picasso Léonide Massine and Serge Diaghilev. Picasso's costumes are depicted in two pochoir-colored plates: "Costume de Chinois" and "Costume d'Acrobate". A copy is in the collection of the Metropolitan Museum of Art rebound without the original cover plaque by Goncharova and another copy is featured in the 2019 exhibition "Hymn to Apollo/The Ancient World and the Ballets Russes" at the NYU Institute for the Study of the Ancient World. Illustrated Boards. Near Fine. Folio. M. De Brunoff Hardcover books‎

Bookseller reference : 004588

‎Ballets Russes Bolm Adolph. 1884a1951 Bakst Leon. 1866a1924 Hoppe Emil Otto. 1878a1972‎

‎Adolf Bolm in Thamar Monsieur Adolph Bolm Thamar - Original Photograph‎

‎Used; Like New/Used; Like New. Striking original vintage sepia toned gelatin photograph of the important dancer ca. 1912. Stamped "ADOLPH BOLM / 'THAMAR' / SERGE de DIAGHILEFF'S BALLET RUSSE" on the verso in violet ink. Right edge trimmed irregularly small loss to upper left corner light spotting else in fine condition. 5.2 x 8 inches 13.2 x 20.3 cm<br style="">An early associate of Anna Pavlova Adolphe Bolm later was a major figure in Diaghilev's Ballet Russes. An injury sustained during this US tour lead him to leave the company and remain in the US where he went on to organize "Ballet Intime" and collaborate with the New York Metropolitan Opera. He is shown in the present image in the 1912 Ballets Russes production of "Thamar" in a costume by Leon Bakst.<br>In the ballet with music by Balakirev and choreography by Michel Fokine the subject of the life of Thamar Queen of Georgia from 1184 to 1213 was transformed in the spirit of nineteenth-century Romanticism becoming a symbol of nationalist pride in the face of growing Russian cultural dominance in the Caucasus. Russian poet Mikhail Lermontov fictionalized Thamar's history within his interpretation of a Georgian legend of a malevolent seductress in his 1841 poem Tamara and it was this version along with Balakirev's symphonic poem Tamara that inspired Bakst and Fokine for the Ballets Russes production. Bakst's looming set dramatized Thamar's isolated court in her castle in the treacherous Terek River and provided a stark background for his sumptuous and richly detailed costumes for the queen her courtiers guards and suitors.  The men's costumes are based on the traditional Caucasian cherkeska Circassian coat or kaftan with beshmet underdress. <br style="">German born photographer E. O. Hoppé moved to London in 1902 at the age of 24 to work for the Deutsche Bank. He was elected member of the Royal Photographic Society in 1903 and became one of the most important portrait and documentary photographers of his time. E. O. Hoppé spent most of his life in England or travelling the rest of the world on assignments. The present photograph was published as a gravure in Hoppé's 1913 Fine Art Society London volume "Studies from the Russian Ballet" the photographer's first major publication. At a time when ballet was highly popular he photographed most of the leading members of Serge Diaghilev's Russian Ballet in London and the present image of Bolm is one of his most celebrated images. <br style=""> unknown books‎

Bookseller reference : 18581

‎Ballets Russes Diaghilev Sergey Pavlovich. 18721929 Pergolesi Giovanni Battista. 17101736 Wassenaer Count Unico Wilhelm van.‎

‎Six Concertinos Attributed to Pergolesi AUTOGRAPH MANUSCRIPT PREPARED FOR AND INSCRIBED BY DIAGHILEV‎

‎Used; Like New/Used; Like New. Bound collection of 6 concertinos for 4 violins viola cello and basso continuo in score copied from a manuscript at the Conservatoire de Paris as prepared for and subsequently inscribed by Sergei Diaghilev. Long attributed to Italian Baroque composer Pergolesi these pieces are a famous case of reattribution within the canon of classical music having been identified in recent decades as the work of the Dutch composer and statesman Count Unico Wilhelm van Wassenaer. Half a century before this musicological consensus had been established Diaghilev wrote his opinion in an inscription on the cover of the present manuscript translated as follows from the French:<br style="">"In my opinion only the sixth last concertino was composed by Pergolesi. The others are of different authors who have nothing in common with him. I believe the autograph score does not exist and that the copy at the Conservatoire de Paris is the sole known copy that belongs to <lacuna>. These works are found in no library in Italy. It is especially strange that they are not to be found in Naples. The quality of the music of these three concertini is very unequal and one recognizes Pergolesi solely in the last part of the last concertino which was composed wholly by him the Adagio movement recalling his serenades etc. S. Diaghilev 1918."<br style="">"À mon avis il n'y a que le 6me dernier Concertino qui est composé par Pergolesi. Les autres sont de différents auteurs qui n'ont rien de commun avec lui. Je crois que le partition autographe n'existe pas et que l'exemplaire du Conservatoire de Paris est la copie de l'unique exemplaire connu qui appartient à <lacuna>. Dans aucune Bibliothèque d'Italie ces oeuvres ne se trouvent pas. Il est étrange surtout qu'on ne les trouve pas à Naples. La qualité de musique de ces concertini est très inégale et l'on reconnait Pergolesi seulement dans la dernière partie du dernier concertino qui fait être tout entier composé par lui mouvement d'Adagio rappelant ses serenades etc. S. Diaghilev. 1918."<br style="">24 pages bound in a single gathering 10 1/2 × 13 3/4 inches 27 × 35 cm closed. Each page ruled neatly in 16 staves. Notation neatly penned in the hand of the copyist L. Mathieu who has stamped lower right corner of cover: "'Copie musicale et littéraire' L. Mathieu 30 rue Legendre Paris." Diaghilev himself has further inscribed at the base of the page "Copiés d'après le manuscrit se trouvant au Conservatoire de Musique de  Paris / 1917. SergeiDIaghilev"  Purple ownership stamp in lower right corner of cover of Serge Lifar obtained at the sale of his library. Outer sheets cover and last page of music ever so slightly darker than openings else very fine throughout. <br style="">Diaghilev the great impresario of the Ballets Russes is best known for his prescient assemblage of extraordinarily promising composers artists choreographers and dancers. Perhaps Diaghilev's most famous musical innovation was his suggestion to Stravinsky that he set some themes by Giovanni Pergolesi or at least some music as here that was then believed to be by Pergolesi. The result was Pulcinella making Diaghilev at least partly responsible for the transition from Igor Stravinsky's Russian period to his Neoclassical period and the subsequent broader 1920s fascination with neo-classicism.  The present manuscript offers a glimpse into Diaghilev's central own role in evaluating projects for his ensemble since his inscriptions of 1917 and 1918 two/three years before the Ballets Russes production of Pulcinella so clearly demonstrate his interest in Pergolesi and the commedia dell'arte.  unknown books‎

Bookseller reference : 18294

‎Ballets Russes Georges Michel Michel; Waldemar George; and Nathalie Gontcharova‎

‎Les Ballets Russes de Serge de Diaghilew par Michel Georges-Michel Waldemar George / Le Costume Théatral par Nathalie Gontcharova‎

‎Ballets Russes Georges-Michel Michel; Waldemar George; and Nathalie Gontcharova. <b>Les Ballets Russes de Serge de Diaghilew par Michel Georges-Michel Waldemar George / Le Costume Théatral par Nathalie Gontcharova</b>. Paris: Pierre Vorms 1930. First Edition First Printing. <br /><br />Small Quarto 10 5/8 x 7 3/8 inches; 270 x 185 mm 31 1 pages in printed wrappers. <br /><br />A sumptuously illustrated tribute to Serge Diaghilev's Ballets Russes issued in 1930 one year after his death. Diaghilev rendered here as Diaghilew created one of the world's most innovative ballet and opera companies and hired some of the greatest artists of the 20th century to design sets and costumes. <br /><br />Artists represented here include Picasso Laurencin Braque Derain de Chirico Rouault Bakst and others. The book features 19 plates depicting sets and costumes with four of the plates in color. There is also a photo of Diaghilev taken several days before his death at the young age of 57. <br /><br />Michel Georges-Michel and Waldemar George have written introductions while Nathalie Gontcharova has written about costumes; the book is illustrated with several of her designs for sets and costumes. There is also a complete list of the troupe's productions and a list of all the artists who designed sets and costumes. All text is in French. <br /><br />This book should not be confused with a 1955 revised edition. An altogether wonderful tribute to the Ballets Russes. <br /><br />CONDITION: Light edge wear toning to the wrappers especially the lower wrapper. Internally clean bright and unmarked. A beautiful Near Fine copy. Pierre Vorms paperback books‎

Bookseller reference : 2043

‎BALLETS RUSSES. Auric Georges et al.‎

‎Les Facheux. Georges Braque Jean Cocteau Louis Laloy Georges Auric Theatre Serge de Diaghilew‎

‎Paris: Éditions des Quatre Chemins 1924. Two volumes. Quarto. Original publisher's heavy ivory wrappers with illustration in color by Braque to uppers. <br/><br/>Vol. I:<br/>1f. recto half-title verso blank 1f. recto title verso blank 1f. recto "Jean Cocteau" verso blank 3ff. text 1f. portrait of Cocteau 1f. recto "Louis Laloy" verso blank 7ff. text 1f. recto facsimile of music by Auric verso blank <br/>1f. recto "Georges Braque" verso blank 23 hand-coloured set and costume designs by Braque: La Naïde; Esquisse du décor; Décor manquette; Éraste; La Montagne; Lysandre; Orphise; L'Élegante; Joueuse de volant; Joueuse de volant dos; Première bavarde; Deuxième bavarde; Deuxième bavarde dos; Joueur de boules; Joueur de cartes; Le Tuteur; Premier valet; Deuxième valet; Policier; Premier masque; Premier masque dos; Deuxième masque; and Deuxième masque dos.<br/> <br/>Vol. II: <br/>1f. recto half-title verso blank 1f. recto blank verso reproduction of photograph of Braque by Man Ray 1f. recto title "Réalisation Scénique" verso blank 1f. contents 1f. recto "Argument" verso blank 1f. recto part title verso blank 22 full-page reproductions of photographs of dancers L. Krassovska; Nicolas Zverew; Antoine Wilzak; La Nijinska 2; Lubov Tchernicheva 3; Antoine Doline; N. Devalois 2; Ludmila Cholar L. Choliar et A. Wilzak; Alice Nikitin; L. Chollar A. Nikitina and A. Wilzak; Thadée Slavinsky 2; Th. Slavinsky E. Lapitsky et C. Tcherkas; Léon Woizikovsky; J. Jazvinsky et M. Pavlow; M. Federow; and S. Lifar in role portraits.<br/><br/>All plates with tissue gards.<br/><br/>Wrappers very slightly worn and soiled. Minor internal wear; a few signatures partially split; some tissue guards worn and creased. First Edition limited to 500 copies this no. 15 of only 40 copies on Hollande van Gelder with limitation statements at the conclusion of each volume. Magriel p. 187. Niles & Leslie I p. 75. Derra de Moroda 1503. <br/><br/>Les Facheux a ballet in one act with music by Georges Auric choreography by Bronislava Nijinska scenario by Boris Kochno after Moliere's comedy-ballet and curtain scenery and costumes by Georges Braque was first performed by Diaghilev's Ballets Russes in Monte Carlo on 19 January 1924 with principal dancers Lubov Tchernicheva Anatole Vilzak and Anton Dolin.<br/><br/>"By the time Auric found himself a member of Les Six Auric Durey Honegger Milhaud Poulenc and Tailleferre the style of his music - brilliant and often acidly aggressive - had become well established and works such as the Huit poèmes de Jean Cocteau 1919 or the foxtrot Adieu New York! 1919 show how he can be considered along with Poulenc the group's most typical representative. On hearing his 1921 incidental music for Molière's comédie-ballet Les fâcheux Diaghilev asked him to transform it into a ballet. First performed in Monte Carlo . it shows a facility for mood creation and a virtuosity in the manipulation of highly varied material that presages his film music. Other successful ballets followed: Les matelots 1924 and La pastorale 1925 for Diaghilev Les enchantements de la fée d'Alcine 1928 for Ida Rubinstein ." Jeremy Drake in Grove Music Online. <br/><br/>Examples of Les Facheux on Hollande van Gelder with particularly strong color to the plates are quite rare with no copies recorded in ABPC as having coming to auction since at least 1977. Éditions des Quatre Chemins unknown books‎

Bookseller reference : 36302

‎BALLETS-PROGRAMMES - THEATRE DES CHAMPS-ELYSEES. PICASSO, COCTEAU, BERARD, LAURENCIN, FINI, BRASSAI ...‎

‎Les Ballets des Champs-Elysées. 9 programmes. Direction artistique Boris KOCHNO.‎

‎1945 8 Pairs, 1945-1950, in-4, couvertures illustrées.‎

‎Cet ensemble comprend les albums suivants : Le premier, N°1, Paris, octobre 1945, couverture de Marie LAURENCIN, avec au programme "La Forêt", "Jeu de cartes", "Les Forains", illustrations de BERARD, décors de BRASSAI, un des 1000 ex. N°2, Programme, 23 décembre 1946, saison 1946-1947, comprennant les dessins de Léonor FINI, BERARD, "Le Bal des Blanchisseuses", "La Sylphide", "Le Jeune homme et la mort". N° 3, Mars 1946, comprennant "Le Spectre de la Rose", "Les Forains", "Les Amours de Jupiter"..., couverture et illustrations de BERARD et Jean Denis MALCLES, ex. num. N°4, 1946, introduction d'Elsa TRIOLET qui annonce "il y a des gens qui aiment le foot-ball, d'autres la boxe, moi j'aime le ballet", illustrations de BERARD, couverture de Marie LAURENCIN. N°5, 1946, comprennant "Les Forains", "Le Déjeuner sur l'herbe", "La Forêt", "Le Spectre de la Rose", présentation de COCTEAU, ill. de BERARD et Marie LAURENCIN. N°6, 1947, présentation de François MAURIAC pour "Le Rendez-vous", "Le Jeune homme et la mort", illustrations de COCTEAU et BERARD, couv. de PER KROGH. N°7, 1948, présentation des "Fêtes galantes" et "L'Oiseau Bleu", couv. de PICASSO. N°9, 1949, présentation de Boris KOCHNO pour "La Nuit", "Les Forains", couv. de BERARD, N. 10, 1949-50, textes de Eluard, Elsa Triolet et dessins de Balthus, Beaton, Brassaï.... Petites usures, déchirures, taches.‎

Bookseller reference : 12741

‎BANERJI Projesh‎

‎ART OF INDIAN DANCING‎

‎New Dehli Sterling Publishers 1985, In-8 cartonnage éditeur sous jaquette, 164 pages. Figures et photos. Texte en anglais. Bon état.‎

‎Baptiste VIGNOL‎

‎Claude François: Je reviendrai comme d'habitude‎

‎Grund 2017 240 pages 21 6x27 8x2 2cm. 2017. Broché. 240 pages.‎

‎Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France‎

Bookseller reference : 500057496

‎Baptiste VIGNOL‎

‎Claude François: Je reviendrai comme d'habitude‎

‎Grund 2017 240 pages 21 6x27 8x2 2cm. 2017. Broché. 240 pages.‎

‎Neuf blister déchiré‎

Bookseller reference : 500096837

‎BARBIER (George).‎

‎"Jeune danseuse de ballet".‎

‎1925 1 Aquarelle en couleurs, signée et datée au milieu à gauche, 1925, papier collé sur carton, 24.5 x 20 cm., encadrée.‎

‎Une jeune danseuse, en costume de ballet esquisse un pas. Barbier s'est très tôt intéressé au théâtre, et ses dessins témoignent de l'influence des Ballets Russes. Personnages de comédie (1922) et Vingt-cinq costumes pour le théâtre (1925) témoignent de ce goût (article Barbier et le théâtre, par Alain Stoeffler, in George Barbier, La Nascita del Deco, 2008, pp. 62-83). Très légères salissures et infimes usures.‎

Bookseller reference : 22506

‎BARCLAY SQUIRE W.‎

‎Catalogue of printed music published between 1487 and 1800 now in the British Museum‎

‎- W. Clowes & sons, London 1912, 16x25,5cm, 2 volumes en reliure de l'éditeur. - Edition originale. Reliures en pleine percaline bleu marine, dos lisses ornés de deux doubles filets dorés en têtes et en queues, dates en queue, encadrements à froid sur les plats. Petites rousseurs sur le deuxième volume affectant essentiellemnt les toutes premières et toutes dernières pages. [ENGLISH DESCRIPTION ON DEMAND]‎

‎Baret Charles - Charle Abd-Allah - Bitoire‎

‎Partition de la chanson : Mon premier bal Chanson scène comique‎

‎Partitions sur la Danse Joubert 1885 approx.‎

‎Bon état Petit format‎

Bookseller reference : 8433

‎BARIL Jacques‎

‎Dictionnaire de Danse - Collection Dictionnaires n°2‎

‎SEUIL. 1964. In-12. Broché. Etat passable, Tâchée, Dos plié, Intérieur acceptable. Environ 280 pages illustrées de nombreuses photographies en noir et blanc.. . . . Classification Dewey : 793.3-Danse‎

‎Classification Dewey : 793.3-Danse‎

Bookseller reference : R160072246

‎BARIL JACQUES‎

‎JANINE CHARAT LA TENTATION DE L'IMPOSSIBLE.‎

‎P., éd. M. Brient, 1964. in-8 carré broché, environ 40 pp. non numérotées, sur papier glacé, avec de belles illustrations pleine page en noir et blanc.‎

‎Barker Travis Edwards Gavin Bochard Thierry‎

‎Travis Barker : l'autobiographie: Can I say‎

‎TALENT EDITIONS 2021 432 pages 15x23 8x2 7cm. 2021. Broché. 432 pages.‎

‎Comme neuf‎

Bookseller reference : 500069523

‎BARON‎

‎ENCORE. Introduction and commentary by Arnold L. HASKELL‎

‎London, Collins, 1958. in-4 relié toile jaune (sans jaquette), 222 pages avec plus de 190 photographies en noir et blanc et 5 hors-textes en couleurs. Plus de 100 danseurs etoiles photographiés entre 1938 et 1956. Index des artistes et des ballets. Très bon état.‎

‎La librairie fermera ses portes en 2025. Des remises de 25 à 50 % peuvent s'appliquer au cas par cas.‎

Bookseller reference : 4519

‎Baryshnikov Mikhail‎

‎Baryshnikov at Work‎

‎A & C Black Publishers Ltd 1977 In-4 relié 29,4 cm sur 26,2. 252 pages. Bon état d’occasion.‎

‎Bon état d’occasion‎

Bookseller reference : 73138

‎BASCHET ROGER‎

‎MADMOISELLE DERVIEUX FILLE D'OPERA‎

‎P., Flammarion, 1943. In-12 relié demi basane bleu, dos long, couvertures conservées, 216 pages et 8 pages d'hors-texte.‎

‎BASCHET Roger - VUILLLERMOZ Emile‎

‎De Paris ? Orange, l'op?ra voyage. Les chor?gies d'Orange. Article (7 pages, 25 photos) et article (2 pages, 4 photos) paru dans la revue l'Illustration.‎

‎Num?ro complet. 28x38cm.‎

‎BATAILLE Ariane‎

‎Le Ballet‎

‎NATHAN. 1996. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 63 pages. Nombreuses illustrations en couleurs, dans le texte et en hors-texte.. . . . Classification Dewey : 793.3-Danse‎

‎"Collection ""Tout le Monde"". Classification Dewey : 793.3-Danse"‎

Bookseller reference : RO80085830 ISBN : 2092403516

‎BAUDELAIRE Charles & COLLECTIF‎

‎La revue musicale N°1 de la 4ème année‎

‎Nrf, Paris 1er Novembre 1922, 19,5x26cm, broché.‎

‎Edition originale, un des rares exemplaires lettrés sur vergé, seuls grands papiers. Contributions de C. Baudelaire avec la première lettre qu'il a écrite à Richard Wagner publiée et commentée par André Suarès, Roland-Manuel, H. Lemonnier à propos de Louis Vitet et de la Marseillaise... Numéro illustré d'un portrait de A. Roussel par V. Barbey, d'un autoportrait de Baudelaire, ainsi que de culs-de-lampe, frontispices et lettrines de O. Friesz, V. Hugo.. Petits manques et déchirures sur le dos et les mors, agréable état intérieur.Numéro bien complet de son supplément musical : "Fragment du ballet Padmavati" d'A. Roussel. - Photos sur www.Edition-originale.com -‎

Bookseller reference : 41788