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検索結果数 : 98,622 (1973 ページ)

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‎Carl Haenlein; Angelika Stricker‎

‎Anton Josef Trcka, Edward Weston, Helmut Newton : The Artificial of the Real‎

‎, Scalo Publishers, 1998 Hardcover, 208 pages, ENG, 280 x 230 x 25 mm, dustjacket, in fine condition, photographs in colour / b/w . ISBN 9783931141882.‎

‎This book presents 3 important photographers--Anton Josef Trcka, Edward Weston, and Helmut Newton, and explores the relationships between reality and representation. ? ====================== ? In the works of Anton Josef Trcka nature is picturesque, an embellishment atmospherically enhancing his portraits. In Edward Weston's work it appears in its most basic, purest forms, as both reality and its metaphor. And for Helmut Newton nature is the hyper-real backdrop against which he stages the pictorial worlds which accompany and pursue us today. Body: Trcka uses the body as a vehicle for a new expressiveness, a new gesture, a new image of mankind, which at the turn of this century could only be created by means of a photography both so close to, yet so remote from reality. For Weston the body is pure form, one of the world's primordial forms, an abstract representation of human, physical existence. And Newton: here bodies are creations invented by the director behind the camera, manifestly rooted in reality, but nevertheless vigorously detached from it for the sake of art and artificiality. The Artificial of the Real is about the art of perceiving reality and representing it. Three photographers show how human beings have experienced themselves in their world at different moments during this century. For this, photography is how the artificiality of the real is rendered perceptible.‎

書籍販売業者の参照番号 : 62208

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Carl Heldmann‎

‎Be Your Own House Contractor: Save 25% Without Lifting a Hammer‎

‎Storey Books 1995. Book. Very Good. Paperback. 3rd Edition. 8vo - over 7� - 9�" tall. Third Edition. Very-good condition soft cover book. No remainder marks or clippings. Covers are clean show light wear - no tears. Illustrated. No writing or tears inside book. Tight spine clean pages. . Storey Books Paperback‎

書籍販売業者の参照番号 : 065350 ISBN : 088266266X 9780882662664

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ThatBookGuy
United States Estados Unidos Estados Unidos États-Unis
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€ 6.76 購入

‎Carl T. F. Ross‎

‎Strength of Materials and Structures‎

‎Butterworth-Heinemann 1999. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition suitable as a study copy. Butterworth-Heinemann paperback‎

書籍販売業者の参照番号 : 6771991 ISBN : 0340719206 9780340719206

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Anybook Ltd
United Kingdom Reino Unido Reino Unido Royaume-Uni
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€ 15.64 購入

‎Carl T. F. Ross‎

‎Strength of Materials and Structures‎

‎Butterworth-Heinemann 1999. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition suitable as a reading copy. Butterworth-Heinemann paperback‎

書籍販売業者の参照番号 : 6771993 ISBN : 0340719206 9780340719206

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Anybook Ltd
United Kingdom Reino Unido Reino Unido Royaume-Uni
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€ 15.64 購入

‎CARL, Lea:‎

‎Gitter. “Die Architecktur der Schweiz”.‎

‎Zürich, Berichthaus, 1964, gr. in-8vo, 150 S., reich ill. mit photogr. Abb. in S/W, Original-Leinenband, ill. OU.‎

書籍販売業者の参照番号 : 84321aaf

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Harteveld Rare Books Ltd.
Fribourg Switzerland Suiza Suíça Suisse
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€ 43.01 購入

‎Carla D'Arista‎

‎Pucci of Florence: Patronage and Politics in Renaissance Italy‎

‎, Brepols - Harvey Miller, 2020 Hardback, iv + 359 pages, Size:220 x 280 mm, Illustrations:296 col., Languages: English, Italian. ISBN 9781912554256.‎

‎Summary Shrewd and ruthless, the Pucci were Medici loyalists whose political and cultural alignment with the most powerful family in Renaissance Florence was rewarded with wealth and influence. The Pucci's martial support for the Medici in the dangerous business of ruling Tuscany drove their transformation from a clan of minor guildsmen to a noble dynasty with three cardinals to its name. Over the next two centuries, they showcased their exalted status with art and architecture that mirrored Medici tastes and reflected the values of civic humanism. The political and religious turmoil of the High Renaissance is writ large in this vivid portrait of the Pucci cardinals and their artistic patronage, a cultural biography inflected by the expulsion of the Medici from Florence, the Sack of Rome, the Reformation, and the occupation of Italy by Emperor Charles V. New archival evidence documents the chapels, palaces, and villas that were built, expanded, and decorated by the Pucci family in Rome, Tuscany, and Umbria. These celebrated projects were carried out by luminaries of Renaissance art and architecture: Michelozzo, the Pollaiuolo brothers, the Sangallo family, Baccio d'Agnolo, the Montelupo workshop, and others. A remarkable body of inventories reveals how the family's trials and tribulations shaped the fate of their estates and illustrates the role luxury goods played in the social ambitions of this newly-arrived family. A previously unknown catalogue of Palazzo Pucci tells the tale of the nineteenth-century dispersal of the family's priceless Renaissance artworks, a collection that once mirrored the splendor of the Medici court. TABLE OF CONTENTS Acknowledgements Abbreviations A note on Money and Currencies A note on Weights and Measures A note on Dates A note on Spelling Archival Sources Used in this Study Family Tree Introduction: 'Beneath the Shadow of Thy Wings I Sleep' I. From the Beginning: Medici Loyalists II. The Pucci Oratory in Santissima Annunziata III. Antonio Pucci: Dynastic Promotion and Image-Building IV. Casa Pucci in Florence (1503-1537): Fashioning Social Hierarchies V. Cardinal Lorenzo Pucci in the Eternal City VI. Cardinal Antonio Pucci: A Scholarly Diplomat VII. Roberto Pucci (1531-1547): It's All in the Family VIII. Reframing Ambition, Wealth, and Dishonor (1547-1612) Epilogue (1612-1913)‎

書籍販売業者の参照番号 : 65538

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 200.00 購入

‎Carla Lind‎

‎The Wright Style: Interiors of Frank Lloyd Wright - Authentic Designs Contemporary Interpretations‎

‎Thames & Hudson Ltd 1992. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust Jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1150grams ISBN:9780500015513 Thames & Hudson Ltd hardcover‎

書籍販売業者の参照番号 : 6694005 ISBN : 0500015511 9780500015513

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Anybook Ltd
United Kingdom Reino Unido Reino Unido Royaume-Uni
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€ 5.49 購入

‎CARLA MICHELLI GIACCONE.‎

‎Il Castello Orsini. Odescalchi di Bracciano.‎

‎Very Good English Original bdg. Hardcover. 4to. (29 x 19.5 cm). 86, [14] p. In Italian. Very good. Color and b/w ills. Il Castello Orsini. Odescalchi di Bracciano.‎

‎Carla van de Puttelaar‎

‎Scottish Portraiture 1644-1714. David and John Scougall and Their Contemporaries‎

‎, Brepols, 2021 Hardback, 2 vols, 756 pages, Size:225 x 300 mm, Illustrations:1265 col., Language: English. ISBN 9782503597270.‎

‎Summary This book is the first comprehensive publication on Scottish portraiture from the period 1644 to 1714, with an emphasis on the painters David Scougall (1625-1685), and his son John Scougall (1657-1737). It is based on in-depth art historical and archival research. As such, it is an important academic contribution to this thus far little-researched field. Virtually nothing was known about the Scougall portraitists, who also include the somewhat obscure George Scougall (active c. 1690-1737). Thorough archival research has provided substantial biographical information. It has yielded life dates and data on family relations and, also, it has become clear that David Scougall had two parallel careers, as a portrait painter and as a writer (solicitor). The legal community in which the Scougalls were embedded has been defined, as well as an extended group of sitters and their social, economic, and family networks. The book includes a catalogue raisonn of the oeuvre of David Scougall. The most important contemporaries of the Scougalls were the portraitist L. Sch neman (active c. 1655/60-1667 or slightly later), his successor James Carrudus (active c. 1668-1683 or later), whose work is identified for the first time in this book, David Paton (c. 1650-in or after 1708), Jacob Jacobsz. de Wet (1641/42-1697) and Sir John Baptist Medina (1659-1710). Their lives and work are discussed. An extensive survey of Scottish portraits, with an emphasis on the work of the Scougall painters, is presented for the period 1644 to 1714. Numerous attributions to various artists and sitter identifications have been established or revised. An overview of the next generation is provided, in which the oeuvres and biographical details are highlighted of the principal portrait painters, such as William Aikman (1682-1731), Richard Waitt (1684-1733) and John Alexander (1686-1767). Countless paintings have been photographed anew or for the first time, and have been compared in detail, which had hardly been done before, while information is also included on technical aspects and (original) frames. The resulting data have been complemented by analysing the social and (art-) historical context in which the portraits were made. The works of the portrait painters in Scotland from this period, as this book shows, now form a solid bridge between the portraits painted prior to George Jamesone's death in 1644, and those by the renowned Scottish painters of the eighteenth century. TABLE OF CONTENTS VOLUME I Abbreviations - Foreword - Acknowledgements Introduction Current State of Published Research on the Scougalls and Their Circle and the Appreciation of Their Work Through the Centuries The Elder Scougall/Old Scougall and the Younger Scougall Dates and Scarcity of Known Archival Material Artistic Context: Painting in Scotland, the Start of a Portrait Tradition, c. 1575-1660 David Scougall (Edinburgh, 1625-1685), His Life and Career Emerging from the Shadows Father and Son, John (d. after 13 October 1627) and David (1625-1685) Writer and Painter Family Patrons The Outset of a Career Father and Son, David (1625-1685) and John (1657-1737) The Advocate's Close The Profession of a Writer or Clerk in the Time of David Scougall The Profession of a Painter in the Time of David Scougall Possible Teachers and Family Creativity Decline and Death Skougall or Scougall Personal Network, Legal Community and Further Family Relations John Scougall (Edinburgh, 1657-1737), His Life and Career A Long and Prosperous Life Becoming a Limner Family Patrons Increased Prosperity Lack of Competition 1694: A Year of Important Changes Decline in Skill and Death David Scougall: The Oeuvre, Characteristics, Development and Sources of Inspiration The Outset of a Career Core Works, the Basis for a Compilation of the Oeuvre Associated Works Miniatures or Pocket Pictures Stylistic Features and Motifs Consistency in Style Late Works, 1675-1685 Technical Aspects of David Scougall's Paintings Technical Research and Painting Technique Painting Materials David Scougall as a Copyist Costumes and Jewellery Use of Motifs from Portraits by Other Painters No Inventor, but Painting Real People Production Studio Practice and Legal Community John Scougall: The Oeuvre, Characteristics, Development and Sources of Inspiration The Early Years Indisputable Works Associated Works Use of Motifs from Portraits by Other Painters Stylistic Features and Motifs Technical Aspects of John Scougall's Paintings Technical Research and Painting Technique John Scougall as a Copyist Production Mending and Washing Studio Practice and Apprentices George Scougall (b. 1670?, active c. 1690- c. 1737) Lack of Biographical Data In the Studio of John Scougall Inadequate Traces of Work Clients/Sitters Nobility and Clergy Clients and Religious Beliefs Loyal Patrons Bonding Portraits Competition from Abroad Ladies and Gentlemen Portraying Children Problems in Sitter Identification Known Sitter, but Problem in Period and Handling Portraits Telling the Truth? Scougall's Clients, Where Were They Based, and the Painter's Studio Backs and Frames The Back of the Painting Period Frames Prices for Portraits and Frames Prices for Portraits by David Scougall 1664-1683 Prices for Portraits by John Scougall 1674-1728 Prices for Frames The Contemporaries of the Scougalls John Michael Wright (1617-1694) L. Sch neman (active c. 1655/60-1667 or shorty after) James Carrudus (active 1671 or earlier-1683 or later) David Paton (c. 1650-in or after 1708) Thomas Murray (1663-1735) Jacob Jacobsz. de Wet (1641/42-1697) Portraits, Painters Unknown Painters, Portraits Unknown Sir John Baptist Medina (1659-1710) The Next Generation William Aikman (1682-1731) Richard Waitt (1684-1733) John Alexander (1686-1767) John Smibert (1688-1751) And Beyond Summary and Conclusion Appendices Appendix I The Scougall Family, Reconstruction of the Family Tree Appendix II Transcriptions of Various Archival Documents Concerning the Scougall Painters Appendix III The Mysterious Portrait of 'John Scougall' Appendix IV Transcription of the Memoir by Sir John Clerk of Penicuik, 1st Baronet (1649-1722) of His Wife Elizabeth Henderson, Lady Clerk (1658-1683) ? VOLUME II Catalogue Raisonn of the Paintings by David Scougall (1625-1685) Introduction Glossary Catalogue A Authentic Works Catalogue AW Works Known Only from Written Sources Catalogue B Copies by David Scougall After Works by Others Catalogue C Doubtful Works Catalogue D Works Known Only Through Copies and Prints Catalogue E Rejected Works Concordance Notes Bibliography Websites Guides to Houses and Other Venues Exhibitions Inserted Details Index‎

書籍販売業者の参照番号 : 65088

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 195.00 購入

‎Carla Varela Fernandes, Catarina Fernandes Barreira, Jo o Lu s Ingl s Fontes, Maria Joao Branco, Mario Farelo (eds)‎

‎Loci Sepulcrales. Places of memory and burial in the Middle Ages‎

‎, Brepols, 2024 Paperback, xvii + 594 pages, Size:165 x 240 mm, Illustrations:12 b/w, 115 col., 9 maps b/w, Language(s):English, French, Spanish. ISBN 9782503606583.‎

‎Throughout the Middle Ages, the choice of a particular burial place remains a fundamental question in someone's life. Summary Assembling the contributions of twenty-two authors, this volume aims at revisiting the question of the choice of burial sites throughout the Middle Ages, in their political, emotional, and devotional dimensions, across a wide chronology and in a vast palette of different social statuses. The choice of a burial site inevitably reflets very important statements, made by the living persons, not only regarding what they wished the memory of their passage on Earth to be, but equally enlightening us on what their concern for the future of their souls was and how it should be cared for, in the afterlife. The first part of this volume is devoted to royal pantheons, considering their development and relevance in the construction of royal legitimacy. Kings and Queens were not the only ones considering their lineage and personal memory: noblemen, ecclesiastics, rich tradesmen, and their wives and daughters, were also involved in a world of changing tendencies, which are dealt with in the second part of the book. The third and last part looks at the strategies and interconnection between building a burial site and constructing collective memories, whether in stone or in writing through the performing influence of rituals, images, or symbols. This book proposes, therefore a whole new set of approaches on the subject, addressed either in interdisciplinary and all-around syntheses or via analysis of specific case-studies, looking at panteons and other burial sites as the important witnesses of the lives, emotions, and devotions of the medieval society they served. Contributors to this volume are Xavier Barral i Altet, Catarina Fernandes Barreira, Thiago Jos Borges, Maria Helena Cruz Coelho, Frederica Cosenza, Antonio Pio de Cosmo, Lorenzo Curatella, M rio Farelo, Jos Rom n Gonz lez de la Cal, Linsy Grant, Laurent Hablot, Orlindo Jorge, Emma Lano Mart nez, Christian de M rindol, Sonia Morales Cano, Jorge Mor n Pablos, Pedro Redol, Martina Saltamacchia, Isabel S nchez Ramos, Lydwine Scordia, Rosa Smurra and Christian Steer. TABLE OF CONTENTS Preface I - Royal Pantheons (5th-15th century) - Emma Lia o Martinez (Profesora Catedr tica de Historia del Arte. Universidad de Tarragona), El Pante n Real de Poblet. Afirmaci n de la monarquia e innovaci n art stica - Sonia Morales Cano (Profesora Universidad de Castilla-La Mancha), Discursos de la memoria: la catedral primada de Espa a como pante n real en la Baja Edad Media y su repercusi n en los mausoleos de prelados y nobles - Pedro Redol (Senior Official Monastery of Batalha), Orlindo Jorge (Independent researcher), The royal funerary chapels of Batalha: prestige, innovation, and identity (1415-1515) - Christian de M rindol (Ancien Conservateur au Mus e des monuments fran ais), La Necropole de Saint-Denis de Louis VII Saint Louis. Nouvelle synth se. - Lindy Grant (Professor of Medieval History, University of Reading), Blanche of Castile, St Louis and the concept of the family mausoleum in Capetian France: Saint-Denis, Royaumont and Maubuisson. - Lydwine Scordia (Ma tre de conf rences HDR, Universit de Rouen), Le tombeau de Louis XI Notre-Dame de Cl ry: un unicum dans l?histoire de l?art fun raire royal II. Burial strategies: from rural to urban contexts - Isabel S nchez Ramos (University College London, Institute of Archaeology), Jorge Mor n Pablos (AUDEMA. Auditores de Energ a y Medio Ambiente, Madrid) and Jos Ram n Gonz lez de la Cal (Escuela de Arquitectura de Toledo, UCLM), El edificio funerario tardoantiguo de Los Hitos en Arisgotas (Toledo, Espa a). Un pante n de poca visigoda - M rio Farelo (Assistant Researcher, NOVA FCSH), Une cit de Saints. La ville de Lisbonne comme lieu de sacralisation de la guerre, XIIe-XVe si cles - Federica Cosenza (Postgraduate, Universit degli Studi La Sapienza), Sepolture di Prestigio a Roma nel Medioevo: La Media Elite - Lorenzo Curatella (PhD, Universit degli Studi La Sapienza), Sepolture di prestigio a Roma nel Basso Medioevo: Gli Ecclesiastici - Rosa Smurra (Associate Professor, University of Bologna), Social mobility and funerary monuments in the first half of the fourteenth-century in Santa Chiara, Naples - Martina Saltamacchia (Associate Professor, Charles & Mary Caldwell Martin Professor of History), Snakes, Razas, and the Prince?s Tomb: Gian Galeazzo Visconti and the Cathedral of Milan - Christian Steer (Visiting Fellow, University of York), Bones of Benefactors: Burying the Dead in Grey Friars Church London III ? Memory, Representations and Texts - Maria Helena da Cruz Coelho (Professora Catedr tica, Universidade de Coimbra), A morte e a ltima morada dos reis: paradigma e mem ria - Xavier Barral i Altet (Professeur des Universit s, Universit Rennes 2), Le r le m morial et fun raire de la broderie de Bayeux : propos du tombeau-mausol e de la sc ne d?Aelfgyva et le clerc. - Laurent Hablot (Directeur d' tudes, EPHE), L?h raldique et la mort. Formes et fonctions de l?h raldique dans le contexte fun raire - Catarina Fernandes Barreira (Research Fellow, NOVA FCSH), Requiescant in pace. Death and memory in the Monastery of Alcoba a based on its liturgical codices - Antonio Pio de Cosmo (Universit di Modena e Reggio Emilia, Italia / ISACCL, Bucarest, Romania), I riti in limine vitae degli Augusti. 'Manipolazione rituale' e partecipazione corale nelle cerimonie del trapasso dell?imperatore celebrate fra IV e VI secc. - Thiago Jos Borges (Doutor em Hist ria, docente do Instituto Federal de Bras lia), De Locis Sanctis: textualidade, tradi o e formas de representa o.‎

書籍販売業者の参照番号 : 63067

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 75.00 購入

‎CARLAT (Michel).‎

‎Les composantes historiques de l'architecture rurale vivaroise.‎

‎Largentière, imp. Humbert, 1981, 1 broché. in-8 de 12 pages ;‎

‎Extrait de la "Revue du Vivarais".‎

書籍販売業者の参照番号 : 16185

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Librairie Ancienne du Vivarais
Saint Etienne de Boulogne France Francia França France
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€ 10.00 購入

‎CARLAT Michel‎

‎Architecture populaire de l'Ardèche.‎

‎Editions Curandera, les Ethnologiques, 1984, 149 p., broché, coins des plats légèrement cornés, bon état pour le reste.‎

‎Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

書籍販売業者の参照番号 : 90290

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Librairie Diogène
Lyon France Francia França France
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€ 40.00 購入

‎Carlat Michel‎

‎Architecture populaire de l’ardèche‎

‎Editions Curandera, coll. « Les Ethnologiques » 1984 In-8 broché 24 cm sur 16. 149 pages. Nombreuses illustrations en noir et blanc. Couverture légèrement défraîchie, sans gravité. Intérieur frais. Bon état d’occasion.‎

‎Bon état d’occasion‎

書籍販売業者の参照番号 : 115877

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Librairie de l'Avenue
Saint-Ouen France Francia França France
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€ 32.00 購入

‎CARLAT Michel‎

‎Architecture rurale en Vivarais. "L'habitat rural traditionnel de l'Ardèche"‎

‎Librairie Guénégaud, 1982,in-8 br. (19 x 23), 318 p., illustré de 174 dessins, 10 photos, plans, coupes et élévations in-t., très bon état.‎

‎Remarquable et ambitieuse étude anthropologique de l'architecture rurale vivaroise traditionnelle, tant le territoire apparait varié et complexe. Voir le sommaire sur photos jointes.‎

書籍販売業者の参照番号 : QWA-20066

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Librairie de la Garenne
Clichy-la-Garenne France Francia França France
[この書籍販売業者の本を検索: Librairie de la Garenne]

€ 65.00 購入

‎CARLAT Michel‎

‎La maison rurale du Vivarais - Essai pour une mise en valeur d'un habitat traditionnel‎

‎Eclassan (07), chez l'auteur, 1975, in-4 br. (21 x 29,5), 51 p., 1ère édition tirée à 2500 exemplaires, une carte, 118 dessins de l'auteur, bon état.‎

‎L'un des premiers ouvrages de Michel Carlat spécialiste éminent de l'histoire et de l'architecture rurales du Vivarais. L'auteur passe en revue l'architecture des maisons ardéchoises, par région naturelle (la Montagne, le Haut-Vivarais, les Boutières, le Coiron, le Bas-Vivarais, la Cévenne, le Rivage rhodanien). Il donne de précieux conseils d'entretien et de restauration en distinguant deux rubriques : "Ce qu'il faut faire", "Ce qu'il ne faut pas faire". Lexique du parler vivarois et glossaire des termes techniques employés. Voir le sommaire sur photos jointes.‎

書籍販売業者の参照番号 : QWA-20344

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Librairie de la Garenne
Clichy-la-Garenne France Francia França France
[この書籍販売業者の本を検索: Librairie de la Garenne]

€ 50.00 購入

‎CARLEN, Louis & BINER, J. M. (Fotos):‎

‎Kultur des Wallis im Mittelalter.‎

‎Brig, Rotten-Verlag, 1981, in-4to, 237 S., reich ill., Original-Leinenband, mit OU.‎

書籍販売業者の参照番号 : 68684aaf

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Harteveld Rare Books Ltd.
Fribourg Switzerland Suiza Suíça Suisse
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€ 19.11 購入

‎Carley JP‎

‎Glastonbury Abbey‎

‎The Boydell Press 1988. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust Jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item800grams ISBN:9780851154602 The Boydell Press hardcover‎

書籍販売業者の参照番号 : 8600701 ISBN : 0851154603 9780851154602

Biblio.com

Anybook Ltd
United Kingdom Reino Unido Reino Unido Royaume-Uni
[この書籍販売業者の本を検索: Anybook Ltd]

€ 0.88 購入

‎Carley Rachel‎

‎Cabin Fever: Rustic Style Comes Home‎

‎New York: Simon & Schuster. Fine copy in fine dust jacket. 1998. 2nd prt. hardcover. Square 4to 207 pp. . Simon & Schuster hardcover‎

書籍販売業者の参照番号 : BOOKS048858I ISBN : 0684844222 9780684844220

Biblio.com

Abacus Bookshop
United States Estados Unidos Estados Unidos États-Unis
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€ 14.81 購入

‎Carley Rachel‎

‎The Visual Dictionary of American Domestic Architecture‎

‎Henry Holt and Company 1994. 1st printing. Clean crisp and unmarked. 272pp. Dust jacket in a new mylar cover. A graphic guide to 500 years of American home styles from the tipi to the tract house. First Edition. Hard Cover. Collectible - Fine/Near Fine. 4to - over 9" - 12" Tall. Henry Holt and Company Hardcover‎

書籍販売業者の参照番号 : 045200 ISBN : 0805026460 9780805026467

Biblio.com

Turn-The-Page Books
United States Estados Unidos Estados Unidos États-Unis
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€ 21.15 購入

‎Carley, Michael u. a. (Hrsg.)‎

‎The Cool Sea. Waterfront Communities Project Toolkit.‎

‎(Edinburgh) 2007. Mit zahlr. farb. Abbildungen. 176 S., 3 Bll. 8vo. OBrosch.‎

‎Sehr guter Zustand.‎

書籍販売業者の参照番号 : 90139

‎Carli Enzo‎

‎I Tesori: Il Duomo di Siena‎

‎Florence: Sadea / Sansoni Editori. Fine copy. 1966. 1st. softcover. 4to 40 pp. . Sadea / Sansoni Editori paperback‎

書籍販売業者の参照番号 : BOOKS062658I

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Abacus Bookshop
United States Estados Unidos Estados Unidos États-Unis
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€ 6.35 購入

‎Carli Enzo‎

‎Il Duomo Di Siena‎

‎Italy: Sadea/Sansoni Editori 1966 Book. Very Good . Soft cover. First Edition. Beautifully illustrated book from the Itesori series on Italian architecture. Includes architecture painting arts and sculptures. Sadea/Sansoni Editori paperback‎

書籍販売業者の参照番号 : 046340

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UHR Books
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€ 6.78 購入

‎CARLI Carlo Fabrizio,‎

‎Architettura e tradizione‎

‎. 8vo. pp. 70. . Molto buono (Very Good). . . .‎

‎Carli Enzo‎

‎Brunelleschi‎

‎Librairie A. Hatier. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 580 pages augmentées de nombreuses photos et quelques schémas en noir et blanc, dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎"Collection ""Art et artistes - Série ""Les architectes"""" Classification Dewey : 720-Architecture"‎

書籍販売業者の参照番号 : R200100692

‎Carli Enzo‎

‎Brunelleschi - 1377-1446 - Collection Art et artistes Série Les architectes.‎

‎A. Hatier. 1949. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Papier jauni. non paginé, environ 79 pages, couverture contrepliée, quelques illustrations en noir et blanc dans le texte, nombreuses planches de photos et illustrations en noir et blanc - pellicule transparente de la couverture partiellement désolidarisée.. . . . Classification Dewey : 720-Architecture‎

‎Collection Art et artistes Série Les architectes. Classification Dewey : 720-Architecture‎

書籍販売業者の参照番号 : R200133457

‎Carli Enzo‎

‎pittura senese del Trecento. [Edizione italiana, inglese, francese e tedesca]‎

‎Toscana, ERI - Edizioni RAI Radiotelevisione Italiana / ELECTA, 1981 Roma, 1981; ril. in tela in cofanetto, pp. 301, 294 ill. b/n e col. num. n.t., 294 tavv. b/n e col. num. n.t., cm 25,5x28,5. In Very Good Condition ! con sovraccoperta ! ISBN X.‎

‎Periodo: 1000-1400 (XII-XIV) Medioevo‎

書籍販売業者の参照番号 : 61576

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 60.00 購入

‎CARLI, Enzo‎

‎MICHELANGELO - Bergamo 1946 - Ilustrado - Libro en italiano‎

‎Bergamo. Edit. Insistuto Italiano d'Arti Gtrafiche, 1946. 150 láminas ilustradas en b/n fuera texto. 54 p. 4º menor. Tela editorial algo deslucida. Buen ejemplar. Libro en italiano.‎

‎CARLI, Enzo.‎

‎Duccio.‎

‎Milano-Firenze, Electa Editrice, 1952. 4to. menor; 20 pp., 4 hs. más 128 láminas en negro y 8 láminas en color. Cubiertas originales salvadas en encuadernación en tela.‎

‎CARLIER (Achille) - FOCILLON (Henri, préf. de).‎

‎L'Eglise de Rampillon.‎

‎Paris, s.é., 1930. Un fort vol. au format in-4 (303 x 242 mm) de vii - 115 pp. et 100 planches photographiques in fine, broché.‎

‎Edition originale de cette monographie de référence, complète de se s100 superbes planches photographiques montées sur onglets. ''L'auteur ne se limite ici pas à l'anatomie de la structure, à un catalogue de mouturations. Il voit comment les choses s'assemblent et s'ajustent pour donner une oeuvre d'art, pour composer une physionomie. Son église est un tout organique, qui vit avec force, dans l'ordre d'une époque, dans le cadre d'un paysage qu'il évoque avec émotion. L'étude qu'il consacre à la sculpture de Rampillon atteste, outre une connaissance approfondie des problèmes iconographiques, la pratique familière des grands ateliers qui ont travaillé dans notre pays au cours du XIIème siècle, l'instinct et la science des formes, enfin, cette rare qualité sensible sans laquelle il n'est guère possible d'entreprendre des recherches''. (in Préface). Coiffes élimés. Dos légèrement ridé. Plats présentant un éclat très légèreent altéré. Quelques rousseurs dans le texte. Du reste, belle condition.‎

書籍販売業者の参照番号 : 17912

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Babel Librairie
Périgueux France Francia França France
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€ 75.00 購入

‎Carlier (Achille), ss la dir. de‎

‎Les Pierres de France. Organe de la Société pour le respect et la protection des Anciens Monuments français.‎

‎1938 Paris, avril-juin 1938. Un fascicule in-4 broché, 92 pp. et 4 ff. publicitaires, ill. en n&b in-texte. Petite déchirure en tête, intérieur frais.‎

‎La Porte des Comptes à Mantes. Le Scandale de Reims. La "restauration" de l'église d'Urcel. Le porche de Saint-Paul d'Abbeville s'est écroulé. Eglises désaffectées. Utilité d'un musée diocésain. La Profanation de l'Abbaye d'Ardenne. Le XIe congrès de la fédération historique lorraine. Echos. La protection des oratoires et des calvaires. La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.‎

書籍販売業者の参照番号 : 1616

‎CARLIER A.‎

‎Histoire de l'habitation. Brochure scolaire illustr?e.‎

‎Broch?. 31 pages. 15x23 cm.‎

‎CARLIER Achille‎

‎L'EGLISE DE RAMPILLON - UN CHEF D'OEUVRE DU XIIIème SIECLE‎

‎Paris Achille Carlier 1930 In-4 Broché Parfait Ed. originale‎

‎couverture illustrée ; VII (préface de Henri Focillon)+115pp+2ffnch ; 16 figures in-texte et 100 planches HT en phototypie ; Bel ouvrage, la partie texte est non coupée ; les planches tirées en noir sont bien fraiches et de bon tirage ; l'auteur était architecte‎

書籍販売業者の参照番号 : 000463

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Au Point du Jour
Troyes France Francia França France
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€ 112.00 購入

‎CARLIER Achille‎

‎L'Église de Rampillon.‎

‎Paris, Achille Carlier, 1930; 300 x 238 mm., (3) ff., VII-87 pp., pp. 97-115, (2) ff., 1(1) f. "erratum" (11 x 52 mm.), 100 planches en phototypie n/b, 15 fig. in-texte (1-13, 18, 19), broché, couverture illustrée, dos passé, déchirure de 10 x 50 mm. en tête du dos, de 10 mm. en pied du dos, de 35 mm. bord inf. de la première de couverture, ouvrage en partie non-coupé, il manque les pages 89 à 96 (fig. 14-17) c'est à dire le cahier n° 12.‎

書籍販売業者の参照番号 : 3551

‎CARLIER de LANTSHEERE (Antoine).‎

‎Trésor de l'ART DENTELLIER. Répertoire des dentelles à la main de tous les pays, depuis leur origine jusqu'à nos jours. Préface de M.A. Lefébure. Ouvrage publié sous le patronage de la Chambre Syndicale de la dentelle de Bruxelles.‎

‎Bruxelles et Paris, Van Oest et Cie, 1922, fort in-4 demi basane à coins (vii-1-174-(1) pp.+ 96 planches hors-texte dont 2 dépliantes, accompagnées d'une légende.‎

‎96 planches hors-texte en héliotypie reproduisant plus de 800 modèles différents et de très nombreuses gravures dans le texte.Bon exemplaire. bon état.‎

書籍販売業者の参照番号 : 8231

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Librairie du Camée
Paris France Francia França France
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€ 200.00 購入

‎CARLIER Léopold / CARLIER Louis & René‎

‎CARLIER. Travaux d'architectures 1870 -1930. LEOPOLD CARLIER 1839-1922. LOUIS & RENE CARLIER, Architectes diplomés par le gouvernement. Montpellier‎

‎Strasbourg FDAR. Edition d'architecture, d'industrie et d'économie rurale S.A.R.L. 1931 in 4 (28,5x22,5) 1 volume broché, couverture imprimée, non paginé, avec de nombreuses photographies en noir et blanc, et plans de projets d'architecture réalisés par les Carlier Père et fils, célébres architectes montpelliérains. ''Villa Bianca'', Palavas-les-Flots (1873); Collège de Narbonne (1886); Casernement de Sète (1876); Hôtel particulier à Béziers (1887); Château de la Tour près Béziers (1887); Grands Magasins à Montpellier (1898); Cercle de la Loge à Montpellier (1893); Hôtel de Monsieur Jules Pams à Perpignan (1895), etc. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )‎

‎Très bon Broché‎

書籍販売業者の参照番号 : 20842

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Librairie Rouchaléou
Saint André de Sangonis France Francia França France
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€ 80.00 購入

‎Carlier Patricia ; Morin Frédéric‎

‎Qastal al- Balqa', Jordanie ; un site umayyade complet (685- 705)‎

‎Plein- Cintre 1986 In-8 agrafé 21 cm sur 22. 32 pages. Couverture rempliée. Bon état d’occasion.‎

‎Bon état d’occasion‎

書籍販売業者の参照番号 : 120683

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Librairie de l'Avenue
Saint-Ouen France Francia França France
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€ 32.00 購入

‎Carlini, Lorenza‎

‎Un secolo di restauri nel complesso monumentale della Chiesa di San Francesco. 1913-2009.‎

‎Accademia Etrusca. Cortona - Cortona francescana 326 gr.‎

‎Carlisle Commercial College.‎

‎PICTORIAL CARLISLE.‎

‎np. Photographs with locations. Oblong 12mo. 5 1/2" x 8 3/4". Original pictorial wraps bound in tablet form. Crisp Copy. PA PAMPH 20_7 BX3 x 3c Crisp‎

‎Carlisle Municipal Building.‎

‎DEDICATION PROGRAM. Municipal Building Borough of Carlisle.‎

‎(8)p. Pagination includes wraps. Illustrated with photographs. Tall 8vo. Original printed wraps. PA PAMPH 20_28 BX4‎

‎Carlo Bartolomeo Piazza‎

‎Eusevologio romano, overo delle opere pie di roma, con due trattati delle Accademie e librerie celebri di Roma‎

‎In-4°; pp. xxii, 518, 1 cb, 300, ccvi, (2), manca come quasi sempre l’antiporta; legatura in piena pelle con tassello e titolo in oro al dorso, piatti con segni di usura, piccola lacuna al dorso. Opera assai interessante di Carlo Bartolomeo Piazza (1632-1713), che in tredici trattati descrive tutte le opere pie esistenti a Roma, gli ospedali pubblici e nazionali, le scuole, i conservatori, i seminari, i collegi, le arciconfraternite, le confraternite delle arti e mestieri; chiudono li ultimi due dedicati alle accademie e alle biblioteche pubbliche e private. Si ripercorre attraverso questa particolare guida di Roma la vita culturale del tempo, i luoghi in cui questa si svolgeva, i personaggi ecclesiastici e laici che vi presero parte, e la presenza della chiesa nella città. Alcune pagine leggermente brunite. roma rome librerie biblioteche libraries guide architettura architecture arte art accademie academy‎

‎Carlo Beltrame‎

‎Mercurio. A Brig of the Regno Italico Sunk During the Battle of Grado (1812)‎

‎, Brepols, 2019 Paperback, xxxvi + 358 pages, Size:216 x 280 mm, Illustrations:357 b/w, 9 col., 25 tables b/w., 9 maps b/w, Language: English. ISBN 9782503581033.‎

‎Summary The Italian brig Mercurio was escorting the French 80-gun vessel Rivoli from Venice on its very first expedition, in 1812, when it was sunk by an English ship during the Battle of Grado. Since the wreck was identified, the Mercurio has been the site of several underwater excavations, beginning in 2001 and continuing from 2004 to 2011 by a team from the Universit Ca' Foscari of Venice, together with the local Soprintendenza. Their work revealed a number of extraordinary finds and provided a unique insight into life - and death - on a brig during the period of the Napoleonic wars. This volume offers a discussion and catalogue of the finds yielded by the Mercurio, including photogrammetry-plans of the bow and stern, together with an analysis of ship-building technique, detail of the equipment and arms used, and, uniquely, close detail of finds connected to the crew themselves. This is one of the few sites from the Mediterranean where human remains have been preserved, and through the work of anthropologists, it has even been possible to try and identify one of the men named on the crew list. Discovery of buttons, footwear, precious items, and even foodstuffs also serve to shed light on the daily life of the crew. This volume thus draws together a wealth of archaeological and historical information to tell the hitherto untold story of the Mercurio. TABLE OF CONTENTS List of Illustrations Foreword Preface Acknowledgements Introduction - CARLO BELTRAME Part I: Historical Context and the Battle of Grado 1. Napoleon's Italian Navy - PIERO CROCIANI 2. The Event in its Context - CARLO BELTRAME 3. The Mercurio According to the Historical Data - CARLO BELTRAME Part II: The Discovery, the Site, and the Methodology of Investigation 1. The Discovery of the Shipwreck and its Identification - CARLO BELTRAME 2. The Environmental Characteristics of the Site and its Aspect at the Moment of the Discovery -CARLO BELTRAME 3. Conditions of Preservation of the Objects - CARLO BELTRAME 4. The Dynamics of the Sinking and the Formation Processes - CARLO BELTRAME 5. Methods and Techniques of Investigation - CARLO BELTRAME Part III: The Ship 1. The Hull - CARLO BELTRAME 2. Equipment - CARLO BELTRAME 3 Furniture and Lighting -CARLO?BELTRAME AND STEFANIA MANFIO 4. Armament -CARLO BELTRAME 5. Projectiles -CARLO BELTRAME 6. Galley - STEFANIA MANFIO 7. Sanitary and Medical Arrangements - STEFANIA MANFIO Part IV: The Crew 1. Osteological Analysis of the Crew - FRANCESCA BERTOLDI, FIORELLA BESTETTI, ROBERTO CAMERIERE, AND CARLOTTA SISALLI 2. Crew, Uniforms, and Weapons -SOPHIA DONADEL 3. Gunflints - PAOLO BIAGI AND ELISABETTA STARNINI 4. Personal Possessions - CARLO BELTRAME 5. Coins - TOMASO LUCCHELLI Conclusions - CARLO BELTRAME References Appendices Appendix A: Conservation of the Waterlogged Wood - TIZIANA LANAVE Appendix B: The Conservation of the Leather - NECULINA CONDRACHE AND SOPHIA DONADEL Appendix C: The Restoration and Conservation of some Metallic Finds - GIUSEPPE MORETTI Appendix D: Transcriptions of Documents - Documents from Tracy, 2000 Catalogue‎

書籍販売業者の参照番号 : 65955

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Carlo Cesare Malvasia, Elizabeth Cropper (ed), Lorenzo Pericolo (ed)‎

‎Felsina pittrice: The Lives of Francesco Francia and Lorenzo Costa‎

‎, Brepols - Harvey Miller, 2022 Hardback, xxxiv + 410 pages, Size:220 x 280 mm, Illustrations:14 b/w, 163 col., Language(s):English, Italian. ISBN 9781912554799.‎

‎Summary In Bologna, Giorgio Vasari's maniera moderna is inaugurated through the art of the goldsmith-painter Francesco Francia (c.1447-1517). Malvasia assimilates the beginning of this new era with the end of night and the crack of dawn, when never before seen colors are revealed to the eyes with extraordinary intensity. In his life of Francia, Vasari had acknowledged the role of precursor played by this Bolognese master in the history of Italian painting. By the same token, he had tarnished Francia's reputation by alleging that he had died soon after unpacking Raphael's Ecstasy of Saint Cecilia upon its arrival in Bologna. His death, Vasari insisted, was a moment of reckoning: it was then that Francia recognized his artistic inferiority and damnation with regard not only to Raphael, but also to the highest achievements of the maniera moderna. Aware of the historical validity of Vasari's account, Malvasia ?lifted? it wholesale into his Felsina pittrice, but not without bringing its author to trial by examining his biased testimony in light of the rich documentary evidence he had gathered against his narrative. Equipped with the most refined tools of forensic eloquence, seething with outrage, Malvasia is at his best in challenging Vasari's historical distortions and prejudices not only in connection with Francia, but also his disciples, Timoteo Viti (1469-1523), Lorenzo Costa (1460-1535), and Giovanni Maria Chiodarolo (1480-1530). Denouncing Vasari's silence about the works and importance of Francia's progeny--in particular Giacomo (1484-1557) and Giovan Battista Francia--Malvasia explains how the activity of these masters promoted the education and social status of painters in Bologna before the foundation of the Carracci Academy in 1582. Illustrated with numerous color images (many of them taken expressly for this publication), this volume provides a critical edition and annotated translation of Malvasia's lives of Francia and his disciples, among them prominently Costa. The integral transcription (for the first time) in this volume of Malvasia's preparatory notes (Scritti originali) to the lives of Francia, Costa, and Chiodarolo presents important material that could foster the study of Bolognese painting in the age of humanism under the rulership of the Bentivoglio.‎

書籍販売業者の参照番号 : 64933

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Carlo Cesare Malvasia, Elizabeth Cropper (ed), Lorenzo Pericolo (ed)‎

‎Felsina Pittrice: Volume IX: Life of Guido Reni‎

‎, Brepols - Harvey Miller, 2019 Hardback, 2 vols, 1152 pages, Size:220 x 280 mm, Illustrations:9 b/w, 367 col., Languages: English, Italian. ISBN 9781909400696.‎

‎Summary Celebrated by Malvasia as the creator and promoter of the new maniera moderna, Guido Reni (1575-1642) introduces the fourth age of painting: a period marked by an original and sometimes bold elaboration of the notion of artistic perfection developed by the Carracci and embodied more specifically by Ludovico's "synthesis of styles." Art in Italy could have declined once again after the deaths of the Carracci, but thanks to Guido and Domenichino, Francesco Albani and Guercino, painting is restored to its full blossoming, and, as a result, the Carracci lesson spreads and triumphs throughout Italy. In assessing Guido's role in promoting this artistic vanguard, Malvasia finds himself in a theoretical impasse. On the one hand, he cannot resist his infatuation with Guido's work. Endowed with spellbinding powers, Guido's paintings constitute the greatest luxury of modernity insofar as they reflect an endless search for aesthetic refinement and transcendental beauty both in the representation of the human body and in the orchestration of light, color, and impasto. On the other hand, Malvasia balks at embracing Guido's "last manner." In Malvasia's eyes, Guido's final production is both exceedingly sophisticated and tainted by its very sophistication: delicacy verges on feebleness, transcendence coalesces into purposeless abstraction, divine vision engenders incompleteness, and sprezzatura turns into apparent negligence. Furthermore, for Malvasia Guido is both a paragon of virtue and the self-indulgent victim of the gambling demon. With acuity, Malvasia praises Guido the money maker, the self-confident artist able to overhaul the mechanisms of the art market by exponentially increasing the value of painting. And yet, Malvasia cannot help but condemn Guido the money squanderer, the indebted painter who gambles away his reputation and jeopardizes the quality of his sublime output. Illustrated with numerous color images, these two volumes provide a critical edition and annotated translation of Malvasia's life of Guido. Based on a radical reassessment of the historical documentation and a profound investigation of Malvasia's art criticism, these volumes offer the most thorough treatment to date of the artist's work.‎

書籍販売業者の参照番号 : 65997

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 350.00 購入

‎Carlo Ceschi‎

‎Teoria e storia del restauro‎

‎in 8° quadrato, bross. edit. ill. con bandelle, sottolineature a matita - prima edizione - numerose illustrazioni in b.n. nel testo‎

‎Carlo Cresti‎

‎Villas of Tuscany‎

‎New York NY: The Vendome Press 1993. Reprint. Hardcover. Near Fine/Fine. Photographs by Massimo Listri. Here is the sequel to Rizzoli's bestselling universally acclaimed books on Palladian villas and Venetian palaces realized by the same photographer and designers with a marching lavishness of layout and wealth of information from description on front flap of dust jacket. Bound in navy blue cloth and titled in gold on front and spine. Decorated end-papers. Illustrated with beautiful color photography throughout. Indexed 477 pp. Pictorial dust jacket titled in white. Book is in near fine condition with minor foxing on page edges. Dust jacket is in fine condition. Due to this book's size and/or weight additional shipping may be needed. Full refund if not satisfied. The Vendome Press hardcover‎

書籍販売業者の参照番号 : 061217 ISBN : 0865651442 9780865651449

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Shelley and Son Books
United States Estados Unidos Estados Unidos États-Unis
[この書籍販売業者の本を検索: Shelley and Son Books]

€ 105.76 購入

‎Carlo Cresti‎

‎Civilisation des villas toscanes‎

‎Paris, Meng s, 2003 Couverture en lin sous jacquette, 318 pages, 32 x 28 cm. Texte en fran ais. * tait tr s bien. ISBN 9782844590503.‎

‎Civilisation des villas toscanes‎

書籍販売業者の参照番号 : 66842

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 35.00 購入

‎Carlo Cresti‎

‎LE CORBUSIER. I Maestri del Novecento collana diretta da H. L. Jaddé e A. Busignani.‎

‎1969 / 95 pages. Relié avec jaquette. Editions Sadea Sansoni.‎

‎Bon état malgré la jaquette piquée et des rousseurs éparses sur les pages. / Buone condizioni nonostante la giacca trapuntata e gli arrossamenti sparsi sulle pagine.‎

書籍販売業者の参照番号 : ARCHI116M

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Librairie du Levant
Bayonne France Francia França France
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€ 20.00 購入

‎Carlo Cresti, Claudio Rendina, Massimo Listri‎

‎Villas et palais de Rome‎

‎2009 place Place des Victoires Paris 2009 , fort volume in4, cartonnage sous jaquette,398 pp tranches dorées, Bon état‎

書籍販売業者の参照番号 : 14816

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Librairie Chanut
Paris France Francia França France
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€ 45.00 購入

‎Carlo Cresti:‎

‎LE CORBUSIER‎

‎Vg (no dj, clean black cloth boards with one small chip at base of spine and tiny puncture mark front board, ex-owner's small label front fixed endpaper else contents clean and bright throughout) quarto. First edition. 44pp text with b/w illustrations, and 46pp colour plates. Text in Italian throughout.‎

‎Carlo Falciani, Carl Brandon Strehlke, Pierre Curie‎

‎CHEFS-D'OEUVRE DE LA PEINTURE ITALIENNE La Collection Alan‎

‎BE - , mercatorfonds - fondsmercator, 2020 Hardcover, HB, 280 x 240 mm, 240 pages, 160 illustrations, Texte en Francais. ISBN 9789462301481.‎

‎Reprint. Expo: 13/09/2019 - 20/01/2020, Mus e Jacquemart-Andr , Paris Fid le la sensibilit originelle de ses fondateurs qui avaient coeur de transmettre leur passion pour l'art, le mus e Jacquemart-Andr pr sente pour la premi re fois au monde une s lection de chefs-d'oeuvre issue de la Collection Alana. Bien connue des historiens de l'art, cette collection est encore m connue du grand public. Dans la lign e des plus grandes collections am ricaines, la Collection Alana est le fruit d'un intense travail de s lection et d'amour de l'art op r depuis plusieurs d cennies par Alvaro Saieh et Ana Guzm n, un couple dont la r union des pr noms forme celui de la Collection Alana. Au fil des ans, leur passion s'est mu e en une v ritable fascination pour l'art gothique et la Renaissance italienne et les a progressivement conduits s'int resser aussi la peinture des xvie et xviie si cles. Les oeuvres pr sent es dans cet ouvrage d montrent la vitalit du go t pour la Renaissance italienne, consid r e comme moment fondateur de la civilisation occidentale, et offrent un aper u exhaustif de l'une des plus grandes collections priv es d'art ancien, de la peinture du xiiie si cle aux oeuvres caravagesques. Le pr t de ces chefs-d'oeuvre a t accord titre exceptionnel au mus e Jacquemart-Andr en raison de l'admiration que les deux collectionneurs lui ont toujours vou e. Carlo Falciani est dipl m de l'Universit de Florence et a r alis son m moire sur Rosso Fiorentino. Il enseigne l'Histoire de l'art l'Accademia di Belle Arti de Florence.‎

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