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‎CHRIST, Yvan:‎

‎Eglises parisiennes actuelles et disparues.‎

‎Paris, Tel, 1947, in-4to, 44 p., 102 ill. sur planches, brochure originale.‎

書籍販売業者の参照番号 : 68265aaf

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Harteveld Rare Books Ltd.
Fribourg Switzerland Suiza Suíça Suisse
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‎Christ‎

‎Eglises parisiennes actuelles et disparues‎

‎Tel 1947 env.150 pages in4. 1947. Broché jaquette. env.150 pages. riche iconographie en noir et blanc‎

‎Etat Correct tampons de bibliothèque jaquette abîmée livre en bon état ensemble jauni intérieur propre‎

書籍販売業者の参照番号 : 244353

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Un Autre Monde
Val Couoesnon France Francia França France
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€ 20.00 購入

‎Christian Debize‎

‎Emile Gall et l'Ecole de Nancy‎

‎, Serpenoise (Editions), 2000 Softcover, 120 pages, Texte en Francais, 250 x 205 mm, bon etat, illustr. en couleur / n/b. ISBN 9782876923454.‎

書籍販売業者の参照番号 : 61960

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Christos Stavrakos (ed)‎

‎Epirus Revisited. New Perceptions of its History and Material Culture. From the Thematic Session "Epirus Revisited" of the 23rd International Congress of Byzantine Studies, Belgrade, 22-27 August 2016‎

‎, Brepols, 2020 Paperback, 246 pages, Size:156 x 234 mm, Illustrations:94 b/w, Language: English. ISBN 9782503592619.‎

‎Summary The opening of the borders of Albania in the 1990s stimulated an increased interest in its cultural heritage and led to extensive research, as well as archaeological investigations. These, however, have mainly concentrated within Albania's present-day borders and have lacked broader contextualization. Very recent excavations in Greece, which resulted from the construction of the new Ionia Odos highway, have, however brought to light unexpected and interesting material that changes our image of the monumental topography and the settlements in Epirus. New studies concerning Epirus and its broader connections during the early and later Ottoman periods provide a broader impression of the region and its relationships with the large economic centres of the West, as well as with the spiritual-religious and political centres of the Balkans. TABLE OF CONTENTS Brendan Osswald, The State of Epirus as Political Laboratory Christos Stavrakos, The Albanian Family of Spata in Late Byzantine and Post-Byzantine Epirus: The Epigraphic Evidence Katerina Chamilaki, The Excavation of a Late Antique Building Complex, at Drymos, Aetoloakarnania. Ioannis Chouliaras, Excavation of an Early Byzantine Basilica in Drymos of Vonitsa (Akarnania). Halls "A" and "D". Bj rn Fors n and Brikena Shkodra-Rrugia, The Early Christian Landscape of Dyrrachium: The First Miles along the Via Egnatia. Galina Fingarova, The Church of Saint Mary in Apollonia: An Expression of Byzantine Imperial Claims Lorenzo Riccardi, Incomplete and Partly Lost: On the Mosaic and Sculptural Decoration of the Paregoretissa Church in Arta. Katerina Kontopanagou, The Christian Monuments of Epirus in the 17th and 18th c.: Creating the Artistic, Social and Economic Profile Efstratia Sygkellou, A Tour Around the Abrakian Gulf Through the Eyes of the European Travellers (17th - 19th Century) Demetrios Georgakopoulos, The Despots of Ioannina and Albanians According to the Author of the Chronicle of Ioannina (1367-1399)‎

書籍販売業者の参照番号 : 65526

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‎Christian Kaiser‎

‎Epikur im lateinischen Mittelalter. Mit einer kritischen Edition des X. Buches der Vitae philosophorum des Diogenes Laertios in der lateinischen bersetzung von Ambrogio Traversari (1433)‎

‎, Brepols, 2019 Hardback, viii + 493 pages, Size:156 x 234 mm, Language: German. ISBN 9782503587691.‎

‎Summary Die Studie liefert im ersten Teil erstmalig eine umfassende historisch-systematische, monographische Aufarbeitung der Rolle Epikurs in der Philosophie-, Kultur- und Ideengeschichte des lateinischen Mittelalters (von Isidor von Sevilla bis zum Ende des 15. Jahrhunderts). Quellennah werden viele mittelalterliche Denker von Rang und Namen besprochen. Neben der Philosophie im engeren Sinne wird auch die Bedeutung, die Epikurs Denken im theologischen, medizinischen und poetologischen Diskurs innehatte, eingehend beleuchtet. Durch diese F lle wird es jetzt erstmals m glich, ein fundiertes Bild ber das mittelalterliche Wissen zur epikureischen Philosophie - das sehr viel detaillierter und facettenreicher war als bisher allgemein angenommen - und vor allem zu deren systematischer Funktion innerhalb der mittelalterlichen Denkgeb ude zu gewinnen. Der zweite Teil bietet die kritische und kommentierte Edition der ersten lateinischen bersetzung des X. Buches des Diogenes Laertios, die Ambrogio Traversari 1433 fertiggestellt hatte. Diese bersetzung bildete den Grundlagentext f r die Epikur-Rezeption der Renaissance und Fr hen Neuzeit. F r die Edition wurden neben Traversaris Autograph 16 weitere Handschriften aus dem 15. Jahrhundert sowie die Editio princeps von Marchese (ohne Epigramme; ca. 1472) und die zweite Edition von Brugnoli (erstmals mit lat. bersetzung der Epigramme; 1. Auflage 1475) herangezogen. TABLE OF CONTENTS Teil I. Epikur im lateinischen Mittelalter 1. Einleitung: Forschungsstand, Voraussetzungen, Grundlagen 1.1. Bisherige philosophiehistorische Ans tze 1.2. Quellen zu Epikur im Mittelalter 2. Die patristische Pr gung 2.1. Drei Weltanschauungen: Epikureer - Stoiker - Christen 2.2. Epikureer und andere H retiker 3. Die Epikureer in den Texten des Mittelalters 3.1. Die Funktionsstelle der ,Epikureer' im System der vera philosophia 3.2. Epikureische Philosophie im medizinwissenschaftlichen Kontext 3.3. Leben und Lehre Epikurs in den bio-doxographischen Darstellungen des Mittelalters 4. Der Tod der menschlichen Seele: Ecclesiastes, die ,Araber' und die Epikureer 5. Verdichteter Konflikt: Epikur bei Dante und in den fr hen Kommentaren zur Commedia 5.1. Moderne Fabeln vom ,zweifachen Epikur' bei Dante 5.2. Epikurs ewiger Tod in der Schmerzensstadt 5.3. Die epikureische H resie in den fr hen Commedia-Kommentaren 6. Ambrogio Traversaris lateinische bersetzung des X. Buches des Diogenes Laertios 6.1. Umst nde und Werkprozess der bersetzung Traversaris 6.2. Leonardo Brunis bersetzungen und ihr Verh ltnis zu Traversaris Widmungsbrief in den Vitae philosophorum 7. Die versio Ambrosiana und die Epikur-Rezeption im 15. Jahrhundert 7.1. Die rhetorische Vereinnahmung der Ethik Epikurs bei Cosma Raimondi und Lorenzo Valla 7.2. Die Rezeption der versio Ambrosiana vor der editio princeps (ca. 1472) 7.3. Die Academia Romana und die ersten Drucke des lateinischen Epikur Teil II. Kritische Edition: Diogenes Laertios, Vitae philosophorum, Buch X, lateinische bersetzung von Ambrogio Traversari A. Editorische Vorbemerkungen B. Edition C. Kommentar Literaturverzeichnis Register‎

書籍販売業者の参照番号 : 65893

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‎CHRISTIAN, Arthur.‎

‎Etudes sur le Paris d'autrefois: les demeures royales, les demeures aristocratiques.‎

‎Paris, G. Roustan - Champion 1906, 200x135mm, 214pages, broché. Couverture inférieure presque détachée, autrement bel exemplaire, intérieur propre.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

書籍販売業者の参照番号 : 86681

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Bouquinerie du Varis
Russy Switzerland Suiza Suíça Suisse
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‎Christopher WitcombeK‎

‎Eye and Art in Ancient Greece : A Study in Archaeoaesthetics‎

‎, Brepols - Harvey Miller , 2018 Hardcover, 256 pages., 4 b/w ills, 61 col. ills, 220 x 280 mm, English, . ISBN 9781909400030.‎

‎Eye and Art in Ancient Greece examines the art of ancient Greece through reconstructions of how the Greeks saw and understood the products of their own visual culture. The material is approached using a newly developed methodology of archaeoaesthetics by which past modes of vision and perception are examined in conjunction with prevailing notions of pleasure and judgement with the purpose of identifying the visual and psychological contexts within which the aesthetics of a culture emerge. Through a wide-ranging examination of ideas found in early written sources, the book examines various key aspects of Greek visual culture, such as continuity and change, nudity, identity, lifelikeness, mimesis, personation and enactment, symmetria, dance, harmony, and the modal representation of emotions, with the aim of comprehending how and why choices were made in the conception and making of artifacts. Special attention is given to factors contributing to the formation of taste and the emergence and transmission over time of concepts of art and beauty and the means by which they were identified and judged. The approach facilitates encounters with the material in ways that give rise to new insights into how the ancient Greeks experienced their own visual culture and how Greek art may be understood by us today. Christopher L.C.E. Witcombe, a British citizen born in Oxford, studied painting at the Accademia di Belle Arti in Florence, Italy, before moving to the United States to undertake undergraduate and graduate studies in art history. He subsequently received a Ph.D. in art history from Bryn Mawr College and is currently the Eleanor Barton and Aileen ?Ninie? Laing ?57 Endowed Professor in Art History at Sweet Briar College. He has held visiting scholar positions at Oxford University in England and the American Academy in Rome. He lives in Virginia.‎

書籍販売業者の参照番号 : 57166

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‎Christoph U. Werner, Maria Szuppe, Nicolas Michel, Albrecht Fuess (eds)‎

‎Families, Authority, and the Transmission of Knowledge in the Early Modern Middle East‎

‎, Brepols, 2021 Hardback, 334 pages, Size:156 x 234 mm, Illustrations:24 col., 4 maps b/w, Language(s):English, French, German. ISBN 9782503592893.‎

‎Summary This volume brings together innovative contributions on the history and nature of families in the early modern Middle East, covering Central Asia, Iran, Ottoman Turkey and the Arab World from the fifteenth to the seventeenth century and beyond. It argues the importance of connecting the key concept of family in its widest possible meaning, whether descent group, lineage, household or dynasty, with the notion of transmission of knowledge, authority, status and power, and develops this idea through a pluridisciplinary and cross-regional approach. Based on primary sources in Arabic, Persian, and Turkish as well as art and material culture, the individual articles detail processes and dynamics of transmission, thus initiating a comparative dialogue. TABLE OF CONTENTS Introduction Religious Lineages and Knowledge Networks Torsten Wollina, Family and Transmission of Knowledge in Mamluk and Early Ottoman Damascus Adam Sabra, Narrating a Lineage's Transition Crisis between Biography and Hagiography. A Case from Ottoman Egypt Alberto Tiburcio, Converts and Polemicists as Bridges in Knowledge Networks. The Case of Safavid Iran Kinship, Status, and Legitimacy Sacha Alsancakli, Warriors, Kings and Caliphs: Questions of Origins and Dynastic Culture in Sixteenth and Seventeenth-Century Kurdistan Syrinx von Hees, Wann f llt der Apfel nicht weit vom Stamm? Zeitpunkte famili rer Amts bertragung in mamlukischer Zeit Nicolas Michel, Families of Cairene Civil Servants, from Mamluk to Ottoman Times (Fifteenth-Sixteenth Centuries) Marriage Alliances and Political Strategies Albrecht Fuess, Sihr and Musahara in Mamluk Royal Relations. Transmitting Power and Enlarging Networks Through In-Law Ties in Pre-Modern Egypt Juliette Dumas, L'histoire du pacha exemplaire mari une sultane extravagante. Genre, politique et r cit intime la cour ottomane au XVIIe si cle Professional Lineages and Transmission Sandra Aube, Family Legacy versus Regional Style: Tracing Three Generations of Woodworkers in Mazandaran (Iran, 1460s to 1500s) Francis Richard, La formation d'un calligraphe dans le monde iranien Managing Households and Family Estates Christoph U. Werner, The Razavi Sayyids of Mashhad: Families within a Family Maria Szuppe, Documenting the Barnabadi Estate: Establishment and Growth of a 'Saintly' Family in Fifteenth to Eighteenth-Century Herat Naofumi Abe, Creating a Family Property in Early Modern Iran: Socioeconomic Activities of Najafquli Khan Dunbuli of Tabriz in the Eighteenth Century‎

書籍販売業者の参照番号 : 65168

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‎Christopher Wright‎

‎French Painters of the Seventeenth Century‎

‎Boston, Little Brown & Company, 1988, 1988 Hardcover, 288 pages, English, 388 ills.in colour and b/w, 300 x 230 mm, book in fine state,. ISBN 9780821216118.‎

‎Traces the development of painting in France during the 1600s and profiles the careers of the major French painters of the period‎

書籍販売業者の参照番号 : 56515

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‎Christian Norberg-Schulz‎

‎Funzionalismo norvegese: Oslo 1927-1940‎

‎, Officina Edizioni, 1996 Paperback, 192 pages, ITA / ENG, 220 x 215 mm, in very good condition, illustrations in b/w. ISBN 9788860491589.‎

‎Architettura/Progetto‎

書籍販売業者の参照番号 : 60000

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‎Christopher Baker, Andreas Beyer, Pierre Curie, Martin Myrone, David Brown‎

‎FUSSLI. ENTRE R VE ET FANTASTIQUE Fussli‎

‎, Mercatorfonds , 2022 Hardcover, 191 pages, Texte en Francais, 285 x 245 mm, Nouveau,110 illustrations en couleur / n/b. ISBN 9789462303256.‎

‎Parmi les artistes romantiques de l'Europe de la fin du XVIIIe si cle, Johann Heinrich F ssli (1741-1825) est une figure remarquable : n Zurich, profond ment marqu par son voyage Rome, il finit par d velopper Londres une ?uvre o inspiration litt raire et visions fantastiques ont t combin s. travers une soixantaine d'?uvres, dont des peintures et des dessins issus de prestigieuses collections publiques et priv es en France et l' tranger, l'exposition du mus e Jacquemart-Andr interroge l'approche de l'artiste sur ces diff rentes th matiques. Le th tre anglais, la mythologie antique et nordique et les r cits bibliques alimentent une fantaisie d bordante et donnent corps un imaginaire tr s personnel o le monstrueux et le beau, le r ve et le cauchemar s'affrontent en permanence. Pour la premi re fois depuis 1975 en France, ce catalogue d'exposition permet de red couvrir cet artiste d'une totale tranget , sublime et r veur.‎

書籍販売業者の参照番号 : 59454

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‎Christophe Grellard, Philippe Hoffmann, Laurent Lavaud (eds)‎

‎Gen ses antiques et m di vales de la foi‎

‎, Brepols - Institut d'Etudes Augustiniennes, 2020 Paperback, 452 pages, Size:165 x 250 mm, Language: French. ISBN 9782851213044.‎

‎Summary This book collects papers presented at two multi-disciplinary gatherings which sought to examine concepts belonging to the semantic field of religious belief. The collection sets out from the observation that the relevant terms are ambiguous and equivocal, and indeed that this ambiguity persists in the scholarly literature in the humanities. It is therefore important to historicise these terms adequately and to clarify their development and transformation over time. This involves a sustained engagement with key discourses - logic, history of religion, epistemology, political history - of significant intellectual heterogeneity. Platonism fundamentally informs classical and patristic Christian reflections as well as the thought of their medieval heirs. It carries with it a tension between 'opinion' and supra-rational certitude which is exploited by Christian thinkers up to and including scholastic theologians. These thinkers insist above all on the existential dimension of a certitude which seeks to establish a privileged link with the divine. It involves the attempt to harmonise the ritual and social aspects of religious practice with the individual urge towards transcendence, a quest which has been bequeathed to modernity and still largely defines the nature of contemporary Western social engagement with religion. Issu de deux colloques pluridisciplinaires qui se proposaient d' tudier les notions relevant du champ s mantique de la croyance religieuse, ce volume part du constat que ces termes sont le plus souvent quivoques, ce qui p se encore sur les recherches en sciences sociales. Il fallait rendre ces concepts leur historicit , et montrer comment la notion de foi se constitue progressivement au cours d'une histoire qui est faite d'allers et retours entre des champs intellectuels h t rog nes (de la logique la religion, et de l' pist mologie la politique). Le platonisme innerve largement les r flexions du christianisme grec et romain, puis m di val. Il porte une tension entre l'opinion et la certitude supra-rationnelle, qui est exploit e par les penseurs chr tiens, jusqu'aux th ologiens scolastiques, pour insister notamment sur la dimension existentielle d'une certitude qui institue un lien privil gi avec le divin. Il s'agit de concilier la dimension communautaire et rituelle de la pratique religieuse et la tension individuelle vers la transcendance, qui est transmise la modernit et d finit encore largement le rapport au religieux dans nos soci t s. TABLE OF CONTENTS C. Grellard, L. Lavaud : Introduction PREMIERE PARTIE : EMERGENCE ET TRANSFORMATION DE LA PISTIS, DE PLATON AU NEO-PLATONISME Monique Dixsaut : Quelle sorte d' tat de l' me est pour Platon la pistis ? Annick Jaulin : Usages aristot liciens de pistis Fran oise Frazier : Les emplois de pistis chez les m dioplatoiciens J r me Moreau : La pistis d'Abraham chez Philon : vertu presque parfaite de l'union intellectuelle Dieu Luc Brisson : La pistis chez Plotin et Porphyre : philosophie et religion Christian Jambet : La foi de l'intellect ou le contact de la pr sence selon les philosophes n oplatonisants en islam DEUXIEME PARTIE : L'ELABORATION CHRETIENNE DE LA PISTIS DE SAINT PAUL AUX PERES GRECS R gis Burnet : La foi chez saint Paul : un concept dynamique Jean-Daniel Dubois : Pistis dans le cadre de la sot riologie des gnostiques valentiniens Marie-Odile Boulnois : Commencer par croire . La primaut de la foi chez Cl ment d'Alexandrie, Orig ne et leurs successeurs Marco Zambon : Dall'ascolto alla visione : la fede come conoscenza elementare e come compimento in Origene Laurent Lavaud : L' v nementialit de la foi chez Gr goire de Nysse Anca Vasiliu : P richor se de la foi dans le De Fide de Jean Damasc ne. L'hypostase des choses esp r es. TROISIEME PARTIE : LA SUBVERSION CHRETIENNE DE LA FIDES ROMAINE. DE CICERON A SAINT AUGUSTIN. Carlos L vy : De l' loquence la philosophie : l' volution s mantique de fides Sophie van der Meeren-Ferrari : La polys mie de fides dans la d marche apolog tique de Lactance : des valeurs traditionnelles aux valeurs chr tiennes Isabelle Bochet : Les d finitions augustiniennes de la fides : au croisement des traditions philosophiques et de l'ex g se biblique QUATRIEME PARTIE : DE LA CROYANCE INSTITUEE A LA FOI PERSONNELLE. TRANSFORMATIONS MEDIEVALES Dominique Iogna-Prat : Socialiser la foi: esquisse d'un parcours eccl sial Jo l Biard : Produire la confiance, la fides dans la tradition topique m di vale Gilbert Dahan : Le concept de fides la lumi re des commentaires m di vaux de quelques versets de l'Ancien et du Nouveau Testament Camille de Belloy : La v rit premi re. Jalons pour une histoire de la foi de Guillaume d'Auxerre Thomas d'Aquin Olivier Boulnois : Les trois dimensions de la foi. Le concept de foi selon quelques th ologiens m di vaux (XIIe-XIVe si cles) Nicolas Faucher : Pr ter foi avec parcimonie. Le traitement scotiste de la foi acquise et de la foi infuse Pascale Bermon : "Il n'est pas au libre pouvoir de l'homme de croire quand il lui pla t": l'involontarisme doxastique de Robert Holkot Christophe Grellard : Que m'est-il permis d'ignorer ? La foi, l'ignorance et les limites acceptables de l'orthodoxie‎

書籍販売業者の参照番号 : 65699

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‎Chris Teulings‎

‎Gildepenningen: hun rol binnen de ambachtsgilden van de Noordelijke Nederlanden‎

‎, picture Publishing, 2019 hardcover, gebonden, full colour, 504 pagina's, formaat 210x297mm. ISBN 9789492576217.‎

‎De meeste stadsbewoners in de zeventiende en achttiende eeuw waren lid van een ambachtsgilde of hadden er direct mee te maken. Kennis van en vooral begrip voor die ambachtsgilden is daarom belangrijk. Van de interne organisatie van die ambachtsgilden is gezien het informele karakter tot nu toe echter weinig bekend. De gilden gebruikten vaak penningen. Hun zogenaamde gildepenningen onthullen een en ander over die interne organisatie. De gangbare gedachte dat gildepenningen presentiepenningen zijn, is grotendeels juist, maar verdient nuancering. Welke andere functies hadden ze? Hoe werden ze gebruikt? Wat betekenden ze voor de interne organisatie van ambachtsgilden? Hoeveel zijn er eigenlijk nog en hoeveel waren er? Hoe zien ze eruit en waaraan herken je ze? Waar kwamen ze voor? In de dissertatie Gildepenningen: hun rol binnen ambachtsgilden van de Noordelijke Nederlanden geeft de auteur antwoord op deze en nog vele vragen. Gildepenningen bestrijken bovendien een klein en fascinerend gebied binnen de numismatiek. Ze staan vol symbolen van hun ambacht, soms ook met raadselachtige tekens. De namen of nummers die erop zijn aan te treffen, maken elke penning tot een uniek exemplaar, waarachter vaak een boeiende geschiedenis schuilt. Gildepenningen poogt een bijdrage te leveren aan het hedendaagse onderzoek naar ambachtsgilden. De hernieuwde aandacht binnen de historiografie van het gildeonderzoek heeft geleid tot een meer positieve beeldvorming rond ambachtsgilden. Deze studie waarvoor een omvangrijk gegevensbestand over het huidige corpus is samengebracht, biedt volop nieuw bronnenmateriaal en vormt een stevige basis voor verder onderzoek.‎

書籍販売業者の参照番号 : 53082

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Antwerpen Belgium Bélgica Bélgica Belgique
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‎Chris Teulings‎

‎Gildepenningen: hun rol binnen de ambachtsgilden van de Noordelijke Nederlanden‎

‎, picture Publishing, 2019 hardcover, genaaid gebonden, full colour, 504 pagina's, formaat 210x297mm, nieuw. ISBN 9789492576217.‎

‎De meeste stadsbewoners in de zeventiende en achttiende eeuw waren lid van een ambachtsgilde of hadden er direct mee te maken. Kennis van en vooral begrip voor die ambachtsgilden is daarom belangrijk. Van de interne organisatie van die ambachtsgilden is gezien het informele karakter tot nu toe echter weinig bekend. De gilden gebruikten vaak penningen. Hun zogenaamde gildepenningen onthullen een en ander over die interne organisatie. De gangbare gedachte dat gildepenningen presentiepenningen zijn, is grotendeels juist, maar verdient nuancering. Welke andere functies hadden ze? Hoe werden ze gebruikt? Wat betekenden ze voor de interne organisatie van ambachtsgilden? Hoeveel zijn er eigenlijk nog en hoeveel waren er? Hoe zien ze eruit en waaraan herken je ze? Waar kwamen ze voor? In de dissertatie Gildepenningen: hun rol binnen ambachtsgilden van de Noordelijke Nederlanden geeft de auteur antwoord op deze en nog vele vragen. Gildepenningen bestrijken bovendien een klein en fascinerend gebied binnen de numismatiek. Ze staan vol symbolen van hun ambacht, soms ook met raadselachtige tekens. De namen of nummers die erop zijn aan te treffen, maken elke penning tot een uniek exemplaar, waarachter vaak een boeiende geschiedenis schuilt. Gildepenningen poogt een bijdrage te leveren aan het hedendaagse onderzoek naar ambachtsgilden. De hernieuwde aandacht binnen de historiografie van het gildeonderzoek heeft geleid tot een meer positieve beeldvorming rond ambachtsgilden. Deze studie waarvoor een omvangrijk gegevensbestand over het huidige corpus is samengebracht, biedt volop nieuw bronnenmateriaal en vormt een stevige basis voor verder onderzoek.‎

書籍販売業者の参照番号 : 53102

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‎Christian Laes, Alfredo Buonopane‎

‎Grumentum. The Epigraphical Landscape of a Roman Town in Lucania‎

‎, Brepols, 2021 Paperback, 248 pages, Size:156 x 234 mm, Illustrations:135 b/w, 5 tables b/w., 1 maps b/w, Languages: English, Latin. ISBN 9782503589992.‎

‎Summary About 130 Latin inscriptions shine a fascinating light on the medium-sized Roman town of Grumentum in ancient Lucania. Most of these stones have hardly been studied since the end of the 19th century. They now for the first time appear in a scholarly edition with revised Latin text, illustration, apparatus criticus, translation and extensive commentary. Both the introduction and the edition illustrate the richness of the material: archaeology, politics, institutions, the Roman army, economy, religion, family and life course, and Christianity are dealt with. The use learned scholars made of the inscriptions opens a window to Italian intellectual history from the Renaissance on. Written and presented in an accessible way, this volume avoids the pitfalls of highly technical epigraphical editions, and opens the field to archaeologists, (ancient) historians and a more general audience with an interest for Roman sites in general, and this hidden gem in Basilicata in particular. TABLE OF CONTENTS Prefaces Introduction 1. The history of epigraphy in Grumentum 2. Grumentum in Antiquity: an historical overview 3. Political institutions 4. Military men and the army 5. Economic activities and professions 6. Religion 7. Family and life course 8. The role of Christianity Edition and commentary List of epigraphical and lexicographical abbreviations List of figures Indices Concordance Bibliography‎

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‎Christophe van Gerrewey (‎

‎Henk Visch Exactly how I remembered it‎

‎, Posture Editions Nr 08, 2014 PB, 297 x 210 mm, 64 pages, Illustrated. EN-NL edition. ISBN 9789491262081.‎

‎?It is as if the images in this book close their eyes and immediately transform each other into a little impression we can take with us to the next page. And so, as we read the book, we take each individual image with us. Because the book is arranged in three parts, we feel we are getting closer and closer to the core, and to the truth; the more naked, the thinner and sharper the images become, the closer we come to the essence. Or is it the other way round? And once we are beyond the halfway point, we go through the same process all over again in the other direction. Perhaps every page of Exactly how I remembered it contains the same image, one that we change ? by looking, reading, turning the pages and remembering ? into another lie.? From: ?Images to take away? Christophe Van Gerrewey, in: Exactly how I remembered it‎

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‎Chris De Maegd‎

‎Hex La genese d'un jardin princier.‎

‎, Fonds Mercator 2008, 2008 Hardcover, 28 x 23 cm., 228pp., 200 illustrations en couleurs. ISBN 9789061537458.‎

‎Le Chateau de Hex, dans la commune de Heers en Hesbaye, date du xviiie siecle et est entoure de jardins de differents styles et de parcs paysagers de la meme epoque. Le batiment, un edifice de style classique en forme de U, fut construit vers 1770 pour servir de residence d???ete et de pavillon de chasse au comte Charles de Velbruck, prince-eveque de Liege. Velbruck etait un humaniste eclaire, feru d???art, de science et de nature. Le chateau etait son bien personnel et alla a ses heritiers, qui en sont toujours les proprietaires et continuent de l???entretenir avec amour et respect. Les plantations et jardins du chateau ont egalement ete conserves et entretenus avec soin au fil des siecles. Ils sont notamment reputes pour leur collection de roses anciennes et sauvages, encore constituee pour une part des rosiers originaux du xviiie siecle. Le potager de deux hectares, avec son cellier a legumes traditionnel toujours en usage, et le parc paysager a l???anglaise ne sont que quelques-unes des autres raisons de visiter Hex, que ce soit a travers cet ouvrage ou dans la realite. Les jardins de Hex sont un paysage arcadien d???une grande beaute et d???une profonde authenticite. Nouveau livre.‎

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‎Christiane Lange, Joshua Bolchover, John Lin‎

‎Homecoming, Contextualizing, Materializing and Practicing the Rural in China‎

‎, Gestalten, 2013 Softcover, 18.5 x 26 cm, 184 pages, full color, English, Fine copy. Including an index. ISBN 9783899555042.‎

‎Homecoming presents work by an emerging generation of Chinese architects that uses unique design and working approaches to resist generic mass construction and foreign iconic building. In particular, these architects are offering resistance against the rapid urbanization that has dominated the Chinese landscape. By responding to a local Chinese context, they have raised the avant-garde of China's architectural design practice in recent years.‎

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‎Christine Beier, Tim Juckes, Assaf Pinkus (eds)‎

‎How Do Images Work? Strategies of Visual Communication in Medieval Art‎

‎, Brepols, 2022 Hardback, iv + 244 pages, Size:216 x 280 mm, Illustrations:31 b/w, 140 col., Language(s):English, German, Italian. ISBN 9782503595870.‎

‎Summary How did historical images work and interact with their beholders and users? Drawing on the results of an international conference held in Vienna in 2018, this volume offers new perspectives on a central question for contemporary art history. The fourteen authors approach working imagery from the medieval and early modern periods in terms of its production, usage, and reception. They address wide-ranging media?architecture, sculpture, painting, metalwork, stained glass?in similarly wide-ranging contexts: from monumental installations in the most public zones of urban churches to exquisite devotional objects and illuminated books reserved for more exclusive settings. While including research from West European and American institutions, the project also engages with the distinctive scholarly traditions of Eastern Europe and Israel. In all these ways, it reflects the interests of the dedicatee Michael Viktor Schwarz, whose introductory interview lays out the parameters of the subject. TABLE OF CONTENTS How Do Images Work? An Interview with Michael Viktor Schwarz Editors' Introduction PART I: VISUAL ELOQUENCE Can We Grasp Wordless Images? ? Milena Bartlov Gothic Art, Realism and magniloquentia: Thoughts on Erich Auerbach ? Paul Binski The Scaling Turn: Experiencing Late Medieval Artifacts? Assaf Pinkus and Einat Klafter ?Where the Wild Things Are?. Die Wilden Leute des sp ten Mittelalters und der fr hen Neuzeit im Raum des Dekorativen ? Hans K rner Das Kultbild und sein Rahmen: Zur Funktion von Stildifferenzen (zwei schlesische Beispiele aus dem Anfang des 16. Jahrhunderts) ? Romuald Kaczmarek PART II: IMAGERY IN BOOKS In cerchio: Illuminating the Trojan Legend and the Commedia between the Veneto and Naples (with some conjectures on Madrid, BNE, MS 10057) ? Rosa M. Rodr guez Porto Wie die Bilder im Roman d'Alexandre en prose die dubiose Herkunft des Helden diskutieren ? Lieselotte E. Saurma-Jeltsch Bonaventure and Monastic Images of St Elizabeth ? Ivan Ger t PART III: IMAGERY IN SPACE In Praise of the Pigeon: Interpretive Adventures in Naumburg Cathedral ? Jacqueline E. Jung Bilder und Kult als Ausdruck bisch flicher Macht: Berthold von Buchegg und die Katharinenkapelle im Stra burger M nster? Marc Carel Schurr Eye of the Donkey: Visual Strategies on the Choir Threshold of St Laurence's in Nuremberg ? Tim Juckes Bildkonzepte im Widerstreit. Donatellos Judith als ?naturalisierte Allegorie?? Ulrich Pfisterer Inhaltliche Vielfalt durch motivische Zur ckhaltung. Zur Wandmalerei in der camera pape im Papstpalast von Avignon ? Tanja Hinterholz Storia, mito e allegoria: I portali del Santo Sepolcro a Brindisi ? Valentino Pace‎

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‎Christian Schoen ; Eva Heisler, Halld r Bj rn Run lfsson, translation : Shauna Laurel Jones‎

‎ICELANDIC ART TODAY‎

‎, Hatje Cantz, 2009 Hardcover, 336 pages, ENG. edition, 300 x 245 x 30 mm, in Very Good Condition, illustrated in color / b/w. ISBN 9783775722957.‎

‎Art in Iceland is as young as it is exciting. Considering the fact that Icelandic culture is strongly oriented toward language, the visual arts did not begin developing until the early twentieth century. This situation, which is remarkable for a Western country, may explain the unique nature of the contemporary art scene in Iceland. Even though international Conceptual Art continues to exercise a considerable influence and globalization is affecting this island in the North Atlantic, Icelandic art is nevertheless marked by a very specific creative energy and the pleasure of experimentation, and it has produced a large number of outstanding artists. Icelandic Art Today introduces fifty important protagonists of contemporary art , among them Finnbogi P tursson, Gabr ela Fridriksd ttir, Helgi Thorgils Fr dj nsson, Icelandic Love Corporation, Katr n Sigurdard ttir, Margr t H. Bl ndal, lafur lafsson + Libia Castro, Ragnar Kjartansson, R r , Steingr mur Eyfj rd.‎

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‎Christian Ouwens Hans den Hartog Jager‎

‎Imaginair Eugene Brands‎

‎, Christian Ouwens,, 2013 Gebonden, Hardcover 32,8 x 24,7 x 2,7 cm, 320 pages, Text in NL / ENG. ISBN 9789490291020.‎

‎Eug ne Brands Imaginair is een 320 pagina's tellend, rijk ge llustreerd, overzichtsboek van de kunstenaar Eug ne Brands (1913 - 2002). Het boek geeft een breed beeld van dit lid van de CoBrA-beweging. Na zijn vertrek bij CoBrA heeft Eug ne Brands zich ontwikkeld tot een van de belangrijkste Nederlandse kunstenaars. Aan de hand van de hoofdstukken; Vroege tekeningen, CoBrA periode, Assemblages, Collages, Schilderijen en Werken op papier wordt de veelzijdigheid van Eug ne Brands feilloos in beeld gebracht. De hoofdstukken; Vier ateliers, Maskers, Proza en po zie, Lichtvissen, Inspiratie en Thema's tonen de onbekende achtergrond. De bekende schrijver en kunstcriticus Hans den Hartog Jager beschrijft in dit boek op een geheel eigen, prikkelende manier over het leven en werk van Eug ne Brands. Door gebruik te maken van verschillende papiersoorten, korter gesneden pagina's en een rijk omslag heeft samensteller en vormgever Christian Ouwens een bijzonder koffietafelboek m t inhoud afgeleverd. Naar aanleiding van het verschijnen van dit boek is het gehele Chabot museum in Rotterdam van 18 juni 2013 tot en met 29 september 2013 gereserveerd voor de gelijknamige tentoonstelling: Eug ne Brands Imaginair.‎

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‎Christiane L. Joost-Gaugier‎

‎Islamic Elements in the Architecture of Puglia‎

‎, Brepols, 2019 Paperback, 220 pages, Size:220 x 280 mm, Illustrations:1 b/w, 234 col., Language: English. ISBN 9782503580319.‎

‎Summary Puglia is one of the most extraordinary parts of Italy. Inhabited for over 8,000 years, this region has experienced almost every type of civilization known to the European world. Little has been written in English about the surviving Neolithic and aboriginal Italic remains of Puglia, its rich architectural heritage of Greek, Roman, Early Christian, Byzantine, Angevin French, Romanesque, Gothic, Renaissance, Baroque, and even its modern monuments. This book focuses on the important Islamic contribution to the architecture of Puglia, a contribution that was centered in the once Muslim city of Lucera and subsequently came to be of significance for the building of Christian cathedrals and churches in this beautiful region, little known to the outside world.? Lucera exemplifies all the periods of architecture noted above, and is, in addition, unique because it was a protected Muslim island in a sea of Christianity during the High Middle Ages - at the very time Christians were conducting crusades against the infidel. Thus the individuality of the place stands alone, among the many ancient cities of Puglia, because it was once a Muslim world. This book shows how Lucera had always been an important center in ancient times and how it came to be an Islamic city. It spotlights the accomplishments of the Muslims, and the influence they left - despite the brutal extermination they endured in the early 14th century - on the architecture of Lucera and other cities in north and central Puglia, including such important centers as Troia, Trani, Bitonto, Canosa, Altamura, Gravina, Giovinazzo, Terlizzi, Pietramontecorvino, Bisceglie, Ruvo, Castel del Monte, Molfetta, Bovino, San Severo, and Foggia. Thus the seventeen towns and cities whose architecture is studied and illustrated in this volume serve to highlight the Islamic legacy in Puglia, a part of Italy which is known - and revered by those who know - for its archaeological, classical, and Romanesque relics. TABLE OF CONTENTS Chapter 1: Introduction: Puglia, the Background Chapter 2: The Setting: Lucera - The 'Shining Light' of Puglia Chapter 3: The Creation of a Muslim Colony Chapter 4: The Muslims in Lucera and a Brutal Goodbye Chapter 5: The First Building of the New (Christian) Lucera, its Cathedral Chapter 6: The Fourteenth Century Context: The Survival of Muslim Elements in Christian Lucera Chapter 7: The Legacy of Islam is Not Forgotten in Lucera to Modern Times Chapter 8: Muslim Elements in the Buildings of Surrounding Towns and Cities: Bitonto, Ruvo di Puglia, Terlizzi, Castel del Monte, Altamura, Gravina, and Giovinazzo Chapter 9: Muslim Elements in the Buildings of Surrounding Towns and Cities: Bisceglie, Trani, Molfetta, Canosa, Troia, Bovino, Pietramontecorvino, San Severo, and Foggia Chapter 10: Conclusions: The Significance of Lucera and the Muslim Legacy for Puglia‎

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‎Chris Will‎

‎J r me Bosch: Entre ciel et enfer‎

‎, Editions Stokerkade, 2020 Hardcover, 119 pages, Francais, 175 x 165 mm, Etat tres bien,. ISBN 9789079156207.‎

‎L'homme du bas Moyen Age vivait entre l'espoir et la crainte. Le croyant pouvait compter sur la r compense c leste, mais, s'il c dait aux tentations du d mon, l'Enfer et toutes ses terreurs l'attendaient. Les contemporains de J r me Bosch taient profond ment impressionn s par ses visions du paradis et des cavernes infernales. Le peintre leur r v lait que Satan pouvait les harceler sous bien des aspects et que la route de l'Enfer tait souvent plus courte que celle du Ciel. Dans son inspiration, J r me Bosch (vers 1450-1516) tait un enfant de son temps. Au bas Moyen Age, l'au-del paraissait si proche que les descriptions saisissantes du ciel et de l'enfer ne manquaient pas. Mais celles de Bosch se distinguaient par l'incroyable richesse de sa vision personnelle et la puissance de son imagination, qui conf raient son oeuvre la m me intemporalit qu'au ciel et l'enfer. Ce livre est une plong e fascinante dans la vie et l'univers mental de J r me Bosch. 'Je recommande cet ouvrage fascinant sur les d tails des oeuvres de Bosch et leur signification.' Walter S. Gibson‎

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‎CHRISTE Yves‎

‎Jugements Derniers‎

‎La Pierre-Qui-vire Zodiaque 1999 Grand In Quarto Jaquette illustée en couleurs . Collection " Les Formes de la Nuit " . Illustrations très nombreuses en couleurs hors-texte sur papier couché et noir et blanc , cartes et plans . Calligraphie soignée , paragraphes aérés , grandes marges . Qualité unique de ces ouvrages à offrir en cadeau . Beaux Arts . Architecture . Religion . Spiritualité . - 372 p . , 2 kg 700 gr.‎

‎Couverture rigide Comme neuf Jaquette neuve‎

書籍販売業者の参照番号 : 020450

‎Christian Briend ; Ilan Michel‎

‎JULIETTE ROCHE, L'INSOLITE‎

‎, Snoeck Publishers, 2021 PB+, 265 x 190 x 23 mm, 256 pages, 300 illustrations, Texte en Francais. neuf ISBN 9789461617446.‎

‎Cette premi re r trospective de Juliette Roche vise faire conna tre cette figure m connue des avant-gardes artistiques qui synth tise dans son travail les volutions esth tiques du d but du XXe si cle. L'exposition s'attache cerner l' volution esth tique, le contexte et la personnalit d'une figure impliqu e dans les communaut s artistiques de l' poque. La trajectoire artistique de Juliette Roche sera clair e par la pr sentation in dite de ses archives personnelles. Le projet s'accompagne d'un catalogue scientifique dirig par Christian Briend, conservateur et chef du Service des collections modernes au Mus e national d'art moderne / Centre Georges Pompidou. L' dition a vocation tre un ouvrage de r f rence sur le travail de Juliette Roche. Abondamment illustr e par les reproductions des oeuvres et des archives personnelles de l'artiste, elle est structur e par quatre articles faisant tat de la recherche sur le sujet et du t moignage du conservateur Pierre Georgel. Le cahier iconographique est ponctu de notices consacr es aux grandes typologies de sa production. Une biographie illustr e, une bibliographie et la liste des expositions auxquelles l'artiste a particip viennent compl ter l'ensemble. Peu expos e du vivant de l'artiste, clips e par la reconnaissance de son poux, le cubiste Albert Gleizes, la production de Juliette Roche m le les styles. El ve du peintre Maurice Denis l'Acad mie Ranson, elle h rite des formes simples, du caract re d coratif et de l'univers symboliste du groupe Nabis. Sa fr quentation des cubistes de Puteaux la conduit rythmer ses constructions en lignes g om triques. A New York durant la Premi re Guerre mondiale, elle participe au groupe Dada avec Marcel Duchamp et Francis Picabia. Ces rencontres introduisent dans son regard l'insolite et l'ironie. Elle renouvelle ainsi les genres traditionnels de la peinture par une grande libert de ton. Portraits, autoportraits, paysages d'Ard che, Expo: 13/02/2021 - 16/05/2021, Mus e de Besan on‎

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‎Christopher D. Roy, Benjamin Schwarz‎

‎Kilengi. Afrikanische Kunst aus der Sammlung Bareiss‎

‎Hannover, Kestner-Ges, 1997 Leinen, 426 Seiten, 32.5 x 25 cm. viele Abbildungen Deutscher text.‎

‎Ausstellung 30. August - 19. Oktober 1997. Im Almanach des Blauen Reiters ver ffentlichten Franz Marc und Wassily Kandinsky 1912 auch afrikanische Skulpturen aus Kamerun, neben zahlreichen Bildern unterschiedlicher Ethnien, Zeichnungen von Kindern, Laien sowie Volkskunst und Beispiele aus der europ ischen Kunst. Gesucht und entdeckt wurde in der afrikanischen Kunst das "Urspr ngliche", die gro e Kraft aller tief empfundenen Kunst. Der Blaue Reiter, der keine strenge programmatische Ausrichtung verfolgte, griff mit dem Blick auf Afrika einen Aspekt auf, den Picasso 1905 bei seiner ersten Begegnung mit afrikanischer Kunst thematisierte und den die " Fauves "-K nstler fast leitmotivisch verfolgten. Wie die K nstler der "Br cke" in Dresden, so gingen auch die M nchner "Blauen Reiter" in die V lkerkundemuseen, um f r ihre eigene Kunst dort Anregungen zu finden. Seit dieser ersten ffnung der Augen durch die Avantgardisten in der Zeit vor dem Ersten Weltkrieg ist das Interesse an afrikanischer Kunst lebendig geblieben. Zu berraschend und origin r sind die vielf ltigen Gestaltungsmittel im plastischen Bereich, um nur in der einen oder anderen Lesart aufgebraucht werden zu k nnen. Neben formalen Kriterien ist auch der Umgang mit den unterschiedlichen Materialien voll gro er berraschungen. In der Sammlung Bareiss sind zahlreiche Masken, Skulpturen, St be, Throne u. a. vorhanden, die nicht unter puristischen Gesichtspunkten "bereinigt" wurden, sondern noch Textile, Federn, Bastgeflecht etc. haben und so die Verbindung mit dem Kost m des T nzers aufzeigen. Die Skulpturen lassen so trotz der Statik musealer Pr sentation ihren "bewegten" Sinn erkennen. Unter dem Gesichtspunkt einer von Aktion und Performance belebten Kunst erhalten so diese afrikanischen Kunstwerke eine neue Qualit t. Zahlreiche Abbildungen in dem Text von Christopher D. Roy tragen hier zu einem besseren Verst ndnis bei. "Walter Bareiss Leidenschaft f r afrikanische Kunst ist langsam gewachsen. Als treibende Kraft seiner Sammelt tigkeit wirkte nicht wie bei vielen anderen die Bedeutung afrikanischer Kunst f r die abstrakte Moderne. Ihn faszinierte die enge Verflechtung der Kunstformen mit der Mythologie und Religion und ihre Rolle in der Tradierung von Wissen und der Bes nftigung von Naturkr ften. Der rote Faden, der sich durch seine Auswahl zieht, ist die pers nliche Begeisterung f r die sthetische Kraft der Objekte, Kilengi - Freude, die durch Sch nheit entsteht." (Peter Noever).‎

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‎Chris Dercon‎

‎Koen Theys Home-Made Victories‎

‎, MER. Paper Kunsthalle, 2013 Hardcover, 256 pages , ENG, 290 x 235 mm, illustrations in colour, text in ENG. ISBN 9789490693961.‎

‎S.M.A.K. presents the first major retrospective of the Belgian video artist Koen Theys ( 1963, Brussels). Theys was one of the founding fathers of the Belgian video art scene since the early eighties and stood at the cradle of the discourse around video art in Belgium and by extension throughout Europe. In his work Theys combines a thorough substantive and formal research on video art as a medium, with a very expressive - referring to a baroque aesthetic - imagery, often combined with references to the European and Belgian cultural and political history. The work of Theys was collected early by MOMA (New York) and Centre Pompidou (Paris). The book will survey his monumental video and photography-based works from the early 80s until now. Met HOME-MADE VICTORIES brengt S.M.A.K. de eerste grote overzichtstentoonstelling van Koen Theys ( 1963, Brussel), een pionier van de Belgische videokunst. De tentoonstelling is opgevat als een doorsnede van Theys' oeuvre van de vroege jaren '80 tot nu.‎

書籍販売業者の参照番号 : 53816

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‎Chris Dercon‎

‎Koen Theys Home-Made Victories‎

‎, MER. Paper Kunsthalle, 2013 Hardcover, 256 pages , ENG, 290 x 235 mm, in good order, illustrations in colour, *** With inscription and signed by the Artist ISBN 9789490693961.‎

‎S.M.A.K. presents the first major retrospective of the Belgian video artist Koen Theys ( 1963, Brussels). Theys was one of the founding fathers of the Belgian video art scene since the early eighties and stood at the cradle of the discourse around video art in Belgium and by extension throughout Europe. In his work Theys combines a thorough substantive and formal research on video art as a medium, with a very expressive - referring to a baroque aesthetic - imagery, often combined with references to the European and Belgian cultural and political history. The work of Theys was collected early by MOMA (New York) and Centre Pompidou (Paris). The book will survey his monumental video and photography-based works from the early 80s until now. Met HOME-MADE VICTORIES brengt S.M.A.K. de eerste grote overzichtstentoonstelling van Koen Theys ( 1963, Brussel), een pionier van de Belgische videokunst. De tentoonstelling is opgevat als een doorsnede van Theys' oeuvre van de vroege jaren '80 tot nu.‎

書籍販売業者の参照番号 : 59003

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‎CHRIST, Yvan‎

‎L'abbaye de Jouarre et ses cryptes mérovingiennes‎

‎, Paris, Plon, 1961, 31pp.+ 32pp.ill. hors texte‎

書籍販売業者の参照番号 : R16576

‎CHRIST Yvan et Ionel SCHEIN‎

‎L'oeuvre et les rêves de Clauce-Nicolas LEDOUX (1736-1806). Richement illustré (reproductions de documents (cartes, gravures, dessins et 64 photographies en noir des vestiges de l'oeuvre) et documenté. Notes et légendes par Jacques OHAYON.‎

‎Ledoux et don temps ; Ledoux et notre temps.‎

‎Editions du Chêne 1971. Petit in-4 (25 x 24) relié, couverture ornée d'orig., 204 pages sur papier cartonné avec sommaire, planches, photos, notice biographique, bibliographie.‎

書籍販売業者の参照番号 : AUB-951

‎CHRIST Yvan - SCHEIN Ionel‎

‎L'oeuvre et les rêves de Ledoux‎

‎Chêne Paris, Chêne, 1971. In-8 carré relié plein cartonnage éditeur illustré de 201 pages, illustrations dans et hors-texte. Petit défaut sur le haut et bas du dos, sans manque, sinon bon état‎

‎Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.‎

書籍販売業者の参照番号 : 143728

‎CHRIST (Yvan), SCHEIN (I.).‎

‎L'oeuvre et les rêves de Claude-Nicolas Ledoux.‎

‎Paris Chêne 1971 1 vol. relié in-4 ,cartonnage illustré, 201 pp., nombreux dessins en noir. Très bon état.‎

書籍販売業者の参照番号 : 99354

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Vignes Online
Paris France Francia França France
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€ 24.00 購入

‎CHRIST (Yvan), SCHEIN (I.).‎

‎L'oeuvre et les rêves de Claude-Nicolas Ledoux.‎

‎Paris Chêne 1971 1 vol. relié in-4 ,cartonnage illustré, 201 pp., nombreux dessins en noir. Très bon état.‎

書籍販売業者の参照番号 : 99354

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Vignes Online
Eymoutiers France Francia França France
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‎CHRIST Yvan ; Ionel SCHEIN‎

‎L'oeuvre et les rêves de Ledoux‎

‎CHËNE 1971 In-8 relié. État correct d’occasion.‎

‎Etat correct d’occasion‎

書籍販売業者の参照番号 : 59960

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Librairie de l'Avenue
Saint-Ouen France Francia França France
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€ 31.00 購入

‎Christian Norberg-Schulz‎

‎La signification dans l'architecture occidentale‎

‎Paris, Pierre Mardaga éditeur., 1977, in-4, Broché, 447 pages. Bon état.‎

書籍販売業者の参照番号 : 12813

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Librairie Christian Chaboud
Bruxelles Belgium Bélgica Bélgica Belgique
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€ 25.00 購入

‎Christopher Vane Percy‎

‎Lalique : A Collector's Guide‎

‎, Crescent Books 1989, 1989 Hardcover, 192 pages, ENG, 305 x 235 mm, book itself is in good condition, illustrations in colours and b/w. ISBN 045863690951.‎

‎Presents the creations of the most successful glassmaker of the 20th century, with details on the origin, value and techniques used in many of Lalique's finest bottles, ashtrays and clocks‎

書籍販売業者の参照番号 : 59341

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 20.00 購入

‎Christian Vermander‎

‎Landschappen het onvoltooide. Het oeuvre en de gedachtegang van tuin- en landschapsarchitect Chris Vermander‎

‎Brugge, Vandenbroele, 2022 Hardcover, twee delen, slipcase, 605 Pages, illustrated; 30x29cm. English summary. Biblio, index planten/personen. ISBN 9789049618353.‎

‎Het oeuvre en de gedachtegang van tuin- en landschapsarchitect Chris Vermander > een unieke blik op tuin- en landschapsarchitectuur. > 2 boekdelen, gebundeld in een luxueuze kaft. > Boek 1 WORDS - gedachtegang, begrippen & zienswijze. > Boek 2 WORKS - inspiratie, strategie en arbeidsveld. > Een must have! Na geruime tijd gewerkt te hebben als landschapsarchitect, brengt Christian Vermander, stichter van het buro voor vrije ruimte, een inspirerend boek uit. Zijn doel? Een aanzet geven tot een denkwijze waarbij het gevoel voor schoonheid in, met en door de natuur vooropstaat. Hiervoor kijkt hij door de lens van zijn eigen oeuvre naar de geschiedenis n de toekomst van ons doen en laten in de buitenruimte. > Boek 1 WORDS - gedachtegang, begrippen & zienswijze Studies, projecten en leeropdrachten in binnen- en buitenland vormen de basis van een eerste boekdeel dat een gedachtegang en begrippen nader toelicht en waarin zienswijzen van vele gastauteurs aan bod komen. Gedachtegang: Het landschap vormt de mens, de mens vormt het landschap Begrippen: Landschappen in tijd en ruimte Zienswijzen: Het bevragen van het landschap Een verlangen naar vorm en ruimte Creatief samenwerken met de natuur > Boek 2 WORKS - inspiratie, strategie en arbeidsveld Een uitgebreide en zeer uiteenlopende selectie van projecten, als studie en/of als realisatie in binnen- en buitenland. Centraal: de uitvoering. Beide boekdelen, gebundeld in een luxueuze kaft, werpen samen een unieke blik op tuin- en landschapsarchitectuur waarbij de verwondering en het inzicht over de (buiten)ruimte in al haar facetten, in tijd en beweging, zich steeds vernieuwen en ontwikkelen. Ik zou tuinen, landschappen willen maken die n po tisch n onopvallend zijn om hun gaafheid te bereiken ? Waar het moeilijk onvoorspelbare en toch bij nader inzicht het voor de hand liggende, betekenis krijgt ? Waar landschappen, door eenvoudig gemaakte lijnen van gebruik en belevenis, met sfeervolle lichtinval, in goede verhoudingen en met oog voor het detail, tot ongedwongen ruimtelijke kunst leiden Christian Vermander. Inhoudstafel BOEK 1 - WORDS Gedachtegang - Begrippen - Zienswijzen I. Gedachtegang Het landschap vormt de mens, de mens vormt het landschap 1. Landschappen langs de zijderoute 2. Landschappen aan de Noordzee II. Begrippen Landschappen in tijd en ruimte 1. De galaxy: als twee spiralen in elkaar 2. Kijken in de bodem en boven de horizont 3. Natuur- en cultuurlandschappen 4. Van clairi re tot tuin, de wordingsgeschiedenis en de schone kunsten 5. Maatgeven aan de ruimte 6. Architecturale begrippen in de tuin- en landschapskunst 7. De vierde dimensie 8. Het sprezzatura of de bestudeerde wanorde 9. Symboliek en metaforen van het landschap 10. Puurheid, po zie en het ?paradiso? III. Zienswijzen Het bevragen van het landschap 1. Landschappen onvoltooid ? vanzelfsprekend natuurlijk ? Marc Antrop 2. Het landschap, een langzaam schouwspel ? Jef Deruyter 3. Grote bomen ? eeuwig jong ? Jos De Wael 4. Kijk! ? een landschap ? Norbert De Waele 5. Van pad tot landschap ? Marc Dubois 6. Belichaamde metafoor van het landschap ? Marc Geldof en Helena Gutmane 7. Het huidige tuinlandschap, onvoltooid verleden tijd ? Martin Hermy 8. Landschappen en landschapsarchitectuur ? Annemarie Lund 9. Bomen als landschapsdrager ? Jan Moereels 10. Domesticerende krachten in het landschap ? Guy Mouton 11. Ontwerpen voor het antropoceen ? Sylvie Van Damme 12. Het onbegrepen landschap ? Luc Wallays IV. Een verlangen naar vorm en ruimte Creatief samenwerken met de natuur 1. Waarnemen, verbeelden en bedenken 2. Handelingen in de buitenruimte 3. Mijn landschapsverhaal 4. Slotbeschouwingen BOEK 2. WORKS Inspiratie - Strategie - Arbeidsveld I. Het landschap als drager van geschiedenis II. Bloeiende landschappen III. Het landschap in de tuin, de tuin in het landschap IV. Het bebouwde landschap 1. Woonlandschappen 2. Studie- en werklandschappen 3. Straten, pleinen en parken V. Landschappen van herinnering | De herinnering als landschap VI. Het landschap als laatste rustplaats | Tuinen voor de eeuwigheid‎

書籍販売業者の参照番号 : 58211

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 85.00 購入

‎Christopher White ; Debbie Wayment‎

‎later Flemish pictures : In the collection of her Majesty the Queen‎

‎, Royal Collection Enterprises Limited, 2007 Hardcover, 421 pages, English, 310 x 255 x 40 mm, 240 colour illustrations, Condition as New. ISBN 9781902163635.‎

‎The Royal Collection contains one of the finest and most varied collections of Old Master paintings in the world. The 147 works catalogued in the present volume are by Flemish artists who were active principally in the seventeenth century; they include a large and outstandingly good group of genre paintings by David Teniers the Younger, and other paintings by such diverse artists as Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens. The most important group of works, however, are those by Rubens. The full range of the artist's practice is represented in the collection. There are works that are entirely by his hand, and others that were carried out either with known collaborators or with the help of his studio. The introduction to the catalogue gives a fully documented history of the growth of the collection from the early Stuarts to the reign of Queen Victoria. The close relations Charles I enjoyed with Rubens are discussed in detail, and there is a full account of the important acquisitions made by later members of the royal family, notably Frederick, Prince of Wales and George IV.‎

書籍販売業者の参照番号 : 55008

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Christiania Whitehead, Hazel Blair, Denis Renevey (eds)‎

‎Late Medieval Devotion to Saints from the North of England. New Directions‎

‎, Brepols, 2022 Hardback, 456 pages, Size:156 x 234 mm, Illustrations:15 b/w, 12 tables b/w., Language: English. ISBN 9782503588513.‎

‎Summary This volume fills an important gap in the study of medieval English sanctity. Focused on the period 1150-1550, it examines later manifestations of pre-conquest northern English cults (John of Beverley, Oswald, Hilda, theldreda etc.), and the establishment and development of many more during the twelfth to fifteenth centuries (Godric of Finchale, Robert of Knaresborough, Oswine of Tynemouth, bbe of Coldingham, Bega of Copeland, William of York, etc.). It showcases the diversity of new northern cults that emerged after 1150, and pays particular attention to cultures of episcopal and eremitic devotion and hagiographic production in Yorkshire, Cumbria and Lincolnshire. Divided into five subsections, the volume opens by exploring the relation of sanctity to constructions of northern identity through targeted examinations of northern textual and material cultures. It then turns to a series of case studies of northern saints' cults, grouped with reference to the eremitic life, female networks and locations, and the contextualisation of northern sanctity within national, transnational and post-medieval currents of veneration. Underlying all these essays is a concern with the conflicted idea of 'northernness'. This collection argues for a northern sanctity that is imagined in varying ways by different communities (monastic, diocesan, national etc.), allied to a series of conceptual 'norths' that differ significantly in accordance with the bodies of evidence under survey. TABLE OF CONTENTS List of Illustrations, List of Abbreviations, Acknowledgements Introduction ? CHRISTIANIA WHITEHEAD PART I: Northern Sanctity and Northern Identity I.1 Textual Culture: Hagiography, Legendary, Suffrage Aelred of Rievaulx and the Saints of Durham, Galloway and Hexham ? DENIS RENEVEY The Production of Northern Saints' Lives at Holm Cultram Abbey in Cumbria ? CHRISTIANIA WHITEHEAD Flower of York: Region, Nation and St Robert of Knaresborough in Late Medieval England ? HAZEL J. HUNTER BLAIR Praying to Northern Saints in English Books of Hours ? CYNTHIA TURNER CAMP I.2 Material Culture: Space, Oil, Image Space, It's About Time Too: Architecture and Identity in Medieval Durham ? EUAN MCCARTNEY ROBSON Holy Geysers? Oily Saints and Ecclesiastical Politics in Late Medieval Yorkshire and Lincolnshire ? JOHN JENKINS Art and Northern Sanctity in Late Medieval England ? JULIAN LUXFORD PART II: New Case Studies of Northern Saints and Their Cults II.1 The Eremitic Life The Context for and Later Reception of Reginald of Durham's Vita S Godrici ? MARGARET COOMBE Robert of Knaresborough, Religious Novelty, and the Twelfth-Century Poverty Movement ? JOSHUA EASTERLING Hermit Saints and Human Temporalities ? CATHERINE SANOK II.2 Female Networks and Locations: Coldingham, Ely, Whitby Beyond the Miracula: Practices and Experiences of Lay Devotion at the Cult of St bbe, Coldingham ? RUTH J. SALTER theldreda in the North: Tracing Northern Networks in the Liber Eliensis and the Vie de seinte Audree ? JANE SINNETT-SMITH Conflicting Memories, Confused Identities, and Constructed Pasts: St Hilda and the Refoundation of Whitby Abbey ? DANIEL TALBOT Remembering St Hilda in the Later Middle Ages ? CHRISTIANE KROEBEL II.3 Beyond the North: Southern, European and Post-Medieval Perspectives The French Life of St Godric of Finchale, or Adventures for Thirteenth-Century Nuns ? ANNE MOURON The Reception of St Oswine in Later Medieval England ? JAMES G. CLARK Northern Saints' Names as Monastic Bynames in Late Medieval and Early Tudor England ? DAVID E. THORNTON Northern Lights on Southern Shores: Rewriting St Oswald's Life in Eighteenth-Century Friuli ? CLAUDIA DI SCIACCA Index‎

書籍販売業者の参照番号 : 64703

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Christophe Bertiau, Dirk Sacr (eds)‎

‎latin et la litt rature n o-latine au XIXe si cle. Pratiques et repr sentations‎

‎, Brepols, 2020 Paperback, v + 299 pages, Size:160 x 240 mm, Languages: French, English, Italian. ISBN 9789492771322.‎

‎Summary Le XIXe si cle est connu comme l' poque o l'essor des nationalismes et des langues nationales en Europe a d finitivement rel gu le latin aux marges du monde social. Or, si le latin conna t alors un ind niable d clin, il n'en demeure pas moins tout un temps une langue importante pour les nations modernes. Le pr sent volume tudie les manifestations d'une tradition linguistique pluris culaire qui ne s'est pas teinte l'aube de la modernit . Fruit d'une collaboration internationale, il rassemble des contributions portant sur diff rents pays d'Europe occidentale et centrale. Les auteurs retracent l'histoire du latin au XIXe si cle, s'interrogent aussi bien sur les raisons de son succ s que sur celles de son d clin et pr tent une attention particuli re aux aspects th matiques et stylistiques des textes. La litt rature n o-latine, qui n'est pas indiff rente au surgissement des romantismes europ ens, est pass e la loupe. L'ouvrage met galement en vidence l'inflexion que l'inspiration latine antique a pu donner une oeuvre po tique en langue moderne. TABLE OF CONTENTS Christophe Bertiau, "Le latin, une mati re ?bourgeoise?? Sur le d clin du latin dans l'enseignement l' poque contemporaine" The article refutes the received idea of Latin being a "bourgeois" school subject. It states on the contrary that the political and economic rise of the bourgeoisie accounts for the decline of Latin in secondary education during the last two centuries. Although Latin kept its dominant position in the curriculums throughout the nineteenth century, its supremacy was increasingly challenged by certain exponents of the bourgeoisie, who demanded school learning to be more markedly connected to the professional world. Jan Spoelder, "The decline of Latin as the academic language at Dutch universities and its consequences for education in Latin" In the eighteenth century, Latin lost its status as the universal scholarly language in countries like France, Germany and Britain. However, the Royal Decree of 1815 provided that Latin remained the exclusive academic language in the Kingdom of the Netherlands. More and more tension arose between maintaining classical educational ideals and the with to use the vernacular. Only when the Act on Higher Education was passed in 1876, this meant in practice the end of the mandatory use of Latin at Dutch universities. This new situation also ended the raison d' tre of the Latin school, the kind of education that had prepared for university entrance in the towns of the Dutch Republic and the later Kingdom. This type of school was reorganised to meet the altered requirements of the modern time under the name of Gymnasium. This school, with compulsory Greek and Latin, is still flourishing magnificently at the moment. Patrizia Paradisi, "Il latino nelle cerimonie ufficiali del Regno d'Italia, dall'Universit di Bologna al Campidoglio a Roma (Gandino, Albini e Pascoli)" Patrizia Paradisi stresses the significance Latin displayed for the official ceremonies of the Kingdom of Italy at the time of Giovanni Battista Gandino, Giuseppe Albini and Giovanni Pascoli. It thus appears how Latin was used to compose speeches, letters, an inscription for a medal, a hymn or a journal on the occasion of various ceremonies. Giacomo Dalla Piet , "L'evoluzione stilistica del latino all'interno della curia romana nel secolo XIX" Giacomo Dalla Piet sketches how the Latin style of encyclical letters developed during the nineteenth century. He interprets the adoption of a high style, which was to become increasingly Ciceronian, under the pontificate of Leo XIII as testament to the latter's universalist project and new way of conceiving papacy. ?ime Demo, "Stubborn persistence at the outskirts of the West: Latin in nineteenth-century Croatia" The article gives an insight into the status of Latin in nineteenth-century Croatia. Latin retained there until the mid-century a decided importance as a means of international communication, as a political instrument, as a medium of instruction or as a literary language. However, Croatian tended towards more and more superseding Latin in its uses. As a result, Latin was hardly ever used outside Church and education in the second half of the century. Neven Jovanovi?, "Two gentlemen-translators from nineteenth-century Dubrovnik" The author analyses the Latin translations of Antonio Sivrich and Blasius Ghetaldi, two poets from Dubrovnik. He compares how both translators worked and reflects upon the reasons why they rendered into Latin Italian sonnets and anacreontic poems (Sivrich) or Ivan Gunduli?'s Croatian epos Osman (Ghetaldi). Svorad Zavarsk , "?Et meus vere paradisus audit: mandra, poesis?: The poetry of Antonius Faber" Svorad Zavarsk presents the work of the neo-Latin poet from Bratislava Antonius Faber. He affirms that the main interest of A.?Faber's little classical poetry is its originality. This poetry can be seen as a compromise between traditional neo-Latin poetry and the romantic revival. It epitomises quite good the linguistic situation of Hungary at that time, where the national language was more and more often preferred to Latin. Florian Schaffenrath, "Antonio Mazzetti's neo-Latin epic poem on Emperor Ferdinand I (1838)" Florian Schaffenrath tackles a panegyric (gratulatio) addressed by Antonio Mazzetti to Emperor Ferdinand?I and examines its reception. He highlights the enthusiasm this poem motivated by current political affairs elicited, even though Latin verses no longer were in fashion. Antonino Zumbo, "Scrivere una novella romantica in versi latini: il Polymetron di Giovanni Andrea Vinacci" The article deals with the Polymetron, a romantic short story written in Latin verses by Andrea Vinacci. The story displays a Byronian inspiration and is located in the nineteenth-century Italian independence wars. Both these characteristics suggest that far from a mere formal dialogue with the Ancients has neo-Latin literature always attempted to stay in tune with its time. Romain Jalabert, "Des vers latins romantiques, en France" Romain Jalabert shows that a whole part of nineteenth-century French neo-Latin poetry was opened up to Romanticism. Original Latin poems inspired by Romanticism and Latin translations of poems in modern languages were no oddities. Schools played a leading role in this new tendency. Alphonse de Lamartine enjoyed great success as a source of inspiration for Latin poets. Dirk Sacr , "Colonel William Siddons Young (1832-1901) as a Latin poet" Dirk Sacr presents the life and work of the atypical British neo-Latin poet Colonel William Siddons Young (1832-1901). Young was an army officer in the Bengal civil service. Although some Latinists considered him as the greatest living Latin poet, his Latin verses display imperfections and he rapidly fell into oblivion after his death. But because of his atypical profile, he could serve the cause of Latin as a universal language. Through the figure of Young, this article provides us with an overview of the evolution of living Latin in the late nineteenth century. Marie-France David-de Palacio, "Un epigrammaton liber fin-de-sie cle: les ?latineries? de Jean Richepin" This contribution demonstrates on the basis of Jean Richepin's "Latineries" how a writer can breath new life into his own poetic language by imitating ancient authors. Whereas the style models on the epigrams of Roman Antiquity, and more specifically of Martial, the content exhibits a "Gallic" character.‎

書籍販売業者の参照番号 : 65842

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 41.00 購入

‎CHRISTIAN JACQ‎

‎LE MESSA14.96GE DES CONSTRUCTEURS DE CATHEDRALES‎

‎EDITIONS DU ROCHER. 1991. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 235 pages. Premier plat illustré en noir et blanc. Couverture rempliée. Nombreuses photos et illustrations en bordeaux et noir et blanc, dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

書籍販売業者の参照番号 : R260141590

‎CHRIST (Yvan).-‎

‎Le Louvre et les Tuileries. Histoire architecturale d'un double palais.‎

‎P., Tel, 1949, grand in 4° broché, 156pp. ; texte sur deux colonnes ; couverture rempliée ; très importante iconographie.‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................‎

書籍販売業者の参照番号 : 22188

‎Christophe RENAULT et Christophe LAZE‎

‎LES STYLES de l'ARCHITECTURE et du MOBILIER‎

‎Un ouvrage de 128 pages, format 125 x 190 mm, illustré, broché, publié en 2006, Editions J.P. Gisserot, bon état‎

書籍販売業者の参照番号 : LFA-126728030

‎CHRIST YVAN‎

‎LES CATHEDRALES DE FRANCE / CHEFS-D'OEUVRE DE L'ART SACRE / L'OUVRAGE LE PLUS COMPLET ET LE MIEUX DOCUMENTE QUI A DEJA PASSIONNE 150 000 LECTEURS.‎

‎DES DEUX MONDES. 1963. In-4. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 215 pages illustrées de nombreuses photos et dessins et croquis en noir et blanc - Jaquette en bon état conservé sous jaquette transparente et illustrée d'une photo en noir et blanc.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

書籍販売業者の参照番号 : R320012445

‎CHRIST Yvan‎

‎Les nouvelles métamorphoses de Paris‎

‎Paris, Balland, 1976 - in-4, reliure éditeur cartonnée et illustrée, 253 pages, plus de 100 paysages parisiens photographiés autrefois et aujourd'hui - Très bon état‎

書籍販売業者の参照番号 : 30962

‎Christoph Grafe (ed). Texts: Bernard Colenbrander, Christoph Grafe, Bram van Kaathoven, Jannah Loontjens, Bart Tritsmans. Photography: Michiel De Cleene‎

‎Linkeroever. Sprong over de Schelde / Across the river‎

‎, BE] VAi , 24.50 Paperback, 255x200mm, 208p, English / Dutch (NL) edition . ISBN 9789492567024.‎

‎Voor veel inwoners van de stad Antwerpen is Linkeroever onbekend terrein. Vanaf de oevers van de Schelde ziet de overkant van de rivier eruit als een verzameling hoge gebouwen, zwevend boven een groene strook. Hoewel herinneringen aan zomeravonden op het Sint-Annastrand deel uitmaken van het collectieve geheugen van de stad, wordt Linkeroever vaak over het hoofd gezien en vergeten. Het is 'aan de andere kant van de rivier' - een deel van de stad, maar toch ver weg. In 2016 lanceerde de Antwerpse stadsbouwmeester Christian Rapp een internationale ideeenwedstrijd met de expliciete ambitie om Linkeroever tot het voorwerp van ontwerpend onderzoek te maken en om het debat over het belang van dit deel van de stad voor heel Antwerpen aan te zwengelen. De wedstrijd was een zoektocht naar Leitbilder ? visies die een beeld geven van wat de toekomst van de stad zou kunnen zijn. Linkeroever. Sprong over de Schelde is bedoeld als meer dan louter het verzamelen van de inzendingen. In het boek vormt dit initiatief het uitgangspunt voor het opnieuw aan de orde stellen van de bredere vragen over de huidige stand van zaken in stedenbouw en ontwerp. Als Linkeroever een stad is die op het punt staat plaats te vinden, dan markeren dit boek en deze wedstrijd het begin van die ontwikkeling. For many of the city's inhabitants, the Antwerp Linkeroever is unknown territory. From the banks of the Scheldt, the opposite side of the river appears as a series of high-rise buildings hovering over a green strip. Although recollections of summer evenings on the beach of Sint-Anna are part of the collective memory of the city, the Linkeroever is often overlooked and forgotten. It is 'across the river' - a part of the city, yet also something separate. In 2016, Antwerp City Architect Christian Rapp launched an international ideas competition, with an explicit ambition to address the Linkeroever as an object of design research and to start the debate on the importance of this part of the city for the whole of Antwerp. The competition looked for Leitbilder - images that offer a vision on what the future of the city might be. Linkeroever. Across the River intends to extend beyond merely collecting the results of the competition. Instead, it takes this initiative as the starting point for readdressing larger questions about the state of urban development and design today. If the Linkeroever is a city about to happen, this book and the competition wish to mark the start of this journey.‎

書籍販売業者の参照番号 : 50699

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Chris Van Uffelen‎

‎Lumiere et Architecture‎

‎2012 2012, Citadelles et Mazenod, 440 pages dim: Bon état . Dimensions : 23,5 cm 30,0 cm 4,1 cm‎

‎"En architecture, la lumière est une composante fonctionnelle et esthétique majeure. Elle est indispensable à la mise en valeur d'un édifice ou d'un intérieur. Ces dernières années, son utilisation est devenue plus créative, plus vivante que jamais, grâce, entre autres, à des innovations technologiques révolutionnaires. Non seulement ces progrès ont permis une approche plus artistique du domaine, mais le design de l'éclairage est devenu partie prenante des concepts d'économie d'énergie. Abondamment illustré, Lumière et Architecture présente 123projets d'architectes et de designers dans lesquels l'emploi de la lumière, naturelle ou artificielle, joue le premier rôle. Du showroomC42 de Citroën à Paris à la tour de contrôle aérien de Vienne, en passant par le Supperclub à Singapour, le GreenPix, mur communicant à bilan énergétique neutre, à Pékin, la chapelle de l'université Ave Maria de Naples (Floride), la joaillerie Koukjian à Beyrouth et le siège local de Deloitte à Copenhague..., toutes les réalisations possibles et imaginables en matière de création d'éclairage sont ici abordées."‎

書籍販売業者の参照番号 : 6402

‎Christian Laes, Irina Metzler (eds)‎

‎Madness in the Ancient World: Innate or Acquired? From Theoretical Concepts to Daily Life‎

‎, Brepols, 2023 Paperback, 360 pages, Size:156 x 234 mm, Illustrations:11 b/w, 23 col., 1 tables b/w., Language: English. ISBN 9782503601908.‎

‎Summary This is the first book volume ever to study the ?difficult' subject of congenital, intellectual disability in the ancient world. The contributions cover the Ancient Near East, Egypt and the Graeco-Roman world, up to the late ancient period, China, the rabbinic tradition, Byzantium, the Islamic world, and the Middle Ages in the Latin West. The engaging and thought-provoking chapters combine careful textual analysis with attention to the material evidence and comparative perspectives, not the least those offered by disability history for recent periods in history. TABLE OF CONTENTS Acknowledgements Hidden in Plain Sight or Simply Untraceable? The Challenge of Studying Intellectual Disability in the Ancient World (Christian Laes) ?Mad Bones': Tracing Mental Disability in the Bioarchaeological Record and its Possible Socio-Economic Implications in Past Societies (Chryssa Bourbou) Dagger of the Mind: Macedonian Kings and Chronic Traumatic Encephalopathy (CTE) (Alexandra F. Morris) The Quest for Down Syndrome (and Other Symptoms) in Antiquity (Edgar Kellenberger) Excluded from the Kingdom or Leading the Revolution? M roi and the Question of Intellectual Disability in New Testament Writings (Dominika Kurek-Chomycz & Emma Swai) Brain Injury and Intellectual Disabilities in Early and Medieval China: Two Case Studies (Olivia Milburn) The Shoteh in Rabbinic Sources: Intellectual Disability or Mental Illness? (Lennart Lehmhaus) Searching for Intellectual Disability in Byzantium (Fotis Vasileiou) Fools in Arabic Medicine and Hospitals: Medical, Social and Economic Studies (Peter E. Pormann) Incapacitas mentis: Medieval Musings about Congenital Fools (Irina Metzler) Living Creatively with Intellectual Disabilities: A Father's Observations as an Opportunity for Historical Research (Edgar Kellenberger) Source Index General Index‎

書籍販売業者の参照番号 : 63243

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Christene d'Anca‎

‎Medieval Mausoleums, Monuments, and Manuscripts. French Royal Women?s Patronage from the Twelfth to the Fourteenth Centuries‎

‎, Brepols, 2024 Hardback, 200 pages, Size:178 x 254 mm, Illustrations:34 b/w, Language: English. ISBN 9782503606965.‎

‎This volume is an exploration of the artistic cultural legacy of some of the most renowned medieval royal women, demonstrating their dedication to remain relevant for all time. Summary Medieval Mausoleums, Monuments, and Manuscripts: Royal Women?s Patronage from the Twelfth to the Fourteenth Centuries explores the manuscripts, monuments, and other memorabilia associated with the artistic patronage of Eleanor of Aquitaine (1122-1204), her daughters, Marie de Champagne (1145-98) and Matilda of Saxony (1156-98), as well as works generated by three queens of France, Marie de Brabant (1254-1322), Jeanne d? vreux (1310-71), and Blanche de Navarre (1330-98). Through this study the shift in women?s artistic patronage over the centuries may be brought to light, as well as its evolution, evincing how each generation built upon the previous one. Further, despite the assorted shapes these women?s efforts embodied, ranging from manuscripts to stained glass windows, from funerary plaques, paintings, jewels and linens to monuments, mausoleums and endowments of institutions, including a variety of other forms, these women were notably unified in that their greatest output tellingly occurred during precarious points in their lives that threatened their positions, such as the potential political turmoil associated with the deaths of husbands or children. At these times their participation in acts of patronage solidified their places at court, in society, and within cultural memory while doubling as assertions of their political power and lineage. Thus, testaments, manuscript books, monuments, and memorials were not only a declaration or signs of one?s possessions, but also sites and documents that continued the politicking of the deceased. TABLE OF CONTENTS Chapter 1: Introduction Chapter 2: Eleanor and Her Daughters: Patronage and Power Chapter 3: Marie de Brabant, Stepping into the Role of Queen: A Life-Long Journey of Patronage Surrounding Death Chapter 4: The End of the Capetian Dynasty Commemorated Through Monuments, Memorials and Manuscripts: The Patronage of Jeanne d? vreux Chapter 5: The Currency of Queens: Reading Blanche de Navarre?s Testament as Funerary Art Chapter 6: Conclusion Bibliography Index‎

書籍販売業者の参照番号 : 63068

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Christian Etheridge, Michele Campopiano (eds)‎

‎Medieval Science in the North. Travelling Wisdom, 1000-1500‎

‎, Brepols, 2021 Hardback, 232 pages, Size:156 x 234 mm, Illustrations:10 b/w, 5 col., Language: English. ISBN 9782503588049.‎

‎Summary Medieval science has become an increasingly popular area of academic interest over the past couple of decades, but much of this work has up to now concentrated on France and the Mediterranean, while relatively little attention has been paid to the north of Europe. This has led to the assumption that Northern Europe stood aside from the mainstream of scientific knowledge in the Middle Ages, when in fact the region was a vital part of the medieval network of scientific scholarship. This important volume aims to redress the balance in scholarship by bringing together for the first time a collection of studies on medieval scientific knowledge that focuses on both Scandinavia and England. The essays gathered here examine topics as wide-ranging as the intellectual network between Denmark and Paris; the role of Dominican friars in spreading scientific knowledge in Scandinavia; the practical application of technology by English armourers; fragments of scientific manuscripts found in early modern Swedish documents; the use of scientific volumes and descriptions of university life in medieval Icelandic literature; and fresh insights into the careers of the English scientists Roger of Hereford, Roger Bacon, and Robert Grosseteste. Together, these papers show the dynamism and depth of science in the medieval North, and offer new insights into how scientific wisdom travelled through, across, and between the peoples of this region. TABLE OF CONTENTS Acknowledgements Introduction - CHRISTIAN ETHERIDGE AND MICHELE CAMPOPIANO Roger of Hereford and the Transformation of Computus in Twelfth-Century England - C. PHILIPP E. NOTHAFT Travelling Optics: Robert Grosseteste and the Optics behind the Rainbow - GILES E. M. GASPER, BRIAN K TANNER, SIGBJ RN S NNESYN AND NADER EL-BIZRI Language and Wisdom: Mathematics and Astronomy in Bacon s Edition of the Secretum secretorum - MICHELE CAMPOPIANO Wisdom's Trips to Denmark - STEN EBBESEN Medieval Scientific Book Fragments Held in Swedish and Finnish Archives: The Tantalizing Remains of a Greater Scientific Corpus - CHRISTIAN ETHERIDGE Friars of Science: Dominican Transmission and Usage of Scientific Knowledge in Medieval Scandinavia - JOHNNY GRANDJEAN G GSIG JAKOBSEN Master Perus of Arabia: An Exemplary Magician in Medieval Iceland - MARTEINN HELGI SIGUR SSON Science in Medieval Fiction: The Case of Konr s saga keisarasonar - FLORIAN SCHRECK Continental Ironmongers, Whalers, Smugglers, and Craftsmen: Immigration and Trade Routes and their Influence on the London Armourers' Industry - BRAD KIRKLAND‎

書籍販売業者の参照番号 : 65119

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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