‎Architecture‎

‎EMILE BERTAUX‎

‎ROME. DES CATACOMBES A JULES II.‎

‎H. LAURENS / LES VILLES D'ART CELEBRE. 1905. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur frais. 176 pages. toilé vert, titres rouge, ornement vert. Nombreuses photos en noir et blanc dans le texte. Charnière intérieures fendues. Dos fané.. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Bookseller reference : R260136520

‎EMILE COMBE (TEXTE DE)-HENRI MONTASSIER (PEINTURES DE)-RAOUL SERRES (EAUX FORTES DE)‎

‎L'ACHEVEMENT DU BOULEVARD HAUSSMANN‎

‎42 PAGES-6 PLANCHES HORS TEXTE PAR HENRI MONTASSIER (2-COULEURS) ET RAOUL SERRES (4-NOIR ET BLANC)-COUVERTURE AVEC VIGNETTE CONTRECOLLEE (2 PETITES DECHIRURES EN MORS)-CHEMISE CARTONNEE AVEC PIECE DE TITRE-EXEMPLAIRE N°1677-NON COUPE-FERMETURE A LACET (BRIN ARRIERE INCOMPLET)-(400E)‎

‎DEVAMBEZ COUVERTURE RIGIDE ETAT TRES BON‎

Bookseller reference : ABE-1712620540252

‎Emile Kaufmann‎

‎De Ledoux à Le Corbusier - Origine et développement de l'architecture autonome.‎

‎Livre & Communication 1990, in/8 broché, 110 pages.‎

‎Emile Kesteman‎

‎bladen voor de grafiek nr.2 jrg 1- TOM PAYOT‎

‎, Lier, 1968., In suite, originele uitgeversomslag, 21,5x28cm, z.p., geillustreerd met 10 originele houtsneden.‎

‎TOM PAYOT De bladen voor de grafiek nr.2 jrg.1‎

Bookseller reference : 58917

‎Emile Langui‎

‎peinture sous le signe de la mer: Ostende, Galeries Royales, 5 ao t - 4 septembre 1951‎

‎Ostende, Galeries Royales, 1951 softcover, 50 pages illustre. catalogue expo.‎

‎Editions de la connaissance,‎

Bookseller reference : 60574

‎EMILE MÂLE‎

‎NOTRE-DAME DE CHARTRES. + ENVOI DE L'AUTEUR‎

‎PAUL HARTMANN. 1948. In-4. Cartonné. Etat d'usage, Coins frottés, Dos abîmé, Intérieur frais. Environ 200 pages. Frontispice en noir et blanc. Nombreuses photos en noir et blanc, dans et hors-texte de Pierre Devinoy. Mors fendu, dos partiellement détaché.. . . . Classification Dewey : 720-Architecture‎

‎Envoi de l'auteur sur la page de garde. Classification Dewey : 720-Architecture‎

Bookseller reference : R260160503

‎EMILE RIPERT‎

‎AU PAYS DE L'AUDE. COLLECTION LES CLOCHERS DE FRANCE N°27.‎

‎J. PEYRONNET ET Cie. 1929. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Mouillures. 62 pages. Premier plat illustré d'une photos sépia contrecollée.. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Bookseller reference : R260113449

‎Emile Wennekes, Emilio Audissino (eds)‎

‎Cinema Changes: Incorporations of Jazz in the Film Soundtrack‎

‎, Brepols, 2019 Hardback, xxvi + 334 pages, Size:210 x 260 mm, Illustrations:35 b/w, 26 musical examples, Language: English. ISBN 9782503584478.‎

‎Summary Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new "multimedia" art form, soon incorporating music as one of cinema's privileged means to co-tell stories. Speaking of music, jazz was as sensational a twentieth-century novelty as cinema was. The two soon teamed up, and jazz, with its various incarnations and styles, has accompanied the moving images and the cinematic narratives throughout the decades. It was inevitable that these two iconic art/entertainment forms, jazz and cinema, should meet, blend, cooperate, and have a reciprocal influence. While the early film music was mostly symphonic and inspired by the late-romantic nineteenth-century idiom, jazz and Afro-American music - in various form and with diverse and changing racial/social connotations - appeared onscreen even before the landmark film The Jazz Singer (1927), which officially launched the sound era. This collection of essays seeks to study the long-standing relationship between jazz and cinema, from the silent era to the contemporary sound cinema, on an international level. TABLE OF CONTENTS Emile Wennekes - Emilio Audissino Prologue: A Reel Jazz Survey Rendition / Reception Emile Wennekes Out of Tune? Jazz, Film and the Diegesis Phillip Johnston Jazzin' the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Luca Stoll Cinema: A Privileged Way of Acquiring Intimacy with Jazz Standards Marida Rizzuti Play, My Fiddle, Play! Jazz and Klezmer at the End of the 1930s Randall Cherry Ethel Waters and the Search for Racial Redemption Jazz and National Cinemas Emilio Audissino The Multiform Identity of Jazz in Hollywood: An Assessment through the John Williams Case Study Nicolas Pillai Rhythms of the Everyday: an Alternative History of the British Jazz Film Philippe Gonin Jazz and Cinema: Which Jazz for Which Movies in France from 1945 to the early 1960s? Julio Arce - Celsa Alonso From the Chotis to the Charleston: Jazz in Spanish Films prior to the Civil War Roberto Calabretto Jazz Music in Michelangelo Antonioni's Films Willem Strank When Jazz Meets German Cinema: A Brief Overview Jason R. Hillebrand A Song Helps Us Live: The Narrative Function of Jazz in the Soviet Musical Film Jolly Fellows Case Studies Francesco Finocchiaro - Leo Izzo The Sound of the Nightmares: On the Jazz Music in Fritz Lang's Metropolis Ryan Patrick Jones Dignity in the Twilight of Minstrelsy: Race, Nuance, and Aspiration in Duke Ellington's Symphony in Black: A Rhapsody of Negro Life Adam Biggs The Blues and Dissonance in Michelangelo Antonioni's Blow-Up Armando Ianniello Umiliani, Trovajoli, and Rota: The Jazz Film Score of Boccaccio '70 Marcel Bouvrie Synergetic Jazz Score: The Narrative of the Relation between the Diegetic and Nondiegetic Music in Whiplash Mervyn Cooke 'The Same Goddamn Songs the Same Goddamn Way'? Makin' Whoopee with The Fabulous Baker Boys Abstracts Biographies Index of Names‎

Bookseller reference : 66042

‎EMILE-BAYARD‎

‎L'Art de reconnaitre l'Architecture française.- Monuments, eglises, maisons.‎

‎petit in-12, 289 pages, abondamment illustré noir & blanc, cartonnage illustré. Très bel exemplaire, très frais. [DB-1]‎

‎EMILE-BAYARD‎

‎L'Art de reconnaitre les Styles.‎

‎Hardcover in-12, 458 pages, gravures noir & blanc, reliure demi-cuir, dos lisse, plats art deco, couverture conservée. Coiffes frottées sinon bel exemplaire. [HA109-1]‎

‎EMILE-BAYARD‎

‎L'Art de reconnaitre les Styles. Architecture. Ameublement.- Ouvrage orné de 280 gravures environ.‎

‎Hardcover in-12, 458 pages, gravures noir & blanc, cartonnage percaline illustré de l'éditeur (image collée) Très bel exemplaire, très frais. [TX-11]‎

‎EMILE-BAYARD‎

‎L'art de reconnaître les styles. Architecture . Ameublement.‎

‎broché - 12x19 - 459 pp - 1923 - librairie GARNIER et frères , Paris. Ouvrage orné de 280 gravures environ.‎

Bookseller reference : 8212

‎EMILE-BAYARD‎

‎Le style Louis XIV.‎

‎Couverture souple. Broché. 342 pages.‎

‎Livre. Ouvrage orné de 180 gravures. Librairie Garnier Frères (Collection : L'art de reconnaître les styles), 1923.‎

Bookseller reference : 42711

‎EMILE-BAYARD‎

‎LE STYLE MODERNE (L'Art de reconnaitre les Styles).- Ouvrage orné de 170 gravures.‎

‎P., Garnier Freres, sans date. in-12 broché de 374 pages.‎

‎Bon état. [NV-1]‎

Bookseller reference : 79257

‎EMILE-BAYARD‎

‎LE STYLE RENAISSANCE (L'Art de reconnaitre les Styles).- Ouvrage orné de 182 gravures.‎

‎P., Garnier Freres, 1920. Hardcover in-12, 298 pages, gravures noir & blanc, reliure demi-cuir, dos lisse, plats art deco, couverture conservée.‎

‎Coiffes frottées sinon bel exemplaire. [HA109-1]‎

Bookseller reference : 77699

‎Emile-Bayard‎

‎Les styles flamand et hollandais‎

‎Librairie Garnier Frères, collection "L'art de reconnaître les styles", Paris, 1923. In-12, demi-percaline bleue, titre, filets et fleurons dorés au dos, couverture conservée, 214 pp. Chapitre I. Considérations générales sur l'art en Flandre et dans les Pays-Bas - Chapitre II. L'architecture en Flandre et en Hollande - Chapitre III. La peinture et la gravure en Flandre et en Hollande - Chapitre IV. La Sculpture en ...‎

‎Avec 110 illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com‎

Bookseller reference : 1048

‎EMILE-BAYARD.‎

‎L'ART DE RECONNAITRE LES STYLES. Nouvelle édition revue et augmentée.‎

‎Paris, Garnier, 1948, 1 br., couverture illustrée. in-8 de 435-(3) pp., orné de 356 gravures, mouillures sur les 15 premières pages ;‎

Bookseller reference : 5090

‎Emili Anna Rita‎

‎Puro e semplice. Pure and simple. L'architettura del Neo Brutalismo. The Architecture of New Brutalism Prefazione di F. Purini‎

‎23 cm, brossura editoriale; pp. 255, numerose foto, testo in italiano e inglese‎

‎Emilio & Jesus Bermudez Pareja Garcia Gomez‎

‎The Alhambra: The Royal Palace‎

‎<p>Large A3 format - beautiful with many close up photos</p> paperback‎

Bookseller reference : biblio10002

‎Emilio Audissino (ed.)‎

‎John Williams Music for Films, Television, and the Concert Stage‎

‎, Brepols 2018, 2018 xxiv + 440 pages., 220 x 280 mm, English, Hardcover, . ISBN 9782503580340.‎

‎This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers? styles, only recently Williams? music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research in the form of books, journal articles, conference papers, and Ph.D. theses. The present volume seeks to build upon, complement and review what has been written so far on Williams. This volume is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration ? which has not the pretence of exhaustiveness but certainly that of being an accurate survey possessing both latitude and depth ? a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments ? to provide a variety of disciplinary perspectives on Williams's work. Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer.‎

Bookseller reference : 57186

‎Emilio Lavagnino‎

‎FIFTY WAR-DAMAGED MONUMENTS OF ITALY‎

‎Rome: Istituto Poligrafico Dello Stato 1946. Paperback. Very Good. 9 x 12 in. Tan paper wraps. Lavish B&W photos. Condition is VERY GOOD ; covers have some soiling and marks and are toned at edges. Spine has some tears and loss to both ends. Binding solid and text unmarked. Architecture. Stax. <br/><br/> Istituto Poligrafico Dello Stato paperback‎

Bookseller reference : 24088

‎Emily A. Winkler, Liam Fitzgerald (eds)‎

‎Normans in the Mediterranean‎

‎, Brepols, 2021 Hardback, 268 pages, Size:156 x 234 mm, Illustrations:11 b/w, 5 col., Language: English. ISBN 9782503590578.‎

‎Summary In both popular memory and in their own histories, the Normans remain almost synonymous with conquest. In their relatively brief history, some of these Normans left a small duchy in northern France to fight with Empires, conquer kingdoms, and form new ruling dynasties. This book examines the explosive Norman encounters with the medieval Mediterranean, c. 1000-1250. It evaluates new evidence for conquest and communities, and offers new perspectives on the Normans' many meetings and adventures in history and memory. The contributions gathered here ask questions of politics, culture, society, and historical writing. How should we characterize the Normans' many personal, local, and interregional interactions in the Mediterranean? How were they remembered in writing in the years and centuries that followed their incursions? The book questions the idea of conquest as replacement, examining instead how human interactions created new nodes and networks that transformed the medieval Mediterranean. Through studies of the Normans and the communities who encountered them - across Iberia, the eastern Roman Empire, Lombard Italy, Islamic Sicily, and the Great Sea - the book explores macro- and micro-histories of conquest, its strategies and technologies, and how medieval people revised, rewrote, and remembered conquest. TABLE OF CONTENTS Illustrations Acknowledgments Introduction: The Normans and Conquest in the Mediterranean - EMILY A. WINKLER AND ANDREW SMALL Part I. Motivations and Strategies Norman Conquests: Nature, Nurture, Normanitas - MATTHEW BENNETT Marriage as a Strategy for Conquering Power: Norman Matrimonial Strategies in Lombard Southern Italy - AUR LIE THOMAS The Changing Priorities in the Norman Incursions into the Iberian Peninsula's Muslim-Christian Frontiers, c. 1018-c. 1191 - LUCAS VILLEGAS-ARISTIZ BAL Part II. The Implications of Conquest in Sicily and Southern Italy Norman Change, Lords and Rural Societies - SANDRO CAROCCI The Nobility of Norman Italy, c. 1085-1127 - GRAHAM A. LOUD Shaping the Urban Landscape: The Normans as New Patrons in Salerno - MADDALENA VACCARO Palermo and the Norman Conquest of Sicily - THERESA J CKH Community and Conquest on Medieval Monte Iato, Sicily - NICOLE M LK Part III. Perceptions and Memories Holy War in the Central Mediterranean: The Case of the Zirids and the Normans - MATT KING Hagiography and the Politics of Memory in the Norman Conquest of the Italian South - KALINA YAMBOLIEV‎

Bookseller reference : 65410

‎Emily Lyle ed.‎

‎Shadow: The Journal of the Traditional Cosmological Society - Volume 10‎

‎Edinburgh: The Traditional Cosmological Society 1993. Book condition: VG with uneven fade to spine boards. 133 pages. Papers on "The Astronomical Significance of Early Japanese Architectural Structures"; "Sacred Dislocations: Jacob's Limp in Genesis 32.23-33"; "Yule Girth: Analogues and Possible Origins of a Scottish Legal Practice"; "A Preliminary Look at 'Twelve' in Chinese Traditions" etc. A bright copy. Paperback. Very Good. The Traditional Cosmological Society‎

Bookseller reference : 007402

‎Emily Wingfield‎

‎Scotland's Royal Women and European Literary Culture, 1424-1587‎

‎, Brepols, 2024 Hardback, 448 pages, Size:156 x 234 mm, Illustrations:9 b/w, 37 col., Language: English. ISBN 9782503600291.‎

‎Summary Scotland's Royal Women and European Literary Culture, 1424-1587 seeks to fill a significant gap in the rich and ever-growing body of scholarly work on royal and aristocratic women's literary culture in the fifteenth and sixteenth centuries. There has, to date, been no book-length study of the literary activities of the female members of any one family across time and little study of Scotland's royal women in comparison to their European and English counterparts. This book adopts the missing diachronic perspective and examines the wives and daughters of Scotland's Stewart dynasty and their many and various associations with contemporary Scottish, English, and European literary culture over a period of just over 150 years. It also adopts a timely cross-border and cross-period perspective by taking a trans-national approach to the study of literary history and examining a range of texts and individuals from across the traditional medieval/early modern divide. In exploring the inter-related lives and letters of the women who married into the Scottish royal family from England and Europe ? and those daughters who married outwith Scotland into Europe's royal families ? the resultant study consistently looks beyond Scotland's land and sea borders. In so doing, it moves Scottish literary culture from the periphery to the centre of Europe and demonstrates the constitutive role that Scotland's royal women played in an essentially shared literary and artistic culture. TABLE OF CONTENTS Select Genealogy / Key Figures Introduction Part 1: The Wife and Daughters of James I of Scotland Chapter 1. Joan Beaufort Chapter 2. Margaret Chapter 3. Isabella Chapter 4. Eleanor Part 2: Queens Consort, James II-V Chapter 5. Mary of Gueldres Chapter 6. Margaret of Denmark Chapter 7.Margaret Tudor Preface to Chapters 8 and 9. The Wives of James V Chapter 8. Madeleine of Valois Chapter 9.Mary of Guise Part 3: Queen Regnant Chapter 10. Mary Queen of Scots Bibliography Index‎

Bookseller reference : 63122

‎EMIN BILGIÇ, (1916-?).‎

‎Kapadokya metinlerinde geçen yerli apellatifler ve bunlarin eski Anadolu dilleri içerisinde yeri.‎

‎Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [vii], 83 p. Kapadokya metinlerinde geçen yerli apellatifler ve bunlarin eski Anadolu dilleri içerisinde yeri.‎