‎Architecture‎

‎Joffroy, René‎

‎LA SÉPULTURE A CHAR DE VIX (Cote-D'or)‎

‎Scholar's name to titlepage (Cedric Boulter). Stapled booklet. ; Extrait Du Bulletin De La Société Archéologique Et Historique Du Châtillonnais. Troisième Série - N. ° 5 - 1953; 8 pages‎

‎Joffroy, René‎

‎LE TRÉSOR DE VIX (Côte-D'or)‎

‎Dampstaining to upper corner of a few pages. Front wrap detached but present. Spine cover torn and some loss. Scholar's name to ffep (Cedric Boulter) with bibliographical ref in ink to inner cover. ; 68 pages‎

‎Johan De Smet , Stefan Huyghebaert‎

‎Albert Baertsoen : Protagoniste de la fin de si cle‎

‎, MSK GENT / SNOECK UITGEVERS, 2022 Hardcover, 300 pages, Texte en Francais, 285 x 215 mm, NOUVEAU, avec illustrations en couleur. ISBN 9789461618481.‎

‎En collaboration avec l'Universit de Gand, le MSK Gent met l'honneur le peintre, dessinateur et graphiste Albert Baertsoen (1866-1922) : descendant d'une famille d'usines gantoises, artiste quasi autodidacte, et l'un des acteurs les plus importants de la Sc ne artistique belge et internationale de la fin de si cle. Baertsoen a t d crit par ses contemporains comme le peintre de Gand , un titre honorifique qui non seulement indiquait son importance, mais faisait galement r f rence son amour remarquable pour Gand. Son regard tait principalement focalis sur la d composition‎

Riferimento per il libraio : 59530

‎John Whelan, Stephen Alesch, Oskar Proctor‎

‎ATELIERS OF EUROPE : An atlas of decorative arts workshops‎

‎, Prestel Publishing, 2023 HB, 240 x 280 mm, 288 p, 212 Coloured illustr., dustjacket, NEW , . ISBN 9783791388175.‎

‎This visually stunning love letter to the art of craft takes readers inside Europe's most illustrious-and in many cases endangered-decorative arts workshops to profile how artisans continue to maintain the highest centuries-old standards of workmanship and creativity. Beginning in the Renaissance, ateliers were established as places for European artists to work and teach their crafts. Centuries later most of these spaces have disappeared, but a select few continue to produce some of the world's most celebrated and sought-after objects in the areas of crystal, ceramics, wrought iron, fabric, bookbinding, mosaic, wood paneling, and more. John Whelan and Oskar Proctor traveled throughout Europe to document these important spaces, both to celebrate them and to preserve their disappearing ideals. Ranging from the well- known to the obscure, this volume takes readers inside dozens of ateliers from Austria, England, France, Germany, Italy, Spain, and Switzerland. Sumptuous double-page spreads feature alluring photography, and fascinating background texts tell their stories. By shining a light on their collective value as well as their individual expertise, this book offers both a historic evaluation of how ateliers have been shaped by modern forces-and also a clarion call for their preservation.‎

Riferimento per il libraio : 61065

‎Johan Pas‎

‎Beeldenstorm in een spiegelzaal‎

‎, Lannoo, 2005 softcover, 300 pagina's 24x17cm. ISBN 9789020962451.‎

‎Omschrijving Vandaag is het evident dat we hedendaagse kunstwerken in musea kunnen bekijken. Maar instellingen als muhka , smak en pmmk zijn relatief recente fenomenen. In de jaren zeventig bekleedde het icc (Internationaal Cultureel Centrum) op de Meir in Antwerpen een cruciale plaats in de actuele kunst in Belgi . De voortdurende spanning tussen het schitterend 18de-eeuws paleis met zijn pronkerige spiegelzaal en de vaak baldadige installaties, videowerken en performances vormt de rode draad doorheen dit boek. Het schetst het ontstaan en de ontwikkeling van het icc in relatie tot de kunstontwikkelingen in de jaren zeventig en tachtig. Een kritische terugblik op de werking van dit unieke instituut werpt ook een ander licht op diverse actuele probleemstellingen in de huidige museumwereld. Deze aanpak kadert in een alternatieve benadering van (recente) kunstgeschiedenis als een geschiedenis van instituten en tentoonstellingen. De auteur richt zich tot liefhebbers van moderne en hedendaagse kunst, tot kunstenaars en kunsthistorici, tot studenten beeldende kunst en kunstgeschiedenis. Het boek is een compact, draagbaar archief', in drie delen: een tekstgedeelte, een beeldverhaal met visuele documenten en een volledig overzicht van alle tentoonstellingen en publicaties van het icc. Zo ontstaat een boeiend beeld van een productie- en presentatieplatform dat zijn tijd vooruit was, maar tegelijkertijd af te rekenen kreeg met conservatieve tegenkrachten.‎

Riferimento per il libraio : 57370

‎JOHN GOSS‎

‎Blaeu. De grote Atlas van de wereld in de 17de eeuw.‎

‎, Lisse, Rebo voor Robas Weesp 1992, 1992 Gebonden, hardcover, 385 x 290 mm, Nederlands, inclusief stofomslag; 1992; 224pp.; Conditie: Goed. ISBN 9789072770288.‎

Riferimento per il libraio : 55214

‎Johann Goeken‎

‎Boire sous l'oeil de Gorgias. Un commentaire rh torique du Banquet de Platon et du Banquet de X nophon‎

‎, Brepols, 2022 Hardback, 442 pages, Size:156 x 234 mm, Language: French. ISBN 9782503595757.‎

‎Summary Le Banquet de Platon et le Banquet de X nophon constituent des sources inattendues et inexploit es sur la rh torique et sur les liens qu'elle entretient avec le rite socioreligieux du banquet. Ils proposent deux points de vue diff rents et parfois oppos s sur la rh torique, et ils comportent tous les deux, contrairement ce qui a t souvent dit, une vision critique des rituels de sociabilit . Platon et X nophon r agissent, l'un comme l'autre, en fonction des r alit s de leur temps et ils sugg rent, chacun leur mani re, que la rh torique, sous certaines conditions, peut tre un mode de convivialit , c'est- -dire un outil intellectuel, un exercice d'apprentissage de la citoyennet , un instrument de recherche, voire une tape vers la v rit . Dans les deux cas, la figure tut laire et fascinante de Gorgias est convoqu e, tant t pour critiquer la rh torique mortif re des sophistes qui constitue un obstacle au dialogue convivial, tant t pour promouvoir un exercice constructif de la parole dans l'espace communicationnel et visuel que construit le symposion. TABLE OF CONTENTS SOMMAIRE Pr face AVANT-PROPOS PREMI RE PARTIE - LE BANQUET DE PLATON : UN CONCOURS D' LOGE INTRODUCTION 1. La critique platonicienne de la rh torique 2. Platon et le banquet 3. Socrate et Platon au banquet 4. La rh torique au banquet selon Socrate et Platon 5. Pour une lecture rh torique du Banquet de Platon I. DIALOGUE NARRATIF ET R CIT DE DISCOURS 1. La performance du dialogue ou l'????????? d'Apollodore (172 a 1 - 174 a 2) 2. Socrate et Aristod me en route pour espionner les sophistes (174 a 3 - 174 d 3) 3. L'arriv e chez Agathon : premiers loges et proc s report (174 d 4 - 176 a 4) II. LE PROGRAMME RH TORIQUE DU BANQUET : une ???????? ??? ????? 1. La d cision de limiter la boisson (176 a 4 - e 3) 2. L' limination de l'????? (176 e 4-9) 3. Le choix du discours d' loge en l'honneur d' ros (176 e 7 - 177 e 7) 4. L'instauration d'un banquet rh torique (177 e 8 - 178 a 4) III. UN CONCERT D' LOGES DE L'AMOUR 1. La rh torique classique de Ph dre (178 a 5 - 180 b 8) 2. Les distinctions de Pausanias (180 c 1 - 185 e 5) 3. ryximaque iatrosophiste (185 e 6 - 188 e 5) 4. La rh torique comique d'Aristophane (189 a 1 - 193 e 2) 5. La rh torique dramatique et gorgianique d'Agathon (193 e 2 - 197 e 8) 6. Bilan de la premi re partie du concours rh torique IV RH TORIQUE ET PHILOSOPHIE DE SOCRATE 1. La t te de Gorgias (198 a 3 - c 6) 2. Socrate critique la m thode des orateurs qui l'ont pr c d (198 c 7 - 199 b 5) 3. Socrate interroge Agathon (199 b 5 - 201 c 8) 4. La rh torique philosophique de Diotime (201 d 1 - 212 d 3) V. ALCIBIADE ET LES PARADOXES DE L' LOGE 1. L'arriv e d'Alcibiade (212 d 4 - 215 a 3) 2. L' loge de Socrate (215 a 4 - 222 b 7) VI. LA FIN DES LOGES ET L'AV NEMENT AVORT DU DIALOGUE 1. Les r actions suscit es par le discours d'Alcibiade (222 c 1 - e 8) 2. La suite programm e des loges (222 e 8 - 223 a 9) 3. Le d but et la fin du dialogue (223 b 1 - d 13) CONCLUSION 1. L'emprise de la rh torique sur le Banquet platonicien 2. Une nouvelle fa on de critiquer la rh torique 3. L'absence relative de dialogue 4. La critique platonicienne du banquet 5. Le r le de la rh torique dans la qu te philosophique DEUXI ME PARTIE - LE BANQUET DE X NOPHON : ACTES OU DISCOURS ? INTRODUCTION 1. L'autre Banquet 2. X nophon et la rh torique 3. X nophon et le banquet 4. Le Socrate de X nophon au banquet 5. X nophon et la rh torique de la conversation conviviale 6. La rh torique au banquet de Callias I. UNE DESCRIPTION PROBANTE D'ACTIONS LUDIQUES 1. Une d claration d'intention rh torique (I, 1) 2. Les circonstances du banquet de Callias 3. Le d roulement du ??????? chez Callias 4. Le programme d'activit s du ????????? 5. Regards et r flexions au banquet 6. La pantomime finale (chapitre IX) II. L'HORIZON SOPHISTIQUE DU BANQUET CHEZ CALLIAS 1. Les connexions sophistiques des convives 2. Une rencontre sous le signe de la sophistique (I, 4-6) 3. Boire comme Gorgias (II, 24-26) 4. Le cas d'Antisth ne 5. La conqu te de la parole 6. L'instauration d'un concours d'????????? (III, 1-3) 7. Le probl me du silence (chapitres VI-VII) III. LES PRATIQUES RH TORIQUES DES CONVIVES 1. Le ??????? (chapitre III) 2. La ???????? ????? (chapitre IV) 3. Le concours de beaut (chapitre V) 4. L'???????? ????? de Socrate (chapitre VIII) CONCLUSION 1. Une alternative au Banquet de Platon : des discours en acte 2. L'influence rh torique de Socrate : des actes de discours 3. Un banquet dialogu 4. La rh torique comme outil du dialogue convivial 5. Une vision critique et constructive du ????????? PILOGUE Bibliographie Index des auteurs anciens et des principaux passages cit s‎

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‎John Shepley.‎

‎Chagall by Chagall.‎

‎, Landshoff, 1979 Hardcover with dusjacket, 263 pages, fine !. ISBN 9029080612.‎

‎Five themes--the village of Vitebsk, avant-garde Paris, love, the theater, and the message of the Bible--provide the organizing framework for a work that combines Chagall's prose and poetry with the paintings, drawings, prints, and etchings to which theyrelate Chagall by Chagall. With an introduction by the artist, edited by Charles Sorlier and translated from the French by John Shepley.‎

Riferimento per il libraio : 55906

‎John Kelsey, Michael Fried, Charles Ray‎

‎Charles Ray‎

‎, Matthew Marks Gallery, 2009 Softcover in slipcase, 80 pages. 35 images, 10 3/4 x 8 3/5 inches. *Fine condition. ISBN 9781880146477.‎

‎Essay by John Kelsey, an interview by Michael Fried, and text by Charles Ray on each work of art. Charles Ray is a catalogue of the artist s work since his retrospective exhibition that opened at the Whitney Museum of American Art in New York in 1998 and traveled to The Museum of Contemporary Art, Los Angeles, and the Museum of Contemporary Art, Chicago. Fully illustrated in color throughout, the catalogue includes pieces such as Father Figure, 2007, a large-scale sculpture of a toy tractor, and a selection of works from the series of untitled flower drawings that was featured in the 2010 Whitney Biennial. Includes custom-made slipcase that was designed under the supervision of the artist.‎

Riferimento per il libraio : 68767

‎Johan Pas, Nico Dockx, Els de Bruyn, Colette Broeckaert‎

‎Contradictions & Pro- Prositions 2013-1663 Koninklijke Academie voor Schone Kunsten Antwerpen in 2 delen compleet‎

‎, MER Paper Kunsthalle, 2015 2 delen softcover , 304 + 301 Pages . 28 x 22 cm, ill 2 volumes compleet ISBN 9789491775475.‎

‎Naar aanleiding van het 350-jarig bestaan van de oudste kunstschool van de lage landen verscheen zo pas een lijvige monografie die met vijftien essays, een uitgebreide kroniek en nooit eerder gepubliceerd beeldmateriaal een kritisch licht werpt op het ontstaan en de ontwikkeling van de vermaarde Antwerpse academie. Ondermeer haar relatie tot de avant-gardes, haar mode-opleiding, haar artistieke rol in de 18de en de 19de eeuw en de rol van de architectuur komen uitgebreid aan bod. nnHet boek vormt het eerste deel van een tweeluik. Het tweede deel (Pro-positions. Art and / as education) verschijnt samen met de Engelse vertaling van Contradicties in het begin van 2014./ Is it possible to combine the historical dimension of the art academy with the intention of becoming a laboratory for advanced artistic research? The double publication CONTRADIcTIONS & PRO-POSITIONS is part of a strategy to face this challenge. The first volume, CONTRADIcTIONS intends to be a critical biography of a well-respected art school. Fifteen essays by experts and scholars on the history of the Antwerp Academy shed a light on different aspects of its rich history. The second volume PRO-POSITIONS is more international in scope, and contradicts and interacts with the first. PRO-POSITIONS: Art and / as Education focuses on artist-driven pedagogies and educational projects.‎

Riferimento per il libraio : 48056

‎Johannes Hevelius, Stanislaw Lubieniecki‎

‎Correspondence of Johannes Hevelius. Volume IV. The Correspondence with Stanislaw Lubieniecki‎

‎, Brepols, 2021 Hardback, 573 pages, Size:156 x 234 mm, Illustrations:22 b/w, Language(s):English, Latin, French. ISBN 9782503571188.‎

‎Summary Stanislaw Lubieniecki (1623-1675) was a Polish nobleman and adherent to the Unitarian religion. After his coreligionists were expelled from Poland and Lithuania in 1658, he settled in Hamburg and in the neighbouring town of Altona. When a comet appared in the sky in late 1664, Lubieniecki entered into correspondence with about forty astronomers, mathematicians and other scholars - Giovanni Battista Riccioli, Athanasius Kircher, Otto von Guericke, Erasmus Bartholin and Isma l Boulliau, among others. Johannes Hevelius was one of the addressees of his letters, and their correspondence turned out to be long-lasting and abundant. In the years 1664-1673, they exchanged 92 letters (31 from Hevelius, 61 from Lubieniecki). This correspondence is the fourth most voluminous in the entire corpus of Hevelius's letters. Hevelius was a reputed astronomer, sometimes unwilling to share his observations and ideas, and Lubieniecki was an interested dilettante, striving to learn more about the comets of 1664 and 1665 and other astronomical phenomena as well as their significance. He wanted to collect as many accounts of contemporary and historical comets as possible, and he published them in his Theatrum cometicum. Even though at the same time Hevelius worked on his Cometographia, they both realized that their books touched upon different aspects of cometary studies: historical in the Theatrum cometicum and astronomical in Cometographia. This volume is a part of the edition of Johannes Hevelius's correspondence. The collection of letters, whose manuscripts are kept in the Library of the Paris Observatory, has not been published nor thoroughly studied yet. TABLE OF CONTENTS INTRODUCTION 1 : Stanislaw Lubieniecki and his Theatrum cometicum 1.1. The Life of Stanislaw Lubieniecki 1.2. Outline of Cometary Studies in Lubieniecki's Time 1.3. Theatrum cometicum 2 : The Hevelius-Lubieniecki Correspondence 2.1. The Number of Letters 2.2. Overview of the Correspondence 2.3. Hevelius's Input to Lubieniecki's Cometary Discussions 2.4. Overlap of Hevelius's and Lubieniecki's Networks 3 : Lubieniecki and the Heavens 3.1. Lubieniecki and the Theatrum cometicum in the Critical Literature 3.2. Lubieniecki and Astronomy 3.3. Lubieniecki and Astrology 3.4. Lubieniecki's Astronomical Correspondence 3.5. Letters in the Theatrum cometicum 4 : Editorial Principles CORRESPONDENCE APPENDICES Appendix 1. : Lubieniecki's Extract from Hevelius's Prodromus cometicus Appendix 2. : Lubieniecki's Extract from Hevelius's Descriptio cometae Appendix 3. : Lubieniecki's Opinion on the Meaning of Comets BIBLIOGRAPHY INDICES‎

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‎JOHNSON, Philip. - WIGLEY, Mark.‎

‎Deconstructivist Architecture. The Museum of Modern Art, New York.‎

‎New York, The Museum of Modern Art 1988, 305x225mm, 101pages, paperback.‎

‎b/w photographs, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Riferimento per il libraio : 78286

‎Johan Ballegeer , Jean-Pierre Braems‎

‎Dorpen achter de Gentele in oude prentkaarten‎

‎, Europese Bibliotheek - Zaltbommel 1977, 1977 Hardcover, NL, 210 x 150 mm , 76 pagina's met foto's / illustraties in z/w, in prima staat. ISBN X.‎

‎Vlissegem (De Haan) ; geschiedenis, Blankenberge ; geschiedenis, Houtave (Zuienkerke) ; geschiedenis, Lissewege (Brugge) ; geschiedenis, Klemskerke (De Haan) ; geschiedenis, Meetkerke (Zuienkerke) ; geschiedenis, en meer‎

Riferimento per il libraio : 58172

‎Johan De Smet, Cath rine Verleysen‎

‎Emile Verhaeren‎

‎Gent, Snoeck Publishers, 2016 Soepele binding, 304 pagina's, 27 x 21 cm. Nederlandstalige tekst. *Prima staat. ISBN 9789461613394.‎

‎Naar aanleiding van de honderdste verjaardag van zijn overlijden brengt het MSK een hommage aan Emile Verhaeren (1855-1916), n van de hoofdrolspelers in het Belgische culturele landschap rond de eeuwwisseling. Verhaeren genoot als dichter en chroniqueur van de kunst van zijn tijd tijdens zijn leven een internationale renommee. In zijn po zie en geschriften bundelt Verhaeren zijn gevoelens, passies en artistieke strijdpunten. Meer dan 100 jaar later laten ze ons toe het werk van nationale en internationale kunstenaars te herontdekken door de ogen van een eigenzinnig kenner. Tegelijk halen we een grote reeks kunstwerken uit internationale publieke en private verzamelingen naar Gent, met stukken van ondermeer Auguste Rodin, Paul Signac, Maximilien Luce of Odilon Redon. Ook kunstenaars als L on Fr d ric, Eug ne Laermans en Constantin Meunier, Jan Toorop en Guillaume Vogels, Henry Van de Velde, Fernand Khnopff en George Minne kunnen uiteraard niet ontbreken. In totaal brengen we niet minder dan 200 werken uit het fin de si cle op zaal.‎

Riferimento per il libraio : 66837

‎Johannes Sambucus, G bor Alm si (ed), Lav Subaric (ed)‎

‎Epistulae‎

‎, Brepols, 2024 Hardback, 511 pages, Size:156 x 234 mm, Illustrations:1 b/w, Languages: English, Latin. ISBN 9782503610986.‎

‎Summary This is the first full edition of the correspondence of the humanist Johannes Sambucus (1531?1584). Sambucus was a philologist, book collector, doctor, and imperial historian, most famous for his beautiful collection of emblems (the Emblemata), his exceptionally large private library, and his excellent editions of Classical, Byzantine and Renaissance authors, which were printed by the best publishers of Europe. Sambucus hailed from the prosperous and cosmopolitan city of Trnava in western Hungary. After studying at the universities of Vienna, Wittenberg, Ingolstadt, Strasburg, Paris, and Padua, he toured Europe and collected books for many years before settling in Vienna in 1564. By that time, he was a renowned Latin poet and philologist, the author of several books, and a respected friend of many humanists and learned men. Although the first items of his correspondence go back to 1549, it was only after his settlement that the exchange of letters became an essential means of furthering his publishing projects and maintaining his prestigious position in the Republic of Letters. The 377 Latin, German, Hungarian, and Greek letters of the present edition come mostly from archives scattered throughout Europe and from old prints (Sambucus's personal collection of letters has scarcely survived). Thirty-two dedicatory epistles, which appeared in the 14th volume of the series Europa Humanistica in 2014-to which this is a complementary volume-have not been reproduced here. With over a hundred corresponding partners, these letters provide a unique perspective, shedding light not only on Sambucus's philology but also on the wider intellectual culture of Central Europe. TABLE OF CONTENTS Preface Letters (1549-1584) Bibliography Index‎

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‎Johann Goeken, Fr d ric Chapot, Maud Pfaff (eds)‎

‎Figures mythiques et discours religieux dans l'Empire gr co-romain‎

‎, Brepols, 2019 Paperback, 293 pages, Size:156 x 234 mm, Language: French. ISBN 9782503580791.‎

‎Summary Both in discourse about religions and in the religious discourse of the Greco-Roman Empire, the great figures of mythology and history functioned either as models or as foils, following their use in poetical, philosophical, historiographical, panegyrical or apologetical contexts. The approach's interest lies in the parallel consideration of different sorts of texts, generally examined independently otherwise : Augustan poetry, polytheistic rhetoric and historiography and Christian literature. Indeed, Pagans and Christians had many common concerns, expressed through the conceptual tools they borrowed from each other. Specific case studies reveal underlying connections in the elaboration of the exemplary figures and thus in the beliefs of the Greco-Roman Empire. The contributions show notably how exemplary figures are constructed by the communities depending upon them, the mediating role they play between men and gods, their networking signification, each one being defined by the interactions with the others, their role as rhetorical and polemical devices due to their adaptability, and, in the change of paradigm brought about by Christianity, how pagan figures persist and become a fundamental substratum for new figures, elaborated from these mythical exempla. Dans le discours sur les religions comme dans le discours religieux de l'Empire gr co-romain, les grandes figures de la mythologie et de l'histoire ont servi tant t de mod les, tant t de repoussoirs. L'int r t de l'approche propos e consiste aborder parall lement des types de textes diff rents, d'ordinaire tudi s ind pendamment les uns des autres : po sie august enne, rh torique et historiographie polyth istes, litt rature chr tienne. Pa ens et chr tiens ont en effet un grand nombre de pr occupations communes, exprim es par des outils qu'ils s'empruntent les uns aux autres. L' tude de cas pr cis d voile des lignes de force dans l' laboration des figures exemplaires, donc dans les croyances de l'Empire gr co-romain. Les contributions analysent notamment la construction de figures par les communaut s qui se rassemblent autour d'elles, le r le m diateur qu'elles jouent entre hommes et dieux, leur fonctionnement en r seau, chacune se d finissant par ses interactions avec d'autres, leur statut d'outils rh toriques et pol miques, d leur grande plasticit , et, dans le changement de paradigme op r par le christianisme, la persistance des figures pa ennes comme substrat fondateur pour de nouvelles figures labor es partir de ces exempla mythiques. TABLE OF CONTENTS Pr face Fr d ric CHAPOT, Johann GoeKEN, Maud PFAFF-REYDELLET Avant-Propos : Figures exemplaires et discours religieux I. LA CONSTRUCTION DES FIGURES MYTHIQUES ENTRE HISTOIRE ET ALL GORIE Anthony ANDURAND et Corinne BONNET Le divin Platon la table des Grecs et des Romains : dynamiques et enjeux de la fabrique d'une m moire savante dans l'Empire gr co-romain G rard FREYBURGER R gulus, h ros de la fides : mythe et vraisemblances historiques C cile MERCKEL Figures exemplaires et th ologie philosophique chez S n que II. LA FIGURE MYTHIQUE ET SON R LE DE PASSEUR VERS LE MONDE DIVIN Catherine NOTTER et Igor YAKOUBOVITCH La figure d'Hercule dans la litt rature flavienne : aspects et usages d'un mod le Mina TASSEVA BENCHEVA Orph e et Pythagore dans les t moignages sur les discours sacr s (hieroi logoi) de l' poque imp riale Beno t MOUNIER La figure du proph te dans l'oeuvre ex g tique de J r me III. LA FIGURE MYTHIQUE DANS SON CONTEXTE Anne-Catherine BAUDOIN Exemple, contre-exemple, mod le : plasticit de la figure de Pilate dans la rh torique patristique Giovanna LATERZA Fabriquer l'exemplarit : la figure de Numa dans l' n ide, VI, 808-812 Maud PFAFF-REYDELLET La figure de Numa chez Ovide et ses d clinaisons : fa ons romaines de penser l'exemplarit Sylvia ESTIENNE Des boucliers sacr s aux cendres d'Oreste, variations autour des pignora imperii IV. PLASTICIT DE LA FIGURE MYTHIQUE MARCO FUCECCHI Entre litt rature, religion et politique : quelques r flexions sur le r le des prosopop es divines chez Claudien C line URLACHER-BECHT Hercule vainqueur d'Ant e : deux lectures de ce combat fameux dans les oeuvres d'Ennode de Pavie Christiane VOIGT La r ception arabe de la figure l gendaire d'Alexandre le Grand V. DU POLYTH ISME AU CHRISTIANISME : LA R SISTANCE DES FIGURES MYTHIQUES R gis COURTRAY Les fables des po tes dans l'oeuvre de J r me : remploi, d tournement, actualisation Francesco MASSA Comp titions litt raires et concurrences religieuses autour de Dionysos : pa ens et chr tiens au IVe si cle Michele CUTINO Les figures mythologiques dans le discours religieux d'Ambroise de Milan : l'excursus n cessaire Fr d ric CHAPOT La vierge h ro que : l' mergence d'un mod le chr tien et son substrat litt raire Bibliographie Index des auteurs et textes anciens Index des noms propres Index des notions Table des mati res‎

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‎Johnson Jinny‎

‎Frank Gehry in Pop-up‎

‎Thunder Bay Press 2008 In-4 cartonné 33,5 cm sur 31,2. 48 pages. Très bon état d’occasion.‎

‎Très bon état d’occasion‎

Riferimento per il libraio : 59995 ISBN : 1592237908

‎Johan Gram‎

‎Gedenkschrift van de feesten in mei 1874 ter gelegenheid van het vijfentwintigjarig jubile der inhuldiging van Z.M. Koning Willem III.‎

‎Arnhem, D.A. Thieme, 1874 Originele band met goudopdruk, 161 pagina's, 27.5 x 19 cm, NL. *mooie staat.‎

‎Gedenkschrift van de feesten in mei 1874 ter gelegenheid van het vijfentwintigjarig jubile der inhuldiging van Z.M. Koning Willem III.‎

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‎John Belle, Maxinne Rhea Leighton‎

‎Grand Central: Gateway to a Million Lives‎

‎, Norton, 2000 Hardcover, 230 pages, ENG, 275 x 210 mm, dustjacket, in very good condition, illustrated in colour / b/w., ***With greeting & Signatures of both authors !!*** ISBN 9780393047653.‎

‎The information-packed yet spirited text about one of the most famous rail terminals in the world is well supported by abundant illustrations. Coauthor Belle was the principal architect of the $400 million Grand Central restoration project, which concluded with the station's rededication in October 1998. Belle and Leighton's lively chronicle of the history of the station and its rescue from the wrecking ball offers not only a fascinating microcosm of the rise and fall of rail transportation in this country but also a view of the restoration project as a watershed in the landmark preservation movement. Grand Central was built in the early twentieth century, and it quickly became a crossroads of rail travel. In 1947, for instance, more than 65 million people passed through its halls and corridors, a number that represented the equivalent of 40 percent of the U.S. population at the time. This book glowingly touts Grand Central Station's architectural significance and its place in American business and culture‎

Riferimento per il libraio : 60720

‎Johannes Norlander / Marc Dubois / Carlo menon‎

‎H VN nieuw zuid Antwerpen‎

‎, Brutem, 2024 softcover, 77 pages, Illustrated. text in English. ISBN 9789152778920.‎

‎Zweeds minimalisme H VN is een ontwerp van de Zweedse architect Johannes Norlander. Het is zijn eerste ontwerp buiten de eigen landsgrenzen. Het gebouw werd opgeleverd in 2021 en telt 56 appartementen. In H VN's design process, the Scheldt River played an important role. The building is 90 meters long and was constructed to be very transparent. Norlander wanted to create a building without a back, in which all facades are the same. H VN stretches between north and south, providing perfect sun conditions. All apartments will receive sunlight at all hours of the day. This is something that Norlander considers very important as an architect. By the way, all the concrete in this building is cast on site. That has a very big impact on the look of the building because it gives it a very quality look. You can really see and feel the craftsmanship.‎

Riferimento per il libraio : 65668

‎John Rowlands‎

‎Hieronymus Bosch Garden of Earthly Delights‎

‎, Phaidon, 1979 Softcover, 128 pages, English, 335 x 255 mm, Many Illustrations, In Fine Condition !. ISBN 9780714820156.‎

‎Brilliant reproductions and magnified details of the newly restored Garden of Earthly Delights let readers enter Bosch's fantastic world and leave with a beautiful poster. This poster-and-book combination provides clear evidence of why Bosch's triptych continues to fascinate and intrigue us nearly five hundred years after its creation. The book offers stunningly close examination of the work after its recent restoration. Accompanied by a brief, fascinating essay that offers cultural and historical background on Bosch and his art, these numerous details allow readers to appreciate fully the breadth and magnificence of Bosch's achievement. A detachable poster of the painting, suitable for framing, makes this package an extraordinary gift for the artist's many devotees.‎

Riferimento per il libraio : 55053

‎John Arblaster (ed)‎

‎Hoghe minne es deen vor dander. Essays on the Christian Mystical Tradition in Honour of Rob Faesen SJ‎

‎, Brepols, 2026 Paperback, Pages: 535, Size:156 x 234 mm, Illustrations:7 b/w, Language: English. ISBN 9782503601755.‎

‎Summary This volume brings together contributions by colleagues, friends, and (former) students of Rob Faesen SJ on the occasion of his 65th birthday. Rob Faesen was the founder and director for more than twenty years of the Institute for the Study of Spirituality at the Faculty of Theology and Religious Studies, KU Leuven, as well as lecturer at the Ruusbroec Institute, Faculty of Arts, University of Antwerp, and holder of the Francis Xavier Chair at the Tilburg School of Catholic Theology, Tilburg University. In view of the dedicatee's research interests, this volume of essays focuses on the history of Christian mysticism with three central foci. The first part of the volume is devoted to the medieval mystical tradition, which lies at the heart of Rob Faesen's research. The second part focuses on the development of mysticism and spirituality in the Franciscan Order, the Devotio Moderna, and the Society of Jesus. The final section of the volume turns to the relations between mystical theology and the liturgy, art, and contemporary thought. The volume thus addresses themes and questions that have been of great interest to Rob Faesen both professionally and personally. TABLE OF CONTENTS A Tribute to Rob Faesen SJ John Arblaster Part I - The medieval mystical tradition Heaven for Us. The Geography of Prayer in Evagrius of Pontus, Antony of Egypt, and William of Saint-Thierry Douglas E. Christie "Behold the Battle, Hear the cordis clamor!". The Conceptual Metaphor LOVE IS WAR in the Song of Songs and Hadewijch's Songs John Arblaster and Danilo Verde Reflections on the References to Hadewijch's Works in the Apparatus of Sources of John of Ruusbroec's Opera omnia Guido de Baere (Trans. by John Arblaster) The Journey of the Soul to God in John of Ruusbroec's Seven Rungs and in Candid Tales of a Pilgrim Lieve Uyttenhove Baking Bread and Burning Bodies. Mysticism and Preaching in the Middle Dutch Limburg Sermons Lydia Shahan and Thom Mertens "Lord, Bring Us Where You Are Not". The Gaesdonck Treatises and a Translation of the First Treatise Michiel Vandenbroucke Does Mechthild of Hackeborn's Booke of Gostlye Grace Promote Deification? Louise Nelstrop Part II - Franciscan and Clarissan mysticism, the Devotio moderna, and the Jesuit tradition Care as Contemplation / Contemplation as Care in the Clarissan Tradition Krijn Pansters Hagiographic Memorisation and Performance. Angela of Foligno's Sources for the Life and Spirituality of Francis of Assisi Michael Hahn John Duns Scotus. A Mystical Theologian? Dominic Abbott The Practice of Vision as Theory. Reframing Mystical Theology in the Work of Nicholas of Cusa Inigo Bocken The Theme of Peace in the Middle Dutch Jhesus collacien Thom Mertens Gerard Zerbolt van Zutphen and Networks of Bible Readers in the Late Medieval Low Countries Wim Francois At nunc belle faciunt, cum sese pascunt. The Credibility of Pope Adrian VI and Erasmus as Church Reformers Paul van Geest The Spirituality and Devotional Practices of Jesuit Missionaries in the XVIIth-century Dutch Republic Joep van Gennip Christ's Fool. Jean-Joseph Surin (1600-1665) Dirk Boone (Trans. by John Arblaster) Early Modern Jesuit Spirituality and the Body. From Games and Sport to Diet Dries Vanysacker and Eleonora Rai (?2025) Towards Spiritual Perfection and Union with God. Deification in Libertus Fromondus's Brevis commentarius in Canticum canticorum Anton De Preter Part III - Mystical theology in relation to art, the liturgy, and modern thought Pentecost as Image. Enthousiasmos, Ruach, and the Senses. Also a Case-Study of the Benedictional of Archbishop Robert (Winchester Abbey, late Xth century) Barbara Baert The Image as Word and the Word as Image. Henry of Coesfeld, Rogier van der Weyden, and Mystical Culture in the Later Medieval Low Countries Tom Gaens Art, Spirituality, and Mysticism. The Resurgence of Mysticism in Contemporary Art Sander Vloebergs Saint John the Baptist. A Mystico-Liturgical Profile Joris Geldhof A Prayer for Church Dedication in the Liturgical-Mystical South Dakota Manuscript from Saint Agnes in Arnhem. With an Edition and Translation of the Prayer for Church Dedication Ineke Cornet Some Observations on The Evangelical Pearl, Gerhard Tersteegen, and S ren Kierkegaard Rik Van Nieuwenhove The Intuition of Being. The Rehabilitation of Antonio Rosmini, the Question of Ontologism, and Its Relevance to Mystical Theology Patrick Ryan Cooper Psychological or Mystical "Night"? A Conversation between Edith Stein and Saint John of the Cross Peter Tyler Julian of Norwich and Jean-Francois Lyotard. Between Word and Image Bradford Manderfield The Encounter with God. The Life and Work of Fr. Rapha l-Louis OEchslin OP (1907-1991) Anton-Marie Milh OP (Trans. by John Arblaster) Awakening to the Real within the Love of God. The Metaphysics of Contemplation Jacob Benjamins and Stephan van Erp‎

Riferimento per il libraio : 70493

‎John Fiorillo‎

‎Hokuei. Masterworks of Osaka Actor Prints‎

‎, ludion, 2024 Hardcover, 290 x 235 mm, 288 pages, 150 iColor illustrations , ENG edition. ISBN 9789464781151.‎

‎The ultimate publication on Hokuei, the master of Osaka ukiyo-e printmakers and one of the most intriguing artists ever in kabuki-actor prints. Hokuei: Masterpieces of Japanese Actor Prints profiles one of the most intriguing artists ever in kabuki-actor design: Shunbaisai Hokuei (active 1828-1836). A culminating figure in Osaka printmaking, Hokuei produced more masterworks than any other artist of his day. The prints, all shown in color, are largely drawn from the most extensive collection of Hokuei's works to be found anywhere. The book presents two chapters on the artist's life and work, situating his oeuvre within the demimonde of pleasure and entertainment known as the Floating World (Ukiyo). An early chapter discusses the production of Japanese prints and leads into a central section highlighting fifty-six meticulously researched masterworks in remarkable condition. The world of kabuki comes alive in fascinating detail, while assessments of design and technical attributes bring into focus the achievements of Hokuei and printmaking artisans of his age. Of particular importance for scholars and collectors, there is a fully illustrated and annotated catalogue raisonn of 270 prints-the artist's entire known print oeuvre-including designs not to be found anywhere else. As an added bonus, all Japanese inscriptions are translated into English. Well-illustrated appendices cover essential tabulations of Hokuei's prints and their formats, his students, his artist signatures and seals, publishers, carvers, printers, theaters, a glossary, an index, and a bibliography. All-told, the range of comprehensive information featured in this publication make it a singular reference not only for admirers of Hokuei, but also for those interested in the world of actors on stage. - This is the first book about Hokuei - one of the most intriguing artists ever in kabuki-actor prints. Lavishly illustrated with over 150 prints, it brings the world of kabuki alive in fascinating detail. The book includes a fully illustrated and annotated catalogue raisonn of 270 prints (the artist's entire known print oeuvre). John Fiorillo is an independent researcher and writer on traditional and modern Japanese prints, with a particular interest in Kamigata-e ("Osaka prints") and Sosaku Hanga ("Creative prints"). Over time, he came to especially love and admire the actor prints produced in Osaka, a genre often overlooked by collectors and scholars. Mr. Fiorillo has regularly published in the art journal Andon (Society for Japanese Art, Leiden), contributed to the Hotei Encyclopedia of Japanese Woodblock Prints (2005), and designed and written extensive articles for the websites "ViewingJapanesePrints.net " (since 1999) and "OsakaPrints.com " (since 2005). Mr. Fiorillo also serves as a member of the Andon editorial board.‎

Riferimento per il libraio : 64790

‎Johan De Wilde‎

‎Ik wordt Ik wordt (E/ F/ NL/ NO)‎

‎, MER Paper Kunsthalle, PAPARBACK. 317 PAGES 24x17cm. ISBN 9789491775048.‎

‎The book ik wordt runs parallel to the exhibition of the same title-it is as such not a record of the exhibition-the book exists as exhibition. The title ik wordt (I become) refers to the drawing of the same title by Johan De Wilde and to the request he addressed at 300 people to take part in a solo exhibition by associating something with one or several of his works. All texts and images, and an equal number of fragments from the Sistine Chapel ceiling fresco-a reference to an in situ work by the artist-are depicted in the book in their mutual relationship. One of the questions the artist raises, is how the work of art (and therefore also the artist) relate as form and contents to the outside world, including when it is not being looked at (at nighttime, or when the museum is closed, or when the work is stored away in the museum depot). Another issue entails a critical approach to the viewer's participation. According to De Wilde, art only exists if it is created all over again. The artist thus argues in favour of the museum and real commitment.‎

Riferimento per il libraio : 55376

‎Johan De Boose , Stef Van Bellingen , Ignace Devoldere‎

‎Injas Devoldere - Colorpolis‎

‎, Artha books, 2026 Hardback, 224 pagina's, 28 x 24 cm, NL. *Nieuw. ISBN 9789464368338.‎

‎Colorpolis is het resultaat van tien jaar beeldend onderzoek naar kleur, licht, ruimte en ritme in kleine en grote steden. Injas Devoldere laat zich in zijn zoektocht leiden door het toeval. Wat hij ziet, vindt hij door te verdwalen. Hij ensceneert of manipuleert niets, maar plukt beelden uit de gevonden realiteit. Zo maakt hij van de straat een atelier, waarin hij schildert zonder te schilderen, of een theaterdecor, waarin hij een drama ensceneert zonder het te ensceneren. Hij nodigt de kijker uit om te vertragen, om langer en anders te kijken. De kunstenaar raakt niets aan, maar laat zich aanraken door de stad. Daarin ontbreekt de menselijke figuur, hoewel zijn aanwezigheid altijd voelbaar is: in elke vlek, in ieder kleurvlak, in elke kras en in het ritme van de vormen heeft de mens zijn sporen achtergelaten. De kunstenaar ziet deze sporen en vat ze in de compositie van een vierkant. Hij bevrijdt het beeld van de banaliteit waarin het gevangen zit, hij verlost het van de vergankelijkheid en hij geeft het, zorgvuldig en geduldig, aan de eeuwigheid van het kunstwerk. Het resultaat is een spel van lijnen en kleuren, een compositie die soms abstract lijkt, zoals een schilderij van Mondriaan, een spel van evenwicht, waarin hoog met laag verbonden is, en links met rechts. Colorpolis is de verkenning van een stadslichaam, tegelijk abstract en passioneel, rationeel en erotisch, afstandelijk en po tisch, nuchter en melancholisch. Injas Devoldere ( 1963) studeerde vrije grafiek en schilderkunst. Zijn werk bestaat uit schilderijen, zeefdrukken, video?s, installaties, tapijten en theaterdecors, en hij is tevens realisator en curator van kunstprojecten. Zo realiseerde hij het boek Toscania en het videoproject Po ros, telkens in nauwe samenwerking met kunstenaars uit andere disciplines.‎

Riferimento per il libraio : 69873