‎Architecture‎

‎Julia Steding‎

‎Carvers and Customers in Roman Palmyra. The Production Economy of Limestone Loculus Reliefs‎

‎, Brepols, 2022 Paperback, xiv + 294 pages, Size:216 x 280 mm, Illustrations:49 b/w, 39 col., 23 tables b/w., 1 maps color, Language: English. ISBN 9782503597850.‎

‎Summary Palmyra, located in the Syrian desert, is famous for the portraiture of its citizens, produced when the ancient city was at the height of its powers in the Roman era. At this time, several hundred funerary monuments were built and the Palmyrenes decorated their tombs with numerous portraits. The most common of these are the loculus reliefs that depicted Palmyra's men, women, and children, and were used to close off the niches in tombs behind which the dead were buried. Between AD 50 and AD 273, these stone slabs were produced in sufficient numbers to make Palmyra home to the largest corpus of funerary portraits outside Rome itself. This volume offers a fresh and nuanced analysis of Palmyrene funerary reliefs and their production in order to shed light not just on the people they depicted, but on the individuals responsible for their creation. Across a range of different case studies, the author explores the making of single portraits from the local limestone, examining how Palmyrene carvers worked, the techniques they used, the tools they employed, the ways in which style and technique changed over time, and the mode of production that was in place. Furthermore, the workshops' organization, the interaction between carvers and customers, and their influence on the portraits are explored. In doing so, the volume offers not just a detailed study of limestone carving and the techniques that underpinned Palmyra's famous portraits, but also offers a significant contribution to wider research on funerary portraiture of the city and in Roman Syria. TABLE OF CONTENTS Table of Contents List of Figures Acknowledgements Chapter 1: Introduction Chapter 2: The Palmyrene Graves and the Placement of the Reliefs Chapter 3: The Toolset of the Palmyrene Carvers Chapter 4: The Chronological Development of the Toolset Chapter 5: Palmyra's Economy: Producing Loculus Reliefs Chapter 6: Palmyrene Customers: Ordering and Buying a Loculus Relief Chapter 7: The Palmyrene Workshops and Craftspeople Chapter 8: Regional and Transregional Comparisons Chapter 9: Conclusion Bibliography Catalogue of Studied Loculus Reliefs Appendix I. Size of Loculus Reliefs Appendix II. Tool Traces Appendix III. Additional Elements Index‎

Referentie van de boekhandelaar : 64808

‎Julien van Remoortere ; Hugo Maertens ; Pascal Moens ; Gerrit Op de Beeck‎

‎CHARMES ET SECRETS DE LA BELGIQUE : Itin raires surprenants et tr sors cach s‎

‎, France Loisirs, 1997 Hardcover, 239 pages, FR. edition, 305 x 240 x 25 mm, jaquette illustre , Tres belle exemplaire , illustrations en couleur. ISBN 9782744105944.‎

Referentie van de boekhandelaar : 55300

‎Julio Escalona Monge, Alvaro Carvajal Castro, Cristina Jular P rez-Alfaro (eds)‎

‎Conflict, Language, and Social Practice in Medieval Societies. Selected Essays of Isabel Alfonso, with Commentaries‎

‎, Brepols, 2024 Hardback, 678 pages, Size:156 x 234 mm, Illustrations:5 b/w, 3 tables b/w., 1 maps b/w, Language: English. ISBN 9782503603896.‎

‎Summary Isabel Alfonso is one of the finest scholars on the rural and political history of the European Middle Ages. She is widely known for her contributions to the study of the peasantry, social conflict, and political discourses. Her research has transcended the boundaries of medieval studies, incorporating insights from disciplines beyond including legal anthropology, philology, and discourse analysis, among others. Over her academic career Isabel Alfonso has made a continued effort to make the work of international scholars known in Spain and to communicate advancements in Spanish historiography to international audiences; and yet most of her own research has only been published in Spanish. As a means to acknowledge her long-standing commitment to bridge different historiographies and overcome national boundaries, this unusual Festschrift offers a selection of her most relevant publications, many of which appear in English for the very first time. Each paper is preceded by commentaries by leading scholars that discuss the enduring relevance of Isabel Alfonso,s work, its richness and complexity, and its potential to inspire further research along a vast array of lines. Commentaries by Jean Birrell, Fran ois Bougard, Warren Brown, Peter Coss, Wendy Davies, Chris Dyer, Ros Faith, Fran ois Foronda, Paul Freedman, Piotr Gor cki, John Hudson, Andr Evangelista Marques, Jes s Rodr guez-Velasco, Phillipp Schofield, Stephen D. White, Chris Wickham. TABLE OF CONTENTS Abbreviations, Foreword Introduction: Dealing with the Past, Dealing with the Present: Yet another talk with Isabel Alfonso Part I: Medieval Minds: Language and Concepts Chapter 1: On Friendship, with a Commentary by Fran ois Foronda Amicitia: Early Writings, a Revelation, and the Identity of a Historian On Amicitia in Medieval Spain: A Document that Merits Study Chapter 2: On the Language and Practice of Negotiation, with a Commentary by Wendy Davies Commentary The Language and Practice of Negotiation in Medieval Conflict Resolution (Castile-Le n, Eleventh-Thirteenth Centuries) Chapter 3: On Judicial Rhetoric and Political Legitimation, with a Commentary by John Hudson Justice, Power, and Legitimation Judicial Rhetoric and Political Legitimation in Medieval Le n-Castile Chapter 4: On Memory and Identity, with a Commentary by Piotr G recki Words, Again? Memory and Identity in Judicial pesquisas in Medieval Leon-Castile Chapter 5: Two Approaches to Justice and Vengeance, with a Commentary by Stephen D. White Commentary Vengeance, Justice, and Political Struggle in Castilian Medieval Historiography Vengeance and Justice in the Poem of the Cid Part II: Community Ties and Social Differenciation 200 Chapter 6: On Social Differentiation in Rural Communities, with a Commentary by Christopher Dyer Middlemen and Intermediaries in Medieval Village Society Local Power and Internal Differentiation in the Rural Communities of Galicia Chapter 7: On Social Differentiation within Rural Communities, with a Commentary by Phillipp R. Schofield Commentary Exploring Difference within Rural Communities in the Northern Iberian Kingdoms, 1000-1300 Part III: Conflict and Competition: from Local Disputes to Political Struggles Chapter 8: On Violence, with a Commentary by Andr Evangelista Marques The Social Logic of Vengeance: Towards a Reading of Isabel Alfonso,s Work on Conflict Resolution Death without Vengeance? The Regulation of Violence in Local Settings (Castile-Le n 13th c.) Chapter 9: On Peasants and the Law, with a Commentary by Paul Freedman The Historiography of Peasant Resistance to Seigneurial Authority Peasants and the Law: Legal Avenues in their Struggle (Castile and Le n, 10th-13th Centuries) Chapter 10: On Rural Churches and Peasant Struggles, with a Commentary by Chris Wickham On Rural Churches and Peasant Struggles Rural Churches in the North of Castile: A Religious Dimension to Peasant Struggles during the Middle Ages Chapter 11: Two Anthropological Approaches to Peasants and Lords, with Commentaries by Jean Birrell and Rosamond Faith A Commentary on ?Peasant Opposition to Labour Services, and ?The Rhetoric of Seigneurial Legitimation, Pacts, Conventions and Contracts between Lords and Peasants in Anglo-Norman England Peasant Opposition to Labour Services in Castile and Le n. Forms and Symbolic Significance The Rhetoric of Seigneurial Legitimation in the Fueros of Le n (11th to 13th centuries) Chapter 12: On Punishment and Exemplary Violence, with a Commentary by Warren C. Brown Commentary Corpus Delicti and Exemplary Violence Chapter 13: On Disputes and Wrongdoings, with a Commentary by Fran ois Bougard Written Disputes: Just the Tip of the Iceberg Land Disputes and malfetr as among the Medieval Nobility in Castile and Le n Chapter 14: On Revolting Noblemen, with a Commentary by Fran ois Foronda Questioning the Evidence: Political History and Social Mentality Desheredamiento and Desafuero, or the Alleged Justification of a Revolt of the Nobility Part IV: Historians, Minds. Concepts, Language and Debates Chapter 15: On Cistercians and Feudalism, with a Commentary by Peter Coss Commentary Cistercians and Feudalism Chapter 16: Three Review Articles, with a Commentary by Jes s Rodr guez Velasco How to Read Continuity and Documentary Revelation, or Mutation and Feudal Revolution? Historical Discourse as History Naming Violence and Controlling its Legitimation Appendix: Full List of Publications by Isabel Alfonso‎

Referentie van de boekhandelaar : 63332

‎Juliette de Dieuleveult‎

‎Donne-moi de quoi faire offrande L'admirable change du don dans les Confessions de saint Augustin‎

‎, Brepols - Institut d' tudes Augustiniennes, 2026 Paperback, Pages: 370, Size:165 x 250 mm, Languages: French, Latin. ISBN 9782851213495.‎

‎Summary Saint Augustine's Confessions... Hasn't everything already been said about this absolute masterwork? And yet, it is still possible, even necessary, to "seize and read? this book, following Augustine's experience, one fine day of 386 that was to change his life. How can one illuminate the beauty of this unique confession, "so ancient and so new?, this story of conversion, deeply rooted in the Scriptures, under the gaze of a triune God, "more interior than the most intimate in oneself?? The proposal of this book is straightforward: read the Confessions under the guidance of a seminal prayer - "Give me what I will offer you? - which constitutes the maxim of an anthropo-theology based on gift. Created by and for a gift: such is the augustinian man, aware that everything can be offered because everything is given - existence, the world, the sacramental mediation of Scripture and the Eucharist. Far from the paradoxical contemporary resentment towards the given, understood as a limitation of individual free-will, it is, on the contrary, the offer of an "admirable exchange?, woven with largesse and gratitude, that opens a path towards uita beata. Les Confessions de saint Augustin? Tout n'a-t-il pas d j t dit sur le chef-d'oeuvre de l' v que d'Hippone ? Et pourtant, il est encore loisible, voire n cessaire, de prendre et lire ce livre, selon l'appel qui changea le destin d'Augustin un beau jour de 386. Sous quel prisme clairer la beaut si ancienne et si neuve de cette confession singuli re, r cit de conversion enracin dans l' criture, sous le regard d'un Dieu un et trine, plus int rieur que le plus intime en soi ? La proposition de ce livre est simple : lire les Confessions l'aune d'une pri re s minale - Donne-moi de quoi te faire offrande - qui constitue la maxime d'une anthropo-th ologie fond e sur le don. Cr par et pour le don : tel est l'homme augustinien, qui sait que tout peut tre offert parce que tout est donn - l'existence, le monde, la m diation sacramentelle des critures et de l'Eucharistie. Loin du ressentiment paradoxal et si actuel envers le donn , compris comme une limitation du libre choix du sujet, c'est au contraire la proposition d'un admirable change , empreint de largesse et de gratitude, qui ouvre une voie vers la uita beata. TABLE OF CONTENTS Remerciements Introduction Premi re partie. L' piphanie du don Chapitre I. Les signes du don Chapitre II. La conscience du don Chapitre III. Les usages du don Deuxi me partie. Les acteurs du don Chapitre IV. L'Esprit Saint de qui seul on a dit qu'il est le don Chapitre V. L'attribution du don aux personnes divines Chapitre VI. Le d ploiement du don au sein de la Trinit Troisi me partie. L'appropriation du don trinitaire Chapitre VII. La lib ration de la volont en vue du sacrifice Chapitre VIII. Le don des critures Chapitre IX. L'Eucharistie, source, mod le et sommet du don Conclusion Textes et traductions Abr viations Bibliographie Index augustinien‎

Referentie van de boekhandelaar : 70515

‎Julius Baum‎

‎Gotische Bildwerke Schwabens‎

‎, Benno Filser verlag 1921, 1921 Hardcover, 184 seiten, 128 abbildungen, Deutsche sprache, 100 jahre alt aber in guten zustand,.‎

‎Dieses Buch versucht die Stilwandlungen der deutschen Bildnerkunst des 14. Jahrhunderts an dem Beispiele schw bischen Kunstschaffens darzulegen. Das individuelle Gestalten der einzelnen K nstlerpers nlichkeit wird durch zwei Triebkr fte entscheidend beeinflu t. (aus dem Buch) aus dem Inhalt: Die Wandlungen der Formgestaltung - Zum Verst ndnis des Inhaltes - Kunstgeschichtliche Nachweise - Verzeichnis der Abbildungen - Quellennachweis der Abbildungen‎

Referentie van de boekhandelaar : 55594

‎Julian Heynen & Eric Rinckhout‎

‎Ilse D'Hollander works on paper.‎

‎, Hannibal, 2014 Hardcover, 27 x 22 cm, 256 bladzijden, Gedrukt in quadri, Hardcover, Met 120 afbeeldingen van werken op papier. fine copie / Text in English, ISBN 9789491376979.‎

‎Referentiecatalogus over het bijzondere olieverf- en gouachewerk op papier van Ilse D'Hollander (1968-1997) De werken op papier behoren net zoals de schilderijen op doek tot de kern van D'Hollanders oeuvre. Zoals ook bij Raoul De Keyser het geval is, resoneren de werken op papier met de schilderijen op doek, alleen versterkt het fragiele karakter van de papieren drager de intensiteit van het geschilderde. Ondanks het kleine formaat bevatten de werkjes een enorme concentratie en gecondenseerde kracht.? Julian Heynen Ruim zeventien jaar na haar plotse dood wordt D?Hollanders oeuvre internationaal gewaardeerd en veelvuldig getoond. Vorig jaar kreeg de kunstenares een uitgebreide overzichtstentoonstelling in Museum M te Leuven en een solotentoonstelling in de Konrad Fischer Galerie in Dusseldorf. Dit boek werd gepubliceerd naar aanleiding van een groepstentoonstelling bij David Zwirmer in New York en een belangrijke solotentoonstelling bij Konrad Fischer Galerie in Berlijn, van 17 september tot 8 november 2014. Met bijdragen van Eric Rinckhout en Julian Heynen, artistiek directeur van K21 der Kunstsammlung Nordrhein-Westfalen in Dusseldorf, de belangrijkste regionale Kunsthalle voor hedendaagse kunst. Reference catalog about the special oil and gouache work on paper by Ilse D'Hollander (1968-1997) ?The works on paper, just like the paintings on canvas, belong to the core of D'Hollander's oeuvre. As is also the case with Raoul De Keyser, the works on paper resonate with the paintings on canvas, but the fragile character of the paper carrier enhances the intensity of the painted. Despite the small size, the works contain enormous concentration and condensed power. Julian Heynen More than seventeen years after her sudden death, D?Hollander's oeuvre is internationally appreciated and frequently shown. Last year the artist had an extensive retrospective in Museum M in Leuven and a solo exhibition in the Konrad Fischer Galerie in Dusseldorf. This book was published on the occasion of a group exhibition with David Zwirmer in New York and an important solo exhibition at Konrad Fischer Galerie in Berlin, from September 17 to November 8, 2014. With contributions from Eric Rinckhout and Julian Heynen, artistic director of K21 der Kunstsammlung Nordrhein -Westphalia in Dusseldorf, the most important regional Kunsthalle for contemporary art‎

Referentie van de boekhandelaar : 47287

‎Juli o Sarmento‎

‎Juliao Sarmento Bloodline / Heartline,‎

‎BE, MER.paperkunsthalle, 2012 Hardback, 210x270mm, 112 pages . ill. ISBN 9789490693428.‎

‎I have a very small, complicated and a bit weird family. In fact I almost had two families: my real biological one (a very mysterious group of people some of whom I hardly knew... others I never even met!....) and also some other people who were kind of my foster family. There are very few photographs, or memories left of both of them. "Bloodline" has all the photographs I could find of my real, biological family up to my birth. The existing blood trail up to me, so to speak... "Heartline" has all the photographs I could find of the two people in my foster family. Close to my heart, far from my blood. On the occasion of the exhibition Retrospective Juliao Sarmento, Serralves Museum, O'Porto, 23.11.2012‎

Referentie van de boekhandelaar : 38636

‎Jules Lismonde‎

‎Jules Lismonde, 9 brieven‎

‎, , 1960-1970 Handgeschreven brieven en postkaart, 27 x 21 cm, Nederlandstalig. Prima staat.‎

‎Correspondentie tussen Jules Lismonde en Jaak Fontier. Alle getekend 'Lismonde'. In de brieven wordt gesproken over komende exposities die Fontier met ondermeer Lismonde in Brugge wil opzetten, maar eveneens gaat het over artikels die Fontier over het werk van Lismonde publiceerde.‎

Referentie van de boekhandelaar : 70391

‎Julia Mulli . Text: Piero Bisello, Phillip Van den Bossche, Martin Germann, Zo Gray, Julia Mulli . Photo essay by Marina Pinsky‎

‎KASPER BOSMANS Dovetail.‎

‎Brussels, Koenig Verlag / Wiels, Brussels, 2022 PB, 282 x 212 mm, 268 pages, 109 Kleurenillustraties, 64 z/w illustraties.ENG edition.*new ISBN 9783960987604.‎

‎Dovetail biedt het eerste monografische overzicht van het oeuvre van Kasper Bosmans tot nu toe. De redactrice van het boek, Julia Mulli , opent met een inleiding over zijn praktijk. WIELS senior curator Zo Gray schrijft over hoe Bosmans verhalen met elkaar verweeft; kunsthistoricus Phillip Van Den Bossche schrijft over zijn quilts; filosoof Piero Bisello past het concept van "Coherentisme" toe op een aantal individuele werken; en kunsthistoricus Martin Germann onderzoekt Bosmans' "legend paintings". Het boek is rijk ge llustreerd met foto's van individuele werken en tentoonstellingsbeelden, waaronder een samenwerking met kunstenares Marina Pinsky. Deze publicatie ging vooraf aan Bosmans' solotentoonstelling Husbandry in WIELS, die werd uitgesteld omwille van de Covid-19-crisis, en die geopend werd in februari 2022. Kasper Bosmans ( 1990, Belgi ) is een scherpe observator van de vele manieren waarop beelden de grens tussen natuur en fictie, kunst en ambacht aftasten. Vanuit een intu tieve antropologische benadering neemt hij de overblijfselen van lokale tradities en mythologische iconografie in de wereld van vandaag. Vanuit spel laat Bosmans associatieve schoonheid ontstaan in de vorm van performances, schilderijen, tekeningen en sculpturale installaties. Door gebruik te maken van materialen als melk, zand en marmer verkent hij zowel functionele als decoratieve vormen en de spanningsrelatie die tussen beiden kan bestaan. Recente tentoonstelling waren o.a. Cintamani Weavings, Art Center Centrale, Brussel (2016); Loot, Soil, and Cleanliness, CIAP, Hasselt (2016);Correspondence, met Rafaella Crispino, Unosunove, Rome (2015); Yesterday was different met Marthe Ramm Fortun, KOMPLOT, Brussel (2015); Des h tes: a foreigner, a human, an unexpected visitor, Spring Workshop, Hong Kong (2015); Little Cherry Virus, Pakt, Amsterdam (2015); Un-Scene III, Wiels, Brussel (2015); Made to Measure: Fishing Rod, Experimental Intermedia, Gent (2014); Het kanaal - le canal, Extra City Kunsthal, Antwerpen & Espace 251 Nord, Luik (2014); Coming People, S.M.A.K., Gent (2014).‎

Referentie van de boekhandelaar : 57942

‎JULIEN-BOTTONI Corinne‎

‎L'HABITAT RURAL A GRASSE : les mas, les bastides, les cabanons...‎

‎Spéracèdes : Éditions TAC Motifs, 1999. 120 pages illustrées en noir et couleur (photographies Alain Volpi), glossaire, bibliographie.‎

‎Site (relief, climat, végétation, cultures et élevage) / Établissement de l'habitat rural (historique, choix des sites, définition, habitat groupé et dispersé) / Différents types d'habitation rurale (mas, bastide ou château, cabanon, hameau) / Matériaux employés (pierre et mortier, tuile et génoise, tomette, bois) / Bâti à usage collectif (chapelles rurales, oratoires, cimetière, fontaines, lavoirs, bassins et citernes, puits, cercle, moulins) / Évolution de l'habitat rural (transformations récentes, nouvelles techniques architecturales, évolution du bâti ancien, apparition des constructions neuves)‎

Referentie van de boekhandelaar : SPN-308

‎JULLIEN Adolphe.‎

‎La comédie à la cour de Louis XVI. Le Théâtre de la Reine à Trianon. D'après des documents nouveaux et inédits.‎

‎Paris, J. Baur, 1875. 240 x 196 mm, (2) ff., 43 pp., reliure percaline, étiquette de titre en maroquin vert contrecollée au dos, couvertures conservées, coiffes et coins frottés, ex-libris sur contreplat, légères rousseurs sur quelques feuillets, bon exemplaire.‎

Referentie van de boekhandelaar : 4801

‎Jules GAILHABAUD‎

‎L’Architecture du Ve au XVIIe siècle et les arts qui en dépendent‎

‎Paris, A. Morel, puis Vve A. Morel et Cie, 1869-1872, grand in-folio (32x45,3 cm) en 5 volumes comprenant un volume de texte et quatre volumes de planches, totalisant 251 gravures sur acier, dont 14 doubles, et 54 chromolithographies, dont 14 doubles. En feuilles, sous portefeuilles en percaline de l’époque, filets sur les plats, décoloration des dos et des plats du Tome4, sous chemises de livraison, quelques planches brunies, trou de ver sur 5 planches en marges et sans atteinte, 4 planches légèrement ébarbées, chemises de livraison du texte ébarbées.‎

‎Première édition in-folio, imprimée chez la célèbre maison Lemercier, alors au sommet de la lithographie, les Chromos sont comptés pour 2 planches en pleine page et 4 en double page. La répartition est la suivante : Tome I : 81 planches dont 67 gravures pleine page, 6 doubles et 1 chromo pleine page. Tome II : 117 planches dont 45 gravures pleine page, 3 doubles, 21 chromos pleine page et 6 chromos doubles. Tome III : 98 planches dont 56 gravures pleine page, 9 chromos pleine page et 6 chromos doubles. Tome IV, 105 planches dont 69 gravures pleine page, 5 doubles, 9 chromos pleine page et 2 chromos doubles. Ouvrage monumental couvrant l’architecture et les arts décoratifs liés, de l’époque paléochrétienne à l’époque classique, incluant sculpture, vitraux, mosaïques, peintures murales, ferronnerie et mobilier liturgique. Gailhabaud, historien de l’art et éditeur de grands recueils illustrés, a consacré sa carrière à la diffusion d’une histoire visuelle des styles architecturaux européens. Ce travail s’inscrit dans la même ambition éditoriale que celui de Prisse d’Avennes, L’Art arabe, publié également chez Morel entre 1869 et 1877. Ces deux ensembles complémentaires représentent deux visions majeures de l’art monumental et décoratif au XIXe siècle, l’un explorant le patrimoine européen du Moyen Âge à la Renaissance, l’autre documentant les arts islamiques d’Égypte et d’Orient avec le même esprit du détail et de la précision. M2-Et0‎

Referentie van de boekhandelaar : PHO-2034

‎Juliette Bertron‎

‎Martial Raysse: Dessins/Drawings‎

‎Paris, Editions Dilecta, , 2015 Hardcover , 144 pages , 19 x 24 cm, text ENG / FR. ISBN 9791090490710.‎

‎Martial Raysse: Dessins/Drawings aantalIn winkelmand New Realistic France, a close friend of the artists of Pop Art in New York and Los Angeles, director of psychedelic films? Raysse is a major artist of the contemporary scene. While his portraits of women of the sixties are become icons and its allegorical frescoes surprise again, Dilecta Publishing has released a book presenting a selection of his drawings, from its beginnings to the present. Still little known, these works on paper are fraught with the same audacity and impertinence that his paintings, eroticism haloed and mythologies updated. One hundred selected drawings constitute this publication, showing the practice of drawing, not as one preparatory step to his paint job, but especially as plastics experiences, very free, allowing him to explore techniques as diverse as mine graphite, pastel or watercolor. After literary studies, in 1959 Martial Raysse made his first assemblages by enclosing small toys and toiletries in transparent boxes, in order to foreground, unfussily, the charge of emotion and visual intensity these cold little objects can hold. In 1960, his Visual Hygiene series of household implements hung around a long-handled scrubbing brush, or sunscreen products and beach toys crowned by an advertising dummy, ushered into the realm of art a world that is new, antiseptic and pure , that of the supermarkets and advertising for the consumer society. This reappropriation of objects that are supremely banal aligned him with the experiments of Arman, Spoerri and Tinguely, with whom he founded the New Realists group in 1960. Soon regarded as the young French artist who came closest to American Pop Art, between 1961 in 1966 Raysse participated in numerous artistic events throughout Europe and the United States. After 1968, Raysse underwent a shift which led him to make a sudden break with the circuit of dealers and galleries, and to withdraw to the south of France. Within the community he formed with a number of friends, he made works using craft techniques, and subsequently returned to the most traditional modes of painting. Martial Raysse , monographic exhibition dedicated to French artist Martial Raysse. Curated by Caroline Bourgeois in collaboration with the artist. From 12 April 2015 to 31 November 2015, Palazzo Grassi, Venice (It.)‎

Referentie van de boekhandelaar : 55828

‎Julie Doucet‎

‎My New York Diary‎

‎, Drawn & Quarterly Publications, 1999 Paperback, 104 pages , ENG, 230 x 155 x 10 mm, As New !, illustrated in b/w. ISBN 9781896597249.‎

‎Julie Doucet is widely regarded as one of the most prominent cartoonists to emerge in the past decade. Now, Drawn & Quarterly is publishing Doucet's third book, her longest and most ambitious story collected for the first time in one beautifully produced softcover edition. The New York Diary documents in compelling and graphic detail the events in Doucet's life during a six-month period in 1991. At that time, she packed her bags and moved to New York and waiting for her in anticipation was her new boyfriend, an aspiring cartoonist himself who took Julie into his upper west side apartment. The excitement of this new beginning was short-lived; gradually, her boyfriend's over-bearing jealousy became more evident, and the confines of her surroundings slowly became more suffocating. Rounding up this new book are two more stories that complete the obsessive-boyfriend triptych: the sad and revealing "My First Time" and the 25-page "Julie in Junior College".‎

Referentie van de boekhandelaar : 60918

‎Julien Faure-Conorton‎

‎Paris-Métro-Photo‎

‎Relié, 408 pages, paru le 9 novembre 2016 chez Actes Sud, livre en très bon état général, quasi neuf.‎

Referentie van de boekhandelaar : PHO7125M

‎Julio Escalona Monge, Orri V steinsson, Stuart Brookes (eds)‎

‎Polity and Neighbourhood in Early Medieval Europe‎

‎, Brepols, 2019 Hardback, xviii + 430 pages, Size:156 x 234 mm, Illustrations:14 b/w, 39 maps, 6 graphs, Language: English. ISBN 9782503581682.‎

‎Summary How were early medieval people connected to each other and to the wider world? In this collection, archaeologists and historians working in very different areas of early medieval Europe explore diverse evidence - from landscape and burial archaeology to charters and chronicles - to discuss the relationships that constituted neighbourhoods and the roles these played in the processes of state formation that can be observed in the peripheries of the Frankish world. What these case-studies teach us, the contributors argue, is that polities are formed not through the exclusive operation of either top-down or bottom-up agencies, but from the interplay between them. By exploring the ways in which local knowledge, social ties, and understandings of landscape interacted with higher-level authorities and institutions, we can gain real insights into the nature of early medieval power and people's experiences of it. Marking the culmination of a collective effort that has spanned over a decade and three funded projects, this volume brings together case-studies from Spain, Italy, England, northern Frankia, Norway, and Iceland to offer a comparative view of polities and neighbourhoods in early medieval Europe. Drawing on new research, and offering new perspectives driven by an interdisciplinary approach, this volume is of relevance to a range of disciplines including archaeology, history, onomastics, geography, and anthropology. TABLE OF CONTENTS Introduction - JULIO ESCALONA, ORRI V STEINSSON, AND STUART BROOKES Polities, Neighbourhoods, and Things In-Between - JULIO ESCALONA, ORRI V STEINSSON, AND STUART BROOKES Understanding the Identities and Workings of Local Societies in Early Medieval England, AD 800-1100 - GRENVILLE ASTILL Peasant Communities and Landscape Change in Northwest Iberia - MARGARITA FERN NDEZ MIER Early Medieval Burials and Settlements: Some Reflections on Northern Italian Archaeological Evidence - ALEXANDRA CHAVARR A Ancestors and Landscape: Early Medieval Burial Sites in the Central-Western Regions of the Iberian Peninsula - I AKI MART N VISO The Thing and the King: The Formation of the Norwegian Medieval Kingdom - FRODE IVERSEN Meeting Places, Markets, and Churches in the Countryside between Madrid and Toledo, Central Spain, c. AD 500-900 - ALFONSO VIGIL-ESCALERA State Formation and World View: Commonwealth Iceland as a Part of the Norwegian Realm - ORRI V STEINSSON 'Est haec effera gens': Landscapes of Negotiation on the Former Island of Walcheren, the Netherlands - LETTY TEN HARKEL Territoriality and Social Stratification: The Relationship between Neighbourhood and Polity in Anglo-Saxon England - STUART BROOKES AND ANDREW REYNOLDS Regions and Micro-Regions of Scribal Practice - WENDY DAVIES The Use of the Term Villa in Early Medieval Le n: A Review of the Economic Base of the Astur-Leonese Monarchy, Ninth-Eleventh Centuries - LVARO CARVAJAL CASTRO Dense Local Knowledge: Grounding Local to Supra-local Relationships in Tenth-Century Castile - JULIO ESCALONA Local Places and Local People in Anglo-Saxon Wessex - ALEX LANGLANDS Conclusion - JULIO ESCALONA, ORRI V STEINSSON, AND STUART BROOKES Index‎

Referentie van de boekhandelaar : 65941

‎Jules Greggory (1920-1985) et Léonard-René Morandi (1914-2007)‎

‎S.F.E.N.A. VILLACOUBLAY‎

‎Maquette.710x295x70mm, balsa, liège et matériaux divers, sur socle bois et coque en plexiglas.En 1970, la Société française d’équipements pour la navigation aérienne son siège et ses bureaux d'études à Vélizy-Villacoublay dans le centre technique de recherche construit par les architectes Jules Greggory et Léonard Morandi sur des terrains militaires, près de l'aérodrome de Villacoublay.Bon état, coque présentant quelques défauts. (105841)‎

‎Bon‎

Referentie van de boekhandelaar : 105841

‎Julie Beckers, Hannah De Moor, Ethan Matt Kavaler (eds)‎

‎Taking Shape. Sculpture of the Low Countries, c. 1400-1600‎

‎, Brepols, 2024 Hardback, 350 pages, Size:216 x 280 mm, Illustrations:5 b/w, 139 col., Language: English.* NEW ISBN 9782503611235.‎

‎Summary This book examines the production, patronage, and use of sculptures made in the Low Countries between 1400 and 1600. Two questions frame the book: 'Why did Sculpture from the Low countries matter' and 'Why will Sculpture from the Low Countries matter for future research'. Answers to these questions will be offered in a coherent and richly illustrated study which considers Sculpture as a pivotal subject field within Art Historical discourse. TABLE OF CONTENTS Preface Julie Beckers and Hannah De Moor Introduction Ethan Matt Kavaler Chapter 1: Use and Function of Sculpture Accommodating Altarpieces: The Impact of Circumstantial Factors on the Design of Altar Decorations in Medieval Churches Justin Kroesen Working Sculpture: The Forms and Functions of Netherlandish Brass Lecterns Douglas Brine The Church's a Stage: Late Medieval Altarpieces as Part of an Ever-Changing Environment Wendy Wauters The Stem of a Once Ornate Fountain: The Use of a Table Fountain Fragment at Museum Mayer Van den Bergh in Antwerp Julie Beckers Chapter 2: Patronage of Sculpture Patronage Jeffrey Chipps Smith Noble Expectations of Memorial Sculpture: Commissioning the Jauche Monuments in Brugelette (c. 1527-1573) Ruben Suykerbuyk The Chapel Space and Interiority in the Ringsaker Altarpiece Lynn F. Jacobs Prestige and Display: Noble Patronage of Sculpture in the Low Countries Elizabeth Rice Mattison Chapter 3: Production and Workshop Continuity and Discontinuity in the Sculpture Workshop Practice Aleksandra Lipi?ska The Leuven Connection: A New Look at the Social and Artisanal Network of Leuven Late Gothic Sculptors (c. 1475-1525) Marjan Debaene Te maken ende te leveren: The Transport of Netherlandish Carved Altarpieces Hannah De Moor Epilogue: Seeing Sculpture Stephanie Porras‎

Referentie van de boekhandelaar : 65871

‎Julian Luxford (ed)‎

‎The Capital's Charterhouses and the Record of English Carthusianism‎

‎, Brepols, 2023 Hardback, xvi + 300 pages, Size:152 x 229 mm, Illustrations:23 col., Language: English. ISBN 9780888448361.‎

‎Summary This volume offers a substantial and versatile contribution to the history and culture of the late-medieval Carthusians in England. The nine essays presented here focus primarily on the double charterhouses built on the outskirts of London, at Smithfield and Sheen. Syon Abbey, the Bridgettine house which stood a short distance from Sheen, and was founded at the same time, is also drawn into the conversation because of its sympathetic and practical links to the Carthusians. Particular attention is paid to the London Charterhouse. This institution is revaluated here as an engineered and ornamented structure, a sanctuary nourished by books and texts, a beacon of religion, a theatre of devotion and political manoeuvres and, in the wake of its dissolution, both a dwelling-place for affluent citizenry and a lieu de m moire for the English Carthusians in exile. TABLE OF CONTENTS llustrations Abbreviations James P. Carley ? Preface Julian Luxford ? Introduction Part 1: The Material Record Julian Luxford ? The London Charterhouse: Iconography, Buildings, and Art Glyn Coppack ? Water and the Carthusians: The Contribution of the London Charterhouse to Knowledge of the Order's Plumbing Part 2: Spiritual Writings and Textual Transmission Marlene Villalobos Hennessy ? British Library, MS Egerton 1821: Devotional Practice and Book Production at the London Charterhouse Michael G. Sargent ? The Transmission by the English Carthusians of Some Late-Medieval Spiritual Writings: A Reconsideration of Walter Hilton and Nicholas Love Vincent Gillespie ? Preaching to the Choir: Another Look at English Carthusian Transmission of Vernacular Spiritual Writings Part 3: Religious Conscience, Politics, and Afterlife Ann M. Hutchison ? United in Devotion and Martyrdom: The English Carthusians and Bridgettines and Their Fate Diarmaid MacCulloch ? The End of the Carthusians at the London Charterhouse James P. Carley ? After the Dissolution: John Leland and His Neighbours in Charterhouse Square Peter Cunich ? Maurice Chauncy and the Burdens of the English Reformation Epilogue Martyn Percy ? A Eucharist for Martyrs: ?A Fragrant Offering and Sacrifice? - A Sermon Preached at the London Charterhouse on 3 September 2016 Contributors Index‎

Referentie van de boekhandelaar : 64339

‎Jules Pillet‎

‎Traité de stabilité des constructions, Leçons professées au conservatoire national des arts et métiers a l'école spéciale d'architecture‎

‎Traité de stabilité des constructions, Leçons professées au conservatoire national des arts et métiers a l'école spéciale d'architecture de Jules Pillet chez Dépôt des cours techniques, Cours techniques de l'architecte et du constructeur en 1895. Le livre est illustré de 515 figures. Le livre mesure 26x32 cm et pèse 3,200 kg (c) pour 477 + LVI pages. Reliure d'époque cartonnée. Le livre est en état d’usage, très bon, bords coins frottés.‎

‎Cet ouvrage s'adresse surtout aux personnes, Architectes, Ingénieurs et Constructeurs, qui désirent étudier les questions de résistance des matériaux et de stabilité des constructions sans avoir recours au calcul infinitésimal. C'est à la mécanique la plus élémentaire, ainsi qu'à la géométrie, que, sous forme d'épures de Statique graphique, j'emprunte les solutions de toutes les questions, même de celles qui sont les plus ardues, telles que le calcul des poutres continues, le calcul des arcs et la détermination de la poussée des terres. Un coup d'œil jeté sur la table des matières suffira pour faire comprendre le plan de cet ouvrage. En réalité il est le développement du cours de Stabilité des constructions que, depuis 1878, mon maître et ami M. Emile Trélat m'a fait l'honneur de me confier à l’école spéciale d'Architecture en remplacement du regretté de Dion. Il reproduit aussi les leçons sur le même sujet que, à titre de suppléant de M. Trélat et, ensuite, comme titulaire du cours de constructions civiles, j'ai faites à plusieurs reprises au Conservatoire des Arts et Métiers. Si j'insiste sur les origines de cet ouvrage c'est pour convaincre celui qui tentera de le lire qu'il aura sous les yeux un livre élémentaire dans sa forme quoique assez complet dans ses développements, un livre qui n'aura été publié qu'après avoir, auprès de nombreux élèves, subi la sanction de l'enseignement et avoir, comme conséquence de ces épreuves répétées, éprouvé des modifications et, surtout, des simplifications nombreuses. Il est sans doute bien prétentieux à moi de faire paraître un traité de Stabilité des Constructions alors qu'il existe déjà les ouvrages de Bresse, de Collignon, de Rouché, de Koklin, de Brune et de tant d'autres Ingénieurs, alors que M. Maurice Lévy a fait bénéficier les constructeurs de son admirable traité de Statique graphique, véritable monument dans lequel on trouve tout ce qui a été dit aussi bien que tout ce qui sera dit, pendant longtemps encore, sur cette...‎

Referentie van de boekhandelaar : 226

‎Julien Volper‎

‎Unrivalled Art.Spellbinding Artefacts at the Royal Museum for Central Africa‎

‎, Tervuren, Koninklijk Museum voor Midden - Afrika,, 2018 HB, 260 x 215 mm, 176 pages, English edition. FINE. ISBN 9789085867760.‎

‎This book, which is being published to mark the opening of the museum, unveils an ensemble of 77 important works from the collection held by the Royal Museum for Central Africa. A range of academics, conservators, and experts on African art provides an examination and analysis of each of these pieces. Many of the works brought together here can be found in the gallery assigned to the temporary exhibition Unrivalled Art. Others can be encountered in the rooms devoted to the permanent exhibition. And some of the works afford a glimpse behind the scenes at the RMCA, in the hushed atmosphere of the depots, about which the general public is largely unaware. Researcher and curator Julien Volper has selected pieces that come not only from the Congo, but also from other countries, such as Angola or Gabon. Sometimes they are physical testaments to lost cultures dating from the eighth to tenth century, or even dating to tens of thousands of years ago! However, most of the works belong to the more recent period of the nineteenth and twentieth centuries. All of these masks, statuettes, ivories, weapons, receptacles and other artefacts express a genuine creativity - a creativity described so aptly in 1919 by the theorist Vladimir Markov: '[.] this [African] art is unrivalled anywhere else in the world.'‎

Referentie van de boekhandelaar : 52052

‎Jules de BERTOU‎

‎Voyage depuis les sources du Jourdain jusqu'à la mer Rouge. Dépression du lac Asphaltite et d'une partie de la vallée du Jourdain‎

‎Sans nom d'éditeur | s. l. s. d. [1839] | 13.5 x 23 cm | Relié‎

‎Rare édition originale imprimée à petit nombre de cet Extrait du Bulletin de la Société de Géographie, 2e série, tome XI et illustrée de 2 cartes dépliantes hors-texte représentant des coupes topographiques de différentes vallées, dont celle du Jourdain (cf. Hage Chahine, 471. Numa Broc, Asie, pp. 28-29.) Reliure en demi veau fauve, dos lisse orné de filets et fleurons dorés, quelques frottements sur le dos, un mors restauré en tête, pièce de titre de maroquin vert, plats de papier marbré, gardes et contreplats de papier à la cuve, tranches rouges, reliure de l'époque, Orientaliste et archéologue, le comte de Bertou explora la Palestine en 1838 avec pour mission de vérifier l'hypothèse d'un ancien écoulement de la mer Morte vers la mer Rouge. Parti de Beyrouth le 2 mars 1838, il gagna Jérusalem par Nazareth, fixa l'altitude de Jéricho à 273 m et celle de la mer Morte à 406 m. Il se rendit ensuite à Hébron et entreprit, malgré l'hostilité des tribus arabes, de parcourir la dépression qui unit le lac Asphaltite à Akaba. Bertou y parvint le 8 avril et, malgré la destruction de son baromètre, il put affirmer que le niveau de la mer Morte était bien inférieur à celui de la mer Rouge. Il regagna Beyrouth en mai 1838, après avoir visité Petra et ses célèbres monuments (cf. Numa Broc.) - Photographies et détails sur www.Edition-Originale.com -‎

Referentie van de boekhandelaar : 90460

‎Julian Schreyer‎

‎Zerst rte Architektur bei Pausanias. Ph nomenologie, Funktionen und Verh ltnis zum zeitgen ssischen Ruinendiskurs‎

‎, Brepols, 2019 Hardback, xvi + 500 pages, Size:156 x 234 mm, Illustrations:21 b/w, 7 col., Language: German. ISBN 9782503579740.‎

‎Summary Die Untersuchung stellt sich die Frage, weshalb die ,Periegesis Hellados' des Pausanias aus dem 2. Jahrhundert n. Chr. so h ufig Siedlungen und Geb ude im Zustand der Zerst rung thematisiert. Die ,Periegesis Hellados' unternimmt eine r umlich organisierte Zusammenstellung von Wissen, insbesondere zur myth-historischen Vergangenheit sowie zu den Kulten der Griechen, und schreibt sich auf diese Weise in zentrale Diskurse der Zweiten Sophistik ein. Die prominente Rolle, die zerst rte Architektur im Werk des Pausanias spielt, wurde bislang nicht systematisch analysiert. Hier setzt die Untersuchung an. Alle einschl gigen Textpartien werden vorgelegt und innerhalb zweier entscheidender Bezugshorizonte ausgewertet: zum einen im Rahmen der inh renten Logik der ,Periegesis Hellados', zum anderen im Verh ltnis zum zeitgen ssischen Ruinendiskurs. Welch essenziellen Stellenwert die Ruine f r die Programmatik und das Selbstverst ndnis des Textes einnimmt, kann auf diese Weise erstmals umfassend nachgezeichnet werden. TABLE OF CONTENTS Vorwort 1. Einleitung 2. Der Ruinendiskurs im zeitlichen Umfeld von Pausanias' Periegesis 3. Die Periegesis des Pausanias 4. Ruinen bei Pausanias 5. Zusammenfassung English Summary Bibliographie‎

Referentie van de boekhandelaar : 66040

‎Julia De Bierre & James Bain Smith‎

‎Penang: Through Gilded Doors‎

‎George Town Penang: Areca Books 6-10. First edition. Hardcover. New/new. New. Still in the publisher's shrink wrapping A stunning introduction to Penang's heritage with a rich combination of beautiful colour photographs by James Bain Smith an international artist and photographer and informative and well researched text by Julia de Bierre a restoration expert who was born and grew up in Penang. The book does not just confine the reader to George Town the well-known UNESCO World Heritage Site but ventures into other equally captivating parts of the island elsewhere.Contents -Early DaysGeorge TownThe Infant ColonyA Street Called HarmonyGracious LivingCourtyard SanctumsTo the Mansion BornThe Urban VillageIslanderThe Kmapung IdyllSea BreezeGreen PowerThe Spice of Life A Moveable Feast.ISBN: 9834283423Publisher: Areca Books Penang 2006Over 500 colour photographs in its 152 pages 2 pages of maps and a select bibliography. Weight 1.Kg. Postage within Malaysia is free Areca Books hardcover‎

Referentie van de boekhandelaar : ML74 ISBN : 9834283423 9789834283421

‎Julian D Richards‎

‎The Vicars Choral of York Minster: The College at Bedern - The Archaeology of York: the Medieval Walled City North-East of the Ouse Volume 10 Facs. 5. Two volumes includes Volume II containing unbound illustrations‎

‎The York Archaeological Trust; The Council for British archaeology York 2001. First Edition. Softcover. Near Fine Condition/No Dust Jacket. Volume II is a folder containing 12 large folded sheets as called for some containing more than one figure. There are small areas of light discolouration on the outside the first and last sheets and the inside of the folder due to the presence of a perished rubber band no longer present. 2-volume set complete. Crisp clean covers tight binding clean pages and inside covers. Contains many black and white illustrations. No dust jacket as published. Quantity Available: 1. Shipped Weight: under 1 kg. ISBN: 1902771206. ISBN/EAN: 9781902771205. Pictures of this item not already displayed here available upon request. Inventory No: 50323011078. All our books music and maps are sent by a tracked mail service. 9781902771205 The York Archaeological Trust; The Council for British archaeology paperback‎

Referentie van de boekhandelaar : 50323011078 ISBN : 1902771206 9781902771205