‎Arquitectura‎

‎Katharine Van Cauteren‎

‎De Memling Rubens L' ge d'or de la Flandre.‎

‎, Hannibal, 2024 Hardcover, HB+, 290 x 250 mm, 304 pages, FR edition. ISBN 9789464666823.‎

‎Pourquoi Hans Memling peignait-il tout avec une telle minutie dans le d tail? Comment Rubens cr ait-il, en quelques coups de pinceau, des effets sp ciaux qui feraient p lir d'envie Steven Spielberg? Et pourquoi les Pays-Bas m ridionaux ont-ils t le centre artistique du monde durant trois si cles? De Memling Rubens : l' ge d'or de la Flandre raconte l'histoire de l'art flamand des quinzi me, seizi me et dix-septi me si cles comme vous ne l'avez jamais lue auparavant. Un v ritable tour de montagnes russes travers 300 ans d'histoire culturelle. Les chefs-d'oeuvre poustouflants de la collection de The Phoebus Foundation, des joyaux inconnus de Hans Memling, Quentin Metsys, Pierre Paul Rubens et Antoine Van Dyck, vous plongent dans un monde de folie et de p ch , de fascination et d'ambition. En chemin, vous croiserez des ducs et des empereurs, des citoyens riches et des saints pauvres, des galeries d'art comme des caves vin, et Anvers comme Hollywood sur l'Escaut. Il s'agit d'un r cit passionnant sur l'image et sa signification, et sur le lien entre culture et soci t . L'ouvrage parle surtout de nous et de ce que nous sommes, aujourd'hui, en tant que personnes.‎

Referencia librero : 63494

‎Katherine Solomonson‎

‎The Chicago Tribune Tower Competition: Skyscraper Design and Cultural Change in the 1920s‎

‎Cambridge UK/New York: Cambridge University Press 2001. cloth hardcover in dust jacket. lightly used very faint toning to some outer margins slight as such things go. no wear. no markings. no bumps tears creases. tight binding.; english text.; xiii-370pp. 187 b/w illustrations. First Edition. Hardcover. Near Fine/Near Fine. 4to - over 9¾" - 12" tall. Cambridge University Press Hardcover‎

Referencia librero : 24818 ISBN : 0521590566 9780521590563

‎Katherine M. Boivin, Gregory C. Bryda (eds)‎

‎Riemenschneider in Situ.‎

‎, Brepols - Harvey Miller, 2022 Hardback, 416 pages, Size:225 x 300 mm, Illustrations:33 b/w, 222 col., 1 maps b/w, Language: English. *NEW ISBN 9781912554454.‎

‎Summary Riemenschneider in Situ presents the newest research on the work of one of the most famous late medieval and early Renaissance sculptors, Tilman Riemenschneider. Moving beyond questions of style, date, and workshop practice, this volume investigates the sculptor's programs across the south German region of Franconia that survive in situ, within the particular contexts for which they were designed and in which they were originally experienced. In shifting the focus from fragmentary pieces in museum collections to extant installations in their original church settings, the volume contributes to a wave of scholarship interested in reanimating medieval artistic ensembles by considering them as complex visual environments. Together, the authors?conservators, museum professionals, and art historians?provide an essential and overdue study of Riemenschneider's best-preserved pieces, while also making an important, collaborative addition to the broader discipline of pre-modern art history. TABLE OF CONTENTS Karin and Eike Oellermann, Hartmut Krohm, 1940-2018 Julien Chapuis, Seeing and Exhibiting Riemenschneider Katherine M. Boivin and Gregory C. Bryda, Introduction PART 1: PLACE AND PLACEMENT Chapter 1: Jeffrey Chipps Smith , The Historiography of Place in Early Riemenschneider Scholarship Chapter 2: Katherine M. Boivin, The Topography of a Style Chapter 3: Volker Schaible, The Marian Retable by Tilman Riemenschneider in the Church of Our Lord in Creglingen: Results of a Technical Investigation Chapter 4: Matthias Weniger, Riemenschneider's Altarpieces from the Perspective of a Museum Collection PART 2: DYNAMIC ENVIRONMENTS Chapter 5: Johannes Tripps, Space, Light, and Liturgical Plays as a Source of Inspiration for Riemenschneider's Altarpieces Chapter 6: Thierry Greub, Placement and Replacement: Tilman Riemenschneider's Holy Blood Altarpiece in Rothenburg ob der Tauber and its Function in Liturgical Context Chapter 7: Mitchell B. Merback, Immanence and Intercession: Rooted Sanctity and the Creglingen Marienaltar Chapter 8: Tim Juckes, The Creglingen Altarpiece and its Multimedia Environment: Metamorphoses of a Furnishing Ensemble in Sacred Space ca. 1460-1510 PART 3: SURFACE AND COMPOSITION Chapter 9: Hartmut Krohm, Folding Textures and Rhetoric: Observations on the Manipulation of Light as an Artistic Factor in the Work of Riemenschneider and his Contemporaries Chapter 10: Ruth Ezra, Seeing Stoss in Riemenschneider's Resurrection Chapter 11: Georg Habenicht, Riemenschneider Uncolored Chapter 12: Michele Marincola and Anna Serotta, Riemenschneider's Assumption Altarpiece in the Church of Our Lord, Creglingen: A Review of its Restoration History and the Application of a New Examination Method Chapter 13: Assaf Pinkus, Compilatio at the Portal: The Last Judgment of Bern Minster Afterword: Oliver Gussmann, Riemenschneider's Holy Blood Altarpiece in its Present Ecclesiastical and Touristic Contexts in the Church of St. James in Rothenburg ob der Tauber Bibliography‎

Referencia librero : 64769

‎KATHLEEN BERTON‎

‎THE BRITISH EMBASSY RESIDENCE IN MOSCOW THE KHARITONENKO MANSION‎

‎BRITISH EMBASSY MOSCOW 1991-01-01. First Edition. Hardcover. Very Good. 8vo - over 7¾" - 9¾" tall. First Edition tight clean and unmarked age toning very light and uniform Very Good/Very Good dust jacket shows tiny closed tear on top edge front and a small surface abrasion on front former owner's bookplate first page text in English and in Russian oblong format. BRITISH EMBASSY, MOSCOW hardcover‎

Referencia librero : 35030

‎Kathryn A. Atkins‎

‎Masters of the Italic Letter: Twenty Exemplars from the Sixteenth Century‎

‎London, The Penguin Press, 1989 Original blue and black dust-jacket, 183 pages, 23.5 x 31 cm. EN. ISBN 9780713990218.‎

‎Masters of the Italic Letter: Twenty Exemplars from the Sixteenth Century‎

Referencia librero : 66214

‎Kathryn Hurlock, Laura J. Whatley (eds)‎

‎Crusading and Ideas of the Holy Land in Medieval Britain‎

‎, Brepols, 2022 Hardback, viii + 265 pages, Size:156 x 234 mm, Illustrations:5 b/w, 20 col., 1 tables b/w., Language: English. ISBN 9782503593883.‎

‎Summary Crusading and western interaction with the Holy Land is often a contentious topic, not least because modern popular perception of medieval east-west contact is that it was defined by violence, conquest, and religious persecution. Building on recent scholarship, this collection of essays takes an interdisciplinary approach to the role of crusading and contact with the Holy Land in medieval Britain in order to investigate the myriad ways in which these contacts influenced artistic, literary, visual, and social culture in medieval Britain. By looking at new material and focusing on the domestic response to crusading and the Holy Land, the contributions gathered here offer new insights into the influence of these contacts on the medieval British world view, as well as their impact on topics such as ideals about masculinity and kingship, geographical perception, and aspirational codes of conduct for the medieval British elite. TABLE OF CONTENTS List of Illustrations Introduction. Ideas of Crusading and the Holy Land in Medieval Britain Kathryn Hurlock and Laura J. Whatley Chapter 1. (Visualising) Jerusalem in Early Medieval England Meg Boulton Chapter 2. Europe and the Holy Land in the British Branch of the Imago mundi Tradition Natalia I. Petrovskaia Chapter 3. Remembering and Mythologizing Richard. Translation and the Representation of the Crusader King in Latin and French Accounts of Richard I's Expedition to the Holy Land Marianne Ailes Chapter 4. 'As You Came from the Holy Land'. Medieval Pilgrimage to Walsingham and its Crusader Contexts Elisa A. Foster Chapter 5. Bodies or Buildings? Visual Translations of Jerusalem and Dynastic Memories in Medieval England Laura Slater Chapter 6. Family, Faith, and Knights of the Holy Sepulchre in Late and Post-Medieval Wales Kathryn Hurlock Chapter 7. Eleanor de Quincy and Imagined Crusading in the Lambeth Apocalypse (London, Lambeth Palace, MS 209) Laura J. Whatley Chapter 8. A Royal Crusade Chronicle. Visual Exempla in King Edward IV's Royal Eracles (London, British Library, Royal MS 15 E I) Erin K. Donovan Chapter 9. Refashioning Henry VIII as a Crusader King: Edward I, Crusading and Ideal Kingship in BL, Royal MS 18 XXVI Katherine J. Lewis‎

Referencia librero : 64797

‎Kathryn Moore, Hasan-Uddin Khan (eds)‎

‎Religious Architecture of Islam. Volume II: Africa, Europe, and the Americas‎

‎, Brepols, 2022 Hardback, 360 pages, Size:220 x 280 mm, Illustrations:293 col., Language: English. ISBN 9782503589367.‎

‎Summary The Religious Architecture of Islam is a wide-ranging multi-author study of the architectural traditions associated with the religion of Islam across the globe. Essays both address major themes across the history of Islamic architecture and provide more focused studies of developments unique to specific regions and historical periods. The essays cover the history of Islamic religious architecture broadly defined, including mosques, madrasas, saints' shrines, and funerary architecture. The Religious Architecture of Islam both provides an introduction to the history of Islamic architecture and reflects the most recent scholarship within the field. TABLE OF CONTENTS AL-ANDALUS AND THE MAGHRIB Glaire D. Anderson ? Early Mosque Architecture in Al-Andalus and the Maghrib Glaire D. Anderson ? Islamic Religious Spaces in Secular Monuments in the West Through the Caliphal Period Susana Calvo Capilla ? The Mosque of Cordoba Juan Carlos Ruiz Souza ? The Mosque of Cordoba and Iberia's Christians Jessica Renee Streit ? Almohad Religious Spaces Susana Calvo Capilla ? The Taifa-period Mosques of Al-Andalus Susana Calvo Capilla ? The Rural and Urban Mosques of Al-Andalus AFRICA AND SICILY Jonathan M. Bloom ? Fatimid Mosques Kristen Streahle ? Religious Spaces in Islamic and Norman Sicily Lara Tohme ? The Ribats of North Africa Mariam Rosser-Owen ? The Almoravid Religious Spaces of Marrakesh and Fez Cynthia Robinson ? The Great Mosque of Tlemcen Hasan-Uddin Khan ? The Mosque of Hassan II, Casablanca Amira K. Bennison ? Madrasas in the Maghrib Amira K. Bennison ? Mosques and Society in the Maghrib Stephennie Mulder ? Mamluk Religious Architecture Nnamdi Elleh ? The Earth Mosques of West Africa Vera-Simone Schulz ? Coral Stone Mosques in East Africa EUROPE Jelena Bogdanovi? ? Religious Landscape in the Balkans in the Fifteenth and Sixteenth Centuries Jelena Bogdanovi? and Vladimir Kuli? ? The ?erefudin White Mosque Nebahat Avc?o?lu ? The Modern and Contemporary Mosque in Europe, Russia, and Turkey Nebahat Avc?o?lu ? Britain's First Mosque: Woking THE AMERICAS Omar Khalidi ? North American Mosques Tammy Gaber ? Canadian Mosques Caroline ?Olivia? Wolf ? Modern and Contemporary Mosques in Latin America Caroline ?Olivia? Wolf ? Argentina's King Fahd Islamic Cultural Center Glossary Index‎

Referencia librero : 64776

‎Kathyrn Bloom Hiesinger‎

‎Art Nouveau in Munich: Masters of the Jugendstil from the Stadtmuseum, Munich, and other public and private collections‎

‎, Prestel Pub, 1988 Hardcover with dusjacket, 192 pages, 9 x 1 x 11.25 inches, Language: English. ISBN 9783791308814.‎

‎Discusses the history of the movement, offers profiles of top artists and artisans, and shows examples of their work‎

Referencia librero : 67967

‎Kati Heck‎

‎Kati Heck Hauruck d'Orange Kati Heck HAURUCK‎

‎, Hannibal / Kannibaal , 2020 HARDCOVER, 29 X 24,5 CM 216 PAGINA'S TWEETALIGE EDITIE ENGELS-NEDERLANDS. .‎

‎Met gevoel voor humor en absurditeit ontleedt Kati Heck (1979, D sseldorf) de wereld om zich heen en herschept een geheel eigen universum. Wie probeert een duidelijk verhaal te ontdekken in haar raadselachtig schilderijen, sculpturen, films en collages komt bedrogen uit. Heck biedt geen houvast maar stuurt aan op de verbeeldingskracht. Hauruck d?Orange is haar eerste grote museale solotentoonstelling in Nederland. Het werk van Kati Heck is een virtuoze kakofonie van kleur, beeld en taal. In figuratieve, vaak omvangrijke schilderijen en sculpturen brengt zij twee werelden samen: de ene herkenbaar en te herleiden naar gebeurtenissen en personen uit de dagelijkse omgeving van de kunstenaar, de andere ontregelend of ronduit verontrustend als een koortsachtige droom. Personages worden op theatrale wijze opgevoerd ? poserend of uitbundig verkleed - en ook Heck zelf is een regelmatige passant in haar eigen werk. Steeds verschijnt ze in een andere bijna allegorische gedaante, als haar eigen muze. Van raadselachtig realisme tot cartooneske schetsen De tentoonstelling in GEM brengt meer dan twintig nieuwe en recente werken samen. Heck plaatst ze in een bijzondere enscenering die de bezoeker uitnodigt om niet alleen de ogen te gebruiken, maar ook het lichaam, de herinnering en het onderbewustzijn. Hauruck d?Orange laat goed zien hoe Heck diverse media en beeldtalen naast en door elkaar gebruikt, vol verwijzingen naar zowel de kunstgeschiedenis en literatuur als folklore, populaire cultuur en autobiografie. Van raadselachtig realisme tot cartooneske schetsen: Heck schept een parallelle wereld waarin categorie n en betekenissen vloeibaar zijn. Naast schilderijen, tekeningen, collages en sculpturen presenteert de tentoonstelling de video Der springende Punkt case II: O (2017). Dit tweede deel uit een nog onvoltooide filmtrilogie komt voort uit de Babydetektivclub, een onvaste groep van bevriende makers met wie Heck samenwerkt. De film speelt op humoristische wijze met clich s uit het detective-genre en vertegenwoordigt een bepaalde democratische do it yourself mentaliteit. Dit blijkt ook uit het enorme handgemaakte ?manifest? dat de bezoeker verwelkomt bij binnenkomst in GEM: alles mag en niets is wat het lijkt. Metamorfose Het ?Hauruck? uit de tentoonstellingstitel Hauruck d?Orange is een veelvoorkomend woord in Hecks schilderijen. Het is Duitse spreektaal voor een aansporing: komaan! ?Orange? refereert daarbij natuurlijk aan de nationale kleur van het land waar zij zichzelf met deze tentoonstelling op de kaart zet. In de tentoonstellingsruimte spelen drie andere kleuren de hoofdrol. Samen vormen ze een ?verwassen? versie van de Duitse en Belgische vlag, wat voor Heck verwijst naar het vervagen van identiteit. Het idee van metamorfose ? het overgaan van het een in het ander ? komt vaker terug in haar werk, bijvoorbeeld in tweekoppige wezens of hybride mensfiguren. Kati Heck woont en werkt in Pulle, Belgi . Ze volgde de opleiding schilderen aan de Koninklijke Academie voor Schone Kunsten in Antwerpen. Haar werk was recent onder meer te zien in de Deichtorhallen in Hamburg, CAC Malaga en het M HKA in Antwerpen.‎

Referencia librero : 53693

‎Katie Treggiden‎

‎Urban potters makers in the city‎

‎, ludion, 2021 SOFTCOVER 232 pages, Illustrated. English text. *new ISBN 9789491819704.‎

‎Clay is back: the age-old craft of ceramics is being embraced by a new generation of urban makers and collectors. Katie Treggiden explores the contemporary revival of pottery, focusing on six inspiring cities and their makers. 27 young and passionate ceramicists in New York, London, Tokyo, Copenhagen, Sydney, and Sao Paulo introduce us to their work, their studios and their inspiration. 'Urban Potters: Makers in the City' will appeal to a broad audience - not only those who practice pottery themselves, but anyone who is interested in the handmade. The book also includes a practical source list of places to buy handmade ceramics in the six cities featured.‎

Referencia librero : 69433

‎Katja Baumhoff, Kerstin Richter‎

‎grandeur et la gr ce: Maillol et Sintenis‎

‎, Hirmer, 2024 softcover 144 pag 21 x 2.2 x 21.8 cm Illustrated. Texte en Francais. ISBN 9783777443942.‎

‎La grandeur et la gr ce: Maillol et Sintenis Paperback ? 1 mei 2024 Franstalige uitgave Katja Baumhoff (redacteur), Kerstin Richter (redacteur), & 1 meer Alle verschijningsvormen en edities zien Aristide Maillols (1861 ? 1944) ruhig harmonisches Meisterwerk La M diterran e wird im Kontext seines ?uvres und im Zusammenspiel mit dem Werk der angesagtesten deutschen Bildhauerin der Zwanziger Jahre Berlins betrachtet: Ren e Sintenis (1888 ? 1965). Neben gegenseitiger Wertsch tzung und erstaunlich verwandter Projekte verband beide der gemeinsame M zen ? Harry Graf Kessler.Einst f r den unsteten Weltb rger Harry Graf Kessler geschaffen, verzauberte die monumentale Figur Maillols ?La M diterran e? die kulturellen Eliten. Der Band zeichnet anhand ausgew hlter Objekte aus Maillols Oeuvre die Entwicklung und Nachwirkung dieser Skulptur nach und vollf hrt einen kontrastreichen Dialog mit den meist kleinformatigen Tierplastiken, weiblichen Aktfiguren, Radierungen und Grafiken einer der wichtigsten deutschen Bildhauerinnen der klassischen Moderne ? Ren e Sintenis.‎

Referencia librero : 64468

‎Katja Schmitz-von Ledebur‎

‎Raphael Gold & Silk - The Revolution of Tapestry Design‎

‎, Hannibal Books, 2023 HB, 305x x285 x 25 mm ENG edition, 232, p, illustrated in colour / b/w., *NEW, ISBN 9789464666595.‎

‎In the autumn of 2023, the Kunsthistorisches Museum Vienna showcases a medium that played a central role in the public celebrations of princely power and magnificence during the Renaissance: monumental tapestries. The most exquisite products fashioned from delicate silks and precious metal threads were produced in Brussels, including the series of tapestries depicting the story of the Apostles, commissioned by Pope Leo X (1475-1521) for the Sistine Chapel in Rome. The cartoons, which led to a stylistic revolution in Flemish tapestry design, are by the celebrated Italian artist Raffaele Santi (1483-1520). Taking Raphael's designs as a starting point, the exhibition explores the evolution of the art of tapestries in the sixteenth century, and presents a selection of masterpieces from the Kunsthistorisches Museum's rich holdings of tapestries‎

Referencia librero : 62221

‎KATOH Amy Sylvester‎

‎Japan: The Art of Living: A Sourcebook of Japanese Style for the Western Home‎

‎Rutland:: Tuttle. Fine in Near Fine dust jacket. 1991. Hardcover. 0804816115 . Color photographs by Shin Kimura throughout. Third printing. INSCRIBED by the author author's card also laid in. Fine in an about fine dust jacket. . Tuttle, hardcover books‎

Referencia librero : 36383 ISBN : 0804816115 9780804816113

‎Katrien De Blauwer‎

‎Katrien De Blauwer: Blue Bruises‎

‎Antwerpen , GALLERY FIFTY ONE, 2025 Illustrated softcover, 120 pages, 21 x 15 cm, ENG. *NEW.‎

‎'There are images that speak to you in a low voice, without raising the tone, without clamor. Images that do not try to show everything, but which, through their very modesty, leave a lasting imprint. Katrien De Blauwer?s work belongs to these. The first time I held one of Katrien?s collages in my hands, it felt like opening a private diary where words had been replaced by visual fragments: a hand, a shoulder, a silhouette, a hidden gaze. As if, by cutting, reframing, erasing, she revealed something more accurate than reality itself something truer than the original photograph. Her work evokes the uneasy silence of an Antonioni film, the unspoken tensions that gather in the margins of the image, bodies held in suspension. In her collages there is the hushed, troubled, and sensual atmosphere of 1950s cinema. As in film noir, it is not action that matters, but waiting. Not dialogue, but the glances that are avoided. And women, often fragmented, become ghostly presences ? at once desired and elusive. Katrien does not photograph; she collects. She hunts, she searches, she cuts in silence. And from that silence emerges a language of rare intensity. These are images of absence, of memory, of solitude. Images that impose nothing, yet inhabit you long after you have left them. Above all, they speak of us. This book is a passage. A plunge into a world where intimacy is expressed through suggestion, where the off-screen becomes the true subject. It is not about understanding, but about feeling. About letting oneself be crossed through. About listening to what whispers behind the images. Katrien De Blauwer cuts into the world, and in the gaps she opens, something of ourselves appears.' This FIFTY ONE Publication is released on the occasion of Paris Photo 2025 and the upcoming solo show at Art Antwerp 2025.‎

Referencia librero : 68227

‎Katrien Lichtert‎

‎Margaretha van Parma The Emperor's Daughter between Power and Image‎

‎, Hannibal Books, 2024 HB, 265 x 215 mm, 240 pages, illustrated in color, ENG edition. ISBN 9789464941333.‎

‎The Emperor's Daughter between Power and Image Margaret, Duchess of Parma (1522?1586), an extraordinarily fascinating figure, has slipped through the cracks of history until recently. As the illegitimate daughter of Charles V, she had a rather unusual start in life. In time, however, Margaret became one of the most powerful women in Italy, attracting a lot of attention. In 1559, she was appointed governor-general of the Netherlands. She was also a keen art lover and patron of the arts. This book takes a closer look at the life of Margaret of Parma and the sumptuous court where she lived as a woman-in-power, with all the pomp and circumstance that involved, via fashion, art, music, festivities and the elite pursuit of hunting. It also examines the dangerous political atmosphere of the Low Countries at the time, with the Iconoclasm, the Dutch Revolt, the arrival of the Duke of Alba and the Eighty Years? War. The beautiful drawings from the Brussels Album (1555?56) bring Margaret?s wondrous world to life in an exceptional way. As do more than a hundred artworks ? portraits, paintings and luxury objects ? from the sixteenth century. Authors from different disciplines look at every aspect of Margaret?s life and times, to ensure that the emperor?s daughter finally occupies her rightful place in history. Publication accompanying the exhibition Margaret. The Emperor's Daughter between Power and Image at MOU‎

Referencia librero : 64824

‎Katrien Loret‎

‎Anton Henning: Pink Period‎

‎, Tim Van Laere Books 2020, 2020 88 pagina's, 25,5 x 20,5 cm, illustraties in kleur, hardcover, Nederlands - Engels. ISBN 9789464004007.‎

‎Tim Van Laere Gallery is pleased to present Pink Period, the third solo exhibition by Anton Henning. Few colors trigger as many contradictory associations and emotions or have as many symbolic meanings in both high as low culture as pink. The same tension and duality can also be found in the works by Anton Henning. If we consider Art History as an ongoing conversation, Anton Henning ( 1964 Berlin, lives and works in Berlin and Manker) proves himself to be a master conversationalist who speaks various different languages. His oeuvre comprises paintings, sculptures, drawings, films, photographs, musical pieces and entire environments. His oeuvre could be read as a contemporary interpretation of the Gesamtkunstwerk. Focussing equally on the search as well as the outcome, he creates a hybrid pictorial event, an anarchy of images liberated from the gravity of the isms in art history. With his motif repertory, material choices, stylistic devices and playful reinventions of the genre types, Henning doesn?t simply quote from art history, but he playfully looks for painterly potential through his own pictorial memory which has remained delitescent, discarding all spatial, temporal, and ideational contexts. He moves between modern enthusiasm and postmodern irony, between hope and melancholy, between naivet and knowledge, empathy and apathy, unity and diversity, totality and fragmentation, purity and ambiguity.‎

Referencia librero : 57566

‎Katrien Loret‎

‎Let's Go!‎

‎, Tim Van Laere Books, 2023 92 pagina's, 25,5 x 20,5 cm, hardcover, Nederlands/Frans/Engels. ISBN 9789464004205.‎

‎Tim Van Laere Gallery is pleased to present Let?s Go! a group exhibition presenting works by Bram Demunter, Jean Dubuffet, Kati Heck, Leiko Ikemura, Stanislava Kovalcikova, Friedrich Kunath, Jonathan Meese, Albert Oehlen, Tobias Pils, Tal R, Ben Sledsens, Ettore Spaletti, Dennis Tyfus, Rinus Van de Velde, In s Van den Kieboom, Henk Visch, and Franz West. While solo exhibitions allow you to fully enter the world of one artist and give you a glimpse of what the world looks like according to that artist, a group show offers different windows and pathways to various points of view and ways of seeing. It?s for this reason group shows are a vital part of the gallery?s program. By combining works from different artists in all kinds of media, the inner dialogue between the artist and his/her work is brought to a larger table, where its meaning gets challenged and debated by the surrounding works. It makes for an open dialogue where universal truths rise to the front and are brought to the surface of each one of the works presented in the exhibition space. The decision of the gallery to curate the show not only with contemporary artists but to also include modern artists, testifies to the determination the gallery has to pave new pathways to foster new dialogues and share these dialogues with the public. Choosing to curate group shows with cross-pollination in media, genres, and generations, can create new ways in art and expand the existing dialogue of the works which inspires new styles, and different ways of creating and rethinking our ways of seeing. On the one hand, the title of the show, Let?s Go!, reflects on the gallery?s belief in art and its strength to overcome almost everything. It?s a phrase that leaves no room for doubt and proclaims its strong faith in art to the public, inviting them to join the party. On the other hand, the phrase also refers to the process of the artist. Each one of these artists knows how to surrender to their work. They have allowed art to fully consume their life and take a vital part in their existence. They allow the work to speak for itself. Therefore the gallery chose to respect this inner attitude of the works and place them in dialogue as such. They don?t need a thematic alibi to start up new conversations, they just need to be presented as intended by the artist to enter the public?s consciousness.‎

Referencia librero : 60942

‎Katrien Vandermarliere (hoofdredacteur), Tom Avermaete, Lieven De Boeck‎

‎JAARBOEK ARCHITECTUUR VLAANDEREN 2002-2003 : (editie 2004)‎

‎, Ministerie van de Vlaamse Gemeenschap, 2004 Hardcover, 224 pag. NL, 310 x 230 x 25 mm, als Nieuw, illustraties / afb. in kleur / z/w. ISBN 9789080778740.‎

‎Het Jaarboek Architectuur Vlaanderen verscheen in 2004 voor de zesde maal, en voor het eerst als uitgave van het Vlaams Architectuurinstituut. Het Jaarboek biedt een tweejaarlijks overzicht van de recente ontwikkelingen in de architectuur in Vlaanderen. De editie 2004 stelt een selectie van 15 gebouwen voor aan de hand van heldere projectbeschrijvingen en uitgebreid beeldmateriaal. Het boek wordt aangevuld met een aantal artikels rondom thema?s die via de ingezonden projecten naar boven kwamen drijven. Zo bespreekt Akos Morav nszky aan de hand van het Brugse Concertgebouw de vorming van identiteit als het resultaat van een veelzijdige en complexe historische constructie. Wouter Davidts biedt een confronterende doorlichting van de culturele infrastructuur in Vlaanderen van de laatste 10 jaar. William Mann gaat in op stedelijk wonen met landelijke kwaliteit of de relativiteit van dichtheid, en Tom Avermaete voert een pleidooi voor het architectuurontwerp als een vorm van (stads)onderzoek. Traditioneel bevat het boek verder een overzicht van publicaties, tentoonstellingen, lezingen, wedstrijden en architectuurprijzen. Door dit alles is het jaarboek een waardevolle bron van informatie en vormt het een aanzet voor de ontwikkeling van het architectuurdebat in Vlaanderen.‎

Referencia librero : 62738

‎Katrijn van Bragtt‎

‎Studie van een jonge vrouw Een bijzondere blik in het atelier van Michaelina Wautier (1604-1689)‎

‎Antwerp, Phoebus Focus XIX, 2020 Paperback, 102 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL. ISBN 9789082746761.‎

‎Phoebus Focus 19 - Studie van een jonge vrouw Een bijzondere blik in het atelier van Michaelina Wautier (1604-1689)‎

Referencia librero : 56304

‎Katrin Dyballa and Stephan Kemperdick‎

‎Netherlandish and French Paintings 1400?1480 Critical Catalogue‎

‎, Imhof verlag, 2024 hardcover, Size 24 30 cm, 608 pages, 497 colour and 142 b/w illustrations, English text. ISBN 9783731913191.‎

‎Netherlandish and French Paintings 1400?1480 Critical Catalogue The Berlin Gem ldegalerie houses an internationally outstanding collection of early Netherlandish and French paintings. This scholarly catalogue is dedicated to the works of the pioneer generation, i.e. those artists who began their career in or before the second third of the fifteenth century. In 52 entries, 69 individual paintings are discussed. All the important masters of the period are represented, many of them with major works ? such as the Madonna in the Church by Jan van Eyck, the Miraflores Altarpiece by Rogier van der Weyden, the donor panel of tienne Chevalier by Jean Fouquet, the only known painting by the early Dutch master Albert van Ouwater or the Montforte Altarpiece by Hugo van der Goes. The individual entries are based on art-historical and technological investigations and were written in an interdisciplinary collaboration. This richly illustrated publication presents a wealth of new insights into both the well-known works, and panels that had received less attention in former times.‎

Referencia librero : 64774

‎Katrin Kogman Appel, Ilona Steimann (eds)‎

‎Premodern Jewish Books, their Makers and Readers in an Era of Media Change‎

‎, Brepols, 2024 Hardback, 464 pages, Size:216 x 280 mm, Illustrations:106 col., Language: English. ISBN 9782503604633.‎

‎Summary This volume brings together studies about books as artefacts within transitional zones. The history of the book from the handwritten to the printed medium is understood as a process marked by innovation and social change, but also by disorientation and bewilderment. The journey of a book from production to use was determined by a complex set of factors: communication among authors, makers of books, patrons, and readership; the emergence of publishers; and decisions to be made concerning production and publication. These factors underwent tremendous changes during the fifteenth and sixteenth centuries owing to the spread of printing and the rise of Humanism in Europe. Particular focus is put on the physical evidence of books, both handwritten and printed, and what it can tell us about a book's production and its reception. TABLE OF CONTENTS Introduction Katrin Kogman-Appel and Ilona Steimann Part One: Media Change Chapter 1: Changes in Bookmaking: Joel ben Simeon's Manuscripts in the Transition from Customized to Mass Production? Rodica?Herlo-Lukowski Chapter 2: Joel ben Simeon in Transition Evelyn M. Cohen Chapter 3: Jewish Books between Portugal to the Early Sefardi Diaspora.? D bora Marques de Matos Chapter 4: The Emergence of the Printing Self: Egodocuments and Micro-Egodocuments in Jewish Paratexts from Manuscript to Print Avriel Bar-Levav Chapter 5: From Manuscript to Print and Back Again. Two Case Studies in Late Sixteenth-Century Jewish Book Culture Pavel Sl dek Chapter 6: Lishmah Qedushat Sefer Torah or the Impossibility of Printing a Kosher Torah Scroll from Rabbinic Perspectives Annett Martini Part Two: The Craft of Editing Chapter 7: The 1514 'Grace after Meals and Sabbath Hymns and Qiddush' and the Experimental Beginnings of Woodcut Illustrations in Prague Sarit Shalev-Eyni Chapter 8: Hayyim Shahor and Jewish Life in Sixteenth-Century Ashkenaz Lucia Raspe Chapter 9: Of Roots and Signs: Printing Ashkenazi Responsa in Sixteenth-Century Venice Tamara Morsel-Eisenberg Part Three: Reading Chapter 10: The Masorete and His Readers: A Relationship Obscured Now Rediscovered Dalia-Ruth Halperin Chapter 11: Early Hebrew Printing and the Quality of Reading: A Praxeological Study Hanna Liss Chapter 12: Hegemonies of Reading. Layout, Materiality, and Authorship in Early Hebrew Prints Federico Dal Bo ? Part Four: Confiscation and Destruction Chapter 14: Burning the Talmud. Before and After Print David Stern Chapter 15: The Bookless Talmud and the Talmud Book: The Loss of Books in the Medieval and Early Modern World? Yakov Z. Mayer ? Part Five: Christian Collections Chapter 16: A Medieval Hebrew Psalter with Latin Glosses (MS Paris, BnF h breu 113) and Its Cambridge Connection ? Judith Olszowy-Schlanger Chapter 17: A Forced Journey between Two Faiths. The Hebrew Manuscripts of the University of Vienna Ilona Steimann? Chapter 18: 'Ben Hacane Liber qui dicitur Pelia'. Egidio da Viterbo's Kabbalistic Excerpts Saverio Campanini? Chapter 19: Alfonso de Zamora and Hebrew Manuscripts on Grammar and Exegesis in Sixteenth-Century Spain Javier del Barco Chapter 20: On the Beginnings of Christian Hebraist Bibliography in the Sixteenth Century Maximilian de Moli re Manuscript Index General Index‎

Referencia librero : 64240

‎Katrin Lohmann‎

‎As it is Done, 57 Contemplations‎

‎, MER Paper Kunsthalle, Gebonden, Hardcover 24X16cm, 144 pages met prachtige illustraties. ISBN 9789490693787.‎

‎Een bloemlezing van pijnlijke banaliteiten. Een beeldverhaal zonder begin en eind. Getekend en geschreven door Katrin Lohmann, actrice en maakster. Graphic short-stories portraying people beyond revolt. An anthology of distressing trivialities. Sketched by Katrin Lohmann.‎

Referencia librero : 55379

‎Katsuhisa, Kato (ed.)‎

‎Treasures of Ancient Egypt. Vol. 1: Old Kingdom - Middle Kingdom.‎

‎Tokyo, Kodansha, 1979. Text in japanischer Sprache. - Text in Japanese. 427 S. mit zahlreichen Illustrationen auf Tafeln und im Text. - 427 pp. with numerous illustrations on plates and in the text. Fol. (37 x 27 cm), Orig.-Kunstledereinband in Orig.-Kunstlederkassette - Original faux leather binding in original faux leather case (clamshell box) [8 Warenabbildungen]‎

‎Kasette an zwei Ecken leicht bestoßen; ansonsten sehr gut erhalten. - Case slightly bumped at two corners; otherwise in very good condition.‎

Referencia librero : 24469

‎Katya Tylevich‎

‎MICHA L BORREMANS The Acrobat.‎

‎, David Zwirner , 2022 PB, 178 x 114 mm, 64 page, ENG edition, illustrated with coloured illustrations. ISBN 9781644230831.‎

‎Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history.‎

Referencia librero : 58769

‎Katzberger, P‎

‎Der Karner von Perchtoldsdorf (heute Martinikapelle). M. e. Beitr. v. O. Riedel.‎

‎Perchtoldsdorf, 1989. M. zahlr. Faks., Taf. u. Abb. 211 S. OLwd.‎

Referencia librero : 215241