‎Architecture‎

‎Keller, Heinz (1928-2019)‎

‎Frau mit Harlekin-Maske.‎

‎1979. Holzschnitt Blattgrösse: 20 x 14 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A‎

‎Neujahrskarte von Heinz Keller. ? Mit Widmung von Heinz und Sylvia Keller.‎

Riferimento per il libraio : 1767AG

‎Keller, Heinz:‎

‎"...ich glaube nicht, dass du eingespärrt wirst...". Erzählt, gezeichnet und in Holz geschnitten von Heinz Keller.‎

‎Winterthur, Sonnenberg Presse, 1976. 4°. 32 (3) S. Mit 6 sign. Orig.-Holzschnitten und 10 Abb. im Text von Heinz Keller. Illustr. Orig.-Halbleinenband.‎

‎Nummer 2 von 500 Exemplaren. Beigelegt ein sign. Orig.-Holzschnitt.‎

Riferimento per il libraio : 4178DB

‎Keller, Heinz:‎

‎Hiob. Zwölf Holzschnitte von Heinz Keller. Texte aus dem Buch Hiob ausgewählt und bearbeitet von Susanne Kramer.‎

‎Winterthur, Sonnenbergpresse, 1988. 4°. 36 S. Mit sign. Orig.-Holzschnitt und 12 reproduzierten Holzschnitten. Orig.-Broschur mit Schutzumschlag.‎

‎Eins von 1000 Exemplaren.‎

Riferimento per il libraio : 23495AB

‎Kelley Helmstutler Di Dio‎

‎Shipping Sculptures from Early Modern Italy. The Mechanics, Costs, Risks, and Rewards‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: 231, Size:220 x 280 mm, Illustrations:77 col., 2 maps color, Language: English. ISBN 9781915487452.‎

‎Summary Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards focuses on enormous amounts of sculptures moved from Italy to Spain from ca. 1500-1750. An analysis of an important body of unpublished archival documentation regarding the practical issues involved in making and transporting sculpture, provide the basis for this study of the development of technologies, infrastructure, and labor organization necessary to make such challenging transports of moving sculptures by land and sea possible. Artists, patrons, and agents had the eventual movement to a destination at the center of decision making when new sculptures were commissioned to send. Sending antiquities or second-hand works required even more planning and care. Divided into a series of case studies of major sculptures, Shipping Sculptures offers a new approach to the study of cross-cultural artistic exchange, state gifts, collecting and patronage, by examining the practical details of object movement over challenging geographies. TABLE OF CONTENTS Introduction A Note about Currency Chapter 1: From Origin to Destination Chapter 2: Churches Chapter 3: Residences Chapter 4: Public Sites Conclusion: Hidden Costs and Hidden Histories Appendix to Chapter 2 Appendix to Chapter 3 Appendix to Chapter 4 Select Bibliography Index‎

Riferimento per il libraio : 70747

‎Kelly Grovier‎

‎Honderd meesterwerken die onze tijd markeren‎

‎Antwerpen, Ludion, 2013 Gebonden hardcover, 320 pagina's, 27.5 x 23.5 cm, Nederlandstalige tekst. *fine condition. ISBN 9789461301277.‎

‎Oorspronkelijk verschenen in het Engels als: 100 works of art that will define our age‎

Riferimento per il libraio : 67090

‎Kelly J. Whitmer‎

‎Useful Nature(s). Science, Pedagogy and the Power of Youth in Early Modern Central Europe‎

‎, Brepols, 2026 Hardback, Pages: 222, Size:178 x 254 mm, Illustrations:42 b/w, 9 col., Language: English. ISBN 9782503619415.‎

‎Summary The study of youth remains a tantalizing prospect in the sciences today, particularly as a means of extending life. Many institutions rely on the flexibility, cheaper labor and creative approaches to problem solving that young people often carry with them into research and professional environments. Now, as in the past, practitioners of the sciences are drawn to evidence of intellectual precocity or signs of premature ingenuity. Useful Nature(s) recovers the largely untold story of science's preoccupation with the power of the young, including their heightened capacities to "know use" and to embody playful, yet productive, forms of physical labor. It focuses on a pivotal moment in the history of early modern Central European communities, when scholars, physicians, teachers and administrators began calling for intensified investigations of the young body, particularly its tendency to play, to move constantly, and to deploy tools and materials strategically. Drawing much needed attention to science's fascination with youth's power, Useful Nature(s) highlights efforts to derive benefit from the young person's relationship to the future and potential to dramatically reconfigure knowledge-making practices and communities. TABLE OF CONTENTS Introduction: Young and Useful Natures Chapter 1. Coconut palm: Cultivating Trees of a Thousand Uses Chapter 2. School: Imitation and Realia in the School of Play Chapter 3. Games & Collections: Purposeful Nature(s): Youth as Players, Collectors and Economists Chapter 4. Prodigy: The Body Of the Prodigy: Precocity and Futurity in the Young Ingenium Conclusion‎

Riferimento per il libraio : 70452

‎Kelly, Steven‎

‎Invisible Architecture‎

‎Hard cover, pages and jacket are all in very good condition showing very few signs of age or use. First edition, first printing.‎

‎Kelsey, Albert‎

‎Programme et Regles Du Second Concours En Vue Du Choix D'Un Architecte Pour La Construction Du Phare Monumental Que Les Nations Du Monde Erigeront Dans La Republique Dominicaine a La Memoire De Christophe Colomb‎

‎L'Union Pan-Americaine. Very Good with no dust jacket. 1931. First Edition. Hard Cover. Tight clean book in green cloth with bright gilt titles and bright medallion to front board; five spots of discoloration to front board; single "withdrawn" stamp to front endpaper indicates only the refusal to add this estate donation to the library collection; 187 pp plus two three-section fold-outs following; illustrated throughout with remarkable architectural drawings in black & white and colour; silk marker; en francais. ; 9 x 14" . L'Union Pan-Americaine hardcover‎

Riferimento per il libraio : 18877

‎KEMAL ARAN.‎

‎Barinaktan öte. Anadolu kir yapilari. Photos and drawings: Ali Tan Aran, Kemal Aran.‎

‎Fine English Original bdg. HC. Oblong 4to. (26 x 26 cm). In Turkish. Color ills. 224 p. Anatolian rural structures. Barinaktan öte. Anadolu kir yapilari. Photos and drawings: Ali Tan Aran, Kemal Aran.‎

‎KEMAL ARAN.‎

‎Beyond shelter: Anatolian indigenous buildings.‎

‎New New English Original bdg. Dust wrapper. 4to. (26 x 26 cm). In English. 224 p., color ills. Beyond shelter: Anatolian indigenous buildings. Beyond Shelter presents visual records of various houses and settlements in the Aegean, Mediterranean, Central, Eastern, and Black Sea regions of Anatolia. It explains the languages of the building patterns found, and also displays the ingenuity of the indigenous builders. While focusing on the relationships between climate, locality, materials and skills, Kemal Aran shows the reader the differentiation of Anatolia's characteristic patterns. Dramatic expressions in the unity of details, textures, materials and colors also produce building variations that stem from the builders' initiative. The buildings depicted are unique examples that satisfy both the physical needs and the intellectual motives of people. As shown in Beyond Shelter, languages of building patterns establish communal identity including individual variety.‎

‎KEMAL KUTGUN EYÜPGILLER.‎

‎The tekke of Sheik Huseyin.= Bedevi Seyh Hüseyin tekkesi.‎

‎New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish. [43] p., color and b/w ills. The tekke of Sheik Huseyin.= Bedevi Seyh Hüseyin tekkesi.‎

‎KEMMERER Eugène‎

‎HISTOIRE DE L'ILE DE RE - L'Insula Rhéa.‎

‎Imprimerie "A Jeanne D'arc" Saint-Martin-de-Ré 1966 In-4 carré ( 260 X 205 mm ) de 540 pages, demi-chagrin vert à coins, dos à nerfs janséniste, couvertures et dos conservés. Réédition à l'identique de la seconde édition corrigée, augmentée et illustrée de 150 photogravures, La Rochelle, Mareschal, 1888. Bel exemplaire.‎

Riferimento per il libraio : 52138

‎Kempf, J‎

‎Wohnhäuser im Gebirgsstil. Neuzeitliche Beispiele in Bild u. Plan.‎

‎München, Bruckmann, (1934). M. 85 Abb. u. Plänen. 47 S. Ill. OU.‎

Riferimento per il libraio : 417261

‎Kempf, Julius‎

‎Kleinwohnstätten der Gegenwart.‎

‎München, F. Bruckmann Verlag, 1950. 4°. 176 S. 482 Abbildungen.. Pp. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +‎

Riferimento per il libraio : 51AB

‎Kempf, Julius:‎

‎Kleinwohnstätten der Gegenwart.‎

‎München, F. Bruckmann Verlag, 1950. 4°. 176 S. 482 Abbildungen.. Pp.‎

Riferimento per il libraio : 51AB

‎Kempinski, A.; Reich, R. [Eds.]‎

‎The Architecture of Ancient Israel‎

‎KEMPMANN Jochen‎

‎Das Ideengut Martin Wagners - als Beispiel für die Entwicklung der städtebaulichen Gedankengänge seit 1900‎

‎Berlin, 1968 45pp. + ills., 21cm., softcover, text in German, Doctoral dissertation (Von der Fakultät für Architektur der Technischen Universität Berlin zu Verleihung der akademischen Würde Doktor-Ingenieur genehmigte Dissertation), stamp at verso of title page, text is clean and bright, good condition, S109432‎

Riferimento per il libraio : S109432

‎Ken Avonts, Dirk Coenjaerts, Annie Van Laeken en Jan van Melis.‎

‎250 jaar Sint-Niklaaskerk Hemiksem geschiedenis, kunst en funerair erfgoed.‎

‎Hemiksem, Heymissen VZW , 2022, Oorspronkelijk uitgevers omslag, 59 pagina's met afbeeldingen in kleur.‎

‎Het boek "250 jaar Sint-Niklaaskerk Hemiksem" beschrijft de geschiedenis, de kunstwerken en het funerair erfgoed van de jarige kerk. Het bevat 60 pagina's en vele kleurenfoto's.‎

Riferimento per il libraio : 61335

‎Ken Grant, Tracy Marshall‎

‎CHRIS KILLIP‎

‎, Thames and Hudson , 2022 Hardcover, 256 pages, ENG, 305 x 245 mm, NEW, dustjacket, 200 illustrations. ISBN 9780500025581.‎

‎The definitive, full-career retrospective of the life and work of Chris Killip (1946-2020), one of the UK's most important and influential post-war documentary photographers. 'I didn't set out to be the photographer of the English de-Industrial Revolution. It happened all around me during the time I was photographing' Chris Killip, 2019. Grounded in sustained immersion and participation in the communities he photographed, Chris Killip's keenly observed work chronicled ordinary people's lives in stark, yet sympathetic, detail. His photographs are recognized as some of the most important visual records of 1980s Britain; as editor of this book Ken Grant reflects, they tell the story of those who 'had history "done to them", who felt its malicious disregard and yet, like the photographer with whom they shared so much of their lives, refused to yield or look away.' Published to coincide with the first full retrospective of Killip's life and work at the Photographers' Gallery, London, this book, designed by Niall Sweeney & Nigel Truswell at Pony Ltd, presents photographs from each of his major series alongside lesser-known works. It includes a foreword by Brett Rogers, in-depth texts by Ken Grant tracing Killip's life and career, and essays by Gregory Halpern, Amanda Maddox and Lynsey Hanley.‎

Riferimento per il libraio : 59446

‎Ken Pratt, Pavel Buchler en Eric Rinckhout‎

‎LUC TUYMANS Glasses‎

‎, BAI / National Portrait Gallery, 2016 HB, 294 x 193 mm, 96 p, 35 colour illustrations English edition. ISBN 9789085867258.‎

‎The work of the painter Luc Tuymans (1958) is an ongoing investigation of images and the flood of images in which we are immersed on a daily basis; of how people and things appear to us; and of the gap between representation and reality. Because glasses help shape the way someone looks, such an apparently obvious instrument is important to an artist and image researcher. However incidental they may seem to be, glasses help determine how we 'read' a person's identity. In Glasses, Luc Tuymans and the MAS bring together an exquisite selection of more than twenty works. They include portraits, both of 'nameless people' and of historical figures, and other works, and they have never been seen together before. The selection includes iconic works from Tuymans' oeuvre, whose major themes include Nazism, colonialism and nationalism. In the series Die Zeit, the SS man Heydrich hides his face behind dark glasses, the young Baudouin steps off a plane in L opoldville concealed by his sunglasses, the laughing American family man Milteer, with eyes wide open behind his glasses, is an extremist and racist, and the face of Flemish author Ernest Claes becomes a kind of blank mask with glasses.‎

Riferimento per il libraio : 54083

‎Ken Tate‎

‎New Classicists Ken Tate Architect Selected Houses Volume Two‎

‎Australia: The Images Publishing Group Pty Ltd 2005. Hardcover. Very Good /Fine. 11"x11.5"x2. Photography: Gordon Beall. Volume Two continues with more of Tate's splendid residential projects: Secluded Lakeside Enclave Federal Style for the Deep South Woodland Vernacular Gulfside Classical Compound and a Rural Mississippi Retreat. Color photographs against black background leaves create a dramatic presentation for interiors and exteriors. Many double-paged color drawings are tipped in; some have detached but are present. 323 pp. <br><br>CONDITION: Black hardcopy entitled on spine sound binding. Previous owner bookplate on pastedown; moss green endpapers. Pictorial dust jacket entitled in white text on cover and spine. Comment on rear by Thomas Moore. Very light rubbing. Very good. Full refund if not satisfied. The Images Publishing Group Pty Ltd hardcover‎

Riferimento per il libraio : 078050

‎KENAN KAHRAMAN.‎

‎Inegöl Ishak Pasa Külliyesi.‎

‎Fine English Paperback., Fine., 20 x 14 cm., 92 p., color and b/w ills., "Inegöl Ishak Pasa Külliyesi.", Kenan Kahraman, Inegöl Belediyesi Yayinlari, Bursa, 1996.‎

‎Kendall, John‎

‎An Elucidation of the Principles of English Architecture Usually Denominated Gothic‎

‎London: J Murray Nornaville and Fell C Chapple Taylor and Hessey J M Richardson and Sherwood Neely and Jones 1818. First Edition. . Halfbound Over Marbled Boards. Very Good. 50 2 pages 23 plates. Colvin 340. Bound in at rear is a section from The Quarterly Review of April 1821 pp. 111-147which deals with Gothic architecture in England and on the Continent. Rebound in black tooled calf over marbled boards with gilt decoration and titling to spine decorative bookplate to front pastedown a tipped-in contemporary letter to the front pastedown referring to Kendall. The dedication page and the preface are absent a previous owner having inserted loose copies of same. Condition is very good with some isolated spotting and age toning to edges. 720 Size: 220mm. x 140mm. <br/> <br/> J Murray, Nornaville and Fell, C Chapple Taylor and Hessey, J M Richardson, and Sherwood, Neely and Jones hardcover‎

Riferimento per il libraio : 017449

‎Kendell Geers ; Wivine de Traux‎

‎DUCHAMP'S ENDGAME : D rer, da Vinci, Poussin and Ingres‎

‎, Mercatorfonds, 2024 HB, 250 x 190 mm, ENG. edition, 194 pages , NEW, 200 illustrations in color / b/w. . ISBN 9789462303737.‎

‎In 1912 Marcel Duchamp was disillusioned with the French art scene, so leaves Paris and spent 3 months in Munich. He describes this period as the scene of his "complete liberation" and it set the tone for the rest of his life. It was in Munich that he decided to stop painting and instead create readymade works of art. The entire course of twentieth century art history changes as a direct result of this "complete liberation" and yet we know absolutely nothing about what happened, except that Duchamp created 2 small paintings and a few drawings. One hundred years later, South African artist Kendell Geers was in Munich to install a retrospective at the Haus der Kunst, and fell into a depression on account of his own disillusionment with the art scene. "Duchamp's Endgame" is a personal book about one artist looking at the work of another artist, trying to make sense of a century old enigma, trying to make sense of what it means to be an artist. Geers offers a unique reading of Duchamp that takes the reader on a labyrinthine journey through art history, revealing how one generation of artists secretly looked at another generation artists, all the way back to Leonardo da Vinci via Cranach, Poussin, Ingres and Durer. "Duchamp's Endgame" is a passionate story about art and the real life art historical version of the "Da Vinci Code" written by a contemporary artist with his tongue firmly in our cheek. A century after Duchamp declared painting is dead, nobody has yet offered any evidence beyond conjecture what he meant by that statement. Kendell Geers uses the works of art themselves as visual evidence to explain what Duchamp was looking at and researching during his 3 month stay in Munich. The book follows the links between works of art created by 5 generations of artists, explored through the eyes of the artists themselves.‎

Riferimento per il libraio : 63791

‎Kenis, Stan [fotograaf] / Dauw, Dirk‎

‎Zomer 78 : portretten van bekende Gentenaars‎

‎, Gent : Stan Kenis , 1978, Oorspronkelijk uitgevers omslag, 52 pag. z/w foto's.‎

Riferimento per il libraio : 63357