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‎Laurent Cesalli, Leone Gazziero, Charles H. Manekin, Shahid Rahman, Tony Street, Michele Trizio (eds)‎

‎Fallacies in the Arabic, Byzantine, Hebrew and Latin Traditions‎

‎, Brepols, 2024 Paperback, 269 pages, Size:170 x 240 mm, Language: English. ISBN 9782503608198.‎

‎Summary Bad arguments have never been in short supply. The scholarly interest they have elicited in recent years, on the other hand, is quite exceptional. Fallacy studies have become a well established and flourishing field of argumentation theory. Without notable exception, the ever-growing literature on argumentative failures suffer from a conspicuous lack of interest in Mediaeval fallacy theory - arguably the most creative stage in the whole history of argumentation theories. The standard story is that after Aristotle got off to a tentative start, the study of fallacies laid dormant until people at Port Royal and John Locke revived it in spectacular fashion. Fallacies in the Arabic, Byzantine, Hebrew and Latin Traditions will show that this narrative is misleading, if not altogether false. Free of boundaries or limitations imposed by differences in discipline, language and culture, the volume will provide ample and unambiguous record of the exegetical proficiency, technical expertise and argumentative savoir-faire typically displayed by mediaeval logicians jurists and theologians on issues whose complexity we underestimate to some extent - such as the problem of defining what a fallacy is or the pitfalls of linguistic expression. Working its way from the inside out within each mediaeval tradition and comparing mediaeval findings and lessons to contemporary views and trends, the volume will show where the potential for novelty and the rightful place of mediaeval theories of fallacies lies within contemporary argumentation studies. TABLE OF CONTENTS Laurent CESALLI, Leone GAZZIERO, Charles MANEKIN, Shahid RAHMAN, Tony STREET and Michele TRIZIO, Fallacies in the Arabic, Byzantine, Hebrew and Latin Traditions. Introduction Latin Tradition Sten EBBESEN, Are the Fallacies Topoi? Costantino MARMO, The Fallacia Consequentis between Term Logic and Sentence Logic in its Medieval Reception Leone GAZZIERO, ?Qui imperitus est vestrum, primus calculum omittat?. Aristotelis Sophistici Elenchi 1 in the Boethian Tradition Irene CAIAZZO, Theology, Fallacious Reasoning and Heresy on the Borders of the Twelfth and Thirteenth Centuries. Some Remarks on the Fallaciae in theologia and Amalricians Byzantine Tradition Melpomeni VOGIATZI, Byzantine Treatments of Fallacy. The Reception of Aristotle's Account Arabic Tradition Shahid RAHMAN and Walter Edward YOUNG, Outside the Logic of Necessity. Deontic Puzzles and 'Breaking' Compound Causal Properties in Islamic Legal Theory and Dialectic Hassan REZAKHANY, A Forgotten Mereological Paradox Jewish Tradition Charles H. MANEKIN, Fallacies and Biblical Exegesis - The Case of Joseph ibn Kaspi Yehuda HALPER, Are Zeno's Paradoxes of Motion Fallacies? Evidence from the Hebrew Aristotelian Logical Tradition Aviram RAVITSKY, Fallacies in Rabbinical Thought, in Medieval Jewish Philosophy, and in the Treatise on Talmudic Methodology by Abraham Elijah Cohen Index nominum Index rerum‎

Bookseller reference : 64287

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Laurent Feller‎

‎Richesse, terre et valeur dans l'occident m di val. Economie politique et conomie chr tienne‎

‎, Brepols, 2021 Paperback, 347 pages, Size:170 x 240 mm, Illustrations:8 tables b/w., 2 maps color, Language: French. ISBN 9782503598123.‎

‎Summary Quelles sont les cons quences de l'encastrement de l' conomique dans le social ? Pos e d s les ann es 1940 par Karl Polanyi propos des soci t s qui se situent de l'autre c t du grand partage , cette question est d terminante pour comprendre les conditions autant culturelles que mat rielles du d veloppement au sein de l'Occident m di val. Sans renoncer un certain nombre d'interrogations de l' conomie politique, l'ouvrage de Laurent Feller int gre les m thodes et les r sultats des sciences sociales afin de parvenir une description du r el qui rend compte de l'action des hommes sur les choses et de ce que font les agents, dans la soci t chr tienne du Moyen ge, lorsqu'ils produisent, changent et consomment. Il s'int resse notamment l'attitude des lites l' gard de la terre, la fois outil de production et vecteur de prestige, aux instruments cognitifs des moines, des v ques et des aristocrates la cs qui manipulent les richesses, aux modes d' valuation et aux fa ons de solder les changes. TABLE OF CONTENTS Avant-propos : Une conomie encastr e Chapitre 1 : Entre croissance et crise : les arri re-plans de l'histoire de l' conomie m di vale Chapitre 2 : Les critures de l' conomie au Moyen ge Chapitre 3 : Richesse et pouvoir au haut Moyen ge Chapitre 4 : Entre villes et campagnes : accumulation, redistribution et changes Chapitre 5 : La richesse des moines Chapitre 6 : Les aristocrates, les glises et la terre : l'exemple italien Chapitre 7 : Acheter et vendre la terre : qu'est-ce que le march foncier au Moyen ge ? Chapitre 8 : Mesurer la valeur des choses au Moyen ge Chapitre 9 : La formation des prix (IXe-XIIe si cles) Chapitre 10 : Les moyens de paiement Chapitre 11 : Croissance et d veloppement : rythmes et mesure (IXe-XIIIe si cle) Chapitre 12 : La r mun ration du travail agricole (XIIe-XIVe si cle) Conclusion Sources et Bibliographie‎

Bookseller reference : 65082

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ERIK TONEN BOOKS
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‎Laurent Guillo‎

‎Christophe Ballard, imprimeur-libraire en musique sous Louis XIV. Avec un inventaire des ditions des Ballard de 1672 1715‎

‎, Brepols, 2022 Paperback, 658 pages, Size:178 x 254 mm, Illustrations:82 b/w, 31 tables b/w., Language: French. ISBN 9782503599892.‎

‎Summary D s son origine, l'Acad mie royale de musique va fonctionner en combinant la protection et le contr le du pouvoir avec une gestion d'entreprise de spectacles. Jean-Baptiste Lully d veloppe son Acad mie en cumulant la d tention du privil ge, la direction de la gestion et une bonne part de la direction artistique, tandis que l'institution impose des limitations aux autres formes de musique dramatique, tels la musique de sc ne Paris ou les op ras de province. En 1673, le privil ge de seul imprimeur du roi pour la musique accord depuis plusieurs g n rations la famille Ballard est r attribu au jeune Christophe avec une clause formelle d'exclusivit pour la typographie musicale. La forte visibilit des cr ations entre Paris et Versailles et l'unicit de son atelier d'imprimerie g n rent la publication d'un r pertoire tr s homog ne mais qui exclut largement la musique compos e en province. La splendeur de la musique sous le r gne de Louis XIV ne doit pas cacher que les musiciens de ce temps n'ont eu que peu de facilit pour tre interpr t s, publi s et se faire conna tre, du fait de la combinaison des privil ges de l'Acad mie et de Ballard. Les contraintes r glementaires et contractuelles qui r gissent cette situation sont expos es dans ce volume, qui traite de la vie et de la production de Christophe Ballard entre 1672 et 1715. Il inclut la description des 1300 ditions sorties de son atelier ainsi que celles de son fr re cadet Pierre III et de son fils Jean-Baptiste Christophe (jusqu'en 1715). Il propose galement une synth se sur la concurrence fran aise ou trang re comme sur le commerce des copistes en musique. TABLE OF CONTENTS Introduction 1. La maison Ballard sous Christophe Ballard Retour Robert III Ballard : patrimoine et succession Christophe Ballard : famille, propri t s et rentes Les d buts, l'organisation et le personnel La production : catalogues, statistiques, prix, d p ts et biblioth que Les rapports avec les imprimeurs : le privil ge, la Communaut et les proc s 2. Les rapports avec les auteurs et les institutions Les deux types de privil ges et de contrats Les rapports avec la Maison du Roi Les rapports avec Jean-Baptiste Lully puis ses h ritiers (1672 - 1715) Les rapports avec l'Acad mie royale de musique apr s Lully (1687-1715) Les autres privil ges et contrats autour de l'Acad mie Quelques permissions et contrats divers Le r le de S bastien de Brossard 3. Pierre III Ballard, le fr re cadet et concurrent cart La famille et l'atelier de Pierre III Ballard Les ditions musicales de Pierre III et son viction 4. Jean-Baptiste Christophe Ballard, le fils unique et successeur La famille L'activit de Jean-Baptiste Christophe Ballard jusqu'en 1715 Les rapports avec les auteurs et les institutions Les rapports avec les autres imprimeurs La succession de 1715 5. Le r pertoire imprim par les Ballard entre 1672 et 1715 Les ouvrages d' dification et les liturgies Les messes, les motets et les livrets pour la Chapelle du roi La musique spirituelle La musique instrumentale Les chansons et chansonnettes Les airs fran ais et italiens Les cantates La musique de sc ne La musique dramatique imprim e Les livrets des oeuvres dramatiques Les trait s et les m thodes Les actes royaux et eccl siastiques Factums et ouvrages de ville Les premi res collections musicales 6. Le mat riel et la technique L'inventaire de 1672 Les caract res de musique et de plain-chant Pratiques compositoriales et notationnelles L'ornementation typographique La timide apparition de la gravure 7. La diffusion et la concurrence La diffusion des ?uvres en France L'essor de la gravure en musique : Baussen, Foucault et Ribou La concurrence d'Amsterdam et les march s d'Europe du Nord La diffusion manuscrite, les copistes et le papier musique 8. Analyse des actes et des arr ts 9. Sources et r f rences R f rences bibliographiques Principales sources d'archive R pertoire des biblioth ques cit es Reproduction des catalogues g n raux (1683-1715) 11. Inventaire des ditions imprim es Abr viations ditions dat es : 1671-1715, 1728 ditions non dat es Papiers musique imprim s 12. Liste des ditions diffus es jusqu'en 1715 13. Suppl ment la bibliographie de Pierre I et Robert III Ballard (2003) Tome 1 (synth se historique) Tome 2 (bibliographie) Index des oeuvres dramatiques Index des noms‎

Bookseller reference : 64951

Livre Rare Book

ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Laurent Marcel‎

‎L'architecture et la sculpture en Belgique - bibliothèque d'histoire de l'art‎

‎G. van oest 1928 in8. 1928. Broché. illustrations hors texte en noir et blanc‎

‎Bon état bas du dos recollé couverture défrâichie bords frottés intérieur propre‎

Bookseller reference : 100082677

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Un Autre Monde
Val Couoesnon France Francia França France
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€ 10,00 Buy

‎LAURENT Marcel‎

‎L'architecture et la sculpture en Belgique.‎

‎Couverture souple. En bon état. Broché. 48 pages + 64 planches.‎

‎Livre. Editions G. Van Oest, 1928.‎

Bookseller reference : 124109

Livre Rare Book

Librairie et Cætera
Belin-Beliet France Francia França France
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€ 11,70 Buy

‎LAURENT Marcel‎

‎L'architecture et la sculpture en Belgique. Photos hors-texte.‎

‎Broch?. 48 pages + 64 planches. Dos r?par?. 19x25cm.‎

‎LAURENT Marcel‎

‎L'art chrétien, des origines à Justinien.‎

‎Bruxelles, Société Royale d'Archéologie de Bruxelles, 1956 16 x 24, 280 pp.+ 109 planches, broché, bon état‎

Bookseller reference : 7829

Livre Rare Book

Librairie Ausone
Bruxelles Belgium Bélgica Bélgica Belgique
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‎LAURENT Marcel‎

‎L'art chrétien, des origines à Justinien.‎

‎Bruxelles, Société Royale d'Archéologie de Bruxelles, 1956 16 x 24, 280 pages + 109 planches, broché, bon état (dos légèrement insolé).‎

Bookseller reference : 46612

Livre Rare Book

Librairie Ausone
Bruxelles Belgium Bélgica Bélgica Belgique
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‎Laurent Marcel, Van Der Pluym Willem‎

‎I capolavori della scultura e dell'architettura dall'antichità ai nostri giorni. Traduzione italiana sulla edizione olandese a cura di G. Nicodemi‎

‎30 cm, rilegatura in tela, titolo e illustrazione in argento e blu al piatto e dorso; pp. 441; 340 illustrazioni nel testo e 11 tavole in nero e a colori fuori testo. Qualche brunitura sparsa‎

‎Laurent Ney‎

‎Nijmegen, Designing the City Bridge.‎

‎softcover, paperback, 17 x 24 cm, illustrated in color, 200pp text in English only. ISBN 9789460041747. Nijmegen: Designing the "Bridge City" is the personal story of Laurent Ney, the engineer of the duo-Ney Poulissen that was asked to design the new city bridge in Nijmegen. And that was a challenge because Nijmegen already had a face defining bridge, the Waal Bridge, which was declared., With its imposing archway to a national monument Laurent Ney gives the reader a glimpse into his head and his sketchbooks. We follow him into a fascinating journey where construction knowledge, both historical, cultural, local and international, is combined with a clear vision of landscape and urbanism. The municipality of Nijmegen focuses on a city bridge ', but what that means exactly, show the central question. During the design Gradually get many decisions and tradeoffs over and if it appears that a steel bridge is too expensive, almost everything starts again from the beginning. The result is a single arch bridge, the longest in Europe. On the basis of original documents, such as the assignment, design sketches, environment explorations, inspirations, models and photographs, Laurent Ney gives a fascinating insight into a complex design. Nijmegen: Designing the ?City Bridge? is het persoonlijke relaas van Laurent Ney, de ingenieur van het duo Ney-Poulissen dat werd gevraagd de nieuwe stadsbrug in Nijmegen te ontwerpen. En dat was een uitdaging, want Nijmegen had reeds een gezichtsbepalende brug, de Waalbrug, die met zijn imposante boogconstructie tot rijksmonument werd verklaard. Laurent Ney gunt de lezer een blik in zijn hoofd en zijn schetsboeken. We volgen hem in een boeiend traject waarin bouwkennis, zowel historisch, cultureel, lokaal als internationaal, gecombineerd wordt met een duidelijke visie op landschap en stedelijkheid. De gemeente Nijmegen zet in op een ?stadsbrug?, maar wat dat precies betekent, blijkt gedurende het ontwerpproces de centrale vraag. Gaandeweg komen tal van beslissingen en afwegingen voorbij en als blijkt dat een stalen brug veel te duur wordt, begint bijna alles weer van voor af aan. Het resultaat mag er zijn: een enkele boogbrug, de langste van Europa. Aan de hand van originele documenten, zoals de opdrachtformulering, ontwerpschetsen, omgevingsverkenningen, inspiratiebronnen, modellen en foto?s, geeft Laurent Ney een fascinerend inkijkje in een complex ontwerpproces.‎

‎Laurent Ripart‎

‎d serts de l'Occident. Gen se des lieux monastiques dans le sud-est de la Gaule (fin IVe - milieu VIe si cle)‎

‎, Brepols, 2021 Paperback, 541 pages, Size:170 x 240 mm, Illustrations:1 b/w, 3 maps b/w, 23 maps color, Language: French. ISBN 9782503592725.‎

‎Summary Au cours du ve si cle, dans le sud-est de la Gaule, plusieurs asc tes entreprennent d'am nager des lieux monastiques sur des les : L rins, Porquerolles, l'Ile-Barbe, la Cappe. D finissant ces tablissements insulaires comme des d serts, ils entendent affirmer leur s paration avec le monde profane, consacrant par une rupture spatiale la rupture sociale inh rente au monachisme. Relisant les donn es transmises par les documents crits et exploitant les ressources de fouilles arch ologiques parfois tr s r centes, ce livre tudie la gen se de ces lieux monastiques s par s, en y voyant la caract ristique majeure des exp riences monastiques mises en oeuvre dans le sud- est de la Gaule aux ve et vie si cles. Il s'interroge tout d'abord sur le mod le de l' le-monast re, en reconnaissant l'influence de J r me de Stridon et de pratiques d velopp es vers 400 dans l'archipel toscan. Il d crypte ensuite la formation des monast res dans les les proven ales et rhodaniennes, puis dans les villes o furent institu s des tablissements de vierges clo tr es. Il pr sente enfin les grands textes monastiques r dig s dans l'espace rhodano- proven al dans la premi re moiti du vie si cle, en montrant qu'ils firent des traditions n es dans le sud-est de la Gaule une source majeure de la culture monastique occidentale. TABLE OF CONTENTS Introduction : Le monast re comme s paration spatiale : aux sources de la tradition monastique rhodano-proven ale Premi re partie. Les origines italiennes des d serts insulaires (fin IVe-d but Ve si cle) Chapitre I. De J r me de Stridon Ambroise de Milan : naissance litt raire de l' r mitisme insulaire Chapitre II. Les saints des les ligures : Gallinara et l'ermitage de saint Martin Chapitre III. Les d serts insulaires de l'archipel toscan Conclusion Deuxi me partie. Les d serts insulaires Proven aux et leurs prolongements Rhodaniens (Ve si cle) Chapitre I. Le double monast re des les d'Hy res Chapitre II. L rins : de la double communaut au monast re unique Chapitre III. Les lieux monastiques de la vall e rhodanienne Conclusion Troisi me partie. Les nouveaux mod les monastiques du d but du VIe si cle Chapitre I. Les d serts forestiers des monast res jurassiens Chapitre II. La fondation d'Agaune : une rupture avec l' r mitisme Chapitre III. Les recluses de la cit d'Arles Conclusion Conclusion g n rale : La tradition monastique du sud-est de la Gaule : une source majeure de la culture monastique occidentale Bibliographie Indices Tables‎

Bookseller reference : 65290

Livre Rare Book

ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Laurent, J. (Hrsg)‎

‎Die städtebauliche u. bauliche Entwicklung der Bade- und Industriestadt Aachen von 1815-1915. Abdruck aus dem "Echo der Gegenwart" 1920.‎

‎Aachen, Kaatzers Erben 1920. 8°. 101 S., 1 Bl. Bedruckte Orig.-Broschur. Umschlag mit kleinen Schadstellen; insgesamt etwas gebräunt.‎

Bookseller reference : 15385AB

‎LAURENTIN Abbé René , OURSEL Raymond‎

‎Vierges Romanes : Les Vierges Assises‎

‎1988 La Pierre-Qui-vire Zodiaque 1988 In Quarto , carré Collection " Les Travaux des Mois " . N° 32 . Très bonne qualité de ces ouvrages avec de nombreuses photographies en couleurs et noir et blanc , qui nous initient aux mystères des cloîtres . Cartes et plans . - 114 p. , 700 gr.‎

‎Remise de 20% pour toutes commandes supérieures à 200 €‎

Bookseller reference : 26714

Livre Rare Book

Livres Anciens Komar
Meounes les Montrieux France Francia França France
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€ 25,00 Buy

‎Laurentin, Abbe Rene, & Oursel, Raymond‎

‎VIERGES ROMANES-LES VIERGES ASSISES‎

‎, Zodiaque 1988, 1988 Hardcover, 111 pages, Texte en Francais,260 x 215 mm, bon etat, illustrations, . ISBN 9782736900472.‎

Bookseller reference : 55669

Livre Rare Book

ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Laurentin, Abbe Rene, & Oursel, Raymond‎

‎VIERGES ROMANES-LES VIERGES ASSISES‎

‎, Zodiaque , 1961 Hardcover, 204 pages, Francais, 260 x 225 mm, bon etat, illustrations, .‎

Bookseller reference : 55700

Livre Rare Book

ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Laurentin, Rene / Oursel, Raymond‎

‎Romanische Madonnen.‎

‎[Saint-Leger-Vauban], Zodiaque / Würzburg, Echter Verlag, (1989). 4° (26x21)), 114 S., 1 Bl., mit zahlr. Bildtafeln in Tiefdruck (von Zodiaque), einige Farbtafeln, ill OPbd, nahezu ungelesen, schönes gepflegtes Exemplar,‎

Bookseller reference : 57986AB

‎Laurette WITTNER et Daniel WELZER-LANG‎

‎Les FAITS du LOGIS‎

‎Un ouvrage de 255 pages, format 145 x 210 mm, broché couverture couleurs, publié en 1996, Aléas, collection "Vie et Société", bon état‎

‎Ce livre est le résultat de 2 ans de réflexion dans le cadre d'un séminaire d'anthropologie des sexes et de l'espace domestique‎

Bookseller reference : LFA-126716374

Livre Rare Book

Lettre de France, L'Art de Vivre à la Française
Saint Victor de Cessieu France Francia França France
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€ 8,00 Buy

‎LAUREYS, Dirk (ed.) / AERTS, Willem / EYCKERMAN, Tijl / GRIETEN, Stefaan / MIGOM, Serge / SPITAELS, Els‎

‎BOUWEN IN BEELD‎

‎softcover originele geillusteerde uitgeversomslag in kleur, 22x30,5cm, 333pp, annex, rijkelijk geillustreerd in kleur en z/w. ISBN 9056220586. De collectie van het Architectuurarchief van de Provincie Antwerpen. Tentoonstelling Koningin Fabiolazaal, Antwerpen. Bouwen aan een architectuurarchief. Architectuur in de provincie Antwerpen 19de en 20ste eeuw. Bouwen van revolutie tot wereldbrand. Bevlogen van vernieuwing. Art nouveau in stad en provincie Antwerpen. De architectuur in een stroomversnelling. Art deco, modernisme en tradionalisme in de provincie antwerpen. Bouwen van 1945 - 1975. Boek is als nieuw.‎

‎LAUREYS, Dirk (ed.) / AERTS, Willem / EYCKERMAN, Tijl / GRIETEN, Stefaan / MIGOM, Serge / SPITAELS, Els;‎

‎BOUWEN IN BEELD,‎

‎Antwerpen, Brepols, 2004 softcover originele geillusteerde uitgeversomslag in kleur, 22x30,5cm, 333pp, annex, rijkelijk geillustreerd in kleur en z/w. ISBN 9056220586.‎

‎De collectie van het Architectuurarchief van de Provincie Antwerpen. Tentoonstelling Koningin Fabiolazaal, Antwerpen. Bouwen aan een architectuurarchief. Architectuur in de provincie Antwerpen 19de en 20ste eeuw. Bouwen van revolutie tot wereldbrand. Bevlogen van vernieuwing. Art nouveau in stad en provincie Antwerpen. De architectuur in een stroomversnelling. Art deco, modernisme en tradionalisme in de provincie antwerpen. Bouwen van 1945 - 1975. Boek is als nieuw.‎

Bookseller reference : 11117

Livre Rare Book

ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 49,99 Buy

‎LAURIAU (Eugène).-‎

‎L'Eglise Saint-Pierre Saint-Paul de Montreuil-sous-Bois.‎

‎Montreuil, 1927, in 8° broché, 71pp. ; illustrations in et hors-texte.‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande ...................‎

Bookseller reference : 23661

‎LAURIERE Raymond‎

‎Les églises à chevet plat et angles arrondis en Rouergue‎

‎Sauvegarde du Rouergue Sauvegarde du Rouergue, 2003. In-8 broché, 99 pages, avec plans et photos. 1ere édition. Très bon état‎

‎Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.‎

Bookseller reference : 188936

Livre Rare Book

Librairie Gil - Artgil SARL
Rodez France Francia França France
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€ 12,00 Buy

‎Laurinda Dixon, Gabriel P. Weisberg (eds)‎

‎Making Waves: Crosscurrents in the Study of Nineteenth-Century Art‎

‎, Brepols, 2020 Hardback, iv + 277 pages, Size:216 x 280 mm, Illustrations:45 b/w, 61 col., 3 tables b/w., Language: English. ISBN 9782503584409.‎

‎Summary Making Waves: Crosscurrents in the Study of Nineteenth-Century Art honours the life work of Petra ten-Doesschate Chu, who continues to lead the field in the study of the art of the nineteenth century. The twenty-eight essays in this book are authored by some of her many friends, students, and colleagues, including seasoned academics and those at the beginning of their careers; museum professionals and private-sector arts administrators; and American, European, and Chinese scholars. Following Petra Chu's example, and avoiding opaque theoretical language and extended technical analysis, authors present original ideas, based primarily on the study of objects and their documented historical contexts. Though their methodologies are diverse, their purposes are clear and their language straight-forward. The essays thoughtfully and respectfully address the solid reality of the nineteenth century in all of its complex (and sometimes repugnant) sensibilities. They disrupt traditional art historical categories and methodologies, and highlight topics that have been long ignored and overlooked. Making Waves demonstrates, in no uncertain terms, that art historians still have much to say to each other and to their readers, and that nineteenth-century art has only begun to be explored in all its complexity and variety. TABLE OF CONTENTS Laurinda S. Dixon and Gabriel P. Weisberg, Art of the Long and Enduring Nineteenth Century: Order from Chaos Forward into the Past Laurinda S. Dixon, Suffering for Art: A Nineteenth-Century Revival of a Seventeenth-Century Motif Agnieszka Rosales-Rodriguez, The Dutch Dimension of Polish Painting in the Nineteenth Century Gary Schwartz, 'The Dreyfus Rembrandts: Smoke with No Gun' Style and Meaning Sally Webster, The Old-Master Tradition in the United States: Essential and Rejected Isabel L. Taube, William Merritt Chase's Unexpected Homage to Henri Regnault Gabriel P. Weisberg, A Conservative Becomes Progressive: P. A. J. Dagnan-Bouveret's Horses at the Watering Trough Reconsidered Art, Artifice, and the Natural World Anne Helmreich, The Crisis of Modern British Landscape Painting: The Case of Cecil Gordon Lawson Elizabeth Mansfield, Courbet and the Art of Making Waves Jenny Reynaerts, Pioneer: The Dutch-American Painter Alexander W st (1837-76) Packaging and Marketing the Female Figure Jennifer Milam, Greuze Girls and the Painterly Embodiment of Sexual Pleasure Leanne Zalewski, The 'Hysterical' Goddess: Jean-L on G r me's Bellona Ruth E. Iskin, The Material Culture and Gender of Print Connoisseurship in 1890s Paris Marjan Sterckx, The Heijermans Case: Censorship of the Female (Artist's) Gaze in Fin-de-Si cle Brussels The Politics of Display and Accessibility Rachel Esner, Jean-L on G r me: The Artist in Word and Image Francesco Freddolini, A Failed Commission for the Washington Mall: Aristodemo Costoli and the Columbus Group Madeleine Fidell-Beaufort, The Interaction of Artists, Dealers, and Collectors at Two Atypical Studio Buildings in Nineteenth-Century Paris Gail Feigenbaum, A Considerable Advantage: Joint Account and the Transatlantic Art Market ca. 1900 Crossing Boundaries Patricia Mainardi, Crisscrossing the Channel, Depicted by Themselves Roberto C. Ferrari, Dressed la Perse: An Orientalist Portrait of James Justinian Morier Alia Nour, Egyptian-French Cultural Encounters at the Opening of the Suez Canal in 1869 Laura Coyle, Windows and Touchstones: A Photograph Album from Connecticut, 1890-1910 Public Taste and Popular Culture Kasia Murawska-Muthesius, Chopin and Caricature Therese Dolan, Sonic Strategies: Manet's Street Singers Laurie Dahlberg, 'Strange Abominations': French Tableau Photography and its Critics Forward into the Present Charlotte Nichols, Inside Out: The Fortuny 'Delphos' and the Renaissance Camicia Liu Jing, From Realism to Socialist Realism: The Revolutionary Interpretation of Nineteenth-Century European Realist Art in Red China of the Mid-Twentieth Century Sharon Flescher, World War II Lingers in Restitution Claims for Nineteenth- and Early Twentieth-Century Art Emily Pugh, Pop Cultures, Now and Then: Mass Media and Modern Design in the Postwar U.S. Petra Ten-Doesschate Chu Publications Contributors‎

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‎LAURITZEN Peter‎

‎Villas de Vénétie.‎

‎Paris, Arthaud, 1988. 27 x 35, 200 pp., très nombreuses planches en couleurs, reliure d'édition pleine toile + jaquette, sous étui carton, état neuf .‎

‎"présentation de Sir Harold Acton; photographies de Reinhart Wolf."‎

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Librairie Ausone
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‎LAURITZEN Peter‎

‎Villas de Vénétie.‎

‎Paris, Flammarion, 2002. 27 x 35, 200 pp., très nombreuses planches en couleurs, reliure d'édition pleine toile + jaquette, très bon état.‎

‎"présentation de Sir Harold Acton; photographies de Reinhart Wolf."‎

Bookseller reference : 43888 ISBN : 2080110365

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‎Lauritzen Peter (Texte) ; Wolf Reinhart Wolf (Photographies)‎

‎Villas de Vénitie‎

‎Flammarion 2002 Deuxième édition. In-4 relié. Jaquette en état moyen. 199 pages. Bon état d’occasion.‎

‎Bon état d’occasion‎

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Librairie de l'Avenue
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‎Lauritzen Peter (Texte) ; Wolf Reinhart Wolf (Photographies)‎

‎Villas de Vénitie‎

‎Arthaud 1988 Édition originale. In-folio reliure éd. sous jaquette 35 cm. Jaquette en très bon état. 199 pages. Très bon état d’occasion.‎

‎Très bon état d’occasion‎

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‎Lauritzen, Peter & Wolf, Reinhart‎

‎Villas of the Veneto‎

‎Published by Pavilion Books London 1988. 1st Edition. . Hardcover. Fine/Fine. Collectible Fine copy in Fine dustwrapper. First UK edition. Inscribed by the author Peter Lauritzen to the title page. Pages covers and jacket are crisp intact and unmarked. Top and bottom of pages and covers lightly sunned bottom corner at spine slightly bumped. 13.75 x 10.75 inches 200pp. Superbly illustrated with 150 colour photographs taken by Reinhart Wolf - many of them presented in double page format. Oversized heavy book priority and international shipping will be extra please inquire prior to ordering. An inspiring photographic tour of thirty villas of the Veneto. Includes a foreword by Sir Harold Acton an informative introduction by Peter Lauritzen a map with a profile of each villa and bibliography. An inspiring photographic tour of thirty villas of the Veneto. Includes a foreword by Sir Harold Acton an informative introduction by Peter Lauritzen a map with a profile of each villa and bibliography. <br/> <br/> Published by Pavilion Books, London hardcover‎

Bookseller reference : 000892

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‎Lauritzen, Peter; Zielcke, Alexander‎

‎Palaces of Venice‎

‎Hardcover in unclipped dust jacket, very good condition. Dust jacket in plastic sleeve which is slightly dimpled. Very minor peeling at upper corners of jacket's front and rear inner flaps. Nick to jacket at spine head and printing error to pages 41-44 at upper corners, contents remain clear. Small marks to page block at upper corner and tanning to jacket's inner flaps. Pages are clear and unblemished. AD Used‎

‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎ARCUS TRIUPHALIS GRATIANI Arch of Triumph of Gratian‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 74. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎BASILICA SIVE PORTICUS ANTONINI PII The Portica of the Basilica that is now the Church of Antonius‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 61. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎BASILICA SIVE PORTICUS ANTONINI PII The Portica of the BASILICA SIVE PORTICUS ANTONINI PIIThe Portica of the Basilica that is now the Church of Antonius‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 61. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎DE ARCU DOMITIANI HODIE ARCO DI PORTUGALLO. Domitian Arch now the Arch of Portugal‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 75. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎DE MARTE ULTORE ET ILLIUS TEMPLO Temple of Mars the Punisher‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 46. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎DE MARTE ULTORE ET ILLIUS TEMPLO Temple of Marsthe Punisher‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 46. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. 250.00 unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎DE ROMULO SIVE QUIRINO ROMAE CONDITORE ET ILLIUS TEMPLO Romulus/Quirinus Roman Conditorium or His Temple‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 36. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎DE TEMPIO SATURNI HODIE ECC S.ANDRANI Temple of Saturn now St. Adrian on the Capitoline Hill‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 39. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. The Temple was built in 500BC on the site of an even older shrine dedicated to Saturn. It was reconstructed in 42BC by Lucius Munatius Plancus a Roman Consul who was an officer in Julius Caesar’s army during the conquest of Gaul. He installed the Treasury of the Roman Republic here where it remained until 28BC. It was destroyed by fire in 283AD but later rebuilt. All that remains today are eight columns and a part of the pediment which bears a Latin inscription. In English it reads: The Senate and the people of Rome restored what fire consumed. Saturn who was the Roman equivalent of the Greek god Kronos was the god of agriculture and the harvest or of life and death. Like Kronos he was represented as a hooded figure bearing a scythe. Because he was afraid of being overthrown he ate his all his children apart from Jupiter Neptune and Pluto whom for some reason he could not swallow. In time his fears became reality; he was overthrown by Jupiter who became the king of the Roman gods. unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎DE TEMPLO IOVIS CAPITOLINI The Temple of Jovis Capitolini‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 29. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎DE TEMPLUM DEAE VESTA The Temple of the Vestal Virgins‎

‎ARCHITECTURE LAURO GIACOMO. ROMAN ARCHITECTURE. DE TEMPLUM DEAE VESTA The Temple of the Vestal Virgins. As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 30. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎DE TEMPLUM IUNONIS LUCINAE Temple of Juno Goddess of Births‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 43. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

Bookseller reference : 2143

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎DE VENERE GENITRIC ET DE EIUS TEMPLO IN FORO CAESARIS Temple of Caesar Augustus. SS. CARMI ET DAMIANI‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 35. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

Bookseller reference : 2149

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎PORTA NAEVIA ET LABICANA HODIE PORTAMAGGIO RE. Naevia and Labicana Gate now Maggiore Gate‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 80. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎TEMPLUM PACIS APUD ULAM SACRAM Temple of Peace‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 37. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

Bookseller reference : 2151

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‎LAURO GIACOMO. ROMAN ARCHITECTURE‎

‎TEMPLUM SOLIS IN MONTE QUIRINALI Temple of the Sun on Mount Quirinale‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 32. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown books‎

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‎LAURO CAVALCANTI-FARES EL-DAHDAH-FRANCIS RAMBERT (SOUS LA DIRECTION DE)‎

‎ROBERTO BURLE MARX-LA MODERNITE DU PAYSAGE‎

‎PHOTOGRAPHIES CONTEMPORAINES LEONARDO FINOTTI-344 PAGES-24 CM X 30 CM-LIVRE CONCU POUR ACCOMPAGNER L'EXPOSITION "ROBERTO BURLE MARX, LA PERMANENCE DE L'INSTABLE" A PARIS DU 22 MARS AU 24 JUILLET 2011-(300H)‎

‎CITE DE L'ARCHITECTURE ET DU PATRIMOINE-INSTITUT FRANCAIS D'ARCHITECTURE-ACTAR COUVERTURE SOUPLE ETAT NEUF‎

Bookseller reference : ABE-1710965092663

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Librairie Grégoire
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‎LAURO, GIACOMO (ROMAN ARCHITECTURE)‎

‎ARCUS TRIUPHALIS GRATIANI Arch of Triumph of Gratian‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 74. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown‎

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‎LAURO, GIACOMO (ROMAN ARCHITECTURE)‎

‎BASILICA SIVE PORTICUS ANTONINI PII The Portica of the Basilica that is now the Church of Antonius‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 61. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown‎

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‎LAURO, GIACOMO (ROMAN ARCHITECTURE)‎

‎BASILICA SIVE PORTICUS ANTONINI PII The Portica of the BASILICA SIVE PORTICUS ANTONINI PIIThe Portica of the Basilica that is now the Church of Antonius‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 61. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown‎

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‎LAURO, GIACOMO (ROMAN ARCHITECTURE)‎

‎DE ARCU DOMITIANI HODIE ARCO DI PORTUGALLO. Domitian Arch now the Arch of Portugal‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 75. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.‎

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‎LAURO, GIACOMO (ROMAN ARCHITECTURE)‎

‎DE MARTE ULTORE ET ILLIUS TEMPLO Temple of Mars the Punisher‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 46. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. unknown‎

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‎LAURO, GIACOMO (ROMAN ARCHITECTURE)‎

‎DE MARTE ULTORE ET ILLIUS TEMPLO Temple of Marsthe Punisher‎

‎As published in a later edition of Antiquae Urbis Splendor orig. 1612-1628. Pl. 46. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. 250.00 unknown‎

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