‎Architecture‎

‎Ann Temkin (Auteur), Dorthe Aagesen (Auteur)‎

‎MATISSE, L'ATELIER ROUGE (CATALOGUE OFFICIEL D'EXPOSITION)‎

‎, HAZAN, 2024 Couverture originale de l' diteur Hardcover, 231 pages Illustrated.Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. ISBN 9782754113854.‎

‎Cr en 1911, L Atelier rouge d Henri Matisse est devenu l'une des oeuvres les plus influentes de l'histoire de l'art moderne. Acquise en 1949 par le Museum of Modern Art (MoMA) de New York, o elle est depuis expos e, cette toile repr sente l?atelier de l?artiste Issy-les-Moulineaux, en proche banlieue parisienne. Elle montre un espace rempli de peintures, de meubles et d?objets d coratifs. La d cision radicale de Matisse de recouvrir de rouge la majeure partie de la surface du tableau a fascin des g n rations de chercheurs et d?artistes, mais il restait encore beaucoup d couvrir sur la gen se et l?histoire de l??uvre. Cet ouvrage abondamment illustr accompagne l?exposition consacr e L?Atelier rouge qui r unit, pour la premi re fois depuis qu?ils ont quitt l?atelier de l?artiste, les tableaux, sculptures et objets qui y figurent ? qu?il s?agisse des trois peintures aujourd?hui conserv es au Danemark dans les collections du SMK ? Statens Museum for Kunst, dont Le Luxe (II) (1907-1908), ou de pi ces moins connues qui n?ont t localis es que r cemment. Publi en fran ais l?occasion du volet parisien de l?exposition la Fondation Louis Vuitton, Matisse, L?Atelier rouge propose des analyses d?Ann Temkin, The Marie-Jos e and Henry Kravis Chief Curator of Painting and Sculpture au MoMA, et de Dorthe Aagesen, chercheuse et conservatrice en chef au SMK. Ensemble, elles retracent le parcours du tableau de Matisse, de sa commande initiale son arriv e New York, en passant par l?historique de ses expositions et de ses propri taires successifs. Par leurs recherches approfondies et leur lecture attentive, elles transforment notre compr hension de cette ?uvre cl de l?art du XXe si cle.‎

Bookseller reference : 64196

‎Anna Cecilia Koldeweij, Friso Lammertse, Volker Manuth, Fred Meijer, Monique Rakhorst, Vienna van Rosmalen‎

‎Henri de Fromantiou : Royal Illusions , ENG.‎

‎, Bonnefanten Museum, 2015 Hardback, 120 pages, English edition FINE! ISBN 9789082296525.‎

‎Along with the first exhibition on Henri de Fromantiou, looks on this occasion also the first monograph on the artist's light. The book you have before you want it Bonnefantenmuseum fill this gap in art history. There are several chapters included that allow discussed together all aspects of this broad-based man come, as his apprenticeship, his appointment as court painter in Potsdam, his work and his role as an art dealer. After his birth in Maastricht and its nebulous apprenticeship was the Fromantiou based in The Hague and Amsterdam. Samen met de eerste tentoonstelling over Henri de Fromantiou, ziet bij deze gelegenheid ook de eerste monografie over de kunstenaar het licht. Met het voor u liggende boek wil het Bonnefantenmuseum deze kunsthistorische lacune opvullen. Er zijn verschillende hoofdstukken opgenomen die samen alle aspecten van deze breed georienteerde man aan bod laten komen, zoals zijn leertijd, zijn aanstelling als hofschilder in Potsdam, zijn oeuvre en zijn rol als kunsthandelaar. Na zijn geboorte in Maastricht en zijn in nevelen gehulde leerperiode was De Fromantiou werkzaam in Den Haag en Amsterdam.‎

Bookseller reference : 46898

‎Anna Enquist‎

‎Contrapunt + CD‎

‎, Arbeiderspers, 2008 Hardcover, 204 pagina's, NL, 220 x 140 mm, in nieuwstaat, met CD !.in een papieren cassette ISBN 9789029566759.‎

‎Hangend over een grote tafel en bevangen door een grimmige eenzaamheid bestudeert een vrouw de Goldbergvariaties van Johann Sebastian Bach. Ze doet dat met de rug naar de toekomst, de blik gericht op wat geweest is. Soms staat ze op om plaats te nemen aan de vleugel en een variatie te gaan spelen. Maar de pianostudie lijkt voor de vrouw allereerst een verdovend middel. Langzaam maar zeker, variatie voor variatie, ontvouwt zich het landschap van haar verleden zoals zij dat voor zich ziet. Dat levert een allerminst chronologisch beeld op. Op de voorgrond treedt echter voortdurend een gezin: een vrouw (die zij zelf is), een man, een dochter en een zoon ? in verschillende levensstadia. Momenten van geluk en pijn, van vrolijkheid en razernij, van onbekommerdheid en zorg wisselen elkaar in snel tempo af. Zo is het leven. Maar onder al dat onvermijdelijke existeren resoneert van meet af aan iets; aanvankelijk ternauwernood waarneembaar maar gaandeweg dringt een verontrustende ondertoon zich in toenemende mate aan ons op. Een onstuitbare melodie als een aanzwellend noodlot dat alles overstemt en essentieel is. De toekomst heeft zich in de verste hoek van de kamer teruggetrokken. Buiten gaat het leven zijn onhoudbare gang. In een kleine wereld, los van ruimte en tijd, speelt de moeder een lied voor haar kind. Voor het eerst, voor het laatst.‎

Bookseller reference : 59541

‎Anna Jackson, Elena Filipovic, Catherine L. Futter‎

‎Ives Maes - The Future Of Yesterday‎

‎, Ludion , 2013 Hardcover, 247 pages, English, 290 x 250 x 25 mm, good condition, with photographs in colour, . ISBN 9789461300867.‎

‎In this fascinating collection of photographs, the Belgian artist Ives Maes explores the architecture of world expos. He sets the faded glory of these sites against the ambitious and utopian project, full of promise, represented by the first world exhibition. Maes shows how time has taken its toll on these architectural monuments and pavilions, now decayed, abandoned, or torn from their original context. In this comprehensive book, Maes?s photographs are set alongside images of the Great Exhibition in London (1851) through to the most recent expo in Shanghai (2010). The images are accompanied by essays from Anna Jackson, Elena Filipovic and Catherine L. Futter on the history of world fairs, the role of photography and the sculptural character of Maes?s photographic work‎

Bookseller reference : 57389

‎Anna Koopstra‎

‎HANS MEMLING IN BRUGES.‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 p, throughout color illustrations, ENG edition ISBN 9789464666892.‎

‎Breathtaking work by Hans Memling, the Flemish Primitive in Bruges The Flemish Primitive artist Hans Memling (c. 1435-1494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this fifteenth-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum. This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. In a series of accessible essays, Anna Koopstra, curator of early Netherlandish painting at Musea Brugge, explores Memling's imagination, his technical brilliance and the cultural context in which the artist lived and worked.‎

Bookseller reference : 62844

‎Anna Koopstra‎

‎Jean Bellegambe (c. 1470-1535/36) Making, Meaning and Patronage of his Works‎

‎, Brepols - Harvey Miller, 2023 Hardback,Pages: 160 pages, Size:210 x 297 mm Illustrations:10 b/w, 105 col.Language(s):English. ISBN 9782503574370.‎

‎The book by Anna Koopstra about Jean Bellegambe adds an extremely careful, thorough, and beautifully produced study to the monographs on early Dutch painters. (...) More traditional art historical research?iconographic, stylistic, archival, and historiographic?is combined with modern technical research and a keen eye for drawings and graphics as visual sources for the artist. (?) The beautifully produced and clearly written book represents excellent and versatile art historical research that, through in-depth analysis of a small group of characteristic artworks, offers a new perspective on an important artist, his work and methods, as well as the impact of that distinctive body of work." Drs. Lidewij de Koekkoek (VNK, Frans Hals Museum) - Jury President - 2023 Karel van Manderprijs BIO Anna Koopstra (1980) studied art history at the University of Groningen (MA, 2004) and obtained her doctorate from the Courtauld Institute of Art (PhD, 2016). She has held curatorial positions and research fellowships at the Suermondt-Ludwig Museum (2005-08), The Metropolitan Museum of Art (Slifka interdisciplinary Fellow, 2008-10), The National Gallery (2015-17), and the Courtauld (Associate Caroline Villers Research Fellow, 2016/17). Her research focuses on the technical investigation of paintings, and in particular on the making and meaning of early Netherlandish paintings. SUMMARY Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use. This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works. TABLE OF CONTENTS INTRODUCTION CHAPTER I The Artist?s Life and Career Life Works Posthumous legacy CHAPTER II Oeuvre and Patrons The Anchin Polyptych Similar patrons, similar commissions Other works CHAPTER III Preliminary Observations on Materials and Working Methods Panels and frames Underdrawing and painting technique Technical evidence and questions of attribution Workshop CHAPTER IV Jean Bellegambe and the Convent of Flines: Reconsidering The Cellier Altarpiece Monastic reform and the convent of Flines The evolution of the composition Interpreting the iconographic program Location, audience, date CHAPTER V Clerical Devotion and the Monastic Milieu: The Diptych of the Virgin and Child with Saint Bernard and an Unidentified Cistercian Monk The Virgin and child as an object of clerical devotion The abbess as exemplar CHAPTER VI Self-Representation and Piety for the Here and the Hereafter: Abbot William of Brussels and the Triptych of the Annunciation William of Brussels as a patron Function and location CHAPTER VII Painting as a Moral Compass: Triptych of the Last Judgment The Last Judgment, the Four Last Things, and visions of heaven and hell Function and audience CHAPTER VIII Civic Duty, Charitable Giving, and the Wish to Be Commemorated: The Pottier Triptych and the Pottier Family Reviewing the archival evidence Iconography and meaning Scenes of the life of Saint Anne, demi-grisaille, and the reality of giving CONCLUSION Bibliography‎

Bookseller reference : 62968

‎Anna Lampadaridi, Eleonora Kountoura Galaki, Guillaume Bady (eds)‎

‎Sources et m andres des lettres grecques. Textes, manuscrits et ditions de sources patristiques et byzantines‎

‎, Brepols, 2025 Paperback, Pages: 234, Size:170 x 240 mm, Languages: French, English, Greek. ISBN 9789603710950.‎

‎Summary On the occasion of the eighty-year anniversary of the founding of the Sources Chr tiennes series, the authors of the present volume deal with various aspects of the dissemination of patristic and Byzantine texts. They discuss translation as an expression of cultural transfer, with particular interest in the role of mediators. Different forms of reception of the texts are also examined. The manuscript tradition and the compilation of collections provide information on the dissemination, circulation and use of texts. From a literary point of view, the revision and rewriting of texts is examined through the lens of intertextuality. Through philological analysis, linguistic elements of particular interest are highlighted. Covering a wide range of topics, from patristics to hagiology and epistolography, and employing different approaches, the authors of this volume make us rethink how texts are born, interact, change and circulate through the centuries. TABLE OF CONTENTS Sigles et abr viations bibliographiques St phane Gioanni La collection Sources Chr tiennes : une collaboration d'excellence entre le Centre National de la Recherche Scientifique (CNRS) et l'Association des Amis de Sources Chr tiennes (AASC) Eleonora Kountoura Galaki Awakening of the Late Antiquity Literature: "Sources Chr tiennes" and the revival of Patristic Studies Anna Lampadaridi ?nteractions et volutions textuelles : des aventures d'une l gende une r flexion G n rale Dominique Gonnet, s.j. L'apport des P res grecs la langue et la litt rature syriaques Jean Reynard Johannes Vaz Motta (Io o Vaz da Mota), traducteur de Gr goire de Nysse Marie-Gabrielle Gu rard, L' pitom sur le Cantique des cantiques de Procope : quelques remarques propos de copistes grecs actifs Venise au milieu du xvie s. et de leurs commanditaires ????? ?????????? ??????? ????????? ??? ????????? ???????? ?? ??? ??????? ??? 14?? ????? Guillaume Bady Les Lettres du pr tre Constance (ou Constantin) accompagnant le recueil pistolaire de Jean Chrysostome Theodora Antonopoulou A Note on the Life of Saint John Chrysostom by George of Alexandria: The Tradition of Chrysostomic Lives, Textual Criticism, and the Contribution of the Life by Nicetas David the Paphlagonian St phanos Efthymiadis Langage et discours spirituels dans la Correspondance de Barsanuphe et Jean de Gaza ???? ?????????? ? ???? ??? ????? ??????? (BHG 760) ??? ????? ???????????: ???????????? ??????? ?? ?? ?????? ??? ??? ???????? ??? ??????????????? ????? Charis Messis Litt rature et saintet : les Vies de femmes Byzance (ixe-xiie s.) Index g n ral Index des manuscrits grecs Index gr citatis‎

Bookseller reference : 70862

‎Anna Maria Maetzke‎

‎PIERO DELLA FRANCESCA : Les oeuvres‎

‎, Silvana Editoriale , 2013 Hardcover dusjacket, 240 pages, Texte en Francais, 290 x 240 mm, neuf!, 150 illustrations en couleur. ISBN 9788836624645.‎

‎Cette monographie est d di e un des plus grands artistes de la Renaissance italienne, Piero della Francesca (Borgo Sansepolcro, aux alentours 1416/1417-1492). Chaque oeuvre du ma tre, du Bapt me du Christ la Nativit conserv es la National Gallery, est pr sent e avec une image en pleine page et attentivement tudi e, tant du point de vue historique qu'esth tique, sans n gliger les fortunes critiques au cours des si cles. Un int r t particulier est r serv la splendide s rie de fresques, avec La l gende de la Vraie Croix dans la basilique de San Francesco d'Arezzo, consid r e comme son chef d'oeuvre. L'auteur, qui nous devons les restaurations de la Chapelle, propose dans cette tude les r sultats des interventions sur la moiti des surfaces peintes, accompagn s d'images des fresques apr s restauration. Le volume repr sente un instrument complet et maniable pour tous ceux qui veulent se rapprocher de l'oeuvre de Piero della Francesca.‎

Bookseller reference : 59412

‎Anna Moraht -Fromm‎

‎PALIMPSEST form and meaning of a recently discovered late medieval panel from Nuremberg.‎

‎BE - , De Backker medieval art, Hardcover 57 PAGES Color illustrations .‎

‎PALIMPSEST form and meaning of a recently discovered late medieval panel from Nuremberg.‎

Bookseller reference : 64385

‎Anna Russakoff‎

‎Imagining the Miraculous: Miraculous Images of the Virgin Mary in French Illuminated Manuscripts, ca. 1250-ca. 1450‎

‎, Brepols, 2019 Hardback, xvii + 194 pages, Size:205 x 255 mm, Illustrations:94 b/w, Language: English. ISBN 9780888442154.‎

‎Summary This is not a book about miraculous images of the Virgin Mary (be they icons, sculptures, altarpieces, or reliquaries) but about their representations in French illuminated manuscripts from ca. 1250 to ca. 1450. Most of these depictions of the Virgin Mary cannot be identified even tangentially with particular surviving images (such as the Virgins of Rocamadour, Soissons, Chartres, and Laon). Rather, these illustrations point to the ubiquity of local miraculous Marian images in devotional practices from the thirteenth to the fifteenth century in French-speaking regions. This book analyzes depictions of material images and the animated miracles they perform, and traces their evolution from the earliest narratives of Marian miracles written in Old French to texts and images produced at the Burgundian court of the late Middle Ages. Beginning with the most extensive compilation of Gautier de Coinci's Miracles de Nostre Dame, the study then examines lesser-known anonymous works such as the Vie des P res and encyclopedic collections including the French version of Vincent of Beauvais' Speculum historiale and the Ci nous dit, as well as a theatrical production of the Miracles de Nostre Dame par personnages, before concluding with the prose rendering of the Miracles by Jean Mi lot. Imagining the Miraculous explores the ways in which these works depict physical images, such as panel paintings and sculptures, on the manuscript page. Each chapter provides a detailed iconographical analysis of the miniatures and the diverse techniques of visual narrative they harness, serving also to show how attentive reading of their reception can help us understand how the miniatures themselves might have led viewers to imagine the miraculous moment when an image comes to life.‎

Bookseller reference : 66047

‎Anna Zajchowska-Bo?tromiuk, Anna Ledzi?ska (eds)‎

‎Henricus Bitterfeld De formatione et reformatione Ordinis Fratrum Praedicatorum‎

‎, Brepols, 2026 Hardback, lvi + 117 pages, 155 x 245 mm, Latin text. *new. ISBN 9782503620961.‎

‎Henry Bitterfeld?s De formatione et reformatione Ordinis Fratrum Praedicatorum was the first work of its kind written in support of the Observant Reform of the Dominican Order, which took off in the late fourteenth century. It was probably composed around 1388-1389 at the request of the Order?s Master General, Raymond of Capua, who formally launched the reform in 1390. The treatise is organized into three parts: first, the principles of religious life in general; second, the causes of the crisis within the Order of Preachers; and third, the remedies by which it might be resolved. It concludes with a commentary on the prologue to the Dominican Constitutions. Bitterfeld?s work survives in four manuscript copies, along with three distinct medieval abridgements. Taken together, these testify not only to the reception of the text itself but also to the spread of Observant Reform ideals both within and beyond the Dominican Order.‎

Bookseller reference : 69208

‎Annabel Davidson, Phoebe Morris, Cecily Morris, Jeremy Morris‎

‎World of David Morris The London Jeweler‎

‎, Rizzoli, 2024 Hardback with dust jacket, s 304 x 228 mm,200 Illustrations col.ill. ,256 Pages, Language; English ed *new. ISBN 9780847833955.‎

‎by Annabel Davidson, Phoebe Morris, Cecily Morris, Jeremy Morris Specializing in the most-prized gemstones, from Colombian emeralds to sapphires found in the remote hills of Kashmir, David Morris celebrates color, flawless craftsmanship, and unique creativity in jewelry design. This is the jewelry house's first major book. This monograph debuts some of the house's latest, most innovative designs as well as a large selection of its most famous pieces, and beautifully showcases the sophistication and creativity of one of the most masterful jewelers working today.‎

Bookseller reference : 67037

‎Annaclara Cataldi Palau‎

‎Angela Burdett-Coutts Collection of Greek Manuscripts‎

‎, Brepols, 2021 Hardback, 472 pages, Size:216 x 280 mm, Illustrations:80 b/w, 102 col., Language: English. ISBN 9782503593760.‎

‎Summary Baroness Angela Burdett-Coutts (1814-1906), descendant of a wealthy and well-known family of bankers, inherited quite young, through a series of unpredictable circumstances, the enormous fortune of Thomas Coutts, her maternal grand-father. She spent most of her long life in London, where she occupied a prominent position in society, becoming well-known not only for her splendid life-style and her important literary and political acquaintances, as, for instance, Charles Dickens and Admiral Nelson, but also for her active role as a philanthropist. This book explores a little-known side of her life; although she did not know Greek, she became the owner of ca. 100 Greek manuscripts, mostly theological, datable between the tenth and the sixteenth century, a part of which she donated to Highgate School. The manuscripts, with all the Baroness's possessions, were dispersed at auction in 1921 and in 1987 and are now mainly divided between American and European University Libraries. This book has identified for the first time the Baroness's Greek manuscripts, located and described them in detail, with special attention to their script style and their origin, adding to their description one or two plates of each codex. TABLE OF CONTENTS Part I: History of the collection Chapter 1: Angela Burdett-Coutts' life. The formation of her collection of Greek manuscripts Chapter 2: The sale of Angela Burdett-Coutts collection of Greek manuscripts Chapter 3: Angela Burdett-Coutts Greek manuscripts Chapter 4: Provenance of the Burdett-Coutts manuscripts Chapter 5: List and description of Burdett-Coutts manuscripts from Epirote monasteries or churches Chapter 6: Burdett-Coutts manuscripts from the Meteora. Their present location in various libraries Chapter 7: Two Burdett-Coutts manuscripts with plaques from the Russian monastery of Solovki applied to the bindings Chapter 8: Ann Arbor, University of Michigan Library, SCRC, Mich. Ms. 15 (B.-C. III. 5), a manuscript belonging to the Ferrar Group ('Family 13') Chapter 9: Burdett-Coutts manuscripts with a decoration Chapter 10: Burdett-Coutts manuscripts with a remarkable decoration Part II: Description of the Burdett-Coutts manuscripts Description of the Burdett-Coutts manuscripts in Ann Arbor Description of the Burdett-Coutts manuscripts in Athens Description of the Burdett-Coutts manuscripts in various libraries The lost manuscripts Appendix Index of Manuscripts and Illustrations Index of Names‎

Bookseller reference : 65114

‎ANNALES DE L'INSTITUT TECHNIQUE DU BATIMENT‎

‎5 articles sur les barrages en Afrique du Nord. (62 pages). N? 5. Septembre-Octobre 1936.‎

‎Broch?. 92 pages + publicit?s. Petite mouillure en marge.‎

‎Anne Adriaens-Pannier‎

‎KURSAAL AND PROMENADE (PHOEBUS FOCUS XXXII) L on Spilliaert (1881-1946) and Atmospheric Solitude by the Sea‎

‎, Phoebus Focus XXXII, 2023 PB+, 210 x 148 mm, 112 p, ENG, ill. in colour / b/w, New, ISBN 9789464666458.‎

‎Als eenzame wandelaar in het ochtendgloren van Oostende laat L on Spilliaert (1881-1946) zich begeesteren door de desolate en onheilspellende verlatenheid van de zeedijk. De fascinatie voor ruimtewerking en de expressie van oneindigheid liggen aan de grondslag van de talrijke dijkzichten die Spilliaert tussen 1907 en 1909 cre ert en waarmee hij een unieke formele vernieuwing inluidt. Ontdek het beklijvende werk Kursaal en zeedijk dat in deze Phoebus Focus centraal staat.‎

Bookseller reference : 62211

‎Anne Adriaens-Pannier‎

‎Kursaal en zeedijk L on Spilliaert (1881-1946) en atmosferische eenzaamheid bij de zee‎

‎, Hannibal Books, 2023 softcover, 112 pages, 21 x 14.8 cm, Quadrichromy Illustrated., Nederlandstalige editie . ISBN 9789464666441.‎

‎Als eenzame wandelaar in het ochtendgloren van Oostende laat L on Spilliaert (1881-1946) zich begeesteren door de desolate en onheilspellende verlatenheid van de zeedijk. De fascinatie voor ruimtewerking en de expressie van oneindigheid liggen aan de grondslag van de talrijke dijkzichten die Spilliaert tussen 1907 en 1909 cre ert en waarmee hij een unieke formele vernieuwing inluidt. Ontdek het beklijvende werk Kursaal en zeedijk dat in deze Phoebus Focus centraal staat.‎

Bookseller reference : 61597

‎Anne Adriaens-Pannier‎

‎L ON SPILLIAERT. DE DROOM VAN ANDEREN‎

‎, Van de Wiele, hardcover, 290 x 215 mm, 240 pagina's, doorlopend illustraties NL editie. *nieuwstaat. ISBN 9789076297712.‎

‎Bij de meeste kunstliefhebbers zijn ze vrijwel onbekend: de illustraties van L on Spilliaert (1881-1946) in uitgaven van het werk van Belgische schrijvers als Emile Verhaeren, Maurice Maeterlinck, Franz Hellens, Paul Neuhuys en vele anderen. Spilliaert illustreerde hun dichtbundels en theaterstukken, en zelfs een kinderboek, met tekeningen in Oost-Indische inkt en aquarelverf, of liet zijn inspiratie de vrije loop bij het visualiseren van de droomwereld van de auteurs. Dit rijke deelgebied van zijn kunst wordt door Spilliaertspecialiste Anne Adriaens-Pannier eindelijk voor het publiek ontsloten. Dit boek begeleidt de tentoonstelling De droom van anderen in Het Spilliaert Huis in Oostende (van 19 november 2017 t.e.m. 2 april 2018), waar de uitgaven met originele tekeningen of gedrukte illustraties en aanverwante autonome werken samen te zien zijn. De stukken, uit openbare en particuliere collecties, bieden voor het eerst, en waarschijnlijk eenmalig, een volledig beeld van Spilliaerts literair ge nspireerde creaties.‎

Bookseller reference : 52967

‎Anne Adriaens-Pannier‎

‎Leon Spilliaert. Le reve des autres, Illustrateur de Verhaeren, Maeterlinck, Hellens,‎

‎, Van de Wiele, 2018 Couverture reliee, HB, 300 x 220 mm, 240 p, throughout illustrations, Texte en Francais. ISBN 9789076297729.‎

‎Elles sont pratiquement inconnues de la plupart des amateurs d'art: les illustrations de Leon Spilliaert (1881-1946) dans des editions de l'oeuvre d'ecrivains belges comme Emile Verhaeren, Maurice Maeterlinck, Franz Hellens, Paul Neuhuys et bien d'autres. Spilliaert a illustre leurs recueils de poesie et pieces de theatre, et meme un livre pour enfants, de dessins a l'encre de Chine et a l'aquarelle, ou il a laisse libre cours a son inspiration dans sa visualisation de l'univers onirique des auteurs. Ce volet foisonnant de son art est enfin devoile au public par la specialiste de Spilliaert, Anne Adriaens-Pannier. L'ouvrage accompagne l'exposition Le reve des autres a La Maison Spilliaert a Ostende (du 19 novembre 2017 au 2 avril 2018), ou sont reunies les editions en question, rehaussees de dessins originaux ou d'illustrations imprimees, et des oeuvres autonomes de l'artiste en rapport avec son travail d'illustrateur. Les pieces exposees, issues de collections publiques et particulieres, presentent pour la premiere fois - et probablement la seule - un panorama complet des creations de Spilliaert inspirees de la litterature.‎

Bookseller reference : 51715

‎Anne Adriaens-Pannier (Redacteur), Edouard Derom (Redacteur)‎

‎L on Spilliaert: Interieurs & natures mortes (FR)‎

‎, Hannibal Books, 29-06-2026 Couverture rigide, 128 pages, 32.8 x 25.3 x 1.7cm, Fran ais. Nouveau. . ISBN 9789493531000.‎

‎Les int rieurs et les natures mortes constituent un volet modeste, mais essentiel de l??uvre de L on Spilliaert. Dans ces compositions intimistes se d ploient la profondeur de son regard et sa capacit remarquable transformer des espaces quotidiens en lieux de contemplation. Bien que rendus avec une sobri t limpide, pi ces vides, recoins familiers et objets simples sont habit s par une pr sence intense, presque tangible, malgr l?absence de figures humaines. Dans ces ?uvres, le silence r gne en ma tre. Cette publication richement illustr e r unit des essais in dits r dig s par des sp cialistes de la vie et de l??uvre de Spilliaert. Chacun d?eux porte, depuis son propre domaine de recherche, un regard neuf sur la gen se de cet ensemble exceptionnel du peintre ostendais. Avec des contributions d?Anne Adriaens?Pannier ( d.), Edouard Derom ( d.), Stefan Huygebaert et Marie?No lle Grison.‎

Bookseller reference : 70407

‎Anne Adriaens-Pannier, Adrian Locke, Will Stone, No mie Goldman, Anna Testar‎

‎LEON SPILLIAERT (1881 - 1946) English ed.‎

‎, Royal Academy (ACC), 2020 HB, 290 x 220 mm, 176 p, 130 colour illustrations. English edition. *BRANDNEW ISBN 9781912520220.‎

‎Belgium symbolist painter and graphic artist. Watercolourist, pastellist, painter (gouache), draughtsman. Portraits, genre scenes, still-lifes, landscapes, seascapes. From childhood he displayed an interest in art and drawing and was a prolific doodler, spending much time sketching scenes of ordinary life and the Belgium countryside. In 1889 he studied briefly at the Tekenacademie in Bruges. His early work, already Symbolist in style was informed by his readings of writers such as Friedrich Nietzsche and Maurice Maeterlinck. From February 1903 to January 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate. In 1904 Spilliaert stayed in Paris, where he was on the fringe of Picasso's circle and discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. He continued to spend most winters in Paris to keep in touch with the city's cultural life. Although often associated with the key figures of Belgian Symbolism, L on Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor.‎

Bookseller reference : 53321

‎Anne Adriaens-Pannier, Edouard Derom, Jeffery Howe,‎

‎L ON SPILLIAERT : L'arpenteur du silence‎

‎, Snoeck Publishers, 2024 HB, 260 x 215 mm, 48 pages, 30 illustration color. FR edition. ISBN 9789461618955.‎

‎Les oeuvres de Spilliaert (Ostende 1881-Bruxelles 1946) fascinent par le myst re de leurs images. Dessinateur, il explore la solitude de l' tre humain et de l'immensit de la mer. Il voque la vie des lieux de sa ville natale d'Ostende et des objets de son quotidien. Ses autoportraits saisissants traduisent l'angoisse de la echerche vers le plus profond de son tre. Ses cr ations refl tent un esprit de r flexion et de m ditation spirituelle, qu'il exerce en sondant les symboles d'intemporalit de la nature. Cette exposition pr sente vingt et une oeuvres, au plus pr s de ses recherches et qui proviennent directement de la famille. L' dition d'un catalogue, en trois langues, accompagnant l'exposition donne un aper u de l'historique de la d couverte de l'oeuvre de Spilliaert en Belgique et l' tranger et situe l'oeuvre dans un contexte plus large dans l'art de son temps. Il pr sente le t moignage unique de son petit-fils et retrace dans des courts chapitres l'apport artistique original des oeuvres pr sent es. Avec des textes de (la sp cialiste de Spilliaert) Anne Adriaens-Pannier, Edouard Derom, Jeffery Howe et avec un entretien avec le petit-fils de Spilliaert, Johan van Rossum.‎

Bookseller reference : 64124

‎Anne Adriaens-Pannier, Le la Jarbouai, Laurence Des Cars (Pr facier)‎

‎L on Spilliaert: Lumi re et solitude.‎

‎, R union des Mus es, , 2020 Hardcover- Couverture reliee 208 pages, 130 Illustrations, 29x23cm.Texte en Francais Exhibition catalogue. ISBN 9782711875276.‎

‎L on Spilliaert est consid r comme l'un des peintres belges les plus importants, c t de R. Magritte, J. Ensor, P. Delvaux.... Pourtant, il est moins connu... Homme des solitudes inqui tantes, des perspectives infinies, Spilliaert (1881-1946) surprend, d route par des ?uvres inclassables, inventant un symbolisme singulier de la nuit int rieure. Spilliaert est n Oostende. Ses promenades nocturnes dans la ville d serte seront une source d'inspiration pour son oeuvre. Il est presque enti rement autodidacte. Il est influenc par les courants artistiques de la fin de si cle : le symbolisme et l'expressionnisme. Spilliaert est un explorateur de l'inconscient et des angoisses existentielles au moment o les sciences humaines avancent dans la compr hension de la psych . Il est passionn par Nietzsche, Schopenhauer, Chateaubriand et Lautr amont. Le catalogue se concentre sur les ann es 1896 1919, les plus intenses dans la carri re de l'artiste, et pr sente ses oeuvres les plus radicales. Exposition du 13 octobre 2020 au 10 janvier 2021 au Mus e d'Orsay, Paris. L on Spilliaert: Lumi re et solitude (Mus e d'Orsay & Grand Palais) aantalIn winkelwagen L on Spilliaert is considered to be one of the most important Belgian painters, alongside R. Magritte, J. Ensor, P. Delvaux?. However, he is less well known? A man of disquieting solitudes and infinite perspectives, Spilliaert (1881-1946) surprised and disconcerted by unclassifiable works, inventing a singular symbolism of the inner night. Spilliaert was born in Oostende. His night walks in the deserted city were a source of inspiration for his work. He is almost entirely self-taught. It is influenced by the artistic currents of the end of the century: symbolism and expressionism. Spilliaert is an explorer of the unconscious and existential anxieties at a time when the human sciences are advancing in their understanding of the psyche. He is passionate about Nietzsche, Schopenhauer, Chateaubriand and Lautr amont. The catalogue focuses on the years 1896 to 1919, the most intense years in the artist?s career, and presents his most radical works. Exhibition from October 13, 2020 to January 10, 2021 at the Mus e d?Orsay. IN FRENCH!‎

Bookseller reference : 57442

‎Anne Autissier‎

‎UITBUNDIG VERLEDEN De Bourgondi rs door Romantische ogen‎

‎, Snoeck Publishers , 2021 PB+, 280 x 250 mm, 160 pages , 132 illustraties. NL edition. fine. ISBN 9789461616777.‎

‎Teruggrijpen naar het verleden, het is iets van alle tijden. Net als vandaag was geschiedenis ook in de negentiende eeuw populair. Het is de eeuw waarin verschillende nieuwe naties ontstaan en andere zich sterker gaan profileren op het internationale toneel. Tijdens de Romantiek groeit een hernieuwde belangstelling voor de Bourgondische hertogen, van Filips de Stoute tot de roemrijke keizer Karel. Zo treden de vijftiende- en zestiende-eeuwse Bourgondische vorsten in verschillende Europese landen opnieuw op de voorgrond. Als de aartsvaders van de Lage Landen verschijnen ze op schilderijen, in de literatuur en beeldhouwkunst. Maar het beeld van de vorsten verschilt sterk van land tot land: wat vertellen ze ons over de negentiende-eeuwse visie op het verleden? En over de manier waarop wij vandaag omgaan met onze geschiedenis? In Uitbundig Verleden. De Bourgondi rs door Romantische ogen kijk je vanuit een hedendaagse context, met een kritische blik en een veranderend perspectief naar het verleden. De ondergrondse exporuimte van Museum Hof van Busleyden doet aan als eennegentiende-eeuws monumentaal museum en toont met een veertigtal werken het verlangen naar de grootsheid van weleer. Museum Hof van Busleyden - 27.11.2021 - 27.02.2022. Uitbundig Verleden is een samenwerking tussen Museum Hof van Busleyden en het Monast re royal de Brou in Bourg-en-Bresse (Frankrijk).‎

Bookseller reference : 57502

‎Anne Baldassari ;‎

‎Icons of Modern Art: The Shchukin Collection‎

‎, Editions Gallimard, 2022 Paperback, 456 pages, ENG, 230 x 215 x 28 mm, NEW, illustrations in colour, . ISBN 9782072760778.‎

‎- An exceptional exhibition catalog, a dive into the 19th and 20th century painting - Gathers 130 masterpieces together The Fondation Louis Vuitton's unprecedented 2016 exhibition brought together 130 masterpieces, among the most iconic of the collection created in Moscow by the great Russian art patron, Sergei Shchukin. From Le D jeuner sur l'herbe (1866) by Claude Monet, the Mardi gras (1888-90) by Paul C zanne, Paul Gauguin's Tahitian odalisque Eh quoi, tu es jalouse? (1892), the luminescent panel L'Atelier du peintre (1911) by Henri Matisse, to conclude with Pablo Picasso's Trois femmes (1908), the magnificence of Shchukin's collection is exhibited here. Extended by a group of some 30 major works from the Russian avant-gardes, including Counter Relief (1916) by Vladimir Tatlin, Green Stripe (1917) by Olga Rozanova, and Kazimir Malevich's monochrome painting, Black Suprematie Square (1929), Icons of Modern Art covers the extreme breadth of this journey through 19th- and 20th-century creation. The presentation of these exceptional works, where our collective gaze comes together, constitutes an exemplary painting lesson.‎

Bookseller reference : 61188

‎Anne Baud, Susan Boynton, Isabelle Cochelin, Anne Flammin (eds)‎

‎Infirmeries monastiques et hospices. Lieux de soin du Moyen ge l' poque moderne‎

‎, Brepols, 2026 Paperback, Pages: 460, Size:210 x 270 mm, Illustrations:94 b/w, 40 col., 5 tables b/w., 2 tables col., Languages: French, English. ISBN 9782503619248.‎

‎Summary How were healthcare spaces set up in medieval and early modern Europe, who worked in them, and who were the patients? These questions were considered by archaeologists and historians during a conference at the abbey of Cluny in 2022. The contributions in this collection display a wide variety of approaches: some chapters focus on specific places, while others address the historical conditions of places of care in specific regions, countries, or religious orders. The first part of the volume is dedicated to Cluny, with seven articles covering the period from the tenth to the sixteenth century. They explore different phases of the monastic infirmary-drawing on manuscripts and material remains, particularly those brought to light by the archaeological excavations carried out between 2015 and 2019-as well as the town's hospices. The second part broadens the perspective to western Europe, with nine contributions. Reflecting a diversity of approaches, these studies combine specificity with synthesis, greatly enhancing our understanding of places of care in premodern Europe. Comment les espaces de soins taient-ils am nag s, et quels individus y travaillaient ou y taient soign s en Europe, du Moyen ge la fin de l' poque moderne ? Arch ologues et historiens se sont pench s sur ces questions l'occasion d'un colloque organis Cluny en 2022. Les contributions r unies dans cet ouvrage offrent une grande diversit d'approches : certaines se concentrent sur un lieu pr cis, tandis que d'autres abordent des r alit s r gionales, nationales ou li es des ordres religieux sp cifiques. La premi re partie de l'ouvrage est consacr e Cluny, avec sept articles couvrant la p riode du Xe au XVIe si cle. Ils explorent les diff rentes phases de l'infirmerie monastique - travers les sources manuscrites et les vestiges mat riels, notamment mis en lumi re par les fouilles arch ologiques r alis es entre 2015 et 2019 - ainsi que les hospices de la ville. La seconde partie largit la perspective l' chelle europ enne, avec neuf contributions. Par la diversit de leurs angles d'approche, ces tudes offrent un regard la fois pr cis et panoramique, renouvelant en profondeur la compr hension des lieux de soin dans l'Europe pr moderne. TABLE OF CONTENTS Eleonora Destefanis, Introduction Premi re Partie. Cluny (Abbaye et ville), du Moyen ge central jusqu'au XVIIe si cle Anne Baud et Anne Flammin, L'infirmerie monastique de Cluny du Xe au XVIIIe si cle Isabelle Cochelin, Infirmerie et infirmier Cluny au prisme des coutumiers Frederick S. Paxton, End-of-Life Care at Cluny, and Today Arlette Maquet, Infirmeries, malades et difices : la vision normative des statuts clunisiens depuis Pierre le V n rable Beno t Clavel et Philippe Pauthier, Les paradoxes de la table monastique : une enqu te arch ozoologique l'infirmerie de Cluny Elma Brenner, Rem des et soins autour de l'abbaye de Cluny au XVe-XVIe si cle : Londres, Wellcome Collection, MS. 626 Clarisse Couderc, tablissements d'accueil et de soins dans l'espace urbain et p ri-urbain de la ville de Cluny Deuxi me Partie. Ailleurs en Europe, du Moyen ge central jusqu'au XVIIe si cle Diane Carron, Au pied du mur : l'ordonnancement des tablissements d'accueil et de soin de la ville d'Orl ans (VIIe-XIIIe si cles) Alfons Zettler, The Medical Facilities and domus infirmorum on the Plan of Saint Gall Gaby Lindenmann-Merz, Cella - domus - ecclesia. Remarks on the Architectural Evolution of Cistercian Infirmaries Adam J. Davis, La nature des soins hospitaliers en milieu urbain aux XIIe et XIIIe si cles Arnaud Delerce, Les infirmeries de l'abbaye cistercienne de Beaulieu (Hampshire), d'apr s ses comptes (1269-1270) Caroline Bolle et Michel Dubuisson, Infirmeries et soins de sant dans les abbayes de Wallonie (13e-18e si cle) Bert Roest, Capuchin Medical Care: Traditions, Context, and Literary Offspring Laurent D'Agostino, Entre Mal des ardents et d membr s . Le grand h pital de l'abbaye de Saint-Antoine (Is re), d'apr s les donn es historiques et les tudes arch ologiques Emma Bouvard-Mor et Cyrille Ducourthial, La population malade de l'H tel-Dieu de Lyon (1529-1629). Archives versus arch othanatologie Daniel-Odon Hurel avec la collaboration de Pascale Chevalier, Conclusions‎

Bookseller reference : 70847