‎Artistes‎

‎EICHELBAUM Edmundo.‎

‎Carlos Gardel‎

‎DENOEL. 1984. In-12. Broché. Bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 220 pages. Quelques planches d'illustrations et de photos en noir et blanc hors-texte.. . . . Classification Dewey : 927-Artistes, sportifs‎

‎L'âge d'or du Tango. Classification Dewey : 927-Artistes, sportifs‎

Referenz des Buchhändlers : RO80014320

‎Eichenberg, Fritz; Associated American Artists‎

‎The Art of the Print: Masterpieces History Techniques.‎

‎New York: Associated American Artists 1980. 8vo. Single-Page Folded Flyer ca. 1 pp. B&W Plates Very good with Creasing New York: Associated American Artists, [1980] unknown‎

Referenz des Buchhändlers : 75-7119

‎Eichhorn, Maria‎

‎34 Abbildungen und 35 Anmerkungen.‎

‎Berlin., Edition Kunst und Literatur KL / HdK Berlin., 1990. 17 x 11 cm. 34 S.; [9] unpaginierte S. Illustrierter OKarton., 68465A Erste Auflage. Sehr gutes Exemplar.‎

‎Durchgehend mit schwarz-weiß Abbildungen versehen. Hergestellt in der Siebdruckwerkstatt der HdK Berlin. In ZUsammenarbeit mit der Edition Kunst und Literatur KL. Einmaliger Sonderdruck in einer Auflage von 50 handnumerierten Exemplaren. Unser Exemplar trägt die Nummer 28.‎

Referenz des Buchhändlers : 68465AB

‎Eichhorn, Maria‎

‎Die Zeitkapsel im Wasserfall der Steinach. The Time Capsule in the Waterfall on the Steinach River.‎

‎Köln., Verlag der Buchhandlung Walther König., 2012. 30,8 x 21,6 cm. 179 S. Illustrierter OPappband., 3174E Erste Auflage. Sehr gutes Exemplar.‎

‎Durchgehend mit meist farbigen Abbildungen versehen. Das Katalogbuch erschien anlässlich der Realisierung der Arbeit "Die Zeitkapsel im Wasserfall der Steinach" von Maria Eichhorn als Beitrag zum Gallusjubiläum 2012. Mit Texten und Interviews mit der Künstlerin von Henry Naef, Marius Büchi, Silvio Frigg, Konrad Bitterli und Hans Ulrich Obrist. Die Künstlerin ließ im Jahre 2012 im Bachbett der Steinach eine bronzene Zeitkapsel versenken, die durch die Flusserosion im Jahre 3412 wieder zum Vorschein kommen soll. Die Kapsel enthält eine Zeichnung des Pilgermönch Gallus mit seinem Gefährten Hiltibrod. Die Zeitspanne von 1400 entspricht der zeitlichen Distanz zwischen der Versenkung der Kapsel und der Ankunft des Gallus an der Steinach im Jahre 612.‎

Referenz des Buchhändlers : 3174EB

‎Eichhorn, Maria‎

‎Vier Ecken eines entfernten Blattes Papier (1992). Ein Blatt Papier im Hoch- oder Querformat mit Tesafilm an die Wand kleben. Das Papier so entfernen, daß die vier Ecken des Papiers mit dem Tesafilm an der Wand (kleben) bleiben. Drei Bögen Fortuna Color matt oberflächengeleimt Offset-Recyclingpapier, creme, je 42 x 59,4 cm. Deckblatt / Titel / Buchdruck / 21 x 29,7 cm.‎

‎o. O., Maria Eichhorn., 1992. 30,1 x 22,4 x 1,5 cm. 4 unpaginierte Blätter. Pappschachtel., 3068E Schachtel etwas nachgedunkelt, sonst sehr gutes Exemplar.‎

‎Konzeptuelle Arbeit Maria Eichhorns in unlimitierter Auflage. Zur Herstellung des Kunstwerks liegen, wie in der Handlungsanweisung auf dem Textblatt / Deckblatt beschrieben, drei Papierbögen (ausgefaltet je 42 x 59,4 cm) neben dem Textblatt vor. Die Blätter befinden sich in einer Pappschachtel. "In "Vier Ecken eines entfernten Blattes Papier" (1991) hat Maria Eichhorn das potentielle Bild beseitigt. Alles oder nichts kann auf dem ausgerissenen Stück zu sehen gewesen sein: "Kantig" unterläuft Eichhorn die kunstbetriebliche Objektbegierde" (Info zur Ausstellung "Hardly Anything" Vonhundert).[Vgl. Maria Eichhorn. Werkverzeichnis 1986 - 2015. S. 204].‎

Referenz des Buchhändlers : 3068EB

‎Eichhorn, Maria - Yilmaz Dziewior (Herausgeber)‎

‎Maria Eichhorn. Werkverzeichnis 1986 - 2015. Catalogue Raisonné 1986- 2015. Kunsthaus Bregenz.‎

‎Köln., Buchhandlung Walther König., 2017. 23,6 x 18,6 cm. 559 S. Illustrierter OLeinenband., 3123E Erste Auflage. Sehr gutes Exemplar.‎

‎Durchgehend mit meist farbigen Abbildungen versehen. Gleichzeitig Katalogbuch zur gleichnamigen Ausstellung der Künstlerin im Kunsthaus Bregenz, vom 10. Mai bis zum 6. Juli 2014. Enthält ein Gespräch zwischen der Künstlerin und Yilmaz Dziewior sowie einen Text von Alexander Alberro und Nora M. Alter in deutscher und englischer Sprache.‎

Referenz des Buchhändlers : 3123EB

‎EICHHORN, U. u. MAIR, R‎

‎Karl Rössing. Eine Bibliografie des druckgraphischen Werkes bis 1950 für Bücher, Zeitschriften und Kataloge. Mit einer Einführung v. Roswitha Mair.‎

‎Rudolstadt, burgart-presse, 1991. 4to. 101, (3) S. m. zahlr. Abb. (davon 1 farbig) (1. bibliographischer Druck der burgart-presse Jens Henkel). Illustr. OPpbd.‎

‎Eins von 440 Exemplaren.‎

Referenz des Buchhändlers : 1319399

‎EIMERMACHER, K‎

‎Vadim Sidur. Skulpturen, Graphik.‎

‎Konstanz, Universitätsvlg Konstanz, (1978). 4to. 166 S., 1 Bl. m. zahlr. Illustr. u. Tafelabb. OLwd m. OUmschl.‎

‎Enthält auch einige Briefe des Moskauer Künstlers.‎

Referenz des Buchhändlers : 1112085

‎EINSTEIN ALFRED.‎

‎SCHUBERT. PORTRAIT D'UN MUSICIEN.‎

‎GALLIMARD .. 1958.. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 452 pages. 1ère de couverture illustrée en noir et blanc. Nombreuses portées en noir et blanc, dans le texte.. . . . Classification Dewey : 927-Artistes, sportifs‎

‎Leurs figures. Traduction de Jacques Delalande. 3 ème édition : année de l'édition originale. Classification Dewey : 927-Artistes, sportifs‎

Referenz des Buchhändlers : R150087161

‎Electron Movers, Artists‎

‎The Rhode Island School of Design Video Program Presents The Amazing Video Maze. One Dozen Video Games You Can Play And A Video Program of Tapes and Live Video Performances by RISD Students and the Electron Movers‎

‎Providence: RISD presumed Publisher. Unbound. Good. no date perhaps 1974. Single sheet 14 by 11 inches. Provenance: from the collection of Alan Powell an electronic media artist and founding member of the Electron Movers. An advertisement for an event at RISD focusing on the use of videos in art and as art. The main feature at this event was the video art collective known as the Electron Movers. The collective started in 1974 and ended around 1979 as a group of five artists: Laurie McDonald Robert Jungels Dorothy Jungels Dennis Hlynsky and Alan Powell. Three other artists joined later on. As McDonald notes on her website the group "Explored the intersections of many disciplines including film/video music dance visual arts electrical and optical engineering challenging established moving image narrative formats in their attempt to explore video as a new language system." See McDonald's website for previous quote. This broadside advertisement promotes a Sunday May 12 and Monday May 13 event at the RISD Auditorium. Based on our research we believe this event was held in 1974. GOOD condition. Several tack holes along the top. Faint horizontal fold crease present. Some wrinkling and creasing to the corners. Small tear at the lower center edge with the lower right corner torn away and missing. Some toning and minor soiling. Tape remains on the reverse. RISD, presumed Publisher unknown‎

Referenz des Buchhändlers : 021937

‎ELIE MAIRE‎

‎LE VRAI VISAGE D'EVE LAVALLIERE.‎

‎LA BONNE PRESSE / IDEALISTES ET ANIMATEURS 1.. 1941. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 204 pages. Bandes de papier kraft collées au dos et en bordure des plats. Etiquette et tampons de bibliothèque.. . . . Classification Dewey : 927-Artistes, sportifs‎

‎Classification Dewey : 927-Artistes, sportifs‎

Referenz des Buchhändlers : R260169665

‎Eliot Marc‎

‎Walt Disney, la face cachée du prince d'Hollywood‎

‎Albin Michel. 1993. In-8. Broché. Etat d'usage, Couv. convenable, Dos fané, Intérieur frais. 375 pages - quelques planches photos en noir et blanc hors texte.. . . . Classification Dewey : 927-Artistes, sportifs‎

‎Trad. de l'américain par Philippe Loubat-Delranc, Yves Sarda et Jean-Luc Piningre. Classification Dewey : 927-Artistes, sportifs‎

Referenz des Buchhändlers : R300269679

‎Elie-Charles Flamand‎

‎Première rétrospective des salons Musicalistes: 1932- 1960‎

‎This is a very good softcover copy with just light cover wear. Completely clean inside and out. Text in French. Catalog of an exhibition held at the Galerie Hexagramme, June-September 1973, containing works previously exhibited by members of the Association des artistes musicalistes at their salons, 1932-1960. Artists include: Henri Valensi, Charles Blanc-Gatti, Gustave Bourgogne, Vito Stracquadaini, Ernest Klauze, Louise Janin, Jean-Marie Euzet, Georges Filiberti, Henri Olive-Tamari, Leon Bellot and Etienne Beothy. Thumbnail biographies of the artists. Illustrations in black & white + some color. Text by Elie-Charles Flamand, director of Galerie Hexagramme. Invitation card laid in. 9" high X 7" wide, 30 pages. This book will be securely packed and shipped with tracking.‎

‎ELLIS, Warren (Writer) - Leonardo Manco, Peter Gross, Derek Yaniger, Martin Chaplin (Artists)‎

‎Hellstorm (Omnibus)‎

‎2018 Editions Marvel, Collection "Marvel Omnibus" - 2018 - In-4, cartonné sous jaquette illustrée de l'éditeur - Sans pagination, très nombreuses planches illustrées en couleurs et en N&B - Ouvrage en anglais - Collecting Hellstorm: Prince of Lies #12-21 and Druid #1-4‎

‎Bon état - Infimes frottements sur la jaquette‎

Referenz des Buchhändlers : 120029 ISBN : 1302913247

‎Ellis, Martin, Victoria Osborne and Timothy Barringer‎

‎Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement.‎

‎Prestel, München, 2018. 1. Auflage, 280 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; 4°, 31 x 26 cm, Pappeinband mit Schutzumschlag / Hardcover with Jacket‎

‎Einband mit leichten Gebrauchspuren, Namen- und Monogramm-Stempel, insgesamt sehr schön / Cover with slight traces of use, name and monogram stamp, very good condition.‎

Referenz des Buchhändlers : 39606

‎Elsen, Albert E‎

‎Pioneers of Modern Sculpture‎

‎No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, slight traces of storage, tiny bump to top of spine, sunning to spine and upper front spine corner and no bumping to corners. 151pp. Catalogue from the exhibition held at the Hayward Gallery, London in 1973 including works from sculptors of the late 19th and early 20th centuries.‎

‎Elton John; Various Artists‎

‎Duets by Elton John 1993-11-16‎

‎Rocket Records 1993-11-16. Audio CD. Like New. CD plays perfectly & the case looks good. Rocket Records unknown‎

Referenz des Buchhändlers : 2213180429018

‎Elva Oglanby‎

‎Toller‎

‎Gage Publishing Limited 1975. First printing. Hardcover. Fine/very good. 4to 111 pages black cloth; dj torn on rear panel edgeworn <br/><br/>Inscribed by Toller in 1976 on the half-title page to Travis Randy. Toller Cranston was a prominent Canadian figure skater. He won the 1971–1976 Canadian national championships the 1974 World bronze medal and the 1976 Olympic bronze medal. Despite never winning at the World Figure Skating Championships due to his poor compulsory figures he won the small medal for free skating at the 1972 and 1974 championships. Cranston is credited by many with having brought a new level of artistry to men's figure skating. . He quickly gained a reputation as the most innovative and exciting artistic skater of his time one of the first to emphasize use of the whole body to express the music as well as to execute skating moves in best form to lie down while sliding down the ice and to wear elaborate costumes.13 He was particularly known for the quality and inventiveness of his spins which were widely copied by other skaters. The quality of his precision landings and inventive choreography was topped by his combination jumps that included triple revolution jumps - Wikipedia." Gage Publishing Limited hardcover‎

Referenz des Buchhändlers : 5831 ISBN : 0771599447 9780771599446

‎EMILE DESCHANEL‎

‎LA VIE DES COMEDIENS‎

‎HACHETTE. non daté. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. 380 pages.. . . . Classification Dewey : 791.432-Artistes‎

‎Romans, comédies, satires - biographies, mémoires, anecdotes. Classification Dewey : 791.432-Artistes‎

Referenz des Buchhändlers : RO20120539

‎Eminent American Artists‎

‎Harper's Introductory Geography: With Maps and Illustrations Prepared Expressly for This Work Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 1330110366.G ISBN : 1330110366 9781330110362

‎EMMANUEL BONINI‎

‎LA VERITABLE DALIDA‎

‎PYGMALION. 2004. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 344 pages. Premier plat illustré en noir et blanc. Nombreuses photos en noir et blanc hors texte.. . . . Classification Dewey : 927-Artistes, sportifs‎

‎Classification Dewey : 927-Artistes, sportifs‎

Referenz des Buchhändlers : R260109487

‎EMMANUELLE GUILCHER‎

‎SIGNORET UNE VIE‎

‎PRIVE. 2005. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 372 pages. quelques planches de photographies en noir et blanc.. . . . Classification Dewey : 927-Artistes, sportifs‎

‎Classification Dewey : 927-Artistes, sportifs‎

Referenz des Buchhändlers : R160205841

‎EMPAIN BARON‎

‎LA VIE EN JEU‎

‎JC LATTES. 1985. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 220 Pages. . . . Classification Dewey : 927-Artistes, sportifs‎

‎Classification Dewey : 927-Artistes, sportifs‎

Referenz des Buchhändlers : R160150386

‎Enea Vico 1523 1567 Nicolas Beatrizet 1507 1565 attributed artists. Antonio Lafreri 1512 1577 publisher‎

‎PASQUINO.‎

‎<p>Rome: Antonio Lafreri 1550. </p><p>Price: $3750.00 </p><p>Single sheet engraving. 400 x 288 mm. plate; 431 x 318 mm. sheet </p><p>First state. With Lafreri's excudit: "Ant. LafrerI FormIs Romae MDL" at lower right. Watermark "Crossbow with arrow in a circle" similar to Briquet 759. A very good impression with light surface wear and light marginal soiling. Three early stamps on the verso two of them from the Kupferstichkabinet Berlin Lugt 1606 the second of which identifies the print as a duplicate Lugt 2482. The third stamp Lugt 1672 is that of the collector Wilhelm von Lepel.</p><p>An iconic image of the statue known as Pasquino by far the most famous of Rome's statue parlanti talking statues. The statue was discovered in 1501 in the Parione district of Rome. Cardinal Oliviero Carafa "the embodiment of humanist ideals centering on the revival of antiquity"Reynolds erected the statue next to his palace near Piazza Navona on the site of today's Palazzo Braschi where it stands to this day. As early as 1501 satirical poems in Latin and Italian variously celebrating or criticizing the pope clergy and nobility or lampooning private individuals were affixed to the statue. By 1508 the statue had become the focus of a yearly celebration held on St. Mark's Day during which the statue was dressed as a Roman deity or other mythological figure and anonymous writers attached to it poems written in the "voice" of the statue. In 1511 Pasquino was dressed as Grief mourning the death of Cardinal Carafa. In 1549 the year before this print was published Pasquino famously opined on the death of Pope Paul III: 'Here was buried a certain Paul/ a fraud a fox thief murderer;/ Here famous in the mouth of Pasquino/ There suffering in the mouth of the devil."<br /><br />The artist responsible for this print has included a number of pasquinades in Latin and Italian shown on bits of paper attached to the walls of Carafa's palace. The ground in front of the statue is strewn with props a reference to the costumes worn by Pasquino during the St. Mark's Day celebration. In the distance are two pairs of men the first standing in the piazza and the second strolling towards the statue. Carafa's arms are visible in the shadow on the statue's base.<br /><br />Lafreri's print is a close copy of one published in 1542 by Antonio Salamanca Lafreri's rival and eventual business partner. The identity of the artist is unknown. Among those to whom the plate has been attributed are Enea Vico and Nicolas Beatrizet.<br /><br />The sculpture comprises two figures believed to be either Menelaus cradling the dead Patroclus or Ajax holding the dead Achilles.<br /><br />The primary inscription is a sonetto caudato.<br /><br />Io non son come paio un Babbuino <br />stroppiato senza piedi et senza mani <br />Nemen con glialtri membri sconci et strani <br />La simmia son di Niccolo Zoppino. <br />Ma son quel famosissimo Pasquino <br />Che tremar faccio i Signor piu soprani<br />et stupir forastieri et Paesani<br />quando compango in volgare o in Latino.<br />La mia persona è fatta in tal maniera <br />Per i colpi e hor questo hor quel in accocca <br />Per ch'io dico i lor falli a buona cera. <br />Ma infin ch'io ha l'usata lingua in bocca <br />Non ne fo stima anchor che 'l resto pera <br />et sempre cantaro Zara a chi tocca <br />Che se la gente sciocca <br />Non si vuol rimaner de i falli suoi <br />Chi terrà me' che no 'l ridica poi.<br /><br />I am not as I seem a Babbuino<br />crippled without hands or feet <br />Nor with obscene and strange exotic parts <br />am I the Ape of Nicolò Zoppino<br />But I am that most famous Pasquino <br />who makes the most prominent men shiver. <br />and astonishes the out-of-towners and my fellow citizens<br />when I compose in vernacular or in Latin.<br />My persona was shaped in this way: <br />by the blows I take from here and from there <br />because I reveal their sins<br />But as long as I have the use of the tongue in my mouth<br />I do not care even if the rest of my body perishes <br />and I will continue to sing whatever happens <br />and the people who are offended must deal with it. <br />Because if stupid people do not want to keep their sins to themselves<br />Who is going to stop me from telling them<br /><br />The one that was sure to attract the most attention reads:<br /><br />Pasquin tu fuste et sarai semper un pazo<br />Ti sai in ogni forma trasformate<br />Se ti voi alle donne grato fare<br />Per che non ti trasformi int' Vn Ca<br /><br />Pasquino you always were and always will be an idiot.<br />You know how to transform yourself into any form<br />If you want to please women<br />Why don't you turn yourself into a dck<br /><br />Pasquino: Witness to a Rivalry Prelude to a Partnership:<br /><br />The engraving of Rome's talking statue published in 1550 bears witness to the rivalry between the two leading Roman print publishers of the mid-16th c. Antonio Salamanca 1479-1562 and Antonio Lafreri 1512-1577 and to the vast publishing phenomenon that came to be known as the "Speculum Romanae Magnificentiae" The Mirror of Roman Magnificence". <br /><br />In the years following the sack of 1527 the Spanish emigree Antonio Salamanca began producing engravings of Roman subjects with regularity prior to the sack such prints were few and appeared sporadically. In the 1540s another emigree printer the Frenchman Antonio Lafreri Antoine Lafréry began a rival enterprise copying many of Salamanca's engravings. The Pasquino an image that Lafreri lifted from Salamanca dates to this period.<br /><br />In 1553 the two competing Roman publishers entered into a contractual alliance for twelve years "with the explicit purpose of printing and selling copperplate prints of ancient and modern subjects… When the contractual agreement between Salamanca and Lafreri was established in 1553 the underlying principle of the "Speculum" was in place: it was to be a corpus of documentary prints of ancient and modern Roman subjects mainly in folio."Parshall<br /><br />Lafreri's and Salamanca's engravings illustrating the ancient and modern marvels of Rome tombs temples palaces baths statuary obelisks columns inscriptions frescoes etc. were purchased by tourists as souvenirs studied by antiquarians used as models by artists and architects and circulated as virtual visits for armchair travelers beyond Rome. By the late 1570s collectors could also purchase an engraved title page while selecting prints for their own Speculum collections. As a result Lafreri's customers or those of his heirs Salamanca had died in 1562 and Parshall suggests that the title was only in use after Lafreri's death in 1577 collected images to suit their own needs or taste. After the death of Lafreri two-thirds of the existing copper plates went to his heirs and another third was sold to other publishers. These new owners continued to print the existing images while still producing new prints.<br /><br />"Print collecting in the Renaissance is not very well understood mainly because prints were numerous comparatively inexpensive and therefore rarely inventoried. They are less likely than other sorts of objects to come down to us with a clear indication of their original setting. Nevertheless the evidence of a few large collections from the sixteenth century does suggest some consistent patterns most notably that prints accumulated in substantial numbers tended to be compiled in albums where they were organized by subject- matter and scale…. There is still much to learn about how such collecting practices evolved and the development of a market to serve them."Parshall "Antonio Lafreri's Speculum Romanae Magnificentiae" Print Quarterly March 2006 Vol. 23 No. 1 pp. 3-28.</p><p>References: Lafreri-Index Z.249. Marigliani "Lo Splendore di Roma nell'Arte incisoria del Cinquecento" Edizioni Tipografia Marina 2016 V.56; Rubach "Ant. Lafreri Formis Romae: Der Verleger Antonio Lafreri und seine Druckgraphickproduktion" 2016 no. 337; Hülsen Speculum 1921 Nr. 71a; Alberti L'Indice di Antonio Lafreri no. 84.</p> Antonio Lafreri, books‎

Referenz des Buchhändlers : 4234

‎Engelmann, Ines Janet‎

‎Jackson Pollock und Lee Krasner. Pegasus Bibliothek‎

‎München : Prestel 2007. 95 Seiten. Mit zahlreichen meist farbigen Abbildungen. Farbig illustrierte Originalbroschur. 28x19 cm‎

‎* For more than a decade, Jackson Pollock and Lee Krasner devoted their lives to each other, serving in turn as muse, critic, companion, lover, friend and alter ego. Their romance was stormy - their raucous arguments are the stuff of legend - but their talents were prodigious. This book is packed with examples of the contributions both artists made to the world of modern art. Readers will learn how Pollock and Krasner's artistry evolved and how they influenced each other's success. Recent developments, such as a revealing biopic and the art world's elevation of Pollock to the status of being the most expensive artist in the world, bring their portrait fully up-to-date. While the author acknowledges history's sensationalisation of their lives, it is the paintings themselves - revolutionary, innovative and daring - that tell the most compelling story. --- Paul Jackson Pollock (* 28. Januar 1912 in Cody, Wyoming; ? 11. August 1956 in East Hampton, New York) war ein US-amerikanischer Maler und ein bedeutender Vertreter des abstrakten Expressionismus der New York School. Pollock wurde bekannt mit der von ihm begründeten Stilrichtung des Action Painting. Seine im Drip-Painting-Verfahren angefertigten großformatigen Werke brachten ihm bereits zu Lebzeiten den Spitznamen ?Jack the Dripper? ein. Seine Zeitgenossen schätzten ihn für sein zutiefst persönliches und kompromissloses Engagement für die Malkunst. Sein Werk hatte enormen Einfluss auf viele nachfolgende Kunstströmungen in den Vereinigten Staaten. Er ist auch einer der ersten amerikanischen Maler, der zu seinen Lebzeiten und danach mit großen europäischen Künstlern der Moderne auf eine Stufe gestellt wurde. Pollock war mit der Malerin Lee Krasner verheiratet, mit der er eine Ateliergemeinschaft hatte. (Quelle Wikipedia)‎

Referenz des Buchhändlers : 140468