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Fashion - Tailleurs charmants, Les
Hiver 1934.
1934. London Paris Vienna 1934. 335 : 225 cm. 4 pages with description With 20 mounted coloured plates. Typographic printed original wrappers. Overview of the winter fashion collection for 1934. Each design in vivid colours shows the model in the center and on the side there are some detailled views of the dress. With a description of each model in French English and German. - Here present are 20 out of 39 plates; upper parts of the plates with water-stains but not effecting the image; wrappers with some defects. unknown
Bookseller reference : 11072AB
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Fashion - Boutet, Henri
Les modes féminines du XIXe siècle interprétées en cent pointes séches aquarellés au pinceau 1801 - 1900.
1902. Paris Societé Francaise d'Éditions d'Art 1902. 305 : 235 cm. 14 pages with 100 plates in coloured etching and 1 coloured etched title-vignette. Contemporary red half calf spine richly gilt top edge gilt. One of only 600 numbered copies of the only edition. Wonderful coloured etchings which show perfectly the style of that time. - "Henri Boutet 1851-1919 a traduit a la point-seche avec un elegance zn peu mievre les graces de la Parisienne. Dans l'eau-fort en couleurs il a fait preuve d'un art beaucoup plus sur. Certains de ses dernieres estampes notamment ses paysannes normandes ont un veritable caractere" Benezit. - Reliure demi-cuir à coins jolis motifs au dos. Couvertures du broché conservées mais pas le dos. Chaque illustration est protégée par une serpente épaisse le papier lui-même est très épais si bien qu'en dehors d'une courte préface de Clarétie le livre ne contient en fait que les 100 illustrations une par feuille le recto est vide. Collationné complet. Henri BOUTET Les Modes féminines au XIXe siècle interprétées en cent pointes sèches aquarellées au pinceau 1801-1900. Préface de Jules Clarétie. Paris Société Française d'Éditions d'Art 1902. l'un des 600 après 60 sur Japon les 2 seuls tirages. 100 illustrations aquarellées une par année. Binding a bit rubbed otherwise a mint copy. unknown
Bookseller reference : 10884AB
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Fashion - Gahsner, Hilda
Schnittzeichenbuch für Weisswäsche. Paterns for linen.
1880. Vienna 1880. 25 : 32 cm. 48 leaves with many illustrations. Contemporary half calf. Hand-written pattern-sample book for all sort of linen-cloth. With detailled drawings and long descriptions for man woman and children of all ages. hardcover
Bookseller reference : 15769AB
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Fashion - Colette - Colette
Toi". Text de Mme. Colette. Dessins de Jean Dupas.
1927. Paris Draeger 1927. 275 : 22 cm. 8 leaves with the text of Colette 6 plates by Jean Dupas 1 mounted plate. Original cloth original black wrappers illustrated in silver and red bound in. Excellent copy of the album Toi founded by Maison Les Fourrures Max and illustrated by Jean Dupas for the poems of Colette. One of the most beautiful catalogues created in art-déco."Ce bel étui noir onré de fleurs rouges et argent contient de superbes planches en camaieu gris et noir. La provocation des nus féminins que Jean Dupas a drapé des fourrures de la novelle collection est atténué par leur hiératisme de statue" in 'Arts et Métiers Graphiques' No.1 1927 - Bibliothèque Exposition Forney 1988. No.18. Jean Dupas Bordeaux 1882 - 1964 Grand Prix de Rome of painting in 1910 lead this album to the summit of publicity. - Some text-pages verso with mist of stains otherwise a superb copy of this mark stone of art deco. hardcover
Bookseller reference : 19102AB
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Fashion - Kiblitsky, Joseph (Editor)
Painting, Fashion and Style.
Aachen, The Russian Museum. St. Petersburg Palace Editions 2009. 280 pages. With a lot of illustrations. Illustrated original hardcover and an illustrated dustjacket. New condition. 32x25 cm
Bookseller reference : 132513
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Fashion / Advertising
WE HAVE READY NEW And CORRECT STYLES For The FALL & WINTER SEASONS Of 1884 & 1885 and Will Be Pleased to Serve You. Mattson & Dilkes. 1346 Chestnut St. Philadelphia
Philadelphia: E. A. Wright 1884. White card printed in black and grey. Minor faint soiling from handling. Crisp. VG. Card printed recto only. 4-1/4" x 5-1/2" <br/><br/>Seasonal advertising card for merchant tailors Mattson & Dilkes long-lived Philadelphia clothiers. E. A. Wright unknown books
Bookseller reference : 43247
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FASHION ACADEMY
Fashion Academy
New York: 1935 1935. Promotional prospectus for the Fashion Academy at 16 East 52nd Street New York. 192x125mm. pp. 48. Illustrated throughout with art deco colour fashion plates and one pochoir pastedown image. Decorated art deco style cover and endpapers. Some rubbing and wear but overall a very nice copy and internally very good. the Fashion Academy was operated under the direction of Emil Avil Hartman and ran a series of courses on fashion and costume design. This fascinating little book published as an annual prospectus and so is quite uncommon provides outlines of the courses and gives information about how to live in New York. New York: 1935 unknown
Bookseller reference : 4885
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FASHION ACADEMY
Fashion Academy
New York: 1938 1938. Promotional prospectus for the Fashion Academy at 16 East 52nd Street New York. 198x130mm. pp. 44. Illustrated throughout with colour fashion plates and one pochoir pastedown image. Decorated covers with an embossed gilded label pasted on upper cover. Illustrated endpapers with gold fashion silhouettes. The fashion plates are mostly of historic designs. Some rubbing and wear and internally there is some marking and slight staining but overall a nice copy. The Fashion Academy was operated under the direction of Emil Avil Hartman and ran a series of courses on fashion and costume design. This fascinating little book published as an annual prospectus and so is quite uncommon provides outlines of the courses and gives information about how to live in New York. New York: 1938 unknown
Bookseller reference : 4886
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Fashion Artists Association/Editor
BON GOUT No. 1 first issue
Bonguu-sha 1946. Soft Cover. Fine. The book is in fine condition. Bonguu-sha paperback
Bookseller reference : 2083002117300772
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FASHION Bloomingdale's Corporate author
FIVE WORLD RENOWNED PHOTOGRAPHERS PROJECT THEIR IMAGE OF FASHION 1985 FALL Cover title
Salem Virginia: Bloomingdale's By Mail Ltd 1985. First edition. 4to. 79 pp. color and b&w images from photographs. Glossy stapled wrappers with addressee label affixed to rear wrapper. Slight toning very good. The five photographers are: Horst P. Horst Norman Parkinson Francesco Scavullo Deborah Turbeville and Eric Meola. <br/><br/>No copies listed in OCLC. <br/><br/> Bloomingdale's By Mail Ltd unknown books
Bookseller reference : 53024
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Fashion Boris
Designs for woman cloth
1930. n.p. 1930ties 48 : 36 cm. Four sheets with coloured aquatints partly hightened in gold Six designs for Ladies evening dresses. One plate signed Boris. While men's style changed little women's looks changed significantly over the course of the 1930s. The previous Roaring Twenties were still characterized by a new very androgynous image of women and the so-called Flapper Girl was a symbol of the independent modern woman. But in the 30s this trend changed to the complete opposite: the elegant lady was popular again. This was reflected above all in the rediscovery of the female figure. Reason for this: The woman as a caring mother and housewife was THE ideal of the time. This conservative image was also accompanied by a hyperfeminization of women. This value attitude was particularly evident in the emphasis on the high waist. unknown
Bookseller reference : 19806AB
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Fashion design - Vospel
Collection of designs for woman clothes.
1950. Vienna ca. 1950. 31 : 23 cm. Many designs on 97 pages some with mounted textile samples. Desgins for woman clothes coats pants etc. on plate with children's cloth 8 plates in colour with mounted textile samples. A few marked with 'Dior falte' Dior pleat some 'Dior Rock' Dior scirt some marked model summer model Margit etc. one plate with applications in different colours. hardcover
Bookseller reference : 14633AB
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Fashion Dossier International
Tendances Spring/summer 96
E-120: Fashion Dossier Inc. Very Good. 1996. Hardcover. Plastic comb trade PB. 4to. Fashion Dossier Inc. 1996. 176 pgs. Illustrated with Color Plates & fabric swatches examples of patterns etc. Wrappers lightly worn with some light shelf-wear to the extremities present. Thick stout quarto that is lightly splayed due to the contents. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Fashion forecasting is a global career that focuses on upcoming trends. A fashion forecaster predicts the colors fabrics textures materials prints graphics beauty/grooming accessories footwear street style and other styles that will be presented on the runway and in the stores for the upcoming seasons. The concept applies to not one but all levels of the fashion industry including haute couture ready-to-wear mass market and street wear. Trend forecasting is an overall process that focuses on other industries such as automobiles medicine food and beverages literature and home furnishings. Fashion forecasters are responsible for attracting consumers and helping retail businesses and designers sell their brands. Today fashion industry workers rely on the Internet to retrieve information on new looks hot colors celebrity wardrobes and designer collections. E-25; 4to 11" - 13" tall; 176 pages . Fashion Dossier, Inc. hardcover
Bookseller reference : 52857
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Fashion Edited
GLAMOUR Magazine of Hollywood - Vol. 1 No. 1 April 1939
New York: Conde Nast 1939. First Edition. Wraps. Very good. 4to. Publisher's wraps. Mild edgewear and with some splitting to wraps at spine. Mild toning to page edges. Very good. 132pp. <br/><br/>The inaugural issue of GLAMOUR magazine "The Hollywood way to Fashion Beauty Charm." A style magazine focused on Hollywood stars now a marquee publication for Conde Nast. Uncommon especially in nice condition. Conde Nast paperback books
Bookseller reference : 17311
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Fashion Extravaganza Committee
Third and Fourth Annual Fashion Extravaganza Polio Isn't Licked Yet. Join the March of Dimes. cover title
Detroit 1957. Paperback. Good. Two Souvenir Programs. photos 22 and 36p. Original wrappers. 29cm. Moderate soiling and wear. African American organization. Mrs. Willie Lee Jackson is listed as General Chairman of both events. Held Feb. 5 1956 and Feb. 17 1957 at Latin Quarters in Detroit. <br/><br/> paperback books
Bookseller reference : 82464
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Fashion Fever, Chusita
Esto no es un libro de sexo Spanish Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Bookseller reference : 8427209851.G ISBN : 8427209851 9788427209855
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Fashion Fever, Chusita
Ready for It
Imprint 2018-09-25. hardcover. New. 7.25x0.50x9.25. Buy with confidence. Excellent Customer Service & Return policy. Imprint hardcover
Bookseller reference : DADAX1250133882 ISBN : 1250133882 9781250133885
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Fashion Foundation
Wool Book; The International Textile Design Contest
Tokyo: Fashion Foundation 1986. Softcover. VG light shelfwear to wraps corners bumped pages are very clean and tight. White wraps with black lettering color illustration on front cover 104 pp profusely illustrated in color and bw followed by several unpaginated pages of ads. Text in Japanese and English. International textile design contest Dec. 3-5 1986 organized by the Fashion Foundation Tokyo Japan. Fashion Foundation paperback books
Bookseller reference : 176806
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Fashion Group International
NIGHT OF STARS. 11th Annual Fashion Show
NY: Fashion Group International 1994. First edition. Quarto. 58 pp; profuse color & b/w illustrations. Tan paperback. Near Fine a clean unmarked copy; covers unmarked numbered ticket laid in. The 11th annual Night of Stars held by Fashion Group International honored Bernadine Morris the chief fashion reporter for the New York Times. The evening featured a live fashion show by nine Paris haute couturiers : Oscar de la Renta for Balmain Karl Lagerfeld for Chanel Gianfranco Ferre for Christian Dior Maurizio Galante Hubert de Givenchy Christian Lacroix Emanuel Ungaro Philippe Venet and Gianni Versace. It features a 4-pp tribute to Bernadine Morris by Bill Cunningham tributes by the nine Paris haute couturiers and others. First Edition. Soft Cover. Near Fine. Fashion Group International Paperback
Bookseller reference : 013663
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Fashion Group of Los Angeles
THOSE DESIGNING WOMEN.THOSE GOLDEN YEARS 1935 TO 1955 - THE LOS ANGELES FASHION GROUP
Los Angeles: Fashion Group of Los Angeles 1976. Stapled Wraps. Very Good. 46p. Toned wrap edges lightly worn and spine fold scraped. Program for fashion show honoring California women fashion designers presented by the Fashion Group of Los Angeles the first California chapter of the Fashion Group International FGI. The FGI was established in 1928 as a nonprofit organization of executives in the fashion business including apparel accessories and beauty. This booklet offers brief biographies of such designers as Mary Ann DeWeese Rose Marie Reid Bonnie Cashin Irene and Helen Rose along with contemporary advertisements. B&w illustrations and photographs. 8-1/2"x14" <br/><br/> Fashion Group of Los Angeles paperback
Bookseller reference : AM003
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Fashion Group
Your future in the beauty business
loose_leaf. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
Bookseller reference : 0823904822.G ISBN : 0823904822 9780823904822
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fashion group
Your Future in the Fashion World
R. Rosen Press 1960. Hardcover. Very Good. Nice looking book has minor edge wear. R. Rosen Press hardcover
Bookseller reference : 1008090028
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Fashion History Editing Committee
clothing history
Kakusado Publishing Co. Ltd. 1969. Soft Cover. Fine. The book is in fine condition. Kakusado Publishing Co., Ltd. paperback
Bookseller reference : 2091502133700842
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Fashion History Sketches
Fashion History Original Gouache Illustrations 1920s to 1950s Women's Dress Design and Stylistic Transition
1920. Vernacular fashion illustration archive circa 1920s-1950s documents the evolution of women's dress and stylistic ideals across early and mid-twentieth-century design with emphasis on silhouette material and aspirational presentation. The drawings capture shifts from the elongated androgynous forms associated with 1920s and 1930s fashion to the structured tailoring and fitted garments of the postwar period. Elements such as exaggerated shoulders cinched waists and coordinated ensembles situate the works within broader developments in women's fashion including the influence of tailored suits and formal eveningwear. The illustrations also record accessory culture including gloves hats and jewelry positioning dress within a larger system of social signaling and presentation tied to class gender norms and modern consumer identity.<br /> <br /> United States and possibly Europe circa 1920s-1950s. Archive of six original gouache and pencil fashion illustrations on hard mat boards and one on thick watercolor paper each measuring approximately 10 x 7 to 10 x 15 inches. Several works bear artist signatures or initials including examples signed "Virginia" and "G. Wichner." Two dated compositions from April 11 1954 depict coordinated ensembles including a rose-toned set with a pencil skirt and structured blazer rendered with detailed attention to tailoring and fabric accents. Other illustrations include multi-figure studies of women in draped garments with belted waists a single-figure composition in a long gown with fur coat and elongated cigarette holder and portrait studies featuring headpieces veils and bold cosmetic styling. Use of shading color variation and line work emphasizes fabric texture garment movement and body form.<br /> <br /> Produced during a period of significant transformation in women's fashion these illustrations align with the development of modern fashion media including editorial illustration design sketching and commercial garment production. The visual emphasis on proportion tailoring and accessorization reflects the increasing codification of fashion as both industry and cultural expression in the twentieth century. As original works the drawings provide insight into the processes of design visualization and stylistic interpretation supporting research into fashion history gender presentation and visual culture. Light handling wear to mounts and sheets; overall very good condition. unknown
Bookseller reference : 19974
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Fashion images de mode No 1
Ed. by Lisa Lovatt-Smith and Patrick Remy.
Göttingen, Steidl, 1996. 185 S. m. teils farb. Fotos, 4°, OPp. m. OU.
Bookseller reference : 28260
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Fashion Institute of Technology (New York, N Y) Museum
Paris Modern: The Swedish Ballet 1920-1925
New. paperback. New. Satisfaction Guaranteed or your money back. paperback
Bookseller reference : 0884010813 ISBN : 0884010813 9780884010814
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Fashion Institute of Technology (New York, N Y) Museum; Marion Koogler McNay Art Institute; Fine Arts Museums of San Francisco;
Paris Modern: The Swedish Ballet 1920-1925
Fine Arts Museums of San Francisco 1996-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Fine Arts Museums of San Francisco paperback
Bookseller reference : Q-0884010813 ISBN : 0884010813 9780884010814
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Fashion institute of technology new york
Ratti and Paisley
Fashion institute of technology new york 1987-01-01. Paperback. Like New. 11x9x0. A very beautiful copy. Text in mint/unmarked condition. Cover has minor shelf rubbings. Binding is tight. Your Satisfaction Guaranteed. We ship daily. Fashion institute of technology new york paperback
Bookseller reference : D7M220910009
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Fashion Inst of Technology (pub)
REEL LIFE OF WORKING WOMEN
Fashion Inst. of Technology 1986. Paperback. Very Good. Nice looking book has minor edge wear. Fashion Inst. of Technology paperback
Bookseller reference : 1001170088
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Fashion Institute of Technology
Fortuny
This is a very good copy of this softcover exhibition catalog. Completely clean inside, and out. Spine not creased. This exhibition was shown at F.I.T. in New York and also at the Art Institute in Chicago. Several texts are reprinted here: Guillermo de Osma from his monograph, which came out a few years earlier, Phyllis and Fred Feldkamp from an article in Harper's Magazine. Also a short piece by Jean-Michel Tuchscherer, the Curator at the Musee Historique des Tissus de Lyon, and another short piece on manufacturing techniques Fortuny used by Gabriel Vidal and Odile Valansot. Bibliography. About 20 illustrations in color and black & white. There were 75 costumes and a number of textile samples in the exhibition. Exhibition checklist laid-in. 11" high X 7" wide, 36 pages. This book will be securely packed and shipped with tracking.
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Fashion JH. Steward Ltd. J. H.
Rectiform" Sports Spectacles
London: J.H. Steward Circa 1935. Very good. 5.25" x 8" folded pamphlet printed in blue on pale blue stock. Illustrated with drawings of two different frame styles. "12/24/45" penned in black ink at front. Mild toning and foxing. Short split at fold. Very good. Also includes price list 8" x 10" approx. typed in blue and description of "chromos" tinted glass 8" x 10" approx. typed in black. <br/><br/>Pamphlet advertising "Rectiform" sports spectacles sold by J.H. Steward opticians of London. Claiming "opticians to the National Rifle Associations of the British Empire" Steward markets the spectacles designed with extended field of vision so that one's vision is not obstructed by the edges of the frame to marksmen as well as players of tennis cricket and even billiards. Additional information on "chromos" reflective lenses also aimed at improving vision for riflemen. J.H. Steward unknown books
Bookseller reference : 17157
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Fashion Luza Reynaldo
Exhibition du Gout de Paris" sales brochure for the Paris store Au Printemps with printed cover in colors by Luza
Paris: Au Printemps 1932. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. Color Printed Brochure by Fashion Artist Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br/><br/>In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br/><br/>In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Au Printemps unknown books
Bookseller reference : 25922
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Fashion Luza Reynaldo
Original fabric design: gouache on paper
n.p. 1950. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Original Fabric Designs by Fashion Artist Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br/><br/>In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br/><br/>In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown books
Bookseller reference : 25924
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Fashion Luza Reynaldo
Original fabric design: gouache on paper signed Luza in lower margin
n.p. 1950. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Original Fabric Designs by Fashion Artist Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br/><br/>In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br/><br/>In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown books
Bookseller reference : 25923
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Fashion Luza Reynaldo
Original fashion illustration
New York 1923. Pencil ink and gouache on paper signed lower left. 1 vols. Image 13 x 9-1/2 inches matted and framed to 20 x 16 inches overall. Matted and framed. Fine. Pencil ink and gouache on paper signed lower left. 1 vols. Image 13 x 9-1/2 inches matted and framed to 20 x 16 inches overall. Original Fashion Art by Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times - Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br/>In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey." Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br/>In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Literature: Harpers Bazaar October 1923 unknown books
Bookseller reference : 25810
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Fashion Luza Reynaldo
Town & Country magazine: original cover treatments pencil and gouache on paper of a cluster of palms with the sea in background seen through an arched doorway
n.p. 1950. 1 vols. Image approximately 6 x 4-1/2 inches matted to 12 x 10-1/2 inches. Creased across upper left corner light spotting. 1 vols. Image approximately 6 x 4-1/2 inches matted to 12 x 10-1/2 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown books
Bookseller reference : 245213
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fashion magazine
Boutique NO.18 Autumn 1974
Not Available 1974. Soft Cover. Fine. The book is in fine condition. Not Available paperback
Bookseller reference : 2090502113705410
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fashion photographs
Gunal Erkose Sample Books
Istanbul c. 1970s. Very Good. Red card wrappers with "Gunal Erkose" stamped in gilt on front cover; two volumes 4to; unpaginated with b/w photographs 27 in one 23 in the other tipped-onto black leaves with printed frames and handwritten prices below e.g. Fob Istanbul US $34. Covers a bit scuffed; slight wave to text block. A fun time capsule of early 1970s Turkish leather fashions for men and primarily women modelling outer wear and jackets dresses and pant suits. <br/><br/> hardcover books
Bookseller reference : D6222
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FASHION PLATES]
THE QUEEN The Lady's Newspaper and Court Chronicle. Weekly issues for Feb. 23rd 1885 - to - July 23rd 1885
London. Printed by Horace Cox. no printed title page. Hardcover. folio 43.5x 28cm 17" x 11"0 pp207-712107 = 617 pages plus the plates. WITH. 11 COLOUR FASHION PLATES & 11 COLOUR TEXTILE PLATES the textile plates are chromo litho's. double page engraved frontis numerous engraved illustrations through out many full page spine cap wanting both worn boards are loose text block is clean and soundno foxing rare ds1. Great colour plates. [London. Printed by Horace Cox]. (no printed title page) hardcover
Bookseller reference : 38855
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Fashion plates. Ediciones Marti.
Modelos No. 1-10.
Folio. Barcelona: Central de Corte Marti April 1929-December 1929. Folio 24 pp. Original wrappers printed in brown with illustrations to every page and terminal fold-out sewing patterns. Stapled paper wrappers with title and date printed to the upper wrapper. Some minor foxing to outer margins; very good. § First edition. Ten issues of Ediciones Marti created for disciples of the “Method of Cut†system with all the best creations of haute couture. Each edition contains a selection of models drawn to exhibit new designs accompanied by sewing patterns. Central de Corte Marti unknown books
Bookseller reference : 108242
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Fashion Pochoir
LA MODE FEMININE DE 1900 A 1920
Paris Editions Nilsson c.1920. Four little volumes containing 80 pochoir color cards 20 in each volume of women's fashions from 1900-1920. Small 16mo. 9.4 x 7.25cm. Each volume In original hand colored printed wrappers with women in costume on the front of each volume. Housed in the original patterned paper covered card slipcase with rose design on inside covers with printed paper spine label. Box is shaken. Interior volumes are fine. Ties are perfect. unknown books
Bookseller reference : 2413
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Fashion Price Junius M.
Dame Fashion
London: Sampson Low Marston & Company Ldt 1913. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. Green morocco-backed boards. Very good. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. An excellent survey of French and English mode of dress between 1786 and 1912. Colas 2426; Hiler & Hiller p. 722 placing date as 1912 Sampson Low, Marston & Company Ldt unknown books
Bookseller reference : 218820
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FASHION SCANDINAVIA
7051
In Pristine Condition. unknown
Bookseller reference : Gundtoft, Dorothea
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Fashion Sport
Frankfurt, Deutscher Fachverlag, 1994
o.J. 4to. Mit zahlreichen teils farbigen Abbildungen. 232 S., 10 Bl. Or.-Lwd. mit Schutzumschlag. [4 Warenabbildungen]
Bookseller reference : 89363
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Fashion STYLE SILK COMPANY
Archive of Novelty Promotional Material for Silk Stockings
Chicago: Style Silk Company Circa 1930s. First Edition. Near fine. Seven sets each including: Lucky name game folded card with perforations printed in red and blue 3" x 5.5" approx.; order blank printed recto only on blue stock 8.5" x 5.5" approx.; color sample sheet 3.5" x 5.75" approx.; Trifold brochure 6.25" x 9.25" approx.; self-addresssed envelope 6" x 3.5" approx. Housed in hosiery box from another company "Alanda Hosiery." Minor toning near fine overall. <br/><br/>Collection of promotional material for the Style Silk Company of Chicago maker of women's stockings and men's socks. Most interesting is a promotional game whereby an individual places an order for five pairs of stockings and sells punches for the opportunity to win pairs of stockings. An interesting spin on direct marketing. Style Silk Company unknown books
Bookseller reference : 17155
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Fashion W
Sustainable Fashion Responsible Consumption Design Fabrics And Materials Pb 2021
Brand New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx UPS & USPS and we do not accept APO and PO BOX Addresses. Order can be delivered worldwide within 7-12 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India. unknown
Bookseller reference : C--17992 ISBN : 8417412794 9788417412791
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Fashion. LEIGH David
Archive of Drawings Watercolors and Pastels of Women's Fashion
np New York ca. 1955. Very good. 18 large completed plus 6 smaller loose portraits executed in pen & ink with watercolor or guache on paper. Large works all approx. 19" x 12"; smaller 12.5" x 9". With a large 17" x 12" spiral-bound artist's notebook containing eight additional color studies plus one sketch. Also includes 18 other loose preliminary works various sizes and media - including one brief series of Shakespearean costume design. Most SIGNED by the artist. Generally very good or better overall. <br/><br/>Lovely selection of original fashion art depicting various women's runway dresses all ca. 1955. We have been unable to discover much about the artist Mr. Leigh. But he was clearly an accomplished designer colorist and draftsman. We do know he was based in New York City and assume given the professional skill with which these works were executed that he likely worked in the industry either for a designer or a fashion magazine. The portraits themselves are quintessentially post-war in their style and taste clearly indebted to VOGUE and their artists. A beautiful primary collection of 1950s high fashion. unknown books
Bookseller reference : 14112
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Fashion. NEIDLINGER ST. S. T.
THE 18TH AMOS PARRISH FASHION SELLING CLINIC: Spring and Summer 1937
New York: Amos Parrish and Company 1937. First Edition. Wraps. Very good. 9" x 12" approx. brad-bound in wraps. 154 leaves printed in black and green primarily recto only. Many with additional fold-outs. 108 fabric samples glue-mounted throughout. Some creasing chipping and mild soil to wraps. Interior generally fresh and bright. Some adhesive residue or other wear to samples with two perished. Very good overall. <br/><br/>A handbook for the Amos Parrish Fashion Selling Clinic a seminar for department store executives and other retailers. Amos Parrish retail sales and advertising manager founded his consulting firm providing statistical retail merchandising analysis and holding clinics like the one represented here from the 1920s to 1955. Amos Parrish and Company Inc. also published pamphlets charts books and other fashion forecasting materials. An extremely well-crafted handbook it includes the two-day seminar schedule and profusely illustrated sections outlining the seasonal trends in apparel accessories and undergarments with sections on selling suits coats millinery sportswear etc. These are accompanied by statistical information on the various styles defined. A note paper-clipped to the first page by the book's creator S. T. Neidlinger indicates that this was used as a sample of his work. A handsome and minutely detailed item with fascinating insights into fashion trends and retail operations of the era. OCLC locates only one similar item for the final 1955 event. Amos Parrish and Company paperback books
Bookseller reference : 17397
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Fashion/ Fabric / Trade Catalogue
SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Hiver 1957 - 1958
Paris: Societe Paritys / Lebotys 1957. Post binder with 3 brass posts decorative screw tops. Publisher's color pictorial glazed boards blue spine and joints. Board edges rubbed and worn; short split to rear outer joint; inner joints tender paper splitting though cloth reinforcement beneath is intact. Page block foxed occasional foxing/spotting throughout; light offsetting from fabric samples to some pages. Fabric sample generally clean and bright with occasional creasing/fraying. Overall Gd. 97 pp. 16 color fashion drawings; ~ 740 pasted or tipped-in fabric samples. 16-1/8" x 12-1/8" <br/><br/>A mid-century salesman's sample catalogue from the winter collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor acetate and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books
Bookseller reference : 42918
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Fashion/Fabric Trade Catalogue
SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Hiver 1958 - 59
Paris: Societe Paritys / Lebotys 1958. Post binder with 3 brass posts. Publisher's pictorial glazed boards red cloth joints. Light extremity wear to boards; bumping to upper corner of front board; short split to front and rear joints. Page block lightly foxed foxing/spotting scattered throughout. Few white nylon fabric samples discolored by paste beneath. Fabric samples otherwise clean and bright with only minor occasional creasing/fraying. Overall VG. 80 pp. 12 color fashion drawings; ~590 pasted and tipped-in fabric samples 16-1/8" x 12-1/8" <br/><br/>A mid-century salesman's sample catalogue from the winter collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor lurex viscose imitation fur and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books
Bookseller reference : 42919
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