‎Picasso‎

‎Picasso. Oeuvres reçues en paiement des droits de succession. Esposizione a Grand Palais ott. 1979 - gen. 1980.‎

‎In-8° gr. carrè pp. 325 con molte ill. n.t. anche a piena pag. e alcune a colori. Bross. edit. ill.‎

‎Picasso. Peintures 1955-1956.‎

‎pp. 48 non num. con 46 riproduz. in b/n e 4 a col. Copertina lievemente imbrunita, segni del tempo e piccole fioriture. Stato di conservazione molto buono. Catalogo dell'esposizione del grande pittore spagnolo con cui fu inaugurata la Galerie Louise Leiris, con introduz. di D.-H. Kahnweiler.‎

‎Picasso. Spätwerke. Picasso-Sammlung der Stadt Luzern.‎

‎Luzern:, Stadt Luzern, 1994. 8°. 96 S., zahlreiche zum Teil farbige Abbildungen, broschiert (private Widmung auf Innendeckel; gut erhalten)‎

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‎PLAISIR DE FRANCE-N°114-DECEMBRE 1945-NUMERO SPECIAL-NOEL‎

‎NOEL RETROUVE, PAR JACQUES DE LACRETELLE-CHARTRES, PAR ROGER VAULTIER-LA BEAUCE, PAR ROGER VAULTIER, GRAVURES DE SOULAS-LA COULEUR, EN CHANTANT., 4 PAGES PAR GASTON POULAIN, 5 ILLUSTRATIONS COULEURS CONTRECOLLEES (ANDRE MARCHAND-HENRI MATISSE-PABLO PICASSO-GEORGES BRAQUE-JACQUES VILLON)-LA VIERGE ET L'ENFANT DE BOURDELLE A LAMBERT-RUCKI-UN ALBUM POUR NOEL, SANTONS DE CHEVALLIER, PHOTOGRAPHIES DE LAURE ALBIN-GUILLOT-HABITAT COLONIAL, PAR JEAN ALAURENT, COMPOSITIONS DE PAUL COLIN, MAQUETTES DE MME MATISSE ET DE JC BERRIAT-UN APPARTEMENT-TROIS BUREAUX, JALLOT-LE MOULIN DE RHUS-LE MOULIN DE LA MENILLE-FANTASIA, UN NOUVEAU FILM DE WALT DISNEY, 2 PAGES, 6 DESSINS COULEURS-THEATRE: CHARLOTTE ET MAXIMILIEN-4 DE COUVERTURE ABSENTE‎

‎COUVERTURE SOUPLE ETAT BON‎

Riferimento per il libraio : ABE-1774989894100

‎PLEXUS-N°6-FEVRIER/MARS 1967‎

‎17,5 CM X 20 CM-168 PAGES-ENTRETIEN SANS COMPLEXE AVEC MONSIEUR STRIP TEASE, ALAIN BERNARDIN, CRAZY HORSE SALOON 11 PAGES, PHOTOS-CARTE BLANCHE DALI, 10 PAGES-SAN ANTONIO A L'ETAT CHRONIQUE JE DEBLOQUE-NOTE, HEIN?, 7 PAGES-UNE NOUVELLE ENBARRASSANTE DE EUGENE IONESCO "ORIFLAMME", ILLUSTRATIONS DE MITSCHKE, 8 PAGES-RIMBAULT CE DESSINATEUR A VINGT ET UN ANS, 7 PAGES-PICASSO S'AMUSE SIX DESSINS SUR LE THEME LE PEINTRE ET SON MODELE, 5P-ARPAD ELFER ET SES FEMMES EN POINTILLE, 6 PAGES-CLOVIS TROUILLE, 12 PAGES, DEPLIANT-ROLDAN OU L'OBSESSION DE LA PLENITUDE, 4 PAGES-BRUXELLES NOCTURNE ET SES BELBES DE NUIT, PAR JACQUES STERNBERG, 8 PAGES-LES PIEDS NICKELES, PAR MICHEL CAEN, 3 PAGES (5E)‎

‎COUVERTURE SOUPLE ETAT TRES BON‎

Riferimento per il libraio : ABE-1599308378660

‎PRESENCE D'APOLLINAIRE Galerie Breteau, Paris, 1943, in 4, en feuilles sous couverture broché, rare catalogue d' exposition organisée par Gaston Diehl et Jacqueline Apollinaire de Kostrowitzki en décembre 1943-janvier 1944 pour le 25ème anniversaire de la disparition du poète ,avec bois gravés de De Chirico (portrait d'Apollinaire d'après célèbre tableau de De Chirico), Manessier, Moisset, Pierre Roy, Le Moal et Roger Toulouse et avec 3 reproductions sur feuilles volantes d'après Juan Gris, Picasso et Francis Gruber, textes (e.a.)d' André Billy, Pierre Mac Orlan, Max Jacob, Marie Laurencin, Albert Gleizes, , Gaston Diehl, Pierre Roy et Jacques Villon, très bon état, très rare‎

Riferimento per il libraio : WWL-959

‎Próspero y feliz año 1952. Pablo Lalanda. [Felicitación de Año Nuevo].‎

‎Dos hojas impresas, 21 x 15,5 cm., cartulina, al lado izquierdo la felicitación y a la derecha un dibujo y una dedicatoria a Lalanda por Picasso en facsímil.‎

‎REGARDS-N°158-13 AOUT 1948‎

‎16 PAGES-26 CM X 35,5 CM-EN COUVERTURE: MARTHA EGGERTH ET JAN KIEPURA-LE CHEMIN DE LA PAIX PASSE PAR MOSCOU, 2 PAGES-LES PETITES GENS REPONDENT A M. PAUL REYNAUD-VINGT-QUATRE HEURES AVEC "LES KIEPURA", 2 PAGES, 13 PHOTOS-LA TERRE TREMBLE ET CHASSE 18.000 HABITANTS, SAN SEPOLCRO, 2 PAGES, 6 PHOTOS-YVES MONTAND NOUVEAU CHEVALIER BAYARD, PHOTO-A VALLAURIS, ASSIEGEE DE CIGALES, PICASSO S'EST FAIT CERAMISTE, 1 PAGE, 5 PHOTOS-AU VALAIS, TOUT COMME BACCHUS LE THEATRE S'EST EVEILLE DANS LES VIGNES, 1P, 4 PHOTOS‎

‎COUVERTURE SOUPLE ETAT TRES BON‎

Riferimento per il libraio : ABE-1764064608804

‎REGARDS-DECEMBRE 1950-PICASSO‎

‎PABLO PICASSO EN COUVERTURE (MANQUE 7 CM X 6 CM COIN INF DROIT)-L'AUTOROUTE SUD TRAVERSERA-T-IL VOTRE CUISINE?, 4 PAGES-PICASSO DEPECEUR DE FORME, HOMME DE PAIX, PAR ANDRE VERDET, 3 PAGES, 13 PHOTOS‎

‎COUVERTURE SOUPLE ETAT BON‎

Riferimento per il libraio : ABE-1774907340352

‎Salon de Mars. Latinoamerica. Espana. Salon de Mars, 20 au 26 Mars 1990, Stand: A 71, Champ des Mars, Place Joffre - Paris.‎

‎New York / Milano., Quintana Fine Art U.S.A. / Punto e Linea s.r.l.., 1990. 24 x 17 cm. 59 S., 2 Blatt. OKarton., 61086BB Erste Auflage. Sehr gutes Exemplar.‎

‎Durchgehend mit farbigen Abbildungen versehen. Gezeigt werden u. a. Arbeiten von Fernando Botero, Joan Miro, Pablo Picasso und Antoni Tapies.‎

Riferimento per il libraio : 61086BB

‎Showcase - Künstlerbücher aus den Sammlungen der Bayerischen Staatsbibliothek. Bayerische Staatsbibliothek: Ausstellungskataloge ; 91 ERSTAUSGABE.‎

‎München : Bayerische Staatsbibliothek, 2017. 367 Seiten. Mit zahlreichen farbigen Abbildungen. ; 24 cm Originalbroschur.‎

‎FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE.‎

Riferimento per il libraio : 303560

‎Spanish Artists. Gris - Picasso - Miró - Chillida - Tapies.‎

‎Basel, Galerie Beyeler, 1969. 8° ungez., überw. Farbtafeln. Brosch. einige Farbtafeln lose, Seiten sehr schwach gebräunt, sonst ordentlicher Zustand.‎

‎Auf Wunsch gerne Foto via E-mail.‎

Riferimento per il libraio : 7371BB

‎Sprengels Picasso. Verzeichnis der Bestände des Sprengel-Museum Hannover. Katalog zur Ausstellung vom 26.6.2004 - 19.9.2004. Mit Beiträgen von Ulrich Krempel, Norbert Nobis und Mirka Zatloukal.‎

‎Hannover, Sprengel-Museum, 2004. 327 Seiten, illustriert, 31 x 25 cm, Broschur.‎

‎Einband geringfügig berieben. Ansonsten sehr gutes Exemplar.‎

Riferimento per il libraio : 38233

‎TELERAMA-N°2440-DU 19 AU 25 OCTOBRE 1996-PABLO PICASSO‎

‎184 PAGES-20 CM X 28 CM-EN COUVERTURE GROS PLAN NOIR ET BLANC DE PICASSO-PICASSO L'HOMME QUI LISAIT DANS LES VISAGES, 6P-SURREALISME: DERNIERES NOUVELLES DU TAMANOIR-3615 GERARD MILLER, 1P, 2 PHOTOS-UN HOMME A FEMMES, GEORGE CUKOR, 2P, PHOTO-DES IMAGES PLEIN LES OREILLES, 3P-4 PETITES DECOUPES EN PAGES PROGRAMMES EN FIN DE REVUE-(DE0917)‎

‎COUVERTURE SOUPLE ETAT BON‎

Riferimento per il libraio : ABE-1510072340478

‎TELERAMA-HORS SERIE-DIALOGUE DE GEANTS MATISSE PICASSO‎

‎100 PAGES-23 CM X 30 CM-L'IDEALISTE ET LE VAMPIRE-IL ETAIT DEUX FOIS.-LUXE CALME ET BRUTALITE-DIALOGUE D'OUTRE TOMBE ENTRE LES DEUX PEINTRES-LIBRES ECHANGESSOUS INFLUENCE ET VICE VERSA-LA BELLE ABERRATION-LIBERTE POUR LA COULEUR-L'ELAN PRIMITIF-FRERES ENNEMIS-LE DELASSEMENT DE MATISSE-LES CREATURES DE PICASSO-DES TRIPES ET DU RYTHME-QUERELLE DE CHAPELLE-LA PARTIE CONTINUE-LES COMPAGNONS DE LA PALETTE-DEUX PETITS ENFANTS TEMOIGNENT, CLAUDE DUTHUIT, CLAUDE PICASSO-CULTURE EN TERRASSE-DEUX MAITRES ET BEAUCOUP D'ELEVES-NOIRE LUMIERE, CHRISTIAN LACROIX‎

‎COUVERTURE SOUPLE ETAT TRES BON‎

Riferimento per il libraio : ABE-1594291899877

‎The Picasso Project: The Graphic Work. Vol 5: The Complete Linoleum Cuts 1939-1968.‎

‎The Picasso Project: The Graphic Work. Vol 5: The Complete Linoleum Cuts 1939-1968. 2012. Hardback.‎

Riferimento per il libraio : 097954

‎V-N°158-12 OCTOBRE 1947‎

‎27 CM X 36 CM-EN COUVERTURE LUCILLE BALL (PHOTO COLUMBIA)-CHAT PERCHE MENE A 5 CONTRE 1 DANS NOS CONCOURS-PHOTOS, 2 PAGES, PHOTOS-J'AI RETROUVE A "L'ENFER" UN RESCAPE DE SPADA, 1P, 5 PHOTOS-ROSNY PROPOSE LA GUERRE DU FEU PARCE QU'IL VEUT VIVRE A L'AIR LIBRE, PHOTO (ROBERT BOREL-ROSNY)-TABOU OR NOT TABOU?, DEMI PAGE, 4 PHOTOS-MEFIEZ-VOUS DE LA BARCAROLLE ELLE PORTE MALHEUR-COLETTE RICHARD MISE SUR LA TELEVISION, PHOTO-PICASSO COUPE LES CHEVEUX EN QUATRE ET PEINT LES POTEAUX TELEGRAPHIQUES, 2 PAGES, 16 PHOTOS-AU PMU NOIR LE CHAMEAU TIENT LA COTE, SUR 1 PAGE, 4 PHOTOS-LA PREMIERE TOILE DE CHURCHILL A REGLE L'ARDOISE D'EUGENE, PHOTO-LACHER FINAL DE NOTRE CONCOURS PHOTOS, 1P, 14 PHOTOS-EN 4 DE COUVERTURE DESSINS DE J DAVID‎

‎COUVERTURE SOUPLE ETAT TRES BON‎

Riferimento per il libraio : ABE-1767964817375

‎View. "Through the eyes of poets". Vol. I, n° 11-12, Feb. - March 1942‎

‎New York View editions - Editor Charles Henri Ford. 1942 format journal En feuilles‎

‎Février mars 1942, Vol. I, n° 11-12. Illustrations de Picasso, Gertrude Cato, Max Ernst. Texte de Lionel Abel, Robert Melville, Kurt Seligmann, Henry Miller, Alva N. Turner, William Carlos Williams, Nicolas Calas, Robert Duncan, Randall Jarrell, Lawrende Durrell, Leonora Carrington, Parker Tyler, Mina Loy, Marianne Moore, Archibald Macleish, Harold Rosenberg, Ler Ver Duft. Premier double feuillet en deux parties. Très bon 0‎

Riferimento per il libraio : 016351

‎WAS GLAUBEN SIE DENN IST PICASSO? Picasso an einer Kunsthochschule. Ein Projekt d. Hochsch. für Kunst u. Musik Bremen. Hrsg. v. Peter Rautmann, E. Jung u. H. M. Hingerl.‎

‎Fischerhude, Verlag Atelier im Bauernhaus, 1985. 39 x 30 x 49 cm (dreieckig). Mit zahlr. (tls. farb.) Abb. 212 S. Farb. illustr. OKt. i. OKt.-Schuber. - Gutes Ex.‎

Riferimento per il libraio : 96060AB

‎XVIIe Salon de mai‎

‎Paris Musée d'Art Moderne 1961 In-4 agrafé, couverture illustrée Edition originale‎

‎Catalogue du Salon de mai, organisé du 7 au 28 mai. Couverture illustrée par Picasso. Préface de Gaston Diehl " L'Accession à l'universel ". Liste des oeuvres exposées, avec les adresse des artistes. Reproductions d'oeuvres de Magnelli, Schneider, Lapicque, Arp, Manessier, Severini, Tobey, Chastel, Adam, Le Moal, Picasso, Zwobada, Lataster, Bacon, Villon, Lagrange, Sam Francis, Tabuchi, Hérold, Muller, Hayter, Hundertwasser, Couzijn, Sonderberg, DmitrienkoSaura, Leroy, Hultberg, Corneille, Peverelli, Ernst, Vieira da Silva. Nombreuses publicités pour toutes les galeries parisiennes. 60 pp. Bon exemplaire 0‎

Riferimento per il libraio : 009912

‎"APOLLINAIRE, GUILLAUME - PICASSO (ILLUSTR.) - JEAN COCTEAU - LÉON BAKST - SERGE DIAGHILEV.‎

‎BALLETS RUSSES. PROGRAMME. PARIS 1917. Les Ballets Russes a Paris. Représentations Exceptionelles avec le gracieux Concours des Artistes de M. Serge de Diaghilew. - Programme des Ballets Russes. Les Ballets Russes à Paris. Saison - Mai 1917. [Guillau... - [HAND-PAINTED BY PICASSO - COINING ""SURREALISM""]‎

‎Paris, Mai 1917. Folio. Original illustrated extra wrappers (with a picture by Picasso on the front and the décor for ""Baba Iaga"" on the back)"" original illustrated wrappers for ""Théatre du Chatelet"" (drawing by André Marty on front, and advertisements on back) in grey and red"" original illustrated coloured wrappers for ""Programme des Ballets Russes"" (front wrapper illustrated by Picasso with the Chinaman-costume from ""Parade""). A bit of soiling to the extra-wrappers and small professional restorations to upper front cover and top of spine (this barely noticeable) as well as to blank margin of back wrapper. Apart from that, an excellent and very well perserved copy with only slight browning to some leaves. Apart from the described wrappers and extra-wrappers, there are, in all, 24 leaves with -mostly photographic- illustrations (four of them with original hand-colouring on top) and 6 leaves of text.With the original errata-leaf laid in loose, stating also that the illustrations ""Femmes de bonne humeaur"" and ""Parade"" have been hand-painted by Carlos Socrate, after the designs of Bakst and Picasso, and that the front wrapper for ""Parade"" (the Chinaman) has been handpainted by Picasso himself.‎

‎Scarce original printing of this seminal avantgarde-publication, the May 1917 ""Théatre du Chatelet""- publication that presents Diaghilev's ""Ballets Russes"" in Paris - here containing the entire separate publication mainly devoted to Jean Cocteau's groundbreaking ballet ""Parade"" - being one of the most important publications in the history of modern art. It is here, in his presentation-article to ""Parade"" that Apollinaire coins the term ""surrealism"" and thus lays the foundation for the seminal cultural movement that Bréton came to lead. Furthermore, the ballet ""Parade"" represents a historical collaboration between several of the leading artistic minds of the early twentieth century: Erik Satie, Jean Cocteau, Pablo Picasso, Léonide Massine, and Serge Diaghilev, and is famous, not only for its contents and its music, but also for its magnificent costumes designed by Picasso, the drawings of which are presented in the present publication for the first time - most famously the front cover for the ""Parade""-programme, which depicts the ""Costume de Chinois du ballet ""PARADE""/ Aquarelle de Picasso"", an etching with original, stunning pochoir-colouring (hand-painted by Picasso himself!).It is the 1917 ballet ""Parade"" - the first of the modern ballets - originally presented for the first time in the present publication, that marks Picasso's entry into the public and bourgeois institutions of ballet and theatre and presents Cubism on the stage for the first time. The present publication constitutes an outright revolution in the history of art, theatre, and ballet.Several variants of this spectacular publication exist, but the one we have here is as original and complete as it comes, containing the entire contents of the different variants. We not only have the extremely scarce and fragile dust-wrapper and the equally scarce illustrated coloured double-wrappers (front: ""Peinture de Picasso"""" back: Décor de Larionow pour le ballet ""BABA IAGA""""), but also the entire 1917 ""Théatre du Chatelet""-programme (in original illustrated wrappers) with the entire separate ""parade""-issue -also entitled ""Programme des Ballets Russes""- (also in original illustrated wrappers), with more than 20 leaves of photographic illustrations containing pictures of the actors and actresses, also in their spectacular avant-garde-costumes, Bakst's portrait of Leonide Massine, Picasso's portrait of Stavinski, Bakst's portrait of Picasso, Picasso and Massine in the ruins of Pompei, Picasso's drawings of a scene from ""Parade"" and of Massine, as well as several (mostly humorous) advertisements. But more importantly, we have, apart from the above-mentioned famous Chinaman by Picasso, in original pochoir-colouring, the other famous etching by Picasso ""Costume d'acrobate du ballet ""Parade""/ Aquarelle de Picasso"", also in original pochoir-colouring (bright blue), the seminal presentation-article by Apollinaire, which coins the term ""surrealism"" (see bottom of description for full translation of this groundbreaking preface), the two ""Les Femmes de Bonne Humeur""-figures by Bakst, Constanza and Battista, printed and heightened in gold (pochoir), the printed costume by Larionow, ""Les contes russes"", which is with original bright red and blue pochoir-colouring, and the ""Le Mendiant""-costume by Bakst for ""Parade"", and, of course, the texts by Bakst (on choreography and décor), Georges-Michel (Ballets Russes after the War), as well as the texts for the various ballets (listing the actors and their rôles as well as a resume of the plot). "" ""Tact in audacity consists in knowing how far we may go too far."" Jean Cocteau, poet, writer, and arts advocate, made this statement in his 1918 manifesto, The Cock and Harlequin. Cocteau, in collaboration with Erik Satie and Pablo Picasso, discovered ""how far"" to ""go too far"" in the circus-like ballet Parade-one of the most revolutionary works of the twentieth century. Parade incorporates elements of popular entertainment and uses extra-musical sounds, such as the typewriter, lottery wheel, and pistol, combining them with the art of ballet. Cocteau wrote the scenario for the one-act ballet and contracted the other artists. Satie wrote the score to the ballet, first in a piano four-hands version and then in full orchestration, while Picasso designed the curtain, set, and costumes. Later, Léonide Massine, a dancer with the Ballet Russes, was brought in as the choreographer. Serge Diaghilev's Ballet Russes premiered the ballet Parade on May 18, 1917. The program notes for the ballet were written by the poet Apollinaire. They became a manifesto of l'esprit nouveau or ""the new spirit"" which was taking hold in Paris during the early twentieth-century. Apollinaire described the ballet Parade as ""surrealistic,"" and in doing so created a term which would develop into an important artistic school."" (Tracy A. Doyle, Erik Satie's ballet PARADE, p. 1).When the French poet and army officer Guillaume Apollinaire wrote the program notes For ""Parade"", he created the manifesto of the ""l'esprit nouveau"" - ""the new spirit"". Cocteau had called the ballet ""realistic"", but Apollinaire took it an important step further and described it as ""surrealistic"", thus coining a term that would soon develop into an important artistic movement. With Picasso, Apollinaire had established the aesthetic principals of Cubism and was considered a leader in the European avant-garde. ENGLISH TRANSLATION OF APOLLINAIRE'S PROGRAMME NOTES TO ""PARADE"": ""Definitions of Parade are blossoming everywhere, like the lilac bushes of this tardy spring...It is a scenic poem transposed by the innovative musician Erik Satie into astonishingly expressive music, so clear and simple that it seems to reflect the marvelously lucid spirit of France. The cubist painter Picasso and the most daring of today's choreographers, Léonide Massine, have here consummately achieved, for the first time, that alliance between painting and dance, between the plastic and mimetic arts, that is a herald of the more comprehensive art to come. There is nothing paradoxical about this. The Ancients, in whose lives music played such an important role, were totally unaware of harmony, which constitutes the very basis of modern music. This new alliance - I say new, because until now scenery and costumes were linked only by factitious bonds - has given rise, in Parade, to a kind of surrealism, which I consider to be the point of departure for a whole series of Manifestations of the New Spirit that is making itself felt today and that will certainly appeal to our best minds. We may expect it to bring about profound changes in our arts and manners through universal joyfulness, for it is only natural, after all, that they keep pace with scientific and industrial progress. Having broken with the choreographic tradition cherished by those who used to be known, in Russia, under the strange name 'balletomanes', Massine has been careful not to yield to the temptation of pantomime. He has produced something totally new-a marvelously appealing kind of dance, so true, so lyrical, so human, and so joyful that it would even be capable (if it were worth the trouble) of illuminating the terrible black sun of Dürer's Melancholy. Jean Cocteau has called this a realistic ballet. Picasso's cubist costumes and scenery bear witness to the realism of his art. This realism - or this cubism, if you will - is the influence that has most stirred the arts over the past ten years. The costumes and scenery in Parade show clearly that its chief aim has been to draw the greatest possible amount of aesthetic emotion from objects. Attempts have often been made to return painting to its barest elements. In most of the Dutch painters, in Chardin, in the impressionists, one finds hardly anything but painting. Picasso goes further than any of them. This is clearly evident in Parade, a work in which one's initial astonishment is soon replaced by admiration. Here the aim is, above all, to express reality. However, the motif is not reproduced but represented-more precisely, it is not represented but rather suggested by means of an analytic synthesis that embraces all the visible elements of an object and, if possible, something else as well: an integral schematization that aims to reconcile contradictions by deliberately renouncing any attempt to render the immediate appearance of an object. Massine has Adapted himself astonishingly well to the discipline of Picasso's art. He has identified himself with it, and his art has become enriched with delightful inventions, such as the realistic steps of the horse in Parade, Formed by two dancers, one of whom does the steps of the forelegs and the other those of the hind legs. The fantastic constructions representing the gigantic and surprising features of The Managers, far from presenting an obstacle to Massine's imagination, have, one might say, served to give it a liberating impetus. All in all, Parade will change the ideas of a great many spectators. They will be surprised, that is certain" but in a most agreeable way, and charmed as well Parade will reveal to them all the gracefulness of the Modern movements, a gracefulness they never suspected. A magnificent vaudeville Chinaman will make their imaginations soar" the American Girl cranking up her imaginary car will express the magic of their daily lives, whose wordless rites are celebrated with exquisite and astonishing agility by the acrobatin blue and white tights.""‎

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‎"Picasso, Pablo et Bernhard Geiser"‎

‎Pablo Picasso: Lithographs 1945-1948‎

‎Curt Valentin, 1948‎

‎Cartonné, comme neuf.‎

Riferimento per il libraio : lc_98944

‎# AUTEUR: Huidobro Vicente‎

‎# TITRE: Gilles de Raiz - Pièce en Quatre actes et un épilogue‎

‎# AUTEUR: Huidobro Vicente # ILLUSTRATEUR: Picasso Pablo (frontispice) # ÉDITEUR: Editions Totem - librairie José Corti - Paris # ANNÉE ÉDITION: 1932 # COUVERTURE: Souple - imprimée - titre rouge # DÉTAILS: Grand in 8° broché 232pp. + 2ff. Avec un portrait de l'auteur par Pablo Picasso et deux dessins de Joseph Sima. Pièce de théâtre sur l'homme auquel plus de 200 ouvrages ont été consacrés; lecture iconoclaste et flamboyante d'une légende éternelle dans laquelle l'auteur convoque Barbe bleue, mais aussi le marquis de Sade, Don Juan, Huysmans, Bernard Shaw et Huidobro lui-même. ”Monstre sacré” auquel Georges Bataille consacra 67 pages terriblement personnelles en guise de prologue à la publication du procès de Gilles de Rais. # PHOTOS visibles sur www.latourinfernal.com‎

‎# ÉTAT: Très bon état, page de l'achevé d'imprimer à l'envers.‎

Riferimento per il libraio : 2268

‎( Bazooka ) - Hugo Lacroix - Loulou Picasso.‎

‎Affairisme & Littérature . ( On joint le carton d'invitation pour l'exposition de Loulou Picasso à la Galerie du Jour - Agnès B de 1989 ).‎

‎Editions Le Dernier Terrain Vague 1983. In-12 broché de 45 pages au format 22 x 13,5 cm. Couverture à rabats, avec titre imprimé. Dos carré muet. Plats et intérieur frais. Maquette et nombreuses illustrations en noir de Loulou Picasso, du groupe " Bazooka ". Edition originale en superbe état général. Rare. ( On joint le carton d'invitation pour l'exposition de Loulou Picasso à la Galerie du Jour - Agnès B de 1989 ).‎

‎Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 10 € sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues‎

Riferimento per il libraio : 5889

‎( Bandes Dessinées - Illustration - Bazooka ) - Loulou et Kiki Picasso.‎

‎Engin Explosif Improvisé.‎

‎Editions L'Association 2009. In-4 cartonnage éditeur non paginé au format 21,5 x 32 cm. Couverture typographique. Dos muet, toilé noir. Textes, photos, bandes dessinées et illustrations par Loulou et Kiki Picasso. Tirage sur couché. Superbe maquette par d' Etienne Robial. Edition originale en état superbe, proche du parfait.‎

‎Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 10 € sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues‎

Riferimento per il libraio : 25088