‎Engravings‎

‎TASSIN Christophe Nicolas‎

‎"NANTES" [VUE OU PLAN DE LA VILLE DE NANTES] 1634‎

‎Paris M. Tavernier 1634 Une gravure Originale, technique eau-forte en couleurs, Format de la cuvette : ( 15,3 x 10,6 cm), Au recto de la planche dans le haut de la gravure il est imprimé "NANTES", sans lieu ni date ni editeur (A Paris : M. Tavernier, 1634),‎

‎gravure extraite de : "Les plans et profils de toutes les principales villes et lieux considerables de France. Ensemble les cartes generales de chacune province & les particulieres de chaque gouvernement d'icelles. Par le Sieur Tassin geographe ordinaire de sa majesté (1634)" ......... Belle épreuve ......... Trés Rare ............. SUPERBE .................. en trés bon état (very good condition). en trés bon état‎

Bookseller reference : 24835

‎TATSUSABRO, Kato‎

‎Kites of Japan. A Vanishing Art, 1971‎

‎The album contains the frontispiece, one leaf with an ideogram, the colophon, one frame for kite, one leaf with title and two leaves with index engravings, the woodcut reproduction of Hokusai's famous view, 18 hand-painted sails on Japanese paper each in their black folder with the stylized design of the sail and the title. All the paintings are executed by master Kato Tatsusaburo, who has been painting and making kites for more than sixty years / Il portfolio contiene il frontespizio, una pagina con ideogramma, il colophon, una struttura in bambù per aquiloni, una pagina con titolo, due pagine con indice delle 18 forme di aquiloni, una riproduzione xilografica della famosa vista di Hokusai, 18 acquiloni dipinti a mano su carta giapponese, ciascuno nella sua cartella nera con impresso al piatto il disegno stilizzato dell'acquilone e il titolo. Tutti i dipinti sono stati eseguiti dal maestro Kato Tatsusaburo, che ha dipinto e realizzato aquiloni per oltre sessant'anni Original bordeaux cloth case with gold ideogram. Copy N. 10 / Cartella in tela bordeaux con ideogramma in oro impresso al piatto anteriore. Copia n. 10. Folio (cm 49,5 x 35,5). . . . . Edizione originale di 100 esemplari numerati (Original edition of 100 numbered copies). . Guarda il video‎

‎TAVERNARI, Vittorio (Milano 1919-1992),‎

‎Senza titolo‎

‎Acquaforte. Opera appartenente alla cartella ''Venezia 73'' , pubblicata dall'Unesco e contenente 31 opere grafiche di maestri italiani ed un saggio di Piero Chiara Firma a matita. Il foglio reca il timbro a secco del Museo di Castelvecchio di Verona e quello della Stamperia del Cappello. Esemplare 96/100. cm 23x29,5 (Foglio 50 x 70). pp.. . Ottimo (Fine). . 100 + XI f.c.. .‎

‎Tboreau Henry David; engravings by Thomas W. Nason‎

‎WALDEN - or - Life in the Woods‎

‎Norwalk CT: Heritage Press 1981. 1st edition. Hardback in variegated cloth boards in cardboard cream slipcase. New in New slipcase. Deluxe special edition of this nature classic illustrated with numerous engravings made at Walden Pond. Latd-in is Sandglass descriptive folder. Perfect unread copy. <br/><br/>5-1/2 x 8-1/4 335 pp b/w engravings - many full-page. Heritage Press hardcover‎

Bookseller reference : 38169

‎TEGETMEIER COLOR WOOD ENGRAVINGS Weir Harrison illus‎

‎BLACK EAST INDIAN OR BUENOS AYRES DUCKS. ROUEN DUCKS.‎

‎London.: Routledge. Ca. 1870. Color wood-engraving image size approx. 5.5 x 8 inches on sheet 7 x 11 inches. One pin hole in each corner well outside of image area clean and bright. Single plate from W.B. Tegetmeier's "The Poultry Book". Striking image of prize poultry depicted by Harrison Weir who "poured out a lifetime of devotion to English poultry" Norris Books on Poultry and Cock-Fighting. Color printing by Leighton Brothers. Leighton was a pupil of George Baxter and became the printer and publisher of the Illustrated London News between 1858 and 1885. . Routledge. unknown‎

Bookseller reference : 30407

‎TEGETMEIER COLOR WOOD ENGRAVINGS Weir Harrison illus‎

‎SILVER SPANGLED HAMBURGHS The Property of Harrison Weir Esq.‎

‎London.: Routledge. Ca. 1870. Color wood-engraving 5.5 x 8 inches on sheet 7 x 11 inches. Small dampstain spot at right edge well outside image tiny pinhole on left and right sides well outside image barely visible occasional foxing spots in margin generally clean and bright. Single plate from W.B. Tegetmeier's "The Poultry Book". Striking image of prize poultry depicted by Harrison Weir who "poured out a lifetime of devotion to English poultry" Norris Books on Poultry and Cock-Fighting. Color printing by Leighton Brothers. Leighton was a pupil of George Baxter and became the printer and publisher of the Illustrated London News between 1858 and 1885. . Routledge. unknown‎

Bookseller reference : 30411

‎TEGETMEIER COLOR WOOD ENGRAVINGS Weir Harrison illus‎

‎WHITE DORKING.‎

‎London.: Routledge. Ca. 1870. Color wood-engraving 8 x 5.5 inches on sheet 11 x 7 inches. Barely visible occasional foxing spots in margin generally clean and bright. Single plate from W.B. Tegetmeier's "The Poultry Book". Striking image of prize poultry depicted by Harrison Weir who "poured out a lifetime of devotion to English poultry" Norris Books on Poultry and Cock-Fighting. Color printing by Leighton Brothers. Leighton was a pupil of George Baxter and became the printer and publisher of the Illustrated London News between 1858 and 1885. . Routledge. unknown‎

Bookseller reference : 30405

‎Tennyson Alfred‎

‎Enoch Arden‎

‎Boston: Ticknor And Fields 1865. Deluxe edition. Hardcover. Good. 12mo 57 pages all edges gilt embossed cloth with bevelled edges gilt titling especially on spine; tips of spine worn gift inscription from Rosa to Edwin Feb 15th 1865. <br/><br/>19 steel-engraved plates with tissue guards by artists such as Elihu Vedder F. O. C. Darley W. J. Hennessey John La Farge. Published without illustrations in 1864. Ticknor And Fields hardcover‎

Bookseller reference : 0008287

‎Tennyson Alfred‎

‎The Brook‎

‎London: Macmillan 1887. First edition. Hardcover. Very Good. Oblong 12mo 16 leaves 11.5 x 14 cm. blue cloth foxing to title-page <br/><br/>20 chromolithographs by A. Woodruff. Printed by Hazell Watson & Viney of Aylesbury. Macmillan hardcover‎

Bookseller reference : 0006846

‎TERIADE & ZERVOS‎

‎L'Art d'Aujourd'hui. Troisième année. Numéro 12. Hiver MCMXXVI‎

‎Paris Albert Morancé 1926 In-4 En feuilles, couverture‎

‎Textes de Tériade sur E.O. Friesz et sur Gargallo, et de Zervos sur Ozenfant. Non coupé, petite fente sur trois pages. COMPLET des 16 PLANCHES, reproductions d'oeuvres de Friesz, Gargallo, et Ozenfant. Très bon 0‎

Bookseller reference : 008458

‎TESTA (Pietro)‎

‎(Allégorie de l'Hiver) (Allegory of winter) (allegoria dell'inverno). Estampe originale à l'eau-forte.‎

‎Roma, Rossi, 1647. (72 x 50,2 cm au coup de planche, marges : 1cm environ.‎

‎Planche "Hiver" seule, de la série des Quatre saisons. Mention en bas à droite, sur le cuivre : "Si Stampano in Roma alla pace per Giouan Jacomo Rossi all insegna di Parigi" - "Petrus Testa Pinxit et Sculpsit 1647". Pietro Testa était considéré par ses contemporains comme le meilleur graveur italien du XVII° siècle. Il rejoignit l'atelier de Domenichino en 1628, où il côtoya entre autre Nicolas Poussin. "Le Lucchesino", ainsi surnommé en référence à Lucca, sa ville natale, grava ses premières planches vers 1631-1632. Il délaissa alors la peinture pour se consacrer à la gravure, son domaine d'excellence. - Le rédacteur de la notice du Fine Arts Museums of San-Francisco n'hésite pas envers cette "Allégorie de l'hiver" : "Apotheosis of the Artist’s Genius". A superb draftsman and printmaker, Pietro Testa was described by contemporaries as the best Italian etcher of the 17th century. Less successful as a painter, Testa also left preparatory notes for a treatise on the principles of art, describing ideas about theory and practice that he also expressed in his etchings. He ended his life by suicide when he was thirty-seven. Born in Lucca and baptized on June 18, 1612, Testa’s father was a dealer in secondhand merchandise. Nothing is known about any artistic training Testa may have had in Lucca. Testa went to Rome around 1628. He entered the studio of Domenichino (1581-1641), received instruction in drawing, and went about Rome drawing antiquities. Through this school Testa met Nicolas Poussin (1594-1665) and others in his circle. Joachim von Sandrart (1606-1688), the German artist and writer then in Rome, wrote that he discovered Testa making drawings out among ancient ruins. Sandrart gave him clothing and money and recruited Testa to make drawings of the collection of ancient statutes in the collection of Marchese Vincenzo Giustiniani (1564–1637), later engraved and published as the Galleria Giustiniani. Testa also worked on the “Museo cartaceo” (“Paper Museum”) of Cassiano dal Pozzo (1588-1657), an ambitious undertaking to create drawings of all the ruins and antiquities of Rome. A contemporary biographer wrote that Testa created five volumes of such drawings. Around this time Testa received the nickname “il Lucchesino,” after his birthplace. Domenichino had closed his school and gone to Naples by June 1631, and Testa joined the studio of Pietro da Cortona (1596-1669). This relationship was short-lived; Testa’s nature, described by all early biographers as bitter and difficult, led to disagreements with da Cortona, who expelled Testa from the studio. His earliest prints date from this time. Testa had returned to Lucca by August 1632, where he received a commission to paint a fresco in the Palazzo degli Anziani. He had no training in fresco, and his work was not well received. While in Lucca he did meet a prominent cleric and art collector, Girolamo Buonvisi (1607-1677), who became an important patron; Testa dedicated several of prints to Buonvisi. He returned to Rome, probably later in 1632. Several of his paintings have been dated to the 1630s. In 1637 his patron Cassiano dal Pozzo had Testa imprisoned, suspecting that Testa was about to leave Rome without completing two promised paintings. After resolution of these legal difficulties, Testa did go to Lucca to seek the patronage of Cardinal Marcantonio Franciotti (1592-1666), the new bishop of Lucca. A note on a 1637 portrait of Testa drawn by Pier Francesco Mola (1612-1666) recites that it was made in Lucca. Testa celebrated Franciotti’s appointment with two etchings: An Allegory in Honor of the Arrival of Cardinal Franciottias Bishop of Lucca (1637, B. 30) and An Allegory of Painting (1637-38, B. 29), which he dedicated to the Cardinal. Testa returned to Rome after a brief time in Lucca. He continued to receive commissions for paintings through the 1640s and created etchings on allegorical, religious and mythological themes. He probably received more income from his etchings than his painting commissions. He continued to receive support and commissions from dal Pozzo and Buonvisi, but after the election of Pope Innocent X (1574-1655) in 1644 both patrons fell out of favor and left the papal court, with Buonvisi returning to Lucca. The last years of Testa’s life were increasingly unhappy. Frescoes he painted in a Roman church in 1642 were destroyed later in the decade, replaced by the work of another artist. A major commission to decorate the apse of another church was withdrawn late in the decade. His last prints were on moralistic themes. Contemporary biographers describe him as deeply melancholy and alienated from the public. Testa drowned in the Tiber on March 1, 1650. (TNB 4/2013) Selected bibliography: Bellini, Paolo and Richard W. Wallace. “Pietro Testa,” in The Illustrated Bartsch, Vol. 45 Commentary, pp. 133-136. New York: Abaris Books, 1990. Cropper, Elizabeth. Pietro Testa, 1612-1650, prints and drawings. Philadelphia: Philadelphia Museum of Art, 1988. [FAM: AFGA NC 257 T4 C7 and ND 623 T39 C7 1988.] Cropper, Elizabeth: The Ideal of Painting: Pietro Testa's Düsseldorf Notebook, Princeton University Press, Princeton, 1984. - Épreuve fortement et habilement restaurée. Trace de pli vertical au centre de la planche, menu frottement avec perte de quelques traits au centre, macules atténuées dans les angles.‎

Bookseller reference : 31767

‎Tester, Christian:‎

‎Leitfaden zum zweckmässigen Verfahren beim Rechnungs-Unterricht in den Bündner'schen Volksschulen.‎

‎Chur, Simeon Benedict, 1832. 8°. VI, 228 S. Mit 1 gef. Tafel. Original illustrierter und mit dem Titel versehenen Pappband.‎

‎Minimal fleckig.‎

Bookseller reference : 3295BB

‎Texts by ADELIA RISPOLI, LEONARDO SCIASCIA.‎

‎Pippo Gambino. Gravürler.= Opera Incisoria, 1954-1994: 15-31 Ekim 1996 [Engraving Exhibition Catalogue].‎

‎As New English Pippo Gambino. Gravürler = Opera Incisoria 1954 - 1994. 15 - 31 Ekim 1996 (Engraving exhibition catalogue)., texts by: Adelia Rispoli, Leonardo Sciascia; Italyan kültür merkezi, Ist., 1994. Paperback. Pbo. Mint. 4to. (30 x 21 cm). B/w and color ills. In Turkish and Italian.‎

‎Texts by Matthias Hermann; Engravings by Redoute Besler and Several Artists‎

‎Marvellous World of Wild Flowers‎

‎London: Abbey Library. Used - Good. Ships from the UK. Shows some signs of wear and may have some markings on the inside. 100% Money Back Guarantee. Your purchase also supports literacy charities. London: Abbey Library unknown‎

Bookseller reference : GRP111916295

‎Tgahrt, Reinhard‎

‎Dichter lesen - Band 3‎

‎Marbach am Neckar, Deutsche Schillergesellschaft, 1995. Vom Expressionismus in der Weimarer Republik. Mit Abbildungen und Faksimiles sowie Quellennachweis und Register. EA., 1.-5.Tsd., OPp. mit Goldprägung, 425 S., gr. 8vo.‎

‎Sehr gut erhalten.‎

Bookseller reference : 41786

‎Thaleia Flora Karavia 1871 1960‎

‎Entyposeis apo ton polemo tou 1912-1913 - Macedonia Epeiros‎

‎<p><em><strong>Impressions from the 1912-1913 Balkan War - Macedonia Epirus</strong></em></p><p>In greek. Facsimile reprint of the 1936 edition. Soft cover 27x21 cm 152 pp. ill.; net weight 845 gr.</p><p><strong>CONTENTS:</strong></p><p>ΔΥΟ ΛΕΞΕΙΣ ΠΡΟΛΟΓΟΥ</p><p><strong>ΜΑΚΕΔΟÎΙΑ:</strong><br />Στο πλοίο Ï€Ïος την Θεσσαλονίκην<br />Θεσσαλονίκη<br />Το τέμενος της Αγίας Σοφίας<br />Διαδόσεις και αλήθειες<br />Στο ΔιοικητήÏιο<br />Το γÏαφείο ΤÏπου<br />Στην έπαυλι Αλατίνη<br />Εντυπώσεις από τη ΒέÏÏοια<br />Άλλοτε και Ï„ÏŒÏα<br />Η ανÏψωσις της σημαίας<br />ΠοÏεία Ï€Ïος την Κοζάνη<br />Κοζάνη<br />Εις την Σιάτιστα<br />Η μάχη της Σιατίστης<br />Η κίνησις στην Κοζάνη<br />Η αναχώÏησις<br />Ο δÏόμος του ΣόÏοβιτς<br />ΘλιβεÏαί εικόνες<br />ΦλώÏινα<br />ΜοναστήÏι<br />Σκοτεινή παÏάδοσις<br />Έδεσσα<br />Η Θεσσαλονίκη ελληνική<br />Η ΣκηνοÏπολις<br />ΓεώÏγιος ο Α' και η βασίλισσα Όλγα<br />Ο διάδοχος<br />Η Ï€Ïιγκίπισσα Σοφία<br />"ΑμφιτÏίτη"</p><p><strong>ΗΠΕΙΡΟΣ:</strong><br />Ο αγών εις την ΉπειÏον<br />Πολεμικά Ï€ÏοπÏλαια<br />Η ζωή των πληγωμένων<br />Η ζωή του στÏατοπέδου<br />Εις τα πυÏοβολεία<br />Η ψυχή του ευζώνου<br />Η Ακαδημία των σκηνών<br />Η ΠÏέβεζα μέγα νοσοκομείον<br />Το νοσοκομείον ΑλεξανδÏείας<br />Η εισφοÏά της ΑιγÏπτου<br />Η επιστÏοφή<br />Ο σπόÏος του μέλλοντος<br />Το στÏατηγείον<br />Η Ï€Ïώτη άνοιξι στην ΉπειÏο<br />Η άλωσις των Ιωαννίνων<br />Η παÏαμονή της μάχης<br />Η αναμονή<br />Οι Ï€Ïώτοι κανονιοβολισμοί<br />ΔÏόμο για τα Γιάννενα<br />Τα Ιωάννινα ελεÏθεÏα<br />ΔιαÏκής εοÏτασμός <br />Αίνος από στόματος ΕβÏαίων<br />Και οι Χοτζάδες<br />Εις το σπίτι του Εσάτ Πασά<br />Εις το Μπιζάνι<br />Ο Κωνσταντίνος βασιλεÏÏ‚</p><p>==============================================================</p><p><strong><i><b>IMPORTANT:</b></i></strong></p><ul><li>The shipping cost estimated by the system covers books weighing up to 750 gr.; a surcharge depending on the actual weight and destination applies for heavier books. You can also choose an international transporter and pay the shipping cost at delivery in your country.</li><li>Insurance of the shipment may also be necessary for some destinations.</li></ul> Hidryma tes Boules ton Hellenon paperback‎

Bookseller reference : 184743

‎THEVENIN‎

‎GEORGE V (roi de Grande Bretagne)‎

‎1910 Portrait d'homme, probablement le roi George V, gravure signée au crayon en bas à droite "Thévenin" imprimée sur peau de vélin,d'après un tableau signé Johnson (?). Publiée à Londres en 1910 par Henry Graves, imprimée par Moglia et Cie Paris. Dimensions de l'image : 38 x 28 cm. Dimensions de la feuille : 58 x 38 cm. Le vélin est une peau de vélot (veau mort-né), très fine, recherchée par les calligraphes, les miniaturistes et les relieurs pour sa blancheur, sa douceur et sa finesse. Le vélin est une spécialité apparue à la fin du Moyen Âge. Les gravures imprimées sur vélin sont fort rares et de ce fait méconnues de beaucoup d'amateurs. Il ne doit pas être confondu avec le parchemin. Par analogie on a appelé papier vélin un papier très fin et très blanc inventé par Étienne Montgolfier en 1777, mais les deux ne doivent pas être confondus.‎

‎Envoi par recommandé R2 Planche mal coupée Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

Bookseller reference : 3985

‎The Committee of General Literature and Education‎

‎Thirty Prints of Places Mentioned in The Holy Scriptures, Illustrative of the Fulfilment of Prophecy‎

‎33.5x28 cm. 30 pages. Gilt hardcover. Cover stained, rubbed and slightly bumped. Cover edges and corners bumped. Spine wrinkled. Spine corners worn and torn. Inner cover stained. Sticker on front inner cover. Binding partly visible between inner cover and white pages. Front white page edge torn. page 14 slightly torn - no damage to text. Few pages slightly age stained. Pages slightly yellowing. Else in good condition.‎

‎The International Research Center for Japanese Studies (Editor; Yasuko Betchaku, Director)‎

‎'Nichibunken Japanese Studies Series', #11; REPORT OF JAPANESE-ART-ABROAD RESEARCH PROJECT, Vol. 6: INDEX OF UKIYO-E IN WESTERN COLLECTIONS. - English Language Edition.‎

‎Kyoto, Nissha Printing, 1996. 441 pages. - Blind-embossed (Hokusai's Wave) and silver-titled grey softcover binding; 4to.(ca. 25,5 x 18,5 x 2 cm; 0,933 kg.).‎

‎*** FIRST EDITION, LARGESIZE SOFTCOVER ORIGINAL; lists over 15.000 works of nearly 700 Artists - among them all the famous ones but also many rather unknown - and their locations. --- Bottom edge left with small shallow humidity-stain, frontpanel and very first pages slightly wavy towards the foreedge; else in best condition.‎

Bookseller reference : 1908210702ypkv

‎Theater Arts Prints Series 4‎

‎Stages Of The World‎

‎New York: Theater Arts Inc. Fair. 1941. Hardcover. Spineworn and spine ends chipped. . Theater Arts, Inc. hardcover‎

Bookseller reference : 283353

‎Theroux Paul With Wood Engravings by John Lawrence‎

‎London Snow: A Christmas Story signed‎

‎Wiltshire: Michael Russell 1979. First Edition First Printing. Hardcover. Octavo; VG/VG; black spine with gilt text under acetate DJ; jacket has age toning protected by plastic cover; boards are strong slight age toning around edges; textblock is clean; pp 50; limited edition - No. 40 of 450 copies; signed by author and illustrator on limitation page. Full-priced Rockville. <br/><br/> Michael Russell hardcover‎

Bookseller reference : 14-436-1291903 ISBN : 0859550745 9780859550741

‎Theroux Paul; Lawrence John wood engravings‎

‎London Snow: A Christmas Story‎

‎Michael Russell 1979. Limited Edition. Hardcover. Fine/Very Good. Black-and-white patterned cloth black cloth backstrip gilt-stamped lettering on spine; glassine dust jacket. Number 159 from a limited edition of 450 copies signed by the author and illustrator on the limitation page. Book is fine in VG dust jacket with large chip out of bottom edge of front panel. <br/><br/> Michael Russell hardcover‎

Bookseller reference : JC6303 ISBN : 0859550745 9780859550741

‎Theroux Paul With Wood Engravings by John Lawrence‎

‎London Snow: A Christmas Story signed‎

‎Wiltshire: Michael Russell 1979. First Edition First Printing. Hardcover. Octavo; VG/VG; black spine with gilt text under acetate DJ; jacket has age toning protected by plastic cover; boards are strong slight age toning around edges; textblock is clean; pp 50; limited edition - No. 40 of 450 copies; signed by author and illustrator on limitation page. 1291903. Full-priced Rockville. Michael Russell hardcover books‎

Bookseller reference : 1291903 ISBN : 0859550745 9780859550741

‎Theroux Paul; Lawrence John wood engravings‎

‎London Snow: A Christmas Story‎

‎Boston: Houghton Mifflin 1980. Hardcover. Near Fine/Very Good. Cloth; dust jacket; 8vo; pp. 4 50 illustrated with wood engravings. Spine tips and corners very lightly bumped otherwise book is fine. Dust jacket a bit scuffed and scratched. <br/><br/> Houghton Mifflin hardcover books‎

Bookseller reference : JC8294 ISBN : 0395294584 9780395294581

‎THIÉNON Claude (PEINTRE ) - PIRINGER (GRAVEUR)‎

‎VUE DU MUSÉE CACAULT A CLISSON, par Claude THIÉNON‎

‎paris P. Didot l'aîné 1817 Une gravure Originale "avant la lettre", technique aqua-tinta en noir par Piringer, Format de la cuvette : ( 17,5 x 22 cm), Format de la gravure seule : 16,5 x 10,5 cm, imprimé en noir en haut à droite : pl. 15, imprimé sous la gravure mais toujours dans la cuvette : à droite : Thienon et à gauche Pirenger, extrait du (Voyage pittoresque dans le bocage de la Vendée, ou Vues de Clisson et de ses environs ,dessinées et publiées par C. Thienon... ; On y a joint une Notice historique sur la ville et le château de Clisson [par le Bon F.-F. Lemot], Paris : impr. de P. Didot l'aîné, 1817)‎

‎Belle épreuve ......... Rare .............. SUPERBE .................. en trés bon état (very good condition). bon état‎

Bookseller reference : 24924