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SABATIER Bruno
Francis Bacon. Oeuvre graphique - Graphic work. Catalogue raisonné
Paris JSC Modern Art Gallery 2012 in-4° Cartonnage toilé et jaquette illustrés Dédicacé par l'auteur
書籍販売業者の参照番号
: 014782
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Sabatier
Le Staubbach. Vallée de Lauterbrunnen
Suisse, Oberland. Très belle lthographie rehaussée de couleurs. Sabatier lithographe; Imprimerie Lemercier, éditée par Bulla. Très belle vue générale. En feuille Très bon Paris Bulla 1857 48 x 66 cm
書籍販売業者の参照番号
: 14036
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Sabarsky, Serge
Lyonel Feininger: Zeichnungen, Aquarelle und Grafiken
27x23 cm. 117 pages. Softcover. In good condition.
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Sackheim, Eric (translator)
The Silent Firefly: Japanese Songs of Love and Other Things
Black cloth spine and decorative paper covered boards show slight fading and edge wear. In card slipcase with woodblock print design. 4 5/8"w x 7 1/2"h. 203 pages. A collection of Japanese folk song lyrics (translated by Eric Sackheim) decorated with colored woodblock prints. Chapters are preceded by quotations from American blues songs.
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SADELER Johannes I
Adam et Eve chassés du Paradis
D'après Martin de Vos. Belle épreuve mais coupée au trait carré. vers 1583 20,5 x 25,5 cm.
書籍販売業者の参照番号
: 5254
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SADELER Raphaël I (le vieux)
La Vierge avec l’enfant Jésus
D’après Renaldi Mytens 1592 18,5 x 12,5
書籍販売業者の参照番号
: 6604
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SADELER Johannes I
La Sainte Famille.
D’après Le Parmesan. Le Blanc n° 100. 10,8 x 13,6 cm.
書籍販売業者の参照番号
: 7506
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SADELER Johannes
Le Christ battu par les soldats. D’une suite de 8 pièces, gravées d’après C. Schwartz.
Coupé au trait carré, sans le texte. Petits trous aux angles, sinon beau tirage. Cf. Hollstein n° 236. 0,415 x 0,285
書籍販売業者の参照番号
: 5490
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SADELER Johannes
Le Christ attaché. D’une suite de 8 pièces, gravées d’après C. Schwartz.
Coupé au trait carré, sans le texte. Petits trous aux angles, sinon beau tirage. Cf. Hollstein n° 236. 0,420 x 0,280
書籍販売業者の参照番号
: 5489
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SADUN, Piero (Siena, 1919 - Siena, 1974),
Senza Titolo
Litografia originale, numerata e firmata a matita dall'Artista Opera allegata al n. 13 (maggio 1949) della rivista L'Immagine, diretta da Cesare Brandi, pubblicata a Roma dal maggio 1947 al dicembre 1950. L'edizione speciale di ogni numero della rivista conteneva sciolta una o più incisioni originali in tiratura di 50 esemplari di cui 30 in numerazione araba dedicate ad personam e XX in numerazione romana. La presente incisione reca il numero 15/30 ed era allegata alla copia della rivista dedicata a Riccardo Gualino. Cm 24x17. . . . . Edizione originale di 50 es. numerati e firmati . .
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SAETTI, Bruno (Bologna, 1902 - Bologna, 1984)
Senza titolo
Litografia originale a col Firma e numerazione a matita. Esemplare 29/200. Cm 36x53 (Foglio 48x67). . . Ottimo (Fine). . Tiratura 200 (Edition of 200 copies). .
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SAETTI, Bruno (Bologna, 1902 - Bologna, 1984)
Senza titolo
Litografia originale a colori Firma e numerazione a matita. Esemplare 116/120. Cm 52x67. . . Ottimo (Fine). . Tiratura 120 (Edition of 120 copies). .
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SAETTI, Bruno (Bologna, 1902 - Bologna, 1984),
Senza titolo
Acquaforte. Opera facente parte delle pubblicazioni edite in occasione del 50° anniversario della fondazione del PCI Firma a matita in basso a destra. Esemplare 70/100. Cm 29x24 (Foglio 70x50). pp.. . . Fioriture diffuse ai bordi che non interessano l'incisione (Heavy yellowing and age spotting). Tiratura 100. .
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SAETTI, Bruno (Bologna, 1902 - Bologna, 1984),
Senza titolo
Acquaforte Carta Pescia. Firma a matita. Esemplare 4/90. cm 24,5x22,6 (Foglio cm 50x35). . . Ottimo (Fine). . Tiratura 90 + X. .
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Saftleven, Cornelis, Maler und Radierer (1607-1681).
Radierung. O. O. u. D.
Ca. 167:128 mm. Kupferstich. Paginiert und mit gest. Numerierung "32". Montiert auf Trägerpapier (323:476 mm). Bukolische Szene mit einer kleinen Ziegenherde, im Hintergrund ein lagernder Hirte, im Vordergrund eine von einem Gebüsch zupfende Ziege, signiert "C. Saft Leven". - Mit Stempel der "Graphischen Sammlung" von Georg Denzel (1873-1959), unter Sammlungsnr. "3195 Nr. G" aufgenommen. Die Graphik zudem verso mit Sammlungsstempel des Prof. Wilhelm Denzel "G + W D". - Leicht braunfleckig.
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Sahl, Hans / Masereel, Frans [Woodcuts]
Jemand - ein Chorwerk. Mit den Holzschnitten "Die Passion eines Menschen" von Frans Masereel.
270x220mm. 90 pages. Hardcover. Cover slightly yellowing, stained and scratched. Cover corners slightly worn. Spine yellowing and worn. Pages slightly yellowing and age-stained. Else in good condition.
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SAINT-NON Abbé de
de L’Albane, église della madonna di Galiera à Bologne
D’après un dessin de Fragonard. Quelques rousseurs. 1772 20,5 x 14,5
書籍販売業者の参照番号
: 6586
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SAINT-NON Abbé de
Louis Carrache cloître St Michel in busco à Bologne
D’après un dessin de Fragonard.Quelques rousseurs. 1772 14,5 x 20,5
書籍販売業者の参照番号
: 6588
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SAINT-NON Abbé de
Louis Carrache dans le Palais Favi à Bologne
D’après un dessin de Fragonard.Quelques rousseurs. 1772 14,5 x 20,5
書籍販売業者の参照番号
: 6587
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Saint Gens
Saint Gens
Gagnière 265. Encadrée Très bon Avignon Cramery XIXè 38 x 29 cm
書籍販売業者の参照番号
: 13950
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Sainte Genevieve patronne de Paris
Sainte Geneviève patrone de Paris bergère, assise et lisant Gravure au burin d’après Carle Vanloo (1705-1765).
1750 Sainte Geneviève patrone de Paris bergère, assise et lisant.Gravure au burin d’après Carle Vanloo (1705-1765).Eau forte encadrée et maroufflée sur toile,bonnes marges,52x34,6 cm;bon tirage,rare
書籍販売業者の参照番号
: 23430
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Saint Jean Baptiste
St Jean Baptiste
Belle lithographie rehaussée de couleurs gommées. En feuille Très bon Paris Jean XIXè 58 X 41 cm
書籍販売業者の参照番号
: 13603
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Saint-Lambert, Jean-Francois, Marquis de.
LES SAISONS, POEME. Cinquieme Edition, revue & corrigee.
Two volumes in one. pp. xxxvi, 224; 203, [2](Errata). Five wonderful engraved plates by a remarkable group of graphic artists; with title vignette; head-pieces, etc. Plates: Frontis by Jean-Baptiste Le Prince (1734-1781), engraved by Augustin de Saint-Aubin (1736-1807); "Spring" by Le Prince, without name of engraver; "Autumn" by Benoit Louis Prevost (1747-1804), engraved by Jean Francois Rousseau; "Winter" by Gravelot [Hubert Francois Bourguignon danville](1699-1773), engraved by Nicolas de Launay (1739-1792). Vignettes and headpieces by Pierre Philippe Choffard (1731-1809). The plates are dated mainly 1767-1769. 8vo. 210 mm. Plates slightly foxed. Text very clean. Marbled edges and endpapers. Original French full leather binding with marbled decoration. Spine tooled in gold gilt. Binding somewhat worn at extremities, but still attractive. Large printed French bookplate with the text: De la Douce Lumiere / De L'Ombre / De La Flamme / Et des Livres Amis [Soft light / the shadow / flame / and friends books] . Saint-Lambert (1716-1803) began writing poetry in his adolescence and belonged to the circle around Francoise de Graffigny in Luneville. In 1733 he had already begun work on The Seasons, his major poetical work, but it did not appear completed in print until 1769. Cohen 926; Reynaud 481. **PRICE JUST REDUCED! SAFE ADD 1
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SAKA, Minako,
Mr. Cerca Cerca
Monotipo Firma e titolo a matita PREZZO ORIGINALE 300 EURO. cm 63x54 (Foglio 78x70). . . Ottimo (Fine). . . .
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SAKA, Minako,
Senza titolo
Acquatinta e rotella Firma, data e numerazione a matita. Esemplare 1/15. cm 30,5x40,5 (Foglio 53x76). . . Ottimo (Fine). . Tiratura 15. .
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SAKA, Minako,
Senza titolo
Acquatinta acquaforte originale con applicazioni di carta argentata Firma, data e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta Hahnemuhle. Esemplare 3/10. Cm 36x24 (Foglio 50x35). . . . . Tiratura 10. .
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Sakai, Tadayasu
Japanese Prints 1950-1990
A clean, unmarked book with a tight binding. 38 pages. 7 1/8"w x 10"h. Includes 75 color reproductions of works by 46 artists.
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SALADIN D'ANGLURE, Bernard - Avec la collaboration de Richard Baillargeon, Jimmy Innaarulik Mark et Louis-Jacques Dorais
La parole changée en pierre. Vie et oeuvre de Davidialuk Alasuaq, artiste inuit du Québec arctique.
Editions Gouvernement du Québec, Ministère des Affaires culturelles, direction générale du patrimoine, Collection "Les cahiers du patrimoine" n°11 - 1978 - In-4, broché, format à l'italienne, couverture illustrée en couleurs - 123 p. - Riche iconographie en couleurs et en N&B in et hors-texte
書籍販売業者の参照番号
: 114960
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SALCEDO Maggie
La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)
Lucien Vogel éditeur, Paris Septembre 1913, 19x24,5cm, une feuille.
書籍販売業者の参照番号
: 54585
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Salati, Vinicio / Salati, Felice Filippini [Illustr.] / Bührer, Jakob [Trans.]
Menschen [COPY No.4752 OF 6000]. Linolschnitte von Felice Filippini Salati.
COPY No.4752 OF 6000. LIMITED EDITION intended for inner distribution only for members of Büchergilde Gutenberg (Werbegabe für die Mitglieder der Büchergilde, Exemplar Nr.4752). 225x155mm. 64 pages. Hardcover. Gilt lettering on front cover and spine. Cover and spine yellowing and somewhat stained. Cover corners bumped and worn. Cover edges, spine edges and hinges rubbed. Else in good condition.
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SALCEDO Maggie
La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)
- Lucien Vogel éditeur, Paris Septembre 1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour
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Sallie J. Williams. James L. Williams. Hocking County Ohio
Boquet Album
1857 ff. Hardcover. fair. 8vo illustrated with a gilt lithographed title-page and five hand-colored floral engravings very shaken head of spine chipped 2 inches. <br/><br/>Presented with a full-page admonitory poem by James L. Williams to his sister Sallie J. Williams in April 1857. Includes numerous signatures and poems from people apparently in Hocking County Ohio in Eaton Ohio; also Cincinnati and Twin Valley and Twin Creek Ohio and Germantown PA; Enterprise Ohio; Minnehaha Falls MN; Dayton OH; hardcover
書籍販売業者の参照番号
: 4559
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Salomon, Jacques, Alain, and Ker-Xavier Roussel
Introduction a l'oeuvre grave de K. X. Roussel par Alain, accompagnee de vingt-huit dessins en fac-simile et suivie d'un essai de catalogue par Jacques Salomon (catalogue raisonnÈ of the prints of Ker-Xavier Roussel)
Two volumes, complete. The best catalogue raisonnÈ of the prints of Ker-Xavier Roussel. 119 items described and illustrated. With the folder of 28 reproductions. Edition limited to 500 numbered copies. Folio. Original wraps. As new, in the original board slipcase.
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Sammlung Neujahrsblätter der
Zürcherischen Hülfsgesellschaft. Erstes Neujahrsblatt – XXV. Neujahrsblatt.
Zürich, 1801–1825. 4°. Mit Kupfertafeln und Portaits. Späterer Pappband.
書籍販売業者の参照番号
: 5600CB
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Sammlung Wiedemann, Gisela und Wiedemann, Hans-Rudolf
»Ein ganzes Heft Autographa!«
Marbach am Neckar, Deutsche Schillergesellschaft, 1997. Die Sammlung Gisela und Hans-Rudolf Wiedemann II. Katalog der Handschriften im Deutschen Literaturarchiv, verzeichnet von Gudrun Bernhardt. mit 11 Faksimiles nach Handschriften von Joachim Camerarius, Johann Gottlieb Fichte, Jacob Grimm, Wassily Kandinsky, Reiner Kunze, Theodor Mommsen, Gottfried Conrad Pfeffel, F.W.J. Schelling, Rudolf Alexander Schröder, Heinrich Sybel, J.J. Winckelmann, wiedergegeben in Originalgröße. mit Erinnerungen von Hans-Rudolf Wiedemann und Carl Bruno Bloemertz über eine bisher unbekannte freundliche Beziehung Ricarda Huchs in Jenaer Tagen. 6 Abbildungen. in 300 Exemplaren gedruckt, Ebrosch., 46 S. - Reihe: Privatdrucke.
書籍販売業者の参照番号
: 2455
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Samuel Adams Drake Illustrated by Engravings
The Heart of the White Mountians. 1882
New York: Harper & Brothers 1882 Green Cloth. A fine reprint from the Higginson Book Co. 318 pages. Please be advised that this is a library copy in fine condition. . Hardcover. Fine. Book. New York: Harper & Brothers, 1882 hardcover
書籍販売業者の参照番号
: 002517
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Samuel Marochitanus (Samuel aus Marokko)
Rabbi Samuelis Tractatus, Indicans Errorem Judaeorum Circa Observantiam Legis Mosaicae & venturum Messiam, quem expectant. Opus Aureum Omnibus Christi-fidelibus, & sac: Scripturae Professoribus apprime necessarium. Ab ... Alphonso Bonohomine, Hispano ... Circa Annum 1339. ex Arabico in latinum translatum, tempote Pontificatus Benedicti ... papae XI. Venetijs impressum, Inde à Judaeis, nè typis vulgaretur, undique celatum, tandem adinventum; Et cum Officij Sanctae Inquisitionis Consensu Maceratae olim reimpressum ; Nunc demum De Reverendissimi Archi-Episcopalis Consistorij Pragensis Facultate Recusum & prostans.
Vetero-Pragae (Prag), Apud Joannem Wenceslaum Helm (Johann Wenzel Helm), ohne Jahr (um 1719). 3 nnr. Blätter, 84 Seiten, 2nnr. Blätter. Schlichter Lederband der Zeit auf 3 Bünden mit handschriftlichem Rückenschild. Oberes Kapital ca. 8 mm beschädigt. Name mit Kugelschreiber auf Vorsatz.
書籍販売業者の参照番号
: 702899
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Samuel Putnam Avery ed. engravings.; George Washington Harris; Lewis Carroll; Cruikshank illus.
The Harp of a Thousand Strings; or Laughter for a Lifetime
New York: Dick & Fitzgerald Publishers 1858. Good. New York: Dick & Fitzgerald Publishers 1858. First Edition Earliest Located Printing with all points present. Octavo; viii 9-368pp terminal 16pp of advertisements. Inserted frontispiece engraved in black and sepia with tissue guard in place. Engravings by Avery throughout reproducing originals by Phiz Cruickshank and many others. Olive drab pebbled cloth with blind-stamped eclectic floral trellis frame on both panels; gilded title with vignette on front panel; blind-stamped publisher's monogram framed in shield on rear panel; gilded title and vignette on spine. Yellow endpapers. BAL 7094 Cloth darkened with two camouflaged stains on front panel. Spine rolled; spine crown and foot frayed but complete; small shallow wormhole about �" from spine crown. All panel corners frayed. Textblock complete but pp. 131-34 on a single conjugate leaf torn out and reinserted; text unaffected. A lazy worm's few chomps restricted to a �" spot at textblock fore-edge. One gathering loosened from lower stitches but still sewn to block at top. Binding shaken overall with front hinge cracked after copyright page and preceding pages and board opening shakily but still secure; textblock cracked to lie flat at two favorite pieces. This digest of stories parodies poems and anecdotes-"one of the most popular collections of humor of the 19th century" sayeth the BAL-was compiled by Avery. "Sut Lovingood" stories by Harris are featured but Avery pulled from many sources for a total of nearly 50 pieces. Included among them is the first appearance in book form of Lewis Carroll with his piece "Novelty and Romancement A Broken Spell" which Avery included without acknowledgment or payment to Carroll. A bit jabberwockish that-but the story is undeniably funny. Dick & Fitzgerald, Publishers unknown
書籍販売業者の参照番号
: 5907
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Santippa. 936.
"????"
9/12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Rêverie, Gaspillage, Simplicité, Gourmandise, Abondance, Violence, Curiosité, Obligeance, Surprise.
書籍販売業者の参照番号
: ART5186M
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Santippa. 936.
"????"
2 /12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Violence, Obligeance
書籍販売業者の参照番号
: ART5185M
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Santippa. 936.
"????"
12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Rêverie, Gaspillage, Exagération, Simplicité, Gourmandise, Abondance, Violence, Fantaisie, Faiblesse, Curiosité, Obligeance, Surprise.
書籍販売業者の参照番号
: ART5149M
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SANDOZ Marc
Eloge de Derain
Paris Manuel Bruker 1958 In-4 en feuilles, couverture rempliée
書籍販売業者の参照番号
: 014305
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Sandoz Marc
THEODORE CHASSERIAU. CATALOGUE RAISONNE DES PEINTURES ET ESTAMPES
Arts et Métiers Graphiques.1974.In-4 toilé bleu avec jaquette ill.en couleurs.518 p.Reproductions.TBE.
書籍販売業者の参照番号
: 49414
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Sanchez, Pierre and Xavier Seydoux
Les estampes de l'Art, 1875-1907. Catalogue raisonne.
The catalogue raisonne of all the original prints that appeared in the l'Art, one of the great Parisian art periodicals. Hundreds of items thoroughly described, with cross-references catalogues raisonnes of individual artists. Fully indexed. ONE OF 300 COPIES PRINTED. 4to. Original wraps. FINE AND BRIGHT.
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Sanfield Steve / wood engravings by Wesley Bates
The Right Place : 77 at 77
Larkspur Press n.d. A sheaf of poems by Steve � a half dozen plus a blurb from his close friend Leonard Cohen. Very close to fine and bright illustrated wraps. Larkspur Press, n.d. paperback
書籍販売業者の参照番号
: 62773
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SANIER
Recueil complet de chiffres a deux et trois lettres composé et dessiné par Sanier Père et gravè par son Fils. Nouvelle edition
In-8°; front. inciso su rame, pp. (4) con l’avertissement, e 34 tavole numerate incise su rame da Sanier figlio (di cui una ripiegata contenente una serie di simboli) con tutti gli esempi di lettere singole e monogrmmi a due o tre lettere, utilizzati nelle botteghe di vari artigiani, dai gioiellieri ai calligrafi; in fine anche il testamento di Luigi XVI inciso entro un tondo in caratteri minuscoli. legatura in piena pergamena con tassello e titolo in oro al dorso.Cifrario specimen alfabeti monogrammi model book calligraphic monograms writing ecriture alphabet calligraphy incisioni engravings
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Sarazin Jean-Jacques
Petit Precis de Gravure d'Art.
Marseille, Editions Autres Temps, 1992. In-8 (13 x 22), 95 pp., 7 ff., broché. Illustrations en N&B.
書籍販売業者の参照番号
: ART5124M
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SARONI, Sergio (Torino, 1934 - Torino, 1991),
La rana sulla scatola
Acquaforte acquatinta originale a 4 colori Tiratura 100 esemplari. Firma e numerazione a matita dell'Artista. Timbro a secco dello stampatore Il Torcoliere, Roma. cm 36x36 (Foglio 59x45). . . Ottimo (Fine). . Tiratura 100. .
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Sartain John
B. Carr Professor Music; Painted by J. C. Darley Engraved by J. Sartain
Philadelphia: John Sartrain 1835. Very Good -. 1 mezzotint engraving of Benjamin Carr 1768-1831 American composer singer music teacher and music publisher. Sheet is 30 x 24 cm.; image is 14 x 11 cm. John Sartain 1808-1897 pioneered mezzotint engraving in the United States. He engraved this portrait of Benjamin Carr from a painting by John Clarendon Darley 1808-1863. Undated but probably produced in the 1830s. Number in pencil in lower right-hand corner: 7/882. In Very Good- Condition: light soiling and foxing; a crisp mezzotint image. <br/><br/> John Sartrain unknown
書籍販売業者の参照番号
: 006330
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Sartain John
The Death of the Revd John Wesley A.M.
Philadelphia: William Smith 1860. Good. Sheet is 48 x 57 cm. Image is 33 x 38 cm. Hand-colored lithograph produced by Magee's Lithograph Press 48 S. 3rd St. Philadelphia. No date of publication. John L. Magee artist lithographer and engraver was located at 48 or 49 S. 3rd St. Philadelphia only in 1860. Engraved by A. Biggerman after an engraving by John Sartain. Print of deathbed scene of the Reverend John Wesley. Others shown in the image as identified by Sartain: Sarah Wesley a medical assistant the Rev. J. Bradford the Rev. P. Dickinson Mrs. Charles Wesley the Rev. T. Rankin Mrs. E.A. Rogers Miss Ritchie the Rev. J. Rogers the Rev. J. Creighton Master Rogers R.C. Brackenbury the Rev. T. Broadbent the Rev. A. Mather the Rev. J. Broadbent J. Horton the Rev. G. Whitfield Dr. Whitehead and the Rev. J. Edmonson. Scarce one copy on WorldCat. In Good Condition: some mat burn; closed tear of 2.5 cm. fromt upper edge; closed years of less than 2 cm. from lower edge; lower corner creased; image is clean and bright. <br/><br/> William Smith unknown
書籍販売業者の参照番号
: 006727
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