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Fregonese Hugo director; Sydney Boehm screenwriter; Francis Cockrell story; Herbert Ravenal Sass screenwriter "Affair at St. A
The Raid Original screenplay for the 1954 film Van Heflin's working copy
Los Angeles: Twentieth Century-Fox 1953. Revised Shooting Final script for the 1954 film. Actor Van Heflin's copy. Includes a 10-page shooting schedule. Loosely based on the St. Albans Raid the northernmost land action of the American Civil War. The film took great liberties changing both the time and motivation for the raid. In the film a group of Confederate POWs escape across the US-Canada border to plan an attack on St. Albans Vermont. They send ahead of them a spy who begins to question the ethics of their mission. Goldenrod titled wrappers noted as Revised Shooting Final on the front wrapper dated December 10 1953. Distribution page present with receipt removed. Title page present dated December 10 1953 noted as Revised Shooting Final with credit for screenwriter Boehm. 116 leaves mimeograph duplication with blue revision pages throughout dated variously between 12-12-53 and 1-6-54. Pages Fine wrapper Fine bound with two gold brads. Shooting Schedule: 10 leaves with annotations. Near Fine. Twentieth Century-Fox unknown
Bookseller reference : 130748
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Freund Karl director; Fay Wray Nils Asther Edward Arnold starring; William Hurlbut screenwriter
Madame Spy Original screenplay for the 1934 film
Universal City CA: Universal Pictures 1933. Draft script for the 1934 espionage film noted on the title page as having the working title "Under False Colors". Though best remembered as one of the great cinematographers Karl Freund also directed eight films after coming to the US from Germany. "Madame Spy" was the third on the heels of his masterpiece "The Mummy" 1932 and "only a year before "Mad Love" 1935. Hal Erickson writes: One of several variations of the "Mata Hari" and "Fraulein Doktor" legends Universal's "Madame Spy" is set during World War I. Fay Wray stars as Maria the wife of Austrian diplomat Captain Franck Nils Asther. What Franck doesn't know is that Maria is a Russian secret agent assigned to spy on her own husband. Eventually captured and sentenced to be shot Maria manages to make her escape by crawling through "No Man's Land" though looking none the worse for wear at the end of her ordeal. A scene-for-scene remake of the German drama "Under False Flags" "Madame Spy" was itself remade and heavily rewritten as a "B" picture in 1942. White wrappers rubber-stamped FILE COPY on the front wrapper noted as copy No. 37 and production No. 648 dated September 29 1933 with credits for screenwriter Hurlbut and director Freund. Title page integral with the front wrapper as issued. 99 leaves mimeograph duplication. Pages Near Fine wrapper Very Good with some damage to the rear wrapper bound with two gold brads and a staple. Universal Pictures unknown
Bookseller reference : 127959
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Freund Karl director; William Hurlbut screenwriter; Max Kimmich novel; Fay Wray Nils Asther starring
Madame Spy Original post-production script for the 1934 film
Universal City: Universal Pictures 1934. Post-production Continuity and Dialogue script for the 1934 film. A remake of the 1932 German drama "Unter Falscher Flagge." An Austrian diplomat is unaware that his wife is secretly a Russian spy sent to gather information on him. White self wrappers noted as CONTINUITY & DIALOGUE on the front wrapper noted as production No. 648-1 with credits for director Karl Freund actors Fay Wray and Nils Asther novelist Max Kimmich and screenwriter William Hurlbut. 106 leaves with last page of text numbered REEL SEVEN PAGE 18. Mimeographed rectos only. Large dampstain to the front wrapper else Very Good overall. Universal Pictures unknown
Bookseller reference : 146044
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Friedkin William director; Gerald Petievich screenwriter
C.A.T. Squad Original screenplay for the 1986 television movie
Burbank CA: National Broadcasting Company NBC 1986. Fifth Draft script for the 1986 television movie directed by William Friedkin and written for the screen by Gerald Petievich. "C.A.T. Counter Assault Tactical Squad" was the first of two television movies intended to become a series but never further developed. The sequel "C.A.T. Squad: Python Wolf" was broadcast two years later in 1988. Light blue titled wrappers with the film title in holograph ink. Title page present dated February 9 1986 noted as Fifth Draft with credit for screenwriter Petievich. 102 leaves on blue stock mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. National Broadcasting Company [NBC] unknown
Bookseller reference : 129299
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Friedkin William director; Bill Gold poster design; William Peter Blatty screenwriter; Ellen Burstyn Max von Sydow Lee J. Cob
The Exorcist Original poster maquette for the 1973 film
Burbank CA: Warner Brothers 1972. Original maquette demonstrating an early poster design for the 1973 film featuring a vintage silver gelatin photograph of the legendary streetlit scene of Father Merrin's first arrival to Georgetown in the film mounted to the poster. A minimal design without the credits information seen in the completed original "purple style" poster variant and with a proposed but ultimately unrealized release date of Christmas Day shown at the bottom margin. This maquette compares both to the "purple style" poster in its use of said purple text but also to the original black and white "special poster" design both in size and compositional austerity. The "special poster" measured 25 x 19 inches as opposed to the standard 27 x 41 inches for the one sheet and stated nothing but the film's title and the stark photo of Father Merrin. Based on the 1971 novel by William Peter Blatty and written for the screen by Blatty. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by Ellen Burstyn and Max von Sydow that only increases with repeated viewings. Another distinction of was that it walked away with two Oscars including Best Screenplay for Blatty along with eight nominations including Best Picture a feat nearly unheard for a horror film. Set in Washington DC and shot on location in Washington DC notably Georgetown University New York City and Mosul Iraq. 18 x 12.5 inches mounted on a 30 x 20 inch mat. Black with the vintage black and white photo of Father Merrin affixed at the center and a hand painted release date. Title letters are hand cut from purple paper and affixed in place. Good condition with water damage to the bottom three inches of the mat and with soil and loss of glue adhesion to the white mat. Archivally matted and framed in a museum-quality frame with UV glass. National Film Registry. Clover "Men Women and Chainsaws. Warner Brothers unknown
Bookseller reference : 145005
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Friedkin William director; William Peter Blatty novel screenwriter; Josh Weiner still photographerl;
The Exorcist Original oversize double weight still photograph from the 1972 film
Burbank CA: Warner Brothers 1972. Vintage oversize borderless double weight black and white photograph from the 1972 film. An amazing image showing Max von Sydow looming above-and seemingly beyond-a very possessed young Linda Blair. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by Burstyn and Sydow that only increases with repeated viewings. Another distinction of "The Exorcist" was that it walked away with 2 Oscars including Best Screenplay for Blatty along with 8 nominations including Best Picture a feat nearly unheard for a horror film. 11 x 14 inches. Near Fine. Warner Brothers unknown
Bookseller reference : 135017
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Friedkin William director producer; Walon Green screenwriter; Georges Arnaud novel
Sorcerer Original screenplay for the 1977 film
Universal City CA: Universal Pictures 1976. Early Draft script for the 1977 film. At 200 pages this draft is 36 pages longer than the longest of the three we have encountered meaning almost certainly that it is a First Draft or very close.<br/><br/>The plot of William Friedkin's suspense thriller originated with the same Georges Arnaud novel that inspired Henri-Georges Clouzot's French suspense classic "The Wages of Fear" 1953. Roy Scheider Bruno Cremer Francisco Rabal and Amidou play four men who for various reasons cannot return to their own countries. They end up in a dismal South American town where an American oil company is seeking out courageous drivers willing to haul nitroglycerin over 200 miles of treacherous terrain. The four stateless men have nothing to lose and besides they'll be paid $10000 apiece and be granted legal citizenship if they survive. The suspense is almost unbearable at times even outdistancing the tension level of "The Wages of Fear" in certain scenes in particular a famous set piece wherein one of the trucks must cross a rope bridge in the middle of the Amazon-and in the middle of a monsoon. Nominated for an Academy Award. <br/><br/>Gray titled wrappers. Title page present undated with credits for screenwriter Green and novelist Arnaud. 200 leaves xerographically duplicated. Pages and wrapper Near Fine bound with two gold brads. Universal Pictures unknown books
Bookseller reference : 145023
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Friedrich Freiherr von der Trenck source work: Green Howard J. screenwriter
INSIDE OUT". BASED ON THE AUTOBIOGRAPHY OF FRIEDRICH FREIHERR VON DER TRENCK
Hollywood: ZIV Television Programs Inc. 1954. 446 leaves. Quarto. Mimeographed typescript printed on rectos only bradbound in mimeographed wrappers. With extensive annotations throughout in pencil see below else very good. A "Final Master Script" of this adaptation prepared as #68B of the MY FAVORITE STORY series. This script belonged to Larry Lund the script supervisor and was used in the production. It is extensively annotated throughout with camera angles revisions in dialogue and stage directions etc. The versos of many leaves bear annotations pertaining to camera p.o.v. and similar data keyed to the facing recto. In addition there are two original typed pages laid in also with pencil annotations which feature a new ending to the story. ZIV Television Programs, Inc. unknown
Bookseller reference : WRCLIT40361
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Friedrich Freiherr von der Trenck source work: Green Howard J. screenwriter
INSIDE OUT". BASED ON THE AUTOBIOGRAPHY OF FRIEDRICH FREIHERR VON DER TRENCK
Hollywood: ZIV Television Programs Inc. 1954. 446 leaves. Quarto. Mimeographed typescript printed on rectos only bradbound in mimeographed wrappers. With extensive annotations throughout in pencil see below else very good. A "Final Master Script" of this adaptation prepared as #68B of the MY FAVORITE STORY series. This script belonged to Larry Lund the script supervisor and was used in the production. It is extensively annotated throughout with camera angles revisions in dialogue and stage directions etc. The versos of many leaves bear annotations pertaining to camera p.o.v. and similar data keyed to the facing recto. In addition there are two original typed pages laid in also with pencil annotations which feature a new ending to the story. ZIV Television Programs, Inc. unknown books
Bookseller reference : WRCLIT40361
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Fritz Lang director screenwriter; Bartlett Cormack screenwriter; Spencer Tracy Sylvia Sidney Walter Brennan starring
Fury Original US herald for the 1936 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Original US herald for the 1936 film. Lang's first Hollywood film and second talkie considered one of his finest efforts and one of three films in 1936 that propelled Spencer Tracy to the upper echelons of stardom. An important precursor to film noir which would develop directly from the expressionist style Lang and others brought to Hollywood from Germany beginning in the early 1930s. <br/><br/>6.75 x 11.75 inches. Near Fine quite bright with a coupe of tiny closed tears and light creasing to the top edge. <br/><br/>National Film Registry. Grant US. Rosenbaum 1000. Spicer US Precursor. Metro-Goldwyn-Mayer [MGM] unknown books
Bookseller reference : 132489
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Fritz Lang director screenwriter; Thea von Harbou screenwriter; Peter Lorre starring
M Original Austrian Film Program
Vienna: Illustrierter Film-Kurier 1931. Vintage Austrian program for the 1931 German film. Lang's first sound film Peter Lorre's breakthrough role and the film Lang considered to be his masterpiece-an assertion that has found much agreement since. The only second piece of ephemera from the film we have ever offered. Text in German. <br/><br/>Issue No. 262 of "Illustrierter Film-Kurier" one of the oldest European film magazines which ran weekly from 1929 to 1956. Like its German counterpart "Film-Kurier" each issue focused on a single film and used a gravure process to reproduce images from the film making for striking images and design. <br/><br/>6 x 9 inches. Six pages saddle stapled. Ink annotations throughout seemingly regarding layout affecting a bit of text but no images. Very Good plus with a faint horizontal crease and light toning to the wrappers. <br/><br/>Criterion Collection 30. Grant Germany. Godard Histoires de cinema. Ebert I. Eureka Masters of Cinema 9. Rosebaum 1000. Illustrierter Film-Kurier unknown books
Bookseller reference : 141666
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Fritz Lang director screenwriter; Thea von Harbou screenwriter; Peter Lorre starring
M Original double weight photograph from the 1931 film
Berlin: Nero-Film AG 1931. Vintage oversize double weight photograph from the 1931 film. Based on the true story of psychopathic serial killer Hans Beckert nicknamed the "Vampire of Dusseldorf" here played by Peter Lorre. A brilliant image from this crime thriller classic in which the search is on for Lorre. <br/><br/>Lang's first sound film Lorre's breakthrough role and the film Lang considered to be his masterpiece-an assertion that has found much agreement since. The mood atmosphere and lighting foreshadow film noir and Lang's use of sound though primitive technologically still makes a powerful psychological impact. <br/><br/>So strongly regarded was the film that MGM producer Irving Thalberg assembled his writers and directors for a screening and told them they needed to be making films of this caliber. Banned in Germany in 1934 when the Nazis came into power at which point Lorre and Lang both of partial Jewish ancestry fled the country. The expressionistic art direction visible here the uncredited work of Edgar G. Ulmer would also serve as the basis of Ulmer's later directorial work in Hollywood where he would make some of the most creative and classic noir-style films. Set in Berlin shot there on location. <br/><br/>Nero film insignia in the lower right corner with a Dutch blind stamp at the upper right corner. Original German stills from this film are scarce: this is the only one we have ever offered. <br/><br/>9 x 12 inches. Fine. <br/><br/>Complete collation details available on request. Nero-Film AG unknown books
Bookseller reference : 136679
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Fritz Lang director screenwriter; Thea von Harbou screenwriter; Rudolf Klein Rogge Gerda Maurus Lien Deyers starring
Spies Spione The Spy Original UK program for the 1928 film
London: Fritz Lang Film / UFA / W and F. 1928. Vintage UK program for the 1928 German film released in the UK as "The Spy." <br/><br/>Lang's followup to "Metropolis" and penultimate silent film an underrated spy versus spy thriller containing some of the most virtuosic set pieces of the director's career including a spectacular train crash at the film's climax. <br/><br/>9.5 x 12 inches 12 pages side stapled in card wrappers. Wrappers Very Good plus overall interior bright and Near Fine. Fritz Lang Film / UFA / W and F. unknown books
Bookseller reference : 132454
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Fritz Lang director screenwriter; Thea von Harbou novel screenwriter; Wolfgang Schackla still photographer; Werner Jorg Luddec
The Tiger of Eschnapur Der Tiger von Eschnapur and The Indian Tomb Das Indische Grabmal The Indian Epic Original photograph of Fritz Lang and Paul Hubschmid from the 1959 films
Berlin: Central Cinema Company Film CCC 1959. Vintage borderless reference photograph of Fritz Lang being attacked by the shackled Paul Hubschmid rehearsing a scene on the set of the 1959 film. German mimeo snipe and "Der Tiger von Eschnapur" stamps on verso. <br/><br/>Based on the 1918 German novel "Das Indische Grabmal" "The Indian Tomb" by Thea von Harbou. Previously filmed in 1921 as the silent film "The Indian Tomb" directed by Joe May and starring Conrad Veidt and Mia May with a screenplay written by von Harbou and Lang who was originally slated to direct and in 1938 as the German film "Der Tiger von Eschnapur" directed by Richard Eichberg starring Philip Dorn and La Jana. Lang returned to the material some forty years later and divided the story into two films to avoid the lengthy three and a half hour running time of the original silent film.<br/><br/>A German architect travels to the remote Indian city of Eschnapur to oversee work being done at the behest of the Maharajah and falls in love with a beautiful temple dancer who the Maharajah also loves.<br/><br/>Set in India shot on location in Berlin Germany and Udaipur India. <br/><br/>9 x 7 inches. Near Fine. <br/><br/>Eureka 50047. Rosenbaum 1000. Central Cinema Company Film [CCC] unknown books
Bookseller reference : 150507
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Fritz Lang director; Clifford Odets play; Alfred Hayes screenwriter; Barbara Stanwyck Robert ryan Marilyn Monroe Paul Douglas
Clash by Night Collection of 3 photographs from the 1952 film including a candid shot of Marilyn Monroe on the set
Culver City CA: RKO Radio Pictures 1952. Collection of 3 vintage borderless black-and-white still photographs from the 1952 film noir. One of the photos is a candid shot of a young Marilyn Monroe leaning against a camera track and talking to her male counterpart lead Keith Andes. The candid photo has a mimeo snipe describing the shot indicating clearly that Ms. Monroe was well on her way to being a superstar. The other two borderless shots are of Monroe and Andes in a romantic embrace and Robert Ryan and Barbara Stanwyck in an even more romantic embrace. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. RKO Radio Pictures unknown books
Bookseller reference : 135098
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Fritz Lang director; Douglas Morrow screenwriter; Dana Andrews Joan Fontaine Sidney Blackmer Arthur Franz Philip Bourneuf E
Beyond a Reasonable Doubt Original photograph of Dana Andrews on the set of the 1956 film
Los Angeles: Bert E. Friedlob Productions 1956. Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. <br/><br/>A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. <br/><br/>Shot on location in Chicago. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Bert E. Friedlob Productions unknown books
Bookseller reference : 145504
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Fritz Lang director; Geoffrey Household novel; Dudley Nichols screenwriter; Walter Pidgeon Joan Bennett George Sanders John C
Man Hunt Original photograph from the 1941 film
Los Angeles: Twentieth Century-Fox 1941. Vintage photograph of director Fritz Lang and stars Joan Bennett and Walter Pidgeon on the set of the 1941 film. With a mimeo snipe on the verso and two punch holes in the left margin. <br/><br/>Based on the 1939 novel "Rogue Male" by Geoffrey Household. The first of Fritz Lang's ant-Nazi films after he fled Germany in the mid 1930s. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Grant Worldwide. Rosenbaum 1000. Selby US. Spicer US. Twilight Time. Twentieth Century-Fox unknown books
Bookseller reference : 145323
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Fritz Lang director; Jay Dratler screenwriter; David O. Selznick producer
Daybreak Original screenplay for an unproduced film
Los Angeles: Selznick International 1945. Incomplete First Draft Shooting script for an unproduced film called "Daybreak" written for screen by Jay Dratler whose film credits include "Laura" 1944 "The Dark Corner" 1946 "Call Northside 777" 1948 "Pitfall" 1948 and "Impact" 1949. <br/><br/>Fritz Lang's only effort with Selznick also known as "Dawning." Intended for Ingrid Bergman the project was called off after four weeks of work supposedly because Bergman had decided to take on a different project. In truth there was also a fair bit of conflict between Lang and Selznick and the contract ultimately led to no produced work. <br/><br/>A story set on "Gray Island" just after WWII involving a rich art collector Stefan Korvath and his blind wife Nina and the roaming painter Chris Bartlett who falls in love Nina. <br/><br/>Salmon titled wrappers noted as 1st Draft Shooting Script and "incomplete" on the front wrapper dated 1/3/45 and 2/28/45 with a credit for screenwriter Dratler. 69 leaves with last page of text numbered 69. Carbon typescript dated variously between 1/3/45 and 1/9/45. Pages and wrapper Near Fine bound with three gold brads. Selznick International unknown books
Bookseller reference : 129160
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Fritz Lang director; Norman Krasna story writer; C. Kenneth Lobben still photographer; Virginia Van Upp screenwriter; Sylvia Sid
You and Me Original photograph from the set of the 1938 film
Hollywood: Paramount Pictures 1938. Vintage black-and-white studio still photograph from the set of the 1938 film noir antecedent. Shown are director Fritz Lang and George Raft on the set. Stamps on the verso crediting photographer C. Kenneth Lobben Paramount and an exclusivity notice. <br/><br/>8 x 10 inches with wide margins. Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Spicer p. 403. Paramount Pictures unknown books
Bookseller reference : 136085
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Fritz Lang director; Norman Krasna story writer; C. Kenneth Lobben still photographer; Virginia Van Upp screenwriter; Sylvia Sid
You and Me Three original photographs from the set of the 1938 film
Hollywood: Paramount Pictures 1938. Set of three vintage black-and-white studio still photographs from the set of the 1938 film noir antecedent. Shown respectively are Lang conferring with Silvia Sidney Lang on the floor setting up an unusual camera angle and Lang playing a clarinet for baby actor Donald Dodd's who played Silvia Sidney's infant son in the film. <br/><br/>Each photo with a printed snipe on the verso a number annotated and circled in blue pencil 1 2 3 respectively and a stamp crediting Paramount Studios photographer Malcolm Bulloch. <br/><br/>5 x 7 inches. Near Fine. One photo with a faint vertical crease. <br/><br/>Complete collation details available on request. <br/><br/>Spicer p. 403. Paramount Pictures unknown books
Bookseller reference : 144158
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Fritz Lang director; Thea von Harbou screenwriter; Gertrud Arnold Margarete Schon starring
Die Nibelungen Original program for the 1924 film
Germany: Decla-Bioscop / UFA 1924. Vintage program for the German premiere of the films "Die Nibelungen: Siegfried" and "Die Nibelungen: Kriemhild's Revenge" on February 14 1924. Contains a brief essay by von Harbou and three additional short essays on the making of the film. Photo illustrated throughout with stills of characters from the films. <br/><br/>Also included is a supplemental program for UFA theaters featuring another brief essay on the film by starring actor Rudolf Klein-Rogge information and photographs relating to UFA theaters and advertisements. Text of both items in German. <br/><br/>Based on the thirteenth century epic poem "Nibelungenlied."<br/><br/>Program: Near Fine in heavy paper wrappers and string binding. Elegant owner name to the front wrapper with a light diagonal crease to the same and light fading to the edges. <br/><br/>Supplement program: Very Good in saddle stapled self wrappers top right corner clipped. Splitting to the spine with a light vertical fold crease and a couple of small chips. <br/><br/>Rossler Filmfieber p. 51. Masters of Cinema 46. Decla-Bioscop / UFA unknown books
Bookseller reference : 139464
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Fritz Lang director; Thea von Harbou screenwriter; Gertrud Arnold Margarete Schon starring
Die Nibelungen: Siegried and Kriemhild's Revenge Original program for the 1924 film
Berlin: Film-Kurier 1924. Original German programs for duology "Die Nibelungen" one each for "Die Nibelungen: Siegfried" and "Die Nibelungen: Kriemhild's Revenge." Based on the thirteenth century epic poem "Nibelungenlied." Text in German. <br/><br/>Film-Kurier was the first German film journal published daily beginning in 1919. Film-Kurier's classic era lasted until 1933 when its publisher Alfred Weiner had to flee Germany because of his Jewish origins. The issues from this era remain striking to this day because they were printed using a gravure reproduction process. Each day's issue would focus on a single film. <br/><br/>9 x 11.75 inches. Each program six pages folded loose leaves as issued. Very Good plus with a horizontal fold tiny pinholes to the corners and an occasional short closed tear. <br/><br/>Masters of Cinema 46. Film-Kurier unknown books
Bookseller reference : 141664
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Fritz Peter Buch director screenwriter; Tibor Yost novel; Zarah Leander OW. Fischer Paul Hartmann Hans Richter starring O. W
Cuba Cabana Two original photographs from the 1952 film
West Germany: Rhombus Film 1952. Two vintage photographs of Zarah Leander on the set of the 1952 film. With holograph annotations on the verso. <br/><br/>Based on the 1952 novel by Tibor Yost. The second role in Zarah Leander's 1950s comeback after her career as a major star during the Nazi era<br/><br/>7 x 5 inches. Near Fine. Rhombus Film unknown books
Bookseller reference : 144568
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Fujita Toshiya director; Norio Osada screenwriter; Kazuo Kamimura Kazuo Koike story writers; Meiko Kaji starring
Lady Snowblood Original screenplay for the 1973 film
Tokyo: Toho Company / 1973. Draft script for the 1973 Japanese film. Based on the 1972-1973 manga written by Kazuo Koike and Kazuo Kamimura. The story of a woman with a sword in the end of her umbrella who seeks vengeance against the men who murdered her father and raped her mother leaving a trail of blood in her wake. A gorgeously shot cult classic and one of the best films of early 1970s samurai cinema. One of Quentin Tarantino's greatest influences for his "Kill Bill" duology borrowing plot and thematic elements character and set design and even re-creating specific shots. Off white wrappers perfect bound with red and blue titles dated 1973.9.20. 83 leaves with last page of text numbered "e-28." Mechanical duplication. Pages Near Fine wrapper a moderately foxed Very Good plus. Arrow 662. Criterion Collection 790. Toho Company / unknown
Bookseller reference : 143674
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Fuller Charles sourcework & screenwriter
Set of Eight Color Mini Lobby Cards for: A SOLDIER'S STORY
Los Angeles: Columbia Pictures 1984. Eight 8 x 10" full color mini lobby cards. About fine. A complete set of the mini lobby cards issued to promote the film version of A SOLDIER'S STORY adapted for the screen by the author from his Pulitzer Prize winning play. Directed by Norman Jewison and starring Howard E. Rollins Adophy Caesar Denzel Washington and David Alan Grier among others. The film was nominated for three Academy Awards and three Golden Globe Awards and won two NAACP Image Awards. Columbia Pictures unknown
Bookseller reference : WRCLIT67839
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Fuller Charles sourcework & screenwriter
Set of Eight Color Mini Lobby Cards for: A SOLDIER'S STORY
Los Angeles: Columbia Pictures 1984. Eight 8 x 10" full color mini lobby cards. About fine. A complete set of the mini lobby cards issued to promote the film version of A SOLDIER'S STORY adapted for the screen by the author from his Pulitzer Prize winning play. Directed by Norman Jewison and starring Howard E. Rollins Adophy Caesar Denzel Washington and David Alan Grier among others. The film was nominated for three Academy Awards and three Golden Globe Awards and won two NAACP Image Awards. Columbia Pictures unknown books
Bookseller reference : WRCLIT67839
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Fuller Samuel director screenwriter; Milton Gold still photographer; John Ireland Reed Hadley starring
I Shot Jesse James Oversize original double weight cast photograph from the 1949 film
Los Angeles: Lippert Pictures 1949. Oversize vintage black-and-white double weight still photograph of the cast and crew for the 1949 film dated Nov. 24 1948. Fuller's auspicious directorial debut one of three films he made for independent producer Robert Lippert before moving to Hollywood studios. An intense portrait of guilt and psychological torment the film based on the life of Robert Ford displays many of the hallmarks of the iconoclastic director's subsequent career. 20 x 15 inches. Very Good plus with a couple of small closed tears to the bottom edge. Criterion Eclipse 5. Lippert Pictures unknown
Bookseller reference : 131899
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Fuller Samuel screenwriter and director
Original One Sheet for THE BIG RED ONE
Los Angeles: United Artists 1980. Pictorial one sheet 27 x 41". Folded as issued else fine. A pictorially appropriate one sheet for the original and substantially cut theatrical release of Sam Fuller's long-fought personal project a cinematic rendering of combat based on his own experiences in WWII with the US First Infantry Division. The cast included Lee Marvin Mark Hamill Robert Carradine and others. In 2004 years after Fuller's death the cuts were restored an additional 49 minutes of running time and Fuller's very personal film was finally made available in a form closer to his original intent. United Artists unknown
Bookseller reference : WRCLIT68427
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Fuller Samuel screenwriter and director
Original One Sheet for THE BIG RED ONE
Los Angeles: United Artists 1980. Pictorial one sheet 27 x 41". Folded as issued else fine. A pictorially appropriate one sheet for the original and substantially cut theatrical release of Sam Fuller's long-fought personal project a cinematic rendering of combat based on his own experiences in WWII with the US First Infantry Division. The cast included Lee Marvin Mark Hamill Robert Carradine and others. In 2004 years after Fuller's death the cuts were restored an additional 49 minutes of running time and Fuller's very personal film was finally made available in a form closer to his original intent. United Artists unknown books
Bookseller reference : WRCLIT68427
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Funt Allen director screenwriter producer starring; Richard Roundtree Laura Huston Susanna Clemm Joie Addison starring
What Do You Say to a Naked Lady Original poster for the 1970 film
Beverly Hills CA: United Artists 1970. Original one-sheet US poster for the 1970 X-rated film. Distributor rubber stamp on the verso. Director Funt notable for his "Candid" series of adult films explores further the human psyche when confronted with nudity in unusual candid situations. Richard "Shaft" Roundtree plays one-half of an interracial couple in his film debut. 27 x 41 inches folded as issued. Very Good plus fold stress small central chips and a few short tears. United Artists unknown
Bookseller reference : 139424
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Furie Sidney J. director; Frank De Felitta screenwriter; Barbara Hershey Ron Silver starring
The Entity Archive of 7 screenplay drafts for the 1982 film
Los Angeles: Twentieth Century-Fox 1980. Archive of seven scripts for the 1982 film. Included is a first draft third draft four undated drafts and one draft under the working title "Carlotta: A Haunted Lady." Two scripts with holograph annotations present. From the estate of Frank De Felitta. Based on the 1978 novel of the same name about a real case of an alleged haunting. In 1974 Culver City Doris Bither claimed the ghosts of three men were raping her. De Felitta was present during the investigation with lead researcher and parapsychologist Dr. Barry Taff who served as technical advisor on "The Entity" as well as being represented in the film by the character Gene Kraft. "The Entity" is one of the few possession films that ends with White Science and Black Magic in a draw. Critics of the time dismissed the film but it still became something of a cult classic that evoked "Rosemary's Baby" and "The Exorcist." Screenwriter Frank De Felitta was born 1921 in the Bronx. He served as a pilot right out of high school in WWII and returned to New York in 1945 where he began writing scripts. His first produced work was for the radio thriller series "The Whistler" and once established he turned to television writing producing and directing documentaries receiving Emmy nominations in 1963 and 1968. By the early 70's De Felitta was working on film scripts with author Max Ehrlich. His first novel "Oktoberfest" 1973 was a thriller that made him enough money to finance time needed to write the bestseller horror story about reincarnation the hit film "Audrey Rose" 1975 and later its sequel "For Love of Audrey Rose" 1982. He went on to write the film adaptation of the same story in 1977 starring Anthony Hopkins as Audrey's father and Marsha Mason as Ivy's mother directed by Robert Wise. 1st Draft Screenplay: Blue untitled wrappers with holograph pencil notation. Title page present dated September 25 1978 noted as First Draft Screenplay with credits for screenwriter Frank DeFelitta. 126 leaves with last page of text numbered 132. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. 3rd Draft: Black titled wrappers. Title page present holograph pencil notation dated March 1980 noted as 3rd Draft with credits for screenwriter Frank DeFelitta. 153 leaves with last page of text numbered 143. Xerographically reproduced. Pages Near Fine wrapper Very Good Plus bound with three gold brads. Entity Undated 1: Black titled wrappers. Title page present with credits for screenwriter Frank De Felitta. 145 leaves with last page of text numbered 142. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. Entity Undated 2: Black titled wrappers. Title page present with credits for screenwriter Frank DeFelitta The Paul Kohner Michael Levy Agency producers Joe Wizan and Joyce Lukon. 128 leaves with last page of text numbered 127. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. Entity Undated 3: Orange untitled wrappers. 126 leaves with last page of text numbered 127. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. Entity Undated 4 Bound Internally Black titled wrappers. Title page present with credits for screenwriter Frank De Felitta. Holograph notation type over. 143 leaves with last page of text numbered 139. Xerographically reproduced. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Carlotta: A Haunted Lady: Pale yellow untitled wrappers. Title page present with credits for screenwriter Frank De Felitta and producers Joe Wizan and Joyce Lukon. 146 leaves with last page of text numbered 145. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. Clover Men Women and Chainsaws. Scorsese The Dark Eleven. Twentieth Century-Fox unknown
Bookseller reference : 142611
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Furie Sidney J. director; Orville H. Hampton screenwriter; John McCarthy Susan Travers Geoffrey Denton starring
The Snake Woman The Lady is a Snake Original screenplay for the 1961 film
Beverly Hills CA: United Artists / Caralan Productions 1961. Draft script for the 1961 British horror film here under the working title "The Lady is a Snake" with the release title in holograph pencil on the front wrapper. Though made in the UK the film was a US co-production and this is a US draft of the script noting the US production company Playstar Productions on the front wrapper. A doctor injects his pregnant wife with snake venom causing her to give birth to a snake woman who grows up to terrorize the local town. Set in Victorian England. Tan titled wrappers with credits for screenwriter Orville H. Hampton. Distribution page present with receipt intact. 114 leaves with last page of text numbered 111. Mimeograph Pages Fine. Front wrapper detached. Now encapsulated in mylar else Very Good plus bound with three gold brads. United Artists / Caralan Productions unknown
Bookseller reference : 143580
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Furth George screenwriter
America's Sweetheart Original screenplay for an unproduced film
N.p.: N.p. 1972. Draft script for an unproduced film. Includes a humorous letter from the screenwriter to "Sally" laid in. A starlet's rise is threatened by her relationship with a longtime lover. Written by Hollywood staple George Furth best known for his award-winning musical "Company." Red titled wrappers. Title page present dated 1972 with credit for screenwriter Furth. 152 leaves mechanical duplication. Pages Near Fine wrapper Near Fine internally bound with two gold brads. N.p. unknown
Bookseller reference : 129776
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FW. Murnau director screenwriter; Robert J. Flaherty screenwriter; Matahi Anne Chevalier Bill Bambridge Hitu starring F. W.
Tabu: A Story of the South Seas Original photograph from the set of the 1931 film
N.p.: N.p. 1930. Vintage photograph of F.W. Murnau cinematographer Floyd Crosby a sound engineer and extras on location during shooting of the 1931 film. <br/><br/>Considered the first example of "docufiction." The fourth and final film made by Murnau during his time in the US. Murnau and Robert J. Flaherty wrote the unpublished story "Turia" based on a South Sea legend Flaherty had heard while working on W.S. Van Dyke's "White Shadows in the South Seas" 1928 which would later evolve into "Tabu." <br/><br/>Two young lovers on the idyllic island of Bora Bora find themselves in danger when an old warrior declares the girl to be the Chosen Maid. Refusing the lovers run off to a "westernized" island were the boy earns a living as a pearl diver and lands in debt. When the old warrior discovers their location they plan another escape requiring the boy paying off his debts by pearl diving in shark-infested waters. Winner of an Academy Award for Best Cinematography. <br/><br/>Shot on location in Tahiti and the Leeward Islands French Polynesia. <br/><br/>5.75 x 3.5 inches. Near Fine lightly faded. <br/><br/>National Film Registry. Rosenbaum 1000. Godard Histoires du Cinema. Eureka! 61. N.p. unknown books
Bookseller reference : 148510
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G. W. Pabst director; Willy Haas screenwriter; Alfred de Musset source; Lili Damita Werner Krause actors.
Une femme dans la nuit
Paris: : Union Artistic Films distributor; F. P. S. Films production company circa 1927. First edition. . Other. Very Good/No Jacket. Double grande affiche 63 X 94 inches; 1600 x 2385 mm. On ne bandine pas avec l'amour or Man spielt nicht mit der Liebe. Two sheets restored and linen backed. G. W. Pabst director; Willy Haas screenwriter; Alfred de Musset source; Lili Damita Werner Krause actors. Une femme dans la nuit. On ne bandine pas avec l'amour or Man spielt nicht mit der Liebe. Paris: Union Artistic Films distributor; F. P. S. Films production company circa 1927. First edition. Double grande affiche 63 X 94 inches; 1600 x 2385 mm. Designed by G. Elizabeth. Two sheets restored and linen backed. The sheets are barely out of alignment; a couple tears laid down including one with a tiny bit of loss in the upper-left scene; a few old wrinkles flattened out; touch of rubbing; faint discoloration along the folds possibly with some minor touchups a couple instances of minor fold separation; a few faint tiny splashes visible in the lower-right margin. Presents as near fine. Union Artistic Films distributed four films starring Lili Damita produced by F. P. S. Films during the 1927-1928 season according to a two-page advertisement in the September 1927 issue of Cinegraphie. They were: Papillon d'or Der goldene Schmetterling 1926 directed by Michael Curtiz IMDb ID: tt0016930 La nuit nuptiale The Queen Was in the Parlour an English co-production based on a Noël Coward play 1927 directed by Graham Cutts tt0017900 La danseuse de grenade Die berühmte Frau 1927 directed by Robert Wiene tt0437864 and possibly this one under the title On ne joue pas avec l'amour Man spielt nicht mit der Liebe 1927 tt0017116. Man spielt nicht mit der Liebe is the only Lili Damita film we could identify produced by F. P. S. Films to co-star Werner Krauss. Using IMDb's collaborator search the only additional entries are Pabst's Secrets of a Soul Geheimnisse einer Seele produced by Neumann-Filmproduktion which starred Krauss and apparently featured Damita in an uncredited role and a ghost entry for Une femme dans la nuit created using the minimal information available in this poster from the Heritage Auctions listing. We cannot say with certainty that any of the assumptions made in the course of this catalog description are accurate and we still have a difficult time swallowing that Pabst who would be fresh off Joyless Street would not receive mention on the promotional material of any of his projects. All that said given the information available Une femme dans la nuit is either a completely ignored and immediately forgotten prestige project featuring two popular actors or was an alternate title from one of just two lost Pabst films. Either way it's still one hell of a decorative piece. Last year Heritage Auctions also sold a French grande one sheet half this size for this film under the same title with no additional release or production information. Deutsche Kinemathek's Lost Film database ID 986. #10012. Union Artistic Films (distributor); F. P. S. Films (production company), unknown
Bookseller reference : 10012
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Gabriele D'Annunzio novel; Pasquale Prunas screenwriter
Le Novelle Della Pescara The Pescara Stories Original screenplay for an unproduced television miniseries
Rome: Aquila Cinematografica 1974. Draft script for the first episode of an unproduced television miniseries. <br/><br/>Based on the short story "The Virgin Orsola" from Italian writer Gabriele D'Annunzio's 1902 collection "De Novelle Della Pescara." A chaste schoolteacher in a convent survives a life-threatening illness but soon after is violently sexually assaulted beaten and left for dead.<br/><br/>Set in Italy. <br/><br/>Orange untitled wrappers. Title page present dated 1974 with credits for novelist GABRIELE D'ANNUNZIO and screenwriter PASQUALE PRUNAS. 106 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining to the front wrapper bound internally with two gold brads. Aquila Cinematografica unknown books
Bookseller reference : 146512
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Galbraith John Kenneth novel screenwriter
The Triumph Original screenplay for an unproduced film
N.p.: N.p. 1969. Revised draft script for an unproduced film carbon typescript on onionskin unbound housed in an envelope with a "Winkast Programming Limited" label with "Hadrian VII Screenplay Stage play" scratched out and "'THE TRUMPH' BY JOHN KENNETH GALBRAITH" written in in green holograph marker. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Canadian economist diplomat and noted author John Kenneth Galbraith's adaptation of his 1968 novel "The Triumph" a political satire of a myopic and inept U.S. foreign policy response to a revolution by a moderate liberal in a small Central American country. Title page present dated 29 May 1969 noted as Revised Draft with credits for author and screenwriter John Kenneth Galbraith. 168 leaves with last page of text numbered 167. Carbon typescript on onionskin rectos only. Pages Near Fine envelope Very Good plus with some small closed tears unbound. N.p. unknown
Bookseller reference : 147241
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Gallone Carmine director screenwriter; Rene Barjavel Leonardo Benvenuti Piero De Bernardi screenwriters; O. Civirani photogr
Don Camillo monsignore. ma non troppo Don Camillo. monseigneur Archive of 139 original photographs from the 1961 film
France / Italy: Affiches Gaillard / Cineriz 1961. Archive of 139 vintage borderless single weight still photographs from the 1961 Italian-French film. Seen in the images is starring actor Fernandel and other members of the cast in action and a few images of the film crew at work. Notations in holograph pencil and photographer Civirani's rubber stamp on the verso of all photos. Housed in two vintage Belgian Gevaert brand photo paper boxes. Based on Giovanni Guareschi's infamous Italian character. Don Camillo Fernandel heads to rome after a fight with Peppone Cervi where he becomes monsignor but his spirit eventually leads him back home. A local mayor tries to deceive Camillo during the wedding of Peppone's son. The fourth "Camillo" installment starring Fernandel the others being "The Little World of Don Camillo" 1952 "The Return of Don Camillo" 1953 "Don Camillo's Last Round" 1955 and "Don Camillo in Moscow: 1965. 7 x 9.25 inches. Light curling else Near Fine and splits to the paper box. Affiches Gaillard / Cineriz unknown
Bookseller reference : 140316
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Gallone Carmine director screenwriter; Rene Barjavel Leonardo Benvenuti Piero De Bernardi screenwriters; Fernandel Gino Cer
Don Camillo monsignore. ma non troppo Don Camillo. monseigneur Original French poster for the 1961 film
Paris: Affiches Gaillard / Cineriz 1961. Original French grande poster for the 1961 Italian-French film. Based on Giovanni Guareschi's infamous Italian character. Don Camillo Fernandel heads to rome after a fight with Peppone Cervi where he becomes monsignor but his spirit eventually leads him back home. A local mayor tries to deceive Camillo during the wedding of Peppone's son. The fourth "Camillo" installment starring Fernandel the others being "The Little World of Don Camillo" 1952 "The Return of Don Camillo" 1953 "Don Camillo's Last Round" 1955 and "Don Camillo in Moscow: 1965. 47 x 63 inches folded as issued. Good with tears and chips and light toning. Affiches Gaillard / Cineriz unknown
Bookseller reference : 138989
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Gallone Carmine director; Sauvajon Marc Gilbert screenwriter; Verne Jules author; Curd Jurgens Genevieve Page Jacques Dacqmi
Michael Strogoff Original screenplay for the 1956 film
France: Illria Film 1956. Draft script for the 1956 film. Based on the 1876 oft-produced novel by Jules Verne of the same title. Michael Strogoff is the courier of the Tsar tasked to deliver a very important message to the Tsar's brother who is in Siberia cut off from the main army due to the Tatar Army during the Crimean War. Set in the Russian Empire shot on location in Serbia. 203 leaves with last page of text numbered 203. Mechanical duplication. Pages Very Good plus lacking front wrapper bound with a silver prong binding. Illria Film unknown
Bookseller reference : 141754
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Gance Abel director screenwriter; Albert Dieudonne Antonin Artaud Gina Manes starring
Napoleon Original program for the 1927 film
France: Cine France 1927. Original French program for the 1927 film with a flyer for the world premiere at the Palais Garnier in Paris laid in. One of the late masterpieces of the silent era following Napoleon's early life through his appointment as Commander in Chief of the Army and invasion of Italy one of six films director Abel Gance planned about the life of the French statesmen and the only one he completed. The film is notable for the many innovative and experimental techniques Gance used uncommon in the silent era including location shooting fast cutting close up hand held and point of view shots multiple camera set ups in-camera movement and visual effects such as superimposition film tinting and split screen or mosaic shots. Most famously the film helped pioneer truly widescreen viewing as Gance created a technique later referred as Polyvision which required three projectors to run film shot from three different cameras simultaneously to achieve a 4:1 aspect ratio for the film's climatic battle sequence although seams between the screens would remain visible. After only showing at a handful of theatres the film which originally ran over four hours was severely cut when it was acquired by MGM with only the middle section of the triptych being retained the other two sections remaining mostly unseen until the film was fully restored in the early 1980s. 10 x 13 inches bound with a string binding. Owner blindstamp to the title page. Wrappers Very Good with a few short closed tears and light chipping now encapsulated in mylar. Interior pages bright and about Fine with light soil. A remarkably clean example of a rare surviving piece from the earliest days of French cinema and one of the world's most important epics. Godard Histoires du cinema. Cine France unknown
Bookseller reference : 121921
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Gance Abel director screenwriter; Albert Dieudonne starring
The Madness of Dr. Tube La Folie du Docteur Tube Two original photographs from the 1915 film
France: Le Film d'Art 1915. Photograph from the 1915 French experimental short film struck circa 1936. With holograph annotations and agency stamps on the verso. Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself a dog and a two couples. An early experimental film that uses distorted lenses and mirrors to create special effects that mimic an altered state of consciousness. 7 x 5 inches. Near fine. Le Film d'Art unknown
Bookseller reference : 144596
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Ganzer. Alvin director; Guy Bolton Jack McGowan musical; Robert E. Kent screenwriter; Connie Francis Harve Presnell Peter Noo
When the Boys Meet the Girls Girl Crazy Original screenplay for the 1965 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1965 film musical. Copy from the collection of cinematographer Paul Vogel presumably his working copy with "Camera" written in holograph pencil at the top right corner of the front wrapper. Laid in is a 17 page shooting schedule under the title "Girl Crazy" dated 7-13-65. <br/><br/>Based on the 1930 musical "Girl Crazy" by Guy Bolton and John McGowan with music and lyrics by George and Ira Gershwin respectively.<br/><br/>Previously filmed twice before first in 1932 directed by William A. Seiter and starring Bert Wheeler and Dorothy Lee then in 1943 directed by Norman Taurog and Busby Berkely and starring Mickey Rooney and Judy Garland.<br/><br/>Playboy and heir Danny Churchill Harve Presnell helps Ginger Gray Connie Francis save her father's ranch by turning it into a motel for divorcees.<br/><br/>The last feature film acting role of Connie Francis.<br/><br/>Set in Nevada shot on location in Nevada and California. <br/><br/>Yellow titled wrappers rubber-stamped copy No. 73 dated July 7 1965 with credits for screenwriter Robert E. Kent. Title page integral to first page. 96 leaves with last page of text numbered 96. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br/><br/>Shooting schedule 8.5 x 11 inches Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
Bookseller reference : 148129
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GARDIES, René - Choix de textes et propos de Glauber Rocha
Glauber Rocha
1974 Editions Seghers, Collection "Cinéma d'aujourd'hui", N° 79 - 1974 - Petit in-12, broché, couverture illustrée - 184 p. - Nombreuses reproductions photographiques hors-texte en N&B
Bookseller reference : 109605
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Gardner Leonard screenwriter and source
Set of Studio Lobby Cards for FAT CITY
Culver City: Columbia Pictures 1972. Eight pictorial lobby cards 11 x 14". Cards #s 1 and 2 show heavy creasing with #1 having a 1" closed tear from the middle top edge faint production crease to top edges of three others lower corner margin of #4 has a few dust spots otherwise a nice set unused. A complete set of the lobby cards promoting Gardner's superb adaptation to the screen of his own first novel. John Huston directed and Stacy Keach Jeff Bridges Candy Clark and Susan Tyrell starred. Tyrell was nominated for an Academy Award in the category of Best Supporting Actress for her performance as the barfly Oma. Columbia Pictures unknown
Bookseller reference : WRCLIT68340
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Gardner Leonard screenwriter and source
Set of Studio Lobby Cards for FAT CITY
Culver City: Columbia Pictures 1972. Eight pictorial lobby cards 11 x 14". Cards #s 1 and 2 show heavy creasing with #1 having a 1" closed tear from the middle top edge faint production crease to top edges of three others lower corner margin of #4 has a few dust spots otherwise a nice set unused. A complete set of the lobby cards promoting Gardner's superb adaptation to the screen of his own first novel. John Huston directed and Stacy Keach Jeff Bridges Candy Clark and Susan Tyrell starred. Tyrell was nominated for an Academy Award in the category of Best Supporting Actress for her performance as the barfly Oma. Columbia Pictures unknown books
Bookseller reference : WRCLIT68340
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Garfein Jack director; Calder Willingham screenwriter novel; Ben Gazzara Pat Hingle Peter Mark Richman Arthur Storch starri
The Strange One End as a Man Original photograph from the 1957 film
Culver City CA: Columbia Pictures 1957. Vintage photograph of Carroll Baker Jack Garfein Paul Richards and Ben Gazzara on the set of the 1957 film. With mimeo snipe holograph annotations in pencil and a press agency stamp on the verso. Based on the 1947 novel and stage play by Calder Willingham "End As a Man" and with much of the same cast as the stage production. Set at a southern military college Jocko de Paris Ben Gazzara is a sadistic cadet leader well known to be violent and power-hungry. In a particularly malicious act of hazing he sets up the expulsion of the son of the school's headmaster and subsequently manipulates his social circle into silence until they can no longer take it. Shot on location in Florida. 10 x 8 inches. Near Fine. Columbia Pictures unknown
Bookseller reference : 144227
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Garnett Tay director; Horace McCoy story screenwriter; Mickey Rooney Pat O'Brien Beverly Tyler James Brown starring
The Fireball Original photograph from the 1950 film
Los Angeles: Twentieth Century-Fox 1950. Vintage black-and-white still photograph from the 1950 film. Distributor rubber-stamp and blindstamp on the verso. Based on an original story by Horace McCoy about a runaway orphan who becomes a champion roller-skater and the women he meets along the way. Mickey Rooney stars as the orphan and Marilyn Monroe has a small role as one of his romances. 8 x 10 inches. Light corner creases else Near Fine. Twentieth Century-Fox unknown
Bookseller reference : 132169
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Garrett Oliver HP. screenwriter H. P.
Incident at Dunquerque Original screenplay for an unproduced film
Los Angeles: David O. Selznick Productions 1941. First Draft script for an unproduced film. A substantial Treatment script for an evidently unproduced film set during the 1940 battle and evacuation of Dunkirk. Also a novelist Garrett contributed to many of the great films of Hollywood's golden era including "The Story of Temple Drake" 1933 "Gone with the Wind" 1939 and "Duel in the Sun" 1946. Light blue titled wrappers noted as First Draft on the front wrapper dated April 15 1941 with credit for screenwriter Garrett. Distribution page present with receipt intact dated April 15 1941 noted as First Draft with credit for screenwriter Garrett. 43 leaves mimeograph duplication last leaf numbered page 42. Pages Near Fine wrapper Near Fine bound with two gold brads. David O. Selznick Productions unknown
Bookseller reference : 135962
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Garrett Oliver HP. screenwriter H. P.
One Thing Worth While Original screenplay for an unproduced film
Los Angeles: Selznick International 1936. Draft script for an unproduced film called "One Thing Worth While" written for screen by Oliver H.P. Garrett whose film credits include "Ladies of the Mob" 1928 "The Texan" 1930 "City Streets" 1931 "A Farewell to Arms" 1932 "Gone With the Wind" 1939 and "Duel in the Sun" 1946. Brief notation in holograph pencil on one page. A story set in Manhattan about a neurosurgeon named Anton Laval and his romantic interest Judith; a theme unlike any film credited to Garrett that followed this script. Light blue titled wrappers dated April 22 1936 with a credit for screenwriter Garrett. Distribution page present with receipt removed. 130 leaves with last page of text numbered 129. Carbon typescript. Pages Near Fine wrapper Very Good plus bound with two gold brads. Selznick International unknown
Bookseller reference : 129162
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