Paris: Les Films de la Pleiade 1962. Collection of four vintage borderless photographs from the 1962 film. With holograph annotations and rubber stamps on the versos. <br/><br/>Based in part on the nonfiction study "Ou en est la prostitution" by Marcel Sacotte who also contributed to the screenplay. Godard's least "intellectual" film is also one of his finest a touching drama about a college-educated woman who drifts into prostitution out of boredom with the working world to tragic consequences. The third of the seven highly influential films directed by Godard between 1960 and 1965 starring his then-wife and muse Anna Karina. <br/><br/>Shot on location in Paris. <br/><br/>5 x 7 inches. Near Fine. <br/><br/>BFI 2055. Criterion Collection 512. Ebert I. Les Films de la Pleiade unknown books
Paris: Parc Film 1967. Collection of five vintage borderless reference photographs from the 1967 French film. All but one with a stamp specific to the film's French release on the verso.<br/><br/>A day in the life of suburban housewife Juliette Jeanson Vlady who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Jean-Luc Godard's most highly regarded stylistically innovative films released the same year as "Weekend" and "La chinoise." <br/><br/>Set and shot on location in Paris.<br/><br/>Four photographs 7 x 5 inches one 8 x 5 inches. Near Fine. Parc Film unknown books
France Italy: Euro International Film / Rome Paris Films 1960. Vintage borderless photograph from the soundtrack recording sessions for the 1961 film showing director Jean-Luc Godard composer Michel Legrand a visiting Serge Gainsbourg and some other guy in the studio drinking smoking and surrounded by women which is pretty much how we always imagine them. With the stamp Radio Luxembourg on the verso. <br/><br/>Godard's homage to romantic comedies and the Hollywood musical about a woman who wants to have child but is caught between her resistant boyfriend and his overeager best friend. Perhaps his warmest and funniest film. <br/><br/>7 x 5 inches. Near Fine. <br/><br/>Criterion Collection 238. Euro International Film / Rome Paris Films unknown books
N.p.: N.p. 1967. Vintage reference photograph of director Jean-Luc Godard on the set of the 1967 film with actors Jean Yanne Jean-Pierre Leaud and Mireille Darc. Mimeo snipe affixed to the verso with celo tape from the Institute of Contemporary Arts Cinema for a July 5 1968 showing with annotations of actors names in holograph ink. <br/><br/>In one of Godard's most misanthropic films a loveless bourgeois couple Corinne Darc and Roland Yanne fantasize about killing each other when they aren't cheating on the other. They ponder these matters as they take a nearly never-ending nightmarish road trip to visit Corinne's parents intent on securing an inheritance resolved to murder if necessary.<br/><br/>Shot on location in Ile de France and Paris. <br/><br/>8 x 10 inches with wide horizontal margins. Light curling else Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown books
N.p.: N.p. 1961. Vintage borderless reference photograph of Jean-Claude Brialy and Anna Karina from the 1961 film. "Michel Casanova" stamp and "R. Levy" stamp on verso.<br/><br/>Godard's homage to romantic comedies and the Hollywood musical about a woman who wants to have child but is caught between her resistant boyfriend and his overeager best friend. Perhaps the director's warmest and funniest film. <br/><br/>Set in and shot on location in Paris. <br/><br/>9.25 x 7.25 inches. Near Fine. <br/><br/>Criterion Collection 238. N.p. unknown books
N.p.: N.p. 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and holograph annotations on the other. <br/><br/>From the last scene of the film featuring "Eve Democracy" a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio during the band's last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. <br/><br/>10 x 7 inches. Near Fine. N.p. unknown books
N.p.: International Spectrafilm Distribution 1984. Vintage reference photograph of Jean-Luc Godard and Valerie Dreville from the 1984 US release of the 1983 French film.<br/><br/>Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br/><br/>Set and shot on location in Paris. <br/><br/>10.25 x 8 inches. Near Fine.<br/><br/>Godard Histoires du Cinema. International Spectrafilm Distribution unknown books
Paris: Anne-age-Bela 1975. Collection of ten vintage borderless photographs five black-and-white and five in color from the 1975 film. <br/><br/>Generally considered the peak of the collaborative work on video done by Godard and Mieville presenting scenes from the everyday interactions of a working class family with a special focus on children. The film was shot on video then played back on monitors and filmed in 35mm. In the final edit many of the 35mm shots are shown in split screen. <br/><br/>8 x 10 inches. Fine. Anne-age-Bela unknown books
N.p.: N.p. 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso with last three lines of stamp which include copyright date and photograph credit for Anne-Marie Mieville struck through with holograph marker.<br/><br/>A most Godardian examination of sexual relationships in which three protagonists interact in different combinations. <br/><br/>Nominated for the Palme d'Or.<br/><br/>Shot on location in Switzerland. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Criterion Collection 744. Godard Histoires du cinema. N.p. unknown books
Paris: Columbia Films / Anouchka Films / Orsay Films 1964. Vintage borderless photograph of actors Sami Frey Anna Karina and Claude Brasseur rehearsing the 1964 film's iconic dance sequence which they did daily for a month prior to shooting. With holograph annotations and agency stamps on the verso.<br/><br/>An outrageous and comical crime film which Godard himself described as "'Alice in Wonderland' meets Franz Kafka." Based on Dolores Hitchens' 1958 novel "Fools' Gold."<br/><br/>Shot on location in Paris. <br/><br/>8.25 x 11 inches. Near Fine. <br/><br/>BFI 1243. Criterion Collection 174. Godard Histoires du cinema. Rosenbaum 1000. Columbia Films / Anouchka Films / Orsay Films unknown books
Paris: Interpress 1986. Vintage borderless reference photograph of Marushka Detmers from the 1983 film. Later printed French Interpress announcement with typos on verso. <br/><br/>Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br/><br/>Set and shot on location in Paris. <br/><br/>7 x 5 inches. Near Fine.<br/><br/>Godard Histoires du Cinema. Interpress unknown books
Paris: Societe Nouvelle Pathe Cinema 1958. Original French petite small poster for the 1958 film. Nice pinup artwork by the prolific Pierre-Laurent Brenot. <br/><br/>Romantic romp about two car mechanics on vacation but their vacation takes a turn for the worse when they are stranded on a yacht. <br/><br/>16 x 27 inches folded once as issued. Very Good with edge tears and creases and one central tear. Uncommon. Societe Nouvelle Pathe Cinema unknown books
Los Angeles: Twentieth Century-Fox 1954. Final Draft script for the 1954 film. Actor Van Heflin's copy. <br/><br/>Clifton Webb plays Earnest Gifford the CEO of a car company tasked with replacing one of his managers after the incumbent dies. In a bit of a twist the CEO decides to observe the wives of his top three candidates hoping to tease out useful information and character traits via their choice of spouses. <br/><br/>Lacking studio wrappers as used by Van Heflin. Title page present dated April 20 1954 noted as Final Script with credits for screenwriters Lindsay Crouse and Binyon. 128 leaves mimeograph duplication with blue revision pages throughout dated variously between 4-22-54 and 5-11-54. Pages Near Fine bound with two gold brads. <br/><br/>Fox Cinema Archives. Twentieth Century-Fox unknown books
London: Twentieth Century-Fox 1958. Vintage full-color still photograph from the 1958 UK release of the 1958 US film. <br/><br/>Based on Francoise Sagan's 1956 novel about a law student Christine Carere at the Sorbonne engaged to a fellow classmate Bradford Dillman but more attracted to his philandering uncle. The two subsequently engage in a steamy affair. Johnny Mathis gives a stellar performance of "A Certain Smile" Dillman makes his film debut and Carere makes her US film debut. <br/><br/>8 x 10 inches. Light rubbing and faint creases else Near Fine. Twentieth Century-Fox unknown books
London: Twentieth Century-Fox 1958. Collection of 3 vintage hand-tinted still photographs from the 1958 UK release of the 1958 US film. <br/><br/>A physicist meets and marries a doctor's receptionist who later develops a heart condition. She decides to adopt an orphan to keep her husband company in the wake of her premature demise. <br/><br/>Shot on location in San Francisco and Palomar Mountain California. <br/><br/>8 x 10 inches. Light rubbing and faint creases else Near Fine. Twentieth Century-Fox unknown books
Los Angeles: Twentieth Century-Fox 1952. Vintage studio still photograph from the 1952 film showing actress Shelly Winters. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. <br/><br/>Set in Chicago and Los Angeles. <br/><br/>8 x 10 inches. Very Good plus with a short closed tear at the bottom edge. Twentieth Century-Fox unknown books
Los Angeles: Twentieth Century-Fox 1952. Vintage reference photograph of director Jean Negulesco and actress Beatrice Straight on the set of the 1952 film. With a printed mimeo snipe affixed to the verso along with holograph annotations regarding layout.<br/><br/>While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. <br/><br/>Set in Chicago and Los Angeles. <br/><br/>8 x 10 inches with a wide top margin. Very Good plus with light edgewear. Twentieth Century-Fox unknown books
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Draft script for the 1973 film. With a single notation to the title page in holograph ink indicating this copy is from Barry Levinson. <br/><br/>Based on the 1955 novel "Le Blockhaus" by Jean-Paul Clebert the story follows a mixed-group of forced laborers held by German forces taking shelter in a German bunker on D-Day. However due to the heavy shelling they are entombed in the blockhouse. Fortunately it is a storehouse as well so the prisoners have food to last them for years but unfortunately they are permanently trapped in there. The film deals with how they lived in their underground prison and their eventual deaths. <br/><br/>Set in Normandy shot on location in Guernsey Channel Islands. <br/><br/>Blue blank wrappers with die cut title window in the British style. Title page present with credits for screenwriter John Gould and author Jean-Paul Clebert. 141 leaves with last page of text numbered 140. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Metro-Goldwyn-Mayer [MGM] unknown books
France Germany: Pathe Consortium Cinema 1957. Vintage borderless photograph from the 1957 film. With the stamp of French weekly "Tele Magazine" and holograph annotations regarding layout on the verso. <br/><br/>Based on the 1953 Tony Award winning play by Arthur Miller and the first of two film adaptations. The second came 43 years later and was written by Miller himself. <br/><br/>6.5 x 9.5 inches. Near Fine. Pathe Consortium Cinema unknown books
N.p.: N.p. 1972. Four borderless reference photographs one oversize of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna on the set of and on location for the 1972 film.<br/><br/>A police detective played by Delon in a switch from his usual criminal roles in Melville pictures is on the trail of a gang of thieves unaware that they are led by a friend. Melville's final film. <br/><br/>Shot on location in Paris and Bordeaux France.<br/><br/>Oversize photo 11.5 x 8.25 inches. Other photos variously from 9 x 7 inches to 10.5 x 7.25 inches. Near Fine. <br/><br/>Grant France. Selby France. Spicer France. N.p. unknown books
Paris: Concordia Compagnia Cinematografica 1961. Original French promotional book for the 1961 French film. Based on the 1952 novel by Beatrix Beck. With a small red rubber stamp from a French movie house at the top center of the front wrapper. <br/><br/>A departure for both Melville and Belmondo both turning from the crime films for which they were best known in order to make a moving adaptation of Beck's novel a complex story of unrequited love set during World War II and the Holocaust. <br/><br/>6 pages saddle stapled 9.5 x 12.25 inches. Single horizontal fold at the center likely as issued else Near Fine. <br/><br/>Criterion Collection 572. Concordia Compagnia Cinematografica unknown books
N.p.: Compagnia Industrielle et Commerciale Cinematographique 1967. Vintage studio still photograph from the US release of the 1967 French film noir. <br/><br/>Alain Delon plays the silent hitman Jef Costello who is spotted by the piano player after carrying out a job at a nightclub. His lover provides an alibis keeping the police temporarily at bay but eventually the entire plot begins to slowly unwind. <br/><br/>Shot on location in France. <br/><br/>8 x 10 inches. Holograph pencil notation to the verso else Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Criterion Collection 306. Buss French Film Noir. Ebert I. Grant France. Spicer France. Compagnia Industrielle et Commerciale Cinematographique unknown books
N.p.: N.p. 1956. Vintage oversize borderless reference photograph from the 1956 French film noir showing actor Roger Duchesne surrounded by Gallic toughs. With holograph ink annotations to the verso. <br/><br/>Faced with an unlucky streak and debts to pay a former bank robber turned gambler plans a heist of the Deauville casino during Grand Prix weekend. A key French New Wave antecedent and core French film noir.<br/><br/>Set and shot on location in the Montmartre district in Paris and Calvados France.<br/><br/>9.5 x 12 inches with a small bottom margin. Near Fine with some light edgewear.<br/><br/>Criterion Collection 150. Grant France. Ebert II. Lee The Heist Film. Selby France. N.p. unknown books
Paris: Les Films Fernand Rivers 1959. Vintage photograph of director Jean-Pierre Mocky behind a camera on the set of his 1959 directorial debut. <br/><br/>Two young men wander around Paris attempting to pick up women. <br/><br/>6.75 x 5.5 inches. Near Fine. Les Films Fernand Rivers unknown books
Paris: Balzac 1960. Collection of three vintage borderless reference photographs from the set of the 1960 French film showing director Jean-Pierre Mocky actors Juliette Mayniel Jean Kosta and other members of the cast and crew. With numbered stamps on the verso. <br/><br/>A husband and wife decide to separate when they realize their relationship lacks sexual excitement after three years together.<br/><br/>Shot on location in France.<br/><br/>6.75 x 5.5 inches. About Near Fine.<br/><br/>Complete collation details available on request. Balzac unknown books
Paris: : RKO Radio Films 1946. First edition. . Other. Near Fine/No Jacket. Grande affiche 62.5 x 46.75 inches; 1585 x 1185 mm. This Land Is Mine. Single sheet restored and linen backed. Jean Renoir director; Dudley Nichols screenwriter; Charles Laughton Maureen O'Hara George Sanders actors. Vivre libre. This Land Is Mine. Paris: RKO Radio Films 1946. First edition. Grande affiche 62.5 x 46.75 inches; 1585 x 1185 mm. Designed by Pierre Segogne. Single sheet restored and linen backed. Touchups along the fold lines; old pinholes still visible; some minor dark blemishes in the upper-right quadrant with a few trivial scuffs near the bottom of the artwork and a short scratch extending from the m in the ""Un Film de"" credit. Presents as near fine. ""This is a strange film. In order to talk about it you have to consider the period during which it was shot. when many Americans allowed themselves to be influenced by a certain propaganda attempting to represent all of France as collaborationist. Therefore I did this film which was not intended to be shown in France but only in America to suggest to Americans that daily life in an occupied country was not as easy as some people may have thought. I must say that the results were extraordinary and I'm pleased."" Jean Renoir Jean Renoir Interviews edited by Bert Cardullo Jackson: 2005. p. 15. #10031. RKO Radio Films, unknown
France: Radio-Television Francaise RTF 1959. Vintage borderless photograph of director Jean Renoir and actor Jean-Louis Barrault on the set of the 1959 film. With the stamp of photographer Albert Decamps on the verso. <br/><br/>Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br/><br/>7 x 5 inches. Near Fine. Radio-Television Francaise [RTF] unknown books
New York: Filmarte 1938. Vintage program for the US premiere of the 1937 French film which opened at the Filmarte Theatre in New York on September 12 1938. <br/><br/>A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. <br/><br/>5.5 x 8.75 inches. One leaf bi-fold. Near Fine. <br/><br/>Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown books
N.p.: N.p. 1948. Draft carbon typescript screenplay for an unproduced film.<br/><br/>While hiding out from his wife and business associates at a seedy hotel a millionaire who has recently lost his fortune falls in love with a troubled young woman.<br/><br/>Screenwriter Eliot Gibbons worked at Metro-Goldwyn-Mayer and Republic Studios for most of his career. He was best known for his aviation pictures most notably "Storm Over the Andes" 1935 "Flight at Midnight" 1939 and "Sky Raiders" 1941. <br/><br/>Set in postwar Chicago and Los Angeles. <br/><br/>Housed in a quarter-leather clamshell box. <br/><br/>Green titled wrappers with the label of Paul Kohner Agency affixed to the front wrapper with credits for screenwriters Jean Renoir and Eliot Gibbons. Title page present undated with credits for screenwriters Jean Renoir and Eliot Gibbons. 144 leaves with last page of text numbered 143. Carbon typescript on onionskin stock rectos only. Pages Fine wrapper Very Good plus bound with three gold brads. N.p. unknown books
Paris: Paris Film 1938. Vintage oversize double weight reference photograph of Jean Gabin and Julien Carette from the 1938 film. <br/><br/>Based on the 1890 social realist novel by Emile Zola Renoir's film remains true to the proletarian source material while grafting on elements of film noir and his own humanist philosophy. One of the director's biggest commercial successes with a powerful lead performance by Jean Gabin. Remade in the US by Fritz Lang in 1954 as "Human Desire."<br/><br/>15.75 x 12 inches. Very Good plus with creasing to far bottom corners with a small bruise on right side small crease to top right and a very small closed tear in top margin.<br/><br/>Criterion Collection 324. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Paris Film unknown books
N.p.: N.p. 1931. Vintage reference photograph from the 1931 film. Cropping annotations in holograph pencil and two overlapping National Film Archive stamps on the verso.<br/><br/>A key French film noir antecedent based on the 1929 novel by Georges de La Fouchardiere and the 1930 play by Andre Mouezy-Eon. An aspiring painter trapped in an abusive marriage falls in love with a prostitute who scams him out of the money for his paintings with the help of her pimp. The second sound film by Jean Renoir. Remade in 1945 as Scarlet Street directed by Fritz Lang and starring Edward G. Robinson and Joan Bennett.<br/><br/>Set in and shot on location in Paris.<br/><br/>9.75 x 7.5 inches. Near Fine. <br/><br/>Rosenbaum 1000. Criterion Collection 818. Grant France. N.p. unknown books
France: Radio-Television Francaise RTF 1959. Vintage photograph of Jean Renoir and members of the crew on the set of the 1959 film. With holograph annotations on the verso. <br/><br/>Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br/><br/>11 x 8.25 inches. Near Fine. Radio-Television Francaise [RTF] unknown books
N.p.: N.p. 1956. Vintage oversize borderless reference photograph of actress Ingrid Bergman filing her nails on the set of the 1956 film. With the stamps of Match magazine Photo Garofalo and Gamma picture agency on the verso. <br/><br/>In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. <br/><br/>Set and shot on location in France. <br/><br/>9 x 11.25 inches. Near Fine. N.p. unknown books
N.p.: Franco-London Film 1956. Vintage borderless reference photograph of director Jean Renoir listening while composer Joseph Kosma plays the organ on the set of the 1956 film. With a mimeo snipe on the verso along with a stamp specific to the film's French release. <br/><br/>In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. <br/><br/>Set and shot on location in France. <br/><br/>7 x 5.25 inches. Near Fine. Franco-London Film unknown books
France: Radio-Television Francaise RTF / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir 1959. Archive of 36 press photographs taken on the set of the 1959 film mounted to four printed card stock proof sheets from "Telerama" magazine with each sheet containing holograph ink annotations with the name of the production credits for Renoir and photographer R. Saguet and with three dated January 26 1959 and one dated April 4 1959. Accompanying the photographs are 35 negatives for photographs in the archive and 1 negative for a photograph that was not struck and mounted. <br/><br/>All the photographs featuring cast and crew working on the set and 16 feature images of Renoir on the set. <br/><br/>Also included are two vintage borderless press photographs depicting scenes for the film. Each with the stamp of "Telerama" on the verso along with holograph annotations identifying the film and for layout. <br/><br/>Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br/><br/>Proof photographs and negatives roughly 2 x 2 inches. Fine. <br/><br/>Proof sheets 11.5 x 9.5 inches. Card stock. About Near Fine with some wear at the corners. <br/><br/>Press photographs 7.25 x 5 inches. Light diagonal creasing to the upper corner of one photograph else Near Fine. Radio-Television Francaise [RTF] / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir unknown books
Marseille: Les Films Marcel Pagnol 1935. Vintage double weight reference photograph from the 1935 film showing director Jean Renoir and actors Charles Blavette and Celia Montalvan on location during filming of the 1935 film. With the stamps of photographer Roger Corbeau and Cinemonde to the verso.<br/><br/>Renoir's seventh sound film and an early example of the director's influence on both the French Left Bank and Italian neorealist movements. Renoir cast primarily non-professional actors and shot on location to craft the story of a group of immigrants working in a small town in Provence. <br/><br/>Set and shot on location in the south of France.<br/><br/>9 x 7 inches. Near Fine lightly and evenly toned. Les Films Marcel Pagnol unknown books
Beverly Hills CA: United Artists 1951. Collection of four vintage studio still photographs from the 1951 film three showing crew members on the set including novelist Rumer Godden cinematographer Satyajit Ray producer Kenneth McEldowney and director Jean Renoir. One with a partially faded provenance stamp on the verso. <br/><br/>From the archive of film historian and author Joel Finler. <br/><br/>Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. <br/><br/>Shot on location in West Bengal India. <br/><br/>Three photographs 8 x 10 inches one 10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. United Artists unknown books
Beverly Hills CA: Oriental International Pictures / United Artists 1951. Vintage reference photograph from the 1951 film showing Renoir giving directions to an actor while members of the crew look on. <br/><br/>Based on the 1946 novel by Rumer Godden who adapted it for the screen with Renoir. The film's crew included Satyajit Ray who worked as an assistant director on the film after meeting Renoir. Ray's longtime cinematographer Subrata Mitra also worked on the film and the two would come to international attention four years later with "Pather Panchali."<br/><br/>Set and shot on location in India. <br/><br/>10 x 8 inches. Slight wear around the edges else Near Fine. <br/><br/>BFI 619. Criterion Collection 276. Ebert III. Oriental International Pictures / United Artists unknown books
Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. <br/><br/>Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. <br/><br/>Shot on location in West Bengal India. <br/><br/>8 x 10 inches. Very Good plus.<br/><br/>Ebert III. BFI 619. Criterion Collection 276. United Artists unknown books
Santa Ana CA: RKO Radio Pictures 1942. Final Draft screenplay for the 1942 film. Copy belonging to legendary screenwriter Dudley Nichols inscribed by Nichols to Los Angeles Times film critic Phil Scheuer on the title page: "By Dudley Nichols / Confidential! / For Phil Scheuer from D. Nichols-with admiration." Nichols' ownership name is also in holograph pencil at the top right corner.<br/><br/>Renoir's second American feature an antifascist propaganda film following a meek schoolteacher in a German-occupied European country who is falsely accused of murder and forced to take a stand against the Nazis and their collaborators. <br/><br/>At the peak of his career Nichols worked with many key Golden Age directors including John Ford George Cukor Howard Hawks Fritz Lang and of course Jean Renoir. He was a founding member of the Screen Writers Guild and is best remembered for "The Informer" 1935 for which Nichols won an Academy Award "Bringing Up Baby" 1938 "Stagecoach" 1939 "For Whom the Bell Tolls" 1943 "Scarlet Street" 1945 "And Then There Were None" 1945 "The Bells of St. Mary's" 1945 and "The Tin Star" 1957. He continued to write prolifically for film up until the time of his death in 1960. <br/><br/>Housed in a custom quarter-leather clamshell box. <br/><br/>Pink titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 104 dated OCTOBER 2 1942 with credits for director Jean Renoir and screenwriter Dudley Nichols. Distribution page present with receipt removed. Title page integral with the front wrapper. 169 leaves with last page of text numbered 162. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. RKO Radio Pictures unknown books
N.p.: Films du Berry 1976. Collection of four vintage borderless studio still photographs and one contact sheet from the 1976 film. Two larger gloss finish photographs and two smaller matte finish photographs and contact sheet containing eleven images.<br/><br/>Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning work on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began a foray into making adult sex films under the pseudonym Michel Gentil which he continued to make under various pseudonyms through the mid 1980s.<br/><br/>An erotic comedy directed by Jean Rollin under the pseudonym Michel Gentil and starring Tania Busselier and Martine Grimaud.<br/><br/> 2 - 7 x 9.5 inches 2 - 5 x 7 inches Contact Sheet 7 x 9.5 inches. Near Fine some light curling. Films du Berry unknown books
Culver City CA: Columbia Pictures 1957. Vintage reference photograph of Jean Seberg from the 1957 film. An image we have never seen. <br/><br/>8 x 10 inches. Near Fine. Columbia Pictures unknown books
Universal City: Universal Pictures 1967. Vintage borderless reference photograph from the 1967 British film showing actors Jean Shrimpton and Paul Jones dancing. Mimeo snipe to the verso along with the stamp of the Israel Film Archive. <br/><br/>An outrageous paranoiac satire following a beloved pop star named Steven Shorter whose actions beliefs and performances are controlled by a totalitarian British government.<br/><br/>Set in a near-future England shot on location in London and Birmingham.<br/><br/>8 x 9.5 inches. Very Good plus with pinholes and light creases to the corners. <br/><br/>BFI Flipside 7. Rosenbaum 1000.<br/><br/>Complete collation details available on request. Universal Pictures unknown books
Paris: Franfilmdis / Argui-Film 1933. Collection of three vintage oversize double weight studio still photographs for the landmark 1933 silent film by Jean Vigo. Each with the stamp of French weekly "Tele Magazine" on verso two with holograph annotations regarding layout. <br/><br/>Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br/><br/>11.75 x 9.75 inches with wide bottom margins. Very Good plus. <br/><br/>Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis / Argui-Film unknown books
Paris: Franfilmdis 1933. Collection of 3 vintage borderless double weight studio still photographs from the landmark 1933 silent film by Jean Vigo.<br/><br/>Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br/><br/>9.5 x 7 inches. Very Good plus corner pinholes. <br/><br/>Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown books
Paris: Franfilmdis / Argui-Film 1933. Vintage double weight borderless reference photograph for the landmark 1933 silent film by Jean Vigo. With the stamp of photographer Mars Marstrich on the verso. <br/><br/>Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br/><br/>8.75 x 6.5 inches. A few tiny pinholes at the right edge else Near Fine. <br/><br/>Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis / Argui-Film unknown books
Hollywood: Allied Artists Productions 1956. Draft script for the 1957 film noir here under the working title "Night Target." A strike through the printed title and "Footsteps in the Night" and "1956" written in holograph ink on the wrapper with the name of an uncredited crew member written in holograph pencil on upper right of wrapper.<br/><br/>The final of five Los Angeles-set police thrillers starring Bill Elliott as a L.A.sheriff's department detective following "Dial Red O" 1955 "Sudden Danger" 1955 "Calling Homicide" 1956 and "Chain of Evidence" 1957. <br/><br/>Two detectives investigate the strangulation death of well-liked card player. A gambling addicted neighbor is suspected but something doesn't quite add up. "Wild" Bill Elliott's final film retiring from acting in 1957.<br/><br/>Green titled wrappers. Distribution page present with receipt removed. Title page integral to the distribution page present with receipt removed dated March 14 1956 with credits for screenwriter Albert Band. 95 leaves with last page of text numbered 94. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads.<br/><br/>Spicer US. Lyons p. 91. Grant US. Selby US. Allied Artists Productions unknown books
N.p.: N.p. 1965. Collection of three vintage borderless photographs including one double-weight and two single-weight from the set of the 1965 French film. One photograph showing director Louis Malle relaxing with a camera crew to his right one photograph showing Malle with actresses Brigitte Bardot and Jeanne Moreau in conversation with Malle looking on and the final photograph showing Malle and Bardot during filming on location. All photographs with holograph ink annotations to the verso. <br/><br/>Director Louis Malle's sixth film a humorous and subversive gender-swapped twist on the buddy movie about two women named Maria who enjoy a variety of unusual experiences together including inventing striptease for a traveling circus and leading a socialist revolutionary uprising.<br/><br/>Set in 1900s Central America shot on location in Mexico. <br/><br/>Two photographs approximately 9.5 x 7.25 inches one photograph 9.75 x 8 inches. Near Fine. N.p. unknown books
N.p.: Embassy Pictures 1983. Vintage studio still photograph of Sam Neill and Derek Jacobi from the 1983 film. <br/><br/>Based on Michael Barak's 1978 novel "The Enigma Sacrifice."<br/><br/>C.I.A. Agent Bodley Michael Lonsdale recruits East German dissident Alex Holbeck Martin Sheen to infiltrate Soviet intelligence to prevent five KGB agents from assassinating Soviet dissidents in the west. <br/><br/>Set in Paris and Berlin shot on location in France. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Embassy Pictures unknown books
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