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Russ Meyer (director, screenwriter); James Griffith, Hal Hopper (screenwriters); Haji, Alex Rocco, Steve Oliver, Holie K Winters
Motorpsycho! Original pressbook for the 1965 film
California: Eve Productions 1965. Vintage pressbook for the 1965 film. <br /> <br /> The final film in Russ Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black and white with powerful and vengeful female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. One of the first films to discuss post-traumatic stress disorder in a Vietnam War veteran. <br /> <br /> Six pages saddle stitched 11 x 17 inches. Folded once horizontally. Very Good plus overall. Eve Productions unknown
书商的参考编号 : 152052
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Russ Meyer (director, screenwriter); Raymond Friday Locke (novel, screenwriter); Hal Hopper, Antoinette Christiani, John Furlong
Mudhoney Original pressbook for the 1965 film
Los Angeles: Delta Films 1965. Vintage pressbook for the 1965 film. <br /> <br /> Based on Raymond Friday Locke's 1958 novel "Streets Paved With Gold." A melodramatic tale about a drifter who falls in love with his employer's married niece a beautiful young woman with an abusive alcoholic husband.<br /> <br /> The first film in Russ Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black and white with powerful female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. <br /> <br /> Set in Spooner Missouri.<br /> <br /> Six leaves saddle stitched 11 x 17 inches. Folded once horizontally. Very Good plus overall. Delta Films unknown
书商的参考编号 : 152050
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Russ Meyer (director, story); James Griffith (screenwriter); Lorna Maitland, Mark Bradley, James Rucker, Hal Hopper (starring)
Russ Meyer's Lorna Lorna Original program from the 1964 film
California: Art Theatre Guild / Eve Productions 1964. Original black-and-white program for the 1964 film printed for the Art Theatre Guild. The Art Theatre Guild ATG began in 1961 as an independent agency distributing films mostly Japanese rejected by major studios. The company operated until the 1980s with theaters in Arizona California Colorado Illinois Kentucky Massachusetts Missouri New Mexico Ohio and Tennessee. <br /> <br /> The first of Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black-and-white powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Other films in his "Gothic" period include "Mudhoney" 1965 "Motorpsycho!" 1965 and the epic and legendary "Faster Pussycat! Kill! Kill! " 1965. "Fanny Hill" 1964 snuck in right after "Lorna" although that film is generally left out of the "Gothic" period. <br /> <br /> "Lorna" was written by James Griffith who stars as the Preacher narrator of the film and stars Lorna Maitland as a voluptuous sexually unfulfilled newlywed. Her husband Jim Rucker works in a salt mine all day and studies all night giving Lorna too much time to herself. One day while Lorna skinny-dips in a nearby river an escaped convict Bradley rapes her in the reeds. The vile act could otherwise have been exploited perhaps comically by Meyer but here the scene acts as a catalyst for one repressed woman's sexual awakening. Lorna invites the convict into her home while her husband is gone prompting Jim's coworkers among them the underrated Hal Hopper to tease him about Lorna's infidelity. Things take a bitter fatal turn when Jim returns home to discover Lorna and her object of desire. <br /> <br /> 5.5 x 8.5 inches folded once as issued. Two horizontal creases and faint foxing else Near Fine. Art Theatre Guild / Eve Productions unknown
书商的参考编号 : 139221
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Russ Meyer (director, screenwriter); Shari Eubank, Charles Napier, Uschi Digard (starring)
Supervixens Super Vixens Original photograph from the 1975 film
N.p.: N.p. 1975. Vintage reference photograph from the 1975 film showing actress Shari Eubank.<br /> <br /> After his wife is murdered a gas station attendant at a remote desert station finds himself sexually pursued by several different but equally buxom women.<br /> <br /> Shot on location in New Mexico Arizona and California. <br /> <br /> 10 x 8 inches. Very Good plus lightly toned on the right edge. N.p. unknown
书商的参考编号 : 161301
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Russ Meyer (director, screenwriter); Charles Napier, Uschi Digard, Colleen Brennan, Haji, John Lazar (starring)
Supervixens Super Vixens Original photograph of Uschi Digard from the 1975 film
N.p.: Russ Meyer 1975. Vintage studio still photograph from the 1975 film showing actress Uschi Digard.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> After his wife is murdered a gas station attendant at a remote desert station finds himself sexually pursued by several different but equally buxom women.<br /> <br /> Shot on location in New Mexico Arizona and California. <br /> <br /> 10 x 8 inches. Near Fine. Russ Meyer unknown
书商的参考编号 : 159139
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Russ Meyer (director, screenwriter); Shari Eubank, Charles Napier, Uschi Digard, Charles Pitts (starring)
Supervixens Original Spanish poster for the 1975 film
Madrid Spain: RM Films International 1986. Original Spanish one sheet poster for the 1986 release of the 1975 US film. Features buxom Christy Hartburg who starred as SuperLorna. Hartburg along with Kitten Natividad and Uschi Digard has become one of the more recognizable faces of Russ Meyer filmdom even though this was her only film. <br /> <br /> Meyer's successful return to independent filmmaking after the big-budget "Beyond the Valley of the Dolls" 1970 and the unfortunate films "The Seven Minutes" 1971 and "Black Snake" 1973. Arguably the most entertaining Meyer project with all the trademarks present: strong sexual women impotent men and healthy doses of sex violence and nudity with a nod to the desert violence of Italian Euro Westerns of the 1960s. <br /> <br /> Shot on location in Arizona California and New Mexico. <br /> <br /> 27 x 41 inches folded as issued. Near Fine. Scarce. RM Films International unknown
书商的参考编号 : 139240
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Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Enrico Banducci, Marilyn Wesley (starring)
The Immoral Mr. Teas Steam Heat Two original photographs from the 1959 film
N.p.: N.p. 1959. Two vintage studio still photographs from the 1959 film one photograph under the original release title "Steam Heat." <br /> <br /> Director Russ Meyer's first commercially successful film. Shot without sound with a voice-over narration and a musical theme added and noted for extensive female nudity. Mr. Teas is a door to door salesman selling dentists' appliances who seems to encounter buxom nude women everywhere he goes.<br /> <br /> Set in and shot on location in Los Angeles and Malibu California. <br /> <br /> 8 x 10 inches. Very Good plus one with faint creasing light edgewear and four pinholes and one with light edgewear a half inch closed tear to the upper right side and a small chip in the bottom margin. N.p. unknown
书商的参考编号 : 161847
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Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Danielle (starring)
The Immoral Mr. Teas Original pressbook for the 1959 film
Hollywood: Pad-Ram Enterprises 1959. Vintage pressbook for the 1959 film. <br /> <br /> A door-to-door dental appliance salesman has a chemical reaction to an anesthetic which grants him X-ray vision as in "seeing through women's clothes." He subsequently overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie the film that basically launched the lighthearted nudie pictures of the early 1960s. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and nightclub circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films.<br /> <br /> For his debut Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "Frenchy" "nudist" film but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots an arguably feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach.<br /> <br /> One leaf bifold. 11 x 17 inches. Very Good plus overall. Pad-Ram Enterprises unknown
书商的参考编号 : 152047
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Russ Meyer (director, screenwriter); Ken Parker (photographer); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Dan
The Immoral Mr. Teas Mr. Teas and His Playthings Eight original still photographs from the 1959 film
Los Angeles: Pad-Ram Enterprises 1959. A Eight vintage still photographs from the 1959 film. Included are 4 stills from the US release and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance one can immediately see the differences with regard to nudity paid by both US and UK publicists the UK stills decidedly more liberal with regard to the "forbidden flesh."<br /> <br /> The US stills were taken directly from scenes of the film and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" Baby Dahl Chicky Fricase Frenchie Tost Teri Clawthe that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines however the final cut features neither murder nor suspense. <br /> <br /> The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br /> <br /> For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br /> <br /> All stills 8 x 10 inches some differ slightly in size. Two US stills Very Good plus others Near Fine. UK stills Near Fine. Pad-Ram Enterprises unknown
书商的参考编号 : 134256
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Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Danielle (starring)
The Immoral Mr. Teas Two original pressbooks for the 1961 re-releases of the 1959 film
Los Angeles: Pad-Ram Enterprises 1961. Original pressbooks two variants for 1961 re-releases of the 1959 film. Featured are the two most commonly seen layouts used for publicity: the full-color illustrated "hat" variant and the other with Mr. Teas surrounded by a bevy of well-developed women the female leads of the film from left to right: Ann Peters Michele Roberts Dawn Danielle and Marilyn Wesley. <br /> <br /> The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br /> <br /> For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br /> <br /> Both pressbooks 11 x 17 inches folded horizontally. "Hat" variant includes a 9 x 12 ad mat dated "Fri. Aug. 18 1961." Light rubbing overall rubber stamps from "Sack Amusement Enterprises" in Dallas Texas and a few light creases and tiny closed tears else Near Fine. Pad-Ram Enterprises unknown
书商的参考编号 : 134255
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Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starrin
Vixen Original British photograph from the 1968 film
Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown
书商的参考编号 : 139328
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Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starrin
Vixen Two original photographs from the 1968 film
California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown
书商的参考编号 : 139327
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Russell Nype (subject); Gene Kelly (director); Peter De Vries (novel, play); Joseph Fields (screenwriter, play); Jerome Chodorov
The Tunnel of Love Original photograph of Russell Nype from the 1958 film
N.p.: N.p. 1958. Vintage studio still photograph from the 1958 film showing uncredited actor Russell Nype. Newspaper clippings and reference library stamps on the verso.<br /> <br /> A comedy of errors about a married man who comes to believe that he has impregnated the owner of an adoption agency and that she will serve as the surrogate. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 8 x 10 inches archivally matted on a 11 x 14 inch mat. Very Good with annotations in manuscript ink on the recto regarding cropping and a small splash on the right edge. N.p. unknown
书商的参考编号 : 163067
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Rutger Hauer, Jennifer Jason Leigh, Susan Tyrrell, Brion James (starring); Paul Verhoeven (director, screenwriter)
Flesh and Blood Flesh Blood Original photograph from the 1985 film
N.p.: N.p. 1985. Vintage color reference photograph from the 1985 film showing a sex scene with actors Jennifer Jason Leigh and Rutger Hauer. <br /> <br /> In sixteenth-century Italy an army of mercenary peasants kidnaps a nobleman's fiancée as revenge for unpaid debts. Although disgusted by the brutality of the peasants the woman soon falls in love with the group's leader. Although the film's cynicism and violence made it unsuccessful at the box office upon release it has since become a cult favorite. <br /> <br /> Shot on location in Spain in Belmonte Cáceres and Ãvila. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
书商的参考编号 : 161325
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Ryan Gosling, Josh Brolin, Nick Nolte, Emma Stone (starring); Ruben Fleischer (director); Will Beall (screenwriter); Paul Liberm
Gangster Squad Original screenplay for the 2013 film
Burbank CA: Warner Brothers 2011. Revised Draft script for the 2013 film with rainbow revision pages throughout.<br /> <br /> Based on the 2012 book "Gangster Squad: Covert Cops the Mob and the Battle for Los Angeles" by Paul Lieberman. A dramatization of the formation of the "Gangster Squad" a team of Los Angeles police officers and detectives tasked with taking down a prominent crime boss.<br /> <br /> Set in 1949 Los Angeles shot on location in Los Angeles.<br /> <br /> White untitled front wrapper lacking rear wrapper. Title page present dated September 8 2011 noted as FULL PINK with credits for Lieberman and screenwriter Will Beall. 142 leaves with last page of text numbered 133. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between September 8 and November 22 2011. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Silver and Ursini American Neo-Noir. Warner Brothers unknown
书商的参考编号 : 170195
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Ryan O'Neal, Ali MacGraw, John Marley, Ray Milland (starring); Arthur Hiller (director); Erich Segal (novel, screenwriter)
Love Story Original photograph from the 1970 film
N.p.: N.p. 1970. Vintage borderless reference photograph from the 1970 film showing actors Ryan O'Neal and Ali MacGraw. Annotations in manuscript ink and pencil on the verso. <br /> <br /> Based on the 1970 novel by screenwriter Erich Segal. An enormously successful romantic drama about the tumultuous relationship between a working-class musician and a wealthy law student. <br /> <br /> Shot on location in New York and Massachusetts. <br /> <br /> 8 x 10 inches. Near Fine with light wear at the corners. N.p. unknown
书商的参考编号 : 158514
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S Lee Pogostin (director, screenwriter); Charles Aidman, Bradford Dillman, Karen Jensen (starring)
Bob Hope Presents the Chrysler Theatre: Crazier Than Cotton Original screenplay for the 1966 television episode
N.p.: N.p. 1966. Draft script for the fourth episode of the fourth season of "Bob Hope Presents the Chrysler Theatre." With two manuscript pencil annotations to the first leaf noting names of prospective actors for the roles of Vicky and Ramon. <br /> <br /> While the Chrysler Theatre program was primarily known for actor Bob Hope's comedy routines many of the episodes presented musical and dramatic storylines. In "Crazier Than Cotton" after being forced to borrow money from his girlfriend to attend his father's funeral an unsuccessful young sculptor realizes he must drastically change his life.<br /> <br /> Set in New York City. <br /> <br /> White self-wrappers lacking front wrapper and title page. 75 leaves with last page of text numbered 74. Mimeograph duplication rectos only. Pages Very Good with the first leaf detached from the binding partially bound with a single staple. N.p. unknown
书商的参考编号 : 147190
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S Lee Pogostin (screenwriter)
Kilometer 33 Original screenplay for an unproduced film
Burbank CA: Sequoia Pictures 1970. Draft script for an unproduced film. <br /> <br /> Thriller set in Spain. American gangsters find themselves in the cross fire between armed revolutionaries and the military. <br /> <br /> Light blue titled wrappers with credits for screenwriter S. Lee Pogostin. Title page present with credits for screenwriter S. Lee Pogostin. 117 leaves with last page of text numbered 116. Mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Sequoia Pictures unknown
书商的参考编号 : 144150
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S Torriano Berry (screenwriter)
Rock and Roll Heaven Original screenplay for an unproduced film circa 1980s
N.p.: N.p. 1980. Draft script for an unproduced film. <br /> <br /> Written by noted African American screenwriter S. Torriano Berry. A rock star dies in a freak accident but is reincarnated to the chagrin of his greedy recording company who have already made plans to replace him in the spotlight. Heavily influenced by earlier films "Heaven Can Wait" Ernst Lubitsch 1943 and "Heaven Can Wait" Warren Beatty and Elaine May 1978<br /> <br /> Blue titled front wrapper missing rear wrapper with credits for screenwriter S. Torriano Berry. Missing title page presumably as issued. 75 leaves with last page of text numbered 75. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
书商的参考编号 : 152436
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Sabu (starring); Jack Lewis (screenwriter)
Jungle Slaver Original screenplay for an unproduced film
N.p.: N.p. 1960. Draft script for an unproduced film. Annotations in manuscript pencil throughout. <br /> <br /> Two slavers travel through the jungle and the desert imprisoning people. Intended for child actor Sabu with his name throughout.<br /> <br /> Title page integral with the first page of narrative text. 35 leaves with last page of text numbered 35. Typescript rectos only. Pages Very Good plus bound with staples. N.p. unknown
书商的参考编号 : 141061
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Sabu (starring); Jack Lewis (screenwriter)
Shark Bait Original screenplay for an unproduced television episode
N.p.: N.p. 1952. Draft script for an unproduced television episode. With a letter from screenwriter Jack Lewis dated 1952 laid in. <br /> <br /> The series as intended would have followed the jungle adventures of child actor Sabu. <br /> <br /> White titled wrappers with credits for screenwriter Jack Lewis. 34 leaves with last page of text numbered 34. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three silver brads. N.p. unknown
书商的参考编号 : 141063
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Sabu (starring); Jack Lewis (screenwriter)
The Cobra King Original treatment script for an unproduced film
N.p.: N.p. 1960. Treatment script for an unproduced film. Single annotation in manuscript ink on page four. <br /> <br /> A young boy must save himself and a young woman from a dangerous cobra. Intended for child actor Sabu with his name throughout.<br /> <br /> Title page with credit for screenwriter Jack Lewis. Seven leaves with last leaf of text numbered seven. Mimeograph duplication rectos only. Pages Near Fine partially bound with a staple. N.p. unknown
书商的参考编号 : 141062
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Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène.
ensemble de notes autographes
Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène. Manuscrit autographe, sd, 4p in-4. Notes, difficiles à lire, au crayon rouge, à déchiffrer. Petits manques. [259]
书商的参考编号 : 015987
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Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène.
important ensemble de notes autographes
Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène. Manuscrit en partie autographe, [ca.juin 1935], environ 28f. in-4 [dont 11f. au moins sont autographes]. Important ensemble de notes sur les enfants, listant de nombreux petits enfants avec leur nom, leur ville et parfois leur âge et surtout des détails les concernant : « sucent leurs doigts, paresseux, désobéissants, taquins, gourmands, pleurnicheurs . ». Ces notes sont très largement d'une autre main. A cela sont joints différents textes de Guitry dont un petit discours (2p 1/2, complet), un petit discours sur l'importance du calcul (2p, incomplet de la fin), un petit discours sur les enfants qui sucent leurs doigts (2p 1/2, a priori complet) et diverses notes. Tout cela étant autographe. Sur un feuillet non autographe, on remarquera la note autographe de Guitry : « Il ne faut pas être gourmands / Il faut être gourmets ». On remarquera, parmi les pleurnicheurs, un « Michel Houelbecq » (et non Houellebecq), petit enfant de 6ans originaire du Calvados. En plus de ces 28 feuillets (parfois écrits - partiellement - au verso) se trouvent des pages coupées, des pages pliées ayant dû servir de chemises, etc. Nous ne savons quel fut l'usage de ces textes, si cela a donné lieu à une intervention ou à une publication. Ils furent bien écrits en 1935 car, grâce à certains noms d'enfant avec les âges, on peut affirmer que c'est écrit entre mars et septembre 1935. On remarquera que c'est en décembre 1935 que Guitry fit une présentation de son film sur Pasteur aux écoles de Vincennes. C'est peut-être la période où il s'intéressa le plus aux enfants ? Très bel et important ensemble. [259]
书商的参考编号 : 015986
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Sacha Guitry (director, screenwriter, starring); Edward Quinn (photographer); Daniel Gelin, Raymond Pellegrin, Michele Morgan (s
Napoleon Two original photographs from the set of the 1955 film
N.p.: N.p. 1955. Two vintage reference photographs of director Sacha Guitry on the set of the 1955 film taken by photographer Edward Quinn. "Ed. Quinn" stamps on verso of both one with additional "Cinema Napoleon" stamp.<br /> <br /> Guitry's historical epic depicting the life of Napoleon from his early life in Corsica to his death at Saint Helena with Napoleon depicted by two actors Daniel Gelin as the young and Raymond Pellegrin as the old. Featuring notable cameos by Erich von Stroheim as Ludwig van Beethoven and Orson Welles as Napoleon's British jailor Sir Hudson Lowe.<br /> <br /> Shot on location throughout France. <br /> <br /> 7 x 9.75 inches. Light edgewear and light creasing at extremities else Near Fine. N.p. unknown
书商的参考编号 : 150449
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Sacha Guitry, French stage actor, film actor, director, screenwriter, and playwright of the boulevard theatre:
Sacha Guitry French stage actor film actor director screenwriter and playwright of the boulevard theatre Photograph with manuscript inscription in Guitry's hand on reverse 'Pour <M>r. <> Barman de la Passable <ebr. or etc>'. See Images.
1939. French actor and dramatist 1885-1957. Dimensions roughly 7 inches by 9 inches. In good condition though somewhat grubby with 'SACHA GUITRY in 1939' in manuscript written in white ink on Guitry's collar. A striking head and shoulders portrait shot from below out of doors of Guitry staring intently ahead and to the left. He wears a white panama hat with black band a patterned tie dark shirt and grey jacket with specks. Gum marks from previous mounting around edges of reverse. See Images. 1939. unknown
书商的参考编号 : 3452
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Sacha Guitry (director); Sacha Guitry (novel); Sacha Guitry (screenwriter); Sacha Guitry, Marguerite Moreno, and Jacqueline Delu
The Story of a Cheat Le Roman D'un Tricheur Collection of 13 original photographs from the 1936 film
N.p.: Cineas 1936. Thirteen vintage black-and-white studio still photographs from the French release of the 1936 film. Based on director Sacha Guitry's 1935 only novel "Les Memoires d'un Tricheur." <br /> <br /> A delightfully clever film in which Guitry plays an aging con artist reflecting back on his many exploits. After cheating death at a young age the Cheat played by Guirty embarks on a life laden with mischief and deceit. <br /> <br /> Set in France and Monaco shot on location in Monaco. <br /> <br /> 10 x 8 inches. Very Good plus. Occasional notation to the verso and shallow chip in the top margin of image 22. <br /> <br /> Criterion Eclipse 22. Cineas unknown
书商的参考编号 : 139602
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Sacha Guitry (director, screenwriter, starring); Lana Marconi, Claire Brilletti, Pauline Carton (starring)
The Treasure of Cantenac Un Miracle Le Tresor de Cantenac Original screenplay for the 1950 film
Paris: B.M.P. Films 1950. Draft script for the 1950 French film "The Treasure of Cantenac" here under its title of origin "Le Tresor de Cantenac" on the title page with the film's working title "Un miracle" also on the title page. French copy company rubber stamp and faint pencil annotations on the front wrapper. Pre-New Wave items are scarce this being a completely original example with text in French throughout. <br /> <br /> Set in a rundown French village the film is a series of vignettes illustrating the human condition. The Baron de Cantenac on the verge of suicide after losing his fortune goes on one last walk through his dying town. On the way he meets the town's oldest citizen who reveals a royal treasure that he has been jealously guarding for years. <br /> <br /> Director-screenwriter-actor Guitry was a prominent French filmmaker during the post-WWI years of French cinema following in the footsteps of his father silent film actor Lucien Guitry. His notable film credits include English titles "The Lover of Camille" 1924 "The Story of a Cheat" 1936 "Nine Bachelors" 1939 "Royal Affairs in Versailles" 1954 a film notable for its appearance of a young Brigitte Bardot and "Napoleon" 1955. <br /> <br /> Blue titled wrappers. Title page present undated with a credit for Guitry and B.M.P. Films in Paris the US branch is in California. 102 leaves with last page of text numbered 100. Mimeograph duplication. Pages Near Fine wrapper Very Good perfect-bound and side-stiched. B.M.P. Films unknown
书商的参考编号 : 135620
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Sal Mineo (starring); Gene Krupa (subject); Don Weis (director); Orin Jannings (screenwriter); James Darren, Susan Oliver, Red N
The Gene Krupa Story Original oversize photograph of Sal Mineo on the set of the 1959 film
New York: Pictorial Parade 1958. Vintage oversize satin finish photograph from the set of the 1959 film showing actor Sal Mineo in costume as Gene Krupa. Stamps of photographer Jack Albin and "Pictorial Parade" on the verso. <br /> <br /> A dramatization of the life of legendary jazz drummer and bandleader Gene Krupa whose ostentatious lifestyle and drug and alcohol addictions nearly wrecked his career. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 10.25 x 13.5 inches archivally matted in a 20 x 16 inch 8-ply white mat. Very Good plus. Pictorial Parade unknown
书商的参考编号 : 162944
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Sal Watts (director, screenwriter, starring); Tanya Boyd, James Watts, Louis Zito (starring); Jack Bomay (director)
Solomon King Original poster for the 1974 Blaxploitation film
N.p.: Stage Struck Productions / Entertainment Pyramid 1974. Vintage one sheet poster for the 1974 Blaxploitation film. <br /> <br /> A former Green Beret turned detective and nightclub owner seeks revenge on the men responsible for his girlfriend's death. Written produced and directed by Oakland Channel 20 television talk show host Sal Watts the film was for years considered lost until 2022 when it was restored and re-released by Deaf Crocodile Films. <br /> <br /> Set in California and the Middle East shot on location in Oakland. <br /> <br /> 27 x 41 inches folded as issued. Very Good plus lightly worn at the creases with a couple small chips at the left and right edges.<br /> <br /> Howard Blaxploitation Cinema p. 195. Stage Struck Productions / Entertainment Pyramid unknown
书商的参考编号 : 164097
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Sal Watts (director, screenwriter, starring); Jack Bomay (director); Jim Alston (story); James Watts, Samaki Bennett, Claudio Ru
Solomon King Black Agent Lucky King Original poster for the 1974 Blaxploitation film
N.p.: N.p. 1974. Vintage two-color one sheet poster for the 1974 film here under its original release title "Black Agent Lucky King."<br /> <br /> Former Oakland Channel 20 television talk show host Sal Watts in response to complaints from his audience about current black action films was determined to make a quality motion picture for African American audiences. The result was "Solomon King" which Watts produced wrote co-directed and starred a first for an independent black producer. Believed lost this obscure Blaxploitation classic is scheduled for restoration and re-release from Deaf Crocodile Films in 2022.<br /> <br /> Ex-Green Beret Solomon King Watts vows vengeance when his former lover Princess Oneeba is murdered by Arab agents from the country she once escaped. With the aid of several fellow Vietnam veterans brother Maney King and CIA agent O'Malley King plans a commando raid into the Arab country to kill the hit man. Featuring a cameo from Watt's friend baseball player Tito Fuentes.<br /> <br /> Set in Oakland California and an undisclosed Arab nation shot on location in Oakland California.<br /> <br /> 27 x 41 inches folded as issued. Very Good with pinholes some creasing and soiling two modest closed tears three small chips and an annotation in manuscript ink on the outer middle right margin.<br /> <br /> Howard Blaxploitation Cinema p. 195. N.p. unknown
书商的参考编号 : 155950
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Sally Benson, SIGNED & INSCRIBED, NO INTERIOR Illustrations, American screenwriter and short story author (1897-1972) BACK DJ F
MEET ME IN ST. LOUIS IN TATTERED WORN Partial DUSTJACKET MOVIE EDITION FEATURING JUDY GARLAND & MARGARET O’BRIEN on Front SIGNED By Sally Benson With BACK & Spine DJ MISSING also included is a tiny letter invitation to a tea party found within the book
HBDJ 1945 1st Edition THUS IN POOR TATTERED WORN DUSTJACKET With BACK & Spine DJ MISSING MOVIE EDITION FEATURING JUDY GARLAND & MARGARET O'BRIEN on DJ Front NO INTERIOR Illustrations SCUFF & RUB BOOK COVER GOOD CONDITION WITH SOME WATER DAMAGE TO EDGES CVR DJ IS POOR Condition Only DJ Front is There The Back Flap with Rub & Wear the Rest of DJ NOT PRESENT 6" X 8 1/2" HC DJ front cover torn and frayed - repaired spine and back section missing - as is the front flap autograph note by it's author Sally Benson also included is a tiny letter invitation to a tea party found within the book. Interior is clean clear and together making it an solid 'readers copy'<br /> WORLD PUBLISHING FORUM BOOKS hardcover
书商的参考编号 : 29200
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Salvatore Samperi (screenwriter, director); Ottavio Jemma (screenwriter); Franco Nero, Lisa Gastoni, Raymond Pellegrin, Andreas
Submission Scandal Original screenplay for the 1976 film
Rome: Ciesi 1975. First Draft script for the 1976 Italian film here under the working title "Scandal." Text in English.<br /> <br /> From the archive of longtime producer-agent Paul Kohner.<br /> <br /> In wartime France a married pharmacist begins a passionate affair with her assistant. Their relationship sours however as he begins to demand more and more from her-including access to her daughter. <br /> <br /> Shot on location in Italy. <br /> <br /> Title page present dated 1975 noted as First Draft with credits for screenwriters Ottavio Jemma and Salvatore Samperi. 324 leaves with last page of text numbered 322. Xerographically duplicated rectos only. Pages Near Fine lacking wrapper unbound. Housed in a typewriter box. Ciesi unknown
书商的参考编号 : 141752
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Salvatore Samperi (screenwriter, director); Ottavio Jemma (screenwriter); Franco Nero, Lsa Gastoni, Raymond Pellegrin, Andreas F
Submission Scandal Original screenplay for the 1976 film
Rome: Ciesi 1975. First Draft script for the 1976 film. Here under the working title "Scandal." <br /> <br /> Eliane is a pharmicist with a dull husband and teenage daughter. A fellow pharmacy clerk makes a pass at her one night after mistaking her for someone else and she allows it to happen ultimately becoming his complete sex slave. <br /> <br /> Set in France shot on location in Italy. <br /> <br /> Tan untitled wrappers. Title page present dated 1975 noted as First draft with credits for screenwriters Ottavio Jemma and Salvatore Samperi. 324 leaves with last page of text numbered 322. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound internally with gold brads. Ciesi unknown
书商的参考编号 : 141891
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Sam and Ron Ormond Newfield (directors); Orville H Hampton (screenwriter); Marie Windsor, Richard Rober, Carla Balenda, Jackie C
Outlaw Women Original screenplay for the 1952 film
Los Angeles: Lippert Pictures 1952. Draft script for the 1952 film. Copy belonging to an uncredited crew member with brief annotations in manuscript pencil on the verso of the last page of text and on a few pages. <br /> <br /> An unusual story for a low-budget Western: a tough woman gambler named Iron Mae McLeod Windsor runs a town where law states that men are illegal. The tough McLeod is soon caught in the lusty lasso of Woody Callaway Rober a handsome and persistent cowboy. <br /> <br /> The Poverty Row studio Lippert Pictures lasted nearly two decades 1948-1969 and would resurface as the production company for "Don't Do It" 1994. Notable films produced or distributed by Lippert include "Jungle Goddess" 1948 "I Shot Jesse James" 1949 forgotten films noir like "Radar Secret Service" and "Motor Patrol" both 1950 Samuel Fuller's "The Steel Helmet" 1951 Sam Newfield's "Lost Continent" 1951 and Terence Fisher's classic Hammer noir "Man Bait" 1952. <br /> <br /> Blue untitled wrappers. Title page integral with first page of text undated with a credit for screenwriter Hampton. 115 leaves with last page of text numbered 115. Mimeograph duplication. Pages and wrapper Near Fine bound with three gold brads. <br /> <br /> Hardy The Western p. 218. Okuda 486. Lippert Pictures unknown
书商的参考编号 : 135865
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Sam Newfield (director); Orville H Hampton (screenwriter); Sid Melton, Mara Lynn, Sam Flint (starring)
Sky High Off We Go! Original screenplay for the 1951 film
Hollywood: Tom Productions 1951. Draft script for the 1951 film here under the working title "Off We Go!" With manuscript pencil annotations throughout.<br /> <br /> Desperate to leave his lowly post as a tailgunner an unskilled G.I. asks his girlfriend who owns a cafe on the air base to flirt with his commanding officer in order to get him a promotion. Instead of the better position he desires however the officer finds himself roped by the base special intelligence officer into impersonating the head saboteur of a spy ring.<br /> <br /> Gray titled wrappers rubber-stamped copy No. 10 and noted as production No. 1067 dated May 5 1951. Title page present dated May 5 1951 with credits for screenwriter Orville H. Hampton. 114 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with tide marks to the lower edge bound with three gold brads. Tom Productions unknown
书商的参考编号 : 146057
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Sam Peckinpah (director, screenwriter); Gordon T Dawson (screenwriter); Warren Oates, Isela Vega, Robert Webber, Gig Young (star
Bring Me the Head of Alfredo Garcia Original screenplay for the 1974 film file copy belonging to Sam Peckinpah
N.p.: N.p. 1972. Early Draft script for the 1974 film file copy belonging to director Sam Peckinpah. Dated July 8 1972 over a year before production commenced and notably featuring the original ending with Bennie getting away-in true Peckinpah fashion the director would later rewrite the ending to show Bennie dying in a shootout. With Peckinpah's brief annotations in manuscript ink on the title page and two leaves of the script. <br /> <br /> Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio.<br /> <br /> Shot on location in Mexico. <br /> <br /> Yellow titled wrappers. Title page present dated July 8 1972 with credits for Peckinpah and screenwriter Gordon Dawson. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
书商的参考编号 : 166560
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Sam Peckinpah (director, screenwriter); Gordon T Dawson (screenwriter); Warren Oates, Isela Vega, Robert Webber, Gig Young (star
Bring Me the Head of Alfredo Garcia Original screenplay for the 1974 film
N.p.: N.p. 1972. Early Draft script for the 1974 film dated July 8 1972 over a year before production commenced. Script notably features the original ending with Bennie getting away-in true Peckinpah fashion Peckinpah would later rewrite the ending to show Bennie dying in a shootout. Annotations in manuscript ink and pencil on fifteen pages largely regarding spelling and grammatical corrections.<br /> <br /> Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio.<br /> <br /> Shot on location in Mexico. <br /> <br /> Yellow titled wrappers. Title page present dated 7/8/72 with credits for screenwriters Gordon Dawson and Sam Peckinpah. 128 leaves with last page of text numbered 126. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
书商的参考编号 : 158698
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Sam Peckinpah (director, screenwriter); Charlton Heston, Richard Harris, Jim Hutton (starring); Harry Julian Fink, Oscar Saul (s
Major Dundee Original photograph of Sam Peckinpah and Charlton Heston on the set of the 1965 film
N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing Charlton Heston talking with Sam Peckinpah during filming on location. Dell Publishing stamp and provenance label on the verso. <br /> <br /> During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and Native American scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. <br /> <br /> Shot on location in Mexico. <br /> <br /> 8 x 10 inches. Very Good plus. N.p. unknown
书商的参考编号 : 170448
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Sam Peckinpah (director, screenwriter); Harry Julian Fink, Oscar Saul (screenwriters); Charlton Heston, Richard Harris, James Co
Major Dundee Seven original lobby cards from the 1965 film
Culver City CA: Columbia / Jerry Bresler Productions 1965. Seven vintage lobby cards for the French release of the 1965 US film. <br /> <br /> During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and American Indian scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. <br /> <br /> 11.75 x 9.25. Very Good plus with pinholes to the corners. Columbia / Jerry Bresler Productions unknown
书商的参考编号 : 143145
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Sam Peckinpah (director); Rudy Wurlitzer (screenwriter); James Coburn, Kris Kristofferson, Bob Dylan, Jason Robards (starring)
Pat Garrett and Billy the Kid Original photograph of Sam Peckinpah on the set of the 1973 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage studio still photograph of director Sam Peckinpah on the set of the 1973 film.<br /> <br /> A very nearly experimental Western made by Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. Particularly so in the case of Bob Dylan whose mysteriousness was yet again renewed by his performance as "Alias" in the film. <br /> <br /> Filmed on location in Durango Mexico. <br /> <br /> 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
书商的参考编号 : 150388
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Sam Peckinpah (director); Rudy [Rudolph] Wurlitzer (screenwriter); James Coburn, Harry Dean Stanton, Bruce Dern, Richard Jaeckel
Pat Garrett and Billy the Kid Original screenplay for the 1975 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1975 film. Annotation in manuscript ink on the front wrapper noting "We all lost when the studio took this picture away from Peckinpah the hed" sic. <br /> <br /> A very nearly experimental Western made by Sam Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. <br /> <br /> Shot on location in Durango Mexico.<br /> <br /> Beige titled Metro-Goldwyn-Mayer front wrapper dated July 7 1972 with credits for Peckinpah and screenwriter Rudolph Wurlitzer. Missing rear wrapper. Title page integral with front wrapper. 125 leaves with last page of text numbered 134. Mimeograph duplication rectos only with blue and gray revision pages throughout dated variously between July 3 and 25 1972. Pages Very Good plus wrapper Very Good bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
书商的参考编号 : 166485
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Sam Peckinpah (director); Rudy [Rudolph] Wurlitzer (screenwriter); James Coburn, Harry Dean Stanton, Bruce Dern, Richard Jaeckel
Pat Garrett and Billy the Kid Collection of 18 original photographs from the 1975 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Collection of 18 vintage reference photographs from the 1975 film including 17 bordered photographs and one borderless double weight photograph. Eight with mimeo snipes on the verso.<br /> <br /> A very nearly experimental Western made by Sam Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. <br /> <br /> Shot on location in Durango Mexico.<br /> <br /> 10 x 8 inches. Generally Very Good plus or better. Metro-Goldwyn-Mayer [MGM] unknown
书商的参考编号 : 170446
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Sam Peckinpah (director); Rudy [Rudolph] Wurlitzer (screenwriter); James Coburn, Harry Dean Stanton, Bruce Dern, Richard Jaeckel
Pat Garrett and Billy the Kid Original color photograph from the 1975 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage studio still color photograph from the 1975 film. Provenance label and annotations in manuscript pencil on the verso. <br /> <br /> A very nearly experimental Western made by Sam Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. <br /> <br /> Shot on location in Durango Mexico.<br /> <br /> 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
书商的参考编号 : 170447
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Sam Peckinpah (director, screenwriter); Dustin Hoffman, Susan George, Sally Thomsett (starring) David Zelag Goodman (screenwrite
Straw Dogs Original photograph of Sam Peckinpah and Dustin Hoffman on the set of the 1971 film
N.p.: Cinerama 1971. Vintage borderless reference photograph from the 1971 film showing director Sam Peckinpah talking with Dustin Hoffman between takes. Provenance label on the verso.<br /> <br /> Based on Gordon M. Williams's 1969 novel. An American returns with his wife to her hometown in England only to run afoul of the locals with increasingly violent consequences. Controversial in its depiction of physical and sexual violence even within Sam Peckinpah's often controversial filmography the film is also frequently considered one of the director's best. <br /> <br /> Set in Dando Cornwall and shot on location in Cornwall and Middlesex England.<br /> <br /> 9.5 x 8.25 inches. About Near Fine.<br /> <br /> Criterion Collection 182. Grant US. Cinerama unknown
书商的参考编号 : 170449
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Sam Peckinpah (director); Jim Thompson (novel); Walter Hill (screenwriter); Steve McQueen, Ali McGraw, Ben Johnson, Sally Struth
The Getaway Original photograph of Sam Peckinpah behind the camera on the set of the 1972 film
Los Angeles: First Artists / National General Pictures 1972. Vintage reference photograph from the 1972 film showing director Sam Peckinpah behind the camera. Mimeo snipe on the verso. <br /> <br /> A ballet of violence and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of the New American Cinema including a supremely confident Steve McQueen as an antihero and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" four years prior-handling the screenplay. <br /> <br /> 8 x 10 inches. Light toning to margins else Near Fine.<br /> <br /> Grant US. Silver Classic Noir. Spicer US. First Artists / National General Pictures unknown
书商的参考编号 : 170451
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Sam Peckinpah (director); Jim Thompson (novel); Walter Hill (screenwriter); Steve McQueen, Ali McGraw, Ben Johnson, Sally Struth
The Getaway Original photograph of Sam Peckinpah on the set of the 1972 film
New York: National General Pictures 1972. Vintage double weight matte-finish reference photograph from the set of the 1972 film showing director Sam Peckinpah at work on location.<br /> <br /> Peckinpah at the peak of his powers a ballet of violence and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of New Hollywood Cinema including a supremely confident Steve McQueen as an anti-hero and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" 4 years prior-handling the screenplay. <br /> <br /> Approximately 10 x 8 inches. Near Fine. <br /> <br /> Lee The Heist Film. Spicer Neo-Noir US. Silver and Ward Neo-Noir US. Grant US. National General Pictures unknown
书商的参考编号 : 158714
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Sam Peckinpah (director); Jim Thompson (novel); Walter Hill (screenwriter); Steve McQueen, Ali McGraw, Ben Johnson, Sally Struth
The Getaway Original photograph of Sam Peckinpah Steve McQueen and Ali McGraw on the set of the 1972 film
New York: National General Pictures 1972. Vintage reference photograph from the set of the 1972 film showing director Sam Peckinpah with actors Steve McQueen and Ali McGraw. With a mimeo snipe on the verso. <br /> <br /> Peckinpah at the peak of his powers a ballet of violence and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of New Hollywood Cinema including a supremely confident Steve McQueen as an anti-hero and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" 4 years prior-handling the screenplay. <br /> <br /> Approximately 10 x 8 inches. Near Fine. <br /> <br /> Lee The Heist Film. Spicer Neo-Noir US. Silver and Ward Neo-Noir US. Grant US. National General Pictures unknown
书商的参考编号 : 150387
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Sam Peckinpah (director, screenwriter); Walon Green (screenwriter); William Holden, Ernest Borgnine, Robert Ryan, Edmond O'Brien
The Wild Bunch Original screenplay for the 1969 film
Burbank CA: Warner Brothers / Seven Arts 1967. Revised Estimating script for the 1969 Western film.<br /> <br /> Sam Peckinpah's classic revisionist Western of nearly inestimable importance and violence made at the peak of his career and which-along with "Straw Dogs" 1971-remains the lasting testament to his vision. A major contributor to the "end of the West" theme so prevalent of the genre in the 1970s and one of the earliest New Hollywood Westerns. <br /> <br /> Set in Mexico shot on location in Mexico and Spain. <br /> <br /> Beige titled Warner Brothers wrappers dated November 15 1967 noted as Rev. Estimating Script and stamped copy No. 75. Title page present dated 11/15/67 with credits for screenwriters Wallen Green and Sam Peckinpah and story credit for Roy Sickner. 125 leaves with last page of text numbered 123. Mimeograph duplication rectos only. Pages about Fine wrapper Very Good plus bound internally with two gold brads. <br /> <br /> National Film Registry. Ebert I. Hardy US. Pitts 4934. Rosenbaum 1000. Schrader Canon Fodder 28. Warner Brothers / Seven Arts unknown
书商的参考编号 : 160830
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Sam Shepard, Scott Glenn, Ed Harris, Dennis Quaid, Fred Ward, Barbara Hershey (starring); Philip Kaufman (director, screenwriter
The Right Stuff Collection of 20 original slides from the 1983 film
Beverly Hills CA: United Artists 1983. Collection of 20 vintage color slides from the 1983 film. Annotations in manuscript ink and pencil on the slide sleeves noting the film title distributor names and file numbers. <br /> <br /> Based on Tom Wolfe's 1979 book about the first 15 years of the US space program. Winner of four Academy Awards and nominated for four others.<br /> <br /> 2 x 2 inches. Near Fine.<br /> <br /> National Film Registry. Ebert II. United Artists unknown
书商的参考编号 : 163766
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