‎China‎

‎P’ou Song-ling.‎

‎Contes extraordinaires du pavillon du loisir. Traduit du chinois, introduction de M. Yves Hervouet. Coll. “Connaissance de l’Orient, n°31. Série chinoise.‎

‎Paris, Gallimard 1969, 225x140mm, 216pages, broché. Bel exemplaire.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 73154

‎Qi Baishi (1864 Xiangtan - 1957 Peking )‎

‎Beijing Wing Bao Jian Bookstore. / Ch`i Pai-shih. Neue Zeichnungen, Grafiken/ Gedichte. 88 Doppelblätter in 2 Bde, davon 80 mit je einer farb. Holzschnitt-Illustration und 4 meist beidseitig bedruckte Textblätter.‎

‎Peking 1955. Zwei blaue Blockbücher mit OTitelaufkleber in Kassette mit Rohseidebezug und zwei Elfenbeinschließen und OTitelaufkleber. 31,5 x 21 cm (Folio).‎

‎Der bedeutende chinesische Maler der Moderne Qi Baishi übernahm, im Hinblick auf die Wahl seiner Sujets und die Technik, Elemente der traditionellen Gelehrtenmalerei, revolutionierte diese aber durch einen Stil, der sich durch einfache Strukturen und schnelle, gekonnte Pinselstriche auszeichnet. Seine besonders lebensecht wirkenden Darstellungen von Kleintieren, wie Krabben, Krebsen, Insekten und Vögeln zeichnen ihn ebenso aus, wie die schönen Pflanzen oder eine Vielzahl von Früchten. - 1955, im Erscheinungsjahr des Buches wurde Qi Baishi der Internationale Friedenspreis des Weltfriedensrates für das Jahr 1950 verliehen. - Text in Chinesisch. - Hefte innen sehr sauber, Schnitt leicht angeschmutzt. Kassette mit leichten Gebrauchsspuren, Rücken geblichen.‎

Bookseller reference : 140030

‎Qi, Jiguang und Kai (Herausgeber) Werhahn-Mees‎

‎Praxis der chinesischen Kriegführung. Ch'i Chi-kuang. Kai Werhahn-Mees (Hrsg.)‎

‎München : Bernard und Graefe, 1980. 228 S. : Ill., graph. Darst. Gewebe mit Schutzumschlag.‎

‎Einband etwas berieben, minimal nachgedunkelt, insgesamt sehr gut. - Inhalt -- Vorwort -- Einführung: -- Biographie -- Der chinesische Originaltext -- Zusammenfassung der zentralen Gedanken des Handbuches -- Übersetzung: -- Mandarinente -- Kapitel I: Grundsätzliches über "Das Zügeln der Fünferschaft" -- Grundsätze der Auswahl von Soldaten -- Grundsätze der Einteilung zu den Waffen -- Das Zügeln der Fünferschaft -- Ausrüstung -- Leute zur besonderen Verfügung -- Vorrede zu Kapitel II -- Kapitel II: Für die Kampfausbildung notwendige -- Befehle in kurzen und klaren Abschnitten -- Kapitel III: Die kollektive Bestrafung nach dem -- Militärstrafrecht bei Beginn der Gefechtsaktion -- Kapitel IV: Darlegung der wichtigsten Verbote für die Soldaten -- Kapitel V: Befehle und Verbote bei der Ausbildung von Truppen -- Kapitel VI: Leistungsvergleich der Soldaten im Waffenhandwerk, Belohnung und Bestrafung -- - Methoden zum Vergleich des Leistungsstandes auf dem Exerzierplatz -- Kapitel VII: Befehle und Verbote für Verbände auf dem -- Marsch und Feldlager -- Grundsätze für das Aufschlagen des Feldlagers -- Kapitel VIII: Das Exerzieren von Lager, Kampfformation, -- Fahnen und Trommeln -- Methoden, sich bei der Verfolgung des Feindes nach errungenem Siege vor Hinterhalten zu schützen -- Kapitel IX: Feldzug: Aufbruch, auf dem Marsch, -- Marschlager -- Anmerkungen -- Anhang -- I Militärverwaltungssystem II Militärbereichssystem -- Gliederung eines Bataillons -- Mandarinenten-Pärchen-Formation V Truppeneinteilung -- Dienstgrade -- Tabelle zu den Entsprechungen der Richtlinien -- Signalinstrumente auf Bataillonsebene IX Maße und Gewichte -- X Abbildungen wichtiger Waffen und Geräte -- Zeichenindex -- Bibliographie -- ISBN 9783763751990‎

Bookseller reference : 1237104

‎QIANLONG (Empereur de Chine), AMIOT (Joseph Marie) [traducteur], GUIGNES (Joseph) [éditeur].‎

‎Eloge de la ville de Moukden et de ses environs; Poëme composé par Kien-Long, Empereur de la Chine & de la Tartarie, actuellement régnant. Accompagné de Notes curieuses sur la Géographie, sur lHistoire naturelle de la Tartarie Orientale, & sur les anciens usages des Chinois; composé par les Editurs Chinois & Tartares. On y a joint une Piece de Vers sur le thé, compose par le même Empereur.‎

‎Paris, N. M. Tilliard, 1770. 1770 1 vol in-8° (210 x 133 mm) de: [xxiv], xxxviii, 381, [ii] (approbation) pp. Annotations manuscrites d'époque à l'encre en chinois dans les marges. (rares rousseurs). Cartonnage d'époque recouvert de papier à la colle rose, dos lisse orné de filets dorés, titre de marocain noir. (dos jauni, usures et petits manques).‎

‎Edition originale de la première traduction en langue occidentale du poème élogieux de l'empereur Qianlong sur la ville de Mukden (Mandchou, également appelée Shengjing « Capitale montante »). Mukden fut conquise par le chef Jurchen (Mandchou) Nurhaci (1559-1626) en 1625 des Ming. Il procéda au transfert de toute son administration dans la ville et construisit un grand complexe de palais pour les accueillir. De là, les Mandchous lancèrent leur attaque sur la Chine du Nord qui conduisit à la chute de la dynastie Ming en 1644. Après l'établissement de la dynastie Qing, Nurhace fut élevé au rang de premier empereur Qing et reçut le nom d'empereur Taizu. Mukden resta le foyer spirituel des Mandchous et les empereurs Qing suivants continuèrent à visiter et à agrandir les palais. L « Ode à Mukden » fut écrite à l'occasion d'une visite de l'empereur Qianlong en 1743, qui la fit publier la même année dans une belle édition de palais (« Yuzhi Shengjing fu »). Intéressantes annotations manuscrites d'époque en chinois dans les marges. Bel exemplaire à larges marges conservé dans son cartonnage dorigine. 1 vol. 8vo (210 x 133 mm) of: [xxiv], xxxviii, 381, [ii] (approval) pp. Contemporary handwritten annotations in Chinese ink in the margins. (rare foxing). Contemporary cardboard binding covered with pink paper, smooth spine decorated with gilt fillets, black morocco title. (yellowed spine, wear and small losses). First edition of the first Western translation of Emperor Qianlong's eulogistic poem on the city of Mukden (Manchu, also known as Shengjing, Rising Capital). Mukden was conquered by the Jurchen (Manchu) leader Nurhaci (1559-1626) in 1625 from the Ming. He transferred his entire administration to the city and built a large palace complex to house them. From there, the Manchus launched their attack on northern China, which led to the fall of the Ming dynasty in 1644. After the establishment of the Qing dynasty, Nurhaci was elevated to the rank of first Qing emperor and given the name Emperor Taizu. Mukden remained the spiritual home of the Manchus, and subsequent Qing emperors continued to visit and expand the palaces. The Ode to Mukden was written on the occasion of a visit by Emperor Qianlong in 1743, who had it published in the same year in a beautiful palace edition (Yuzhi Shengjing fu). Interesting handwritten annotations in Chinese from the period in the margins. A fine copy with wide margins, preserved in its original cardboard slipcase.‎

Bookseller reference : 4201

‎QIAN YAN WEN‎

‎Zhongguo Niao Lei Tu Jian =: Atlas of Birds of China (Chinese Edition)‎

‎Henan, Henan Science and Technology Pub. 1995. 592 pp, col. ill., mint condition, as new.‎

Bookseller reference : ORNI0092

‎Qian, Sima (ed & transl.)‎

‎Selections from Records of the Historian 3 Vols. (Library of Chinese Classics). 2. Ed.‎

‎Beijing: Foreign Language Press & Hunan Peoples Publ. House 2010. zus. ca. 1200 S Kart.mS. *sehr gute Expl.*.‎

Bookseller reference : 275897

‎QIANLONG; Qianlong, Emperor of China (1710-1798)‎

‎Four Hand-Coloured Copper-plate Etchings from the Conquest of China.‎

‎1775. QIANLONG EMPEROR OF CHINA 1736-1796. Suite of four engravings depicting the conquests of the Qianlong Emperor. From the suite of sixteen engraved plates. Printed in Paris under the direction of Charles-Nicholas Cochin. Broadsheets image size: 515 x 890 mm. Preserved in the contemporary French green paper mounts with black ink outline borders. Professionally framed. With the original French printed labels describing the individual engravings affixed to back of frames. Paris 1769-1774. These four contemporary hand-coloured engravings represent individual scenes from the exceedingly rare series of sixteen engravings commissioned by the Qianlong Emperor to commemorate the victory of his 1755-1760 military campaigns against the Western Mongols. The four plates are: I. "General Fou Te Accepts the Surrender of the Ili" showing the triumphal march of the Emperor and his general to Beijing. Drawn by Sichelbart and engraved by B.L. Prévost in 1769 Pirazzoli-t'Serstevens 1; II. "The victory of Khorgos." in the Spring of 1758 against the forces of Amoursana. Drawn by J. D Attiret cut by C. N. Cochin and engraved by J. Ph. Le Bas in 1774. Pirazzoli-t'Serstevens 4; III. "The great victory of the Qurman." on February 3 1759 when the Chinese general Fou-te with only 600 soldiers defeated an army of 5000 Muslims. Drawn by Damasceno and engraved by A. de St. Aubin in 1770. Pirazzoli-t'Serstevens 8. IV. "The Emperor Gives a Victory Banquet to the Officers and Soldiers who have distinguished themselves in battle" at Tseu-kuang-ko the Imperial Palace Gardens Beijing on July 5 1754. Drawn by Castiglione and engraved by J. Ph. le Bas 1770 Pirazzoli-t'Serstevens 16. These large Chinese-French prints are among the most impressive works ever produced by the method of copper engraving. This is the first series of engraved plates to document the conquests of the Qianlong Emperor. They represented an amalgam of Chinese imagery Italian interpretation and Parisian copperplate engraving at its apogee. The drawings were supplied by Jesuit artists attached to the Emperor's court in Beijing. Upon completion they were shipped to France for engraving as the craft was unknown in China. After the Emperor was shown battle prints by the Augsburg artist Georg Philipp Rugendas 1666-1743 he wished to see his military conquests recorded in intaglio prints as well. He therefore ordered his Jesuit court painters Giuseppe Castiglione 1688-1766 called "Lang Shining" Jean Denis Attiret 1702-1768 "Wang Zhicheng" Ignaz Sichelbart 1708-1780 "Ai Qimeng" and Giovanni Damasceno Sallusti i.e. Joannes Damascenus a SS. Concepcione d. 1781 later bishop of Beijing called "An Deyi" to prepare sketches for the prints which they did in 1764 and 1765. Four of the drawings had been completed by the time of Castiglione's death when the decision was made to send the work to France via the ships of the Compagnie des Indes. According to the Emperor's decree no expense was to be spared. The first four drawings reached Paris in the autumn of 1766 and the remaining twelve in July 1767. The Marquis de Marigny director of the Academie Royale de Peinture et Sculpture decreed that the work should be carried out under the supervision of Charles-Nicholas Cochin 'fils' 1715-1790. As the French paper manufacturers did not have paper of the desired proportions the paper-merchant Prudhomme was ordered to make it to custom; the new size was called Grand Louvois. The copperplates were imported from England. Cochin chose Beauvais for the actual printing of the sheets on the grounds that he was "the only one who can be completely trusted both regarding his talents as well as his honesty which is well-known." The work proceeded slowly; standards of the highest quality were called for and some of the pictures especially the one by Sallusti needed careful editing. The original order was for 100 copies of each print but by 1768 this figure was increased to 200 copies so that at least 100 would survive the journey back to China ! -- however several authorities claim that many copies were lost at sea. In any event the final delivery was not shipped until 1775 occasioned in part by the difficulty the printers had producing a uniform series of prints from drawings by different artists. Three of the initial drawings were made by Attiret six by Damasceno one by Sichelbart and at least two by Castiglione; the remaining are unsigned but have been attributed to Castiglione by C. & M. Beurdeley and others. The engravers were L.J. Masquelier 1 J. Aliamet 2 J. Ph. Le Bas 5 A. St.-Aubin 2 F.D. Née 1 B.L. Prevost 2 P.P. Choffard 2 and N. de Launay 1. The Emperor's instructions stated that all the impressions were to be sent to him along with the original copper plates. However there is plentiful evidence that prints were pulled for the King of France and influential persons in Paris as well. Most of the surviving sets and individual prints appear to belong to this surreptitious group. The above series is not only a landmark in the history of Chinese and European art but also testifies to the direct artistic cooperation between China and Europe in the eighteenth century. It has been a common misconception that China was only interested in itself and detested the foreigners -- here the Emperor himself proved the contrary. VERY RARE IMPRESSIONS WITH CONTEMPORARY FRENCH HAND-COLOURING. The complete set of sixteen black and white engravings or a few individual prints from this set have come onto the market for sale only rarely. We can locate no other examples of any of the prints with contemporary colouring having been for sale or in public or private collections. PROVENANCE: Robert Barnwell Roosevelt 1829-1906 the uncle of Theodore Roosevelt and great-uncle of Eleanor Roosevelt. He was an early conservationist and worked for the protection of waterways. Roosevelt served in Congress and was later appointed to a diplomatic post in the Netherlands. He is credited with influencing his nephew Theodore Roosevelt to become a conservationist. With the ownership label "R.B. Roosevelt/ 26 East 20th Street/ New York" attached to the verso on one print. Cohen-De Ricci 1012-1013. Cordier Bibliotheca Sinica 641-642. Fünf Jahrhunderte Buchillustration 141. Brunet V 1178. P. Pelliot "Les conquêtes de l'empereur de la Chine" T'oung Pao ed. H. Cordier & P. Pelliot vol 20 1921 pp. 183-274. Michèle Pirazzoli t'Serstevens Gravures de conquêtes de l'Empereur de la Chine Kien-Long au Musée Guimet 1969. Hartmut Walravens "The Introduction of Copper-Engraving into China" 62nd IFLA General Conference August 25-31 1996. unknown‎

Bookseller reference : 169181

‎Qiao Yun‎

‎Alte Chinesische Gartenkunst. Aus dem Chinesischen.‎

‎Leipzig, Koehler & Amelang, (1986). 4°. 240 S. mit 209 farbigen Abbildungen. Original-Seideneinband mit Schutzumschlag. Dieser teils leicht beschabt, ansonsten sauber.‎

‎Versandkosten wegen des hohen Gewichts innerhalb Deutschlands EUR 5,00 (versicherter Versand)‎

Bookseller reference : 8841AB

‎QING CHINA‎

‎Manuscript recording a voyage to China and impressions of its major cities.‎

‎At sea & China: 1842-48. This ground is under English control though their authority is might makes right An American second mate's illustrated eyewitness account of China in the immediate aftermath of the First Opium War. Sailing east on a Jardine Matheson specie and opium runner he becomes an old China hand and a sharp observer of early colonial Hong Kong and Shanghai coastal trade and maritime life. The opening section consists of diary entries kept during the outward voyage from the United States describing a life of adventure entered almost by accident. "On the 1st of Sept. 1842 being in Boston and out of employ … I shipped in the Schr Gazell" p. 1. The Gazelle - an Aberdeen-built schooner illustrated in watercolour at the front of the manuscript - sailed on 19 September 1842 with guns muskets and nine boxes of specie. Some 30 pages trace the passage with detailed daily entries including latitudes and longitudes weather hazards marine life shipboard routines and the rituals of crossing the Equator. After rounding the Cape the vessel encounters American traders off China and reaches Macao on 22 February 1843. The remainder of the manuscript comprises reflective recollections written later in the 1840s. Macao is judged healthy and pleasant but eclipsed after the war by Hong Kong now the hub of British trade. The Gazelle is reassigned to opium running along the coast bringing higher pay and extended travel. The author recalls Hong Kong in 1844: the nightly curfew gunshot the opium fleet at Whampoa and the crowded Pearl River illustrated with pencil sketches of local craft. His view of the Chinese population is unsympathetic though he offers a vivid portrait of "Boston Jack" a wealthy comprador and indispensable intermediary to American ships. Further chapters describe Canton the forts of the Bogue Amoy and its junks and Chusan praised for its industry and abundance. Shanghai emerges as a newly important centre of opium exchange its foreign settlement firmly under British control. The author sketches the harbour notes the thousands of junks and contrasts the city's "civil and obliging" inhabitants with those of Canton. The manuscript breaks off mid-sentence on page 50 leaving the writer's later life unknown but preserving a detailed first-hand record of a China on the threshold of colonial modernity. Octavo notebook 252 x 165 mm. Opening full-page watercolour 12 illustrations and plan in pencil. Original blue linen pink patterned endpapers edges sprinkled blue 49 pages neatly written in black ink 38 unused blanks. Notebook worn and shaken with sewing loose a few closed tears internally touching a few letters only. A very good example. unknown‎

Bookseller reference : 170558

‎Qing Xuantong <China, Kaiser>‎

‎Ich war Kaiser von China. vom Himmelssohn zum neuen Menschen.‎

‎München/Wien, Hanser, 1987. 4., erw. u. erg. Aufl. 21 cm. 516 S. : Ill. OK. Leicht gebr., gut erhalten. 4‎

‎Auf Wunsch senden wir gerne ein Foto des Buches via E-mail‎

Bookseller reference : 46949AB

‎Qingxi, Lou‎

‎Les Jardins Chinois.‎

‎Beijing, China Intercontinental Press, 2003. 23 cm. 136 S. mit zahlr. teils farb. Abb. Illustrierter Originalkarton (Softcover). Di 1-ban. Tadelloses gepflegtes Exemplar. Cultural China Series.‎

‎Übersetzung/Traduction von Shen Shun.‎

Bookseller reference : 16506AB

‎Qiu Meiqian (Editor)‎

‎Top Hotel,‎

‎Shenzhen, Metto, 2009. 4°, 331 S. mit zahlr. ganz- oder doppelseitigen Farb-Abb. von sehr exklusiven Hotel-Interieurs in China (Lobby, Bar, Restaurant, Spa, Zimmer etc.), Text zweisprachig: English and Chinese, original Leineneinband mit dem illustr. original Schutzumschlag, der Umschlag hinten etwas berieben bzw. beschabt, sonst ein schönes, sauberes Exemplar (Vo1)‎

‎Gezeigt werden 22 Luxus-Hotels in China. Sehr eindrucksvoll. Weltweit konnten wir diesen opulent bebilderten Band nur in einer einzigen Bibliothek nachweisen.‎

Bookseller reference : 36552AB

‎Qiu Xiaolong‎

‎Il Poliziotto Di Shanghai‎

‎br. ed. 235pp.‎

‎Qiu, Lin/ Feng, Yanhui/ China Science Publishing & Media Ltd (Corporate Author)‎

‎Thermal Engineering – Engineering Thermodynamics and Heat Transfer‎

‎De Gruyter 2024. Paperback. New. 273 pages. 9.45x6.69x0.62 inches. De Gruyter paperback‎

Bookseller reference : __3111329690 ISBN : 3111329690 9783111329697

‎Qiu, Xiaolong‎

‎Die Frau mit dem roten Herzen : ein Fall für Oberinspektor Chen / aus d. Amerikan. von Susanne Hornfeck.‎

‎Wien: Zsolnay, 2004. 380 S. 8°. Deutschsprach. Ausg. Bibl.- Einbd.‎

‎Zustand: Bibl.-Ex., befriedigend erhalten.‎

Bookseller reference : 46478

‎QU Yuan‎

‎Le Li-Sao, poème du IIIe siècle avant notre ère. Traduit du chinois, accompagné d'un commentaire perpétuel et publié avec le texte original par le marquis d'Hervey de Saint-Denys‎

‎Paris Maisonneuve 1870 in-8 demi-chagrin maroquiné cerise, dos à nerfs orné de chouettes dorées, tête dorée, première couverture conservée [Rel. de l'époque]‎

‎4 ff.n.ch., pp. IX-LIV, un f.n.ch., 66 pp. (traduction française), un f.n.ch., 26 pp. imprimées sur papier noisette (texte chinois), un f.n.ch.Première traduction française. Li Sao (Tristesse de la séparation) est le premier long poème chinois, de trois cent soixante-douze vers et d'inspiration chamanique, écrit par Qu Yuan (vers 340 - vers 290)‎

Bookseller reference : 33633

‎Qu Yuan, Hunag Shenfu Ed.‎

‎QU YUAN ET LE LI SAO , texte , etude et commentaires‎

‎161pp. In-8. illustr. planches‎

‎Quan Cui, Beijing Normal University, China,‎

‎Carbon Balance and Management‎

‎Delve 2020. UNKNOWN. Hardcover. New/New. Delve hardcover‎

Bookseller reference : AME_9781774072103 ISBN : 1774072106 9781774072103

‎Quan Cui, Beijing Normal University, China,‎

‎Carbon Balance and Management‎

‎Delve 2020. 1ST. Hardcover. New. Delve hardcover‎

Bookseller reference : DBS-9781774072103 ISBN : 1774072106 9781774072103

‎Quan Cui, Beijing Normal University, China,‎

‎Carbon Foot-print of Industrial Nation and climate change‎

‎Delve 2020. 1ST. Hardcover. New. Delve hardcover‎

Bookseller reference : DBS-9781774072226 ISBN : 177407222x 9781774072226

‎Quan Cui, Beijing Normal University, China,‎

‎Energy in Agroecosystem‎

‎ARCLER PRESS 2020. UNKNOWN. Hardcover. New/New. ARCLER PRESS hardcover‎

Bookseller reference : AME_9781774072240 ISBN : 1774072246 9781774072240

‎Quan Cui, Beijing Normal University, China,‎

‎Energy in Agroecosystem‎

‎ARCLER PRESS 2020. 1st. Hardcover. New. ARCLER PRESS hardcover‎

Bookseller reference : DBS-9781774072240 ISBN : 1774072246 9781774072240

‎Quan Cui, Beijing Normal University, China,‎

‎Forest Nutrition Management‎

‎Delve 2020. 1ST. Hardcover. New. Delve hardcover‎

Bookseller reference : DBS-9781774072233 ISBN : 1774072238 9781774072233

‎Quan Tangshi / Takeo Hiraoka‎

‎T'ang Civilization Reference Series, No. 1: T'ANG CALENDAR. [Tang Civilization Reference Series, Tang Calendar]‎

‎Kyoto, Jimbunkagaku Kenkyusho Kyoto University, 1954. 383 (1) pages. - Publisher's gilt titled orange-colour cloth-binding in the publ. slipcase; 4to.(ca. 26 x 19 x 2 cm).‎

‎*** FIRST EDITION, CLOTHBOUND ORIGINAL WITH SLIPCASE. - The 'Tang Dynasty' (or Tang Empire) was an imperial reign of China from 618 to 907, with a break from 690 to 705 and is regarded as a cultural peak of Chinese civilization; it is considered the greatest age of Chinese Poetry and the first choice for classic-poetry studies in Japan as well. --- A VERY GOOD COPY; other volumes of the series in stock. . .‎

Bookseller reference : 2407100213xbvk

‎Quaroni, Pietro‎

‎Russen und Chinesen. Die Krise der kommunistischen Welt.‎

‎Frankfurt/Main, Scheffler Verlag, 1968.‎

‎8°, 320 Seiten, Oleinen mit farbig illustr. Oumschlag - guter Zustand - 1968. b2583‎

Bookseller reference : 21463