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Maxime REVON
Octave Mirbeau son oeuvre
Paris: Georges Crès & Cie 1916. Fine. Georges Crès & Cie Paris 1916 17.50 x 22 cm broché First edition one of 12 numbered copies on Holland paper the only deluxe copies after 6 Japan. Illustrated with a portrait of Octave Mirbeau and a facsimile autograph. Spine sunned two small stains to front cover. Georges Crès & Cie unknown
Riferimento per il libraio : 61443
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Maxime RUDE
Gouttes de sang
Paris: Chez tous les libraires 1884. Fine. Chez tous les libraires Paris 1884 12 x 19 cm broché First edition. Rare and handsome autograph inscription by Maxime Rude. Collection of poems some of which are dedicated to T. de Banville J. Barbey d'Aurevilly C. Monselet P. Arène among others. A lack at head of spine a tear with a loss to the front cover slight marginal tears without loss to the front cover occasional light foxing. Inscription page torn without loss. Rare. Chez tous les libraires unknown
Riferimento per il libraio : 14725
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Maxime VUILLAUME
Mes cahiers rouges : quand nous faisions le Père Duchêne Mars-Avril-Mai 1871
Paris: In les Cahiers de la Quinzaine 1908. Fine. In les Cahiers de la Quinzaine Paris Mars 1908 13 x 18.50 cm broché New edition. A good copy. In les Cahiers de la Quinzaine unknown
Riferimento per il libraio : 13788
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Maxime WEYGAND
"la préface que j'ai écrite n'a aucune portée c'est seulement une page aimable sur le romancier et le poète devenu historien."" Autograph letter dated and signed about his preface to L'empire oublié by Georges Delamare published in 1935 by Hachette
Paris 1935. Fine. Paris 1935 11.50 x 18 cm une page et demie Autograph letter from General Maxime Weygand 26 lines written in blue ink on a single leaf recto verso concerning his preface to ""L'empire oublié - L'aventure mexicaine 1861-1867"" by Georges Delamare published by Hachette in 1935. Fold inherent to postal dispatch. Maxime Weygand minimizes the scope of his work preferring to evoke that of other military men who became writers: ""Je ne parle pas des quelques pages écrites pour la réédition du ""rôle social de l'officier du Mal Lyautey."" ""I do not speak of the few pages written for the reissue of 'the social role of the officer by Marshal Lyautey.'"". unknown
Riferimento per il libraio : 86835
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Maxime WEYGAND
"Mais cette étude sur le Gal W. écrivain c'est un sujet qui a bien peu de substance ! "" Autograph letter dated and signed in which he refuses an attempt at a biography
Paris 1938. Fine. Paris 18 Juin 1938 11.50 x 18 cm une page et demie Autograph letter from General Maxime Weygand 22 lines written in blue ink. Fold marks inherent to the mailing. The correspondent and biographer of the general had returned documents to him in order to document the work he intended to write about Maxime Weygand who acknowledges receipt. However Maxime Weygand shows surprise at the interest he arouses and attempts to dissuade his correspondent from his undertaking: ""Mais cette étude sur le Gal W. écrivain c'est un sujet qui a bien peu de substance ! Vous avez trop de générosité en l'entreprenant il faut y renoncer."" ""But this study on General W. as a writer it is a subject with very little substance! You are too generous in undertaking it you must give it up."" unknown
Riferimento per il libraio : 86583
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Maxime WEYGAND
"Vous avez eu une élection de Maréchal vingt six voix chiffre rarement atteint."" FRENCH ACADEMY Autograph letter dated and signed addressed to Thierry Maulnier congratulating him on his election to the Académie française
Paris: s. n. 1964. Fine. s. n. Paris 13 Février 1964 13.50 x 21 cm une feuille Autograph letter dated and signed one page from General and Academician Maxime Weygand addressed to Thierry Maulnier 19 lines in blue ink on one sheet written on the very evening of the latter's official nomination to the Académie française. Central folds inherent to postal folding printed stamp ""Fonds archives privées Maulnier"" in lower left corner of the missive. The Immortal Maxime Weygand congratulates his now fellow member Thierry Maulnier elected to replace the vacant seat of Henry Bordeaux on February 13 1964: ""Mon cher confrère une ligne pour vous dire mon immense satisfaction de vous nommer ainsi."" My dear colleague a line to tell you my immense satisfaction in naming you thus. after a first ""blank"" election held in November 1963 during which Thierry Maulnier had obtained 14 votes against 11 for André Roussin: ""Cela fait oublier le passé qui fut un moment fort déplaisant. Donc cher confrère et ami mes chaleureux compliments de tout coeur."" This makes one forget the past which was at times quite unpleasant. So dear colleague and friend my warm compliments from the heart. s. n. unknown
Riferimento per il libraio : 88346
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Maxime WEYGAND
. et que vive la France
Paris: La Colombe 1953. Fine. La Colombe Paris 1953 14 x 21.50 cm broché First edition of which there were no deluxe copies. Handsome copy with illustrations by Annie Vallotton. Autograph inscription by Maxime Weygand: "". ce livre écrit pour la jeunesse."" "". this book written for youth."" La Colombe unknown
Riferimento per il libraio : 76438
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Maxime WEYGAND
. et que vive la France
Paris: La Colombe 1953. Fine. La Colombe Paris 1953 13.50 x 21 cm reliure de l'éditeur The first edition of which there were no deluxe copies. Publisher's full white paper boards smooth spine illustrated front cover two light dampstains at head and foot of front cover extending to spine. Work illustrated by Annie Vallotton. Signed autograph inscription from Maxime Weygand to Patrice Morin: "". ce petit livre écrit pour lire où il trouvera de l'Histoire des histoires. et des conseils. Amicalement Weygand."" "". this little book written to be read where he will find History stories. and advice. Cordially Weygand."" La Colombe hardcover
Riferimento per il libraio : 77909
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Maxime WEYGAND
Forces de la France
Paris: Boivin 1951. Fine. Boivin Paris 1951 16.50 x 21.50 cm broché First edition of which no deluxe copies were printed. Spine slightly sunned. Iconography. Autograph inscription signed by Maxime Weygand: ""Pour monsieur Roger Brisson officier de réserve au 13ème tirailleurs algériens. en cordial hommage Weygand."" ""For Mr. Roger Brisson reserve officer in the 13th Algerian riflemen. in cordial tribute Weygand."" Boivin unknown
Riferimento per il libraio : 80818
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Maxime WEYGAND
L'Arc de triomphe de l'Etoile
Paris: Flammarion 1960. Fine. Flammarion Paris 1960 13.50 x 19 cm broché First edition on ordinary paper. Inscribed by the author. Iconography. Light tears of no consequence to spine handsome interior condition. Flammarion unknown
Riferimento per il libraio : 32467
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Maxime WEYGAND
Le Général Frère. Un Chef un Héros un Martyr
Paris: Flammarion 1949. Fine. Flammarion Paris 1949 16.50 x 22.50 cm broché First edition one of 175 numbered copies on wove paper deluxe copy. Handsome copy with full margins. General Aubert Frère was notably a hero of the Resistance as organizer and commander of the Resistance in the army he was arrested by the Nazis in 1943 and died at the Struthof concentration camp on June 14 1944. Flammarion unknown
Riferimento per il libraio : 78357
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Maxime WEYGAND
Lettre autographe datée et signée à propos de ses contributions littéraires notamment liées à la récente disparition du Maréchal Foch
Morlaix 1933. Fine. Morlaix 16 Août 1933 20 x 12.50 cm une page recto verso Autograph letter by General Maxime Weygand 22 lines written in black ink on a recto verso sheet with letterhead from his manor of Coat Amour near Morlaix in Finistère. Crease inherent to folding for mailing. Maxime Weygand has been very busy lately: ""J'ai été sans cesse en route ces temps derniers Me voici fort embarassé. J'ai écrit ces deux articles ""La prise de commandement d'un chef"" et ""Au tournant de la route"" quelques jours après la mort du Maréchal Foch et sur les sollicitations des uns et des autres dans un moment où la tristesse où j'étais plongé m'avait comme retiré du monde."" I have been constantly traveling lately. Here I am quite embarrassed. I wrote these two articles ""Taking Command as a Leader"" and ""At the Turn of the Road"" a few days after Marshal Foch's death and at the urging of various people at a time when the sadness I was plunged into had withdrawn me from the world. and cannot answer his correspondent's question: ""Vraiment je ne sais plus et je n'ai rien ici qui me permette de mieux savoir."" Truly I no longer know and I have nothing here that would allow me to know better. unknown
Riferimento per il libraio : 86736
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Maxime WEYGAND
Turenne
Paris: Flammarion 1929. Fine. Flammarion Paris 1929 13 x 19.50 cm broché New edition. Spine lightly sunned traces of adhesive tape at head and foot of spine and covers. Autograph inscription dated and signed by Maxime Weygand to Marc Magnin. Flammarion unknown
Riferimento per il libraio : 72588
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Maximilienne GUYON - (Jose Maria de HEREDIA)
"Maris stella"" - Lithographie originale sur Chine - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juillet 1898 24 x 34.50 cm une feuille Rare original lithograph executed by Maximilienne Guyon for L'Estampe Moderne series number 15 published in July 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered luxury edition stamp on the verso pale marginal foxing and tiny lack to the lower right corner of the laid paper sheet. Lithograph inspired by a poem by José Maria de Heredia Les Trophées. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe Moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were specially created by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft at once is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and posted on the streets of the capital then became an art object and its ephemeral medium became precious and devoted to conservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Riferimento per il libraio : 74500
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Maximilienne GUYON - (Jose Maria de HEREDIA)
"Maris stella"" - Lithographie originale sur Japon - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juillet 1898 24 x 34.50 cm une feuille et une serpente Rare original color lithograph executed by Maximilienne Guyon for L'Estampe Moderne series number 15 published in July 1898. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on verso slight trace of the stamp from the preceding engraving on recto; engraving preceded by a tissue guard captioned with the artist's name title and a poem. Lithograph inspired by a poem by José Maria de Heredia Les Trophées reproduced on the tissue guard of the print. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Riferimento per il libraio : 74499
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Maximilien GAUTHIER
Achille et Eugène Devéria
Paris: Henri Floury 1925. Fine. Henri Floury Paris 1925 20 x 26.50 cm relié First edition one of 50 numbered copies on Japan paper the only deluxe copies. Work illustrated with 103 reproductions 36 of which are hors-texte. Bradel binding in half red morocco with corners smooth spine slightly darkened gilt date at foot marbled paper boards endpapers and pastedowns covers and spine preserved top edge gilt one upper corner slightly bumped binding signed Feuillet. A handsome copy in perfect condition. Henri Floury hardcover
Riferimento per il libraio : 74476
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Maximilien VOX
Amusant dessin original au stylo bille bleu représentant Carlo Rim passant devant une librairie
s. l. 1930. Fine. s. l. s. d. circa 1930 20.50 x 25 cm une feuille Original drawing in black ink signed depicting Carlo Rim in golf attire and smoking a pipe strolling in front of a bookshop displaying Emile Ludwig's recently published work entitled ""Colloqui con Mussolini"" Carlo Rim saying to himself ""Tiens voilà maintenant que je sais l'italien !"" ""Well now I know Italian!"" In the upper right corner of the drawing Maximilien Vox has inscribed quoting a phrase from Nouvelles littéraires "". tous les journaux italiens consacrent des articles enthousiastes du livre de E. Ludwig ""Colloqui con Mussolini"" qui vient de parâtre en librairie"" "". all Italian newspapers are devoting enthusiastic articles to E. Ludwig's book 'Colloqui con Mussolini' which has just appeared in bookshops"". Finally Maximilien Vox has written a signed autograph inscription to his friend Carlo Rim intertwining their first names with their surnames thus sealing their fraternity and complicity: ""A Maximilien Rim Carlo Vox"" Carlo Rim was a Provençal writer ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. unknown
Riferimento per il libraio : 80774
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Maximilien de WIED-NEUWIED
Armes et utensiles des Camacans - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Beautiful original plate heightened in watercolor copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian Prince of Wied-Neuwied. Some minimal marginal worming. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83235
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Maximilien de WIED-NEUWIED
Armes ornemens et utensiles des Puris - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate by Johann C. Bock heightened in watercolor copperplate engraving in folio format. It is from the atlas of the French first edition of this Brazilian travel account first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some marginal worming ink marks on verso. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83237
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Maximilien de WIED-NEUWIED
Armes ornemens et utensiles des Puris Botocudes Machacaris et des Indiens de la côte - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Beautiful original plate by Johann C. Bock heightened in watercolor copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian Prince of Wied-Neuwied. Some minimal marginal worming small tear in the upper right corner. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83236
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Maximilien de WIED-NEUWIED
Capitam Bento Lourenço à l'ouverture de la nouvelle route par les forêts près Mucuri de Porto Allègre à Minas Novas - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original copperplate engraving in folio format by Johann Martin Esslinger. It is from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian Prince of Wied-Neuwied. Minor marginal worming and tiny marginal tears. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83336
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Maximilien de WIED-NEUWIED
Carte de la nouvelle route de Villa de San-José do Porto-Allègre à Minas-Novas - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original engraved map in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian Prince of Wied-Neuwied. Some worming and minor marginal tears. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83107
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Maximilien de WIED-NEUWIED
Carte de la Côte de l'Est du Brésil - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 35.40 x 52 cm une feuille Fine original engraved map in intaglio and heightened in colors in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Plate lightly and entirely shaded some marginal creases. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83071
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Maximilien de WIED-NEUWIED
Chasse de l'Onze / Manière de charger les Mulets pour le voyage - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate with two large copperplate vignettes by Johann Martin Esslinger and Carl Heinrich Rahl in folio format. It is from the atlas of the first French edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some worming and minor marginal tears a tiny lack to the lower left corner. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83282
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Maximilien de WIED-NEUWIED
Chasseurs Portugais / Cabanes des pêcheurs sur la rivière de Barganza - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate with two large copperplate vignettes by Johann Jacob Wagner and Johann Jacob Lips in folio format. It is from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Very light marginal worming a tiny marginal tear to upper section. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83287
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Maximilien de WIED-NEUWIED
Combats singuliers des Botocudes sur le Rio Grande de Belmonte - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate after H. Mülller and engraved by Heubach in copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some marginal worming. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83215
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Maximilien de WIED-NEUWIED
Crâne remarquable d'un Botocude / Les Indiens en route - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate with two large copperplate vignettes in folio format. It is from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian Prince of Wied-Neuwied. Some marginal worming invisible restoration of a marginal tear not affecting the image. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83234
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Maximilien de WIED-NEUWIED
Danse des Camacans - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate of a Brazilian indigenous dance scene by Johann Pleikard Bittheuser figures and Friedrich Auguste Seyffer background copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some marginal worming. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83231
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Maximilien FOY GENERAL ET COMTE
Discours du Général Foy précédés d'une notice biographique par M. P.F. Tissot; d'un éloge par M. Etienne; et d'un essai sur l'éloquence politique en France par M. Jay
Paris: Moutardier 1826. Fine. Moutardier Paris 1826 14 x 22 cm 2 volumes brochés Second edition. Illustrated work with an engraved portrait of the author as frontispiece to the first volume and a facsimile. Spine cracked with some lacks some corner lacks to boards foxing. Moutardier hardcover
Riferimento per il libraio : 73096
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Maximilien FOY GENERAL ET COMTE
Discours du Général Foy précédés d'une notice biographique par M. P.F. Tissot; d'un éloge par M. Etienne; et d'un essai sur l'éloquence politique en France par M. Jay
Paris: Moutardier 1826. Fine. Moutardier Paris 1826 13.50 x 21 cm 2 volumes reliés Second edition. Half navy calf bindings smooth spines lightened and decorated with blind rules blind and gilt fillets as well as gilt tools of chivalric and military inspiration gilt friezes at foot blue paper boards with minor harmless scuffs marbled edges two corners very slightly bumped contemporary bindings. Illustrated work with frontispiece to the first volume an engraved portrait of the author and a facsimile. Some foxing without too much gravity. Moutardier hardcover
Riferimento per il libraio : 48958
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Maximilien de WIED-NEUWIED
Groupe de Camacans - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate of a group of indigenous people copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some marginal worming and minor marginal tears. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83225
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Maximilien FOY GENERAL ET COMTE
Histoire de la guerre de la péninsule sous Napoléon. Précédée d'un tableau politique et militaire des puissances belligérantes
Paris: Baudouin frères 1827. Fine. Baudouin frères Paris 1827 12.50 x 21 cm 4 volumes reliés First edition published posthumously by the author's widow Countess Foy. Half-shagreen bindings in green spine with four raised bands set with gilt dots and decorated with double gilt compartments small lack to headcap of first volume marbled paper boards with some surface abrasions marbled endpapers and pastedowns corners slightly bumped speckled edges. The atlas as is often the case is lacking from our copy. Scattered foxing printed library stamps on title pages. Work complete with its 8 folding facsimiles but lacking the author's portrait. Autograph inscription signed by Countess Foy to the politician diplomat and historian Count de Ségur. Baudouin frères hardcover
Riferimento per il libraio : 87996
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Maximilien RAOUL
Histoire pittoresque du Mont-Saint-Michel et de Tombelène. Suivie d'un fragment inédit sur Tombelène Extrait du Roman du Brut. Transcrit et annoté par Leroux de Lincy
Paris: Abel Ledoux 1833. Fine. Abel Ledoux Paris 1833 14.50 x 22.50 cm relié First edition complete with all fourteen etchings by Boisselat and the folding map. Modest binding in half navy cloth red morocco title-label. Joints cracked at head copy partially loosened interior in fine condition. Rare. Abel Ledoux hardcover
Riferimento per il libraio : 32036
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Maximilienne GUYON
L'Estampe Moderne. Maris Stella. Lithographie Originale
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris 1898 30 x 40 cm une feuille Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard publisher's dry stamp in lower margin. Artist's signature in the plate. Very handsome copy. Lithograph inspired by a poem from Trophées by José-Maria de Heredia an excerpt of which is reproduced on the print's tissue guard. Published by Ch. Masson and H. Piazza the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist Art Nouveau Orientalist and ""Belle Époque"" movements. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Riferimento per il libraio : 47196
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Maximilien VOX - Jean-Louis CURTIS - Maurice CLAVEL
La revue noire - Numéro 0
s. l. Paris Paris: Aux éditions de la revue noire 1944. Fine. Aux éditions de la revue noire s. l. Paris Paris Mars 1944 15 Février 1945 13.50 x 21 cm broché First edition - only published issue of this journal of the Resistance. Minor rubbing at head and foot of spine slight tears in margins of covers. Anonymous texts by Claude Bourdet Maurice Clavel Jean-Louis Curtis Yves Gandon Flavien Monod and Maximilien Vox who was the magazine's director. This single issue was put together between December 1943 and March 1944 but La Revue noire could not be published during the Occupation. The final press proof was given on 15 February 1944 and the imprint is dated 15 February 1945. A rare and pleasant copy. Aux éditions de la revue noire unknown
Riferimento per il libraio : 85576
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Maximilien de WIED-NEUWIED
Les cabanes des Puris - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate of a domestic scene among the Puri by M. G. Cichler copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some marginal worming invisible restoration of a tear not affecting the image. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83232
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Maximilien de WIED-NEUWIED
Les Patachos sur le Rio do Prado / Le Chef des Botocudes Kerengnatnuk avec sa famille - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Beautiful original plate with two large intaglio vignettes in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian Prince of Wied-Neuwied. Some worming and small marginal tears. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83284
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Maximilien de WIED-NEUWIED
Les Puris dans leurs forêts - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate depicting members of the indigenous Puri people by Friedrich Auguste Seyffer landscape and G. Rist figures copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some marginal worming and minor marginal tears. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83224
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Maximilien de Bethune, Duc de SULLY
Mémoires de Maximilien de Bethune Duc de Sully principal ministre de Henry le Grand
à Londres London: S. n. 1768. Fine. S. n. à Londres London 1768 9.50 x 17 cm 9 tomes en 8 volumes reliés New edition after the first one produced by Abbé de Lescluse in 1745 in-4° and in-12°; illustrated with a portrait of Henri IV as frontispiece to the first volume and a second portrait of Sully in the same volume. Supplement to the memoirs in volume 9. Contemporary or near-contemporary half blonde sheep binding with marbled boards. Smooth spine decorated with 2 grotesque compartments and 2 ornamental tools. Red morocco title-label and green morocco volume labels. One cut at head of volume II. Beginning of crack to upper joint of volume I at head upper joint of volume 2 partly split. Title page of volume 2 stained. Upper joint of volume 6 split. One hole in title page of volume 6. Rubbing. Good decorative set. Sully's text has been revised in modern French. This famous edition of the Memoirs is valuable for the abundance of notes by Abbé de l'Ecluse des Loges on these fundamental memoirs for French history. The Supplement to the memoirs is a critique and attack on the edition produced by Lescluse allegedly denaturing Sully's original work. S. n. hardcover
Riferimento per il libraio : 50675
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Maximilien de Bethune, Duc de SULLY
Mémoires de Sully principal ministre de Henri-Le-Grand
à Paris: Chez Jean François Bastien 1788. Fine. Chez Jean François Bastien à Paris 1788 12.50 x 20 cm 6 tomes en 6 volumes reliés New edition illustrated with 2 portraits at the frontispiece of volume I. Full brown granite sheep bindings. Spine with raised bands decorated. Red morocco title and volume labels. 4 corners slightly bumped. Rubbing. A brown stain at the foot of the upper board of volume I. Handsome set. Edition based on all previous critical editions including the very famous one by abbé de l'ecluse 1745 and those containing observations and remarks by abbé de Montempuis who accused L'ecluse of excessive partiality towards the Jesuits. Volume 5 contains various pieces and observations intended to provide greater objectivity in reading the memoirs. A large general table occupies almost the entirety of the last volume. Chez Jean François Bastien hardcover
Riferimento per il libraio : 53349
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Maximilien de WIED-NEUWIED
Navigation sur un bras du Rio Doce - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate of a Rio Doce landscape engraved by Heubach after J.P. Veith in copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian Prince of Wied-Neuwied. Some marginal worming and tiny marginal tears. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83219
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Maximilien de WIED-NEUWIED
Navigation par dessus les rochers d'Ilheós / Halte au forêt - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate with two large copperplate vignettes by Carl Heinrich Rahl and Christian Haldenwang in folio format. It is from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Very light marginal worming small marginal tears to upper section a small mark to left margin of the plate. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83288
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Maximilien de WIED-NEUWIED
Ornemens et utensiles des Botocudes - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate by Johann C. Bock heightened in watercolor copperplate engraving in folio format. It comes from the atlas of the first French edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian Prince of Wied-Neuwied. Some minimal marginal foxing. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83239
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Maximilien de WIED-NEUWIED
Ornements et utensiles des Camacans - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate by Johann C. Bock heightened in watercolor copperplate engraving in folio format. It is from the atlas of the French first edition of this Brazilian travel account first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some marginal worming ink marks on verso. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83238
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Maximilien de WIED-NEUWIED
Physionomies caractéristiques de quatre Botocudes avec la tête d'une Momie - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate with portraits of Botocudos wearing labrets and discs inserted in their earlobes. Plate engraved in copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. One marginal tear skillfully restored some small tears and marginal worming. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83214
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Maximilien de ROBESPIERRE
Rapport sur les principes du gouvernement révolutionnaire fait au nom du comité de Salut Public par Maximilien Robespierre
Paris: Convention Nationale 1793. Fine. Convention Nationale Paris 5 Nivôse An II 25 Décembre 1793 12 x 19.50 cm broché First edition of this famous speech by Robespierre justifying the principle of revolutionary government and laying the foundations for the establishment of the Terror. Small black ink stains sometimes faded and some foxing. In autumn 1793 the threats weighing on the Republic had intensified both at the borders and in the heart of the country: Hébert the extremist ""enragé"" calling for a popular uprising the royalist threat still present the Indulgents demanding an end to the policy of Terror. On 5 Nivôse Year II December 25 1793 Robespierre went to the Committee of Public Safety to present the principles of revolutionary government. He warns from the very first words of his speech: recent victories Vendée defeats of December 12 and 23 recapture of Toulon on December 19 thanks to the notable action of Captain Bonaparte must not lull patriots into complacency. Counter-revolution remains very active within the country the Committee of Public Safety must confound the intrigues of the enemies of liberty and make revolutionary principles triumph. In his words: ""Le gouvernement révolutionnaire doit aux bons citoyens toute la protection nationale ; il ne doit aux ennemis du peuple que la mort."" ""Revolutionary government owes good citizens all national protection; it owes the enemies of the people nothing but death."" To carry out its action successfully the latter must find its way between two extremes: the moderatism preached by the ""indulgents"" and the excess aspired to by the ""enragés."" For Robespierre the dictatorship of the Committees like the Terror is justified because they alone will make it possible to end civil and foreign war. As long as the country is in conflict citizens will not be able to fully enjoy the Constitution. Counter-revolution must be annihilated. To this end Robespierre demands reform of the Revolutionary Tribunal. Reform that would find its culmination in the law of 22 Prairial Year II June 10 1794: suppression of defense hearing of witnesses when material evidence is lacking acquittal or death being the only possible verdicts. Thus the machinery of Terror is set in motion replacing with arbitrariness the principles and laws enacted by the Declaration of the Rights of Man and by the Constitution. cf Delphine DUBOIS and Régis LAPASIN on the site Nouvel éclairage sur l'histoire - L'histoire par l'image. Very rare copy of this founding speech of the policy of Terror which would ultimately lead its principal instigator Maximilien Robespierre to the scaffold. Convention Nationale unknown
Riferimento per il libraio : 83855
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Maximilien de WIED-NEUWIED
Soldats à Linhares / La tortue au rivage de la mer - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate with two large copperplate vignettes by Johann Jacob Lips in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some worming and minor marginal tears. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83244
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Maximilien de WIED-NEUWIED
Tempête pendant la traversée au Brésil / Vue de l´entrée dans la Baie de Rio de Janeiro - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate with two large copperplate vignettes by Ludwig Friedrich Schnell and Christian Haldenwang in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some worming and marginal stains a small dark mark below the right vignette. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83285
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Maximilien de WIED-NEUWIED
Une famille de Botocudes en route - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate depicting a family of indigenous Botocudos people intaglio engraved in folio format. From the atlas of the French first edition of this Brazilian travel account first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Some marginal worming a small marginal tear not affecting the plate. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83230
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Maximilien de WIED-NEUWIED
Une Tropa chargée / Manière de prendre les Buffles par le Vaqueiro - Voyage au Brésil Dans les années 1815 1816 et 1817 par S. A. S. Maximilien Prince de Wied-Neuwied.
Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate with two large copperplate vignettes by F. Meyer and Johann Jacob Lips in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian Prince of Wied-Neuwied's first voyage to Brazil. Very light marginal worming some minor marginal tears in the upper part. Chez Arthus Bertrand unknown
Riferimento per il libraio : 83286
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