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Construction n°16 : Voiture-Phaëton. Imagerie d'Epinal OLIVIER-PINOT
Épinal: Olivier-Pinot 1890. Fine. Olivier-Pinot Épinal s. d. circa 1890 29.50 x 40.50 cm une feuille Image d'Épinal color lithograph medium format printed on heavy paper. Missing corners significant tears in right and lower margins with loss but without damage to the print colors very well preserved. These plates are cardboard constructions or models on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Large Constructions"" in 39 x 49 cm format the ""Medium Constructions"" and the ""Small Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes boats and various vehicles. During this same period paper theaters or ""theater at home"" also enjoyed great success. This toy model developed and lasted until the Second World War. Once sold by peddlers the images d'Épinal owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. Épinal imagery takes its origins in imagery popular art born in the 15th century intended mainly for the illiterate rural public. Originally the image is engraved on a wooden plate and printing is done using a hand press. It is then colored by means of stencils. In the 19th century lead castings are made from the engraved wood: stereotypes which allow production to be increased. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil thanks to a machine that could color 300 images per hour the Aquatype. Olivier-Pinot unknown
Referentie van de boekhandelaar : 35353
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Constructions mécaniques n°49 : Scierie ce sujet fonctionne au moyen du sable
Épinal: Olivier-Pinot 1890. Fine. Olivier-Pinot Épinal s. d. circa 1880-1900 49 x 39 cm Image d'Épinal color lithograph large format printed on heavy paper. Minimal marginal lacks without any damage to the engraving otherwise very fine condition colors very well preserved. These plates are cardboard constructions or models on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or scenes from life. The Imagerie d'Épinal published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes boats and various vehicles. During this same period paper theaters or ""théâtre chez soi"" also enjoyed great success. This type of toy developed and lasted until the Second World War. Once sold by peddlers the images d'Épinal owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. The Imagerie d'Épinal has its origins in imagery a popular art form born in the 15th century intended mainly for the illiterate public of the countryside. Originally the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century lead castings were made from the engraved wood blocks: stereotypes which allowed production to be increased. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil thanks to a machine that could color 300 images per hour the Aquatype. Olivier-Pinot unknown
Referentie van de boekhandelaar : 26114
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Constructions pour enfant : Cassette n°22.
Épinal: Olivier-Pinot 1890. Fine. Olivier-Pinot Épinal s. d. circa 1880-1900 39 x 49 cm Image d'Épinal color lithograph large format printed on heavy paper. Three small tears repaired in margin 1 cm without any damage to the engraving otherwise very fine condition colors very well preserved. These plates are cardboard constructions or models on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Large Constructions"" in 39 x 49 cm format the ""Medium Constructions"" and the ""Small Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes boats and various vehicles. During this same period paper theaters or ""home theater"" also enjoyed great success. This toy model developed and endured until the Second World War. Once sold by peddlers the images d'Épinal owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. The Épinal imagery has its origins in imagery a popular art born in the 15th century intended mainly for the illiterate rural public. Originally the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century lead castings were made from the engraved wood: stereotypes which allowed production to be increased. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil using a machine that could color 300 images per hour the Aquatype. Olivier-Pinot unknown
Referentie van de boekhandelaar : 25467
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Construction pour enfants n°15 : le Puits de la ferme
Épinal: Olivier-Pinot 1890. Fine. Olivier-Pinot Épinal s. d. circa 1880-1900 49 x 39 cm Image d'Épinal color lithograph large format printed on heavy paper. Fine condition colors very well preserved. These plates are cardboard constructions or models on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes ships and various vehicles. During this same period paper theaters or ""théâtre chez soi"" also enjoyed great success. This toy model developed and endured until the Second World War. Once sold by peddlers the images d'Épinal owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. Épinal imagery has its origins in imagery a popular art born in the 15th century intended primarily for the illiterate rural public. Originally the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century lead castings were made from the engraved wood: stereotypes which allowed production to be increased. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil thanks to a machine that could color 300 images per hour the Aquatype. Olivier-Pinot unknown
Referentie van de boekhandelaar : 26130
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Constructions n°31 : Meubles & accessoires
Épinal: Olivier-Pinot 1890. Fine. Olivier-Pinot Épinal s. d. circa 1880-1900 39 x 49 cm Épinal print colour lithograph large format printed on thick paper. A small repaired tear in the margin 2 cm without any damage to the print otherwise very fine condition colours very well preserved. These sheets are cardboard constructions or models on which a pattern was printed. This pattern must be cut out then assembled to build various objects or life scenes. The Épinal printing house published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes boats and various vehicles. During this same period paper theatres or ""théâtre chez soi"" also enjoyed great success. This toy model developed and lasted until the Second World War. Once sold by peddlers Épinal prints owe their name to Jean-Charles Pellerin who was the first printer to publish this type of print in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. Épinal imagery has its origins in popular art born in the 15th century intended primarily for the illiterate public of the countryside. Originally the image is engraved on a wooden block and printing is done using a hand press. It is then coloured by means of stencils. In the 19th century lead casts were made from the engraved wood blocks: stereotypes which allowed production to be increased. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 colouring was still done by stencil thanks to a machine that could colour 300 images per hour the Aquatype. Olivier-Pinot unknown
Referentie van de boekhandelaar : 26107
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Construction n° 42 : Corbeille à ouvrage
Épinal: Olivier-Pinot 1890. Fine. Olivier-Pinot Épinal s. d. circa 1880-1900 49 x 39 cm Épinal print color lithography large format printed on heavy paper. Fine condition colors very well preserved. These sheets are cardboard constructions or models on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes boats and various vehicles. During this same period paper theaters or ""théâtre chez soi"" also enjoyed great success. This type of toy developed and persisted until the Second World War. Once sold by peddlers the Épinal prints owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. Épinal imagery has its origins in popular imagery a folk art born in the 15th century intended mainly for the illiterate rural public. Originally the image is engraved on a wooden block and printing is carried out using a hand press. It is then colored using stencils. In the 19th century lead castings called stereotypes were made from the engraved woodblocks allowing increased production. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil using a machine that could color 300 images per hour the Aquatype. Olivier-Pinot unknown
Referentie van de boekhandelaar : 26145
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Constructions pour enfants n°9 : La messe au camp
Épinal: Olivier-Pinot 1890. Fine. Olivier-Pinot Épinal s. d. circa 1880-1900 49 x 39 cm Épinal Image color lithograph large format printed on heavy paper. Fine condition colors very well preserved. These sheets are cardboard constructions or models on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes ships and various vehicles. During this same period paper theaters or ""théâtre chez soi"" also enjoyed great success. This toy model developed and endured until the Second World War. Once sold by peddlers the Épinal images owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. Épinal imagery takes its origins from imagery a popular art born in the 15th century intended primarily for the illiterate rural public. Originally the image is engraved on a wooden block and printing is done using a hand press. It is then colored by means of stencils. In the 19th century lead castings were made from the engraved wood blocks: stereotypes which allowed production to be increased. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil thanks to a machine that could color 300 images per hour the Aquatype. Olivier-Pinot unknown
Referentie van de boekhandelaar : 26399
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Constructions mécaniques n°63 fonctionnant au moyen du sable : les Forgerons
Épinal: Olivier-Pinot 1890. Fine. Olivier-Pinot Épinal s. d. circa 1880-1900 49 x 39 cm Image d'Épinal color lithograph large format printed on heavy paper. Light marginal foxing otherwise fine condition colors very well preserved. These plates are cardboard constructions or models on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes boats and various vehicles. During this same period paper theaters or ""théâtre chez soi"" also enjoyed great success. This toy model developed and endured until World War II. Once sold by peddlers the images d'Épinal owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. Épinal imagery has its origins in popular art born in the 15th century intended primarily for the illiterate rural public. Originally the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century lead castings called stereotypes were made from the engraved wood blocks which increased production. In 1820 lithography was adopted which induced a radical style change with finer drawings. In 1900 coloring was still done by stencil thanks to a machine that could color 300 images per hour the Aquatype. Olivier-Pinot unknown
Referentie van de boekhandelaar : 26694
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Constructions pour enfants n°23 : Petits meubles
Épinal: Olivier-Pinot 1890. Fine. Olivier-Pinot Épinal s. d. circa 1880-1900 49 x 39 cm Épinal Image color lithograph large format printed on heavy paper. Light marginal foxing otherwise fine condition colors very well preserved. These plates are cardboard constructions or models on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Large Constructions"" in 39 x 49 cm format the ""Medium Constructions"" and the ""Small Constructions"". From 1880 to 1908 constructions were published with subjects including architecture costumes boats and various vehicles. During this same period paper theaters or ""theater at home"" also enjoyed great success. This type of toy developed and endured until the Second World War. Formerly sold by peddlers Épinal images owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. Épinal imagery has its origins in imagery a popular art born in the 15th century intended primarily for the illiterate rural public. Originally the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century lead castings were made from the engraved wood: stereotypes which allowed production to be increased. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil using a machine that could color 300 images per hour the Aquatype. Olivier-Pinot unknown
Referentie van de boekhandelaar : 26655
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Constructions pour enfants n°16 : Moulin à vent
Épinal: Olivier-Pinot 1890. Fine. Olivier-Pinot Épinal s. d. circa 1880-1900 49 x 39 cm Image d'Épinal color lithograph large format printed on heavy paper. Tiny tears to lower margin otherwise fine condition colors very well preserved. These sheets are cardboard constructions or models on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes boats and various vehicles. During this same period paper theaters or ""théâtre chez soi"" also enjoyed great success. This toy model developed and endured until the Second World War. Once sold by peddlers the images d'Épinal owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. Épinal imagery takes its origins in imagery a popular art born in the 15th century intended mainly for the illiterate public of the countryside. Originally the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century lead castings were made from the engraved wood blocks: stereotypes which allowed production to be increased. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil thanks to a machine that could color 300 images per hour the Aquatype. Olivier-Pinot unknown
Referentie van de boekhandelaar : 26407
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Contemporary Art Evening Auction 11 November 2014 Sale No. 9221
New York: Sothebys 2014. Paperback auction catalogue in very good condition. Sale no. 9221. Held 11 November 2014 at 6:30pm. 475pp. Spine is creased and covers are worn along edges. Contents clean and bright. AD. Paperback. Very Good. Used. Sothebys Paperback
Referentie van de boekhandelaar : 531555
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Convention entre le pays de Provence et noble Henry Gautier pour l'exercice de la charge de la tresorerie generale des etats du sud. Pays durant sept années qui commenceront le premier janvier 1737 & qui finiront le dernier decembre 1743.
Aix Aix-en-Provence: Chez Joseph David 1736. Fine. Chez Joseph David Aix Aix-en-Provence 1736 20.50 x 16 cm broché First edition. In original wrappers covered with transparent yellow paper. Yellow dampstaining on the title page. Renewal by the assembly of communities of Provence of the lease of treasurer general of Provence of Henry Gautier articles of this lease. Chez Joseph David unknown
Referentie van de boekhandelaar : 12992
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Corona California. The Queen Colony. Illustrated Original 1902 Edition
Corona Ca: Corona Publishing Company / Press Of George Rice & Sons Los Angeles 1902. 1st Edition . Soft cover. Very Good. 70 Pp. Gray Card Covers Printed In Green And Orange Staple Bound. Light Usage No Marks But Text Block No Longer Attached To Covers Foxing To Edges Of First And Last Leaves. <br/> <br/> Corona Publishing Company / Press Of George Rice & Sons (Los Angeles) paperback
Referentie van de boekhandelaar : 055860
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Coronet Deckle Edge Papers in Original "Strathmore Deckle Edge Papers" envelope
Mittineague No Date But Circa 1896/1916: Strathmore Paper Company 1896. First Edition . String Bound Wrappers. Fine/Very Good Printed Envelope. 7 1/8" x 5 1/4. Designs By Will Bradley. Covers and pages printed in green and red. Catalog for Coronet deckle edge papers here with the original envlope with lettering "Strathmore Deckle Edge Papers" indicating this catalog attributed to "Coronet" in Bambace as a wayside Press production is another Strathmore catalog. The catalog is undated and makes no mention of company information printer or designer. A pencilled note on the back of the envelope by a knowledgeable printer and collector of Bradley material states "probably the first specimen book Bradley did for Strathmore" indicating possibly an 1896 or 1897 date. <br/> <br/> [Strathmore Paper Company] unknown
Referentie van de boekhandelaar : 026193
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Country Cottage With Flowers Watercolor On Paper
Los Angeles Circa 1940 1940. Original Artwork . No Binding. Fine. Single Sheet Unsigned. <br/> <br/> unknown
Referentie van de boekhandelaar : 038368
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Courvoisier: the Brandy of Napoleon
Courvoisier. Very Good with No dust jacket as issued. N.D. Brochure. A nice piece of advertising ephemera. Blue card covers illustrated in color. No date but the back cover shows F. C. G. Inporters inc in New York. No postal zone which at least puts this in the 1940's or before. The only dates mentioned inside are both for 1911 used at the coronation of King George and on the Zeppelin service. Spot of soil on both the front & back covers. ; 8vo 8" - 9" tall; 8 pages . Courvoisier unknown
Referentie van de boekhandelaar : 28379
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Cresca Foreign Luncheons
New York: Cresca Company 1910. A very rare piece of ephemera from the Cresca Company purveyor of fine foods from the turn of the last century 1910 profusely illustrated with period photographs decorations and illustrations. Cresca Company was a successor company to another food purveyor Reiss and Brady. It was headquartered in New York City and Bordeaux France. It billed itself as "importer of the world's delicacies." 12mo size softcover with both stapled and sewn binding; some pages are numbered most are not about 35 pages. Stated Second Edition. The cover illustration has an Edwardian style with its Gibson Girl-like illustration. Alas none of the illustrations include the name of the artist but these illustrations are from that time period. This is an interesting piece of ephemera for a food lover or historian: sample menus; recipes for the items on the sample menus and a list of Cresca Imported Delicacies one could have ordered at the time including green figs in cognac; tuny fish in tin really it says "tuny" cailles quail in tin; confits in glass; much more to peruse including Cresca assorted boxes "roast capon whole in aspic for automobile luncheon." Recipes include: Eggs Gourmet; Spinach Timbales; Coup Moquin; Smelts a la Somerset; Pimiento Bisque; Brussel Sprouts a la Magdeburg; Frozen Cheese Alexandria; Poinsettia Salad; Fraise Salad; Delmonico Chicken with Glazed Sweetbread; Asparagus in Lemon Rings many more. Cresca Company no longer exists. This is a fragile item a Reading Copy with the front cover fep and last page detached. Our photographs show the item in three separate pieces. There is a dampstain on the top quarter inch with some yellow or blue ink bleed this occurs in the blank space above any text or decorations with dampstain to the last page and back cover and inside front cover and to top quarter of last several pages. There is a half inch tear in margin of front cover and chips to top inside covers and bottom back corner. Dealer Direct Payment Only. Thanks for shopping with us! 100% of your purchase benefits charity and supports literacy and lifelong learning. 2nd. Stapled. Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Private Press. Cresca Company Paperback
Referentie van de boekhandelaar : 003429
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Cuba 1953-1978: a Bibliographical Guide to the Literature
NY: Kraus Iinternational 1986. Two-volume set. Clean and sound with minimal wear. Ex-library with usual stamps and labels. 1387 pp. This heavy set will require additional postage. First Edition. Blue Cloth w/Gilt Titling. Very Good/No Dust Jacket. 4to - Over 9 ¾" -12" Tall. Ex-Library Hard Cover. Kraus Iinternational Hardcover
Referentie van de boekhandelaar : PC495
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Daily Local News -- Nov. 12 1874 Udderzook Murder Trial and Execution
West Chester PA: Daily Local News 1874. Fair . 8 p.: illustrations; 47 cm. Printed in 5-column pages. Most of the newspaper concerns the murder of Winfield Scott Goss by William Udderzook following their involvement in insurance fraud. Udderzook's conviction rested on the novel use of a photograph to establish the identify of the victim. The newspaper recounts the details of the case as well as the execution of Udderzook. Also contains local news and advertisements. Very scarce. In Fair Condition: first leaf is separating along center fold with minor loss of text; first leaf and last are separating; chipping at edges; small stains on first leaf. Daily Local News unknown
Referentie van de boekhandelaar : 009604
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Das Buch für Alle.
Stuttgart Union Deutsche Verlagsgesellschaft . 1894. HLwd.d.Zt. 684 S. 2°. Enthält eine Erzählung von Robert KRAFT: "Das Seegespenst" sowie von PAJEKEN " "Peter Baum´s Jagdglück" und von Walter KABEL "Alice Weathers Bekerhrung " und der schlafende Fakir" leicht bestoßen ANY QUESTIONS Please don´t hesitate to ask for details !! unknown
Referentie van de boekhandelaar : 13788
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Das Leben Abrahams von dem Ehrw. Daniel Smith - Aus dem Englischen ubersetzt zum Gebrauch in Sonntagsschulen
New Berlin PA: S. G. Miller 1842. Book. Very Good. Hardcover. 1st Edition. 24mo - over 5" - 5¾" tall. Black 1/4 cloth brown paper covered boards. Covers are spotted and show surface rubbing; cloth typically soiled with loss to lower spine panel and two chips along front joint binding firm. 1856 ownership inscription in pencil on front flyleaf. 116 pp. Interior typically foxed ranging light to moderate with paper loss and some scribbling inside back cover. Text in German. Scarce. S. G. Miller Hardcover
Referentie van de boekhandelaar : 052781
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DAS NEUE UND VERBESSERTE GESANG BUCH.PSALMEN DAVIDS FAMT EINER GAMMLUNG ALTER UND NEUER GEISTREICHER LIEDER.REBST EINEM ANHANG DES HENDELBERGISCHEN CATECHISMUS.VOR DIE EVANGELICH REFORMIRTEN GEMEINEN IN DEN BEREINIGTEN STAATEN VON AMERICA
Germantaun: Michael Billmeyer. Good. 1799. Full-Leather. Full leather clasps intact overall very good save for rubbing to the edges and some chipping to the head of the spine. Lovely frontis woodcut with David at the harp praising God. 585 numbered pages detailed index pages of catechism.; German Language; 12mo - over 6¾" - 7¾" tall; antiquité contrat vélin document manuscrit papier Antike Brief Pergament Dokument Manuskript Papier oggetto d'antiquariato atto velina documento manoscritto carta antigüedad hecho vitela documento manuscrito Papel Religion Christianity German Luthern Reformist Catechism . Michael Billmeyer hardcover
Referentie van de boekhandelaar : 000811
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De conquestu Angliae per Hispanos tempore Elizabethae Reginae Angliae
Cheltenham: Typis medio-montanis Jacobus Rogers impressit 1869 Book. Good. Disbound. 25 blank 1 blank p. Holzenberg 406 with the 4 page insertion after page 18 but lacking title page and first insertion. With at the rear a sheet titled Capita hujus operis which seems not to be listed in Holzenberg. Copied from Phillipps ms 2753 concerning Catholic plans to conquer England during the reign of Elizabeth I. Documents copied are in Italian and Spanish. Printed on blue paper. Disbound. One of many anti-Catholic works produced by Sir Thomas at his Middle Hill Press. [Typis medio-montanis Jacobus Rogers impressit] unknown
Referentie van de boekhandelaar : MH132b
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De conquestu Angliae per Hispanos tempore Elizabethae Reginae Angliae
Cheltenham: Typis medio-montanis Jacobus Rogers impressit 1869 Book. Good. Disbound. 25 blank 1 blank pages. Holzenberg 406 but lacking title page and insertions but with at the rear a sheet titled Capita hujus operis which seems not to be listed in Holzenberg. Copied from Phillipps ms 2753 concerning Catholic plans to conquer England during the reign of Elizabeth I. Documents copied are in Italian and Spanish. Printed on blue paper. Disbound. One of many anti-Catholic works produced by Sir Thomas at his Middle Hill Press. [Typis medio-montanis Jacobus Rogers impressit] unknown
Referentie van de boekhandelaar : MH132a
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De Continueerende Zegenpralingen der Geallieerde Wapenen in de Nederlanden Behaalt op die van Waar by komt het medetreden in de Groote Alliantie van de Koningen van Portugaal en Pruyssen mitsgaders den Hertog van Savoyen
Utrecht: Willem van Poolsum 1703. Paperback. Very Good . 56 p.; 19 cm. Signatures: A-G4 4to. Disbound but solid. Woodcut title vignette of a vase with flowers and initial letter. Knuttel 14961. A report on victories of the Allied nations in the Netherlands against France and Spain in 1703. An extremely scarce pamphlet from the War of the Spanish Succession. Disbound; otherwise in Very Good Condition: slightly soiled and creased. Willem van Poolsum paperback
Referentie van de boekhandelaar : 001480
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Decorative Works of Art: Chinese Japanese and Korean: New York: Saturday June 6 1992
New York N.Y. U.S.A: Sotheby's 1992. Softcover. Auction catalogue. Covers are in good clean condition. Several light surface scratches and small abrasions on back cover. Edge wear along lower leading edge of back cover. Leading corners and spine ends slightly worn. Pages a little sunned but clean. Contents sound. AF. paperback. Good/No Dust Jacket. Used. Sotheby's Paperback
Referentie van de boekhandelaar : 264142
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Dedication Of The Monument On Boston Common Erected To The Memory Of The Men Of Boston Who Died In The Civil War.
Boston: Printed By Order Of The City Council 1877 Brown/Gilt Cloth Has 40% Of Cloth Of Spine Chewed Off. Some Rubbing Of Edges. Tight. Clean.144 Pgs. 4to - over 9¾ - 12" tall. 1st Edition. Hardcover. Good. Printed By Order Of The City Council hardcover
Referentie van de boekhandelaar : 288414
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Delafons Allan ed. The Penrose annual: a review of the graphic arts 1960. Vol. 54
London: Lund Humphries 1960. First edition 4to pp. 20 xv-xl 120 20 1-50; frontis.; illus. throughout; fine in jacket. Includes "Typophiles' adventures in bookmaking" by Paul Bennett and "Porson's Greek Types" by J.M. Mosley. <br/><br/> Lund, Humphries unknown books
Referentie van de boekhandelaar : 17271
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Delafons Allan. The Penrose annual 1961. Vol. 55
London: Percy Lund Humphries and Co. 1961. First edition 8vo pp. i-viii 16 xvi-lviii 155 3 1-54 2; frontis.; heavily illus. throughout in various techniques; jacket only slight wear to extremities; else very good or better. This volume includes "Univers in action" by John Dreyfus and "Homage to Walt Kelly as a depicter of conversation" by Beatrice Warde <br/><br/> Percy Lund, Humphries, and Co. unknown books
Referentie van de boekhandelaar : 17262
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Dent Toys Catalogue No. 10: Cast Iron Toys Cast Aluminum Toys Repeator and Single Shot Pistols Jacks
Fullerton PA: The Dent Hardware Company. Very Good; Covers slightly sunned. 1972. Reprint. Softcover. Printed stapled blue card covers. Facsimile of antique toy catalogue reprinted for the Antique Toy Collectors of America 1972 Spring meeting this verbiage is stamped inside rear cover. Many black and white photos. Laid in is four-page reprint of Toy Price List for this Catalogue. ; 8vo 8" - 9" tall; 48 pages . The Dent Hardware Company paperback
Referentie van de boekhandelaar : 45645
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Denver's Mountain Parks
Denver Colorado: Wiswall Brothers Colorado's Landscape Photographers 1905 Card Cover Art Black/Gilt. Stapled 12 Leaves Of Plates. Nd. C- 1905 Each Plate Accompanied By Guard Sheet With Descriptive Letter Press. Some Foxing All Tipped Photographs Clean. Very Rare Worldcat Finds 4 Copies. Oblong. 1st Edition. Original Wraps. Very Good. Wiswall Brothers Colorado's Landscape Photographers paperback
Referentie van de boekhandelaar : 288600
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Der Bunte Rock: Eine Sammlung deutscher Uniformen des 19. Jahrhunderts; Beilage zur Halpaus 4
Cologne: Verlag Haus Neuerburg 1933. Paperback. Very Good -. 28 p. with 252 cards; 31 cm. Maroon stiffened card covers with gilt cover title and color illustration on front cover. No publication information but most sources attribute this uniform card book to Haus Neuerburg in Köln in 1933. The 252 mounted color cards often called cigarette cards portray uniforms from the various German-speaking parts of Europe. Arranged in three sections: I. 1800-1810 Deutschland in seiner tiefsten Erniedrigung -- II. 1808-1842 Die Zeit der Befreiung -- III. Die Zeit des Aufstiegs. In Very Good- Condition: cover is rubbed; small loss at lower edge of front cover next to spine and at tail of spine; lower corners are creased; pages and cards are clean and bright. All 252 cards are present. Verlag Haus Neuerburg paperback
Referentie van de boekhandelaar : 004688
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Der Querschnitt N°8 de la sixième année
Berlin: Im Propyläen-Verlag 1926. Fine. Im Propyläen-Verlag Berlin Août 1926 18 x 24.50 cm broché First edition. Contents include contributions by Mario Bruni C. Einstein and R. de Luca. Numerous illustrations drawings and photographs. Spine faded small corner chips to boards handsome interior condition. Rare. Im Propyläen-Verlag hardcover
Referentie van de boekhandelaar : 17457
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Der Querschnitt N°2 de la huitième année
Berlin: Im Propyläen-Verlag 1928. Fine. Im Propyläen-Verlag Berlin Février 1928 18 x 24.50 cm broché First edition. This issue whose cover is illustrated by Ernst Aufseeser includes contributions by René Bizet and Max Hermann among others. Rich iconography including a reproduction of a Picasso painting drawings by Cocteau and photographs of authors. Three plates appear to have been removed from our copy. Rare. Im Propyläen-Verlag unknown
Referentie van de boekhandelaar : 17289
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Der Querschnitt N°8 de la neuvième année
Berlin: Im Propyläen-Verlag 1929. Fine. Im Propyläen-Verlag Berlin Août 1929 18 x 24.50 cm broché First edition. Cover illustrated by mario Eloy. Contents include notably contributions by José Ortega y Gasset Darius Milhaud Mussolini a short story by Virginia Woolf and illustrations by Cézanne Juan Gris Braque among others. Two lacks at head and foot of spine. Im Propyläen-Verlag unknown
Referentie van de boekhandelaar : 17379
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Der Querschnitt N°3 de la cinquième année
Berlin: Im Propyläen-Verlag 1925. Fine. Im Propyläen-Verlag Berlin Mars 1925 18 x 24.50 cm broché First edition. Numerous contributions including those by Proust 'Violanthe' Pushkin and Jean-Jacques Brousson on Anatole France. Illustrations by Derain cover Rouault Grosz Kokoschka among others. Front cover detached. Rare. Im Propyläen-Verlag unknown
Referentie van de boekhandelaar : 17422
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Der Querschnitt N°8 de la cinquième année
Berlin: Im Propyläen-Verlag 1925. Fine. Im Propyläen-Verlag Berlin Août 1925 18 x 24.50 cm broché First edition. Contents include contributions by H. Zimmer J. Cocteau on Paul-Emile Pajot J. Darnetal M. Twain among others. Numerous illustrations drawings and photographs. Rare. Spine lacking handsome interior condition. Im Propyläen-Verlag unknown
Referentie van de boekhandelaar : 17423
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Der Querschnitt N°11 de la septième année
Berlin: Im Propyläen-Verlag 1927. Fine. Im Propyläen-Verlag Berlin Novembre 1927 18 x 24.50 cm broché First edition. Contributions by Darius Milhaud Carl Hofer Dolbin. Numerous illustrations by Pieter Bruegel Monet Courbet Dufy Chagall Picasso among others. Sunning to front cover two lacks to spine. Rare. Im Propyläen-Verlag unknown
Referentie van de boekhandelaar : 17383
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Der Querschnitt N°3 de la dixième année
Berlin: Im Propyläen-Verlag 1930. Fine. Im Propyläen-Verlag Berlin Mars 1930 18 x 24.50 cm broché First edition. Numerous contributions including those by Maximo Jose Kahn and Ambroise Vollard entitled 'De La Fontaine à Chagall'. Illustrations by Fritz Pollack Dürer Henri Rousseau Adolf Dehn Braque Goya Chirico. Spine worn with lacks. Rare. Im Propyläen-Verlag unknown
Referentie van de boekhandelaar : 17299
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Der Querschnitt N°12 de la douzième année
Berlin: Im Propyläen-Verlag 1932. Fine. Im Propyläen-Verlag Berlin Décembre 1932 18 x 24.50 cm broché First edition. Contents of this special issue devoted to occultism include an article by Bergson on research in psychology a contribution by Jung on reality and illustrations by Max Ernst Longhi Léo Breuer Fernand Léger notably. Two lacks at head and foot of spine. Im Propyläen-Verlag unknown
Referentie van de boekhandelaar : 17375
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Der Querschnitt N°6 de la neuvième année
Berlin: Im Propyläen-Verlag 1929. Fine. Im Propyläen-Verlag Berlin 1929 18 x 24.50 cm broché First edition. Numerous contributions including those by P. Valéry A. Schnack G.K. Chesterton Nago E. Pinner. Issue illustrated with drawings as well as photographs. Three tears with lacks to spine handsome interior condition. Rare. Im Propyläen-Verlag unknown
Referentie van de boekhandelaar : 17382
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Der Rhein / Le Rhin / The Rhine . Totalansicht Von Baden-Baden . Von Heidelberg Frankfurt Wiesbaden Von Der Morgensette Mainz / Mayence - Neue Aufnahme Schloss Biebrich Am Rhein / Chateau De Biebrich / Castle Of Biebrich Rudesheim Bingen Rheinstein Bacharach & Werners Kapelle Pfalz Kaub & Gutenfels Oberwesel Die Lurleyfelsen Rheinfels Sternberg & Liebenstein Braubach Und Die Marzburg Stolzenfels Coblenz Die Apollinariuskirche Bei Remagen Rheineck Rolandseck Drachenfels & Nonnenwerth Godesberg Bonn Coln Von Dernordoseite
Frankfurt: Schmerbersche Buchhandlung Nachfolger H. Keller Circa 1840 Engravings Published By Druck & Verlag G. G. Lange In Darmstadt 1840. 1st Edition . Hardcover. Very Good. Original Engravings. Brown Cloth Spine Illustrated White Boards 9 1/4" X 6 5/8" Printed In Blue And Gold 16 Finely Engraved Plates Drawn And Engraved By Various Artists No Coloring Tissue Guards No Text Pages. A Tourist Souvenir Probably Circa 1840. Rare Exceptionally Early Illustrated Tourist Memorabilia. No Institutional Holding Shown In Worldcat. Some Wear Front And Rear Hinges Cracked Just Now Entirely Intact No Marks. <br/> <br/> Schmerbersche Buchhandlung [Nachfolger H. Keller] Circa 1840 Engravings Published By Druck & Verlag G. G. Lange In Darmstadt hardcover
Referentie van de boekhandelaar : 054518
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DESCRIPTIVE CATALOGUE OF MATERIALS relating to the history of Great Britain and Ireland to the end of the reign of Henry VII. By Thomas Duffus Hardy
London: Longman et. al. 1865. 2 of 3 volumes in 3 royal 8vo; ex-library copy with usual markings pages slightly browned hinges slightly cracked in vol. II extremities and spines rubbed small cracks in tops of spines loss of about 2 inches of bottom corner of lower cover of vol. I part 2 else good in contemporary quarter brown morocco gilt over black paper-covered boards. Despite Hardy's original intentions these first two volumes extend to the year 1200; vol. III to 1327. The first bibliography of this type it is arranged chronologically; histories are listed under the date of the last historical event recorded and biographies under the date the subject died. The object is to print all known sources of early British and Irish history; in the entries Hardy provides the manuscript locations; when relevant or possible lives of the authors sources which the authors used and later treatments or publications of the manuscripts. Longman, [et. al.] unknown
Referentie van de boekhandelaar : 13818
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DESCRIPTIVE CATALOGUE OF MATERIALS relating to the history of Great Britain and Ireland to the end of the reign of Henry VII. By Thomas Duffus Hardy
London: Longman et. al. 1865. 2 of 3 volumes in 3 royal 8vo; ex-library copy with usual markings pages slightly browned hinges slightly cracked in vol. II extremities and spines rubbed small cracks in tops of spines loss of about 2 inches of bottom corner of lower cover of vol. I part 2 else good in contemporary quarter brown morocco gilt over black paper-covered boards. Despite Hardy's original intentions these first two volumes extend to the year 1200; vol. III to 1327. The first bibliography of this type it is arranged chronologically; histories are listed under the date of the last historical event recorded and biographies under the date the subject died. The object is to print all known sources of early British and Irish history; in the entries Hardy provides the manuscript locations; when relevant or possible lives of the authors sources which the authors used and later treatments or publications of the manuscripts. <br/><br/> Longman, [et. al.] hardcover books
Referentie van de boekhandelaar : 13818
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Designer Bookbinders 2
London: Design Bookbinders 1972. Oblong 8vo pp. 52; 38 illustrations of bindings by 24 binders each with a brief biography and statement; fine in original printed wrappers. <br/><br/> Design Bookbinders unknown books
Referentie van de boekhandelaar : 51988
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Designer Bookbinders. Udstilling af Engelske bogbind. Introduction by Bernard C. Middleton.
Kobenhavn: Designer Bookbinders 1973. Narrow 8vo pp. 36 2; 16 full-page illustrations; original pictorial wrappers; fine. An exhibition catalogue with details on 49 bindings by 16 different binders. <br/><br/> Designer Bookbinders unknown books
Referentie van de boekhandelaar : 51987
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Deutsche Buchbeinbände der Renaissance um Jakob Krausse Hofbuchbinder des Kurfürsten August I. von Sachsen
Assenede Belgium: Dirk Haers 1994. Book. Near Fine. Unbound. First Edition. 4to - over 9¾" - 12" tall. Ivory stiff paper portfolio French flaps lettered in brown. Text block is as issued in 8-page signatures/gatherings unbound. Unpaginated. xxiv pp. introductory 102 catalogued examples xxviii pp. of appendices colophon etc. at rear. illus. w/ 5 full page color plates 1 with acetate overlay. The final two gatherings appear to be errata/corrigenda showing both the orginal error and the corrected text in two columns. We would have expected more than 5 plates in this publication but given that the plates are printed as part of the gatherings not inserted it is highly unlikely that this copy lacks any plates that may have originally accompanied. Portfolio sleeve shows minor soiling and approx. 1/2" closed tear at top of front and rear joints thus VG; interior basically as issued Near Fine/Fine. Scarce. Dirk Haers unknown
Referentie van de boekhandelaar : BIBL0131 ISBN : 2873050322 9782873050320
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Deutsche Bibliophilie in drei Jahrzehnten: Verzeichnis der Veroeffentlichungen der deutschen bibliophilen gesellschaften und der ihnen gewidmeten Gaben
Leipzig: Gesellschaft der Freunde der deutschen Buecherei 1931. The scarce original edition of this complete bibliography of the output of the German bibliophile societies during the first three decades of the 20th century. Hundred of items described with complete details. Fully indexed. One of 1000 numbered copies this copy in loose gatherings never bound uncut and unopened with huge margins. 4to fine. <br/><br/> Leipzig: Gesellschaft der Freunde der deutschen Buecherei, 1931 unknown
Referentie van de boekhandelaar : 340
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Deutsche Einbandkunst: Ausstellung des Jakob Krausse-Bundes Vereinigung deutscher Kunstbuchbinder im Weissen Saal des Schlossmuseums zu Berlin September-Oktober 1921
Berlin Germany: Jakob Krausse-Bund/Ernst Collin 1921. Book. Near Fine. Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. Moss green cloth. Royal 8vo. Slightly rubbed spine extremities interior slightly toned but otherwise fully intact. 92 pp. illustrated many advertisements. Text in German. Jakob Krausse-Bund/Ernst Collin Hardcover
Referentie van de boekhandelaar : BIBL0125
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Deutsche Welt thu' einmal wegen der Philosophie und Geistlichkeit die Augen auf: oder Beytrage uber mechselseitige Verhaltnisse der Philosophie und Religion des Staates der Kirche der Strafgerechtigkeit und Bildung -- Verbesserung der Geistlichkeit der offentlichen Verarmung und Verhutung derselben. Zwey Theile. 2 Teile in einem Band
Germanien Manneim Germany: Löffler 1807. Book. Good. Hardcover. 8vo - over 7¾" - 9¾" tall. Marbled paper covered boards. Joints rubbed with surface loss rubbing with exposure at corners. Chipped with modest loss at spine extremities. Minor surface rubbing. x279xi2213 pp. Firm binding. Front endsheets contain former owner's notes in Kurrentschrift with stamped signature on main title. Interior nicely intact with occasional toning. No publisher indicated attributed to Löffler in Mannheim. Löffler? Hardcover
Referentie van de boekhandelaar : 045109
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