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‎Pierre VIDAL-NAQUET‎

‎Mémoires Tome II : Le Trouble et la Lumière 1955-1998‎

‎Paris: Seuil 1998. Fine. Seuil Paris 1998 14.50 x 22 cm broché First edition of which there were no deluxe copies. Handsome copy. Dated autograph inscription signed by Pierre Vidal-Naquet to Réjane and Pierre Le Bat. Seuil unknown‎

Référence libraire : 81986

‎Pierre VIDAL-NAQUET‎

‎Mémoires Tome I : La brisure et l'attete 1930-1955‎

‎Paris: Seuil 1998. Fine. Seuil Paris 1998 14.50 x 22 cm broché The first edition of which there were no deluxe copies. Spine and covers very slightly and marginally lightened handsome copy. Dated autograph inscription signed by Pierre Vidal-Naquet to Réjane and Pierre Le Bat: "". en souvenir d'une rencontre sympathique à la Hune"" "". in memory of a pleasant meeting at La Hune"". Seuil unknown‎

Référence libraire : 81975

‎Pierre VIDAL-NAQUET‎

‎Mémoires. Tome I : La Brisure et l'Attente 1930-1955. - Tome II. Le Trouble et la Lumière 1955-1998‎

‎Paris: Seuil 1995. Fine. Seuil Paris 1995-1998 14.50 x 22 cm 2 volumes brochés First edition of which there were no deluxe copies for each of the volumes. Handsome set. Dated and signed autograph inscriptions from Pierre Vidal-Naquet to Yvonne and Roger Rey on each of the volumes. Seuil unknown‎

Référence libraire : 77153

‎Pierre VIDAL-NAQUET‎

‎Mémoires. Tome I : La Brisure et l'Attente 1930-1955. - Tome II. Le Trouble et la Lumière 1955-1998‎

‎Paris: Seuil 1995. Fine. Seuil Paris 1995-1998 14.50 x 22 cm 2 volumes brochés First edition of which there were no deluxe copies for each of the volumes. Handsome set. Dated and signed autograph inscriptions from Pierre Vidal-Naquet to a couple of his friends named Jacques and Marie-Claude. Seuil unknown‎

Référence libraire : 79453

‎Pierre VILAR‎

‎Dans Barcelone au XVIIIème siècle‎

‎Barcelona: Colegio notarial de Barcelona 1950. Fine. Colegio notarial de Barcelona Barcelona 1950 17 x 24 cm broché First edition of this offprint from ""Estudios historicos y documentos de los archivos de protocolos"". Minor spotting to front cover two slight lacks at head and foot of spine otherwise a handsome copy. Colegio notarial de Barcelona unknown‎

Référence libraire : 26757

‎PIERRE W GOLAY et al‎

‎1938 - 1950 ORIGINAL AUTOGRAPH ALBUM AND RELIC OF SWISS NEUTRALITY DURING WORLD WAR II AS ONE STUDENT VORACIOUSLY COLLECTS AUTOGRAPHS INCLUDING MONTGOMERY GUISAN AND DOLLFUS‎

‎BERNE SWITZERLAND. Good. 1938. Full-Leather. On offer is a super autograph album and memory book of Pierre W. Golay who in 1938 was being schooled in Switzerland. It appears that for most of the war years he was in the neutral country but by 1945 he was a young British soldier. There are many many dozens if not 100 of signatures and inscriptions plus photographs in the book and ephemeral items enclosed like menus of important dinners are also signed and sometimes inscribed. There are three stand out autographs of important World War II personages among the school family army and theater friends in the 2/3rds filled book: 1 Field Marshall B.L. Montgomery undated; 2 General Henri Guisan Jan. 5 1940 credited with almost singlehandedly saving Switzerland from Hitler's armies and a symbol of resistance to Nazism his picture is attached on the opposite page; and 3 Col. Div. Dollfus Adjutant General de l'Armee the Swiss Army Mars 1940. The largish 6½ x 7¾ full leather once premium album is now rubbed and chipped and the clasp is removed leaving slits in te leather the tab is in half but the interiors are very good and overall G. ; 12mo - over 6¾" - 7¾" tall; KEYWORDS: GENERAL HENRI GUISAN DOLLFUS ADJUTANT GENERAL DE L'ARMEE SWITZERLAND PIERRE W. GOLAY WORLD WAR I WORLD WAR TWO WWII FIELD MARSHALL MONTGOMERY HANDWRITTEN MANUSCRIPT DOCUMENT LETTER AUTOGRAPH DIARY JOURNAL LOG KEEPSAKE WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS PHOTO ALBUM PHOTOGRAPHIC ALBUM HISTORICAL HOLOGRAPH WRITERS DIARIES JOURNALS LOGS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL PERSONAL HISTORY antiquité contrat vélin document manuscrit papier Antike Brief Pergament Dokument Manuskript Papier oggetto d'antiquariato atto velina documento manoscritto carta antigüedad hecho vitela documento manuscrito Papel . hardcover‎

Référence libraire : 0001485

Biblio.com

Katz Fine Manuscripts Inc.
Canada Canadá Canadá Canada
[Livres de Katz Fine Manuscripts Inc.]

2 188,01 € Acheter

‎Pierre WEISS‎

‎L'espace. Notes pour servir à l'histoire des énergies de l'air. Volume II : L'ancre de miséricorde‎

‎Paris: Berger-Levrault 1922. Fine. Berger-Levrault Paris 1922 14 x 19 cm broché First edition on current paper. Some foxing on the boards a vertical fold on the margin of the first board. Signed autograph dated and signed by Commander Pierre Weiss to Henri Mengin who was a lawyer and mayor of Nancy: ""To Hneri Mengin Mayor of Nancy president of the Bar Association and the greatest heart in the world. and dedication Capit Weiss. "" Berger-Levrault hardcover‎

Référence libraire : 66347

‎Pierre WEISS‎

‎L'espace. Notes pour servir à l'histoire des énergies de l'air‎

‎Paris: Louis Querelle 1929. Fine. Louis Querelle Paris 1929 12 x 19 cm broché New edition. Precious autograph signed by Commander Pierre Weiss to Henri Béraud. Preface by the Countess de Noailles. Very slight freckles without gravity on the second flat and the back. Provenance: Henri Béraud's library. Louis Querelle unknown‎

Référence libraire : 51738

‎Pierre-Adolphe LESSON‎

‎Voyage autour du monde entrepris par ordre du gouvernement sur la corvette La Coquille‎

‎Bruxelles Brussels: N. J. GregoirWouters et cie 1839. Fine. N. J. Gregoir Wouters et cie Bruxelles Brussels 1839 14.50 x 22.50 cm 4 tomes en 2 volumes reliés Belgian first edition published the same year as the French edition; and illustrated with 4 lithographs. Contemporary half glazed camel calf binding. Spine with flat false bands decorated with 3 blind-stamped fleurons with roulettes on the bands and blind fillets. Chocolate shagreen title and volume labels. By deliberate aesthetic choice and to correspond to the binding in two volumes only two title pages have been retained volume I and volume II each at the beginning of each volume thus in the volumes the chapters follow without transition; chapter VIII following chapter VII from the end of the first volume. Handsome copy very fresh. This scientific circumnavigation commanded by Duperrey took place from 1822 to 1825 it mainly concerns Oceania although the first volume focuses on Brazil the Malvinas Islands and Peru; the other three deal with Tahiti Bora Bora New Ireland and New South Wales New Zealand Sandwich Islands Australia Mauritius. Lesson was the naturalist and the ship's pharmacist physician responsible for recording and collecting specimens and samples; he would be the first to give a description of birds of paradise. Apart from a chapter in the voyages of Dumont Durville who was an officer on La Coquille this is the only account we have of this voyage around the world by Duperrey. The work is very rich in detailed information both on the customs of the different peoples visited and on the fauna and flora Lesson's perspective being essentially scientific. A vocabulary of the language of New Zealand. N. J. GregoirWouters et cie unknown‎

Référence libraire : 75878

‎Pierre-Aime TOUCHARD‎

‎Grandes heures de théâtre de Paris suivi d'un guide des théâtres‎

‎Paris: Librairie académique Perrin 1965. Fine. Librairie académique Perrin Paris 1965 15 x 22.50 cm en feuilles sous double chemise et étui First edition one of 50 numbered deluxe copies the only deluxe copies. Spine of the second chemise slightly sunned worming to the boards of the slipcase. Handsome copy presented in sheets under double chemise and slipcase. Iconography. Librairie académique Perrin hardcover‎

Référence libraire : 75668

‎Pierre-Ambroise-Francois CHODERLOS DE LACLOS‎

‎Les Liaisons dangereuses • Dangerous Liaisons‎

‎Londres London: S. n. 1796. Fine. S. n. Londres London 1796 1812 12.70 x 20.30 cm 2 tomes reliés Pirate edition of 1812 imprint dated 1796. It features the exact pagination of the genuine 1796 edition as well as the 13 plates and 2 frontispieces by Monnet Mlle Gérard and Fragonard fils engraved by Baquoy Duplessi-Bertaux Dupréel Godefroy Langlois Lemire Lingée Masquelier Patas Pauquet Simonet and Trière. The pirate edition is identified by the letters “R. p. D.” in the plates' lower margins as they have been retouched by Delvaux. In addition the fillet preceding the date on the title-page is wavy and the title is presented in seven lines rather than eight. Bound in full morocco slight rubbing on the corners all edges gilt splendid binding signed by Hardy. A very fine copy in a magnificent decorated full morocco binding by Hardy. S. n. unknown‎

Référence libraire : 85226

‎Pierre-Andre BENOIT‎

‎". de vos demandes verbales et écrites vous aurez au moins."" • Unpublished and signed autograph letter addressed to his friend the Montpellier bookseller Pierre Clerc‎

‎Paris: S. n. 1983. Fine. S. n. Paris 17 Novembre 1983 13.50 x 21 cm une feuille Autograph letter signed by Pierre-André Benoit 27 lines in black ink and written from his château at Rivières-de-Theyrargues in the Gard which he has occupied since 1970 addressed to bookseller Pierre Clerc regarding works that the latter had ordered from him. Fold mark inherent to mailing. PAB must travel to Montpellier as his housekeeper is to have surgery there. He will therefore take the opportunity to meet his bookseller friend and bring him some available works among those he had ordered. Poet painter engraver Pierre-André Benoit or P.A.B. was above all a typographer and printer who produced more than 400 illustrated works bringing together the greatest post-war poets with the most talented painters of the second half of the 20th century. P.A.B.'s productions were initially created on a small press installed in his apartment in Alès. They brought together his poet friends René Char André Breton Paul Eluard Paul Claudel Erik Satie Tristan Tzara and his painter friends Joan Miro Georges Braque Jean Dubuffet Francis Picabia Marcel Duchamp and Pablo Picasso. In 1949 he began using celluloid engraving which allowed him to make the prints himself and create entire books. From his modern château at Rivières-de-Theyrargues in the Gard he would eventually illustrate his own works while continuing to work with his faithful friends Camille Bryen and Pierre Alechinsky. S. n. unknown‎

Référence libraire : 84056

‎Pierre-Andre BENOIT‎

‎". il m'est impossible de lire de penser à quoi que ce soit sauf aux méfaits du temps."" • Unpublished and signed autograph letter addressed to his friend the Montpellier bookseller Pierre Clerc‎

‎Paris: S. n. 1985. Fine. S. n. Paris 10 Janvier 1985 15 x 21 cm une feuille Autograph letter signed by Pierre-André Benoit 22 lines in blue ink and written from his château at Rivières-de-Theyrargues in the Gard which he has occupied since 1970 addressed to bookseller Pierre Clerc to whom he presents his wishes for 1985 and in which he narrates the damage related to the frost that is ravaging the Gard and damaging his home. Fold mark inherent to mailing. PAB suffers from the harsh winter that has fallen upon the Gard: "". si je vous écris avec un soleil radieux qui réjouit les yeux il est sans effet et les -15e devant ma porte le 0 à l'intérieur de la maison cela n'a rien de confortable."" "". if I write to you with radiant sunshine that delights the eyes it has no effect and the -15° in front of my door 0° inside the house that is not at all comfortable."" but remains in good health even if his mind is paralyzed by the damage that promises to be significant: "".je suis effrayé à la pensée du dégel. il m'est impossible de lire de penser à quoi que ce soit sauf aux méfaits du temps. Vivement les beaux jours."" "".I am frightened at the thought of the thaw. it is impossible for me to read or think of anything except the misdeeds of the weather. Looking forward to fine weather."" Poet painter engraver Pierre-André Benoit or P.A.B. was above all a typographer and printer having produced more than 400 illustrated works bringing together the greatest postwar poets with the most talented painters of the second half of the 20th century. P.A.B.'s productions were first created on a small press installed in his apartment in Alès. They brought together his friends the poets René Char André Breton Paul Eluard Paul Claudel Erik Satie Tristan Tzara and his painter friends Joan Miro Georges Braque Jean Dubuffet Francis Picabia Marcel Duchamp and Pablo Picasso. In 1949 he began to use celluloid engraving which allowed him to make the prints himself and to produce the books entirely. From his modern château at Rivières-de-Theyrargues in the Gard he ended up illustrating his own works while continuing to work with his faithful friends Camille Bryen and Pierre Alechinsky. S. n. unknown‎

Référence libraire : 84058

‎Pierre-Andre BENOIT‎

‎". je ne bouge jamais de Rivières."" • Unpublished and signed autograph letter addressed to his friend the Montpellier bookseller Pierre Clerc‎

‎Paris: S. n. 1986. Fine. S. n. Paris 5 Janvier 1986 13.50 x 21 cm une feuille une enveloppe Autograph letter signed by Pierre-André Benoit 13 lines in black ink written from his château at Rivières-de-Theyrargues in the Gard region which he has occupied since 1970 addressed to bookseller Pierre Clerc who had sent him New Year's wishes for 1986. Envelope included. In turn Pierre-André Benoit extends his wishes for the year ahead and writes that he finds it difficult to leave his retreat in the Gard at Rivières-de-Theyrargues : "". je ne bouge jamais de Rivières."" "". I never leave Rivières."" and therefore favors a telephone appointment with his correspondent: "". oui par téléphone prenons rendez-vous et j'espère bientôt."" "". yes by telephone let's make an appointment and I hope soon."" Poet painter engraver Pierre-André Benoit or P.A.B. was above all a typographer and printer who created more than 400 illustrated works bringing together the greatest post-war poets with the most talented painters of the second half of the 20th century. P.A.B.'s productions were first created on a small press installed in his apartment in Alès. They would bring together his friends the poets René Char André Breton Paul Eluard Paul Claudel Erik Satie Tristan Tzara and his painter friends Joan Miro Georges Braque Jean Dubuffet Francis Picabia Marcel Duchamp and Pablo Picasso. In 1949 he began using celluloid engraving which allowed him to make the prints himself and create the books in their entirety. From his modern château at Rivières-de-Theyrargues in the Gard he would end up illustrating his works himself while continuing to work with his faithful friends Camille Bryen and Pierre Alechinsky. S. n. unknown‎

Référence libraire : 84050

‎Pierre-Andre BENOIT‎

‎". oui il y aura des livres si vous en voulez."" • Unpublished and signed autograph letter addressed to his friend the Montpellier bookseller Pierre Clerc‎

‎Paris: S. n. 1989. Fine. S. n. Paris 17 Septembre 1989 14.50 x 21 cm une feuille Signed autograph letter from Pierre-André Benoit 13 lines in black ink written from his château de Rivières-de-Theyrargues in the Gard which he has occupied since 1970 addressed to the bookseller Pierre Clerc who had sent him his wishes for the year 1986. Fold mark inherent to envelope insertion. Pierre Clerc has inscribed in pencil at the top of the letter the name and surname of his correspondent. Pierre-André Benoit believes his correspondent is busy with his summer occupations particularly mycological : "". vous êtes sans doite à Chateauneuf de Randon et les champignons ne doivent pas manquer."" "". you are no doubt at Chateauneuf de Randon and mushrooms must not be lacking."" and reassures his bookseller friend eager to stock up on his luxurious editions with confidential print runs: "". Venez déjeuner. oui il y aura des livres si vous en voulez. A bientôt."" "". Come to lunch. yes there will be books if you want them. See you soon."" Poet painter engraver Pierre-André Benoit or P.A.B. was above all a typographer and printer who produced more than 400 illustrated works bringing together the greatest post-war poets with the most talented painters of the second half of the 20th century. P.A.B.'s productions were first created on a small press installed in his apartment in Alès. They brought together his poet friends René Char André Breton Paul Eluard Paul Claudel Erik Satie Tristan Tzara and his painter friends Joan Miro Georges Braque Jean Dubuffet Francis Picabia Marcel Duchamp and Pablo Picasso. In 1949 he began using engraving on celluloid which allowed him to make the prints himself and produce the books entirely. From his modern château at Rivières-de-Theyrargues in the Gard he would eventually illustrate his works himself while continuing to work with his faithful friends Camille Bryen and Pierre Alechinsky. S. n. unknown‎

Référence libraire : 84051

‎Pierre-Andre BENOIT - Joan MIRO‎

‎". une bonne année commencée avec le soleil ce qui donne envie de circuler."" • Unpublished handwritten card signed and illustrated with a reproduction of a drawing by Joan Miro addressed to his friend the Montpellier bookseller Pierre Clerc wishing him his best wishes for the year 1984‎

‎Paris: S. n. 1984. Fine. S. n. Paris 11 Janvier 1984 13.50 x 10 cm une feuille une enveloppe Autograph signed card from Pierre-André Benoit 8 lines in black ink written from his château at Rivières-de-Theyrargues in the Gard which he has occupied since 1970 addressed to the bookseller Pierre Clerc to whom he extends his wishes for 1984. The card is illustrated on the recto with a reproduction of a drawing by Joan Miró accompanied by a phrase from Saint Teresa of Avila envelope included. The sunny winter favors PAB's good humor: "". une bonne année commencée avec le soleil ce qui donne envie de circuler."" "". a good year begun with sunshine which makes one want to get about."" who suggests to his bookseller friend that he come to lunch at his home soon. Poet painter engraver Pierre-André Benoit or P.A.B. was above all a typographer and printer who created more than 400 illustrated works bringing together the greatest post-war poets with the most talented painters of the second half of the twentieth century. P.A.B.'s productions were first realized on a small press installed in his apartment in Alès. They brought together his poet friends René Char André Breton Paul Éluard Paul Claudel Erik Satie Tristan Tzara and his painter friends Joan Miró Georges Braque Jean Dubuffet Francis Picabia Marcel Duchamp and Pablo Picasso. In 1949 he began to use celluloid engraving which allowed him to make the prints himself and to create the books entirely. From his modern château at Rivières-de-Theyrargues in the Gard he would end up illustrating his works himself while continuing to work with his faithful friends Camille Bryen and Pierre Alechinsky. S. n. unknown‎

Référence libraire : 84098

‎Pierre-Andre Benoit (PAB) (Rene Char)‎

‎Bibliographie des oeuvres de Rene Char de 1928 a 1963‎

‎Ribaute-les-Tavernes Gard: Le Demi-Jour PAB P.-A Benoit 1964. A LARGE-PAPER COPY of the standard Char bibliography. Illustrated with reproductions of works by Miro Picasso Braque Giacometti and others. 100 pp. ONE OF ONLY 50 NUMBERED COPIES PRINTED ON FINE ARCHES WOVE PAPER. All items exhaustively described. Large 8vo. Original wraps. Uncut. FINE AND BRIGHT with errata slip laid in and very scarce as such. <br/><br/> Le Demi-Jour (PAB, P.-A, Benoit) paperback‎

Référence libraire : 3619

Biblio.com

Cole & Contreras
Spain España Espanha Espagne
[Livres de Cole & Contreras]

190,37 € Acheter

‎Pierre-Andre LATREILLE‎

‎Cours d'entomologie ou de l'histoire naturelle des crustacés des arachnides des myriapodes et des insectes. - Cours d'entomologie : Atlas‎

‎Paris: Roret 1831. Fine. Roret Paris 1831 13.50 x 21.50 cm 2 volumes reliés en 1 First edition. Half black shagreen binding spine with four raised bands ornately gilt and decorated in blind in compartments gilt initials at foot black paper boards marbled endpapers and pastedowns. Our copy is complete with its atlas bound at rear comprising 24 plates illustrated with figures. Some minor foxing of no consequence. Handsome copy. Roret hardcover‎

Référence libraire : 37423

‎Pierre-Andre LATREILLE‎

‎Histoire naturelle des fourmis et recueil de mémoires et d'observations sur les abeilles les araignées les faucheurs et autres insectes‎

‎Paris: Imprimerie de Crapelet 1802. Fine. Imprimerie de Crapelet Paris 1802 13 x 20 cm relié First edition. Bradel binding in green morocco with small corners smooth spine faded and richly decorated with gilt stylized birds and compartments decorated with grotesques lacking to lower headcap green cardboard boards orange paper endpapers and pastedowns bookplate pasted on one pastedown corners slightly bumped contemporary binding. Occasional light foxing library stamp on title page. Complete copy with its 2 folding tables as well as its 12 colored plates at end of volume. Imprimerie de Crapelet hardcover‎

Référence libraire : 68530

‎Pierre-Andre LATREILLE‎

‎Mémoires sur divers sujets de l'histoire naturelle des insectes de géographie ancienne et de chronologie etc etc.‎

‎Paris: Deterville 1819. Fine. Deterville Paris 1819 13 x 21 cm broché First edition. Copy in its original wrappers with small lacks to spine and covers title label and author's name on spine. Deterville unknown‎

Référence libraire : 34267

‎Pierre-Andre BENOIT‎

‎Poème autographe inédit ""L'arbre""‎

‎s. l. 1950. Fine. s. l. s. d. 6 x 10.50 cm un feuillet Unpublished autograph poem signed by Pierre-André Benoit entitled « L'arbre » 9 lines in black ink with a drawing of a tree. unknown‎

Référence libraire : 64370

‎Pierre-Andre LATREILLE‎

‎Précis des caractères génériques des insectes disposés dans un ordre naturel‎

‎s. l.: S. n. 1900. Fine. S. n. s. l. s. d. circa 1900 14 x 22.50 cm broché New edition printed identically to the original edition of 1796. Half marbled hazelnut sheep binding spine with five raised bands set with blind fillets red shagreen title-label gilt initials at foot marbled paper boards marbled endpapers and pastedowns. Handsome copy. S. n. hardcover‎

Référence libraire : 37498

‎Pierre-Augustin Caron de BEAUMARCHAIS‎

‎Le barbier de Séville‎

‎Paris: Edouard Pelletan 1903. Fine. Edouard Pelletan Paris 1903 17 x 24 cm broché Illustrated edition with 62 original compositions by Daniel Vierge one of 278 numbered copies on handmade laid paper. Front cover slightly and marginally shaded minor spotting without consequence on the final endpaper handsome interior condition. Edouard Pelletan unknown‎

Référence libraire : 85449

‎Pierre-Augustin Caron de BEAUMARCHAIS‎

‎Memoires à consulter pour Pierre-Augustin Caron de Beaumarchais et autres pièces‎

‎Paris: Imprimerie de Valleyre 1773. Fine. Imprimerie de Valleyre Paris 1773 20 x 25.50 cm relié Collection of 4 memoirs and two documents from the legal case that opposed Beaumarchais to Judge Goezman. Details: Memoire à consulter pour Pierre-Augustin Caron de Beaumarchais. Imprimerie de Valleyre. 1773. Paris. Supplément au mémoire à consulter. Imprimerie de Quillau. 1773. Paris. Addition au supplément du mémoire à consulter. Imprimerie de Clousier. Paris. Requête d'attenuation pour le Sr Caron de Beaumarchais. Imprimerie de Knapen. 1773. Paris. Quatrième mémoire à consulter. Imprimerie de Clousier. 1774. Paris. Arrest de la cour du Parlement du 26 février 1774. Chez P.G. Simon. 1774. Paris. Early 20th-century half vellum binding. Smooth spine with handwritten title. Marbled paper boards. Some manuscript notes in margins of certain leaves. Foxing and marginal dampstaining to right corner of the Addition au supplément. Overall paper more or less yellowed. From 1773 to 1774 Beaumarchais published 4 memoirs in which he dramatized his legal adventure one can see that he had chosen to represent himself. These 4 memoirs which blend dialogues and interrogations entertained all of Paris even Madame Du Barry and were performed everywhere in cafés and on the boulevards as they constitute a formidable comedy in which lies are ultimately revealed. Beaumarchais was indeed acquitted in the case that opposed him to Judge Goezman; the latter was the reporting judge in his trial regarding the Paris-Duverney inheritance which ruined and dishonored the author. Beaumarchais accused Goezman of corruption and the judge in turn accused Beaumarchais of defamation and attempted corruption. Judge Goezman constitutes above all a symbol of the corruption of the new Parliament erected by Louis XV and of the arbitrariness of justice. Imprimerie de Valleyre hardcover‎

Référence libraire : 52614

‎Pierre-Augustin Caron de BEAUMARCHAIS‎

‎Mémoires de M. Caron de Beaumarchais contre M. Goezman‎

‎à Paris: Chez Ruault 1773. Fine. First edition of Beaumarchais’s famous memoirs against Judge Goezman Chez Ruault à Paris 1773 - 1776 19 x 25 cm In-4 relié First edition of this complete collection including the portrait of Cochin as frontispiece. Some of the memoirs had appeared in 1773 but the collected edition that brings them all together is indeed dated 1774; certain pieces are dated 1773 as they were added after the title page bearing the 1774 date. Although the pagination varies the collection contains only one general title page; some memoirs have half-titles others do not. Contents of the collection: Mémoires de M. Caron de Beaumarchais contre M. Goezman Supplément au mémoire à consulter Addition au Supplément du mémoire à consulter Requeste d'atténuation pour le Sr Caron de Beaumarchais Quatrième mémoire à consulter Suite de la justification du Sieur de Beaumarchais Mémoire pour Pierre-Augustin Caron de Beaumarchais Réponse ingénue de Beaumarchais à la consultation injurieuse que le Comte de la Blache a répandu dans Aix Le tartare à la légion this piece is rare and is found in very few collections. Contemporary full speckled calf binding. Spine with gilt decorative tooling gilt fillets at head and foot. Brown morocco label. Blue mottled edges. Rubbing to joints. A good fresh copy with some gatherings slightly toned. Bookplate of J. B. Regnault avocat. Between 1773 and 1776 Beaumarchais published several memoirs in which he staged his own legal battle he had chosen to represent himself. These four memoirs blending dialogues and interrogations captivated all of Paris—including Madame Du Barry—and were performed in cafés and along the boulevards. They read like a brilliant comedy in which deception is ultimately unmasked. Beaumarchais was eventually acquitted in the case that opposed him to Judge Goezman who had been the reporting magistrate in the Paris-Duverney inheritance case that had brought Beaumarchais to financial ruin and public disgrace. In turn Beaumarchais accused Goezman of corruption while Goezman countered with charges of defamation and attempted bribery. Judge Goezman ultimately came to symbolize the corruption of the new Parliament established by Louis XV and the arbitrariness of the justice system. Chez Ruault unknown‎

Référence libraire : 80435

‎Pierre-Augustin GUYS‎

‎Voyage littéraire de la Grèce ou Lettres sur les Grecs anciens et modernes avec un parallèle de leurs moeurs‎

‎A Paris: Chez La veuve Duchesne 1783. Fine. Chez La veuve Duchesne A Paris 1783 12.50 x 19.50 cm 4 volumes reliés Third and best illustrated edition with 10 very fine hors-texte plates including a frontispiece by Dalbou after Hoüel 5 hors-texte plates by Laurent after Favray and 4 folding hors-texte plates by Laurent after Massit. The first three volumes contain all the letters on Greece as well as in the third volume the voyage to Italy the last contains other opuscules by the author: Essays on the Elegies of Tibullus followed by the translation of these The Seasons and Light Poetry. Numerous floral head- and tailpieces flower baskets carnations. Contemporary full porphyry sheep binding. Smooth spine decorated with fleurons roulette at tail. Red morocco title label green morocco volume label. Triple fillet frame on covers. On the upper joint of volume I small lacks of leather on the lower joint the leather has a split with a lack but without the joint being visible. Fragments of leather have also detached on other joints and the joints sometimes appear cracked but no joint is open or truly split only the leather shows some defects at the joints. On the lower joint of volume I nibbling also on the upper joint of volume 3. Paper generally quite fresh sometimes a few spots in the upper margins or on the verso of the engravings. Overall very fine copy. Broader than its title suggests the Literary Voyage of Greece contains numerous information on the Turks Armenians and their customs and naturally the peoples of Greece. The letters are the work of a merchant residing in Constantinople Monsieur Guys addressed to an art lover Bourlat de Montredont. Deeply enamored with belles-lettres and research on Antiquity the author in his description of Greece its customs and practices draws his material from ancient writers by establishing constant parallels with modern Greece showing how much all Greek literature is found in it. Each letter bears on a subject many concern art but some more specific ones deal with furniture jewelry makeup festivals proprieties baths architecture and naturally a domain particularly interesting to the author: commerce and navigation. Certain letters are additions and treat usages among the Turks Jews. An ambitious project by a man anchored in the reality of his time and who spent more than 30 years in the Levant the Literary Voyage of Greece identifies in modern Greece all the heritage of Antiquity and makes modern Greeks the direct heirs descendants of ancient Greeks. The author thus renews interest in voyages to Greece. Before its time it is one of the first works of anthropology. Chez La veuve Duchesne hardcover‎

Référence libraire : 85938

‎Pierre-Augustin GUYS‎

‎Voyage littéraire de la Grèce ou Lettres sur les Grecs anciens et modernes avec un parallèle de leurs moeurs‎

‎Paris: Chez La veuve Duchesne 1783. Fine. Chez La veuve Duchesne Paris 1783 12.50 x 19.50 cm 4 volumes reliés Third edition illustrated with 10 plates hors-texte including a frontispiece by Dalbou after Hoüel 5 plates hors-texte by Laurent after Favray and 4 folding plates hors-texte by Laurent after Massit. The first three volumes contain all the letters on Greece the last contains other opuscules by the author: Essays on Tibullus's Elegies followed by their translation The Seasons and Light Poetry. Numerous floral headpieces and tailpieces flower baskets carnations. Contemporary full marbled blonde calf binding. Smooth spines decorated with green morocco title and volume labels small gilt floral fleurons and gilt dentelle at tail. Triple gilt frames on boards. All edges marbled. Headcap of first volume abraded. Some wormholes on spines of second and third volumes. Tail joint split on first volume. Six corners bumped. Surface abrasions. Some pale corner dampstains. Worming affecting the entire lower right corner of the third volume. Handsome overall appearance of the copy. Broader than its title suggests the Literary Journey to Greece contains numerous information about the Turks Armenians and their customs and naturally the peoples of Greece. The letters are the work of a merchant residing in Constantinople Monsieur Guys addressed to an art lover Bourlat de Montredont. Deeply devoted to literature and research on Antiquity the author in his description of Greece its customs and practices draws his material from ancient writers by establishing constant parallels with modern Greece showing how much all of Greek literature is found in it. Each letter focuses on a subject many deal with art but some more specific ones cover furniture jewelry makeup festivities proprieties baths architecture and naturally a domain of particular interest to the author: commerce and navigation. Some letters are additions and treat customs among the Turks Jews. An ambitious project by a man anchored in the reality of his time and who spent more than 30 years in the Levant the Literary Journey to Greece identifies in modern Greece all the heritage of Antiquity and makes modern Greeks the direct heirs descendants of ancient Greeks. The author thus renews interest in travel to Greece. Before its time it is one of the first works of anthropology. Chez La veuve Duchesne hardcover‎

Référence libraire : 40866

‎Pierre-Charles LEVESQUE‎

‎Histoire de Russie‎

‎à Paris: Chez Debure l'aîné 1782. Fine. Chez Debure l'aîné à Paris 1782 10 x 17 cm relié First edition illustrated with 2 large folding maps of western Russia and eastern Russia. Contemporary full marbled calf bindings spines with raised bands decorated roulettes at head and foot. Red morocco title label black wax volume labels. One wormhole along the upper joint at the foot of volume I. Upper joint of volume 3 nibbled for 3 cm. A tear at the foot of volume 2 with a small cut at the headcap. Volume labels rubbed. Corners rubbed. Handsome copy. Levesque spent 7 years in Saint Petersburg during which he was a professor under the protection of Diderot who allowed him to consult the archives and documents necessary for the completion of his work which forms the most accomplished history of Russia at the end of the 18th century. The work exercised a decisive influence on the image of Russia in Europe and on Russian historiographers. The accuracy of the facts and the quality of the narrative contributed to making Levesque's Histoire de la Russie a classic work in Russia. Maccarthy Fitz-John bookplate. Chez Debure l'aîné hardcover‎

Référence libraire : 63220

‎Pierre-Corneille BLESSEBOIS‎

‎Le zombi du grand Pérou ou la comtesse de cocagne‎

‎Paris: S. n. 1867. Fine. S. n. Paris 1867 12 x 18.50 cm broché A re-impression of 110 numbered copies of the extremely rare first edition of 1697 this one of 90 on vergé paper. The text is preceded by a note on the life and works of the author. Three small chips to head and foot of spine no foxing. A rare copy of this colonial novel set in the French West Indies. S. n. unknown‎

Référence libraire : 33687

‎Pierre-Corneille BLESSEBOIS‎

‎Théatre‎

‎Paris: S. n. 1864. Fine. S. n. Paris 1864 12 x 18.50 cm broché New edition one of 132 numbered copies on laid paper the only printing with 3 vellum and 15 Holland copies. Two slight lacks at head and foot of spine very light worming. Rare. S. n. hardcover‎

Référence libraire : 9288

‎Pierre-Daniel HUET‎

‎Poemata. Notae ineditae ad anthologiam epigrammatum graecorum‎

‎Ultrajecti Utrecht Utrecht: Ex officina Guillelmi Broedelet 1700. Fine. Ex officina Guillelmi Broedelet Ultrajecti Utrecht • Utrecht 1700 9 x 15.50 cm relié Statement of fourth edition. Contemporary rigid vellum binding. Smooth spine. Red morocco title label. Anthology of poems by Pierre Daniel Huet 1630-1721 historian scholar and prolific writer with a section of notes on the Greek epigrams used in the poems the quotations are in Greek. Ex officina Guillelmi Broedelet hardcover‎

Référence libraire : 15982

‎Pierre-Dominique MARTIN‎

‎Description de l'Egypte. Description hydrographique des provinces de Beny-Soueyf et du Fayoum‎

‎Paris: Imprimerie Impériale 1809. Fine. Imprimerie Impériale Paris 1809 27 x 44 cm relié First edition text extracted from the Description de l'Egypte Volume II Etat Moderne. Full modern cream parchment paper boards binding. Black sheep title-label. The author was part of the members of the scientific commission of Egypt his mission was to establish a precise survey of the province of Beny-Souef and the Fayoum this mission being coordinated with that of Jomard for Lake Moeris. The account of the journey dwells on the state of the canals and irrigation works the topographical and demographic description of these regions crucial for the agricultural economy of Egypt. Some foxing. Imprimerie Impériale hardcover‎

Référence libraire : 70007

‎Pierre-Dominique MARTIN - COLLIN (sculpsit) - DE SAINT MORIEN (sculpsit)‎

‎DESCRIPTION DE L'EGYPTE. Alexandrie. Plan coupes et détails d'un monument souterrain situé à l'ouest de la ville antique. ANTIQUITES volume V planche 42‎

‎Paris: Imprimerie Impériale 1809. Fine. Imprimerie Impériale Paris 1809-1829 71 x 53.50 cm une feuille Original unshaved full-page etching from the “Imperial edition” of the Description de l'Égypte or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand A Collection of the observations and research carried out in Egypt during the French expedition published on the orders of his Majesty the Emperor Napoleon the Great'.Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828 1000 copies were printed and distributed to institutions on vergé paper with an 'Égypte ancienne et moderne' watermark visible when held up to the light. Light marginal spotting not touching image otherwise in very fresh fine condition. An engraving from the Description de l'Egypte one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799 the work is divided into 13 volumes of engravings making up 892 plates of which 72 colored as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The ‘Egyptian campaign' militarily a disaster demonstrates through the engravings of the Description d'Egypte the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte Egyptian Institute who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge the chemist Berthollet the naturalist Geoffroy Saint-Hilaire as well as numerous artists engineers architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants.This edition the so-called “Imperial” edition of the plates for the Description de l'Egypte was printed in four large formats two of which were specially created for it and christened “Moyen-Egypte” and “Grand-Egypte”. A special press was built to print it the process extending over 20 years from 1809 to 1829. The “Imperial” edition proved so popular that a second edition this time in black and white and without the “Egypte ancienne et moderne” watermark – known as the “Royal Edition” – was published during the Restoration by the printing house of C.-L.-F. Panckoucke Paris.The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon illustrator diplomat collector and later Director of the Musée Napoléon the Louvre. His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte.Denon embarked on this story of archeological exploration at the age of 51 reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte the Natural History Museum's painter H.J. Redouté brother of Pierre-Joseph Redouté author of Roses the mineralogist Dolomiue and the draughtsman Joly Denon then explored the Nile Delta and Lower Egypt. When however he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798 he found himself the only civilian. In the very midst of the battle itself he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed “a country that is apart from its name entirely unknown to Europeans and therefore everything was worth describing” Voyages dans la Basse et la Haute Egypte pendant les campagnes Imprimerie Impériale unknown‎

Référence libraire : 26212

‎Pierre-Etienne REGNAUD‎

‎Discours sur l'antique gouvernement de la monarchie française ; et sur la sagesse des rois qui l'ont fondé‎

‎à Paris: Chez tous les libraires 1798. Fine. Chez tous les libraires à Paris 1798 12 x 21 cm relié First edition. Later half black shagreen binding with corners ca 1860. Spine with raised bands decorated with blind-tooled compartments and fillets on the bands. This parliamentary prosecutor emigrated in 1791 he wrote several royalist and legitimist works during the revolutionary period he would not return to Paris until the Restoration. Engraved armorial bookplate of Du Plessis. A stamp below the date on the title page: Ex-libris Delaunay. Demonstration through history of the superiority of monarchical government and apology for Louis XVI. The author does not address the current constitution of France and its governance. Chez tous les libraires hardcover‎

Référence libraire : 37071

‎Pierre-Eugene VIBERT - Johann Wolfgang von GOETHE‎

‎Les Affinités électives‎

‎Paris: A l'enseigne du Pot Cassé 1929. Fine. A l'enseigne du Pot Cassé Paris 1929 12 x 18.50 cm 2 volumes brochés New edition one of 50 numbered copies on Japan paper deluxe copy. Handsome copy. Work illustrated with wood engravings in head- and tailpieces by Pierre-Eugène Vibert. A l'enseigne du Pot Cassé unknown‎

Référence libraire : 78327

‎Pierre-Francois-Eugene GIRAUD‎

‎Deux petits dessins à l'encre‎

‎s. l.: S. n. 1870. Fine. S. n. s. l. circa 1870 12.50 x 17.50 cm une feuille Two original inks on heavy paper each depicting two men conversing in two different styles. Giraud sale stamp at bottom right of the sheet. Three tiny tears at head of sheet and some very minor foxing. Giraud is a painter watercolorist pastellist and engraver. His father obtained a study scholarship from Empress Marie-Louise of Austria which allowed the young boy to enter an Orléans lycée. Subsequently Eugène Giraud became a pupil in the studio of the history painter and portraitist Louis Hersent and also frequented the studio of engraver Joseph-Théodore Richomme then in late 1821 entered the Paris École des Beaux-Arts. In 1826 the young artist won the grand prix de Rome in the engraving section. Giraud met Princess Mathilde who became a friend; the painter gave her painting lessons and became her protégé for 15 years even obtaining a studio in the Saint-Gratien residence where he created the portrait of the imperial prince. Eugène Giraud debuted at the Salon in 1833 with portraits then presented his pastels the following year. These were very well received and the artist who had good knowledge of costumes received commissions for designs notably for Alexandre Dumas and Victor Hugo. S. n. unknown‎

Référence libraire : 45575

‎Pierre-Francois, abbe GUELON‎

‎Histoire de La Sauvetat-Rossille Chef-Lieu d'une Commanderie de Saint-Jean de Jérusalem en Auvergne‎

‎Clermont-Ferrand: Imprimerie de Fernand Thibaud 1882. Fine. Imprimerie de Fernand Thibaud Clermont-Ferrand 1882 15.50 x 24 cm broché First edition printed on laid paper. Spine slightly browned minor interior foxing without consequence. Work illustrated with 6 plates including frontispiece and 2 folding plans including a large one at the end of the volume. Autograph inscription signed by Pierre-François Guélon to Abbé François Marius Emy. Imprimerie de Fernand Thibaud unknown‎

Référence libraire : 77251

‎Pierre-Francois Guyot DESFONTAINES‎

‎Histoire de la ville de Paris‎

‎à Paris: Chez Julien Michel Gandouin 1735. Fine. Chez Julien Michel Gandouin à Paris 1735 9 x 16.50 cm 5 volumes reliés First edition rare published anonymously and never reprinted. It is illustrated with 4 folding plans of Paris corresponding to the four chronological periods studied extending from the dawn of the monarchy to Louis XV up to Louis X Philippe VI to Charles X; from Charles X to Henri IV; and from the latter to the reign of Louis XV. This edition appeared simultaneously at Pierre-François Giffart. Contemporary full speckled brown sheep bindings. Spines with raised bands decorated with four fleurons and a roulette at foot. Red morocco title and volume labels. A lack at head of spine of volumes II and III. Head of spines worn for volumes IV and V. Foot of spine of volume IV worn. Most corners slightly bumped. Rubbing. The work was composed from L'Histoire de la ville de Paris by Félibien and Lobineau in five folio volumes 1725 it intended to be more accessible financially and intellectually. The fifth volume is a description of the city of Paris its extent at different ages its churches colleges squares old and new streets monuments. Chez Julien Michel Gandouin hardcover‎

Référence libraire : 46202

‎Pierre-Francois TISSOT‎

‎Les adieux de Vienne à l'Impératrice Marie-Louise‎

‎Paris: Imprimerie Impériale 1810. Fine. Imprimerie Impériale Paris Mars 1810 18 x 24 cm relié First edition. Long-grained red half morocco binding smooth spine decorated with gilt fillets showing traces of rubbing a restored tear at foot boards with gilt rolled frames corners slightly bumped copy slightly trimmed contemporary binding. Trimmed autograph inscription by the author only his signature remains. A corner lack on the title page otherwise handsome interior condition. Engraved bookplate of the Henri Barthélémy library pasted to verso of front board. Rare. Imprimerie Impériale hardcover‎

Référence libraire : 19726

‎Pierre-Francois Godard de BEAUCHAMPS‎

‎Les amours d'Ismene et d'Ismenias‎

‎à Amsterdam: Chez François l'Honoré 1729. Fine. Chez François l'Honoré à Amsterdam 1729 10 x 17.50 cm relié First illustrated edition. One title vignette one frontispiece and 3 handsome figures before the lettering. The title vignette bears the signature of Bernard Picard. Title page in red and black. Half red morocco binding with corners late 19th century signed Dubois-D'Enghien. Spine with raised bands decorated. Gilt title date at foot. Double fillet border on boards. Gilt edges. Very handsome copy perfectly executed and in perfect condition. The work is an imitation of the Greek novel The Loves of Rhodanthe and Dosicles by Eustathios Makrembolites; it tells the story of thwarted love in ancient Greece. Chez François l'Honoré hardcover‎

Référence libraire : 38221

‎Pierre-Francois BONCERF‎

‎Les inconvénients des droits féodaux. Nouvelle édition à laquelle on a joint ce que Montesquieu a écrit sur les fiefs‎

‎à Paris: S. n. 1776. Fine. S. n. à Paris 1776 12.50 x 20.20 cm relié New edition the same year as the first edition which appeared in London and Paris. Contemporary full marbled brown calf binding. Decorated spine with raised bands. Red morocco title label. Upper joint cracked at head and foot. Headcap worn. Rubbing. Handsome copy. Boncerf was Turgot's secretary whose theories inspired the work. Its ideas were revolutionary with the author demanding the emancipation of both property and persons proposing to authorize the redemption of all feudal rents duties and servitudes. The book caused an unprecedented sensation and the authorities immediately saw the danger of the advanced theories condemning the work to be burned on February 23 1776. An intervention by Turgot prevented Boncerf from being condemned. 32 editions appeared until 1791 sometimes under Turgot's name. S. n. hardcover‎

Référence libraire : 66069

‎Pierre-Francois LEBEURIER‎

‎Notice historique sur la commune d'Acquigny avant 1790‎

‎Évreux: Huet 1862. Fine. Huet Évreux 1862 13.50 x 22.50 cm relié First edition. Half sheep binding in blue smooth spine decorated with gilt fleurons and fillets contemporary binding. Handsome very fresh copy. Huet unknown‎

Référence libraire : 3079

‎Pierre-Francois TISSOT‎

‎Souvenirs historiques sur la vie et la mort de F. Talma‎

‎Paris: Baudouin frères 1826. Fine. Baudouin frères Paris 1826 14 x 21.50 cm broché First edition. With frontispiece engraved portrait of the tragedian. Spine skilfully reinforced gift inscriptions some light worming. Rare. Baudouin frères unknown‎

Référence libraire : 10153

‎Pierre-Francois FRISSARD‎

‎Théâtre de Dieppe‎

‎à Paris: Chez Carilian Goeury 1827. Fine. Chez Carilian Goeury à Paris 1827 S.d In-Folio relié First edition illustrated with 20 plates drawn by Monnayeur and engraved by Adam. Engraved title with large title vignette. 32pp. of explanatory text. Contemporary half brown sheep binding worn. Smooth spine with faded gilt title sometimes illegible. Blue paper boards. Head of spine torn away. Tail starting to detach. Joints with lacks. Surface wear. Some foxing on otherwise white paper. The hall was built according to Frissard's plans. Numerous pages concerning all trades relating to the general state of expenses. Testament to civil architecture under Charles X. Chez Carilian Goeury hardcover‎

Référence libraire : 59654

‎Pierre-Georges JEANNIOT - Anatole FRANCE‎

‎Les dieux ont soif • The Gods Are Thirsty‎

‎Paris: Le livre contemporain 1925. Fine. Exceptional copy enriched with 12 original drawings Le livre contemporain Paris 1925 22.50 x 28.50 cm relié sous étui Edition illustrated with 33 original etchings by Pierre-Georges Jeanniot including 30 full-page plates 1 title vignette and 2 headpieces together with 37 wood engravings by Paul Bornet after Pierre-Georges Jeanniot comprising 29 initials heightened in red and 8 tailpieces. Printed in 124 numbered copies on vellum all bearing a nominative dedication this copy issued for Henri Legendre. Full burgundy morocco binding spine with four raised bands decorated with a fasces of the lictor in red morocco mosaic set within gilt fillets date and place gilt at foot gilt rolls on the caps front cover ornamented at center with a circle enclosing a Phrygian cap in red morocco mosaic framed in gilt radiating gilt fillets filling the circle the rear cover with the same decoration but replacing the revolutionary cap with a red morocco mosaic Masonic triangle and gilt plumb-line triple gilt fillet borders and inlays of blue white and red morocco panels on red morocco doublures moiré silk endpapers in red additional marbled paper endpapers original wrappers and spine preserved all edges gilt slipcase trimmed with burgundy morocco sides in matching paper grey felt lining a superb contemporary mosaic binding signed Blanchetière. This copy is exceptionally enriched with twelve original pencil drawings by Pierre-Georges Jeanniot signed and inserted within the text. Bound at the end of the volume is the illustrated menu both with and before letters by Pierre-Georges Jeanniot from the dinner following the distribution of the work and at the beginning an additional title-page. A printed description label of this copy is mounted on a guard leaf. A splendid copy perfectly presented in a patriotic Masonic full morocco doublé binding by Blanchetière and enriched with twelve original drawings by Pierre-Georges Jeanniot. Le livre contemporain hardcover‎

Référence libraire : 75063

‎Pierre-Georges JEANNIOT - Leon HENNIQUE‎

‎Poeuf‎

‎Paris: Hachette 1899. Fine. Hachette Paris 1899 20.50 x 28.50 cm broché Illustrated edition with 45 unpublished drawings by Pierre-Georges Jeanniot engraved by Viejo one of 40 numbered copies on handmade Japan paper deluxe copies after 1 China paper and 10 other Japan on handmade Japan paper. Handsome copy despite some inevitable foxing due to the properties of this paper. Hachette unknown‎

Référence libraire : 86989

‎Pierre-Gustave BRUNET‎

‎Notice historique et bibliographique sur la légende du Juif-Errant‎

‎Rouen: Revue de Rouen et de Normandie 1849. Fine. Revue de Rouen et de Normandie Rouen 1849 16 x 24.50 cm broché First edition. Plain paper covers small occasional foxing. Rare. Revue de Rouen et de Normandie unknown‎

Référence libraire : 7067

‎Pierre-Gustave BRUNET‎

‎Nouvelles lettres de Madame la Duchesse d'Orléans princesse palatine mère du régent‎

‎Paris: Charpentier 1853. Fine. Charpentier Paris 1853 11.50 x 18.50 cm relié first edition of the French translation of Brunet. Our copy contains a letter from the author to the editor. Then half green morocco binding back with five nerves decorated uniformly past net cold and golden gilded boxes double net gilded on the boards handmade paper gilded head on witnesses. Charpentier hardcover‎

Référence libraire : 49883

‎Pierre-Henri SIMON‎

‎Elsinfor‎

‎Paris: Seuil 1956. Fine. Seuil Paris 1956 13.50 x 19.50 cm broché First Edition one of 18 numbered copies on pure Lafuma wire head print. Nice copy. Signed autograph of Pierre-Henri Simon to Jean Bardet co-founder with Paul Flamand editions of Seuil. Seuil unknown‎

Référence libraire : 63695

‎Pierre-Henri SIMON‎

‎L'école et la nation. Aspects de l'Education Nationale‎

‎Juvisy Juvisy-sur-Orge: Les éditions du cerf 1934. Fine. Les éditions du cerf Juvisy Juvisy-sur-Orge s. d. 1934 12.50 x 19.50 cm broché Edition of wich no leading copies exists. Signed autograph of Pierre-Henri Simon Robert Garric. Catholic reformist he was the founder of ""social Teams"" in 1920 which aimed to establish a social elite and bring the good word about the brotherhood born of the trenches to the workers in the tradition of patronage. Simone de Beauvoir then student of Robert Garric in philosophy at Sainte-Marie Institute of Neuilly remembers him in his ""Memoirs of a Tidy Wench"" ""Garric appeared; I forgot everything else and myself; the authority of his voice subdued me. In twenty years we he explained he had discovered in the trenches the joys of camaraderie that removed social barriers. . To deny all limits and all separations get out of my class out of my skin: this slogan electrified me. . Must serve my life! Must serve all my life! "" Tiny bites minor on the boards exempalire complete its in-folding plate thin. Les éditions du cerf hardcover‎

Référence libraire : 48662

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