‎Collectibles‎

‎Sigmund FREUD‎

‎Trois essais sur la théorie de la sexualité • Three Essays on the Theory of Sexuality‎

‎Paris: Nrf 1923. Fine. Nrf Paris 1923 12 x 19 cm broché First edition of the French translation one of 50 numbered copies on pur fil paper the only grand papier deluxe copies. Spine and covers sunned and marginally faded as usual. Nrf unknown‎

Referenz des Buchhändlers : 64510

‎Sigmund SCHENKLING‎

‎Coleopterorum catalogus. Pars 139 : S. Schenkling auxilio G. A. K. Marshall : Curculionidae : Anthonominae Laemosaccinae‎

‎Gravenhage The Hague La Haye The Hague: W. Junk 1934. Fine. W. Junk Gravenhage The Hague • La Haye The Hague 1934 18 x 26 cm broché First edition. The work presents numerous manuscript annotations. A handsome copy. W. Junk unknown‎

Referenz des Buchhändlers : 40078

‎SIGNED By Pop-Up Artists Robert Sabuda, Carla Dijs, Biruta Hansen, Ken Wilson-Max, Kees Moerbeek, and Bruce Foster‎

‎Exhibition Poster Brooklyn Pops Up ! The History and Art of the Movable Book‎

‎Brooklyn New York: Brooklyn Public Library 2000. Poster. Fine. Poster. First Printing. 20" x 12". SCARCE exhibition poster SIGNED by pop-up book artists Robert Sabuda Carla Dijs Biruta Hansen Ken Wilson-Max Kees Moerbeek and Bruce Foster. An exhibition curated by The Movable Book Society and presented at the Central Library Sept. 23 - Dec. 30 2000 and touring neighborhood linraries Jan. - Dec. 2001. Printed on stiff paper Fine as issued will be shipped flat. Well suited for framing. Brooklyn Public Library unknown‎

Referenz des Buchhändlers : 008806

‎SIGNOR DOMINO‎

‎Der Cirkus und die Cirkuswelt - L'exemplaire de Paolo Fratellini • The Circus and the Circus World‎

‎Berlin: S. Fichter verlag 1888. Fine. S. Fichter verlag Berlin 1888 13 x 19.50 cm relié The rare first edition. Half red shagreen binding with corners smooth spine decorated with gilt ornamental motifs olive green shagreen title-label slightly faded black fillet frame on marbled paper boards combed paper endpapers and pastedowns illustrated covers preserved. Upper headcap with rubbing a crease at head of second board which has a small black stain at foot. Prestigious provenance: from the library of Paolo Fratellini with two bookplates mounted on a pastedown and facing the half-title page. S. Fichter verlag hardcover‎

Referenz des Buchhändlers : 82983

‎Signorelli, Gaspare; Caldwell, Tom J‎

‎Indian Territory Mail‎

‎Gaspare Signorelli. Very Good. 1966. Metal post. Inexpensive producation; appears to have been produced on a copy machine. ; Small 4to 9" - 11" tall . Gaspare Signorelli unknown‎

Referenz des Buchhändlers : 19350

‎Silgailis, Arthur‎

‎Latvian Legions‎

‎San Jose CA U.S.A.: R. James Bender Publishing 1986. 256pp/numerous illus and maps. Detailed history of the Nazi Latvian Legion. Clean. First Edition. Decorative Boards. Fine/No Jacket Issued. 8vo - over 7¾" - 9¾" tall. R. James Bender Publishing hardcover‎

Referenz des Buchhändlers : 005717 ISBN : 0912138351 9780912138350

‎Siltzer, Captain Frank‎

‎The Story of British Sporting Prints‎

‎London: Halton & Truscott Smith LTD 1929. Very Good condition light cover wear. NOT a library discard. NO owner's name or bookplate. Hinges are perfect. Pages are clean and unmarked. 1929. New edition revised and enlarged. Limited to 1000 copies. 8 tipped-in tissue-guarded beautiful full color plates. Comprehensive biographies for 56 sporting artists with detailed catalogues of their engraved works compiled by George Harvey. Lists dates states sizes and similar details for prints that relate to hunting shooting racing coaching prize fighting etc. Includes appendices on the engravers publishers a list of horse portraits etc. Bound in the original green cloth stamped in bright gold on the spine. Gilt is as bright and shiny as new. Oversize Hardcover. 8.75" wide by 11" tall. This large heavy book will require extra postage for Priority and International shipments but only the standard charge for media mail. Revised Edition Limited 1000 copies. Oversize Hardcover. Very Good condition/No dust jacket. Illus. by NOT a library discard. 413 pages. Great Packaging Fast Shipping. Halton & Truscott Smith, LTD Hardcover‎

Referenz des Buchhändlers : 024746

‎Silver Joel‎

‎Dr. Rosenbach and Mr. Lilly: book collecting in a golden age‎

‎Newtown: Bird & Bull Press 2010. Edition limited to 140 copies this the bookbinder Greg Campbell's copy Cmpbell-Logan Bindery and out of series; 8vo pp. 131 3; color facsimiles of correspondence title printed in red and black wood-engraved vignette and headers original quarter black morocco over green cloth upper cover stamped in gilt green morocco label on spine green cloth slipcase; fine. On the relationship between the prominent bookseller and collector. <br/><br/> Bird & Bull Press hardcover books‎

Referenz des Buchhändlers : 51742

‎SILVER ROLLO G.‎

‎The American printer 1787-1825‎

‎Charlottesville VA: Published for the Bibliographical Society of the University of Virginia 1967. First edition 8vo pp. xii 2 189 1; illustrations; black and gray cloth stamped in gilt fine. <br/><br/> Published for the Bibliographical Society of the University of Virginia hardcover books‎

Referenz des Buchhändlers : 23502

‎Silver, Joel‎

‎Dr. Rosenbach and Mr. Lilly. Book Collecting in a Golden Age‎

‎New Castle: Oak Knoll Press. Fine in Fine dust jacket. 2011. First Trade Edition. Hardcover. 1584562951 . Black cloth spine lettered in gilt. Illustrated with 16 color plate reproductions and 15 reproductions of correspondence and other documents. ; 8vo 8" - 9" tall; 144 pages . Oak Knoll Press hardcover‎

Referenz des Buchhändlers : 12397 ISBN : 1584562951 9781584562955

‎Silvester, Robert‎

‎United States Theatre: A Bibliography from the Beginning to 1990‎

‎Romsey Hampshire England: Motley Press 1993. Near Fine condition. Sharp corners. NOT a library discard. Sharp corners. NO owner's name or bookplate. Pages are crisp clean and unmarked - probably never read. From the Introduction by John Cavanagh this bibliography "is at least an order of magnitude more complete than anything else available." The Motley Bibliographies: Two. Bound in the original black cloth stamped in bright gold on the spine. Oversize Hardcover. 8" wide by 11" tall. This large heavy book will require extra postage for Priority and International shipments but only the standard charge for media mail. . First Edition. Oversize Hardcover. Near Fine condition/No dust jacket. Illus. by NOT a library discard. 400pp. Great Packaging Fast Shipping. Motley Press Hardcover‎

Referenz des Buchhändlers : 023861 ISBN : 0900281030 9780900281037

‎Silvina OCAMPO‎

‎Autobiografia de Irene‎

‎Buenos Aires: Sur 1948. Fine. Sur Buenos Aires 1948 12.50 x 18.50 cm broché First edition. Some rubbing to spine and board margins. Sur unknown‎

Referenz des Buchhändlers : 73452

‎Silvina OCAMPO‎

‎Pequena antologia‎

‎Buenos Aires: Ene editorial 1962. Fine. Ene editorial Buenos Aires 1962 12.50 x 20.50 cm broché First collected edition. Light tears to spine very lightly sunned without any gravity endpapers partially shadowed due to the presence of press clippings. Autograph inscription signed by Silvina Ocampo to her friend Ema Risso Platero: ""Ah Emita te extraño ya. Silvina"" ""Ah Emita I miss you already. Silvina"". Ema Risso Platero Uruguayan diplomat was a painter poet writer she notably published Arquitecturas del insomnio with a prologue by Borges and was a friend of Michel Foucault and Jorge Luis Borges. Ene editorial unknown‎

Referenz des Buchhändlers : 80864

‎Silvio PELLICO‎

‎Des devoirs des hommes discours à un jeune homme‎

‎Paris & Bruxelles Brussels: Sté reproductive des bons livresAux bureaux de la société 1837. Fine. Sté reproductive des bons livres Aux bureaux de la société Paris • & Bruxelles Brussels 1837 11 x 18 cm relié First edition of the French translation established by N. Léger. Full plum sheep binding smooth faded spine decorated with gilt ornamental motifs a library label pasted at foot traces of rubbing and light lacks at head and foot of joints gilt and blind frames on covers central gilt coat of arms of the Collège du Mans stamped on front cover marbled endpapers and pastedowns marbled edges contemporary binding. Foxing. Sté reproductive des bons livresAux bureaux de la société unknown‎

Referenz des Buchhändlers : 23479

‎Silvio PELLICO‎

‎Mes prisons suivies du discours sur les devoirs des hommes‎

‎Paris: Delahaye 1853. Fine. Delahaye Paris 1853 18.50 x 26.50 cm relié New edition illustrated with a frontispiece and 24 plates and numerous vignettes by Tony Johanot. Handsome romantic illustrated work. Polychrome publisher's boards signed Lenègre at foot of spine. Smooth spine richly decorated with a polychrome panel with elaborate design. Front board decorated with a chained man and a wide polychrome floral border frame. On the rear board a scene showing a young man at his work table. The blue is somewhat faded on the spine one corner rubbed rear board dusty at margins. One crease on spine. Handsome copy perfectly fresh with some occasional scattered foxing. My Prisons are the memoirs of a man incarcerated by arbitrary power. Following the Neapolitan and Piedmontese revolution against the Austrian occupier all personalities including Silvio Pellico were imprisoned for ten years at Spielberg in Moravia. The text achieved great success once published due to its pious character Pellico having found hope only through the Catholic religion. The work also contains poetry. Delahaye hardcover‎

Referenz des Buchhändlers : 50007

‎Silvio PELLICO‎

‎Mes prisons suivi Des devoirs des hommes‎

‎Paris: Delloye 1846. Fine. Delloye Paris 1846 18 x 25 cm relié Illustrated with engravings after drawings by Gérard Séguin d'Aubigny Steinheil. Half green shagreen binding spine with four raised bands handsomely decorated double fillets on boards gilt edge contemporary binding. One frontispiece one portrait and numerous compositions in the text engraved on steel. Copy almost free from foxing one of the handsome illustrated works of the Romantic period. Delloye hardcover‎

Referenz des Buchhändlers : 1957

‎Simak, Clifford, Illustrated by Kelly Freas Dustwrapper‎

‎City‎

‎New York: Gnome Press 1952 1952. First Edition stated . Light Green Boards. Fine/Fine DJ. Kelly Freas Dustwrapper. Green Boards Stamped In Darker Green. First Edition. An Exceptional Book And Dj. Book With Tiny Rubs At Bottom Corner Edges Of Spine. Dj With No Wear At All Except A Thin Line Of Rubbing Along Top Front Spine Edge And Tiny Rub At Top And Bottom Of Front Flap Fold Bright And Clean No Names Or Marks Small Area Of Light Foxing In 2" X 1/8" Area On Free Endpapers. <br/> <br/> New York: Gnome Press, 1952 hardcover‎

Referenz des Buchhändlers : 024118

‎SIMEON‎

‎L'ondulation permanente Eugène Publicité La Gazette du Bon ton 1920‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 18 x 24 cm une feuille Original color print advertising the Verlaine shop printed on laid paper. Two advertising vignettes on the reverse about Valaze and Dr Dys products. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full bloom of art deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metallic stencil technique heightened in colors and some outlined in gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal truly artistic and representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The success of the magazine is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly come to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists unknown for the most part when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These are the same illustrators who create the drawings for the advertisements of the Gazette. The plates highlight and sublimate the dresses of seven creators of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the idea that the illustrator has of the fashion of the day. La Gazette du bon ton is a decisive step in the history of fashion. Combining aesthetic requirements and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton will largely inspire the new composition and aesthetic choices of the ""small dying journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown‎

Referenz des Buchhändlers : 73139

‎SIMEON‎

‎Un peu beaucoup. La Gazette du Bon ton n°5. Année 1920 - Planche 34‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 19.50 x 25 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Referenz des Buchhändlers : 39039

‎Simin PALAY‎

‎Case ! Trobes biarneses‎

‎Pau: S. n. G. Lescher-Moutoué 1909. Fine. S. n. G. Lescher-Moutoué Pau 1909 18.50 x 23.50 cm broché First bilingual edition with French translation facing the original Béarnais text one of 300 numbered copies on alfa paper the only issue with 10 on Japan paper. Work illustrated with original drawings by L. Bonnat E. Bordes Casenave Castaing Dupuis Gayac Labrouche Laforgue Le Coindre Léon-Dufour Touzeau A. Rouquet. An engraved portrait of the author by P. Lafond enriched with the autograph signature of S. Palay. Worming on the final endpaper otherwise a handsome copy. Autograph inscription signed by Simin Palay to Léon-Dufour who participated in illustrating the work. S. n.[ G. Lescher-Moutoué] unknown‎

Referenz des Buchhändlers : 37600

‎Simkin, Richard‎

‎Uniforms of the British Army: Infantry Regiments‎

‎UK: Webb and Bower 1985. 224pp/illus. Numerous color illus of British Infantry regimental uniforms. Clean. 1st Printing. Cloth. Very Good/Very Good. 4to - over 9¾" - 12" tall. Webb and Bower Hardcover‎

Referenz des Buchhändlers : 011953 ISBN : 0863500315 9780863500312

‎Simmel, Johannes Mario‎

‎Niemand Ist Eine Insel: Roman German Edition Inscribed By The Author To William Goyen‎

‎Locarno / Stuttgart: Droemer Knaur 1975. 1st Edition 1st Printing. Hardcover. Fine/Near Fine. 731 Pp. Green Cloth. Book Is Fine No Wear Or Fading; Inscribed By The Author In English To Writer William Goyen "To My Dear Friend Bill Goyen With My Very Best Wishes Love Mario". Dj Very Near Fine A Few Traces Of Dust Only. Per Wikipedia Mario Simmel 1924 - 2009 Also Known As J. M. Simmel Was An Austrian Writer Who Was Born In Vienna And Grew Up In Austria And England. He Was Trained As A Chemical Engineer And Worked In Research From 1943 To The End Of World War Ii. After The End Of The War He Worked As A Translator For The American Military Government And Published Reviews And Stories In The Vienna Welt Am Abend. Starting In 1950 He Worked As A Reporter For The Munich Illustrated Quick In Europe And America. He Wrote A Number Of Screenplays And Novels Which Have Sold Tens Of Millions Of Copies. Many Of His Novels Were Successfully Filmed In The 1960S And 1970S. He Won Numerous Prizes Including The Award Of Excellence Of The Society Of Writers Of The Un. Important Issues In His Novels Are A Fervent Pacifism As Well As The Relativity Of Good And Bad. Several Novels Are Said To Have A True Background Possibly Autobiographic. <br/> <br/> Droemer Knaur hardcover‎

Referenz des Buchhändlers : 035056 ISBN : 385886045X 9783858860453

‎Simmons, Dan‎

‎Summer Sketches #36/500 SIGNED‎

‎Northridge CA: Lord John Press 1992. Book. Fine. Hardcover. Signed by Authors. 1st Edition. 8vo - over 7¾" - 9¾" tall. SIGNED LIMITED. Red 1/4 cloth black paper covered boards front cover lettered/illus. in gray spine panel lettered in gold foil. As issued. x121 pp. No. 36 of an edition of 500 numbered copies hand-numbered on rear colophon signed by author on half-title. Lord John Press Hardcover‎

Referenz des Buchhändlers : 044810 ISBN : 0935716599 9780935716597

‎SIMMS, Rupert:‎

‎Bibliotheca Staffordiensis; or a Bibliographical Account of Books and other Printed Matter Relating to.the County of Stafford.‎

‎LichfieldPrivately Printed 1894 large paper copy royal 4to number 32 of only 200 copies pp.xxv 546. Original cloth a little dusty top edge gilt a very good sound copy. Very heavy so may require extra postage. Lichfield,Privately Printed, 1894, hardcover‎

Referenz des Buchhändlers : 1916

‎Simms, W / William Gilmore‎

‎Woodcraft Or Hawks About The Dovecote A Story Of The South At The Close Of The Revolution. New And Revised Edition 1888‎

‎Chicago / New York: Belford Clarke & Co. 1888. Revised Edition First Printing . Hardcover. Very Good . 518 Pp. Blue Cloth Stamped In Gilt And Black Floral Endpapers. "New And Revised Edition" 1888 A Slightly Revised Version Of His 1852 Novel "The Sword And The Distaff" Publshed First As Woodcraft In 1854 Then In This Further Revised Version. Well Preserved Light Usage No Marks Gilt Bright. Per Wikipedia William Gilmore Simms 1806 - 1870 Was A Poet Novelist Politician And Historian From The American South. He Was Admitted To The South Carolina Bar In 1827; However He Soon Abandoned This Profession For Literature. His Writings Achieved Great Prominence During The 19Th Century With Edgar Allan Poe Pronouncing Him The Best Novelist America Had Ever Produced. He Is Still Known Among Literary Scholars As A Major Force In Antebellum Southern Literature. He Is Also Remembered For His Strong Support Of Slavery And For His Opposition To Uncle Tom's Cabin In Response To Which He Wrote Reviews And The Pro-Slavery Novel The Sword And The Distaff 1854. During His Literary Career He Served As Editor Of Several Journals And Newspapers And He Also Served In The South Carolina House Of Representatives 1844-1846. Simms' History Of South Carolina 1842 Served For Several Generations As The Standard School Textbook On The State's History. He Also Wrote The Social Principle: The True Source Of National Permanence 1843 And Several Very Popular Biographies Of Revolutionary War Heroes Francis Marion Nathanael Greene And John Laurens. He Also Penned A Compendium Of Captain John Smith's Works Covering The Founding Of The Virginia Colony As Well As A Book Detailing The Chevalier Bayard. Simms Wrote A History Of Alabama And Was A Popular Lecturer On American History. He Accumulated One Of The Largest Collections Of Revolutionary War Manuscripts In The Country. Most Of This Collection Was Lost When Camp Followers Of The Union Army Burned His Home "Woodlands" Located Near Bamberg Sc. In The Fire A Reported 10000 Books And Revolutionary Era Manuscripts Perished. He Later Published Ten Novels Dealing With The Expansion Into The Frontier Territory From Georgia To Louisiana Including Richard Hurdis; Or The Avenger Of Blood. A Tale Of Alabama 1838 And Border Beagles: A Tale Of Mississippi 1840. He Also Wrote About The Conflicts Between Native Americans Spaniards And French In Florida In The Lily And The Totem Or The Huguenots In Florida 1850; Vasconselos 1853; An Account Of Desoto's Expedition From The Native American Viewpoint; And The Overlapping Experiences Of Native Americans Spanish And English In The Cassique Of Kiawah 1859; A Novel Set During The 1680S In Colonial-Era Charleston. Regarding America's Native Population Simms Once Said That "Our Blinding Prejudices. Have Been Fostered As Necessary To Justify The Reckless And Unsparing Hand With Which White Americans Have Smitten Them In Their Habitations And Expelled Them From Their Country. <br/> <br/> Belford, Clarke & Co. hardcover‎

Referenz des Buchhändlers : 053089