‎Collectibles‎

‎Georges RIBEMONT-DESSAIGNES‎

‎Elisa‎

‎Paris: Grasset 1931. Fine. Grasset Paris 1931 12 x 19 cm broché First edition one of 20 numbered copies on pure laid paper the only deluxe copies. Adhesive paper offsets to heads and tails of slightly shaded endpapers otherwise a handsome copy. Grasset unknown‎

Referentie van de boekhandelaar : 57251

‎Andre BEUCLER‎

‎Le pays neuf‎

‎Paris: Nrf 1927. Fine. Nrf Paris 1927 17 x 22 cm broché First edition one of 109 numbered copies on Lafuma Navarre laid paper and reimposed in Tellière quarto format deluxe copy. Spine very lightly sunned handsome copy. Nrf unknown‎

Referentie van de boekhandelaar : 56875

‎George BARBIER - (Charles-Frederick WORTH)‎

‎A Palm Beach. Tailleur de Worth pl.40 La Gazette du Bon ton 1921 n°5‎

‎Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 18 x 24 cm une feuille original print in color printed on laid paper signed lower left on the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

Referentie van de boekhandelaar : 57545

‎Charles MARTIN‎

‎La Belle Torquatienne pl.25 La Gazette du Bon ton 1920 n°4‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Mai 1920 18 x 24 cm une feuille original print in color printed on laid paper signed lower right of the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

Referentie van de boekhandelaar : 57534

‎Jerome PEIGNOT‎

‎La tour‎

‎Paris: Christian Bourgois 1971. Fine. Christian Bourgois Paris 1971 12 x 20 cm broché Edition of wich no leading copies exists. Funny autograph signed Jerome Peignot to a friend: ""For Claire who has read this book sailing between the French faults and the faults of Jerome K."" Peignasse ""tenderly"". Spine slightly lightened by sun light head and foot. Christian Bourgois unknown‎

Referentie van de boekhandelaar : 58106

‎Michel BUTOR‎

‎Illustrations‎

‎Paris: Gallimard 1964. Fine. Gallimard Paris 1964 14.50 x 21.50 cm broché First edition one of 56 numbered copies on laid paper the only deluxe copies after 26 on Holland paper. Fine copy. Gallimard unknown‎

Referentie van de boekhandelaar : 57291

‎Honore Gabriel Riquetti Comte de MIRABEAU‎

‎Arlequin réformateur dans la cuisine des moines ou plan pour réformer la gloutonnerie monacale au profit de la nation épuisée par les brigandages de harpies financières‎

‎Imprimé à Rome Rome: S. n. 1789. Fine. S. n. Imprimé à Rome Rome 1789 13 x 19 cm relié The rare first edition probably printed in Paris anonymously by Mirabeau according to the Bibliothèque Nationale de France. Half morocco binding in faded red with long grain from the late 19th century signed L. Lemardeley with a tool at head and tail gilt title rubbing the binding bears the title: Stephan Bordese - Blanc et bleu which indicates that the work has been rebound. Handsome copy. Avis charitable aux moines so that they enrich the state and population by ceasing their gluttony at the expense of the people. The author promises the different monastic orders a monument to their glory if they comply with his prayers. Anticlerical libel violently attacking the monks. Armorial bookplate: Rose. S. n. unknown‎

Referentie van de boekhandelaar : 56166

‎Lise DEHARME‎

‎Pierre de la Mermorte‎

‎Paris: René Julliard 1962. Fine. René Julliard Paris 1962 12.50 x 21 cm broché First edition one of the 20 copys numbered on ""pur-fil"" paper Marais only large paper. Signed autograph of Lise Deharme Paul Aveline. Nice copy. René Julliard unknown‎

Referentie van de boekhandelaar : 56276

‎Francis PONGE‎

‎Entretiens de Francis Ponge avec Philippe Sollers‎

‎Paris: GallimardSeuil 1970. Fine. Gallimard Seuil Paris 1970 14.50 x 21.50 cm broché First edition one of 33 numbered copies on Holland paper deluxe copy. Two light traces of sunning at head and foot of spine minimal spotting without consequence on the first endpaper. GallimardSeuil unknown‎

Referentie van de boekhandelaar : 57895

‎Andre FREDERIQUE‎

‎Ana‎

‎Paris: Plaisir du prince 1944. Fine. Plaisir du prince Paris 1944 11.50 x 14 cm broché First edition one of 1000 numbered copies on vélin blanc paper. A good copy. Plaisir du prince unknown‎

Referentie van de boekhandelaar : 56661

‎Adrien MOREAU - George SAND‎

‎Les beaux messieurs de bois-doré‎

‎Paris: Emile Testard 1892. Fine. Emile Testard Paris 1892 19 x 28.50 cm 2 volumes brochés Edition illustrated with 260 original compositions in and outside the text by Adrien Moreau engraved on wood by Brauer Froment Hamel Méaulle Rousseau and Thomas one of 35 numbered copies on China paper deluxe copies. A minor tear at the foot of one joint of the first volume. Handsome copy. Emile Testard unknown‎

Referentie van de boekhandelaar : 57069

‎Robert GARNIER‎

‎Les tragedies de Robert Garnier‎

‎à Paris: Par Jean Fuzy 1607. Fine. Par Jean Fuzy à Paris 1607 In-12 relié New collective edition rare of the author's eight plays after the first complete collective edition in 1585. Printed in italics. Contemporary full brown sheep binding. Decorated raised spine. Red morocco title label. Corners and headcaps skillfully restored by a professional. Foxing. Paper yellowed. Upper joint finely cracked. Good copy. Garnier 1545-1590 is undoubtedly the first great French tragedian. Most of his subjects are drawn from Antiquity but his last two plays are on one hand a Christian tragedy and on the other a tragedy inspired by Ariosto. Friend of the Pléiade poets who openly celebrated him the tragedies contain in their preliminary pieces poems by Ronsard and Belleau Baïf or even poetry signed by all three he was less appreciated by the court. His sense of tragedy is inherited from Seneca and Euripides where the tragic sense depends less on action than on sovereign speech. On the upper cover in gilt letters: ""Club des Arcades."" Par Jean Fuzy unknown‎

Referentie van de boekhandelaar : 56625

‎Charles Ferdinand RAMUZ‎

‎La guérison des maladies‎

‎Lausanne: Les cahiers vaudois 1917. Fine. Les cahiers vaudois Lausanne 1917 15 x 21 cm broché First edition printed on laid paper. Spine and covers slightly and marginally lightened as usual worming to the final leaves the first endpaper and the back cover. Les cahiers vaudois unknown‎

Referentie van de boekhandelaar : 56488

‎Marie-Madeleine FRANC-NOHAIN‎

‎Costumes parisiens. Costume de chasse serge verte et écossaise pl.109 Journal des Dames et des Modes 1913 n°48‎

‎Paris: S. n. 1913. Fine. S. n. Paris 1913 14 x 22.50 cm une feuille original print in color printed on laid paper signed lower right of the board. One of the first French fashion magazines published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement. The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini secretary friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War. The review was drawn in 1279 copies making it for the time a relatively confidential publication. The 186 plates with great finesse are engraved on strong paper and colored stencil. They represent the majority of the time women but also men and children. The models are not unlike those of the Gazette fashionable whose publication will be launched a few months later those renowned couturiers but are the fruit of the imagination of the illustrators themselves. The stencils are mostly executed by George Barbier but other artists collaborating on the magazine: Léon Bakst B. Berty Bernard Boutet de Monvel Roger Broders Jan van Brock Umberto Brunelleschi H. Robert Dammy Etienne Drian Abel Faivre Marie-Madeleine Franc-Nohain Xavier Gosé Paul Iribe Kriegck Victor Lhuer Pierre Legrain Charles Martin Fernand Simeon Ismael Smith Armand Vallee and Gerda Wegener. Many of these illustrators will also be involved in The Gazette fashionable. Their work emblematic of the Art Deco movement emphasize the influence of Orientalism and costumes of the Ballets Russes while registering in the daily activities of affluent French of the time. From the preface of the first issue of 1912 Anatole France said: ""After seventy-five years he is reborn. He is reborn through the efforts of a few ingenious minds and artists. He is reborn for the curious if there is that do not simply modes newspaper fired several thousand and illustrated by photography. And if publishers make us very exactly in its format with its paper printing its processes of etching and coloring the old classic patterns of the past is that they intend to continue the pleasantly and become charming classic fashion of today and tomorrow. "" S. n. unknown‎

Referentie van de boekhandelaar : 57775

‎Maurice BARRES‎

‎Trois stations de psychothérapie‎

‎Paris: Librairie académique Didier 1891. Fine. Librairie académique Didier Paris 1891 9.50 x 15.50 cm broché First edition on ordinary paper with only 16 Japan deluxe copies printed. Bradel binding in half vellum-style canvas smooth spine turquoise morocco title-label with slight marginal scuff marbled paper boards endpapers and pastedowns original wrappers preserved contemporary binding. Handsome copy. Librairie académique Didier hardcover‎

Referentie van de boekhandelaar : 56686

‎Christian MEGRET‎

‎Carte forcée‎

‎Paris: Plon 1947. Fine. Plon Paris 1947 14 x 19 cm broché First edition one of 875 numbered copies on Superfine ours one of 75 out trade only leading copies. Signed autograph Christian Mégret Jeanne Lamy. Book illustrated with a frontispiece of Delaroche-Vernet Claude. Nice copy. Plon unknown‎

Referentie van de boekhandelaar : 56814

‎Marcel AYME - Jean EDELMANN‎

‎Rechute‎

‎Paris: Gizard 1950. Fine. Gizard Paris 1950 15 x 19.50 cm en feuilles First edition one of 370 numbered copies on pure Johannot laid paper. Work illustrated with original drypoints by Jean Edelmann. Spine lightly sunned at head and foot handsome interior condition. Gizard unknown‎

Referentie van de boekhandelaar : 56436

‎Renee MASSIP‎

‎La régente‎

‎Paris: Gallimard 1954. Fine. Gallimard Paris 1954 12 x 19 cm broché First edition one of 28 numbered copies on pur fil paper the only large paper copies. A good copy. Gallimard unknown‎

Referentie van de boekhandelaar : 56498

‎Albert COHEN‎

‎Mangeclous surnommé aussi longues dents et oeil de Satan et lord High Life et sultan des tousseurs. • Mangeclous also nicknamed Long Teeth the Eye of Satan Lord High Life and Sultan of the Coughers‎

‎Paris: Gallimard 1938. Fine. Gallimard Paris 1938 15 x 21 cm broché First edition on ordinary paper.Small defects skillfully restored at the head and tail of the spine. Rare inscribed presentation copy signed by Albert Cohen to Denise Mercier. Gallimard unknown‎

Referentie van de boekhandelaar : 56731

‎Valery LARBAUD - Joseph HEMARD - Lucien MADRASSI‎

‎Notes sur Antoine Héroët et Jean de Lingendes‎

‎Paris: Editions Lapina 1927. Fine. Editions Lapina Paris 1927 14 x 19.50 cm broché sous étui First edition one of 1000 numbered copies on Rives laid paper. The work features a frontispiece portrait of Valéry Larbaud by Lucien Madrassi as well as black and color illustrations by Joseph Hémard. Light traces of rubbing without consequence to the slipcase spine slightly sunned otherwise a handsome copy. Editions Lapina unknown‎

Referentie van de boekhandelaar : 58046

‎Louis Dufour de LONGUERUE‎

‎Recueil de pièces intéressantes pour servir a l'histoire de France‎

‎à Genève Geneva: S. n. 1769. Fine. S. n. à Genève Geneva 1769 10 x 16.50 cm relié First edition. This collection contains: Abrégé de la vie de Richelieu - Abrégé de la vie de Mazarin - Traduction d'une lettre de Frapaolo venitien - Introduction à l'histoire de France - Histoire abrégé de la donnation du Dauphiné - Dissertation sur la question : si Esdras a inventé de nouveaux caractères hébreux. In the preliminary leaves notices on the manuscripts of abbé de Longuerue contained in the library of Monsieur . S. n. unknown‎

Referentie van de boekhandelaar : 56646

‎Michel LEIRIS‎

‎La possession et ses aspects théâtraux chez les Ethiopiens de Gondar‎

‎Paris: Plon 1958. Fine. Plon Paris 1958 13.50 x 21.50 cm broché First edition of which there were no large paper copies. Spine and covers marginally faded not serious as usual. Plon unknown‎

Referentie van de boekhandelaar : 56584

‎EBEL - (Camille ROGER)‎

‎La Jeune Fille aux joues roses. Chapeau de Camille Roger pl.35 La Gazette du Bon ton 1921 n°5‎

‎Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 18 x 24 cm une feuille original print in color printed on laid paper signed lower right of the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

Referentie van de boekhandelaar : 57549

‎Armand VALLEE‎

‎Costumes parisiens. Robe de mousseline de soie brodée et soutachée ouverte bordée de Skungs. Costume d'enfant en Ottoman corail rose bordé de cygne pl.41 Journal des Dames et des Modes 1912 n°21‎

‎Paris: S. n. 1912. Fine. S. n. Paris 1912 14 x 22.50 cm une feuille original print in color printed on laid paper signed lower right of the board. One of the first French fashion magazines published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement. The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini secretary friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War. The review was drawn to 1279 copies making it for the time a relatively confidential publication. The 186 plates with great finesse are engraved on strong paper and colored stencil. They represent the majority of the time women but also men and children. The models are not unlike those of the Gazette fashionable whose publication will be launched a few months later those renowned couturiers but are the fruit of the imagination of the illustrators themselves. The stencils are mostly executed by George Barbier but other artists collaborating on the magazine: Léon Bakst B. Berty Bernard Boutet de Monvel Roger Broders Jan van Brock Umberto Brunelleschi H. Robert Dammy Etienne Drian Abel Faivre Marie-Madeleine Franc-Nohain Xavier Gosé Paul Iribe Kriegck Victor Lhuer Pierre Legrain Charles Martin Fernand Simeon Ismael Smith Armand Vallee and Gerda Wegener. Many of these illustrators will also be involved in The Gazette fashionable. Their work emblematic of the Art Deco movement emphasize the influence of Orientalism and costumes of the Ballets Russes while registering in the daily activities of affluent French of the time. From the preface of the first issue of 1912 Anatole France said: ""After seventy-five years he is reborn. He is reborn through the efforts of a few ingenious minds and artists. He is reborn for the curious if there is that do not simply modes newspaper fired several thousand and illustrated by photography. And if publishers make us very exactly in its format with its paper printing its processes of etching and coloring the old classic patterns of the past is that they intend to continue the pleasantly and become charming classic fashion of today and tomorrow. "" S. n. unknown‎

Referentie van de boekhandelaar : 57646

‎Jacques BARON‎

‎Anthologie plastique du surréalisme‎

‎Paris: Filipacchi 1980. Fine. Filipacchi Paris 1980 25 x 31 cm reliure de l'éditeur sous étui souple First edition. Publisher's full black cloth binding smooth spine complete with illustrated dust jacket and flexible cardboard slipcase. Iconography. Handsome copy. Filipacchi hardcover‎

Referentie van de boekhandelaar : 57745