‎Musicologie‎

‎Lorenzetti, Stefano‎

‎Musica e identit? nobiliare nell?Italia del Rinascimento. Educazione, mentalit?, immaginario.‎

‎cm. 17 x 24, xii-324 pp. con 12 tavv. f.t. Historiae Musicae Cultores - Biblioteca Il ruolo e la funzione della musica nella formazione etica ed intellettuale del gentiluomo ? indagato analizzando una ricca messe di fonti non musicali (trattatistica sul comportamento, novellistica, epica, lirica), in buona parte sfuggite all?attenzione degli storici della musica. L?intento ? quello di rivendicare alla disciplina musicale, nella sua duplice dimensione di teoria e di prassi, un ruolo specifico nella costruzione dell?identit? nobiliare tra Cinque e Seicento. The role and function of music in the gentleman?s ethic and intellectual formation is investigated using a rich collection of non musical sources (treatises on behaviour, novels, epic and lyric poetry) which in large part have escaped the attention of music historians. The aim is to claim for the musical discipline, in its dual dimensions of theory and practice, a specific role in constructing the nobleman?s identity throughout the 16th and 17th centuries. 657 gr. xii-324 p.‎

‎Lortzing. - Weber (Pfarrer in Höngg):‎

‎Albert Lortzing.‎

‎Zürich, Orell, Füssli und Comp., 1869. Gr.-8°. 18 S. Mit einem lithogr. Porträt von J. Lier nach C. Scheuchzer. Orig.-Broschur. = "57. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft in Zürich auf das Jahr 1869".‎

‎Rohr 881. - Mit hübschem Portrait von Albert Lortzing. - Papier etwas gebräunt.‎

书商的参考编号 : 27504AB

‎LOURIE, Arthur.‎

‎Profanation et sanctification du Temps. Journal musical, Saint-Pétersbourg - Paris - New York, 1910 - 1960.‎

‎Paris, Desclée de Brouwer 1966, 195x125mm, 211pages, broché. Bel exemplaire.‎

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书商的参考编号 : 115060

‎LOUYS DE MOY (JAPE Mijndert, introd. & SCHREURS Eugeen, ed.)‎

‎Louys de Moy ; Le Petit Boucquet, Pour toucher du luth join deux violes de gambas par-my les vois‎

‎22pp. (introduction in English) + [135] pp. facsimile-edition of the original 1631-edition ; "Le Petit Boucquet, de frise orientale contenant quelques chansonnettes musicales, pour toucher du luth join deux violes de gambas par-my les vois ; et autres padvanes pour le luth & violons communs avec diverses pieces faciles pour toucher du luth seul", publisher's hardcover, 25cm., good condition, M95099‎

‎LOW Helmut Aloysius‎

‎Die Improvisation im Klavierwerk L. van Beethovens‎

‎175pp., with some music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultät der Universität des Saarlandes), stamp at verso of title page, text is clean and bright, good condition, M108984‎

‎Lualdi Adriano‎

‎La chiusa dell'arte della fuga di Bach.‎

‎Estratto da "Collectanea historiae musicae", vol. II. In 8°, pp. 251-253. Bross. edit. Ottime condizioni.‎

‎Luc Charles-Dominique‎

‎Musiques et musiciens des f tes urbaines et villageoises en France (XIVe - XVIIIe si cle)‎

‎, Brepols, 2024 Hardback, 1064 pages, Size:190 x 290 mm, Illustrations:39 b/w, 135 col., 58 tables b/w., 1 tables col., 2 maps color, Language: French. ISBN 9782503611891.‎

‎Summary Si les premi res traces de ritualisation musicale (noces, banquets?) remontent au d but du xiiie si cle avec les jongleurs, ce n'est vraiment qu' partir du si cle suivant que les m n triers ou joueurs d'instruments sont charg s de la repr sentation des pouvoirs et de l'animation de la vie sociale dans sa totalit (f tes politiques et religieuses, de m tiers, calendaires, votives, familiales, etc.) et qu'ils se regroupent en confr ries ou corporations. S'appuyant sur son terrain toulousain premier ainsi que sur le d pouillement syst matique de deux si cles de litt rature sur les m n triers des provinces fran aises et sur la collaboration de certains chercheurs en r gions, l'auteur propose une nouvelle r flexion d'ampleur sur le personnage historique du m n trier (plus de trois mille musiciens recens s), son genre, son statut social (poids de la marginalit musicienne des aveugles, mendiants, concurrence des musiciens occasionnels comme les ma tres d' cole), sa fonction, sa pratique et ses formes d'organisation. Cette tude d'anthropologie musicale historique est doubl e d'une approche territoriale, cette g ographie m n tri re tant abord e au niveau des provinces, des villes (notamment des quarante ayant abrit des corporations et confr ries m n tri res), des villages et de l'organisation administrative de ce vaste espace de la M nestrandise (royaut et lieutenances m n tri res). Par ailleurs, cette histoire sensible de l'art des m n triers est aussi celle de leur rapport aux musiques dites savantes , d' glise, aux cultures musicales autres, comme celle des Boh miens. l'aide de nombreuses archives, de tableaux, cartes, documents iconographiques, cet ouvrage d peint la grande fresque d'une musique historique encore m connue, malgr sa long vit et sa centralit sociale et soci tale, celle des m nestrels et joueurs d'instruments. TABLE OF CONTENTS Introduction I. Naissance & fonctionnement des institutions m n trieres II. l ments pour une g ographie m n tri re en france III. Devenir m n trier IV. Profils sociaux, identit s statutaires, genr es et professionnelles V. Jouer m n trier : instruments, techniques et beau jeu VI. La musique des m n triers, au coeur de la vie sociale et politique VII. La rel gation par les interdits, la r probation morale, l'acad misme et l' volution du go t musical Conclusion Table des cartes et des tableaux Table des illustrations et des cr dits photographiques Annexes Bibliographie Index‎

书商的参考编号 : 64228

‎Luciane Beduschi‎

‎Padre Martini's Closed and Enigmatic Canons with Solutions by Luigi Cherubini. A 19th-Century Guide into Renaissance Music Riddles‎

‎, Brepols, 2024 Hardback, 336 pages, Size:210 x 270 mm, Illustrations:76 b/w, 6 tables b/w., 95 pages of musical scores, Language: English. ISBN 9782503608471.‎

‎Summary Every chapter of the three volumes of Giovanni Battista Martini's Storia della Musica begins and ends with an enigmatic canon: 72 puzzle canons, which formed the subject of debate in the 18th and 19th centuries. Luigi Cherubini proposed solutions for all canons, forming a pedagogical collection designed to reveal the secrets of the enigmatic canons practice to 19th-century musicians. Cherubini explained in detail how each proposed solution was reached. The resolutions are all based on a 'Table of Latin words', a list of enigmatic expressions. For each expression, Cherubini gives an explanation detailing how they must be interpreted in order to find the resolution of the riddles. Practically 56 expressions from Cherubini's 'Table of Latin words' can be identified in Renaissance treatises. Until the first half of the 16th century, a canon was a formula that musicians would put into action to create one or more parts of music ? the 'canon' was just the formula and not the music itself. Explanations of such formulas were compiled in Renaissance music treatises. It is this journey ? the one enigmatic expressions took as they travelled from the Renaissance into the 19th century ? that Luigi Cherubini's complete edition of proposed solutions to Padre Martini's enigmatic canons seeks to illustrate. TABLE OF CONTENTS Acknowledgements Introduction The 72 Enigmatic Canons of Padre Martini's Storia della Musica Luigi Cherubini's Solutions: A Pedagogical Work A Table of Enigmatic Expressions Renaissance Sources for Padre Martini's List of Motti o Enigmi Pietro Aaron, Libri tres de institutione harmonica, Bologna, 1516 Heinrich Glarean, Dodecachordon, Basel, 1547 Hermann Finck, Practica musica, Wittenberg, 1556 Pietro Cerone, El melopeo y maestro, Naples, 1613 Giovanni Battista Rossi, Organo de cantori, Venice, 1618 Camillo Angleria, La regola del contraponto?, Milan, 1622 Giovanni Andrea Angelini Bontempi, Historia Musica, Perugia, 1695 Reception of Martini's and Cherubini's Works in the 19th Century Pierre-Louis Ginguen , Encyclop die m thodique, Paris, 1791 Fran ois-Joseph F tis, Trait du contrepoint et de la fugue, Paris, [1824] Padre Martini's List of Motti o Enigmi (Reproduced in Cherubini's Collection) and the Understanding of the Renaissance Practice of (Puzzle) Canons during the 19th Century Comparative Tables Table 1. Luigi Cherubini's Table des mots latins, que les anciens compositeurs pla aient souvent en t te des canons, avec l'explication du sens nigmatique qu'ils renferment, afin d'obtenir plus ais ment la v ritable solution d'un canon ferm Table 2. Cherubini's Table of Latin Words vs. Martini's Lists of Motti o Enigmi and Vocaboli Italiani, Latini e Greci Table 3. Padre Martini's Sources for his Motti o Enigmi Table 4. Martini's Esemplare vs. Finck's Practica musica Table 5. Finck's Expressions not Cited by Martini Table 6. Cherubini's and Ginguen 's Translations of Martini's List of Motti o Enigmi Table 7. Fran ois Joseph F tis's Table des Devises ou Inscriptions des Canons nigmatiques avec leur Explication Padre Martini's Closed and Enigmatic Canons with Solutions by Luigi Cherubini List of Canons in Cherubini's Collection Letter Sent by the French Musicologist Henry Expert (1863-1952) to the Administrator of the National Library in Paris on 10 June 1924 Plates Critical Notes Bibliography Index of Names‎

书商的参考编号 : 63429

‎Lucifero R. (cur.)‎

‎I canti d'Eurasia. Espressioni del sentimento sonoro dal Mediterraneo al Mar della Cina meridionale‎

‎ill., ril.‎

‎Luigi Collarile, Maria Rosa De Luca (eds)‎

‎Geographies of Sound. Sounding and Listening to the Urban Space of Early Modern Italy with a Contemporary Perspective‎

‎, Brepols, 2023 Hardback, x + 286 pages, Size:210 x 270 mm, Illustrations:34 b/w, Language(s):English, Italian. ISBN 9782503606767.‎

‎Summary Sound is an essential element of human experience. It is part of the complex semiotic system that enables human communities to orient themselves in time and space, to be informed, to participate in social life as conscious listeners, capable of deciphering and giving meaning to the collective action of the urban space in which they live. Deeper sound horizons reverberate at different levels on the sonic dimension of reality, contributing to a more complex semantic process of the collective civic rituality and the construction of institutional and individual sound identities. In order to investigate the urban soundscape, it is important to define the nature of the sound phenomena to be examined, but also the dynamics concerning their perception as part of complex anthropological processes. These perspectives can be considered from a historical point of view. The studies collected in this volume aim to investigate sound as an element of urban space in early modern Italy. They consider different phenomenologies investigated through innovative methodological perspectives. Particular importance is given to the sound of urban rituality, to its declinations and local connotations, to its ability to interact with public and private dimensions, to the social and aesthetic dynamics that regulate it, and to the definition of the sonic identity of early modern urban space. TABLE OF CONTENTS LUIGI COLLARILE & MARIA ROSA DE LUCA, Introduction VALERIA DE LUCCA, Regulating Sound and Noise in Seventeenth-Century Rome LUIGI COLLARILE, Ephemerides itineris romani : Experiencing the Sound of Italy in two Swiss Travel Diaries of the Seventeenth-Century UMBERTO CECCHINATO, Suoni pericolosi. Musica sacra, emozioni e disciplinamento dello spazio sonoro nelle chiese venete della prima et moderna ANGELA FIORE, Suoni, spazi, identit della Modena estense GIOVANNI FLORIO, Celebrating the Prince from Afar: Echoes of the Jubilant Terraferma in the Orations to the Newly Elected Doges (XVI-XVII Century) NICOLA USULA, Traditional Music in Seventeenth-Century Operas 'alla Veneziana': Intersections in the Italian Soundscape ELIA PIVETTA, Forms of Circulation of Musical Knowledge in Eighteenth-Century Italy: Giambattista Martini's Risposta to abate Pavona friulano ANGELA FIORE, Urban Spaces and Sound Practices in Neapolitan Female Monasteries Between the Seventeenth and Eighteenth Centuries MARIA ROSA DE LUCA, Ritualizing a Resilient City: Soundscape, Collective Performances and Construction of Urban Imaginary GIUSEPPINA LA FACE BIANCONI, La musica come persecuzione. L'inquinamento musicale nelle citt odierne‎

书商的参考编号 : 64328

‎Lunelli, Renato‎

‎Studi e documenti di storia organaria veneta.‎

‎cm. 16,5 x 24, 282 pp. con 24 tavv. f.t. Fondazione Giorgio Cini - Studi di musica veneta 515 gr. 282 p.‎

‎LUPO T., COPRARIO I., DAMAN W. & GIBBONS Orlandus (RASCH Rudolf, introd.)‎

‎XX Konincklycke Fantasien, om op 3 fioolen de Gamba en ander Speel-tuigh te gebruycken. Gestelt door de konstige Engelse Speel-meesters T.Lupo, I. Coprario, W. Daman. En noch IX fantasien, etc., door Orlando Gibbons, oragnist en zang-meester, van de Konick van Engeland. [Facsimile edition]‎

‎Facsimile-edition of the original 1648-edition by Paulus Matthysz in Amsterdam, 3 volumes (one for each voice): 11,[56] + [56] + [48] pp., 22cm., softcovers, in publisher's cart. slipcase, ISBN 90-6853-025-9, good condition, [volume 1 also contains an introduction in English], M95239‎

‎LUZIO ALESSANDRO‎

‎PER GIUSEPPE VERDI DISCORSO INAUGURALE DELLA MOSTRA VERDIANA ALLA PRESENZA DEL DUCE NELLA SEDE DELLA REALE ACCADEMIA D'ITALIA IL 4 GIUGNO 1940 XVIII‎

‎BUONE CONDIZ., CELEBRAZIONI E COMMEMORAZIONI N 38‎

‎Lyons, Stuart‎

‎MUSIC IN THE ODES OF HORACE‎

‎Corners very slightly bumped else book is fine. Light shelfwear to DJ. ; Viii, 204pp, illustrated. Following the success of Horace's Odes and the Mystery of Do-Re-Mi in which he proposed that Horace's Odes were truly carmina (songs) , Stuart Lyons further explores the orality of the Odes in both the Augustan Age and their early medieval reception. Challenging the perception of the Odes as purely literary works and drawing on extensive evidence in Horace and other ancient sources, Lyons argues that Horace's objective was to produce a unique type of performance art, a Latin re-interpretation of Greek lyric song to entertain the Roman elite. In post-Carolingian manuscripts, there are several instances of musical notation for the Odes. Some was to help students articulate their Latin, but other notation records performance works. Lyons shows that the arrangement for the Ode to Phyllis in the Montpellier manuscript and Guido d'Arezzo's do-re-mi mnemonic share a common ancestor. The long-hidden St Petersburg codex is a virtual songbook with sixteen melodies reflecting secular as well as monastic traditions. These and other manuscripts provide persuasive evidence that Horace was sung for entertainment as well as teaching. While there is no provable link between early medieval performance and Horace's own practice, Lyons argues that the Horace of the Odes was a musical innovator, songwriter and entertainer, as well as a literary craftsman, and sang much of his lyric poetry to the accompaniment of his own lyre. With 50 illustrations, 12 colour plates and a comprehensive set of indexes this book will stimulate and inform both classicists and musical historians. ; 8vo - over 7¾" - 9¾" tall; 204 pages‎

‎Léo Laurent‎

‎Méthode simple et complète d'harmonica chromatique. Harmonicas A10, 12 et 16 divisions. Polyphonias - Harmonicas - Basse et Ensembles d'harmonicas‎

‎Paris Paul Beuscher, Editions et Instruments, sd, in-4, agrafé, 56p. Bon état. Couverture dessinée par Würth.‎

书商的参考编号 : 84497

‎Lüning, O. u. Steiner, A‎

‎Richard Wagner als Dichter und Denker. - Richard Wagner in Zürich Teil I (- III), (1849-1858).‎

‎Zürich, Hug, 1900-1903. 8°. 39 S.; 48 S.; 36 S.; 34 S. Mit 3 Portraits von Richard Wagner, 2 Portraitstafeln mit div. Personen und 10 Beilagen. Orig.-Broschur. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4780C 4 Bände. = "Neujahrsblatt der Allgemeinen Musikgesellschaft in Zürich", auf das Jahr1900 bis 1903, 88 bis 91. Jg.‎

‎Rohr 910 - 913. - Mit drei hübschen Portraits von Richard Wagner. - Papier durchgehend etwas gebräunt. Broschuren am Rand verblichen und mit kleineren Einrissen.‎

书商的参考编号 : 4780CB

‎MAAS C.J.‎

‎Geschiedenis van het meerstemmig Magnificat tot omstreeks 1525‎

‎Groningen, 1967 208pp. + 2pp. stellingen, met muziekvoorbeelden in tekst, 24cm., gebroch., Doctoraal proefschrift (Universiteit van Amsterdam), stempeltje, tekst helder, goed, M109022‎

书商的参考编号 : M109022

‎Maas, Martha & Jane McIntosh Snyder‎

‎STRINGED INSTRUMENTS OF ANCIENT GREECE‎

‎Minor shelfwear. Foxing/dustsoiling to top of textblock. ; 11.3 X 8.8 X 1.0 inches; 288 pages‎

‎MACHABEY Armand‎

‎La musicologie. Collection : Que sais-je ?, N° 978.‎

‎Paris, Presses Universitaires de France (PUF), 1962. 12 x 18, 128 pp., broché, très bon état.‎

书商的参考编号 : 97441

‎MACHABEY Armand‎

‎Le Bel Canto. Collection : Formes, écoles et oeuvres musicales.‎

‎Paris, Librairie Larousse, 1948. 11 x 17, 124 pp., broché, très bon état.‎

书商的参考编号 : 98305

‎MACHABEY Armand‎

‎Maurice Ravel. Collection : Triptyque.‎

‎Paris, Richard Masse, 1947. 13 x 19, 125 pp., 8 illustrations, broché, non coupé, bon état.‎

书商的参考编号 : 81788

‎MACHABEY Armand‎

‎Traité de la critique musicale. La doctrine, la méthode, anthologie justificative‎

‎224pp., belle reliure demi-toile rouge avec titre doré au dos, brochure originale conservée (reliée), 21cm., dans la série "Bibliothèque d'études musicales", M94852‎

‎MACHABEY, Armand.‎

‎Traité de la critique musicale - La doctrine, la méthode, anthologie justificative.‎

‎Paris, Richard-Masse (« Bibliotheque d"Etudes Musicales »), 1947. in-8°, 223 pages, index onomastique, broche, couv.‎

‎Bel exemplaire, non coupe [MI-9]‎

书商的参考编号 : 27655

‎MACHOVER Tod‎

‎"Quoi ? Quand ? Comment ?,; la recherche musicale. Collection : Musique/Passé/Présent."‎

‎Paris, Christian Bourgois, 1985. 14 x 23, 296 pp., broché, très bon état.‎

‎"Textes réunis et présentés par Tod Machover; traduction par Collins Dennis, Emmanuel Gresset, et autres."‎

书商的参考编号 : 95941

‎Machover, Ted (Textes réunis et présentés par)‎

‎Quoi ? Quand ? Comment ? La recherche musicale‎

‎Christian Bourgois / I.R.C.A.M. Couverture souple Paris 1985‎

‎Très bon In-8. 295 pages. Textes de P. Boulez, J.-J. Nattiez, etc.‎

书商的参考编号 : 34543