Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America and possibly other nations. Withi hardcover
書籍販売業者の参照番号
: ria9781016485456_inp ISBN : 101648545x 9781016485456
Paris: PerrotinGuillaumin 1830. Fine. Perrotin Guillaumin Paris 1830 7.50 x 11.50 cm relié New edition illustrated with a vignette on the title page. Full glazed navy blue calf binding smooth spine richly decorated with gilt fillets fleurons and friezes covers framed with gilt dentelle with cold-stamped mandorla at center marbled endpapers and pastedowns gilt pointillé on leading edges yellow speckled edges corners slightly bumped contemporary Romantic binding. Some foxing certain leaves with light dampstains at head and foot. Handsome copy in contemporary Romantic binding. PerrotinGuillaumin unknown
Paris: Garnier frères 1880. Fine. Garnier frères Paris s. d. circa 1880 21.50 x 31 cm relié Edition with some parts in first edition and illustrated with 186 drawings by the best artists of the period. Half khaki shagreen binding with corners spine with five raised bands set with gilt fillets decorated with double gilt compartments adorned with gilt decorative motifs gilt initials at foot light scratches on joints marbled paper boards marbled endpapers and pastedowns contemporary binding. Edition expanded with 12 new songs with accompaniment by Pierre Létorey. Illustrations by Giacomelli Grandville Viollat Crépon Riou Worms. Handsome copy. Garnier frères hardcover
Paris: Garnier frères 1875. Fine. Garnier frères Paris 1875 - 4 vol. reliés Half brown shagreen binding spine with 4 raised bands decorated with gilt dots gilt title and volume number gilt tools and double gilt fillets on the panels black cloth pasted on boards triple blind-stamped frame on boards some small tears traces of rubbing fresh interiors contemporary bindings. Some leaves of the Chansons de Béranger Volume II are slightly loosened but still holding some plates are detached but present. Volumes I and II each contain 53 steel engravings after Charlet A. de Lemud Johannot Grenier Jacque Pauquet Penguilly De Rudder Raffet and Sandoz. Musique de Béranger is illustrated by Grandville numerous full-page plates in black and white. The work contains notated airs both old and modern augmented with music for posthumous songs with airs composed by Béranger Halévy Gounod and Laurent De Rille. Les Dernières chansons de Béranger from 1834 to 1851 are expanded with a letter and preface by the author. Handsome set of 4 volumes collecting the works of Béranger richly decorated with illustrations by Grandville Charlet A. De Lemud Johannot Grenier Jacque Pauquet Penguilly De Rudder Raffet and Sandoz plates in black and white. Garnier frères hardcover
Paris: Aux dépens d'un amateur 1923. A great example of erotica with 16 delicate and extremely obscene hand-colored etchings by Chas-Laborde 15 of which are full-page and hors-texte graphically depicting both heterosexual and homosexual acts having both in the same book is extremely unusual for French erotica before 1950. From a total edition of 260 numbered copies this is one of 250 on fine Montgolfier wove paper. Large 8vo. Original wraps lightly worn. Internally uncut FINE AND BRIGHT. <br/><br/> Aux dépens d'un amateur paperback
Paris: Perrotin 1847. Leather. Very Good. 9.5" by 6.5". Not Stated. A three volume edition of the songs and music of French chansonnier Pierre-Jean de Beranger illustrated throughout. The complete three volume illustrated fourth edition of the music and songs of Pierre-Jean de Beranger the prolific French poet and chansonnier - songwriter - who enjoyed great popularity and influence in France during his lifetime.With the first two volumes consisting of de Beranger's songs and the final volume dedicated to the accompanying music.Illustrated with fifty-three plates. Collated complete.De Beranger is best known as the retrospective composer for the national anthem of Malaysia 'Negaraku' and Perak state anthem 'Allah Lanjutkan Usia Sultan'. In quarter morocco bindings with cloth covered boards. Gilt detailing to back strips. Marks and rubbing to boards most prominent to front board of volume I. Small loss to paper to rear board of volume II. Internally firmly bound. Significant spotting throughout most prominent to page perimeters. Very Good Perrotin hardcover
Paris: Perrotin 1845. Fine. Perrotin Paris 1845 14 x 22.50 cm relié Third edition partly in first edition as augmented with two airs with piano accompaniments by Mme Mainvielle-Fodor. Half brown sheep binding with corners smooth spine very slightly faded decorated with dotted and gilt fillets as well as blind fillets and showing small traces of rubbing blind friezes framing the marbled paper boards some traces of rubbing on the edges contemporary binding. Small scattered foxing a printed stamp on the half-title page as bookplate. Rare. Perrotin hardcover
Paris: Garnier Freres 1869. Hardcover. Very Good. . 2-volume set. Half-leather in red with raised bands and gilt decoration on the spines marbled boards. Covers show minor wear and tear rubbing and soiling. Marbled edges and endpapers. Pages show minor scattered foxing text and pictures are intact and unmarred. Paris: Garnier Freres hardcover
Paris: Perrotin 1858. Fine. Perrotin Paris 1858-1868 16 x 25.50 cm 5 volumes reliés en 1 New edition with some parts in first edition revised by the author and illustrated with numerous steel engravings by Johannot Raffet de Lemud Grenier Jacques Pauquet Penguilly de Rudder Sandoz d'Aubigny Grandville. Half-red shagreen bindings spines with five raised bands outlined with black fillets marbled paper boards marbled endpapers and pastedowns. The set comprises the following volumes: Chansons in two volumes Dernières chansons Musique des chansons Album des chansons entirely illustrated with engravings by Jean Ignace Isidore Gérard Grandville Ma biographie. Some foxing a scrape to head of one joint of Ma biographie the volume Dernières chansons has been bound without its title and half-title pages. Perrotin hardcover
Paris: Perrotin 1847. Fine. Perrotin Paris 1847 14.50 x 24 cm 2 volumes reliés New edition and first issue of the beautiful romantic illustrations. Half-aubergine shagreen bindings smooth spines set with gilt wavy fillets and decorated with gilt fleurons gilt friezes at head and foot of spines some rubbing to spines aubergine paper boards marbled endpapers and pastedowns contemporary bindings. Work illustrated with 52 beautiful steel engravings by Charlet Lemud Johannot Daubigny Pauquet Jacques Penguilly Rudder Raffet Sandoz. Scattered foxing. Perrotin hardcover
Paris: Perrotin 1847. Leather. Very Good. 4.5" by 3". None. A collection of the works of French poet and songwriter Pierre-Jean de Beranger in the original French. French. Nouvelle edition. Elzevirien format. Illustrated with seven engraved plates. Collated complete. The complete works of Pierre-Jean de Beranger a prolific French poet and chansonnier or songwriter who enjoyed great popularity and influence in France during his lifetime. In the original red crushed morocco binding. Externally smart with rubbing to the extremities and the odd small mark to the boards. A small puncture mark to the front board. Light fading to the spine. Internally firmly bound. Pages are very bright with the odd small spot or handling mark. Previous owner's bookplate to the front pastedown. Very Good Perrotin hardcover
Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13 x 22 cm 4 volumes reliés Edition with some parts in first edition illustrated with 100 of 103 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half red calf bindings with corners spines slightly faded with one raised band decorated with gilt and black romantic arabesques gilt friezes at head and foot gilt fillet frames on marbled paper boards marbled endpapers and pastedowns speckled edges some corners slightly bumped contemporary bindings. Some foxing four vignettes lacking in our copy. However our copy is complete with the two portraits of Béranger and the facsimile of a 4-page manuscript letter all placed at the beginning of volume I. Perrotin hardcover
Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13.50 x 21.50 cm 5 volumes reliés Edition with some parts in first edition illustrated with 104 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half cherry red calf bindings spines with four raised bands decorated with gilt and blind fillets as well as blind typographical motifs and gilt romantic arabesques gilt friezes at head and foot black shagreen title and volume labels marbled paper boards marbled endpapers and pastedowns marbled edges contemporary romantic bindings. The illustrations are distributed as follows: Volume 1: 1 frontispiece and 25 figures Volume 2: 33 figures Volume 3: 40 figures Volume 4: 6 including 1 portrait plus 1 facsimile. Our set is complete with the fifth volume consisting of the music for Béranger's songs. Handsome set almost entirely free of foxing and bound in charming contemporary romantic binding. Perrotin hardcover
Paris: Perrotin 1847. Fine. Perrotin Paris 1847 14.50 x 24 cm 2 volumes reliés New edition and first printing of the beautiful romantic illustrations. Half red shagreen bindings spines with four raised bands set with gilt borders decorated with double gilt and black compartments enhanced with gilt typographical motifs double gilt fillets on red paper boards endpapers and pastedowns of marbled paper contemporary binding. Work illustrated with 52 beautiful steel engravings by Charlet Lemud Johannot Daubigny Pauquet Jacques Penguilly Rudder Raffet Sandoz. Pleasant copy. Perrotin hardcover
Paris: Perrotin 1856. Fine. Perrotin Paris 1856 6.50 x 11 cm relié Elzevirian edition with some parts of the text in first edition. Full black paper boards binding spine in four compartments decorated with gilt compartments and gilt fillets two small tears without loss to joints boards with blind frames top and edges gilt. Handsome copy almost free from foxing. Perrotin hardcover
Paris: Chez Les Marchands de nouveautés 1821. Fine. Chez Les Marchands de nouveautés Paris 1821 - 1825 9.50 x 15.80 cm 2 volumes reliés First edition of these 3 works bound in 2 volumes. Following the Trial of messieurs de Béranger and Baudouin 14 manuscript songs retained by the prosecutor general against Béranger and censored. One understands the interest of this copy since the song collection was sold out or seized. Contemporary full straight-grained green morocco binding. Luxury binding from a major atelier but unsigned. Smooth spine decorated with a blind stamp with floral semé within a double gilt fillet frame. Boards decorated with multiple blind frames doubled with gilt fillets. Gilt edges. Triple gilt interior fillet. Spines uniformly faded. Small dark areas on the boards of one volume. Traces of rubbing. Scattered pale yellow foxing. Very handsome copies. Two days after the publication of the author's song collection published at his own expense the king's prosecutor for the Seine department filed a complaint against the chansonnier and ordered the seizure of the work the police only managed to seize 500 copies since 10000 had sold in a few days. He faced four charges: offense to morals attack on religious morality offense against the person of the king and incitement to wear a rallying sign unauthorized by the king the tricolor flag. He was condemned to a minimal sentence of three months in prison and a 500 F fine essentially for his attacks against the Capuchins and missionaries. Meanwhile his lawyer Dupin provoked a second trial by publishing his plea accompanied by the text of the incriminated songs as procedural documents. Béranger was a convinced republican and his songs became increasingly virulent under Louis XVIII. After the episode of his trial where all of Paris rushed to attend he became under Charles X an important figure of the liberal camp. An engaged author and today forgotten the chansonnier Béranger enjoyed immense celebrity but posterity has identified him with the acerbic criticisms of Flaubert and Baudelaire as a minor and bourgeois author unjustly revered. The history of his trial well before those of Baudelaire and Flaubert reveals the greater complexity of the author and stages the history of censorship under the Restoration. Chez Les Marchands de nouveautés hardcover
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