‎Ornithologie‎

‎Wild - über 100 köstliche Rezepte‎

‎Weltbild, Augsburg, 2010. 160 S., 4°, Lizenzausgabe, farb. Bildband, Oppbd., sehr gutes Exemplar,‎

书商的参考编号 : 18339

‎Wood warbler. [Phylloscopus sibilatrix; Waldlaubsänger]. Handkolorierter Holzschnitt von 2 Blöcken.‎

‎[ca. 1900]. Blattgröße ca. 25 x 15 cm. Unter Feinkartonpassepartout.‎

‎Der Waldlaubsänger lebt in lichten Laub- u. Mischwäldern, Buchenwäldern u. Parkanlagen. In fast ganz Mitteleuropa ist der Langstreckenzieher von April bis September anwesend. Sein Winterquartier hat er im tropischen Afrika. Gut erhalten‎

书商的参考编号 : 63993

‎"ARNOLD, FRIEDRICH.‎

‎Die Vögel Europas. Ihre Naturgeschichte und Lebensweise in Freiheit und Gefangenschaft. Nebst Anleitung zur Aufzucht, Eingewöhnung, Pflege, samt den Fang-und Jagdmethoden.‎

‎Stutgart, Hoffmann, 1897. 4to. Cont. hcalf. Slightly scratched on back. 8,LXXX,458 pp., 76 textillustr. and 48 chromolithographed plates (Lith.Anst. Reichert & Wahler, Stuttg.).‎

‎Wood p. 204. ""A well known, popular work, giving a full description of the plumage, habits, and other characters of European birds. The coloured figures, though small, are of decided value in identifying species. They have been extensively used to illustrate other publications.""‎

书商的参考编号 : 12205

‎"CHECK-LIST OF THE NORTH AMERICAN BIRDS.‎

‎Prepared by a Committee of the American Ornithologists' Union. 4th ed. Constituting the ""Systema Avifauna"" for North America North of Mexico.‎

‎Lancaster, PA., 1931. Orig. full clth with traces of use. First inner hinge weak, titlepage loose. XIX,526 pp.‎

‎"COLLETT, ROBERT.‎

‎Mindre Meddelelser, vedrørende Norges Fuglefauna i Aarene 1877-1880.‎

‎Christiania, 1881. Samtidigt hshirtbd. uden rygtitel. I ""Nyt Magasin for Naturvidenskaberne"". Pp. 254-394.‎

‎"DELACOUR, J. & P.JABOUILLE.‎

‎Les Oiseaux de l'Indochine Francaise. 4 vols. Exposition Coloniale Internationale.‎

‎Paris, 1931. 4to. Bound in 4 private hcloth with 4 orig. frontwrappers withbound. With 67 fine colourplates (by Grønvold).‎

‎"GOULD, JOHN.‎

‎Accentor Modularis. Hedge-Accentor, or Hedgesparrow.‎

‎.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male in natural surroundings on a trunk with fungi.. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43971

‎"GOULD, JOHN.‎

‎Aëdon Galactodes. Rufous Sedge-Warbler.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x37 cm. Lithographed and fully handcoloured. 2 birds seen, female and male in natural habitat with flowering plants. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43994

‎"GOULD, JOHN.‎

‎Calamodyta Aquatica. Aquatic Warbler.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x37 cm. Lithographed and fully handcoloured. 2 birds seen, female and male in natural habitat with flowering plant, fruits and an insect. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43995

‎"GOULD, JOHN.‎

‎Calamodyta Phragmitis. Sedge Warbler or Chat.‎

‎.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male sitting on flowering waterplants. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43969

‎"GOULD, JOHN.‎

‎Calamoherpe Arundinacea. Reed Warbler.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x37 cm. Lithographed and fully handcoloured. 3 birds seen in natural habitat with flowering reed-mace, water-lillies. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43992

‎"GOULD, JOHN.‎

‎Calamoherpe Palustris. Marsh Warbler.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x37 cm. Lithographed and fully handcoloured. 2 birds seen, female and male in natural habitat with flowering waterplants, foliage.. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43993

‎"GOULD, JOHN.‎

‎Calamophilus Biarmicus. Bearded Tit.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Both sexes depicted sitting on straws. Other birds in the background. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43946

‎"GOULD, JOHN.‎

‎Caprimulgus Europaeus, Linn. Nightjar, or Goatsucker.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36 cm. Lithographed and fully handcoloured. Female and male in natural habitat with nest in which two baby birds surrounded by flowers etc. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 44000

‎"GOULD, JOHN.‎

‎Certhia Familiaris, Linn. Tree-Creeper.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, male and female on a trunk with foliage, feeding 4 baby birds. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43981

‎"GOULD, JOHN.‎

‎Chelidon Urbica. House-Martin.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Showing 2 bird in flight, 3 others beneath. J. Gould & H.C. Richter, del. et lith. - Walter Imp. Fine and clean.The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43925

‎"GOULD, JOHN.‎

‎Cichloselys Sibiricus. Siberian Thrush.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73 Folio. Papersize 52,5x36,5 cm. Lithographed and fully handcoloured. 2 adults on a branch with fruits.. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. Ab. a half cm. of right margin with remains of textpaper, not affecting image in any way..The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43956

‎"GOULD, JOHN.‎

‎Cinclus Aquaticus. Water-Ouzed or Dipper.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73 Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. An adult with prey outside nest with 4 baby birds.. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. Lower margin with loss of 1/2 cm., not affecting print or image.The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43957

‎"GOULD, JOHN.‎

‎Cinclus Melanogaster, Temm. Black-bellied Water-Ouzel.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73 Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults, one with prey set in natural surrounding of water.. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. .The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43958

‎"GOULD, JOHN.‎

‎Coracias Garrula, Linn. Roller.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, both sexes in a tree, foliage and fruits.. J. Gould & H.C. Richter, del. et lith. - Walter Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43929

‎"GOULD, JOHN.‎

‎Cotyle Riparia. Sand-Martin Young.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Young bird in foreground.. J. Gould & W. Hart, del. et lith. - Walter Imp. Fine and clean.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43927

‎"GOULD, JOHN.‎

‎Cotyle Riparia. Sand-Martin.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Showing birds flying, foreground with large flowers, natural settings.. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean.The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43926

‎"GOULD, JOHN.‎

‎Curruca Hortensis. Garden-Warbler.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, male and female on branches, flowering, foliage and insects.. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43979

‎"GOULD, JOHN.‎

‎Curruca Orphea. Orphean Warbler.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, male and female on branches with fruits. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43978

‎"GOULD, JOHN.‎

‎Cyanecula Leucocyana. White-throated Bluebreast.‎

‎.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male in natural surroundings flowers, female feeding 4 baby birds. J. Gould & W. Hart, del. et lith. - Walter, Imp. Fine and clean. .The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43966