‎Ornithologie‎

‎"GOULD, JOHN.‎

‎Curruca Orphea. Orphean Warbler.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, male and female on branches with fruits. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43978

‎"GOULD, JOHN.‎

‎Cyanecula Leucocyana. White-throated Bluebreast.‎

‎.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male in natural surroundings flowers, female feeding 4 baby birds. J. Gould & W. Hart, del. et lith. - Walter, Imp. Fine and clean. .The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43966

‎"GOULD, JOHN.‎

‎Cyanecula Suecia. Red-throated Bluebreast.‎

‎.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male in natural surroundings flowers etc. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. .The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43965

‎"GOULD, JOHN.‎

‎Cypselus Apus. Swift.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Feeding baby birds in natural surroundings. J. Gould & H. Richter, del. et lith. - Walter & Cohn Imp. Fine and clean.The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43922

‎"GOULD, JOHN.‎

‎Cypselus Melba. Alpine Swift.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Both sexes shown in natural surroundings. J. Gould & H.C. Richter, del. et lith. - Walter Imp. Fine and clean.The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43923

‎"GOULD, JOHN.‎

‎Enneoctonus Collurio. Butcher Bird.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds in a flowering bush with 7 kinds of preys thorned. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43933

‎"GOULD, JOHN.‎

‎Enneoctonus Rufus. Woodchat.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds in a flowering bush. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43934

‎"GOULD, JOHN.‎

‎Erythrosterna Parva. Read-breasted Flycatcher.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Both sexes sitting in a tree. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43938

‎"GOULD, JOHN.‎

‎Lanius Minor, Gmel. Rose-breasted Shrike.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds in a tree. J. Gould & H.C. Richter, del. et lith. - Walter Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43932

‎"GOULD, JOHN.‎

‎Locustella Avicula, Ray. Grasshopper Warbler.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x37 cm. Lithographed and fully handcoloured. 2 birds seen, female and male in natural habitat, foliage. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43997

‎"GOULD, JOHN.‎

‎Loxia Curvirostra, Linn. Common Crossbill.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 52x36 cm. Lithographed and fully handcoloured. 2 birds seen, female and male in natural habitat, feeding 3 baby birds outside the nest, foliage. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp. Textleaf frayed ininner margin.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43998

‎"GOULD, JOHN.‎

‎Loxia Leucoptera, Gmel. American White-winged Crossbill.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36 cm. Lithographed and fully handcoloured. 2 birds seen, female and male in natural habitat, foliage and fruits. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp. Textleaf frayed ininner margin.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43999

‎"GOULD, JOHN.‎

‎Luscina Philomela. Nightingale.‎

‎.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male in natural surroundings, one on the nest, flowering plants, a butterfly. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43972

‎"GOULD, JOHN.‎

‎Melizopphilus Provincialis. Dartford Warbler.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, male and female in a flowering plant. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43976

‎"GOULD, JOHN.‎

‎Merops Apiaster, Linn. Bee-eater.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, both sexes in a tree, many birds in the background.. J. Gould & H.C. Richter, del. et lith. - Walter Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43928

‎"GOULD, JOHN.‎

‎Merula Torquata. Ring-Ousel.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults at the nest, one feeding 4 baby birds.. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43954

‎"GOULD, JOHN.‎

‎Merula Vulgaris, Ray. Blackbird.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults in a tree with flowers, the female on the nest and a wren beneath.Right margin (1 cm) neathly repaired.. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43953

‎"GOULD, JOHN.‎

‎Muscicapa Atricapilla, Linn. Pied Flycatcher.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adult and one baby bird in tree. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43935

‎"GOULD, JOHN.‎

‎Musicapa Collaris, Bechst. White-collared Flycatcher.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adult in tree. J. Gould & W. Hart, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43936

‎"GOULD, JOHN.‎

‎Oreocincla Aurea. White's Thrush.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. An adult on a branch with fruits.. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. Half a cm. added to right margin, not affecting print or image.The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43955

‎"GOULD, JOHN.‎

‎Parus Ater. Coal Tit.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 52,5x36,5 cm. Lithographed and fully handcoloured. 2 adults in a in a flowering tree. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. A repai to right margin, not affecting image.The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43941

‎"GOULD, JOHN.‎

‎Parus Cristatus, Linn. Crested Tit.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 52x36,5 cm. Lithographed and fully handcoloured. 2 adults in a tree. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43942

‎"GOULD, JOHN.‎

‎Passer Domesticus, Ray. Common or House Sparrow.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x35 cm. Lithographed and fully handcoloured. Male and female, female onthe nest, foliage.. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43990

‎"GOULD, JOHN.‎

‎Pastor Roseus. Rose-coloured Pastor.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36 cm. Lithographed and fully handcoloured. Two birds, female in the nest, foliage, flowering plants, fungi on trunk. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43975

‎"GOULD, JOHN.‎

‎Petrocincla Saxatilis. Rock-Thrush.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73 Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults, on cliffs, one sitting over the nest with 4 eggs. Plants with flowers. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Right margin frayed, not affecting image. Fine and clean. .The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

书商的参考编号 : 43959