‎Botanique‎

‎Alfred Cogniaux e Alphonse Goossens‎

‎Cypripedium aureum var. cyrus. Hort.‎

‎Finissima cromolitografia originale tratta dalla celebre opera sulle orchidee "Dictionnaire iconographique des orchidees" di Alfred Cogniaux e Alphonse Goossens pubblicato tra il 1896 e il 1907. Le planches sono tutte su disegno di Goossens, uno dei più importanti e celebri disegnatori di orchidee. Ogni cromolitografia è montata in elegante passe-partout. INCISIONE: cromolitografi AUTORE: Disegno di Alfred Goossens (1866-1944) DIMENSIONI PASSEPARTOUT: cm 35x25 DIMENSIONI INCISIONE: cm 17,5x13 EPOCA: 1896-1907 CONDIZIONI: buone condizioni. Very fine original chromolythography taken from the famous work about orchids "Dictionnaire iconographique des orchidees" written by Alfred Cogniaux and Alphonse Goossens published between 1896 and 1907. The planches are all made on Goossens drawings, one of the most important and famous drawer of orchids. Each chromolythograph is mounted in an elegant passe-partout. TECHNIQUE: chromolythograhy AUTHOR: drawing by Alfred Goossens (1866-1944) PASSEPARTOUT SIZE: cm 35x25 PRINT SIZE: cm 17,5x13 PERIOD: 1896-1907 CONDITIONS: good conditions.‎

‎Alfred Cogniaux e Alphonse Goossens‎

‎Cypripedium nitens var. sallieri‎

‎Finissima cromolitografia originale tratta dalla celebre opera sulle orchidee "Dictionnaire iconographique des orchidees" di Alfred Cogniaux e Alphonse Goossens pubblicato tra il 1896 e il 1907. Le planches sono tutte su disegno di Goossens, uno dei più importanti e celebri disegnatori di orchidee. Ogni cromolitografia è montata in elegante passe-partout. INCISIONE: cromolitografia AUTORE: Disegno di Alfred Goossens (1866-1944) DIMENSIONI PASSEPARTOUT: cm 35x25 DIMENSIONI INCISIONE: cm 17,5x13 EPOCA: 1896-1907 CONDIZIONI: buone condizioni. Very fine original chromolythography taken from the famous work about orchids "Dictionnaire iconographique des orchidees" written by Alfred Cogniaux and Alphonse Goossens published between 1896 and 1907. The planches are all made on Goossens drawings, one of the most important and famous drawer of orchids. Each chromolythograph is mounted in an elegant passe-partout. TECHNIQUE: chromolythograhy AUTHOR: drawing by Alfred Goossens (1866-1944) PASSEPARTOUT SIZE: cm 35x25 PRINT SIZE: cm 17,5x13 PERIOD: 1896-1907 CONDITIONS: good conditions.‎

‎Alfred Cogniaux e Alphonse Goossens‎

‎Cypripedium youngianum Rolse‎

‎Finissima cromolitografia originale tratta dalla celebre opera sulle orchidee "Dictionnaire iconographique des orchidees" di Alfred Cogniaux e Alphonse Goossens pubblicato tra il 1896 e il 1907. Le planches sono tutte su disegno di Goossens, uno dei più importanti e celebri disegnatori di orchidee. Ogni cromolitografia è montata in elegante passe-partout. INCISIONE: cromolitografia AUTORE: Disegno di Alfred Goossens (1866-1944) DIMENSIONI PASSEPARTOUT: cm 35x25 DIMENSIONI INCISIONE: cm 17,5x13 EPOCA: 1896-1907 CONDIZIONI: buone condizioni. Very fine original chromolythography taken from the famous work about orchids "Dictionnaire iconographique des orchidees" written by Alfred Cogniaux and Alphonse Goossens published between 1896 and 1907. The planches are all made on Goossens drawings, one of the most important and famous drawer of orchids. Each chromolythograph is mounted in an elegant passe-partout. TECHNIQUE: chromolythograhy AUTHOR: drawing by Alfred Goossens (1866-1944) PASSEPARTOUT SIZE: cm 35x25 PRINT SIZE: cm 17,5x13 PERIOD: 1896-1907 CONDITIONS: good conditions.‎

‎Alfred Cogniaux e Alphonse Goossens‎

‎Dendrobium devonianum‎

‎Finissima cromolitografia originale tratta dalla celebre opera sulle orchidee "Dictionnaire iconographique des orchidees" di Alfred Cogniaux e Alphonse Goossens pubblicato tra il 1896 e il 1907. Le planches sono tutte su disegno di Goossens, uno dei più importanti e celebri disegnatori di orchidee Ogni cromolitografia è montata in elegante passe-partout. INCISIONE: cromolitografia AUTORE: Disegno di Alfred Goossens (1866-1944) DIMENSIONI PASSEPARTOUT: cm 35x25 DIMENSIONI INCISIONE: cm 17,5x13 EPOCA: 1896-1907 CONDIZIONI: buone condizioni. Very fine original chromolythography taken from the famous work about orchids "Dictionnaire iconographique des orchidees" written by Alfred Cogniaux and Alphonse Goossens published between 1896 and 1907. The planches are all made on Goossens drawings, one of the most important and famous drawer of orchids. Each chromolythograph is mounted in an elegant passe-partout.TECHNIQUE: chromolythograhy AUTHOR: drawing by Alfred Goossens (1866-1944) PASSEPARTOUT SIZE: cm 35x25 PRINT SIZE: cm 17,5x13 PERIOD: 1896-1907 CONDITIONS: good conditions.‎

‎Alfred Cogniaux e Alphonse Goossens‎

‎Laelia gouldiana Rehb. f.‎

‎Finissima cromolitografia originale tratta dalla celebre opera sulle orchidee "Dictionnaire iconographique des orchidees" di Alfred Cogniaux e Alphonse Goossens pubblicato tra il 1896 e il 1907. Le planches sono tutte su disegno di Goossens, uno dei più importanti e celebri disegnatori di orchidee. Ogni cromolitografia è montata in elegante passe-partout.INCISIONE: cromolitografia AUTORE: Disegno di Alfred Goossens (1866-1944) DIMENSIONI PASSEPARTOUT: cm 35x25 DIMENSIONI INCISIONE: cm 17,5x13 EPOCA: 1896-1907 CONDIZIONI: buone condizioni. Piccolo foro non inficiante l'incisione. Very fine original chromolythography taken from the famous work about orchids "Dictionnaire iconographique des orchidees" written by Alfred Cogniaux and Alphonse Goossens published between 1896 and 1907. The planches are all made on Goossens drawings, one of the most important and famous drawer of orchids. Each chromolythograph is mounted in an elegant passe-partout. TECHNIQUE: chromolythograhy AUTHOR: drawing by Alfred Goossens (1866-1944) PASSEPARTOUT SIZE: cm 35x25PRINT SIZE: cm 17,5x13 PERIOD: 1896-1907 CONDITIONS: good conditions. Little hole not ruining the engraved part‎

‎Alfred Cogniaux e Alphonse Goossens‎

‎Mormodes buccinator‎

‎Finissima cromolitografia originale tratta dalla celebre opera sulle orchidee "Dictionnaire iconographique des orchidees" di Alfred Cogniaux e Alphonse Goossens pubblicato tra il 1896 e il 1907. Le planches sono tutte su disegno di Goossens, uno dei più importanti e celebri disegnatori di orchidee. Ogni cromolitografia è montata in elegante passe-partout. INCISIONE: cromolitografia AUTORE: Disegno di Alfred Goossens (1866-1944) DIMENSIONI PASSEPARTOUT: cm 35x25 DIMENSIONI INCISIONE: cm 17,5x13 EPOCA: 1896-1907 CONDIZIONI: buone condizioni. Very fine original chromolythography taken from the famous work about orchids "Dictionnaire iconographique des orchidees" written by Alfred Cogniaux and Alphonse Goossens published between 1896 and 1907. The planches are all made on Goossens drawings, one of the most important and famous drawer of orchids. Each chromolythograph is mounted in an elegant passe-partout. TECHNIQUE: chromolythograhy AUTHOR: drawing by Alfred Goossens (1866-1944) PASSEPARTOUT SIZE: cm 35x25 PRINT SIZE: cm 17,5x13 PERIOD: 1896-1907 CONDITIONS: good conditions.‎

‎Alfred Cogniaux e Alphonse Goossens‎

‎Odontoglossum cirrhosum‎

‎Finissima cromolitografia originale tratta dalla celebre opera sulle orchidee "Dictionnaire iconographique des orchidees" di Alfred Cogniaux e Alphonse Goossens pubblicato tra il 1896 e il 1907. Le planches sono tutte su disegno di Goossens, uno dei più importanti e celebri disegnatori di orchidee. Ogni cromolitografia è montata in elegante passe-partout. INCISIONE: cromolitografia AUTORE: Disegno di Alfred Goossens (1866-1944) DIMENSIONI PASSEPARTOUT: cm 35x25 DIMENSIONI INCISIONE: cm 17,5x13 EPOCA: 1896-1907 CONDIZIONI: buone condizioni. Very fine original chromolythography taken from the famous work about orchids "Dictionnaire iconographique des orchidees" written by Alfred Cogniaux and Alphonse Goossens published between 1896 and 1907. The planches are all made on Goossens drawings, one of the most important and famous drawer of orchids. Each chromolythograph is mounted in an elegant passe-partout. TECHNIQUE: chromolythograhy AUTHOR: drawing by Alfred Goossens (1866-1944) PASSEPARTOUT SIZE: cm 35x25 PRINT SIZE: cm 17,5x13 PERIOD: 1896-1907 CONDITIONS: good conditions.‎

‎Alfred Cogniaux e Alphonse Goossens‎

‎Phajus norman var. aureus, Hort.‎

‎Finissima cromolitografia originale tratta dalla celebre opera sulle orchidee "Dictionnaire iconographique des orchidees" di Alfred Cogniaux e Alphonse Goossens pubblicato tra il 1896 e il 1907. Le planches sono tutte su disegno di Goossens, uno dei più importanti e celebri disegnatori di orchidee. Ogni cromolitografia è montata in elegante passe-partout.INCISIONE: cromolitografia AUTORE: Disegno di Alfred Goossens (1866-1944) DIMENSIONI PASSEPARTOUT: cm 35x25 DIMENSIONI INCISIONE: cm 17,5x13 EPOCA: 1896-1907 CONDIZIONI: buone condizioni. Piccolo foro al margine superiore Very fine original chromolythography taken from the famous work about orchids "Dictionnaire iconographique des orchidees" written by Alfred Cogniaux and Alphonse Goossens published between 1896 and 1907. The planches are all made on Goossens drawings, one of the most important and famous drawer of orchids. Each chromolythograph is mounted in an elegant passe-partout. TECHNIQUE: chromolythograhy AUTHOR: drawing by Alfred Goossens (1866-1944) PASSEPARTOUT SIZE: cm 35x25 PRINT SIZE: cm 17,5x13 PERIOD: 1896-1907 CONDITIONS: good conditions. Little hole in the upper part‎

‎Alfred Cogniaux e Alphonse Goossens‎

‎Selenipedium sedeni Carriere‎

‎Finissima cromolitografia originale tratta dalla celebre opera sulle orchidee "Dictionnaire iconographique des orchidees" di Alfred Cogniaux e Alphonse Goossens pubblicato tra il 1896 e il 1907. Le planches sono tutte su disegno di Goossens, uno dei più importanti e celebri disegnatori di orchidee. Ogni cromolitografia è montata in elegante passe-partout.INCISIONE: cromolitografia AUTORE: Disegno di Alfred Goossens (1866-1944) DIMENSIONI PASSEPARTOUT: cm 35x25 DIMENSIONI INCISIONE: cm 17,5x13 EPOCA: 1896-1907 CONDIZIONI: buone condizioni. Piccolo foro al margine superiore Very fine original chromolythography taken from the famous work about orchids "Dictionnaire iconographique des orchidees" written by Alfred Cogniaux and Alphonse Goossens published between 1896 and 1907. The planches are all made on Goossens drawings, one of the most important and famous drawer of orchids. Each chromolythograph is mounted in an elegant passe-partout. TECHNIQUE: chromolythograhy AUTHOR: drawing by Alfred Goossens (1866-1944) PASSEPARTOUT SIZE: cm 35x25 PRINT SIZE: cm 17,5x13 PERIOD: 1896-1907 CONDITIONS: good conditions. Little hole in the upper part‎

‎Alfred Cogniaux e Alphonse Goossens‎

‎Zygopetalum mackayi‎

‎Finissima cromolitografia originale tratta dalla celebre opera sulle orchidee "Dictionnaire iconographique des orchidees" di Alfred Cogniaux e Alphonse Goossens pubblicato tra il 1896 e il 1907. Le planches sono tutte su disegno di Goossens, uno dei più importanti e celebri disegnatori di orchidee. Ogni cromolitografia è montata in elegante passe-partout. INCISIONE: cromolitografia AUTORE: Disegno di Alfred Goossens (1866-1944) DIMENSIONI PASSEPARTOUT: cm 35x25 DIMENSIONI INCISIONE: cm 17,5x13 EPOCA: 1896-1907 CONDIZIONI: buone condizioni. Very fine original chromolythography taken from the famous work about orchids "Dictionnaire iconographique des orchidees" written by Alfred Cogniaux and Alphonse Goossens published between 1896 and 1907. The planches are all made on Goossens drawings, one of the most important and famous drawer of orchids. Each chromolythograph is mounted in an elegant passe-partout. TECHNIQUE: chromolythograhy AUTHOR: drawing by Alfred Goossens (1866-1944) PASSEPARTOUT SIZE: cm 35x25 PRINT SIZE: cm 17,5x13 PERIOD: 1896-1907 CONDITIONS: good conditions.‎

‎Alfred Smee‎

‎Mon jardin‎

‎In-4°; pp. XV, 605, con 25 tavole fuori testo e 1300 xilografie nel testo che raffigurano i tipi di roccia e terra, gli attrezzi, i frutti, i fiori, le piante aromatiche, da serra ecc., gli alberi e tutti gli animali che popolano i giardini, a fianco di un trattato assai completo scritto da un membro della Societé royale de Londrea et de la Societé d’Horticulutre. Legatura in mezza pelle con titolo dorato al dorso, gore di umidità.‎

‎Alghetti, Ciro‎

‎Curiosita di storia naturale‎

‎In-folio, cm 31, pp. VIII, 437, con 30 tavole a colori, 644 illustrazioni e una quadricromia. Bella brossura editoriale beige su carta verfellata con illustrazione al piatto e titoli entro decorazione fitomorfa, perfettamente integra. Alla cuffia superiore del nastro trasparente applicato e al margine inferiore. Bella copia.‎

‎Aliverti M.G. et Rusmini S.‎

‎Le monde merveilleux des plantes‎

‎Hachette. 1970. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 139 pages augmentées de nombreuses photos en couleurs dans texte.. . . . Classification Dewey : 580-Botanique‎

‎Classification Dewey : 580-Botanique‎

書籍販売業者の参照番号 : R260266519

‎Alibertis Antonis‎

‎The most beautiful wildflowers of Crete‎

‎Mystis Editions n.d. Paper covers wrap-around flaps. Fine/No Jacket. No inscriptions; scarcely used. Mystis Editions unknown‎

書籍販売業者の参照番号 : 17918

‎Alice Quiros, Barbara L.Young‎

‎The world of cactus & succulents and other water-thrifty plants‎

‎Inglese, brossura editoriale illustrata, flessibile, con tracce di polvere, lievi segni di usura ai bordi ed al dorso, all'interno pagine riccamente illustrate, ingiallite ai bordi e con sporadica fioritura, piega agli angoli sup., strappetto all'angolo sup.del frontespizio. Numero pagine 96 USATO‎

‎ALIVERTI MARIA GABRIELLA-RUSMINI SANDRA‎

‎INCONTRI CON LE PIANTE‎

‎Pagine: 124 . Illustrazioni: Foto a colori, disegni di Letizia Minio Battigalli . Formato: 8° . Rilegatura: Cartonato originale . Stato: Buono . Caratteristiche: Bruniture. Una introduzione piacevole alla botanica . Collana: I grandi libri d'oro .‎

‎Allan, M.‎

‎Darwin and his Flowers. The Key to Natural Selection.‎

‎1977 318 p., numerous illustrations (several in colour), hardbound (dust jacket).‎

書籍販売業者の参照番号 : BG38597

‎ALLIONI, CARLO. - HAND-COLOURED COPY.‎

‎Flora Pedemontana, sive Enumeratio Methodica Stirpium Indigenarum Pedemontii. 3 Tomi. (Vol. 3: Icones accdit explanatio numenclaturae botanicae). + Auctarium ad Floram Pedemontanam, cum notis et emendationibus. - [GIVING BIRTH TO THE APPLICATION OF THE LINNEAN NOMENCLATURE]‎

‎Augustae Taurinorum (Turin), Ioannes Michael Briolus, 1785 + 1789. Folio. 3 later hvellum in old style w. titles and tomes printed in black on spines. All edges uncut. Title-pages printed in red and black. Large engr. vignette to all three title-pages. Engr. frontispiece-portrait to volume one. (10), XIX, (1), 344 (4), 366, XIV (= Nomina Generum & Vernacula + Errata), (2) (=colophon)" (4), XIV pp + 92 beautiful full page engr. HAND-COLOURED plates. Complete w. all three half-titles and all 92 plates in the very scarce coloured state. A very good copy w. some occasional brownspotting and soiling. Last ab. 35 plates w. waterdamage to upper right corner, only on some plates affecting the actual plate, and on these not affcting the image, but merely the plate-numbering in upper right corner. The supplementary ""Auctarium"" is in 4to and bound in a newer full leather binding w. gilt spine (Henning Jensen). Engr. title-vignette. (4), 53, (1) pp. + 2 folded engr. plates. Complete, nice and clean w. only minor occasional brownspotting.‎

‎Scarce first edition of one of the most important Italian floras, here in the EXTREMELY RARE COLOURED STATE, by one of the most important botanists of the 18th century, the Piedmont Linné (""Il Linneo piemontese""), Carlo Allioni (1728-1804). The Piedmontese Flora is Allioni's main work. In the text it describes 2.831 species of Piedmont plants, and the plates depict 92 hitherto unknown or very rare species of plants, many of which have been discovered by Allioni himself or by his illustrator. The 92 beautiful plates are drawn by Francisco Peiroleri and engraved by his son Petrus Peiroleri. The work was more than 25 years on its way, and with its appearance Allioni established his reputation as one of the main botanists of the 18th century.This work is considered one of the most important flower books of Europe and undoubtedly the most important of Piedmont, and it has received worldwide fame as one of the most beautiful and important alpine botanical works. With this work Allioni is the first to organize the flora of Piedmont in a modern system, i.e applying the new principles of nomenclature after the Linnean model, and for this reason he is called the Linné of Piedmont. He actually corresponded much with Linné, who also considered him a reformist botanical writer and even named the New World herb genus Allionia after him.Carlo Allioni was an Italian physician and botanist and is considered one of the greatest experts in scientific botany and medicine in Europe in the 18th century. He was born in Turin in 1728 and finished his medical studies in 1747. He had planned to become a professor of medicine, but decided to devote himself to the study of natural history and became one of the most important botanists of the century. ""As a young man of twenty-five, Carlo Allioni made a botanical tour of Piedmont and Savoy, but he was sixty and nearly blind when the ""Flora Pedemontana"", his most important work, was published. He had been for many years Professor of Botany and Director of the Botanical Garden of the University of Turin, and was a corresponding associate of learned societies from Spain to Sweden."" (Alice M. Coats, The Book of Flowers, 1973. Nr. 80). In the 18th century botanical science underwent somewhat of a rebirth, mainly caused by the writings of Linné. However, Linné was not alone in making his discoveries and systems known and applied, and several important botanists helped pave the way for the taking over of the Linnean nomenclature system. Not only had Linné turned the way of classifying, arranging and naming species upside down, he had also discovered many new species and begun to compile local floras. One of his devoted followers was Allioni, who devoted himself entirely to the new system and became an enthusiastic advocate for it. The Flora Pedemontana, which had been under preparation for about 25 years, when it appeared in 1785, represents the epitome of Allioni's floral studies, and it represents a scientific study of the utmost importance, since it practically applies the new principles of botanical nomenclature.The illustrator, Francesco Peyroleri aus Viù, was a very gifted self-taught botanical painter, who was famous for his artistic abilities as well as his home-made colours that were made from the flowers he knew from the botanical gardens. He was also renowned for his special way of pressing the plants from below on to the humid paper in order to achieve a better sense of relief in the figures. Though he was self-taught, he possessed such skills that he quickly became an authority, whom many others asked for advise, and he was counted as an equal by the masters. ""In Allionis ""Flora Pedemontana"", deren Tafeln er sämtlich gezeichnet hat, wird er nicht selten als Finder oder Entdecker angeführt. Der Stecher dieser Tafeln, Francescos Sohn Pietro Peyroleri, hatte bereits 1755 im Alter von 14 Jahren die Zeichnungen des Vaters für Allionis ""Rariorum Pedemontii stirpium specimen primum"" vervielfältigt"" Seine Ausbildung hatte er dann von Carlo Emanuele Beaumont empfangen, der wie Bartolozzi ein Schüler Joseph Wagners in Venedig war."" (Nissen I, p. 154).Together these two major authorities, Allioni and Peiroleri, have made a hugely important and lasting contribution of great beauty to the history of scientific botany, which became a main publication of the Age of Enlightenment. Coloured copies of the work are known to exist, but they are extremely scarce. ""The earlier works having plates with an engraved or lithographed outline exist in both hand-coloured and uncoloured states. Sometimes as with Curtius's ""Flora Londoniensis"", uncoloured states are extremely rare"" sometimes, as with Allioni's ""Flora Pedemontana"", the coloured state is extremely rare."" (Sitwell, p. 67).Sitwell p. 69. ""92 uncoloured plates by F. Peiroleri, engraved by P. Peiroleri. Coloured copies are extremely rare.""Stafleu and Cowan nr. 100 (Flora Pedemontana) + 101 (the Auctuarium). Nr. 100: ""The plates (copper engravings) are by Francisco Peyrolery (engraved by Pietro Peyrolery), mostly uncoloured"" coloured copies are rare… Becherer (1953) has shown that the 23 specific names marked with a dagger are to be attributed to Allioni and not to Bellardi who had provided information on the relevant species to Allioni but who had not named them.""Graesse I:81. ""Les exempl. Ornés de planch. Enlum. Sont plus chers (15th. Weigel, sans le suppl.). Pritzel ignorait qu'il en existe"" - Pritzel does state: ""Florae Pedemontanae exempla tabulis coloratis rarissime occurrunt."" (Pritzel p. 4). Nissen, however might be said to ingnore this.Nissen 18. The ""Auctuarium"" is here wrongly registered by Nissen as containing 80 pp. and 7 plates. Pritzel: 108.Brunet I:190-91. ""Les exemplaires avec planches coloriées sont plus chers que les autres.""Alice M. Coats, The Book of Flowers, 1973. Nr. 80: The Carline Thistle. The plant, ""which is shown here, was distinguished and named by Allioni.""The work was reprinted in 2003, in order to coincide with the 80th anniversary of the great botanist (2204).‎

書籍販売業者の参照番号 : 35792

‎ALLAIN YVES-MARIE- FARVACQUES JACQUELINE‎

‎HERBIER DES CINQ SENS 35 PLANTES A REDECOUVRIR PAR LES SENS‎

‎AUBANEL. 2003. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 165 pages- nombreuses illustrations en couleurs dans et hors texte- relié en spirale. . . . Classification Dewey : 580-Botanique‎

‎Classification Dewey : 580-Botanique‎

書籍販売業者の参照番号 : R200042714

‎ALLENT B.‎

‎LES VEGETAUX CURIEUX.‎

‎Ouvrage instructif et amusant, destiné a la jeunesse des deux sexes. Blanchard, Paris, 1824. In-16 p. (mm. 163x93), piena pelle coeva (picc. manc. alle cuffie), decorazioni e titolo oro su tassello al dorso, tagli marmorizzati, pp. 4 (catalogo editoriale),XII,243. L'opera è graziosamente illustrata da: antiporta, frontespizio figurato e 4 tavv. f.t., inc. su rame. Recueil des particularités les plus remarquables qu'offrent les plantes considérées sous leurs rapports naturels; indication des faits historiques qu'elles rappellent, et des principaux usages aux-quels elles sont employées; prodiges de leur structure et de leur végétation. Esemplare in buono stato di conservazione, presente un exlibris al risguardo anteriore.‎

書籍販売業者の参照番号 : 154466

‎Allan HH. ; Moore LB. ; Edgar E. ; Healy AJ. ; Webb CJ. ; Sykes WR. ; Garnock Jones PJ. & Connor HE.: H. H. L. B. A. J‎

‎Flora of New Zealand Volumes 1 2 3 4 & 5‎

‎Christchurch: Government Printer Volume 1: Indigenous Tracheophyta except monocotyledons 1982 first reprint pp 1085. Volume 2: Indigenous Tracheophyta. Monocotyledones except Gramineae. 1976 first edition pp 354. Volome 3: Adventive Cyperaceous Petalous & Spathaceous Monocotolydons introduced wild plants. 1980 first edition pp 220. Volume 4: Naturalised Pteridophytes Gymnosperms Dicotyledons. 1988 First edition pp 1365. Volume 5: Grasses. 2000 First edition pp 650. The early volumes have a few line drawings; the later volumes have more and also coloured photographic plates. Slight foxing to the fore-edge of the first volume otherwise all are very clean internally blue cloth in very good condition the dustwrappers of the first two volumes are just a little worn and faded. A complete set of this immensely detailed flora. Cloth. Very Good/Very Slightly Worn. Government Printer Hardcover‎

書籍販売業者の参照番号 : 014645

‎Allan M. Armitage‎

‎Seed-Propagated Geraniums and Regal Geraniums: Production guidelines and future concerns Timber Press Growers Handbook Series Volume 1‎

‎Timber Press 1992. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item400grams ISBN:088192217X Timber Press paperback‎

書籍販売業者の参照番号 : 6870674 ISBN : 088192217X 9780881922172

‎ALLEGREZZA Marina -‎

‎La vegetazione infestante le colture di Lens Culinaris Medicus dei piani carsici di Castelluccio di Norcia (Appennino umbro-marchigiano).‎

‎Firenze, 1990, stralcio con copertina posticcia muta, la sola pag. 141 - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.‎

‎ALLEGRI Ernesto -‎

‎Sul riconoscimento delle specie e varietà dei pioppi indigeni in Italia.‎

‎Arezzo, (1973) 8vo estratto con copertina originale, pp. 62 con 21 figure e 3 illustrazioni. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.‎

‎Allen BM. B. M.‎

‎Common Malaysian fruits‎

‎Longman 1981. Reprint of 1975 edition. Pictorial hard covers. Good/No Jacket. Little used. 64 pp. Longman hardcover‎

書籍販売業者の参照番号 : 15051