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[TULLE - CORREZE - SOUILHAC] NARD PHOTOGRAPHE A TULLE
PHOTOGRAPHIE ORIGINALE DE TULLE - SOUILHAC (CORREZE) : LA MANUFACTURE NATIONALE D'ARMES (1890)
TULLE 1890 une photographie originale albuminée en noir, TULLE - SOUILHAC (CORREZE) : LA MANUFACTURE NATIONALE D'ARMES (1890) , format : 17,2 x 12,7 cm pour la photo, 21 x 15 cm avec le carton ou la photo est contrecollée,
Référence libraire : 23772
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[TULLE - CORREZE ] (NARD PHOTOGRAPHE A TULLE)
PHOTOGRAPHIE ORIGINALE DE TULLE (Corrèze ) ,Vue du Trech et de la Barussie [UN CIRQUE SUR LA PLACE DE L'ÉGLISE] (1890)
TULLE 1890 une photographie originale albuminée en noir, DE TULLE (Corrèze ) ,Vue du Trech et de la Barussie [UN CIRQUE SUR LA PLACE DE L'ÉGLISE] (1890) , format : 17,2 x 12,7 cm pour la photo, 21 x 15 cm avec le carton ou la photo est contrecollée,
Référence libraire : 23773
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[TULLE - CORREZE ] (NARD PHOTOGRAPHE A TULLE)
PHOTOGRAPHIE ORIGINALE DE TULLE (Corrèze ), PONT DE LA MAIRIE DEVANT L'HÔTEL DU LION D'OR (1880)
TULLE 1880 une photographie originale albuminée en noir, DE TULLE (Corrèze ), PONT DE LA MAIRIE DEVANT L'HÔTEL DU LION D'OR (1890) , format : 17,2 x 12,7 cm pour la photo, 21 x 15 cm avec le carton ou la photo est contrecollée,
Référence libraire : 23779
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[TULLE - CORREZE ] (NARD PHOTOGRAPHE A TULLE)
PHOTOGRAPHIE ORIGINALE DE TULLE (Corrèze ), PONT ET QUAIS VUE D'EN HAUT (1890)
TULLE 1890 une photographie originale albuminée en noir, DE TULLE (Corrèze ), PONT ET QUAIS VUE D'EN HAUT (1890) , format : 17,2 x 12,7 cm pour la photo, 21 x 15 cm avec le carton ou la photo est contrecollée,
Référence libraire : 23828
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[TURKISH PRESIDENCY ORCHESTRA].; CELÂL ESAD [ARSEVEN], (1876-1971).
[ART PROPAGANDA OF THE NEW TURKEY] Riyâset-i Cumhur orkestro heyetinin 1926 senesi Türk Seyyar Sergisi ile Avrupa limanlarina seyahati hatirasi. [i.e. The memory of the Presidency orchestra's trip to European ports in 1926 with the Turkish Floating Exhibition, with a map showing the route of the Black Sea ferry]. + [With the book titled] Seyyâr sergi ile seyahât intibâlari. [i.e. Description of and memories from Turkish Mobile Exhibiton].
Very Good Turkish, Ottoman (1500-1928) Original gelatin silver photograph mounted on cardboard. Cardboard size: 30x36 cm, photo size: 17x23 cm. Descriptive text on the bottom of print in Ottoman script (Old Turkish with Arabic letters). Extremely rare souvenir photograph of 44 Turkish Presidency Orchestra members of the Mobile Exhibition [or Floating Exhibition, or Touring Exhibition] in 1926, with conductor Zeki Bey, Karadeniz ship [i.e. The Black Sea ship] and its route during the exhibition on the map in Ottoman showing 18 main ports of Europe. The orchestra gave concerts in the ports of Le Havre, Marseille, Genoa, Venice, Trieste, Barcelona, Liverpool, Antwerp, London, Hamburg, Stockholm, Helsinki, Leningrad, Danzig, Copenhagen, Amsterdam, Batumi, Odessa, Constanta, and Varna as part of the three-month tour. Seyyar Sergi [i.e. The Mobile Exhibition] was created in the Black Sea Ferry in 1926 as an international propaganda tool in the early Republican period. The ship containing Turkish products and artworks visited the major ports of Europe during its three-month journey and received accolades from the western countries. The Black Sea Ferry functioned not only as a merchant ship but also as a propaganda tool representing the new Turkish image during the floating exhibition. Onboard proms, elegance and refinement of staff were seen as a mirror of the Republic of Turkey by Western audiences. The Mobile Exhibition was a symbol of the strong will and determination that the Republic of Turkey, led by Mustafa Kemal Pasha, has put forward toward modernization. (Source: A Propaganda and Publicity Event of the Republic of Turkey: Mobile Exhibition and Europe Travel of 1926). Additionally, the book titled Seyyâr sergi ile seyahât intibâlari. [i.e. Description of and memories from Turkish Mobile Exhibition printed in 1928. First edition of this rare book by Arseven describing his experiences during this trip and his impressions of the places he saw. Arseven was a Turkish painter, writer, and politician. He made contributions to various fields, including photography, literary art history, theater, cinema, architecture, and urbanism. He was one of the first to introduce the scholastic disciplines of the history of art and architecture and urbanism to Turkey. He pioneered a unique "Turkish art" and pioneered the acceptance of the Turkish art concept. His 5-volume Art Encyclopedia is his most recognizable work. During World War I, he was at Kadiköy Municipality Branch Directorate and then organized exhibition arrangements for artists in Europe. Also during World War I, while in Germany he and his friends founded a company called Transorient Film. In 1917, a contemporary adaptation of Goethe's Faust was filmed in Munich in the name of "Die Tote Watch." Due to his experiences in art and exhibitions, Turkey, after the proclamation of the Republic, organized a traveling exhibition that will take three months to introduce itself to Europe along with the new Turkey export products. In addition to businessmen, many intellectuals and artists, including Celâl Esat Arseven, were assigned to the exhibition organized on the 'Black Sea' cruise. The Black Sea cruise has been on duty at sixteen important ports in twelve European countries. Those ports and cities: Batoum, Odessa, Constanza, Varna, Istanbul, Trieste, Venezia (Venice), Genova (Genoa), Marseille (Marseilles), Barcelona, Havres, Anvers (Antwerp), London, Liverpool, Hamburg, Amsterdam, Danzig, Kopenhag (Copenhagen), Stockholm, Helsingborg (Helsing), Leningrad. The ship traveled 10 thousand miles in 86 days and returned to Istanbul on 5 September 1926. Özege 17939.; TBTK 4759. Totaly nine copies in OCLC: 26232123 / 13081396 / 1030749227.
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[TURQUIE - SMYRNE (Izmir) ] PHOTOGRAPHE INCONNU
PHOTOGRAPHIE ORIGINALE : PHOTOGRAPHIE DU "GRAND DÉPÔT DE VERRERIES & FAÏENCE : J.N' POULCO" - SUR LE QUAI DU PORT DE SMYRNE (Izmir) [COMPLÈTEMENT DÉTRUIT APRÈS L'INCENDIE DU PORT EN 1922] 1880
SMYRNE 1880 une photographie originale albuminée en noir, Animée, format : 26 x 20,5 cm pour la photo, 32 x 37,5 cm avec le carton ou la photo est contrecollée, tampon encre violette en dessous de la photographie : "GRAND DÉPÔT DE VERRERIES & FAÏENCE : J.N' POULCO" SMYRNE, sans date (1880) SANS NOM DE PHOTOGRAPHE,
Référence libraire : 26683
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[Télévision/Boxe]. AGENCE KEYSTONE.
Tirage argentique. Dimensions : 15,2 x 20, 4 cm. Premier match de boxe télévisé. 5 février 1937. Tampon humide au dos : "Supplied by Keyston view company ".
Référence libraire : 403
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[Télévision/Boxe]. AGENCE KEYSTONE.
Tirage argentique. Dimensions : 15,2 x 20, 4 cm. Premier match de boxe télévisé. 5 février 1937. Tampon humide au dos : "Supplied by Keyston view company ".
Référence libraire : 403
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[UDERGROUND]
Bande à part. New York Underground 60's 70's 80's.
Éditions du Collectionneur / Galerie Agnès B. In-4 reliure éditeur illustrée. Préface de Glenn O'Brien. Textes de B. Name, G. Malanga, D. Fields, L. B. Childers, R. Bayley, etc. en français et en anglais. Important témoignage photographique en couleurs et en noir & blanc. E.O.
Référence libraire : L16621
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[UFOs] [Occult] [1950s] [Photography] Adamski, George; Foreword by Desmond Leslie
Inside the Space Ships
New York: Abelard-Schuman Inc 1955. First American edition. Hardcover. Very Good/Very Good. SIGNED. 256pp. Octavo 21 cm Pale green cloth-effect paper over boards. Extremities gently bumped and rubbed; covers a trifle cocked; small stain to foot of text block. In the illustrated dust jacket with a large 2" creased and chipped closed tear to the bottom edge of the front panel. There is also a 1" slash to the surface of the front panel. Else the jacket is a bit rubbed and the spine is subtly sunned title still bold. The sequel to "Flying Saucers Have Landed." Polish-American George Adamski 1891-1965 was heavily involved in the California occult scene of the early twentieth century. Before delving into flying saucers Adamski created the Royal Order of Tibet religious movement in which he was a philosopher-guru.<br /> <br /> A first edition of Adamski's own story of what has happened to him since he wrote his best-selling book "Flying Saucers Have Landed" in which he described the memorable day in November of 1952 when he first made personal contact with a man from another world and was able nearly a month later to make photographs within 100 feet of the very saucer that had brought his original visitor. These photographs went on to become world famous. In "Inside the Space Ships" Adamski provides 16 photographs and illustrations of great space ships from which flying saucers are launched. The lion's share of these photographs was taken in April 1955 and neither the photographs nor a description of them has been published up until this book. To this day George Adamski continues to be one of the most extraordinary and controversial figures in UFO history.<br /> <br /> Signed by George Adamski on the front free endpaper. Abelard-Schuman, Inc hardcover
Référence libraire : 67897
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[Ulm]
Dom zu Ulm.
Ulm, Photograph. Atelier J. Haegele, um 1870. Orig.-Fotografie (8,7 x 5,8 cm), mont. auf Untersatzkarton (10,3 x 6 cm).
Référence libraire : 46020
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[Union des sociétés de préparation militaire de France]
Pupilles d'Infanterie et de Cavalerie des Officiers des Réserves de Lyon. 1913-1914
Lyon : J. Blanc, [1914]. LA PRÉPARATION MILITAIRE EN 1914
Référence libraire : 1521
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[Unknown Photographer]
[SEVENTEEN PHOTOGRAPHS OF JEWISH RHODES]
Photograph, Black and White. Seventeen photographs. 12.5 x 8.5 cm. Seventeen black and white photographs of Jewish Rhodes, unknown provenance, likely from mid 20th century. Four photographs have notes in English on back, which state: A street in the Jewish Quarter of Rhodes, The Street on which Kahal Shalom Stands. Entrance to the Courtyard of K. Shalom has doors with Magen David Symbol. Rhodes, two state Entrance to the Courtyard of Kahal Shalom in Rhodes. All four labeled photographs are depictions of the same street (Calle de Kahal Shalom) from different angles; one further photograph also depicts another angle of the Kahal Shalom door; two photographs depict the interior of the synagogue (depicting the Ehal, a marble niche where the sacred books of the Torah are kept, on the Eastern wall) ; one photograph depicting what appears to be the Plaque of 1767; one photograph depicting what appears to be a part of the south side of the square (depicting three stores, electronics, clock shop, with a printers above) , one photograph depicting the Fountain in 'La Calle Ancha' (The street called La Called Ancha was the heart of the Jewish Quarter and was situated where the residential area ended and the business district started. The main street was known for hundreds of years as La Calle Ancha which means the wide street in the Judeo-Spanish (Ladino) language. The present fountain ornamented with three seahorses replaced a previous fountain that was destroyed during World War II. - Rhodes Jewish Museum) ; two photographs depicting the same three individuals (one depicting the individuals in front of the fountain in La Calle Ancha, depicting the northeast side of the plaza) , most likely those who took the photographs; two photographs of alleys (unclear owing to the rubble in one alley, and a knocked down building in the background of another) ; three photographs depicting structures near the sea. Subjects: Jewish Rhodes Photographs. Kahal Shalom Synagogue Rhodes Photographs. Jewish Quarter of Rhodes Photographs. Landmarks Jewish Rhodes. All photographs clean and well preserved. (SEF-46-23)
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[US. Camera] U. S.
U.S. Camera 1952.
<p>Large 4to red cloth gilt title on top cover and spine illustrated 400 pp. No dust jacket spine faded normal aging; otherwise very good. Edited by T. J. Maloney this edition includes some photographs by Ansel Adams Leonard McCombe and The Audubon Society. This edition includes coverage of the Korean War color photos of the Arctic and photographs of General Douglas MacArthur Dwight D. Eisenhower Harry Truman and John Foster Dulles. # 104012</p> U.S. Camera Publishing Corp.,
Référence libraire : 104012
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[US. Camera] U. S.
U.S. Camera 1953.
<p>Large 4to red cloth gilt title on top cover and spine illustrated 384 pp. No dust jacket spine slightly faded normal aging; otherwise very good. Edited by T. J. Maloney this edition includes work by four French photographers Ansel Adams Ray Atkeson and Wayne Miller. Personalities featured include John L. Lewis Albert Einstein Eva Peron General Dwight D. Eisenhower and King Farouk.</p> U.S. Camera Publishing Corp.,
Référence libraire : 104016
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[US. Camera] U. S.
U.S. Camera 1958.
<p>Large 4to white cloth red and blue title on top cover and spine illustrated 302 pp. No dust jacket binding with a little soiling slightly bent normal aging; otherwise very good. Edited by T. J. Maloney this edition includes some color photography Hungary’s fight for freedom and coverage of the Keystone Comedies. There is a special report on rockets and missiles some nice shots of New York City and some wonderful street scenes of Naples.</p> U.S. Camera Publishing Corp.,
Référence libraire : 104020
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[VANNES] PHOTOGRAPHIE ARTISTIQUE A. LAROCHE VANNES
PHOTOGRAPHIE ORIGINALE : LA PLACE HENRI IV (1885)
Vannes 1895 une photographie originale albuminée en noir, imprimée en rouge : PHOTOGRAPHIE ARTISTIQUE A. LAROCHE VANNES, format : 13,8 x 10,2 cm pour la photo, 16,2 x 11 cm avec l'encadrement carton rigide jaune d'époque l'entourant,
Référence libraire : 23729
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[VANNES] PHOTOGRAPHIE ARTISTIQUE A. LAROCHE VANNES
PHOTOGRAPHIE ORIGINALE : LA PORTE SAINT VINCENT (1885)
Vannes 1895 une photographie originale albuminée en noir, imprimée en rouge : PHOTOGRAPHIE ARTISTIQUE A. LAROCHE VANNES, cliché N° 1813, format : 13,8 x 10,2 cm pour la photo, 16,2 x 11 cm avec l'encadrement carton rigide jaune d'époque l'entourant,
Référence libraire : 23728
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[VAUCELLES] PHOTOGRAPHE L. LEPRUNIER BAYEUX
PHOTOGRAPHIE ORIGINALE DE LA LAITERIE COOPERATIVE DE BAYEUX A VAUCELLES - SALLE DE FABRICATION DU FROMAGE (CAMEMBERT)- (1910)
BAYEUX 1910 une photographie originale albuminée en noir, DE LA LAITERIE COOPERATIVE DE BAYEUX A VAUCELLES - SALLE DE FABRICATION DU FROMAGE - (1910), format : 17,5 x 12,8 cm,
Référence libraire : 23789
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[VAUCELLES] PHOTOGRAPHE L. LEPRUNIER BAYEUX
PHOTOGRAPHIE ORIGINALE DU FUNICULAIRE DU PIC DU CAPUCIN AU MONT DORE - 28 AOUT 1898
MONT DORE 1898 une photographie originale albuminée en noir, DU FUNICULAIRE DU PIC DU CAPUCIN AU MONT DORE - 28 AOUT 1898, format : 17 x 11,2 cm pour la photo, 17,6 x 23,5 cm avec l'encadrement carton rigide d'époque l'entourant,
Référence libraire : 23790
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[VAUX-SUR-MER - CHARENTE-MARITIME] photographe inconnu
PHOTOGRAPHIE STEREO ORIGINALE : L'ABBATIALE SAINT-ETIENNE A VAUX-SUR-MER
PORT EN BESSIN 1880 une photographie stéréo originale albuminée en noir, format : 17,5 x 8,5 cm, L'ABBATIALE SAINT-ETIENNE A VAUX-SUR-MER , sans date (1880), photographe inconnu,
Référence libraire : 26695
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[VELUIRE - VENDÉE ] AUTEUR INCONNU
PHOTOGRAPHIE ORIGINALE : VELLUIRE - LE PONT EN 1895
VELUIRE 1895 une photographie originale albuminée en noir, format : 17 x 11,8 cm pour la photo, 19,8 x 14,6 cm avec le carton ou la photo est contrecollée, sans date (1895) sans nom de photographe
Référence libraire : 26953
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[VENDEE MILITAIRE] PHOTOGRAPHE INCONNU
PHOTOGRAPHIE ORIGINALE : "TOMBEAU DE BONCHAMPS A SAINT-FLORENT-LE-VIEIL " - (PRISE LE 22 MAI 1899)
Paris 1930 une photographie originale albuminée en noir, format : 14,2 x 10,2 cm pour la photo, et 23,6 x 17,6 cm pour la photo avec le carton ou elle est contrecollée, "TOMBEAU DE BONCHAMPS A SAINT-FLORENT-LE-VIEIL " - (PRISE LE 22 MAI 1899),
Référence libraire : 27997
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[VENDEE MILITAIRE] PHOTOGRAPHE INCONNU
PHOTOGRAPHIE ORIGINALE : "TOMBEAU DE CATHELINEAU A SAINT-FLORENT-LE-VIEIL " - (PRISE LE 22 MAI 1899)
Paris 1930 une photographie originale albuminée en noir, format : 14,2 x 10,2 cm pour la photo, et 23,6 x 17,6 cm pour la photo avec le carton ou elle est contrecollée, "TOMBEAU DE CATHELINEAU A SAINT-FLORENT-LE-VIEIL " - (PRISE LE 22 MAI 1899),
Référence libraire : 27998
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[VENDÉE ] (JULES ROBUCHON PHOTOGRAPHE)
PHOTOGRAPHIE ORIGINALE : AUTOPORTRAIT DU PHOTOGRAPHE VENDÉEN JULES ROBUCHON [TIRAGE SUR PAPIER JAPON] 23 MAI 1897 -
Paris 1897 une photographie originale tirée sur japon en noir, AUTOPORTRAIT DU PHOTOGRAPHE VENDÉEN JULES ROBUCHON [TIRAGE SUR PAPIER JAPON] 23 MAI 1897, format 43 x 32,5 cm, envoi autographe manuscrit à la mine de plomb en bas à droite de la photo : "...à Mr René MERY (peintre Montmartrois) affectueux hommage de l'original dont ci-dessus la copie....(signé) JULES ROBUCHON...le 23 Mai 1897....",
Référence libraire : 23780
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[VENEZIA - FOTOGRAFIE].
Ricordo di Venezia.
[S.l., s.n.t. primi del '900], album in tela blu con titolo in oro sul piatto anteriore, misure dell'album mm. 300x400. Contiene 18 carte recanti, applicate al recto, 18 fotografie all'albumina di vedute della città. Misure delle foto: mm. 180x240 circa. Lievi fioriture.
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[VENISE] FULGUR PHOTO PRESSE
PHOTOGRAPHIE ORIGINALE : Bélinogramme de Rome - M. Mussolini a proclamé l'état de guerre entre l'Italie et les Etats Unis d'Amérique - LA FOULE ACCLAMANT MUSSOLINI SUR LA PLACE DE VENISE APRES QU'IL EU PRONONCE SON DISCOURS DU BALCON DU PALAIS DE VENISE - AGENCE FULGUR (Scherl) 14-12- 1941
venise 1942 une photographie originale en noir, format : 12,6 x 17,8 cm , avec une étiquette d'explication de la photo tapée à la machine en noir, collée en bas de la photo, prise le 14-12- 1941 , avec cachet violet au dos "autorisé par la censure allemande le 14-12-1941 " et cachet de l'agence "FULGUR" photo presse du gouvernement de vichy,
Référence libraire : 28720
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[Venzago, Alberto]
A closer look. UBS Verbier Festival Orchestra. Photographs by Alberto Venzago.
Zürich, UBS, 2006. 4°. 27 cm. Unpaginiert. Ca. 200 Seiten. Original-Klappenbroschur in illustrierter Pappschachtel.
Référence libraire : 5617DB
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[VERLAINE Paul] GERSCHEL Charles
Portrait photographique de Paul Verlaine
- Ch. Gerschel, Paris s.d. (ca 1900), 10,8x16,4cm, une photographie carte cabinet. - Tirage, sur papier albuminé et très légèrement postérieur de cette photographie prise en 1894 ou 1895, contrecollé sur une carte cabinet du studio Gerschel. Charles Gerschel (1871-1948), fils du photographe Aaron Gerschel, prit la suite de son père dans les années 1890 et s'installa boulevard des Capucines. L'un des derniers portraits du poète. [ENGLISH DESCRIPTION ON DEMAND]
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[VERLAINE]. MAISONGRANDE, H.
VERLAINE.
in-8, 135 pp, nombreuses photographies en noir et en couleurs, index, cartonnage de l"éditeur, jaquette illustrée. Tres bel exemplaire. [MI-21]
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[VERMOREL Auguste]:
Ces dames. Portraits de Malakoff, de Zou-Zou, de Risette. Photographiés par Pierre Petit (Maison Petit et Trinquard.).
Paris, Chez tous les libraires, sans date. Petit in-12 de 216 pages, demi-percaline grise, dos lisse, pièce de titre en maroquin.
Référence libraire : 12457
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[vernacular historical photography album]
25 photographs of the 1936 St. Patrick's Day Flood Pittsburgh Pennsylvania
Near fine. Green pebbled leatherette album 7 x 10 inches. Photos measure in the 2.75 x 4.5" - 3.5 x 5" rangemounted with paper photo corners on dry black paper with short closed edgetears to the top of the first four leaves with a small loss to the gutter corner of the first leaf; album and photographs otherwise Near Fine. Series with deckled edges have stamps on the verso: "10 point Nutone Process Certified by the Photo Finishing Institutes" and "James Lett Co." dated June 1 1936 and March 16 1937" the anniversary of the flood. Others unmarked. <br /> <br />A sober and sublime collection of images showing the city post-deluge: fragile-looking steel mills submerged trolley cars men in canoes paddling across gas station signs etc. The Great St. Patrick's Day Flood is considered the worst in the city's history destroying over 100000 buildings and paralyzing nearly every facet of life and industry. The album includes many views of Pittsburgh's downtown--famously situated at the confluence of the Allegheny Ohio and Monongahela Rivers--which was estimated to be 65% underwater. Commemorative markers of the incredible water levels remain throughout downtown. Also includes industrial views and a few snapshots of residential areas. All original photographs by an unidentified bystander with a sensitive eye. <br/><br/> hardcover
Référence libraire : Q586
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[vernacular photography, photographs]
A few folks & farm equipment 6 photos
Softcover. Very good. Photoprints" booklet 5.5 x 4 inches containing 6 glossy b&w photographs. Ca. 1940s. A small group of men and women in their late 20's-30's casually photographed with various farm equipment. Abrasion to rear wrap photos Very Good. <br/><br/> paperback
Référence libraire : Q1207
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[Vernacular Photography, African American]
Group of Six Black and White photos of African Americans
No Place: No publisher. Unbound. Good. Group of Six Black and White photos of African Americans. All measure 4 by 6 inches with 5 of the 6 adhered to an old photo album leaf. One detached from the leaf. No dates or places although based on the bobby sock style perhaps 1950s. Four of the photos depict a group of four or five young Black women walking down a street and in a park like area. Several young Black men are also gathered in the background of some of the photos. Overall these appear to be taken in a social setting of some sort. One photo features a young Black woman posed and another features a young couple perhaps at a soda fountain type shop sitting in a booth with a table jukebox visible. In the background is a framed ad for orange-pineapple from Swift's Ice Cream. The young man appears to be wearing a Navy uniform. All in GOOD only condition with minor to moderate creasing wrinkling and soiling. All adhered pretty firmly to the album page which is itself very worn. No publisher unknown
Référence libraire : 019981
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[Vernacular Photography]
Mandan North Dakota: Northern Pacific Railroad Depot
1920. 3 Stereoviews. Silver gelatin photographs 8 cm x 15.5 cm on gray curved mounts 9 cm x 18 cm. Mounts and images in nice condition with strong contrasts. Three vernacular stereoviews taken by a tourist and photographer while on a western trip by rail. The views are of the Mandan Depot. Two images show people standing on the platform beneath the Mandan sign and the third shows the devastating fire that engulfed the depot in June of 1920. The determined cause of the blaze was defective wiring which likely ignited hydrogen off gases from the batteries in the telegraph operators room. Unique. unknown
Référence libraire : 9006
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[Vernacular Photography - Disasters - Wisconsin]
Ornately Prepared Album of Photographs Showing the Aftermath of a Storm in Curtiss Wisconsin 1905
Curtiss 1905. Small album measuring 6 x 5 inches with seven photographs of storm damage in Curtiss OK. One picture apparently missing otherwise near fine. Very Good. A small album of photographs showing storm damage in the small town of Curtiss Wisconsin in June of 1905. The photographs are cut out in ornate patterns which provide an odd juxtaposition with the subject matter. unknown
Référence libraire : List1723
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[Vernacular Photography]
Snapshots of Flooding in Cairo Illinois
Cairo Illinois ca. 1937. Eight black and white snapshot photographs. Each about 5 3/4" x 3 1/2" with about 4" x 2 1/4" image areas. Single weight glossy prints with rounded corners and two small punch holes through each at left margins. Some scuffing to a couple otherwise group about very good. <br/><br/>A group of eight original black and white snapshot photographs. They lack notation but visible signage environs print qualities etc. combine to strongly suggest that they capture emergency response and preparation surrounding the catastrophic MississippI River flooding in and around Cairo Illinois during late-January 1937. <br /> <br />Mandatory evacuations the frozen conditions of the harsh Midwest winter and the rising floodwaters combined to produce inhospitable and nearly inaccessible conditions in Cairo making these difficult to obtain vernacular views of an important River event. unknown
Référence libraire : 3632
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[VERNE Jules] NADAR Félix Tournachon dit
[PHOTOGRAPHIE] Portrait photographique de Jules Verne
- Nadar, Paris 1878, 6x10,5cm, une photographie. - Photographie originale sur papier albuminé représentant Jules Verne, au format carte de visite, contrecollée sur un carton fort du studio Nadar "51 rue d'Anjou St Honoré". Annotation à la plume au dos, avec les informations publicitaires de l'atelier Nadar. Médaille d'or. Exposition universelle 1878. Tampon bleu ; Editeur J. Kuhn, Paris. Jules Verne rencontre Nadar en 1861 et les deux hommes deviennent amis, l'homme lui laisse une profonde impression et ses aventures l'inspirent pour Cinq semaines en ballon [Nadar se liera avec Jules Verne pour créer une Société d'encouragement du transport en ballon], De la terre à la lune et Autour de la lune. L'auteur le décrit ainsi dans De la terre à la lune : "C'est un homme de 42 ans, grand, mais un peu voûté déjà, comme ces cariatides qui portent des balcons sur leurs épaules. Sa tête forte, véritable hure de lion, secouait par instants une chevelure ardente, qui lui faisait une véritable crinière. Une face courte, large aux tempes, agrémentée d'une moustache hérissée comme les barbes d'un chat et de petits bouquets un peu égarés, un regard myope, complémentaient cette physionomie éminemment féline." Beau portrait de l'écrivain par Nadar où celui-ci apparaît particulièrement chaleureux et bienveillant. [ENGLISH DESCRIPTION ON DEMAND]
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[VERONIQUE SABLERY]. - CATALOGUE D'EXPOSITION, 1994. -
Véronique Sablery. La pesanteur / L'apesanteur.
Exposition Artothèque de Caen, 1994. Format : 22 x 21 cm - Dépliant glacé de 3 volets R/V (6 œuvres en couleurs) dans une chemise 4 volets.
Référence libraire : 67
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[VERRE CONTEMPORAIN]. -
Biennale Internationale du Verre de Strasbourg : 9 artistes.
3e édition, du 14 octobre au 30 novembre 2009. European Studio glass art association, Strasbourg, 2009. Format : 29,7 x 21 cm - 51 pages - Illustrations couleurs - Broché.
Référence libraire : 137
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[VERSAILLES] SILVESTRE (Israël).
Veüe du Chasteau de Versailles, du costé de l'allée d'eau, et de la fontaine du Dragon.
Isr. Silvestre del. Et sculp. 1676. Gravure à l'eau-forte au burin sur papier vergé épais, 485 x 585 mm., titre en bas à gauche. A droite, il y a la même inscription en latin. Quelques déchirures réparées aux marges, le motif de la gravure en bon état malgré une tache d'ancienne mouillure en haut à gauche.
Référence libraire : 23510
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[VEULETTES - DESSIN] MORIN (Gustave).
Vue des falaise de Veulettes et de l'éboulement.
Signé en bas à gauche, situé Veulette, l'éboulement, daté 26 août 1877. Dessin original au crayon du port (210 x 137 mm), déchirure réparée en bordure.
Référence libraire : 21284
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[VIAN Boris]- ARNAUD Noël - KUBLER Ursula
Images de Boris Vian. Cantate eikonographia
Paris Pierre Horay 1978 In-4 Broché, couverture illustrée
Référence libraire : 012303
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[VICHY] PHOTOGRAPHE INCONNU
PHOTOGRAPHIE ORIGINALE : LES CHANTIERS DE JEUNESSE DE SAVOIE AU STADE DE VICHY :RENCONTRE D'UN DES CHEFS DE "LA RELEVE" AVEC LE GENERAL HUNTZIGER COMMANDANT EN CHEF DES FORCES TERRESTRES DE LA FRANCE DE VICHY -29-06-1941
VICHY 1941 une photographie originale en noir, format : 13x 18 cm, VICHY LE 29-06-1941
Référence libraire : 23751
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[VICHY] PHOTOGRAPHE INCONNU
PHOTOGRAPHIE ORIGINALE : LES CHANTIERS DE JEUNESSE AU STADE DE VICHY : DANS LA TRIBUNE LE GENERAL HUNTZIGER ET LE GENERAL DE LA PORTE DU THEIL CHEF DES CHANTIERS DE JEUNESSE -29-06-1941
VICHY 1941 une photographie originale en noir, format : 13x 18 cm, VICHY LE 29-06-1941
Référence libraire : 23752
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[VICHY].
Beauté de la femme.
Vichy, Laboratoires Vichy - Société d'Hygiène Dermatologique de Vichy, 1969 ; album in-4 (23,5 x 31 cm). Couverture imprimée en couleurs. 99pp. Bon état.
Référence libraire : 3429
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[Victoria Arduino, machines à café, Foire de Paris, 1955], Photographie prise lors de la foire de Paris en 1955, stand de Victoria Arduino.
[Victoria Arduino, machines à café, Foire de Paris, 1955], Photographie prise lors de la foire de Paris en 1955, stand de Victoria Arduino.
[Victoria Arduino, machines à café, Foire de Paris, 1955], Photographie prise lors de la foire de Paris en 1955, stand de Victoria Arduino. 184*240mm. [189-2] 15
Référence libraire : 011085
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[Victoria Arduino], Roberto Benzi, photographie du chef d'orchestre à 12 ou 13 ans lors du 1er salon du Tourisme et de l'Industrie hôtelière, au stand Juvara - Victoria Arduino (machines à café).
[Victoria Arduino], Roberto Benzi, photographie du chef d'orchestre à 12 ou 13 ans lors du 1er salon du Tourisme et de l'Industrie hôtelière, au stand Juvara - Victoria Arduino (machines à café).
[Victoria Arduino], Roberto Benzi, photographie du chef d'orchestre à 12 ou 13 ans lors du 1er salon du Tourisme et de l'Industrie hôtelière, au stand Juvara - Victoria Arduino (machines à café). Photographie 242*183mm. [189-2] 15
Référence libraire : 011079
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[Victoria; Photography]
The Grange Strathkellar Victoria. 6 Albumen photographs
1885. Very good overall. Large albumen photographs of the Grange station north of Hamilton which was first settled in 1838. The Wedge brothers established the Grange in what is now called Old Strathkellar on Mill Road. It was the first pastoral holding established in the area with a long history as a pastoral property and of note for its fine gardens.<br /> <br /> The imposing images include "The Grange" a photograph of the two story homestead with a man and woman seated on the ground floor veranda a sweeping drive in front and tall trees; "The Drive Grange" an image of the curved drive flanked by mature trees; "Stables the Grange" showing a large two story stable with horse & rider and carriage in front and a flock of sheep; "Pampas Grass the Grange" depicting a woman and man flanking the very tall grass; "The Blue Gum Avenue the Grange" showing a lovely avenue of tall gums; and "View on the Grange estate" a landscape view taken across an open field with rows of trees in the far distance.<br /> <br /> The photographs taken by an unidentified photographer; each titled in period ink at the lower right. 9 1/2 x 7 1/4" unknown
Référence libraire : 25543
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[VIGNEAU (André)].-
Encyclopédie photographique de l'art. Le MUSEE du CAIRE. Photographies inédites d'André Vigneau. Préface et notices par Etienne Drioton.
1949 Paris, Editions TEL, 1949, in 4°, cartonnage demi-toile écrue de l'éditeur, 47 pages de texte et 223 photographies.
Référence libraire : 78023
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