‎Photographie‎

‎Alain Draeger‎

‎Rio Carnaval Fantastique‎

‎Editions d'art Yvon, sd vers 1978. Format 25x30 cm, relie toile avec jaquette illustree, 202 pages avec de nombreuses photographies du carnaval de Rio. Jaquette un peu froissee.Bon etat.‎

Referentie van de boekhandelaar : 18222

‎ALAIN GUILLO‎

‎Témoin en Afghanistan‎

‎Stock 1988 1988. Textes de R. ABOUCHAR H. AMOUROUX Ph. AUGOYARD P. BROCHNER C. CHEVALAND A. GLUCKSMANN M. HALTER Y. JOUFFA B. KOUCHNER J. LACOUTURE B.-H. LÉVY G. PERRAULT‎

‎Bom estado‎

Referentie van de boekhandelaar : 500385951

‎Alacevich, Francesco und Alessandro‎

‎The Lost Graffiti of Berlin. The writing on the wall. Mit einer Einführung von Ruggero Guarini, sowie zahlreichen farbigen Abbildungen [Text Englisch]. Dazu zwei BEIGABEN.‎

‎Rom: Gremese. 1991. Quer-Quart, 21,6 x 27 cm. (Umschlag etwas berieben, innen sauber, gut erhalten) 157 Seiten. Original-Pappband mit farbig illustriertem Original-Schutzumschlag,‎

‎Erste englischsprachige Ausgabe. Der Band dokumentiert die Malereien auf der Berliner Mauer. Zur Zeit des Druckes war der Großteil dieser "Sprühkunst" durch die Wiedervereinigung schon vernichtet. BEIGEGEBEN: Schmitz, Helmut: "Graffiti in Berlin." Schwarz-weiß Fotografien. Mit einem Vorwort von Detlef Michel. Berlin: Rixdorfer Verlagsanstalt, 1982. 207 Seiten. Quart, 29,6 cm. Farbig illustrierter Orig.-Pappband, Einband etwas berieben, anfangs kleiner Namenseintrag unter dem Impressum, im Ganzen aber ordentliches Exemplar. - Erste Ausgabe. WEITER BEIGEGEBEN: Christoph Maisenbacher: "An die Wand gesprüht... 'pochoir' - Schablonengraffiti aus Frankreich." Fischer Taschenbuch Boot 7575. ISBN 10: 359627575X - ISBN 13: 9783596275755. 117 Seiten, 1 Blatt. Leichte Gebrauchsspuren, ordentlich erhalten. - Weitere Bilder auf Anfrage oder auf unserer Homepage.‎

Referentie van de boekhandelaar : 405593

‎Aladro, Jordi; Barreda, Fabiana; Alonso, Rodrigo; Gro, Florencia; Zacharias, Maria Paula‎

‎Waissman‎

‎Paperback. Text is in English and Spanish. Superficial marks on covers. Leading corners, edges and spine ends are slightly worn. Binding is intact, contents are clean and clear. AM Used‎

‎Alain Buttard, Preface de Claude Louis Combet - Photographies de: Dominique Auerbacher, Claude Caroly, John Davies, Marc Deneyer‎

‎Les Quatre Saisons du Territoire. L'Automne 1990. - Photographies.‎

‎Eds de l'Est 1990 In-4-oblong 29 cm illustr. 138 photos 155pp. reliure pleine toile de l'editeur avec jaquette Nb-0258 Photographies des 101 communes du Territoire de Belfort. unknown‎

Referentie van de boekhandelaar : 64942

‎Alain Clavet‎

‎Researchers' Guide: National Photography Collection, Public Archives of Canada‎

‎68 pages. Bilingual English/French. Intended to "inform historians, journalists, editors, students and all eventual users of the National Photography Collection of the resources and research services that are available to them." - Introduction. Topics include: Brief Description of the Collections; Photographic Reproduction Services; Assistance to Researchers; Organization of the Photo Reference Catalogue. Clean and unmarked with light wear. A quality copy. Book‎

‎Alain Fleischer‎

‎599 (edizione italiana)‎

‎In 8 (cm 21 x 27), pp. (112) con riproduzioni fotografiche a colori. Brossura editoriale con sovraccoperta plastificata. Versione italiana di questo volume fotografico dedicato alla Ferrari 599. Alain Fleischer ritrae le matrici, i calchi del motore della 599, cercando il cuore della macchina, il meccanismo e il congegno. Ottime condizioni.‎

‎Alain Hanel - Photographies‎

‎Formule 1 1950-1960 2016: En 1950 naissent les premiers championnats du monde de Formule 1. Calvendo Sportif‎

‎Calvendo Verlag GmbH 2015. Calendar. New. 2nd edition edition. 14 pages. French language. 16.54x11.81x0.24 inches. Calvendo Verlag GmbH unknown‎

Referentie van de boekhandelaar : 2-1325083429 ISBN : 1325083429 9781325083428

‎Alain Hanel - Photographies‎

‎Quand l'Espagne danse 2016: Le Ballet National d'Espagne est specialise en danse classique et regionale espagnole et dans le flamenco Calvendo Art‎

‎Calvendo Verlag GmbH 2015. Hardcover-spiral. New. 2nd edition edition. 14 pages. French language. 16.30x11.65x0.39 inches. Calvendo Verlag GmbH hardcover‎

Referentie van de boekhandelaar : 2-1325085480 ISBN : 1325085480 9781325085484

‎Alain Paviot‎

‎Photographies de A à Z‎

‎Paris: Galerie Françoise Paviot 2000. This is a fine hardcover copy in a fine dust jacket with almost no wear. Completely clean inside and out. Text in French and English. Like 'Vingt Ans Après: quarante images pour une très personnelle histoire de photographies' another book published by Galerie Francoise Paviot a few years earlier this book is a collection of modernist photographs. The book shows a sample of a collection assembled by a French collector in the 1980's and 90's. The book is simply arranged alphabeticallly by photographer from Roger Andre to Rene Zuber. Includes works by Marcel Bovis Robert Doisneau Paul Eluard J. Funke Hein Gorny Izis Andre Kertesz Eli Lotar Laszlo Moholy-Nagy Charles Negre Edward Quigley and Man Ray among others. All photographs reproduced in black & white. Full technical information for each photograph. Most of the photographs are published here for the first time. 10" high X 9" wide about 65 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Fine/Fine. Galerie Françoise Paviot Hardcover‎

Referentie van de boekhandelaar : 011876

‎Alain Quella-Villeger‎

‎ISTANBUL. LE REGARD DE PIERRE LOTI.‎

‎Un volume in 4to quadrato (27 cm) di 118 pagine con le fotografie in nero di Loti ad Istanbul alla fine del XIX secolo. Tela editoriale con sovracoperta illustrata. Perfette condizioni. Anche i testi sono tratti da Loti e contengono anche alcune pagine inedite. Ma la parte più affascinante sono certamente le fotografie scattate dallo scrittore francese durante i suoi soggiorni a Stamboul alla fine dell'800, e prima del grande incendio che distrusse parte della capitale ottomana nel 1910. Fotografie non banali, da turista, ma sguardo appassionato di uno scrittore raffinato.‎

‎Alain Sayag‎

‎Hans Bellmer Photographe‎

‎Paris: Editions Filipacchi et Centre Georges Pompidou Musee National D'art Moderne 1983. cloth hardcover in dust jacket. no flaws or wear clean no writing or markings no tears bumps or chips. strong binding appears unused.; original french text.; 151pp. illustrated throughout in color b/w. oeuvre catalogue at back. introductory essay. reference material. the artist's photographs. First French Edition. Hardcover. Fine/Fine. 4to - over 9¾" - 12" tall. Exhibition Catalogue. Editions Filipacchi et Centre Georges Pompidou, Musee National D'art Moderne Hardcover‎

Referentie van de boekhandelaar : 23404 ISBN : 2850184837 9782850184833

‎Alain Seban, Quentin Bajac‎

‎Collection Photographs : History of Photography-Centre Pompidou‎

‎Hardcover, 468 pages, ENG, 240 x 195 x 48 mm, in good condition, illustrated in colour / b/w. ISBN 9783865214805. The Centre Pompidou in Paris houses the largest collection of Modern art in Europe, and one of the greatest collections of twentieth-century photography in the world. This comprehensive catalogue of the photo collection features 350 images, reproduced in tritone and duotone, by nearly 300 of the most famous artists and photographers to engage with the medium--from Franti ek Drtikol, Paul Strand, Walker Evans, Constantin Brancusi, Alexander Rodchenko and Berenice Abbott, via Manuel Alvarez Bravo, Man Ray and Edouard Boubat, to Robert Mapplethorpe, Cindy Sherman, Thomas Struth, Andreas Gursky, Nan Goldin, Vik Muniz, Gregory Crewdson and Thomas Demand. It is divided into six sections, each of which is prefaced by a brief essay. Contributing scholars include Herbert Molderings (on Modernist photography), Alain Sayag (on Dada and Surrealist photography), Clement Cheroux (on "Poetic Realism"), Christopher Phillips, and Agnes de Gouvion Saint-Cyr and Quentin Bajac (on contemporary photography). This substantial and lavishly produced volume offers an authoritative perspective on twentieth-century photography as viewed through the contents of one of the greatest photographic archives in the world.‎

‎Alain Sèbe‎

‎Alain Sèbe. Issoulane‎

‎Alain Sèbe Alain Sèbe. Issoulane. Torino, Stamperia Artistica Nazionale 1987 - I french, in quarto pp. non numerate Libro fotografico sul deserto del Sahara. Copertina cartonata con sovraccoperta lievemente usurata.‎

‎Alan Bisbort‎

‎Charles Bragg: The Works! A Retrospective‎

‎San Francisco: Pomegrannate 1999. Hardcover. Like New/Near Fine. Charles Bragg was one of the most gifted American artists of the twentieth century--an American sculptor painter artist and author known best for his satirical artwork. Volume offers a biographical overview with more than 30 color plates and more than 60 black and white reproductions. Foreword Introduction Contents Charles Bragg the Man The Art of Charles Bragg List of Artworks Bibliography Acknowledgments 223 pp. This book would make a great gift. <br><br>CONDITION: Hardbound black boards gilt title on front and spine. Endpapers feature color artwork of Bragg. Glossy blue dust jacket illustrated with drawing of Charles Bragg entitled front and spine. Minor shelf and edge wear. Near fine. Full refund if not satisfied. Pomegrannate hardcover‎

Referentie van de boekhandelaar : 072682

‎Alan Hess, Photography By Alan Weintraub; Contributions By Kenneth Frampton, Thoas S Hines, Bruce Brooks Pfeiffer, Kathryn Smith‎

‎Frank Lloyd Wright: The Houses And Frank Lloyd Wright: The Houses Two Hardcover Volumes Signed By Alan Hess‎

‎Rizzoli International Publications 2008. 1st Edition 1st Printing. Hardcover. Fine/Fine. Color Photograph Throughout. 541 311 Pp. Black Cloth. "Houses" Is Sixth Printing 2008 "Buildings" Is First Printing 2008 Both Volumes Signed By Alan Hess On Title Page And Fine In Fine Dust Jackets. International Shipping By Usps Insurted Priority Mail And Probably Over $150. <br/> <br/> Rizzoli International Publications hardcover‎

Referentie van de boekhandelaar : 060220 ISBN : 0847827364 9780847827367

‎Alan Scott Pate, Lynton Gardiner (Photography)‎

‎NINGYO : The Art of the Japanese Doll‎

‎Tuttle Publishing 2004. Hardcover. Near Fine in a Near Fine dust jacket. ; 12.10 X 9.20 X 1.10 inches; 288 pages. Tuttle Publishing hardcover‎

Referentie van de boekhandelaar : 95314 ISBN : 0804836159 9780804836159

‎ALASKA HUNTING PHOTOGRAPHY ARCHIVE‎

‎Alaskan Hunting Photographs From About 1950‎

‎KODIAK ALASKA HUNTING PHOTOGRAPH ARCHIVE. An archive of nearly 100 black and white photographs emanating from a men’s hunting trip to Kodiak Alaska about 1950. There are images of men with fishing rods and rifles and dead bears crabs fish moose and seals. Some photographs show the men inside the cabin relaxing reading sleeping and cooking. There are also photographs of the early planes that brought tourists Alaskan scenery and small Alaskan towns. The images are in three sizes 5†x 7†5†x 3†and 2 ½†x 4 and all are in fine condition with minor faults such as chipped corners. A fine frontier photography archive. unknown books‎

Referentie van de boekhandelaar : 4499

‎Alaska Photographica: Early Film Photography‎

‎ARCHIVE OF EARLY FILM PHOTOGRAPHS RETAINED BY GUERNEY HAYS A CINEMA SET AND LIGHTING SPECIALIST FROM OREGON WITH MANY PHOTOGRAPHS FROM THE SET OF The Chechahcos A 1924 AMERICAN SILENT FILM SET DURING THE KLONDIKE GOLD RUSH AND THE FIRST FILM SHOT IN ALASKA‎

‎Various locations in Oregon and Alaska 1930. Approximately 325 photographs twenty postcards and real photo postcards a linen- backed map of Alaska and a few assorted ephemeral items all housed in a contemporary leather satchel. Generally minor wear some chipping to about twenty photographs. Overall very good. A treasure house of silent cinema photography from the Pacific Northwest and Alaska featuring over 300 images from THE CHECHAHCOS and other films produced in the orbit of the film's director Lewis H. Moomaw all retained by one of his crewmen Guerney William Hays. <br> <br> THE CHECHAHCOS released in 1924 was the first feature film shot in Alaska. "Cheechako" is a native word referring to a "greenhorn" or someone newly arrived in the mining districts of Alaska or northwestern Canada. A melodramatic tale of the Klondike Gold Rush the was directed by Lewis H. Moomaw of the Alaska Moving Pictures Corporation. The story was based in part on the experiences of the film's producer Austin E. Lathrop known as "Alaska's first home-grown millionaire." The film has been preserved in the National Film Registry and can easily be viewed on the internet. Offered here is a large collection of photographs and other ephemera once belonging to a CHECHAHCOS crew member named Guerney William Hays 1880-1952 including film stills snapshots from the set and other images of Alaska scenery. Many of the images match up with scenes from the completed film. The subject matter includes all that might be expected from a film produced in and about Alaska: glaciers dogsleds saloons archvillains and damsels in distress along with shots of the crew and technology that made the film possible. <br> <br> The largest and most professionally-produced photographs in the collection are eighty 8-x- 10-inch prints almost all of them clearly from the CHECHAHCOS shoot with twenty-one stamped on the verso by the Alaska Moving Pictures Corporation and with either a printed or manuscript title written along with the stamp reading "The Chechakos" the spelling of which was later tweaked to its release title. One of the stills shows the entire company of the Alaska Moving Pictures Corporation about 150 people in the snow beside their Pullman cars; two banners for the film company hang outside the rail cars. A separate shot of the film company shows their train at the entrance to McKinley Park with a banner hanging on the train reading "Private Car Alaska Moving Pictures Corporation Entrance to McKinley Park on the Alaska Railroad." Other stills show scenes from the film shots of the cast and crew preparing to start scenes posed scenes clearly intended for use as publicity stills cast group pictures behind-the-scenes shots of the cameramen and other crew with various equipment photographs of empty interiors perhaps to be used for continuity a few featuring the dog sled teams and more. In addition to documenting the production these images also present a rare view of Alaska in the early-20th century. <br> <br> The remaining 240 images most of which measure approximately 3 x 5 inches were likely not formally produced by the film company for use as publicity but are in fact production photographs and still stand as valuable visual documentation of the early filmmaking process. While some of these photos are more of the vernacular sort the great majority of the images show a mixture of preproduction production and set-related photographs from the film company's time in Alaska shooting THE CHECHAHCOS and from other production's attached to the career of Lewis H. Moomaw the film's director. A great number of these images were likely produced as working production photographs - executed for the use of the company during the shooting process scouting for locations documenting costumes set continuity set construction what might today be called craft services suggesting or documenting potential camera set-ups or as studies for potential publicity stills and more. While not created as traditional publicity products these images capture the early filmmaking process both in front of and behind the camera presenting a quite uncommon slice of film production history. The fact that they were produced during the production of a film in Alaska make them an even more valuable source of information on the filmmaking process in the 1920s in a most unusual place. Production stills are produced in very small quantities compared to publicity stills are often unique or close to unique records of a production have a much lower survival rate and are keenly sought after as historical records of the filmmaking process. <br> <br> One of the few captioned photographs shows four wives of the CHECHAHCOS cast and crew on a fishing expedition including Moomaw's wife and Mrs. Guerney Hays. A few other photographs show an actress posing with crude dummies that were apparently about to be sent to their doom in a canoe scene in the Alaskan wilderness. Other production photographs from Alaska feature scenes on glaciers one of which shows the exact spot from a moment in the opening minute of the film a young girl with a giant Alaskan crab who is also pictured in the larger professional images and is in the film film crews poised on icy ground dog sled teams identified locations in Skagway and more. <br> <br> One of the other films pictured here is likely CALL OF THE ROCKIES 1929. This western was filmed in Oregon the usual home of the filmmakers involved in the Alaska Moving Pictures Corporation with Moomaw as supervising producer. CALL OF THE ROCKIES was directed by Raymond K. Johnson one of the cinematographers on THE CHECHAHCOS and features two actors identified in pencil captions on the verso of photographs present here: Russell Simpson and Jim Mason. There are numerous photographs featuring a western wagon train and other images of the traditional western which either appeared in CALL OF THE ROCKIES or perhaps one of Moomaw's other films produced in Oregon in the 1920s - UNDER THE ROUGE 1925 or FLAMES 1926 the latter of which climaxed in a raging forest fire and featured an early screen appearance by Boris Karloff. <br> <br> All of the postcards feature Alaskan scenes or subjects and were most likely acquired while the film company was shooting in Alaska or produced for them while they were there. This is the case for at least one of the postcards - a Christmas greeting with the banner at bottom reading "Compliments of the Alaska Moving Pictures Corporation." The final item of note here is a folding linen- backed map of Alaska issued by the Alaska Steamship Company. The map measures about 21 x 30 inches and was issued in 1917. It was almost certainly taken along to Alaska by Hays for the filming of THE CHECHAHCOS linen- backed either before-hand or while in Alaska to prevent damage from over-use. The entire collection of photographs and ephemera is housed in a period leather satchel. <br> <br> These photographs were collected and retained by Guerney or Gernie William Hays 1880-1952 who spent a career in the early film industry mostly in Oregon. Some pieces of ephemera bear his name and some of the larger stills are annotated "Hays" on the verso. His 1918 draft registration lists him as a motion picture operator in Portland and his obituary lists him as a member of the International Alliance of Stage Employees. His only film credit in the Internet Movie Database is for THE CHECHAHCOS for which he is credited with "sets and lighting" and also an uncredited supporting role on screen. One of the larger-format photographs features a crew member in a cramped equipment room with dozens of lights and mounds of cables; this is almost certainly Hays himself or perhaps one of his assistants. One of the photo developer's envelopes bears the name of Hobart H. Brownell the cinematographer of THE CHECHAHCOS. Two of the photographs here are inscribed to Hays - one from the actor Bert Sprotte in 1919 and the other from banjo player Eddie Peabody who has inscribed his portrait to Hays writing that "No finer stage manager I ever worked with." Another photograph shows Peabody's elaborate stage show. <br> <br> THE CHECHAHCOS remains an important early film for its authentic depiction of Alaskan life. Movies about the great white north were popular with early film audiences but were usually filmed in California. When Lewis H. Moomaw proposed to shoot a film entirely in Alaska about the days of the Klondike Gold Rush in the territory locals in Alaska jumped at the chance to find him funding. Upon arrival in Anchorage fully half of the town showed up to greet the film company. The cast and crew would spend three months filming in and around Anchorage the small mining town of Girdwood on Childs Glacier Abercrombie Rapids and Eyak Lake. The film premiered in the Empress Theatre in Anchorage on December 11 1923 and played to packed houses across Alaska the next year. Sadly the film never found a large audience in the continental United States playing occasionally over the next two years before falling into obscurity. The film was essentially lost until the year 2000 when a print was restored by archivists at the University of Alaska Fairbanks. Three years later the film was selected for preservation by the National Film Registry. <br> <br> The Library of Congress's press release when they selected THE CHECHAHCOS to the National Film Registry describes the film as such: "This independent regional film was the first feature film produced in Alaska and is renowned for its spectacular location footage of the lonely and unfathomable Alaskan wilderness frenzied dogsled pursuits and life-and-death struggles on the glaciers." <br> <br> A wonderful collection of great historical interest for early film scholars and of the history of Alaskan cinema. hardcover books‎

Referentie van de boekhandelaar : WRCAM56103

‎Albers, Frank‎

‎7de zomer van de fotografie Antwerpen / [id]entiteit‎

‎, vzw Zomer v/d Fotografie, 1998 paperback, 154 pagina's, 21 x 29 cm, NL. *Goede staat.‎

‎Diane Arbus, Gertrud Arndt, Tina Barney, Ernst James Bellocq, Richard Billingham, Sabine Bitter, Helmut Weber, Claude Cahun, John Coplans, Roland Fischer, Pere Formiguera, Michel Fran ois, Seiichu Furuya, Andr Goldberg, Alexander Honory, Jana Leo, Seydou Keita, Friedl Kubelka, Tseng Kwong Chi, Suzanne Lafont, Frederike Van Lawick, Hans M ller, Inge Morath, Michaela Moscouw, Shirin Neshat, Thomas Ruff, August Sander, Satish Sharma, Pepe Smit, Annelies Strba, Beat Strueli, Annet Van Der Voort, Manfred Willmann, Stanislaw Ignacy Witkiewicz, Erwin Wurm.‎

Referentie van de boekhandelaar : 69611

‎ALBUM VON HARZ‎

‎Album von Harz.‎

‎Couverture rigide. Cartonnage de l'éditeur, légèrement défraîchi. 38 photographies pleine page et 1 photographie double page. 34 x 27 cm à l'italienne. Papier légèrement bruni.‎

‎Livre en allemand. 1 panorama und 38 ansichten nach naturaufnahmen in photographiedruck. Globus Verlag, Début XXe. Vers 1900.‎

Referentie van de boekhandelaar : 49293

‎ALBIN-GUILLOT (Laure).‎

‎Au Louvre la nuit. Texte et présentation de Marcel Aubert, membre de l'Institut, André Parrot et Pierre Verlet, conservateurs en chef ; Pierre Devambez et Jacques Vandier, conservateurs. Photographies de Laure Albin-Guillot.‎

‎Paris, Grenoble Arthaud 1952 1 vol. broché in-8, broché, jaquette en couleurs, 60 pp. et 98 photographies de Laure Albin-Guillot en héliogravure formant un guide des principales oeuvres du musée. Dos de la jaquette doublé, en bonne condition.‎

Referentie van de boekhandelaar : 121339

‎Albert PRÉJEAN‎

‎Carte postale photographique signée d'Albert Préjean‎

‎S. n. | s. l. 1934 | 9.50 x 13.50 cm | une feuille verso‎

‎Carte postale photographique représentant l'acteur Albert Préjean allongé sur un lit et prise dans le studio Pour Vous. Signature manuscrite d'Albert Préjean à gauche de son portrait. Au verso, Albert Préjean encourage sa correspondante (Micheline Cappio) alors débutante dans la profession d'actrice à persévérer et à travailler beaucoup. - Photographies et détails sur www.Edition-Originale.com -‎

Referentie van de boekhandelaar : 67322

‎Albou Jean‎

‎COLLECTION JEAN ALBOU. ITINERAIRE D'UN PASSIONNE. I Photographie: de Ronis a Mapplethorpe. II Art Contemporain : de Cesar a Chen Zhen. 2 volumes sous chemise.‎

‎Paris, Artcurial, 2008, Broché sous couverture rempliée., Très bon état.‎

‎NB. Les commandes et questions sont traitées dans les 24h, les expéditions reprendront le 7 septembre. Tous les ouvrages de notre catalogue peuvent être consultés et retirés sous quelques jours à Saint-Gilles ou Paris, 5e arr. Merci de nous contacter.‎

Referentie van de boekhandelaar : 58689

‎ALBERTI Henri-Dante‎

‎Dans l'argile de Picasso‎

‎Vallauris Imprimerie Arnéra 1957 plaquette in-8 Agrafé, couverture illustrée‎

‎EDITION ORIGINALE de ce poème publié en juin 1957, célébrant les 10 ans de l'arrivée de Picasso à Vallauris en juin 1947. La photographie du poète, jeune homme de 19 ans, est reproduite en frontispice. La couverture est illustrée d' une LINOGRAVURE originale EN BRUN de Picasso. 28 pp. (Cramer, n° 89). >Bel exemplaire sur papier couché, la couverture sur beau vélin. Très bon 0‎

Referentie van de boekhandelaar : 014114