‎Photographie‎

‎Alain Fleig‎

‎Reves de papier - Photographies orientalistes - 1860-1914‎

‎Editions Ides et Calandes, 1997. Format 25x32 cm, cartonnage souple a rabats, 177 pages.‎

‎Ref Luss.‎

Referentie van de boekhandelaar : 49513

‎Alain Fleischer‎

‎599. Essai, nouvelle, photographie‎

‎In 8 (cm 21 x 27), pp. (112) con tavole con riproduzioni fotografiche. Brossura editoriale con sovraccoperta plastificata. Raccolta di fotografie realizzate dal fotografo Alain Fleischer relative alla Ferrari, modello 599. Il fotografo ritrae le matrici, i calchi del motore della 599, cercando il cuore della macchina, il meccanismo e il congegno. Edizione in lingua francese. Ottime condizioni.‎

‎ALAIN FOURNIER,APPOLINAIRE, ARAGON etc,etc...‎

‎La France à livre ouvert.‎

‎Textes de : Aubanel, Balzac, Giono, Hugo, Montaigne, Prévert, Proust, Rabelais H. D'Urfé, Villon etc, etc... P. Seghers 1954. Grand in-4, 162 pages. Demi chagrin prune, coins, dos à nerfs orné d'un fleuron doré (dos entièrement passé) couvertures et dos conservés.‎

‎159 reproductions photographiques à pleine page de Robert DOISNEAU, W. RONIS, JAHAN, BOVIS etc,etc.‎

Referentie van de boekhandelaar : 39954

‎Alain GERBAULT‎

‎5 photographies d'époque de l'aviateur durant la Grande Guerre‎

‎s. d. [17 mars 1917] | 8.40 x 13 cm | 5 photographies‎

‎Superbe ensemble de cinq photographies originales, représentant l'aviateur Alain Gerbault et son équipage, au retour de son premier combat aérien, entre Picardie et Champagne, le17 mars 1917. Trois des photographies comportent des précisions manuscrites au crayon de papier au verso. Ces trois mêmes portent le cachet imprimé "Mme Houx Delapierre, 55, Paul Boudet, 53000 Laval", ville natale de Gerbault. Gerbaultremporte sa première victoire personnelle en abattant un ennemi à bord du "Smash", appareil n° 7 de l'escadrille des Loups, dont le numéro et le profil de loup figurent bien sur le fuselage de l'avion : «Quand il atterrit, son mécanicien voit que ce n'est pas du chiqué: la carlingue de son propre avion est criblée de 54impacts de balles » : le mécano et le mitrailleur posent devant l'avion sur l'un des clichés. L'aviateur pose sur trois photographies à bord de son appareil. Quatre poilus sont immortalisés sur la dernière image, devant l'avion de Gerbault. Ce pionnier de l'aviation de guerre se fera ensuite connaître sur les mers, avec sa traversée de l'Atlantique en solitaire d'Est en Ouest en 1923, et sera également un champion de tennis. Rares et précieux clichés d'un moment historique de l'aviation militaire française, témoignant d'un glorieux fait d'armes. - Photographies et détails sur www.Edition-Originale.com -‎

Referentie van de boekhandelaar : 86660

‎ALAIN GUILLO‎

‎Témoin en Afghanistan‎

‎Stock 1988 1988. Textes de R. ABOUCHAR H. AMOUROUX Ph. AUGOYARD P. BROCHNER C. CHEVALAND A. GLUCKSMANN M. HALTER Y. JOUFFA B. KOUCHNER J. LACOUTURE B.-H. LÉVY G. PERRAULT‎

‎Bom estado‎

Referentie van de boekhandelaar : 500385951

‎Alain Hanel - Photographies‎

‎Formule 1 1950-1960 2016: En 1950 naissent les premiers championnats du monde de Formule 1. Calvendo Sportif‎

‎Calvendo Verlag GmbH 2015. Calendar. New. 2nd edition edition. 14 pages. French language. 16.54x11.81x0.24 inches. Calvendo Verlag GmbH unknown‎

Referentie van de boekhandelaar : 2-1325083429 ISBN : 1325083429 9781325083428

‎Alain Hanel - Photographies‎

‎Quand l'Espagne danse 2016: Le Ballet National d'Espagne est specialise en danse classique et regionale espagnole et dans le flamenco Calvendo Art‎

‎Calvendo Verlag GmbH 2015. Hardcover-spiral. New. 2nd edition edition. 14 pages. French language. 16.30x11.65x0.39 inches. Calvendo Verlag GmbH hardcover‎

Referentie van de boekhandelaar : 2-1325085480 ISBN : 1325085480 9781325085484

‎Alain Paviot‎

‎Photographies de A à Z‎

‎Paris: Galerie Françoise Paviot 2000. This is a fine hardcover copy in a fine dust jacket with almost no wear. Completely clean inside and out. Text in French and English. Like 'Vingt Ans Après: quarante images pour une très personnelle histoire de photographies' another book published by Galerie Francoise Paviot a few years earlier this book is a collection of modernist photographs. The book shows a sample of a collection assembled by a French collector in the 1980's and 90's. The book is simply arranged alphabeticallly by photographer from Roger Andre to Rene Zuber. Includes works by Marcel Bovis Robert Doisneau Paul Eluard J. Funke Hein Gorny Izis Andre Kertesz Eli Lotar Laszlo Moholy-Nagy Charles Negre Edward Quigley and Man Ray among others. All photographs reproduced in black & white. Full technical information for each photograph. Most of the photographs are published here for the first time. 10" high X 9" wide about 65 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Fine/Fine. Galerie Françoise Paviot Hardcover‎

Referentie van de boekhandelaar : 011876

‎Alain Quella-Villeger‎

‎ISTANBUL. LE REGARD DE PIERRE LOTI.‎

‎Un volume in 4to quadrato (27 cm) di 118 pagine con le fotografie in nero di Loti ad Istanbul alla fine del XIX secolo. Tela editoriale con sovracoperta illustrata. Perfette condizioni. Anche i testi sono tratti da Loti e contengono anche alcune pagine inedite. Ma la parte più affascinante sono certamente le fotografie scattate dallo scrittore francese durante i suoi soggiorni a Stamboul alla fine dell'800, e prima del grande incendio che distrusse parte della capitale ottomana nel 1910. Fotografie non banali, da turista, ma sguardo appassionato di uno scrittore raffinato.‎

‎Alain Sayag‎

‎Hans Bellmer Photographe‎

‎Paris: Editions Filipacchi et Centre Georges Pompidou Musee National D'art Moderne 1983. cloth hardcover in dust jacket. no flaws or wear clean no writing or markings no tears bumps or chips. strong binding appears unused.; original french text.; 151pp. illustrated throughout in color b/w. oeuvre catalogue at back. introductory essay. reference material. the artist's photographs. First French Edition. Hardcover. Fine/Fine. 4to - over 9¾" - 12" tall. Exhibition Catalogue. Editions Filipacchi et Centre Georges Pompidou, Musee National D'art Moderne Hardcover‎

Referentie van de boekhandelaar : 23404 ISBN : 2850184837 9782850184833

‎Alain Sayag et Annick Lionel-Marie‎

‎Eli Lotar‎

‎Centre Georges Pompidou, Paris, 1993. In-4, broché sous couverture, 112 pp. Alain Sayag : Préface - Annick Lionel-Marie : Essai biographique : "Le cœur meurtri par de mortes chimères" - Illustrations - Alain et Odette Virmaux : Le singulier concours apporté au "Théâtre Alfred-Jarry" d'Artaud et de Vitrac - A. et ...‎

‎Illustrations in texte et planches à pleine page en hors texte en noir et blanc. --- Plus d'informations sur le site archivesdunord.com‎

Referentie van de boekhandelaar : 4945

‎Alain Seban, Quentin Bajac‎

‎Collection Photographs : History of Photography-Centre Pompidou‎

‎Hardcover, 468 pages, ENG, 240 x 195 x 48 mm, in good condition, illustrated in colour / b/w. ISBN 9783865214805. The Centre Pompidou in Paris houses the largest collection of Modern art in Europe, and one of the greatest collections of twentieth-century photography in the world. This comprehensive catalogue of the photo collection features 350 images, reproduced in tritone and duotone, by nearly 300 of the most famous artists and photographers to engage with the medium--from Franti ek Drtikol, Paul Strand, Walker Evans, Constantin Brancusi, Alexander Rodchenko and Berenice Abbott, via Manuel Alvarez Bravo, Man Ray and Edouard Boubat, to Robert Mapplethorpe, Cindy Sherman, Thomas Struth, Andreas Gursky, Nan Goldin, Vik Muniz, Gregory Crewdson and Thomas Demand. It is divided into six sections, each of which is prefaced by a brief essay. Contributing scholars include Herbert Molderings (on Modernist photography), Alain Sayag (on Dada and Surrealist photography), Clement Cheroux (on "Poetic Realism"), Christopher Phillips, and Agnes de Gouvion Saint-Cyr and Quentin Bajac (on contemporary photography). This substantial and lavishly produced volume offers an authoritative perspective on twentieth-century photography as viewed through the contents of one of the greatest photographic archives in the world.‎

‎Alain Sebe‎

‎Tagoulmoust‎

‎Karl Schillinger Verlag, Freiburg 1982. Leinen Sehr gut‎

‎Text (Tagebuch-Notizen) von Alain Sebe. Weiß geprägter Leinen-Einband mit Titelei, minimaler Lichtschaden auf hinterem Buchdeckel, insgesamt sehr gut erhalten, nicht paginiert, Geburtstagswidmung an den ehemaligen Besitzer des Buches mit weißem Stift auf schwarzem Vorsatz. Ein monumentaler Band, eine wunderschöne Sammlung von Farbaufnahmen der Sahara mit seinen Bewohnern: Die Menschen mit Schleiern oder die blaue Männer, d.h. die Tuareg.NUR ALS PAKET! 33 x 32 Cm. 2,8 Kg.‎

Referentie van de boekhandelaar : 013415

‎ALAMINOS, Eduardo (y otros).‎

‎CIEN AÑOS DE LA CAMARA DE COMERCIO E INDUSTRIA DE MADRID (MUSEO MUNICIPAL, JUNIO-JULIO 1988).‎

‎Centenares de fotografias en blanco-negro y color, algunas a plena pagina.‎

‎Alan C Lapiner‎

‎Pre-Columbian Art of South America First Edition‎

‎New Yorh: Harry N. Abrams Inc 1976. First Edition. hardcover. Fine/Near Fine. 13x10x2. Color and Black and White Illustrations. Bound in quarter white buckram with red cloth boards. Gilt decoration on the cover and gilt title on the spine. Features 910 illustrations including 225 in full color. 460pp. Illustrated dustjacket.<br><br>CONDITION: Light shelf wear covers are otherwise fine. Pages are crisp and clean. Binding and text block are square and sound. Dustjacket has light rubbing and edge wear. Due to the size and weight of this item an additional shipping charge may apply and will be requested after purchase. Full refund if not satisfied. Harry N. Abrams, Inc hardcover‎

Referentie van de boekhandelaar : 079349 ISBN : 0810904217 9780810904217

‎Alan Ladd‎

‎Alan Ladd - Grande Photographie avec dédicace autographe originale signée‎

‎Laad Alan - PHOTO avec signature autographe authentique Acteur Provenant de la collection d'André Jouniaux (1925-2010), parolier de la chanson La Chanson de Catherine interprétée par Édith Piaf. Grand amateur de musique et de cinéma, il a réuni une impressionnante collection de photographies dédicacées et d’autographes de nombreuses stars françaises et américaines de son époque. Dimensions : 17,5 x 12,5 cm État : Voir photos et description pour plus de détails. Nombre de pages : 1 page Alan Ladd Alan Walbridge Ladd est un acteur américain né le 3 septembre 1913 à Hot Springs dans l'Arkansas et mort le 29 janvier 1964 à Palm Springs en Californie. Wikipédia Contactez-nous Lettres autographes, vieux papiers, livres anciens, photographies, gravures, timbres... Nous expertisons et/ou rachetons dans toute la France vos lettres, collections de lettres et livres anciens. Paiement Sont acceptés les paiements par eBay, par PayPal, par virement ou par chèque. Envoi Envoi soigné dans un emballage rigide et étanche sous trois jours. Prévoir les délais postaux habituels en plus. Retour Satisfait ou remboursé. Si vous n'êtes pas entièrement satisfait, retour à la charge du vendeur pour l'Europe. À la charge de l'acheteur pour le reste du monde.‎

Referentie van de boekhandelaar : boz_005850

‎Alan Scott Pate, Lynton Gardiner (Photography)‎

‎NINGYO : The Art of the Japanese Doll‎

‎Tuttle Publishing 2004. Hardcover. Near Fine in a Near Fine dust jacket. ; 12.10 X 9.20 X 1.10 inches; 288 pages. Tuttle Publishing hardcover‎

Referentie van de boekhandelaar : 95314 ISBN : 0804836159 9780804836159

‎ALARCON, José Roman:‎

‎Photographies prises dans les environs de Barcelone - Collection de plus de 700 photographies originales d’un même artiste.‎

‎1996-2003, environ 140 planches (50 x 65 cm), chaque planche est composée par 6 à 12 photographies (10 x 15 cm / 13 x 18 cm / 25 x 10 cm) collées sur carton noir. Au verso indication du film employé, du sujet et parfois des paramètres d’exposition. Les compositions sont signées ‘R.’.‎

‎Magnifique collection de plus de 700 photographies d’un artiste espagnol. Les planches représentent, par l’exposition efficace et réussie d’ensembles de 6-12 photographies, une grande variété de sujets, capturés par le photographe en Catalogne entre 1996 et 2003 (Province de Barcelone (Viladecavalls, Rellinars), province de Lérida, province e Gérone (Girona, port de l’Escala), îles Canaries). Les vues privilégiées par l’artiste dans cette collection sont les sujets maritimes, la nature., & le littering sur les plages. Sont remarquables par leur originalité les planches qui se concentrent sur les détails, relevés par l’habileté du photographe, capable de jouer avec les formes, les couleurs et leurs contrastes. L’oeil de l’artiste découvre souvent des sujets insolites, comme des poulies, des briques, une place de jeux, des déchets abandonnés. L’effet donné par ces planches est celui d’une harmonie parfaite entre les différentes photographies selectionnées.‎

Referentie van de boekhandelaar : 116928aaf

‎ALASKA HUNTING PHOTOGRAPHY ARCHIVE‎

‎Alaskan Hunting Photographs From About 1950‎

‎KODIAK ALASKA HUNTING PHOTOGRAPH ARCHIVE. An archive of nearly 100 black and white photographs emanating from a men’s hunting trip to Kodiak Alaska about 1950. There are images of men with fishing rods and rifles and dead bears crabs fish moose and seals. Some photographs show the men inside the cabin relaxing reading sleeping and cooking. There are also photographs of the early planes that brought tourists Alaskan scenery and small Alaskan towns. The images are in three sizes 5†x 7†5†x 3†and 2 ½†x 4 and all are in fine condition with minor faults such as chipped corners. A fine frontier photography archive. unknown books‎

Referentie van de boekhandelaar : 4499

‎Alaska Photographica: Early Film Photography‎

‎ARCHIVE OF EARLY FILM PHOTOGRAPHS RETAINED BY GUERNEY HAYS A CINEMA SET AND LIGHTING SPECIALIST FROM OREGON WITH MANY PHOTOGRAPHS FROM THE SET OF The Chechahcos A 1924 AMERICAN SILENT FILM SET DURING THE KLONDIKE GOLD RUSH AND THE FIRST FILM SHOT IN ALASKA‎

‎Various locations in Oregon and Alaska 1930. Approximately 325 photographs twenty postcards and real photo postcards a linen- backed map of Alaska and a few assorted ephemeral items all housed in a contemporary leather satchel. Generally minor wear some chipping to about twenty photographs. Overall very good. A treasure house of silent cinema photography from the Pacific Northwest and Alaska featuring over 300 images from THE CHECHAHCOS and other films produced in the orbit of the film's director Lewis H. Moomaw all retained by one of his crewmen Guerney William Hays. <br> <br> THE CHECHAHCOS released in 1924 was the first feature film shot in Alaska. "Cheechako" is a native word referring to a "greenhorn" or someone newly arrived in the mining districts of Alaska or northwestern Canada. A melodramatic tale of the Klondike Gold Rush the was directed by Lewis H. Moomaw of the Alaska Moving Pictures Corporation. The story was based in part on the experiences of the film's producer Austin E. Lathrop known as "Alaska's first home-grown millionaire." The film has been preserved in the National Film Registry and can easily be viewed on the internet. Offered here is a large collection of photographs and other ephemera once belonging to a CHECHAHCOS crew member named Guerney William Hays 1880-1952 including film stills snapshots from the set and other images of Alaska scenery. Many of the images match up with scenes from the completed film. The subject matter includes all that might be expected from a film produced in and about Alaska: glaciers dogsleds saloons archvillains and damsels in distress along with shots of the crew and technology that made the film possible. <br> <br> The largest and most professionally-produced photographs in the collection are eighty 8-x- 10-inch prints almost all of them clearly from the CHECHAHCOS shoot with twenty-one stamped on the verso by the Alaska Moving Pictures Corporation and with either a printed or manuscript title written along with the stamp reading "The Chechakos" the spelling of which was later tweaked to its release title. One of the stills shows the entire company of the Alaska Moving Pictures Corporation about 150 people in the snow beside their Pullman cars; two banners for the film company hang outside the rail cars. A separate shot of the film company shows their train at the entrance to McKinley Park with a banner hanging on the train reading "Private Car Alaska Moving Pictures Corporation Entrance to McKinley Park on the Alaska Railroad." Other stills show scenes from the film shots of the cast and crew preparing to start scenes posed scenes clearly intended for use as publicity stills cast group pictures behind-the-scenes shots of the cameramen and other crew with various equipment photographs of empty interiors perhaps to be used for continuity a few featuring the dog sled teams and more. In addition to documenting the production these images also present a rare view of Alaska in the early-20th century. <br> <br> The remaining 240 images most of which measure approximately 3 x 5 inches were likely not formally produced by the film company for use as publicity but are in fact production photographs and still stand as valuable visual documentation of the early filmmaking process. While some of these photos are more of the vernacular sort the great majority of the images show a mixture of preproduction production and set-related photographs from the film company's time in Alaska shooting THE CHECHAHCOS and from other production's attached to the career of Lewis H. Moomaw the film's director. A great number of these images were likely produced as working production photographs - executed for the use of the company during the shooting process scouting for locations documenting costumes set continuity set construction what might today be called craft services suggesting or documenting potential camera set-ups or as studies for potential publicity stills and more. While not created as traditional publicity products these images capture the early filmmaking process both in front of and behind the camera presenting a quite uncommon slice of film production history. The fact that they were produced during the production of a film in Alaska make them an even more valuable source of information on the filmmaking process in the 1920s in a most unusual place. Production stills are produced in very small quantities compared to publicity stills are often unique or close to unique records of a production have a much lower survival rate and are keenly sought after as historical records of the filmmaking process. <br> <br> One of the few captioned photographs shows four wives of the CHECHAHCOS cast and crew on a fishing expedition including Moomaw's wife and Mrs. Guerney Hays. A few other photographs show an actress posing with crude dummies that were apparently about to be sent to their doom in a canoe scene in the Alaskan wilderness. Other production photographs from Alaska feature scenes on glaciers one of which shows the exact spot from a moment in the opening minute of the film a young girl with a giant Alaskan crab who is also pictured in the larger professional images and is in the film film crews poised on icy ground dog sled teams identified locations in Skagway and more. <br> <br> One of the other films pictured here is likely CALL OF THE ROCKIES 1929. This western was filmed in Oregon the usual home of the filmmakers involved in the Alaska Moving Pictures Corporation with Moomaw as supervising producer. CALL OF THE ROCKIES was directed by Raymond K. Johnson one of the cinematographers on THE CHECHAHCOS and features two actors identified in pencil captions on the verso of photographs present here: Russell Simpson and Jim Mason. There are numerous photographs featuring a western wagon train and other images of the traditional western which either appeared in CALL OF THE ROCKIES or perhaps one of Moomaw's other films produced in Oregon in the 1920s - UNDER THE ROUGE 1925 or FLAMES 1926 the latter of which climaxed in a raging forest fire and featured an early screen appearance by Boris Karloff. <br> <br> All of the postcards feature Alaskan scenes or subjects and were most likely acquired while the film company was shooting in Alaska or produced for them while they were there. This is the case for at least one of the postcards - a Christmas greeting with the banner at bottom reading "Compliments of the Alaska Moving Pictures Corporation." The final item of note here is a folding linen- backed map of Alaska issued by the Alaska Steamship Company. The map measures about 21 x 30 inches and was issued in 1917. It was almost certainly taken along to Alaska by Hays for the filming of THE CHECHAHCOS linen- backed either before-hand or while in Alaska to prevent damage from over-use. The entire collection of photographs and ephemera is housed in a period leather satchel. <br> <br> These photographs were collected and retained by Guerney or Gernie William Hays 1880-1952 who spent a career in the early film industry mostly in Oregon. Some pieces of ephemera bear his name and some of the larger stills are annotated "Hays" on the verso. His 1918 draft registration lists him as a motion picture operator in Portland and his obituary lists him as a member of the International Alliance of Stage Employees. His only film credit in the Internet Movie Database is for THE CHECHAHCOS for which he is credited with "sets and lighting" and also an uncredited supporting role on screen. One of the larger-format photographs features a crew member in a cramped equipment room with dozens of lights and mounds of cables; this is almost certainly Hays himself or perhaps one of his assistants. One of the photo developer's envelopes bears the name of Hobart H. Brownell the cinematographer of THE CHECHAHCOS. Two of the photographs here are inscribed to Hays - one from the actor Bert Sprotte in 1919 and the other from banjo player Eddie Peabody who has inscribed his portrait to Hays writing that "No finer stage manager I ever worked with." Another photograph shows Peabody's elaborate stage show. <br> <br> THE CHECHAHCOS remains an important early film for its authentic depiction of Alaskan life. Movies about the great white north were popular with early film audiences but were usually filmed in California. When Lewis H. Moomaw proposed to shoot a film entirely in Alaska about the days of the Klondike Gold Rush in the territory locals in Alaska jumped at the chance to find him funding. Upon arrival in Anchorage fully half of the town showed up to greet the film company. The cast and crew would spend three months filming in and around Anchorage the small mining town of Girdwood on Childs Glacier Abercrombie Rapids and Eyak Lake. The film premiered in the Empress Theatre in Anchorage on December 11 1923 and played to packed houses across Alaska the next year. Sadly the film never found a large audience in the continental United States playing occasionally over the next two years before falling into obscurity. The film was essentially lost until the year 2000 when a print was restored by archivists at the University of Alaska Fairbanks. Three years later the film was selected for preservation by the National Film Registry. <br> <br> The Library of Congress's press release when they selected THE CHECHAHCOS to the National Film Registry describes the film as such: "This independent regional film was the first feature film produced in Alaska and is renowned for its spectacular location footage of the lonely and unfathomable Alaskan wilderness frenzied dogsled pursuits and life-and-death struggles on the glaciers." <br> <br> A wonderful collection of great historical interest for early film scholars and of the history of Alaskan cinema. hardcover books‎

Referentie van de boekhandelaar : WRCAM56103

‎Alba Zari‎

‎Alba Zari. Luminous Phenomena. Vol. 4, Borgo San Giovanni, Agenzia NFC, 2021‎

‎A cura di Bardelli Nonino C. Traduzione di Angelini G. Testo Italiano, Inglese e Francese. Borgo San Giovanni, 2021; ril., pp. 96, ill., cm 12,5x17,5. (Luminous phenomena).‎

‎ALBANI Marcella (Albano Laziale 1899-Wuesbaden 1959).‎

‎Cartolina fotografica‎

‎CON DEDICA (cm. 9,1x14) della ditta “Iris Verlag” con bella immagine dell’attrice in tenuta sciistica; firma e data in calce: “Marcella Albani - Berlino 1928”. Lievi traccia d’uso. Scritturata nel 1919 dalla modesta “Myriam Film” quale protagonista di un ristretto numero di grand-guignols cinematografici, fu rilevata dalla “Ambrosio” e adeguatamente lanciata. Il film che la mise in luce fu “Salvator” (film in tre episodi dal romanzo di Dumas padre); sopravvenuta la crisi cinematografica in Italia, trovò scrittura in Germania, dove girò (1922-’29) numerosi cinedrammi, che le riconfermarono le simpatie del pubblico. Tornata in Italia all’epoca del sonoro esordì con “Corte d’Assise” di G. Brignone (1930), ottenendo buoni giudizi di critica. Per M. Albani sembra giunta l’ora di consacrazione a diva; arrivano lettere da tutto il mondo: da Parigi a Stoccolma e persino da New York. Marcello Gallian scrive in quel periodo: “…al suo indirizzo arrivano lettere mal suggellate di povere sguattere, cartoline fruste, telegrammi a lei, che generosamente…Non rifiuta mai un dono a coloro che chiedono un ricordo. Un musicista compone addirittura un tango “Marcella”, di qual pregio poco si sa. Con l’avvento del parlato sembra sia nata la prima diva, la prima italiana capace di entrare in concorrenza con Greta Garbo o la Dietrich o altre dee hollywoodiane.” Seguirono: “Stella del cinema” di M. Almirante (1931) e “Non sono gelosa” di C. L. Bragaglia (1933). Nel biennio 1935-’36 fu ancora in Germania dove interpretò “L’imperatore della California” di L. Trenker (1936).‎

‎Albano Guatti‎

‎Fugitdigit‎

‎Stampato in 500 copie numerate, nostra copia n. 49 con firma di Albano Guatti, con un testo di Agnes Kohlmeyer, testo italiano / inglese, rilegato, cartonato, sovracoperta in acetato trasparente, formato 17x 25, pagine nn, illustrato a colori, ottime condizioni - 38610‎

‎ALBDORF, Thomas (Linz, 1982)‎

‎I Know I Will See What I Have Seen Before‎

‎58 fotografie a colori e 32 in bianco e nero, di Thomas Albdorf Design by Lodret Vandret. 8vo (cm 26,5x20,5). pp. 112. Firma autografa dell'Artista (Signed by the Artist). Perfetto (Mint). . Prima edizione di 300 esemplari (First edition of 300 copies). . I Know I Will See What I Have Seen Before aims towards reconstructing and abstracting this mountainous visual space via various methods of image production, ranging from appropriated scanned material, digitally altered photographic images, studio settings etc., whilst also discussing the images' productional circumstances. The works depart from their indexical referents, creating possibilities to become different images. One mountain can signify a different mountain, clouds can be petrified, water can become dust. I Know I Will See What I Have Seen Before mira a ricostruire e astrarre uno spazio visivo montuoso attraverso vari metodi di produzione delle immagini, che vanno da materiale scansionato, immagini fotografiche alterate digitalmente, ambientazioni di studio, ecc. Le opere si discostano dai loro referenti naturali, creando la possibilità di diventare immagini diverse. Una montagna può significare un'altra montagna, le nuvole possono essere pietrificate, l'acqua può diventare polvere.‎

‎Albemarle Gallery‎

‎Festival Of Spanish Paintings‎

‎Paperback in good condition. Covers are a little edge-worn. Numerous marks and scores on front and rear. Light wear to spine ends. Leading corners are a little dog-eared. Catalogue price list is laid in between pages 22 and 23. Pages are slightly sunned around edges. Binding is sound and text and illustrations are clear. AF Used‎