|
COCCOLINI GIUSEPPE
L'ARTE MURARIA ITALIANA I COSTRUTTORI GLI INGEGNERI E GLI ARCHITETTI
PP. 240, CM. 35X25, CART. SCRITTE ORO, SOVRACOPERTA, SPLENDIDA RACCOLTA FOTOGRAFICA.
|
|
|
Coceani Bruno
Riccardo Zampieri Mezzo secolo di lotte a Trieste per l'Unità Italiana
In 8°.Brossura editoriale, coperta illustrata da ritratto di Zampieri.Titoli al piatto e al dorso.Strappo riparato sulla coperta posteriore.Per il resto in ottimo stato.55 tavole fotogr.f.t.Pp.300
|
|
|
COCHETTI Anna a cura.
Pino Genovese. Catalogo frlla mostra fatta a Roma nel 2009.
In-8° gr. pp. 54 nn. con molte foto n.t. Bross. edit. ill.
|
|
|
Coco Antonino
La mia Etna. Ediz. illustrata
ill. Un piccolo sunto, una prima raccolta di foto dell'Etna. Scatti di un appassionato che coglie della montagna gli aspetti più spettacolari: in eruzione, coperta di neve o dai profili sempre diversi.
|
|
|
Coco Claudio; Del Bufalo Giovanna
Immagini di poesia
ill., br. «Un libro può nascere per caso? Non esattamente, forse. Possiamo però dire che il libro che avete fra le mani nasce da un incontro imprevisto che il caso ha voluto avvenisse in rete (la grande "piazza" del villaggio globale). E quell'incontro inatteso di una fotografa e di un poeta ha fatto sì che il dialogo istituitosi fra immagine e parola generasse nuove parole e immagini nuove, come si fosse costituita, difatti, una sorta di "cogente ecolalia" tra figura e verbo. Le parole di questa raccolta coprono, dunque, un arco temporale di circa dieci anni. E il loro "incedere" è scandito dalle suggestioni evocate da foto in cui il poeta si è imbattuto percorrendo il "tracciato" di un social fotografico. Le foto scelte sono state quelle in bianco e nero, per via della loro essenzialità, del loro "scansare" il superfluo; a ragione, anche, del loro far emergere la vita con immediatezza e semplicità. Sullo sfondo la Sicilia, tema unificante di questo libro».
|
|
|
COCTEAU (Jean) - FRAIGNEAU (André) et al.
Venise que j'aime...
In-4 carré, 127p. Illustré de nombreuses photographie de Jean Imbert légendées par Michel Déon. Préface de Jean Cocteau. Impression de Draeger. Exemplaire à l'état de neuf.
|
|
|
COCTEAU (Jean).
La Mort et les statues. Photographies de Pierre JAHAN.
Paris, Seghers, 1977. In-4 (28 cm x 22), cartonnage pleine toile Bradel de l'éditeur bien complet de sa jaquette illustrée, 58 pp. Bel exemplaire. Texte du dos de la jaquette : Pendant l’Occupation, les statues parisiennes déboulonnées par les Allemands étaient accumulées dans un entrepôt du XIIè arrondissement. Monsieur Thiers et Condorcet, Marat et les alligators de la place de la Nation se retrouvèrent ainsi, au même piège. Pierre Jahan eut la bonne idée de les photographier. Jean Cocteau s'enthousiasma pour le résultat. Ainsi naquit " La Mort et les Statues.
|
|
|
COCTEAU Jean
Jean Cocteau. Il primato del film
in 8vo b/n
|
|
|
COCTEAU Jean [PICASSO Pablo]
Photographie originale inédite de Pablo Picasso à la Casa di Marco Lucrezio, Pompéi printemps 1917
- Paris 1917, 6,3x8,6cm, une photographie. - Original photograph, likely unique and unpublished, of Pablo Picasso at the Casa di Marco Lucrezio, Pompeii spring 1917 Paris 1917 | 6,3 x 8,6 cm | one photograph Original photograph depicting Pablo Picasso in the spring of 1917 at the Casa di Marco Lucrezio in Pompeii, holding a twig, in front of a wall on which there is a Pompeian fresco. Contemporary silver print, perhaps unique, from Jean Cocteau's personal archives then the Maurice Sachs collection. Exceptional almost undiscovered and probably unpublished photograph taken by Jean Cocteau during the stay. On 16 April 1917, Picasso visits Pompeii accompanied by Jean Cocteau and Léonide Massine to prepare the ballet Parade, the first work described as "surrealist" by Guillaume Apollinaire, for the new season of Serge de Diaghilev's Ballets Russes. On his return, this initiatory journey inspired his monumental painting: the Parade stage curtain, a real visual signature of the ballet, marking the beginnings of Picasso's neo-classical period, and today preserved at the Musée national d'Art Moderne Georges Pompidou. Pierre Daix, in his bibliography dedicated to the painter, recounts the aesthetic shock caused by the discovery of the Pompeian frescoes: "Giovanni Carandente, to whom we owe the best studies on this trip, highlights that Picasso "was strongly struck by the animation and the sensuality that the cataclysm of the year 79 AD had brutally destroyed. If it is true, as he wrote to Gertrude Stein, that he immediately drew "many Pompeian fantasies which are a little daring", attracted as he was by the erotic elation that emerges from these licentious paintings, [...] these memories settled in him to emerge with force thereafter. [...] Everything that had made up the Pompeian universe was preserved on the site as well as in the National Archaeological Museum of Naples [...]. In its singularity, this universe contributed to enriching Picasso's cultural heritage with something more alive, more trembling than he had gained from his museum visits until then. He particularly loved the conciseness of the paintings: two or three years later, the impressions felt in Pompeii were to translate into a real creative explosion, a series of paintings which all bore traces of these never buried memories. This source was to remain alive until La Danse of 1925." (Pierre Daix, Picasso). Unique and early original photograph of Picasso, taken and printed by his friend Jean Cocteau, in a mythical place that will influence his aesthetic for the long-term. Provenance: Jean Cocteau's personal archives then the Maurice Sachs collection and Max-Philippe Delatte. [FRENCH VERSION FOLLOWS] Photographie originale, représentant Pablo Picasso au printemps 1917 à la Casa di Marco Lucrezio à Pompéi, une brindille à la main, devant un mur sur lequel apparaît une fresque pompéïenne. Tirage argentique d'époque, peut-être unique, provenant des archives personnelles de Jean Cocteau puis du fonds Maurice Sachs. Exceptionnelle photographie inédite prise par Jean Cocteau lors de son séjour pompéien avec Picasso. Le 16 avril 1917, Picasso visite Pompéi en compagnie de Jean Cocteau et Léonide Massine afin de préparer le ballet Parade, première uvre qualifiée de sur-réaliste par Guillaume Apollinaire, pour la nouvelle saison des Ballets russes de Serge de Diaghilev. Ce voyage initiatique lui inspire, dès son retour, une peinture monumentale?: le rideau de scène de Parade, véritable signature visuelle du ballet, marquant les débuts de la période néo-classique de Picasso, et aujourd'hui conservé au Musée national d'Art Moderne Georges Pompidou. Pierre Daix, dans sa biographie consacrée au peintre, relate le choc esthétique engendré par la découverte des fresques pompéiennes?: «?Giovanni Carandente, à qui l'on doit les meilleures études sur ce voyage, souligne que Picasso "fut fortement frappé par l'animation et la sensualité que le cataclysme de l'an 79
|
|
|
Cocteau Jean Deon Michel Fraigneau André
VENISE QUE J'AIME.
Editions Sun, 1961. In-4, cartonato editoriale, sovracoperta, pp. 130 circa (non numerate), con numerose illustrazioni in bianco e nero e a colori nel testo. In buono stato.
|
|
|
Cocteau, Jean (1889-1963, französischer Schriftsteller, Filmregisseur und Maler)
Orig.-Photographie von Alberto Durazzi (1925-1990), Rom.
Saint-Jean-Cap-Ferrat, 1961. 40 x 30 cm (Hochformat).
书商的参考编号 : 102337BB
|
|
|
Cocteau, Jean (1889-1963, französischer Schriftsteller, Filmregisseur und Maler)
Orig.-Potrait-Photographie von Alberto Durazzi (1925-1990), Rom.
Menton (?), 1961. 40 x 30 cm (Hochformat).
书商的参考编号 : 102336BB
|
|
|
Cocteau, Jean (1889-1963, französischer Schriftsteller, Filmregisseur und Maler)
Orig.-Potrait-Photographie von Alberto Durazzi (1925-1990), Rom.
Saint-Jean-Cap-Ferrat, 1961. 40 x 30 cm (Hochformat).
书商的参考编号 : 102335BB
|
|
|
CODRINGTON Florence; STUART Rev. E. A. (préf.):
Children in blue and what they do. Second edition.
London, Church of England Zenana Missionary Society / Marshall Brothers, 1909. In-8 de 101-[3] pages, cartonnage illustré d'éditeur, dos bleu muet.
书商的参考编号 : 12881
|
|
|
CODRINGTON TESSA
JE PRENDS DES PHOTOS
TORMONT. 1996. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 Pages. Nombreuses photos en couleur dans et hors texte. Tache sur le 1er plat.. . . . Classification Dewey : 770-Photographie
书商的参考编号 : RO80183102
|
|
|
CODRINGTON Tessa
Je prends des photos.
Couverture souple. En bon état. Broché. 48 pages.
书商的参考编号 : 117970
|
|
|
CODY (Colonel) - (Photo de la 2e collection Félix Potin)
Photographie de la collection Félix Potin (4 x 7,5 cm) représentant : Colonel Cody, dit Buffalo Bill.
- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
书商的参考编号 : 50959
|
|
|
CODRESCU
Reframing America: Alexander Alland, Otto Hagel & Hansel Mieth, John Gutmann, Lisette Model, Marion Palfi, Robert Frank
University of New Mexico Press 2001 In-8 broché 24,1 cm sur 19,3. 96 pages. Bon état d’occasion.
书商的参考编号 : 65359 ???????? : 826317693
|
|
|
Coddington, Grace
GRACE; The American Vogue Years
New York: Phaidon 2016. This is a fine hardcover copy with a fine printed acetate dust wrapper with no wear at all. Missing slipcase. SIGNED by the author Grace Coddington in ink on the title-page to someone in her world the world of fashion. Otherwise completely clean. This is the sequel to Grace Thirty Years of Fashion 2002. Illustrated throughout in color and black & white with the photographs of well known fashion photographers. Scarce signed. 14" high X 11" wide 406 pages. Large very heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Author. First Edition. Hard Cover. Fine/Fine. Phaidon, Hardcover
书商的参考编号 : 018759
|
|
|
Coddington, Grace (Signed); Roberts, Michael; Fielden, Jay; Labosky, Russell
Grace: Thirty (30) Years of Fashion at Vogue - Signed By Grace Coddington
408 pages. Signed and inscribed by fashion icon Grace Coddington upon title page, otherwise clean, bright and unmarked with light external wear. Reviews the life and prolific fashion accomplishments of Ms. Coddington during her thirty year tenure with Vogue magazine. Sumptously photo-illustrated in colour and black and white. Binding tight and square. Decorated black boards protected by attractive clear glossy acetate protector. Slipcase not included. A high-quality copy of this magnificent work. Book
|
|
|
Codeluppi Vanni
Vita di Luigi Ghirri. Fotografia, arte, letteratura e musica
ill. Luigi Ghirri può essere considerato il più importante fotografo italiano. È scomparso prematuramente negli anni Novanta, ma continua a suscitare un notevole interesse ancora oggi, sia a livello nazionale che internazionale, e il suo lavoro influenza il gusto estetico dei fotografi contemporanei. Il volume vuole dimostrare che, se tutto ciò accade, è perché Ghirri ha costantemente nutrito la sua poetica fotografica interessandosi all'arte, alla letteratura, alla musica, alla filosofia e a molto altro. Racconta perciò la breve ma intensa vita di questo fotografo principalmente attraverso le numerose passioni intellettuali da lui coltivate. Lo fa inoltre presentando dieci delle numerose fotografie che Ghirri ha scattato. Fotografie che non sono necessariamente tra le più importanti, ma che rappresentano tappe estremamente significative dell'evoluzione della filosofia estetica del fotografo emiliano e dei momenti importanti della sua vita.
|
|
|
CODESAL, Javier.
TRAS LA PIEL.
24x15. 123p. Fotogr. Publicado con motivo de la presentación en Zaragoza de la videoinstalación en la Fundación Pablo Serrano, del 26 de mayo al 25 de junio, 1995.
|
|
|
CODINA Conce - JAFFRE Laura
D'où viennent les bébés ?
Broché. 126 pages. Format à l'italienne. 24x21cm.
|
|
|
Codling, Pete
Dust to Dust: A Wall Drawing
Hardcover with printed boards, no dust jacket. Limited edition, number 79 of 100 pictorial copies signed by the author. Signature is in a type of charcoal which has smudged slightly. Rear board is scored and spine ends lightly rubbed. Spine is tight and contents clean throughout. AD Used
|
|
|
Codling, Stuart [James Mann (photography)]
Art of the Le Mans Race Car : 90 Years of Speed
Minneapolis: Motorbooks 2004. 1st edition. As New. oblong quarto. hardback with dust jacket 240pp. colour & b/w plates index Le Mans is one of the longest-running and most spectacular endurance races in the history of motorsport. Spanning from the first 24 Hours of Le Mans in 1923 to the present day Art of the Le Mans Race Car takes the reader through a visual review of 90 years of significant stunning racing machines. Featured cars include racers from Bentley Talbot Alfa Romeo Cunningham Jaguar Ferrari Porsche McLaren and Audi Motorbooks hardcover
书商的参考编号 : 156729
|
|
|
Codling, Stuart / Maggi & Maggi (Photographies)
Ferrari - 150 modèles de légende
GRÜND Paris 2023. 320 S. mit zahlreichen Abbildungen Pappband quart. - sehr gutes Exemplar / très bon exemplaire / Traduction: Isabelle Rouault-Röhlich / Text französisch - unknown
书商的参考编号 : 5f4244 ???????? : 2324034085 9782324034084
|
|
|
Codling, Stuart [James Mann (photography)]
Form Follows Function : The Art of the Supercar
Minneapolis: Motorbooks 2013. 1st edition. As New. oblong quarto. hardback with dust jacket 224pp. colour & b/w plates index For Form Follows Function: The Art of the Supercar renowned automotive photographer James Mann brings 20 of the worldÕs most beautiful and desirable supercars into the studio. Removed from their ordinary environment and shot on black backgrounds the photographerÕs lens reveals not just the engineering brilliance of these cars but also the inherent beauty in their form and details. Classic and new models from the world's most famous marques including Ferrari Lamborghini Bugatti Maserati Motorbooks hardcover
书商的参考编号 : 156728
|
|
|
Codrington, Tessa
First steps in taking photographs
1st edition. VG pbk. ISBN 1898018553. 16100. eng
|
|
|
COE, Brian:
Cameras. From Daguerreotypes to Instant Pictures
London, Cavendish, 1978, in-4to, 232 p., + 4 ll., richly illustrated, cloth, jacket with some wear.
书商的参考编号 : 51052aaf
|
|
|
Coe Brian
Jacques-Henri Lartigue
Macdonald 1984 jaquette légèrement jaunie
书商的参考编号 : 65136 ???????? : 356105091
|
|
|
COE, Brian:
Kameras - von der Daguerrotypie zum Sofortbild.
Time-Life-Verlag, 1978, in-4to, 240 S., reich illustriert (mit Register), Original-Leinenband. Orig. ill. Umschlag.
书商的参考编号 : 106673aaf
|
|
|
Coe Brian
Le premier siècle de la Photographie
Filipacchi / Denoël. Non daté. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 144 pages augmentées de nombreuses photos en noir et blanc dans et hors texte dont une en frontispice. Texte sur une ou deux colonnes. Jaquette en bon état.. Avec Jaquette. . . Classification Dewey : 770-Photographie
书商的参考编号 : RO20226970
|
|
|
Coe (Brian)
Le Premier Siècle de la photographie
Filipacchi, Denoël 1976 In-4 broché. 144 pages. Jaquette en très bon état. Très bon état d’occasion.
书商的参考编号 : 49768
|
|
|
COE (intro.)] [Brian
Techniques of the World's Great Photographers. [With an Introduction by Brian Coe].
Roy. 4to., with a coloured frontispiece and very numerous coloured, tinted and monochrome photographs (a number full-page) in the text; original back cloth, backstrip lettered in silver, grey endpapers, a near fine copy in unclipped dustwrapper. Contributors include Coe, Allison, Bedik, Binns, Danielle, Ford, Garner, Hershkowitz, Januszczak, Jeffrey, Martin and Pepper.
|
|
|
Coe , Brian
Cameras : From Daguerreotypes to Instant Pictures
New York: Crown Pub. 1978. Book. Illus. by Author. Very Fine. 1st.ed. 1978 Hardcover with a dust jacket 232 plus index. Illustrated with color and black and white line drawings.Condition Very Fine/ Very Fine .In a clear mylar book cover. Size: 11"-10 1/2" Tall. Crown Pub. hardcover
书商的参考编号 : 102301-B ???????? : 0517533812 9780517533819
|
|
|
COE Brian
Cameras. From daguerreotypes to istant pictures
in 4° b/n e a colori
|
|
|
Coe Brian
LA MACCHINA FOTOGRAFICA dal dagherrotipo allo sviluppo immediato
27x27, t.t.ed sovrac. ill. col., pp. 232, numerose ill. in n. e col. n.t.margini lievemente ingialliti, minime macchioline di vernice ai margini inf., altrimenti in buono stato.prima edizioneLuogo di pubblicazione MilanoEditore GarzantiAnno pubblicazione 1987Materia/Argomento Fotografia, Tecnica fotograficaPrima Edizione si
|
|
|
COE Brian
LA MACCHINA FOTOGRAFICA. Dal dagherrotipo allo sviluppo immediato.
In-8 (cm. 26.60), tela editoriale, sovracoperta editoriale illustrata, pp. 232, (8), con numerosissime illustrazioni in bianco e nero e a colori nel testo. Traduzione di Oscar Fedele Ghedina. Prima edizione italiana. Tracce di polvere e minime d’uso alla sovracoperta; peraltro, volume in buono stato di conservazione (good copy).
|
|
|
COE BRIAN-GATES PAUL
L'ISTANTANEA
In-8°, legat. in cartonato ed., pp.160, con riprod. di foto e apparecchi fotog. Lievi tracce d'uso.
|
|
|
COE PAUL GATES BRIAN
L'ISTANTANEA PICCOLA STORIA DELLA FOTO RICORDO
INTERAMENTE ILL.
|
|
|
Coe, Brian
Farbphotographie und ihre Verfahren, die ersten 100 Jahre in natürlichen Farben - 1840-1940,
Bindlach, Gondrom, 1986. 4°, 144 S mit zahlreichen s/w- und Farbabbildungen, farbig illustr. original Pappband (Hardcover), Sonderausgabe sehr schönes, sauberes Exemplar
书商的参考编号 : 19169CB
|
|
|
Coe, Brian
Farbphotographie und ihre Verfahren. Die ersten hundert Jahre in natürlichen Farben. 1840 - 1940. Edition Photographica.
München: Laterna Magica Vlg. 1979. 144 S., zahlr. Abb. Reg. Gr 8°. Kart.
书商的参考编号 : 283251
|
|
|
Coe, Brian
Jacques-Henri Lartigue
Mm 265x305 "Masters of Photography". Brossura originale, 64 pagine con tavole fotografiche in nero nel testo in lingua inglese - english text. Ottima copia, spedizione in 24 ore dalla conferma dell'ordine.
|
|
|
Coe, Brian
Jacques-Henri Lartigue (Masters of Photography S.)
Very small neat name inside front cover. No other marks or inscriptions. Crease to lower corner of rear cover, none to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. Twenty-six plates plus introduction/technique over 10pp. The art of the early 20th century photographer Jacques-Henri Latigue. The plates are all full-page and are suitable for framing. The book contains the instruction on how to mount and frame them. Scarce in the UK.
|
|
|
Coe, Brian
Kodak Cameras - The First Hundred Years.
Hove : Hove Foto Books, 1988. 298 S. (26 cm) Pappband mit Umschlag / gebundene Ausgabe
书商的参考编号 : 47547 ???????? : 906447445
|
|
|
Coe, Brian
Schnappschuss-Photographie : d. ersten 100 Jahre Amateurphotographie. u. Paul Gates. [Übers. aus d. Engl.: Karl Steinorth], Edition photographica
München : Laterna Magica, 1979. 1. Aufl. 143 S., mit vielen Bildern 4°, OPp, Orig-Schutzumschlag, schöner Zust.
书商的参考编号 : 13973
|
|
|
Coe, Brian
Techniques of the Worlds Greatest Photographers
Book Sales, 1983. 192 S.; Abb. Lw.
书商的参考编号 : 25870 ???????? : 890094012
|
|
|
Coe, Brian
The Birth of Photography : The Story of the Formative Years 1800-1900
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, traces of storage, some sunning and no bumping to corners. 144pp. Written by the Curator of the Kodak Museum, this study describes the history of photography in its early days. Very well illustrated.
|
|
|
Coe, Brian
The Birth of Photography: The Story of the Formative Years, 1800-1900
A clean, unmarked book with a tight binding. Slight wear to cover. 8"w x 11"h. 144 pages. Black and white photos throughout.
|
|
|
Coe, Brian Walter
Das erste Jahrhundert der Photographie : 1800 - 1900. Brian Coe. [Übers. aus d. Engl.: Karl Steinorth]
Bindlach : Gondrom, 1986. Sonderausg. 144 S. : zahlr. Ill. ; 27 cm Pp.
书商的参考编号 : 38570
|
|