|
[Newcastle Printing]
Doings in Newcastle 94 Years Ago - The Statue of King Charles II
Newcastle: T. Fordyce 1865. Single sided printed broadside approximately 225mm x 285mm in size. Lightly browned and creased several small tears to left hand side a few spots of light foxing. The printer was T.homas Fordyce the brother of William see Hunt The Book Trade in Northumberland and Durham to 1860 page 36. The broadside relates to a statue of Charles II which had been recently moved which had "so greatly irritated some inveterate enemy to the Stuart race and fiery zealot of the House of Brunswick that on the 18th the following most ill-natured pasquinade was found posted upon a door immediately under the statue". The said pasquinade is here reprinted with a contemporary reply by Philanthropos. Not found in JISC. First Edition. Unbound. Good. 4to. Broadside. T. Fordyce Paperback
书商的参考编号 : 003683
|
|
|
[Newe Zeitung].
Erzelung der Künigreych in Hispanien auch der selben jaerlich nutzung und einkomens mit sampt den herschafften dem selben Künigreych zugehoerig. Mer ein alte Prophecey Kay. Carl betreffend. [Augsburg, Heinrich Steiner], 1532.
4to. 8 unnumbered ff. With large title woodcut and ornamental woodcut initial. Disbound, with marbled paper spine (c. 1800). Lists the entire domain of the united Spanish kingdom, as well as all its clerical and secular princes. Also identifies the exact tributes to be paid by the various lieges and their estates, including the 140,000 ducats to by paid by the "Isles whence the gold cometh". - Trimmed very closely throughout: first line of the title clipped almost entirely; full-page coat-of-arms slightly touched by binder's knife at right and lower edges. Occasional slight browning and fingerstaining. VD 16, E 3913. Not in Halle or Gilhofer (Zeitungen). Not in Sabin or Howes.
|
|
|
[Niederösterreich, Stände].
Newe Hilff unnd Bewilligung der Romischen Ku. Mt. unnserm allergenedigisten Herrn, von den Ständen ainer Ersamen Landschaft des Ertzhertzogthumbs Osterreich under der Enns, auf das Tausent Fünfhundert und Sibenundfünfzigist Jar, neben anderer Irer hilff, Irer May. und dem Vatterland zu nutz und wolfart gehorsamblich bewilligt Neue Hilfe und Bewilligung der Römischen Königlichen Majestät, unserm allergnädigsten Herrn, von den Ständen einer Ehrsamen Landschaft des Erzherzogtums Österreich unter der Enns auf das Tausendfünfhundertundsiebenundfünfzigste Jahr [...] bewilligt. Wien, [Raphael Hoffhalter u. Kaspar Kraft], 10. XI. 1556.
4 nicht numerierte Bll. Mit einer Holzschnittvignette und 18 kalligraphischen Holzschnittinitialen. Roter Pappband. Folio. Einzige Ausgabe dieser Sammlung von Verordnungen der niederösterreichischen Stände, u.a. die Abgabenregelung für fahrendes Volk ("Spielleut, Pheiffer, Geyger, Singer, Leyrer, Sackppheiffer, Schalmeyer [...] Gaugkler und Springer") betreffend. VD 16, N 1666. Nicht in Hohenemser (Slg. Freytag). Nicht in Halle u. Gilhofer (Newe Zeytungen).
|
|
|
[Northwest Fine Printing] [Graphic Design] Rogers, Dawn Plourd; PeBenito, Bernardo
Angelos
Olympia WA: The Archetype Press 1990. First edition number 19 of 40 copies. Portfolio 15x11" various typefaces printed on 12 leaves of cream and blue Magnani Incisioni Paper and with 3 linocuts by Rogers each signed. Leaves laid in gray paper folder with printed cover label. Some bumping to corners folder with toning and wear. <br /> <br /> Beautiful and rare example of Northwest fine printing and design. The portfolio features quotes from Swedenborg Theodora Ward Wallace Stevens Rainer Maria Rilke Fra Giovanni and Dante on the relationship between humans and angels. The text is presented in various typefaces and sizes alongside stark and beautifully executed linocuts by Rogers an artist and printmaker in Olympia who operated the Sammerb Press. Rogers is featured in the 1995 letterpress anthology The Ladies Printing Bee: An Anthology of Thirty-Nine Letterpress Printers Addressing the Subject of Women's Work which was printed in Sedro-Woolley WA. The design of Angelos is by Bernardo PeBenito who was active in Seattle sharing a studio with Art Chantry. <br /> <br /> We find no mention of this portfolio in OCLC nor elsewhere. The Archetype Press unknown
书商的参考编号 : 9923
|
|
|
[NUMISMATICS -- PRINTING]. HUMPHREYS, Henry Noel
Ancient coins and medals: an historical sketch of the origin and progress of coining money in Greece and her colonies. . . the Roman Empire; and its decline with the fall of that power. . . .
London: Grant and Griffith Corner of St. Paul’s Churchyard 1850. Thick 4to. 6.75 x 9.25 x 2 in. 4 iv 208 pp. plus 2 pp. publisher’s ads decorated colophon leaf in red & black inserted errata leaf at rear. Title printed in red & black. With 10 plates featuring 114 embossed relief facsimile coins featuring gold silver copper & bronze leaf applied mimicking the originals all preserving their original printed cover leafs and some text woodcut engraved illustrations. Original embossed padded green publisher’s calf ornamental design borders & lettering in relievo marbled endpapers black linen tape reinforcement at gutter margin sunning & chipping to spine wear offsetting to text leaves minor wear & chipping to fore-edges of covers embossed raised letter spine label present still a VG bright original copy. First edition of this rare and inventive numismatic sample book on ancient Greek & Roman coins by the influential British illustrator and noted numismatist. He proclaims in his introduction how he has invented a new process to recreate actual facsimile coins in their original metals as he had found no other printing or reprographic process properly conveyed either the weight or appearance of the coins quite separate from the chromolithograph colour printing process for his very successful Coins of England. The coin specimens appear as they would have in a Victorian cabinet specimen trayHenry Noel Humphreys 1810-1879 was also fascinated with illuminated Medieval manuscripts and began producing beautiful books with painted ornaments by using the beautiful chromolithography process of Owen Jones 1809-1874. However he also had a keen interest in the natural world writing on aquariums butterflies entomology biology and more. See: Twyman A History of Chromolithography pp. 153-156; Alexander Del Mar A History of Money in Ancient Countries from the Earliest Times to the Present p. xv; Leitzmann Supplement to Lipsius Bibliotheca Numaria 60. Grant and Griffith, Corner of St. Paul’s Churchyard, unknown
书商的参考编号 : 58074
|
|
|
[OISEAUX] PARIS Nouvelles Archives du Muséum, T. VI. Bulletin PL. 3, imprimerie Becquet Editeur,
LITHOGRAPHIE : OISEAU : CROSSOPTILON DROUYNII, par HUET PINX., Nouvelles Archives du Muséum, T. VI. Bulletin PL. 3, imprimerie Becquet Paris
Paris Imprimerie Becquet 1860 Une lithographie Originale d'époque réhaussée à la main en couleurs et à la gomme arabique, Format : 32 centimètres de haut par 24,5 centimètres de large, sur papier blanc , 1860 PARIS Nouvelles Archives du Muséum, T. VI. Bulletin PL. 3, imprimerie Becquet Editeur,
书商的参考编号 : 27934
|
|
|
[OISEAUX] PARIS Nouvelles Archives du Muséum, T. 5. Bulletin PL. 6, imprimerie Becquet Editeur,
LITHOGRAPHIE : OISEAU : "LOPHOPHORUS OBSCURUS; J. VER.", par HUET PINX., Nouvelles Archives du Muséum, T. 5. Bulletin PL. 6, imprimerie Becquet Editeur,
Paris Imprimerie Becquet 1860 Une lithographie Originale d'époque réhaussée à la main en couleurs et à la gomme arabique, Format : 32 centimètres de haut par 24,5 centimètres de large, sur papier blanc , 1860 PARIS Nouvelles Archives du Muséum, T. 5. Bulletin PL. 6, imprimerie Becquet Editeur,
书商的参考编号 : 27935
|
|
|
[OISEAUX] PARIS Nouvelles Archives du Muséum, T. 2. Bulletin PL. II, imprimerie Becquet Editeur, J. HUET DEL.
LITHOGRAPHIE : OISEAU : CENTROPUS LAFRENAYANUS. J. Verr., Nouvelles Archives du Muséum, T. 2. Bulletin PL. II, imprimerie Becquet Paris Editeur,
Paris Imprimerie Becquet 1860 Une lithographie Originale d'époque réhaussée à la main en couleurs et à la gomme arabique, Format : 32 centimètres de haut par 24,5 centimètres de large, sur papier blanc , 1860 PARIS Nouvelles Archives du Muséum, T. 2. Bulletin PL. II, imprimerie Becquet Paris Editeur,
书商的参考编号 : 28136
|
|
|
[OISEAUX] PARIS Nouvelles Archives du Muséum, T. 7. Bulletin PL. I, imprimerie Becquet Editeur, J. HUET DEL.
LITHOGRAPHIE : OISEAU : 1- CHOLORNIS PARADOXA. J. Verr. - 2- PURGILAUDA DAVIDIANA. J. Verr., Nouvelles Archives du Muséum, T. 7. Bulletin PL. I, imprimerie Becquet Editeur, J. HUET DEL.
Paris Imprimerie Becquet 1860 Une lithographie Originale d'époque réhaussée à la main en couleurs et à la gomme arabique, Format : 32 centimètres de haut par 24,5 centimètres de large, sur papier blanc , 1860 PARIS Nouvelles Archives du Muséum, T. 7. Bulletin PL. I, imprimerie Becquet Editeur, J. HUET DEL.
书商的参考编号 : 28137
|
|
|
[OISEAUX] PARIS Nouvelles Archives du Muséum, T. 4. Bulletin PL. IV, imprimerie Becquet Editeur, J. HUET DEL.
LITHOGRAPHIE : OISEAU : 1- MEGALAIMA LAGRANDIERII - 2 - HYLOTERNE RODOLPHI. , Nouvelles Archives du Muséum, T. 4. Bulletin PL. IV, imprimerie Becquet Editeur, J. HUET DEL.
Paris Imprimerie Becquet 1860 Une lithographie Originale d'époque réhaussée à la main en couleurs et à la gomme arabique, Format : 32 centimètres de haut par 24,5 centimètres de large, sur papier blanc , 1860 PARIS Nouvelles Archives du Muséum, T. 4. Bulletin PL. IV, imprimerie Becquet Editeur, J. HUET DEL.
书商的参考编号 : 28138
|
|
|
[OISEAUX] PARIS Nouvelles Archives du Muséum, T. 8. Bulletin PL. 6, imprimerie Becquet Editeur, J. HUET DEL.
LITHOGRAPHIE : OISEAU : IBIS CHINENSIS, A. DAV; , Nouvelles Archives du Muséum, T. 8. Bulletin PL. 6, imprimerie Becquet Editeur, J. HUET DEL.
Paris Imprimerie Becquet 1860 Une lithographie Originale d'époque réhaussée à la main en couleurs et à la gomme arabique, Format : 32 centimètres de haut par 24,5 centimètres de large, sur papier blanc , 1860 PARIS Nouvelles Archives du Muséum, T. 8. Bulletin PL. 6, imprimerie Becquet Editeur, J. HUET DEL.
书商的参考编号 : 28139
|
|
|
[OISEAUX] PARIS Nouvelles Archives du Muséum, Bulletin T. X. PL. 2, imprimerie Becquet Editeur,
LITHOGRAPHIE : OISEAU : PITTA ELLIOTII, Oust, par HUET PINX., Nouvelles Archives du Muséum, Bulletin T. X. PL. 2, imprimerie Becquet Editeur,Paris
Paris Imprimerie Becquet 1860 Une lithographie Originale d'époque réhaussée à la main en couleurs et à la gomme arabique, Format : 32 centimètres de haut par 24,5 centimètres de large, sur papier blanc , 1860 PARIS Nouvelles Archives du Muséum, Bulletin T. X. PL. 2, imprimerie Becquet Editeur,
书商的参考编号 : 28250
|
|
|
[Ott von Echterdingen, Michael].
Kriegs Ordnung new gemacht. Von Besatzung der Schlösser, was darzu gehört, un[d] tröstlich ist. Articulßbrieff der Kriegßleut, sampt deroselbigen Eyde [...]. [Simmern, Rodler, ca. 1534].
Folio (205 x 303 mm). (42) ff. With one large woodcut in text. Modern half calf. Extremely rare, early edition: "a work of the utmost importance for German military science, in many ways nothing less than fundamental" (Jähns, p. 484). One of the most interesting early 16th century books on the art of warfare; one of three undated issues. Treats sieges and occupations, various kinds of weaponry and their application. The woodcut shows the siege of a city. The BM copy cited by Cockle (with different quire signatures and surmised publication date of 1525) is not traceable in the BM General Catalogue. Ott von Echterdingen was General of the Artillery under Emperor Maximilian I and Emperor Charles V (cf. ADB XXIV, 558f.). - Some browning throughout. Provenance: from the collection of Thomas Fremantle, 3rd Baron Cottesloe (1862-1956), commander of the Territorial Army and president of the Society for Army History Research. VD 16, O 1453. Jähns 483. Bonnemann, Rodler 9. BM-STC German 478. Cf. Cockle 508. Jordan 2748. Fairfax Murray 235. BMC XIV, 418, 740. Weller, Repertorium Suppl. 341.
|
|
|
[PAPETERIES. ASSIGNATS].-
Décret de la Convention Nationale qui met en réquisition les Entrepreneurs & Ouvriers des Manufactures de papier.-
Du 23e jour de Nivôse an second de la République... Paris. Imprimerie Nationale Exécutive du Louvre. An II. In-4 (181 x 234mm) de 4 pages imprimées. Signé Charles.
书商的参考编号 : ORD-8036
|
|
|
[PALLIOT (Pierre)] - BEAUNE (Henri).-
Pierre Palliot, imprimeur historiographe.
Réunion par un amateur des pages de la Revue Lyonnaise (5e année, T. IX, n°54, 1885) formant l'article sur Pierre Palliot en une plaquette grand in 8° brochée, sous couverture factice ; cachet ex-libris.
书商的参考编号 : 27213
|
|
|
[PARIS]. - GUILLAUMOT (Auguste-Alexandre).
Portes de l'Enceinte de Paris sous Charles V. 1380 d'après le plan publié par la Ville.
Paris, Imprimerie E. Capiomont & V. Renault, 1879. Grand in-4 (28 x 36 c), demi-chagrin vert bronze, dos à 5 nerfs, fleurons dorés entre les nerfs. Album des planches gravées avec 2 pages d'introduction.
书商的参考编号 : 26558
|
|
|
[PARDON (George Frederick)]
The Juvenile Museum of Entertainment and Instruction. Embellished with Numerous Engravings.
208pp., frontis., 35 engraved plates, orig. cloth, spine slightly defective, small tears to hinges, gilt. Each subject covered is accompanied by an engraved plate, including the bookbinding, the printer, alum-works, coal mines, boiler-making, whale fishing, etc.
|
|
|
[PARIS]. - GUILLAUMOT (Auguste-Alexandre).
Portes de l'Enceinte de Paris sous Charles V. 1380 d'après le plan publié par la Ville.
Paris, Imprimerie E. Capiomont & V. Renault, 1879. Grand in-4 (28 x 36 c), demi-chagrin vert bronze, dos à 5 nerfs, fleurons dorés entre les nerfs. Album des planches gravées avec 2 pages d'introduction. Avec 21 planches gravées hors-texte, 11 pour la Rive droite et 9 pour la Rive gauche. Plus un plan d'ensemble et une planche en couleurs sur les Armes de la Ville. Ces reproductions de chacune des Portes composant cette enceinte sont à une échelle assez grande pour qu'il soit possible d'en apprécier l'importance et l'arrangement. Bel exemplaire enrichi d'un envoi autographe du graveur A. Guillaumot.
|
|
|
[Peytel (Sébastien-Benoît ; 1804-1839)] Benoit (Louis) :
Physiologie de la Poire. Par Louis Benoit, jardinier.
Paris, chez les libraires de la place de la Bourse, 1832 ; in-8, bradel large demi maroquin vert-lierre à grands coins, titre au dos et date en queue dorés, tête dorée sur témoins, couverture beige doublée avec absence du coin supérieur droit, illustrée du bois gravé de la deuxième page, avec la mention fictive de “Deuxième édition”, conservée (Fechoz) ; XXX, [2], 270 pp.
书商的参考编号 : 20457
|
|
|
[PHILOSOPHY -- PRINTING]. FARNESTO, Octavio [FARNESE, Ottavio].
Quaestiones definitae ex triplici philosophia rationali naturali morali in Parmensi Academia publicae triduum disputatae ab . . . .
Parma: Ex Typographia Antaei Viothiis i.e. Anteo Viotti 1613. Folio. 8 374 8 pp including 2 blank leaves. Copper-engraved illustrated title of the Farnese coat of arms of Parma designed by Malossi i.e. Giovanni Battista Trotti 1565-1619 engraved in copper by Francesco Villamena 15660-1624 within an allegorical frame historiated initials and richly embellished throughout with decorative calligraphic woodcut engravings after drawings by Brondolo and engraved by Ferrari. Contemporary full vellum spine expertly repaired minor worming to pastedowns end leaves tidemark to gutter margin through 1st half of textblock w/o the large folding dedicatory engraving very minor worming to spine endpapers still a good copy. First edition of this fascinating work dedicated to Pope Paul V filled with 2370 theses of rational natural and moral philosophy defended at length by the brilliant 15-year old Ottavio Farnese 1598-1643 son of the Duke of Parma displaying a deep understanding of Aristotle and other ancient philosophers. Of particular interest are the wonderfully executed woodcut calligraphic figures throughout the text of sphinxes figures personified allegories musical instruments vegetables plants animals such as turtles storks roosters lions frogs and grasshoppers.No reference this cataloguer could find appears to have identified “Brondulus†possibly G.F. Brondolo. Sadly the year after this brilliant disputation in 1613 Ottavio’s paranoid father the Duke of Parma Ranuncio I Farnese imprisoned him in the notorious Parma La Rocchetta prison stripped him of all his feudal titles and there he languished for the next 30 years dying most likely of the plague in 1643. According to Worldcat listings and descriptive catalogues there appear to be surviving copies with and without the double-page allegorical plate dedicated to Pope Paul V. Worldcat locates 6 in the U.S. Getty Harvard w/o plate Newbery St. Bonaventure Library The Morgan DLC. Ex Typographia Ant[a]ei Viothi[is] (i.e. Anteo Viotti), hardcover
书商的参考编号 : 61750
|
|
|
[Photography] [California Fine Printing] Adams, Ansel
A Photographer Talks about his Art
Los Angeles: Occidental College 1969. First edition. 23x14cm 1 13pp. Staple bound in textured cream paper wraps with blind stamping and black lettering to front cover. Some faint smudging and toning to edges. Clean internally and nearly fine. <br /> <br /> Very uncommon Grant Dahlstrom / Castle Press printing of this address presented by Ansel Adams to friends at Occidental College on January 22 1969. OCLC cites holdings at Occidental and UC Merced and Santa Cruz. Occidental College unknown
书商的参考编号 : 9886
|
|
|
[Pillone Library - Vecellio, Cesare]. Feyerabend, Sigmund (ed.).
Annales sive historiae rerum Belgicarum. Frankfurt am Main, (Georg Rab the Elder for) Sigmund Feyerabend, 1580.
Folio (265 x 388 mm). 2 parts in one volume. 427, (21); 187, (1) pp. Titles within elaborate allegorical woodcut border signed by Jost Amman. Woodcut headpieces, initials and Feyerabend publisher's mark signed by Tobias Stimmer at end part I. Contemporary full vellum, remnants of four alum-tawed leather ties, spine with four raised bands, headbands in grey, white, and yellow. Stored in custom-made half morocco box. First edition of this collection of the leading histories of the Low Countries, edited by Feyerabend. Fore-edge painting by Cesare Vecellio, depicting a scholar seated at a desk overlooking a landscape with the title "ANNA/LES" below; top and tail edges decorated with abstract line designs. - A rare item from the celebrated library of Dr. Odorico Pillone and his father. Late in the 16th century, Odorico invited Vecellio (first cousin once removed of the master painter Titian, under whom he trained) to decorate a number of books in his library with fore-edge paintings, thereby establishing the earliest known private collection of such paintings. As was Vecellio's preferred style, the painting here is of a scholar, brightly dressed in red and a black hat, centered on the fore-edge and additionally visible on the closed edge. - The histories contained are by Jacques Meyer (Part I, Flanders), Adrian Baarland (II, Brabant), G. Geldenhouwer (II, Holland), Jacques Marchand (II, Flanders), and L. Guicciardini (II, in Latin); also, shorter texts by Philip Galle and G. Candidus on the then-current situation. - Corners insignificantly bumped and rubbed, some worming to edges and spine, hinges and endpapers (with chipping to head of spine). Binding shows some dampstaining and soiling. A few tears to flyleaves. Internally generally clean with occasional insignificant foxing and some dampstaining, chiefly confined to margins, as well as minor text block edgewear. Overall a very good example with the fore-edge painting a little worn but still bright. - Provenance: Odorico Pillone (1503-93); Casteldardo estate (ca. 17th-19th centuries); Bayolle of Venice (early 19th century); Paolo Maresio Bazolle (1874); Sir Thomas Brooke (1830-1908; his bookplate to front pastedown); Humphrey Brooke (early 20th century); Pierre Berès (ca. 1947; his bookplate to front pastedown); Jeff Weber Rare Books; Randall J. Moskovitz, MD, Memphis, Tennessee (1990); acquired from the sale of his estate. VD 16, F 897. Berès, Bibliothèque Pillone, no. 133. Berès, Un groupe de livres Pillone, no. 1. Brooke, A Catalogue by Thomas Brooke, p. 666, no. 5. BNHCat A 394. Cf. Hobson, Pillone Library, The Book Collector (Spring 1958), pp. 28-37; Weber, Annotated Dictionary, pp. 221-227.
|
|
|
[PLANTIN]
Index Librorum qui in typographia plantiniana excusi Venales nunc exstant
Anvers, Balthazar Moret II - Imprimerie plantinienne , 1642. In-12, 79 pp., cartonnage de papier moderne, dos long (traces de poussière et frottements au cartonnage, manques angulaires sans atteinte, parfois restaurés, pâles mouillures sans gravité, quelques taches et rousseurs).
书商的参考编号 : 22751
|
|
|
[PLACARD] [PAGNERRE (Laurent-Antoine)]
République Française. 10e arrondissement de Paris. Elections générales de la Garde Nationale.
[Paris], E. Duverger, imprimeur des actes du gouvernement provisoire, s.d. (1848) placard in-folio oblong de 49 x 62 cm, en feuille.
书商的参考编号 : 207059
|
|
|
[Planning editing] Dentsu Toppan Printing Co, Ltd joint venture
EXPO '90 International Flower and Green Exposition Official Record Photograph Collection <Japanese Version>
International Flower and Green Exposition Association 1991. Soft Cover. Fine. Number of books: 1 book International Flower and Green Exposition Association paperback
书商的参考编号 : 2092902137405570
|
|
|
[PLANTIN] - SABBE (Maurice) dir.
Sept études publiées à l'occasion du quatrième centenaire du célèbre imprimeur anversois Christophe Plantin (1520-1920).
In-4, 123p. Très bel ouvrage illustré de nombreux documents dans et hors texte (pages de titre anciennes, portraits de la famille Plantin-Moretus, lettrines, ornements, etc...). Exemplaire à l'état de neuf, non coupé.
|
|
|
[PLANTIN]. SABBE, Maurice (dir).
Sept etudes publiees a l'occasion du quatrieme centenaire du celebre imprimeur anversois Christophe Plantin (1520-1920).
in-4° 123 pp., broche, couverture illustree.- Tres bel ouvrage illustre de nombreux documents in- et hors texte (pages de titre anciennes, portraits, lettrines, ornements, ...). Bel exemplaire. [PLG-5/6]
|
|
|
[Portrait] DIDOT Firmin
Portrait lithographié representant Firmin DIDOT, né à Paris en 1764 -
Lithographie format 37,5 x 25,5 cm marges comprises - Paris - Imprimerie Lemercier - vers 1880 -
书商的参考编号 : GF4190
|
|
|
[Portrait] Ambroise FIRMIN DIDOT
Portrait lithographié representant Ambroise FIRMIN DIDOT, né à Paris en 1790 -
Lithographie format 37,5 x 25,5 cm marges comprises - Paris - Imprimerie Lemercier - vers 1880 -
书商的参考编号 : GF4191
|
|
|
[PRINTING -- LUGGAGE TRAVEL LABELS ARCHIVE].
A fascinating small archive of 89 original coated luggage labels spanning 30 years of travel for the MacDonald family as they cruised on ocean liners and steamships through the Americas Asia India Ceylon Africa and Europe. The vivid colour lithograph images and colour printed pieces incorporate some of the most famous Grand Hotels from the golden age of travel before and after World War II.
Los Angeles CA: MacDonald Collection ca. 1920-1955. Archive of 89 coated labels sized from 2.25 x 3.5 in. up to 6.25 x 8.5 in. with many in the middle ranges including distinctive 5.25 in. rounds most colour lithographs some with metallic inks nearly all retaining the original adhesive from never having been applied to luggage in assorted shapes many round others rectangular square diamond shaped etc. most on thin coated paper stock all NF condition from the library of Archibald Angus MacDonald 1892-1977 stepson of famed southern California oil man William F. Byrne as well as oil company and drilling equipment company owner and manager of MacDonald & Burns Oil Producers. A delightful and remarkably colourful small archive of fine lithographed and colour printed luggage labels preserved from over three decades of ocean liner travel by the well-to-do California oil family. Their frequent voyages carried them to Hawaii Asia South Asia Africa Europe and the Americas preserving luggage labels souvenir brochures and more along the way. At the time they were an essential advertising campaign largely driven by the popular Grand Hotels and were often illustrated by such renowned commercial and graphic artists as Dan Sweeney and Mario Borgoni. Included amongst these are iconic labels for the historic Park Hotel depicting jockeys racing on the Shanghai Club race track in front of the iconic Art Deco building completed in 1934; The Cathay & The Metropole in Shanghai operated by Cathay Hotels Ltd.; the historic Peninsula Hotel in Kowloon Hong Kong opened in 1928 and founded by the brothers Ellis & Elly Kadoorie still considered one of the finest hotels east of the Suez; or beautiful scenic labels created for the Eastern & Oriental Hotel the “E&O†still considered one of the finest hotels in Southeast Asia and the Oriental Hotel in Kobe Japan. Also present are labels for the Raffles Hotel in Singapore originally opened in 1887 Mrs. Ch’ien’s Guest House located originally not far from the Legation Quarter in Peking Maidens Hotel Delhi the splendid Clark’s Hotel Benares Varanasi still considered the finest heritage hotel in the city and the Imperial Hotel of New Delhi opened in 1936 designed by F.B. Blomfield. The MacDonald’s visited the Philippines several times often staying the Manila Hotel Hawaii where the Royal Hawaiian and the Kiluaea Volcano House were their places of choice and frequently stated at The Biltmore in Los Angeles after returning from trips the Plaza in Buenos Aires the Waldorf in New York and many of the major European Hotels. Also present are labels for the Galle Face Hotel in Colombo Sri Lanka founded in 1865 featuring the historic south wing designed by Edward Skinner and one of the oldest hotels East of Suez. South Africa was a stopover during their 1952 Great Africa-India Cruise on the RMS Caronia and labels include Polley’s Hotel Pretoria the Imperial Hotel in Pietermaritzburg and the North Western Hotel Livingstone N. Rhodesia. MacDonald Collection, unknown
书商的参考编号 : 59816
|
|
|
[PRINTING -- SAMPLE BOOK]. FLADER, Louis (Comp & Ed).
Achievement in photo-engraving and letter-press printing. Compiled and edited by Louis Flader. . . .
Chicago IL: American Photo-Engravers Association 1927. Tall thick 4to. 9.5 x 12.5 x 3 in. 488 pp. With 100’s of colour plates colour printing samples sample pages sample papers black & white photogravures and more. Victorian revival publisher’s embossed simulated padded leather oilcloth binding with bald eagle in red & white on front cover t.e.g. slight rubbing very slight edgewear to head of spine still a remarkably tight NF copy of this large oversize catalogue from the library of Ursel Colin Narver 1903-1993 presented to him by West Coast Engraving Co. Portland Oregon as manager at the time and later manager of the Oregon Grange Bulletin as well as co-publisher of Better Fruit Magazine until his retirement in 1986. First edition of what many consider to be one of the best printing sample books of the Jazz Age containing hundreds of inserted samples from the best printers across the United States Canada England France and Germany. The editor begins with a lovely colour plate on tissue of the Santa Barbara Mission for John Henry Nash in San Francisco and then includes samples of printing and colour plates by Coles Phillips Thomas Webb for the fashion house Hickey-Freeman Co. a line-etching on zinc of Abraham Lincoln a stunning Stark Davis illustration of a Lincoln Motor Car Limousine a splendid ad for Miss Tokio Hosiery step-by-step illustrations of how illustrations are etched photographed blocked printed a stunning R.F. Heinrich illustration in five colors embossed colour printing for Brigdens Limited Linoleum Rugs a superb colour plate by James Daugherty for the frontispiece in Drake’s Quest and so many others. Also included are articles by James Montgomery Flagg Gilbert Grosvenor Frederick Corley Adolph Zuckor and many other luminaries of the 1920s. American Photo-Engravers Association, hardcover
书商的参考编号 : 64100
|
|
|
[PRINTING -- COLOUR CHROMOLITHOGRAPH SAMPLE CARDS].
Agent’s sample book from Crown Card Co. . . Salesman sample catalogue filled with raised embossed novelty visiting cards.
Columbus OH: Crown Card Co. ca. 1890. 12mo. 4.75 x 6.5 in. 32 pp unpaginated. w/ 23 visiting cards mounted nearly all embossed raised colour-chromolithograph die-cut visiting card samples tipped-in most w/ stock no. & price info printed on blank card mounted. Quarter-black cloth over light blue-green printed & decorated covers red lettering & decorative border on front cover minor dustsoiling minor toning thumbing to covers still VG exemplar w/ final sheet listing orders by Obadiah & Norman Shearer E.M. Baley Alice Miller and Lewis Bordner totaling .75¢. First edition of this wonderfully preserved salesman’s catalogue of Victorian die-cut chromolithograph visiting cards from the Crown Card Co. in Columbus OH. The Crown Card Co. does not appear in street directory listings or commercial listings in and around Columbus Ohio through from 1880 through 1910 so it may have been operating purely as mail order subsidiary from the Crown Card Co. located in Cadiz OH through salesmen and sales agents with notice on the front cover here indicating that this catalogue was “given as a premium for a $ 1.00 card order.†At the height of the Victorian era many would carry these specially printed novelty cards to introduce themselves for social calls and even for wooing a prospective spouse. Traveling salesmen would often contract with one or more card maker and many could make a very good living selling the beautifully printed pieces. No copies in Worldcat 1 similar copy located in the Clements Library Univ. of Michigan. Crown Card Co., hardcover
书商的参考编号 : 62510
|
|
|
[PRINTING -- COLOUR CHROMOLITHOGRAPH SAMPLE CARDS]. CLINTON, FL & AB F L A B
Agent’s sample book from Clinton Bros. Salesman sample catalogue filled with raised embossed novelty visiting cards.
Clintonville CT: Clinton Bros. ca. 1880. 12mo. 4.75 x 7 in. 28 pp unpaginated. w/ 29 visiting cards mounted nearly all embossed raised colour-chromolithograph die-cut visiting card samples tipped-in most w/ sales information printed on blank card mounted or in pencil manuscript. Quarter-black cloth over black printed & decorated covers gilt lettering on front cover minor dustsoiling minor toning shelfwear slight offsetting to facing pages still VG exemplar. First edition of this scarce and exceptionally preserved salesman’s catalogue of Victorian die-cut chromolithograph visiting cards. The Clinton Brothers maintained a successful printing house and stationery store which specialized in visiting and address cards often with promotions for note paper pen knives or cuff buttons & shirt studs. The business appears to have possibly drawn upon colour lithography printers in Rochester NY and surrounding areas for their chromolithograph catalogues and novelties which also included greeting cards postcards and advertisements. At the height of the Victorian era many would carry these specially printed cards to introduce themselves for social calls and even for wooing a prospective spouse. Traveling salesmen would often contract with one or more card maker and many could make a very good living selling the beautifully printed pieces. Worldcat locates 2 similar copies Toronto Pub. Lib. & CT Mus. Culture & Hist. Clinton Bros., hardcover
书商的参考编号 : 62509
|
|
|
[PRINTING -- MONOGRAMS].
Album nouveaux monogrammes en relief Russes et Francais. Album of new relief monograms in Russian and French.
Warsaw: Editeur M. Rawski & Co. 1911. Oblong folio. 15 x 10.5 in. 6 pp unpaginated. 21 relief embossed monogram printing samples with all examples raised each plate mounted within die-cut framed green boards all hinged at gutter margin w/ brown cloth hinges retaining the original printed tissue guard Monogram keys which overlay each plate further monogram sample embossed & mounted on verso of 2nd leaf. Original embossed & raised Art Nouveau cover art of allegorical female figures stretching their arms across the title expertly mounted on renewed black linen binding rounded corners nickel bosses on back cover and renewed endpapers some occasional creasing and very minor tears to a couple of the fragile tissue guards minor toning to first and last leaves still VG exemplar from the J.E. Caldwell & Co. jewelers in Philadelphia PA w/ 2 embossed monogram printing samples 7 original silver gelatin photographs showing monogram samples from the company and price list for monogramming ivory. First edition of this remarkable example of Edwardian Polish printing while Poland was still under the control of the Russian Empire including statement stamped in Russian that the publication was permitted by the Military Censors of Warsaw. The printer notes in the preface that this was the first such catalogue of its kind detailing in embossed relief 800 Russian and French monograms in Slavic and Gothic fonts and other emblems. The catalogue offers an excellent contemporary reference guide for Russian monograms before World War I. Editeur M. Rawski & Co., hardcover
书商的参考编号 : 54914
|
|
|
[PRINTING -- CATALOGUE].
Catalogue of machinery equipment and supplies for photo-engraving and allied processes. Number 23. . . .
Chicago IL: The Ostrander-Seymour Co. ca. 1925. 4to. 328 pp. 100s of photo & text illusts. diagrams tables. Embssd & decorated simulated calf embssd gilt lettrng in blind w/ decorative motif on frnt cvr & spine mnr bmpng to crnrs some rubbng edgewear still a VG- copy w/ frmr ownrshp signature on ffep. First edition thus of this lavishly illustrated catalogue of printing equipment printing presses Process cameras Copy cameras Zeiss photographic equipment & lenses Zeiss Gelb and Wohl lamps trimming machines drilling machines and much more. All of the patent dates on equipment lenses and other pieces listed in the catalogue appear to date consistently from before 1922 representing printing processes and equipment just after World War I. The Ostrander-Seymour Co., unknown
书商的参考编号 : 44934
|
|
|
[PRINTING INKS -- CATALOGUE]. FLINT, [Henry] Howard
Flint inks: every Flint ink is a good ink. Sample catalogue.
Detroit MI: Howard Flint Ink Co. Printing & Lithographic Inks ca. 1932. Oblong 8vo. 8.5 x 5.2 in. 4 pp 106 sample leaves printed on assorted coated & uncoated paper stocks some thick cover stocks 10 leaves notched by former printer/lithographer indicating changed colours some unevenly at corners. Embossed pictorial textured Navy-Blue cloth raised Art Deco illustration & lettering of American Indian in ceremonial headdress knapped flint arrowhead as logo minor rubbing edgewear still G copy. First edition thus of this nicely printed colour ink sample catalogue presenting the wide range of colour inks available for sale from the company. This catalogue graphically advertises the Flint Ink Co. Process Inks with photos of American Indian standing beside Lake Arrowhead Bond Inks Gloss and Halftone Blacks as well as a wide range of magazine and newspaper inks such as Flame Red Poinsettia Red Oriental Crimson Imperial Orange Rembrandt Brown and many others.The firm was founded in 1920 by Flint 1884-1967 formerly a sales manager for Charles Johnson & Co. and began initially by supplying ink to local newspaper and magazine publishers. Flint utilized strict quality control methods to test raw materials and finished inks and by 1926 opened the Indianapolis branch followed by others including New Orleans in 1932 listed here on the title page. After Acquiring Temple Inks Co. of Denver in 1936 and expanding there the company continued to grow through the Great Depression and today is one of the largest ink producers in the World. No copies located in Worldcat. Howard Flint Ink Co., Printing & Lithographic Inks, hardcover
书商的参考编号 : 57814
|
|
|
[PRINTING HISTORY] HARRILD & SONS
Harrild & Sons' Complete Illustrated Catalogue of Printers' Bookbinders' & Stationers' Machinery & Materials
London: Harrild & Sons n.d.; 1892. First Edition. Folio 32cm. Brown cloth stamped in black and gilt with large gilt view of the "Fleet" Works on rear board; pale floral patterned endpapers; iv 122pp; numerous wood engravings. Title page printed in four colors. Card of Representative H. C. Marquet Nottingham to front pastedown. A sound upright copy corners bumped a few minor stains to cloth rear free endpaper heavily browned but interior generally clean and bright: Very Good. <br /> <br /> Detailed and extensively illustrated catalogue from a printing supply company; a valuable resource for studying or teaching about late nineteenth-century printing technologies. Robert Harrild originally a printer developed composition ink rollers in the 1810s which were instrumental in the shift to cylindrical presses. He soon shifted from printing to manufacturing rollers and other printing supplies. By the 1890s Harrild & Sons was a prosperous printing supply company; they also sold printing presses manufactured by Bremner of Otley in Yorkshire. This catalogue advertises lithographic and relief printing presses; folding machines; guillotines; ink rollers; printing types and rules; composing room furniture including typecases composing frames imposing stones and form racks; chases and furniture; stitching machines and binding equipment; stereotype manufacturing equipment; and a wide variety of other miscellaneous supplies most illustrated in clear detail. 63976. Harrild & Sons unknown
书商的参考编号 : 63976
|
|
|
[PRINTING & PUBLISHING]. Lesure, Francois, ed
Journal Géneral d'Annonces des Oeuvres de Musique Gravures Lithographies publié en France et a l'etranger. Avec un index des noms cités 1825 1826 1827
Genève: Minkoff Reprint 1977. Hardcover. Very Good. 3 volumes. Octavo. Boards. 1900 pp. Facsimile reprint of the edition of 1825-27. Minkoff Reprint hardcover
书商的参考编号 : 37181 ???????? : 2826606352 9782826606352
|
|
|
[PRINTING & TYPOGRAPHY].
Layouts for flat-bed rotary and web press imposition.
Washington D.C.: United States Government Printing Office 1957. 4to. xxii 201 1 pp. Printing layout diagrams throughout. Black pebbled cloth gilt lettering & lozenge illust. of printing press on front cover red comb binding as issued minor dustsoiling edgewear still VG copy. Second edition revised & expanded of this work designed to meet production problems of the US Government Printing Office composed of a signature size chart and series of face-up impositions. It does note that not every possible folding imposition is contained but those dummies can be inserted or laid-in to this work as necessary. United States Government Printing Office, hardcover
书商的参考编号 : 56526
|
|
|
[PRINTING -- FURNITURE SPECIMEN CATALOGUE]. QUETIN, V[ictor] L[eon Michel]
Le magasin de meubles No. 2. Album complet & reference de tous les meubles qui se fabriquent a Paris. Contenant environ 300 modeles dessines en perspective.
Paris: V.L. Quetin ca. 1878. Oblong 4to. 11.5 x 7.75 in. 1 leaf lithograph title 94 i.e. 110 lithographed plates 1 leaf of index on blue-tinted paper stock. Quarter-green leather over pebbled green cloth raised bands embossed borders in blind gilt lettering on spine minor scuffing & wear rubbing bumping & wear to couple corners w/o ffep. still VG- copy w/ bright plates from the library of Victor Colas 256 13d Voltaires Paris notation on front marbled pastedown. A well-illustrated printer’s specimen book issued to depict the varieties of Second Empire French furniture featuring styles such as Louis XV Louis XVI and the decorative styles of Napoleon III’s designers. Victor Joseph Quetin 1822-1877 was an entrepreneurial printer who began producing these Furniture style books for Parisian craftsmen cabinetmakers and would sell these volumes of specimen sheets to manufacturers to show their prospective clients. The furnishings shown in these leaves encompass tables chairs toilettes some with bidets built in many with attached mirrors bed frames armoires buffets desks and desks with built-in bookcases. The index which is often missing provides an excellent quick reference to the styles types of furnishings as well as the specific plate. Demand increased as Paris & France underwent tremendous renovations and progress during the Second Empire and many of the furnishings inspired by the designs of Carlin Weisweiler and Riesener were presented to the public at the 1867 Exposition Universelle. His son Victor Leon Quetin b. 1852 would later in the 1870’s take up the family business released the albums under a new imprint of “V.L. Quetin†and also began issuing colour chromolithograph specimen catalogues of elaborate draperies bed curtains window treatments and casements. Also issued was a newspaper Journal le magasin de meubles†which offered details of the specimen catalogues he would assemble subscriptions and pricing with details on colour lithography and hand-colouring as well. His designs were dependent upon using a specialized machine which would enlarge reduce or even alter lithographic designs for clients. See: Victor Quetin De la papeterie a la lithographie D’Avoise a Meung-sur-Loire en passan par les Moulins de Paillard 16e-18e siecle; Alfred Lemercier La lithographie francaise de 1796 a 1896 et les arts qui s’y rattachent: manuel pratique p. 344. V.L. Quetin, hardcover
书商的参考编号 : 58315
|
|
|
[PRINTING - TYPE SPECIMENS].
Linotype faces: supplementary folders showing new faces will be sent to you as issued. For your own convenience these supplements should be inserted in this binder in proper alphabetical order as soon as received.
Brooklyn NY Chicago et al: Mergenthaler Linotype Co. 1926-1928. 4to. 528 pp unpaginated. printed in red & black. With red woodcut borders red & black lettering ornamental letters decorative initials Linotype ornaments & border illustrations throughout diagrams. Quarter-red cloth over limp printed covers split-pin binding 3 brass split pins w/ decorative border lettering on back cover soiling scuffing wear slightly shaken minor staining to first few signatures not affecting text still G copy. First edition of this very rare Linotype supplementary type faces including Antique Benedictine Bodoni Caslon Century Cheltenham Cloister De Vinne Elzevir Franklin Garamond Gothic Granjon Narciss Old Style and Scotch. Font samples and assorted sizes are included along with advertising samples newspaper sample pages and even advertising material. No copies located in Worldcat 1 copy of the 1933-1934 located at Temple. Mergenthaler Linotype Co., hardcover
书商的参考编号 : 58182
|
|
|
[PRINTING -- ENGRAVING FACTORY SAMPLE CATALOGUE]. [SMITH, Thomas W (Manager).]
Massive printer’s sample catalogue filled with 4274 pieces of advertising subscription clipart from the American Publishing & Engraving Co. offering a vast trove of promotional sales illustrations stretching from the Roaring 20’s into the Great Depression. The noted job printer & engraving company while focusing on the automobile industry which represent nearly half of the clipart ads also offered advertisements for radio & electronics shops battery & tire companies fashion beauty products home furnishings paint & varnish awning companies and so much more.
New York: American Publishing & Engraving Co. J.J. Schultz & Co. 184 William St. Bookbinder ca. 1920-1939. Thick folio. 13 x 19 x 3.5 in. 135 leaves numbered reverse in pencil on versos of last half. on linen with 4274 camera-ready clipart samples all w/ inventory numbers rubber stamped below the image sized approx. 2 x 2 in. throughout arranged in montages of 24 28 32 & 40 per page each carefully mounted some crossed out w/ annotation “Killed†and others worn through at the lower right corner of some leaves while just a few have been removed and in once case clipped from the upper fore-edge of the leaf. Contemporary light gray/beige buckram soiled dampstained wear at fore-edges partially shaken rebacked still a VG- exemplar. An extraordinary printing & engraving firm’s factory sample catalogue for over 4000 of their camera-ready clipart advertisements for subscribing businesses following World War II through the Great Depression and the New Deal programs of President Roosevelt. This superlative archive of images traces Art Deco styles spanning nearly two decades advertising campaigns printing styles fonts and with almost not repeated images offered by American Publishing & Engraving Co. AP&E Co. to their extensive client list. In addition these engravings capture the revolutionary changes in American industry and commerce with nearly 50% devoted to the automobile industry including automobile manufacturers and dealerships accessory suppliers automobile repair public safety from bad driving the fast-growing electric motors and battery industries and more. Ford the Dodge Brothers Buick Studebaker Cadillac Plymouth Auburn Chrysler Essex Auburn-Cord DeSoto Hudson Terraplane and many others all are featured here advertising their service departments features speed and more. A significant portion also reveal the very real needs to wash the cars clean engines repaint the lacquer update the automobile tops replace batteries repair radiators and the always pressing need to maintain safety equipment and tires. Interspersed as well are automobile movers commercial body builders for trucks and commercial delivery vehicles with a significant percentage showing cylinder grinding engine rebuilding boiler repair and other very necessary secondary market needs as metal alloys and tolerances were far less durable with breakdowns an ever pressing problem for the motorist. Public safety notices reflecting the impact of the Progressive Era illustrate the dangers of the automobile with many indicating streetcars potentially hitting stalled cars which had not been repaired properly gridlock automobile accidents from ignoring traffic signals and police traffic officers as well as speeders hitting pedestrians or ignoring motorcycle police traps. Early in the sample illustrations are many reflecting the interest in building large Tudor Revival or Arts & Crafts homes installing electric lighting new furniture stylish clothes & shoes beautiful Oriental carpets and jewelry and watches for young flapper-era women. There are also promotional ads for Art & Stained Leaded Glass windows for homes interior decorators a panoply of beauty products many reflecting the Flapper Era hair and dress styles as well as evolution of the Art Deco lettering. As the AP&E Co. continued to add their sample engravings through the Great Depression not only is there a greater emphasis on repairing automobiles shoes recovering furniture and even repairing mattresses reflecting the belt tightening of the 1930’s but there are also increasing influences of more streamlined automobiles introduction of appliances such as refrigerators appearance of beer ads following the repeal of Prohibition and the fast growing radio industry. American Publishing & Engraving Co. based out of New York was one of a myriad of job printer engraving firms who emerged at the end of the 19th Century and initially specialized in publishing local histories and genealogies for historical societies by subscription typically with illustrations. Although this cataloguer could find no specific trade reference either in contemporary magazines or newspapers they appear to have operated out of the same locations as the Atlantic Publishing & Engraving Co. with some overlap and by the beginning of the 20th Century had largely dispensed with publishing local histories engraved portraits or vanity press projects. Contemporary court cases and other references indicate that they operated a subscription service for businesses advertising art to be run in magazines newspapers pulps or added to trade literature for matchbook covers business flyers etc. and by 1916-1925 were managed by Thomas W. Smith. No similar factory sample collection or published collection located in Worldcat. American Publishing & Engraving Co., J.J. Schultz & Co., 184 William St., Bookbinder, hardcover
书商的参考编号 : 61659
|
|
|
[PRINTING & LITHOGRAPHY]. KNECHT, [Edouard].
Nouveau manuel complet du dessinateur det de l’imprimeur lithographie. Nouvelle edition entierement refondue. . . .
Paris: Librairie Encyclopedique de Roret Rue hautefeuille 12 1867. 12mo. xx 403 1 pp. Contemporary quarter brown-morocco over marbled boards raised bands gilt ruling & lettering on spine wear rubbing edgewear some scuffing occasional foxing still VG- copy w/ former ownership markings of the noted illustrator Henri Stein 1843-1919 whose illustrations graced the El Mosquito a “satirical-burlesque with caricatures†newspaper appearing weekly from 1863 to 1893. Revised & expanded edition of this Roret Manual on lithography by Knecht pupil of Senefelder and substantially rewritten and expanded with Jules Desportes based upon the original 1827 work by Bregeaut. This work explains in detail mechanical lithography chromolithography lithophotography printing and zincography. The small separately issued atlas volume with plates is not present. See: Twyman Lithography pp. 264 267. Librairie Encyclopedique de Roret, Rue hautefeuille, 12, hardcover
书商的参考编号 : 59209
|
|
|
[PRINTING -- LITHOGRAPHY]. [BROWNE, Warren C].
Photo-lithography. . . by A.C. Austin; Designing and Engraving. . . by J.C. Strickland; Transferring. -- XVI: Details of the Art of Making Lithographic Duplicates on Stones or Metal Plates by Kurt Radlauer. . . In: The National Lithographer. . . Vol. XXIII No. 9.
New York: The National Lithographer Publishing Company Inc. Sept. 1916. 4to. 84 2 pp. Numerous photo illustrations text engravings lithographic co. illustrated advertising inserts. Self-printed colour-illustrated softcovers advertising for the Fuchs & Lang Manufacturing Co. touting lithographic inks stones lithographic supplies & machinery minor closed tear & tear to lower fore-edge at foot of spine minor dustsoiling shelfwear still VG copy. First edition of this well-illustrated individual issue from the very scarce printing professional magazine. The many illustrated ads encompass Fuchs & Lang Manufacturing R. Hoe & Co. New Model Rotary Press the Sheridan Co. Continuous Feed Embosser The Jaenecke Printing Ink Co. dry colours and varnishes Repro-Art Machinery Co. Photo-Lithographic 24-in. box camera; and the Kentucky Lithograph Stone Company quarry and process. The National Lithographer, Publishing Company, Inc., paperback
书商的参考编号 : 55767
|
|
|
[PRINTING HISTORY] [Samuel Billingsley, bookseller, printer [BBTI 1724-1760]]:
PRINTING HISTORY; Bookseller; Simon Lovat Printed Announcement by "Hardwicke C." Lord Chancellor.
1746. One page c.6.5 x 4.5" verso blank right edge irregular extracted small tear sl.ightly marked good condition. "In pursuance of an Order of the House of Peers of the Nineteenth Day of March 1746 I do appoint SAMUEL BILLINGSLEY to Print the whole Proceedings in the House of Peers upon the Impeachment exhibited by the Knights Citizens and Burgesses in Parliament assembled in the Names of Themselves and of all the Commons of Great Britain against Simon Lord Lovat for High Treason; And do forbid any other Person to Print the same. / Hardwicke C." See Image. [1746] unknown
书商的参考编号 : 5070
|
|
|
[PRINTING -- CATALOGUE].
Printing sales material on Warren’s Cumberland Super.
Boston: S.D. Warren Company ca. 1920. 4to. 9 x 12 in. 15 1 pp. printed in red & black throughout w/ text illustrations diagrams rubricated initials printing samples. Colour-illustrated softcovers cover art of Colonial style door by F. Hazell on front minor shelfwear minor tidemark to fore-edges w/ curling and some discoloration still G- copy. First edition of this scarce Cumberland paper catalogue which was designed to be cut up with all types initials borders and illustrations to be cut out so that they could be used for mock-ups. In addition these publisher’s dummies supplied in 16 pp. signatures could be delivered in a variety of formats and sizes. The illustrations tout the Good Roads Program direct-by-mail advertising architectural supplies camping outfits and more. Worldcat locates 1 copy Univ. of Delaware; See: Advertising & Selling Vol. 29 No. 51 June 12 1920 p. 49. S.D. Warren Company, paperback
书商的参考编号 : 55743
|
|
|
[PRINTING -- PHOTO-ENGRAVING]. FLADER, Louis (Comp & Ed).
The art of photo-engraving.
San Francisco CA: American Photo-Engravers Association New Method Photo Engraving Co. 680 Howard St. 1929. 4to. 63 1 pp. Numerous plates illustrations colour illustrations colour-register photo illustrations. Colour-illustrated flexible covers Art Deco zig-zag cover art minor scuffing edgewear neatly rebacked still VG copy from the library of Bill High w/ former ownership marking on front cover. First edition thus of this exceedingly scarce handbook extracted from “Achievement in Photo-Engraving†1927 considered to by many to be one of the best printing sample books of the Jazz Age. Flader has specifically streamlined the selections of chapters and illustrations from the massive work offering step-by-step illustrations of how photo-engravings are etched photographed blocked printed together with instructions on uses of colour and colour balance. The American Photo-Engravers Association specifically contracted with assorted Photo-Engraving printers across the country to issue these in various locales. Worldcat locates 9 copies NYHSL Grolier Newberry Phil. Mus. of Art U So. Carolina SMU State Lib. Victoria SFPL & Victoria & Albert. American Photo-Engravers Association, New Method Photo Engraving Co., 680 Howard St.], unknown
书商的参考编号 : 62392
|
|
|
[PRINTING & TYPOGRAPHY]. COOPER, Oswald Bruce & [ROGERS, Bruce].
The book of Oz Cooper. An appreciation of Oswald Bruce Cooper. With characteristic examples of his art in lettering type designing & such of his writings as reveal the Cooperian Typographic Gospel.
Chicago: Society of Typographic Arts 1949. Folio. xx 181 3 pp. Title in red & black numerous facsimile leaves of type fonts illustrations tipped-in facsimiles photo illustrations some leaves printed in red & black others blue & black some rubricated & decorated initials. Brick-red cloth gilt design on front cover gilt lettering on spine still a NF bright copy. First edition of this splendidly printed homage to the famed American type designer lettering artist and graphic designer. Cooper 1879-1940 headed the firm of Bertsch & Cooper who developed the ad campaigns for such companies as Packard Motor Car Company and Anheuser-Busch Breweries at the beginning of the 20th century. This work includes unfinished autobiographical notes by Cooper Notes on Oz by W.A. Dwiggins famed type designer as well as numerous examples of his Cooper Series Typefaces. Society of Typographic Arts, hardcover
书商的参考编号 : 48711
|
|
|
[Printing for the Blind] [Bible - Psalms]
The Book Of Psalms Translated Out Of The Original Tongues & with the former translations diligently compared & revised
New York: American Bible Society 1867. 3/4 cloth. Very Good . 12 1/2 x 15 1/2 inches. Folio. 1 872 974 leaves. Printed in raised letters for the blind. Tears to upper margin of front endpapers and edges lightly soiled. Bound in contemporary 3/4 black leather and black cloth which is worn at edges. A scarce early American edition of its kind. In the late 18th and early 19th centuries several decades before the widespread adoption of Braille printers and educators in France and Britain began developing a variety of tactile reading systems for the visually impaired making independent reading among the blind possible for the first time in history. The results of an important competition at the Royal Society of Arts in Edinburgh in 1832 inspired the American activist Samuel Gridley Howe to research and develop his own embossed reading system for the blind which emerged in 1835 as "Boston Line Type." Drawing upon the methods of James Gall an entrant in the Edinburgh competition Howe created an alphabet of angular raised roman letters that "was said to be far less bulky and therefore less expensive than contemporary European roman-letter systems" PRINTING HISTORY p. 20. With the aid of a $1000 grant from the American Bible Society Howe purchased the first printing press for the New England Institution for the Education of the Blind today the Perkins School for the Blind and produced the country's first complete raised-letter Bible for the American Bible Society in 1842. The present Book of Psalms appears to have been printed with the first complete Howe-ABS Bible retaining the pagination of that production and was published separately with a new title page. ABS had published Selections of Psalms in 1835 and the Pennsylvania Institution for the Instruction of the Blind a Psalms and Hymns in 1840 and 1848 this is a very early edition of the Psalms. A rare work. Elizabeth M. Harris IN TOUCH: PRINTING AND WRITING FOR THE BLIND IN THE NINETEENTH CENTURY Smithsonian 1981. Elizabeth M. Harris "Inventing Printing for the Blind" PRINTING HISTORY Vol. VIII No. 2 American Printing History Association 1986 pp. 15-25. "The First Books Embossed in the U.S. for Blind Readers 1833-1880" compiled by the Callahan Museum of the American Printing House for the Blind. Bible Resource Center "Translation through Multimedia American Bible Society unknown
书商的参考编号 : 711
|
|
|
[PRINTING HISTORY] Thomas Hughes and others:
The Cooperative Printing Company Printed Letter Signed printed signatures by Thomas Hughes author of "Tom Brown's Schooldays" and others
176 Fleet St E.C. London no date. Four pages fol. tear on fold marks other defects but text clear and complete. The ten signatories also include W. Morrison presumably the philanthropist Walter Thomas. Brassey R.M. Castor Auberon Herbert "the originator of Voluntaryism" Wikipedia - see also DNB Hodgson Pratt Peace advocate DNB P.H. Hillard Edw. Owen Greeening Tito Pagliardini and another undeciphered. A socialist project concerning which I have found little information. They use and explainthe phrase "Industrial Partnership" the worker investing in "the work where he is employed" putting an end to industrial strife and motivating them with a share of the profits. They anticipate a benign influence on human character a blurring of class barriers. On the first page is printed in red a statement about the division of profits etc. Presumably the Company was too Utopian to last. No other copy traced. 176 Fleet St, E.C. London, no date. unknown
书商的参考编号 : 4925
|
|
?????????
?????PDF???
RSS feed
??
