‎Imprimerie‎

‎Al-Razi, Abu Bakr Muhammad ibn Zakariyya (Rhazes).‎

‎Liber ad Almansorem sive Tractatus medicinae I-X. Liber divisionum. De aegritudinibus juncturarum. De aegritudinibus puerorum. De secretis sive aphorismi. Antidotarium. De praeservatione ab aegritudine lapidis; Introductorium medicinae. De sectionibus et ventosis. Synonyma. De animalibus. Add:Tabula de herbis medicis; Maimonides: Aphorismi; Mesue (the elder): Aphorismi; Hippocrates: Secreta; Prognosticatio secundum lunam; Capsula eburnea; De humana natura; De aere et aqua et regionibus; De pharmaciis; De insomniis; Avenzohar: De cura lapidis. [Venice], Bonetus Locatellus for Octavianus Scotus, 7. X. 1497.‎

‎Folio. 159, (1 blank) ff. Text set in two columns in a gothic rotunda type with the headings of different capitals ("CAP. ...") set in roman type. With spaces (left blank) for hand-drawn initials and with some woodcut initials throughout. With the woodcut printer's device of Octavianus Scotus at the end of the work. 18th-century brown goatskin, blind-tooled double fillet frame on both boards, gilt-ruled spine with red morocco spine label lettered in gold, gold-tooled board edges and inner dentelles, red edges, orange ribbon marker, marbled endpapers. Extremely rare second edition of Al-Razi's "Kitab al-Mansuri" (Book of Medicine dedicated to Mansur): a short general textbook on medicine in ten chapters, which he dedicated to the Samanid prince Abu Salih al-Mansur ibn Ishaq, governor of Ray, in 903. The work was rendered into Latin as "Liber ad Almansorem" by Gerard de Sabloneta, a 13th-century Italian who specialized in translating Arab medical texts and is said to have translated the work of the great Islamic scholar Ibn Sina (Avicenna, 980-1037) by order of Emperor Frederick II. The first Latin printed edition of "Al-Mansuri" was produced in Italy in 1481. This incunabular edition contains all ten books of the "Liber ad Almansorem", which were seldom printed together: usually only parts of the book were published, most frequently Book 9, which was a popular text under the Latin title "Liber nonus ad Almansorem", and numerous editions were printed in Renaissance Europe with commentaries by prominent physicians of the day, containing descriptions and treatments for a wide range of physical ailments, including epileptic fits, gall stones, ulcers, and toothaches. The ten books present here are considered one of the first medical textbooks printed, covering a range of medical subjects: (1) anatomy and physiology, (2) the tempers, (3) simple remedies, (4) health, (5) skin diseases, (6) diet, (7) surgery, (8) poisons, (9) diseases of the various organs, and (10) fevers. This edition also includes the author's famous treatise titled "De aegritudinibus puerorum", the first treatise entirely devoted to childhood diseases. He clearly discusses the etiology and semeiology of 24 such ailments (including smallpox and measles) with their mostly herbal remedies, each one in a separate chapter. This is followed by additional short treatises by various authors, including Musa ibn Maymun (Maimonides), Yuhanna ibn Masawaih (Mesue the Elder), and ibn Zuhr of Seville (Avenzoar). - This is one of the main works in mediaeval and Renaissance medicine, written by the Persian physician Abu Bakr Muhammad bin Zakariyya al-Razi (854-925, often known as Razi, Rhazes or Rhasis), arguably the most celebrated and most original of the mediaeval writers during the Islamic Golden Age. He is widely regarded as one of the most important figures in the history of medicine and had a widespread influence on both the Islamic world and late mediaeval European medicine. A comprehensive thinker, al-Razi made fundamental and enduring contributions to various fields, which he recorded in over 200 manuscripts, and is particularly remembered for numerous advances in medicine through his observations and discoveries. An early proponent of experimental medicine, he became a successful doctor and served as chief physician of Baghdad and Shahr-e Rayy hospitals. As a teacher of medicine, he attracted students of all backgrounds and interests and was said to be compassionate and devoted to the service of his patients, whether rich or poor. He was the first to clinically distinguish between smallpox and measles, and suggested sound treatments for the former. - In translation, al-Razi's medical works and ideas became known among mediaeval European practitioners and thus profoundly influenced medical education in the Latin West. Some parts of his "Liber ad Almansorem", namely "On Surgery" and "A General Book on Therapy", became part of the medical curriculum in Western universities. Edward Granville Browne considers him "probably the greatest and most original of all the Muslim physicians, and one of the most prolific as an author". He has also been described as the father of paediatrics and as a pioneer of obstetrics and ophthalmology. Notably, he became the first human physician to recognize the reaction of the eye's pupil to light. - Early editions of al-Razi’s "Liber ad Almansorem" are extremely uncommon on the market, with only two auction records on RBH for this second edition of 1497 (in 1955 and 1994), the first 1481 edition being equally rare, if not rarer. - With some 17th century marginal annotations (partly cut off). Binding slightly worn around the edges, boards very slightly shaved. Some very light staining to the first and last leaves, otherwise in good condition. HC 13893. Goff R-176. GW M38002. BMC V, 448. BSB-Ink R-161. IDL 3908. ISTC ir00176000. Proctor 5082. Schuman, From Hammurabi to Gesell 12. Stillwell R 170. Not in Bod-Inc. Cf. Hamel, Bibliographie der astronomischen Literatur bis 1700, p. 367 (1500 ed.); Sarton, Introduction to the History of Science I, 609.‎

‎Al-Suyuti (Djalal al-Din) (Sojuti) (Albert Meursinge and Hendrik Weijers, editors)‎

‎Specimen e litteris orientalibus, exhibens Sojutii Librum de interpretibus Korani, ex ms. Codice Bibliothecae Leidensis editum et annotatione illustratum‎

‎AN ABSOLUTELY OUTSTANDING COPY OF THE FIRST AND ONLY EDITION OF THIS EXTREMELY EARLY AND IMPORTANT EXPLICATION OF THE KORAN. 3 leaves; 192 pp + 43 pp Arabic text starting from the back of the book, with a separate title-page. A LARGE-PAPER COPY, BEAUTIFULLY PRINTED WITH HUGE MARGINS ON EXTREMELY FINE, THICK LAID PAPER. 4to. Original paper wraps. ENTIRELY UNCUT, FINE AND BRIGHT, LIKE NEW. Chauvin (X, 70) gives a long notice of this extremely important publication.‎

‎Alamanni, Luigi.‎

‎Opere toscane. Venice, heirs of Lucantonio Giunta (colophons: printed by Peter Schoeffer the younger) , 1542.‎

‎2 volumes bound as 1. 8vo. (16), 431, (1 blank); 295, (7) pp. With 2 title-pages, each with the same woodcut Giunta device (a decorated fleur-de-lis in a wreath with 2 putti), a full-page woodcut showing a larger version of the same device on the last printed page of vol. 2, and about 90 spaces with guide letters left for 3-line manuscript initials (not filled in). Set in an Aldine-style italic (with upright capitals), but the imprint in the first successful italic with sloped capitals, headings (including the titles) in roman capitals. 18th-century gold-tooled mottled calf, sewn on 5 recessed cords, each board with a frame made from a single roll, the spine tooled as a single field (filled with a 7 mm roll of diagonal lines) except for a separate field for the red morocco label, gold-tooled board edges, marbled endpapers (Dutch pattern in red, blue, yellow, green and white), red edges, headbands in green, tan and white, green ribbon marker. Third edition of frequently satirical poetry and plays written in (mostly blank) Italian verse by the Florentine statesman, poet and playwright Luigi Alamanni (1495-1556), the two volumes first published in 1532 and 1533. He and his contemporary Giangiorgio Trissino pioneered the use of blank verse in Italian poetry. The French King François I (1494-1547), who promoted Renaissance Italian ideas and fashions in France, had been allied with the Medici in Florence, but when Giulio de' Medici (from 1523 Pope Clement VII) and François I fell out in 1521, Luigi Alamanni, whose family had long supported the Medici, took François's side and plotted against Giulio. As a result Luigi had to flee to France, living part of the time in Lyon and frequenting François's court in Paris. He returned to Florence when the Medici fell in 1527 but fled again when they regained power in 1530. As a result, he wrote most of his works in France, and Sébastien Gryphius first published them in two volumes at Lyon. The second editions followed in Italy in the same years, published by Bernardo Giunta in Florence (volume 1) and Melchior Sessa in Venice (volume 2). Each volume of the present third edition includes a (different) dedication to King François I. The literary content is: volume I: Elegia (in IV libri with X, VII, VIII & V elegies); Egloga I-XIIII; Sonettini; Canzone; Favola di Narcisso; Il diluvio Rom[ano]; Favola di Athlante; Satire I-XII; Luigi Almanni a Bernardo Altoviti S.; Salmi penit[entiali] I-VII. Vol. II: Selve (in III libri with VII, V & V silvan poems); Favola di Phetonte; Argomento di messer' Antonio Bruciolo sopra l'Antigone; Tragedia di Antigone; Hymni I-VIII; Stanze; Sonetti. - With alphabetical indexes of the poems at the beginning of volume 1 and the end of volume 2. - The book was printed for the Giunti heirs by Peter Schoeffer the younger (ca. 1475/80-1547), the son of Gutenberg's assistant, who began printing in Mainz, but printed in Venice in 1541 and 1542. He was an important typographic punchcutter, so that the book shows types often of his own cutting. The italic used for the imprint is especially interesting as the second (and the first successful) italic to use sloped capitals: that used for the main text follows the earlier Aldine italics, with upright capitals. Schoeffer's present italic with sloped capitals, apparently completed in 1537, proved very successful and helped make sloped capitals the norm for italics. - With an early owner's inscription at the foot of the title-page. The first page and last page are very slightly browned and one page has torn at the foot along the gutter fold, but the book is still in very good condition, most leaves fine. With the front board detached, the back hinge worn, a vertical crack down the spine (with a chip at the foot and damage to the headband), and the right half of the spine label lost. 16th-century Italian poetry of both literary and political interest. BM-STC Italian 12. Camerini, Annali dei Giunti 465. Edit 16, CNCE 600. Gamba, Serie testi lingua Italiana (1839), 15. USTC 808166. Cf. Adams A 406f, (1532-33 Lyons ed.).‎

‎ALBERTI Vanessa‎

‎L'IMPRIMERIE EN CORSE des origines à 1914.‎

‎Ajaccio Albiana 2009. Fort in-8 broché couverture illustrée 364pp. Illustrations dans le texte. Auréole claire allant décroissant sur quelques feuillets. Exemplaire complet, en bon état à l'exception du défaut signalé. (4583)‎

Referentie van de boekhandelaar : GITh382

‎Albert Raignier‎

‎Le Formiche - Vita e costumi‎

‎Collana: Il Liocorno n.2, 1960. Con 25 tavole fuori testo in nero e a colori. Presentazione di Mario Pavan. Traduzione di G. A. Romesi. Sprovvisto di sovraccoperta. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Hardback cover in fine conditions, no inscriptions or markings inside. Worldwide delivery.‎

‎Alciato, Andrea.‎

‎Los emblemas […] traducidos en rhimas Españolas. Lyon, Guillaume Rouille [printed by Macé Bonhomme], 1549.‎

‎8vo. 256, (6) pp. With the title and imprint set in type in the cartouches of an elaborate woodcut architectural frame including atlantes, grotesque faces, garlands of fruit, etc., and Rouille's woodcut eagle and snake device in an oval window in a pendant hanging from the title-cartouche; 210 emblems (200 with woodcuts); nearly every page (with or without an emblem woodcut) in one of about 34 different richly decorated woodcut frames (generally in four pieces made for use together). There are 6 additional small woodcuts (plus many repeats), usually used as tailpieces, and 5 woodcut decorated initials (3 series of roman capitals in white on a pictorial background). Set in roman and italic types (some by Robert Granjon) including several of the earliest italics to use sloped capitals. Early 18th-century (Spanish?) sheepskin parchment, sewn on 2 supports, with a hollow back, with the title in manuscript across the head of the spine. Rouille issue of the first Spanish edition of the first emblem book, by the legal scholar Andrea Alciato (1492-1550) in Milan, first published in Latin at Augsburg in 1531 with only 104 emblems (97 with woodcuts), but greatly expanded up to the author's death. The present edition has more emblems and more woodcuts than any earlier edition, also more than the French and Italian editions by the same publishers in the same year and more than the competing editions by De Tournes. It brings the work nearly to its definitive form. The Macé issue of the present edition is identical except for the imprint and device on the title-page. Alciato not only produced a work that was to continue through hundreds of editions over the centuries, he invented a whole new genre, the emblem book, which combines allegorical images with a brief motto that aims to give the core of the idea and explanatory text (here in verse), the combination of text and image intended to give more meaning to both and to encourage contemplation by the reader. - The first authorized edition, published by Wechel at Paris in 1534, expanded the first edition and included 113 emblems. Aldo Manutio published a second volume at Venice in 1546, but it was in Lyon that the two volumes were first published together, by two competing firms: De Tournes produced an edition in 1547 with 113 + 86 = 199 emblems, but the 86 in the second volume have no woodcuts; Rouille (publisher) and Bonhomme (printer) produced an edition in 1548 with 201 emblems (128 with woodcuts). On 9 August 1548 they also received a privilege for translations into French, Italian and Spanish, and as these appeared they continued to expand the work. The present first Spanish edition of 1549 (one year before the author's death) therefore contains 210 emblems (200 with woodcuts). Ten emblems (all with woodcuts) therefore make their first appearance as emblems in the present edition, and it omits only 2 emblems published earlier: one that was considered obscene and another omitted for unclear reasons. These 212 emblems were to remain the definitive set for future editions. In most respects, the present Spanish edition follows the 1548 Latin edition but Bernardino Daza who translated it into Spanish claimed to have followed a printed copy with corrections in Alciato's hand, making the present Spanish text an essential source for the author's intentions, rather than just a translation. - Most of the emblems are based on episodes in classical literature, so that their woodcuts depict those scenes, but one shows a map and 14 show quite detailed botanical illustrations of different species of trees: these were cut for the great botanist Leonard Fuchs, De historia stirpum commentarii insignes, which also appeared in 1549. - Except for these trees, the emblem woodblocks are believed to have been cut by Pierre Eskrich. Many appeared in Bonhomme and Rouille's 1548 Latin edition and were based primarily on those cut by Bernard Salomon for Jean de Tournes's 1547 edition, but Eskrich made revisions and additions of his own and as the editions expanded he cut further blocks not based on Salomon. Of the 34 woodcut frames, at least 12 are signed, all with the initials "PV", identified as Pierre Vase, another name used by Eskrich. These present a tremendous wealth of grotesque faces, atlantes, caryatids, fantastic beasts, plants and various kinds of abstract ornament. Some show a single scene interrupted by the space left for the emblem and text (one shows a large ship, two show landscapes, etc.). - With several early owners' inscriptions, some struck through; a ca. 1815 bookseller's engraved label of Théophile Barrois, fils, libraire, Quai Voltaire, n°. 11, Paris, on salmon-coloured paper (35 x 54 mm); and an engraved armorial bookplate of the Dublin-born physician in Paris, Sir Robert Alexander Chermside MD (1787-1860). Lacking the final blank leaf R4. As in many copies, the descender of the 9 in the imprint date "1549" has not printed, so that the date looks like "1540" (this has lead to frequent references to a ghost edition of "1540"). A fraction of a millimetre has been shaved off the head of the woodcut frame on the title-page, there is a long tear along the gutter fold of bifolium O1.8, a couple corners of leaves torn off (not approaching the text or woodcuts), a tiny hole in the title-page, occasional and mostly marginal stains and a few marginal reinforcements. In spite of these defects, most leaves are in good or very good condition. Macé's presswork is somewhat inconsistent, but this has more effect on the woodcut frames than the emblem woodcuts (and since the frames repeat, one can generally find an example that has printed well). Adams, Rawles & Saunders F029. Baudrier IX, 167. Fairfax Murray (French) 9. Green, Andrea Alciati 36. Iberian books 63018. Landwehr, Romanic emblem books, 40. USTC 342602. Cf. Adams A614 (Bonhomme issue); Jammes, Emblèmes 5 (Bonhomme issue); Mortimer (French) 15 (1549 French ed.); Palau 6061 (Bonhomme issue); Praz, p. 250 (1548 & 1550 Latin eds.).‎

‎ALDINE PRESS.‎

‎A Fine Collection of Books Printed by Aldus Manutius and his Successors at Venice...‎

‎4to, numerous illustrs., (some coloured), orig. decorated wrappers, 86 lots.‎

‎Aldington, Richard.‎

‎THE LOVE OF MYRRHINE AND KONALLIS and other prose poems. End Sheet and Wrapper Designs by Frank Mechau.‎

‎112p. Beardsley style Art Nouveau endpapers and dust jacket designed by Frank Mechau. Decorative bordered title page. Some foxing. 8vo. Original full cloth binding, gold decorated and lettered. Binding worn with small loss at head of spine. Original dust jacket, spotted and torn with loss. Hardbound. Limited Edition of only 1010 copies of which 500 are for England and 510 for America. This copy is numbered 460. PRESS/W32‎

‎ALECHINSKY, Pierre.‎

‎Alechinsky à l'imprimerie [Edition de luxe, eau-forte signée par l'artiste]‎

‎2023 Couverture souple Paris, Gallimard, domaine de Chaumont sur Loire, 2023. Un volume in-8 (24 x 17 cm), broché, couverture illustrée, dans son étui cartonné avec motif gaufré au centre, tranches bleutées. 198 pages, illustrées de nombreuses reproductions d'oeuvres de l'artiste en noir et en couleurs. Cette édition de luxe comprend une eau-forte sous serpente, signée et numérotée par Alechinsky, imprimée à l'atelier Clot à Paris. Un des 99 exemplaires numérotés du tirage de tête (n°44). Ouvrage publié à l'occasion de l'exposition du 1er avril au 29 octobre 2023 au Centre d'arts et de nature du Domaine de Chaumont-sur-Loire. En tête d'ouvrage, texte d'Alechinsky "Vadrouille à l'âge lithique", dans lequel l'artiste revient sur son rapport concret à l'imprimerie. « Aller à l'imprimerie, c'est comme pousser la porte du bistrot, quitter l'égocentrisme de l'atelier d'artiste pour retrouver les mordus, les habitués du comptoir lithographique. On respire l'odeur de l'encre. On piétine le même plancher » (Ambidextre, 2019). Né en 1927 en Belgique, Pierre Alechinsky est une figure marquante de l'art contemporain, membre fondateur du groupe Cobra. Bel exemplaire, comme neuf, de cette édition originale.‎

‎Comme neuf‎

Referentie van de boekhandelaar : 1676

‎Alexandre STEINLEN - Lithographe de l'oeuvre reproduite‎

‎Maîtres de l'Affiche : Pl. 34. Théophile Alexandre STEINLEN lopéra « Hellé » au Théâtre National de lOpéra‎

‎paris Imprimerie Chaix 1896 Une Affichette Publicitaire [Fac-similé réduit de l'affiche originale], lithographiée en couleurs, format : 40 x 29 cm, Signé en bas à droite : STEINLEN, Timbre sec dans le coin inférieur droit : "Les Maîtres de l'affiche // Imprimerie Chaix", 1896 [Paris] : Les Maîtres de l'Affiche Editeur,‎

‎Édition : [Fac-similé réduit de l'affiche originale], Note : Source : Affiche originale de l'imprimerie de : l'Académie Nationale de Musique Paris ......... SUPERBE .................. en trés bon état (very good condition). en trés bon état‎

Referentie van de boekhandelaar : 27097

‎Alexander McCall Smith - SIGNED WORLD FIRST PRINTING!‎

‎AT THE VILLA OF REDUCED CIRCUMSTANCES‎

‎Polygon Edinburgh 2003 RARE SIGNED FIRST PRINTING. Pristine first printing first impression as new signed. This charming novel is one of Smith's Professor Dr Moritz-Maria von Igelfeld 'Entertainments'. Brilliant captivating and a true tall tale. Unread copy signed on the title page. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Soft cover. As New. Polygon, Edinburgh paperback‎

Referentie van de boekhandelaar : ABE-1281108992

‎Alfred FRANKLIN‎

‎La SORBONNE : SES ORIGINES, SA BIBLIOTHEQUE‎

‎Un ouvrage de 279 pages, format 120 x 185 mm, illustré, relié cartonnage, publié en 1968, Gérard Th. van Heusden, bon état, peu courant‎

‎Les débuts de l'imprimerie à Paris et la succession de Richelieu d'après des documents inédits. Deuxième édition, corrigée et augmentée‎

Referentie van de boekhandelaar : LFA-126723968

‎Alghisi, Galasso.‎

‎Delle fortificationi libri tre. [Venice, Grazioso Percacino], 1570.‎

‎Folio (274 x 402 mm). (64), 406 pp., final blank leaf (and leaf *4 blank). Engraved title-page. With woodcut initials and 39 engraved illustrations (20 double-page). 17th c. green vellum, spine gilt in compartments. Marbled ebdpapers and edges. First edition. "One of the most beautifully printed treatises on military architecture of the entire century" (de la Croix). Alghisi worked for Ercole II and Alfonso II d'Este of Ferrara as both a civil and military architect, constructing churches and theatres as well as fortifications. He took a theoretical approach to fortress design, describing the plans for fortresses with increasing numbers of bastions, reaching the astounding number of 21 (the fortress of Palmanova was unusual in having as many as nine). Bastions had become an increasingly important element of fortifications during the 16th century as a result of the need to provide defence against cannon fire which tall medieval towers failed to do (providing, as they did, a large area for the cannon to target). Bastions were lower, thicker and provided a means for the defenders of a fortress to overlook the attackers from a platform large enough to hold cannons of their own. - Some brownstaining; rust mark on pp. 174-175 from a pair of scissors. A few engravings shaved. Joints cracking, spine-ends chipped. Provenance: from the collection of Thomas Fremantle, 3rd Baron Cottesloe (1862-1956), commander of the Territorial Army and president of the Society for Army History Research. Edit 16, CNCE 1140. Adams A 742. BM-STC Italian 19. Cockle 778. Jähns 803. D'Ayala 83. Berlin Kat. 3512. Marini 27. Riccardi I, 22f. Guarnieri 4. Haym IV, 112. Manzi 33. Breman 11, Horst de la Croix, "The Literature on Fortification in Renaissance Italy", Technology and Culture 4 [1963], pp. 30-50, here at p. 41. For the printer, see: D. E. Rhodes, Silent Printers. Anonymous printing at Venice in the sixteenth century, p. 9.‎

‎ALI BIRINCI.‎

‎Osmanbey ve matbaasi: Ser-kurenâ Osman Bey'in hikâyesine ve Matbaa-i Osmaniye'nin tarihçesine medhal.‎

‎New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 148 p. Ayribasim. Osmanbey ve matbaasi: Ser-kurenâ Osman Bey'in hikâyesine ve Matbaa-i Osmaniye'nin tarihçesine medhal.‎

‎ALLEN, Phillip:‎

‎Atlas der Atlassen. De kaartenmakers en hun wereldbeeld.‎

‎Brepols, Hes, 1993, gr. in-4to, 160 p., rich. ill., orig. hardbd., with DJ.‎

Referentie van de boekhandelaar : 66672aaf

‎Allaxinus, Jacobus.‎

‎Medicae aliquot disceptationes eruditissimae, quibus recentiorum & Arabum permulti errores ad veterum disciplinam expenduntu. Paris, Christian Wechel, 1535.‎

‎8vo. (168) pp. With printer's woodcut device to title-page and final page. 18th century full calf with remains of a gilt spine label; florally gilt spine; all edges red. Marbled endpapers. Silk divider. Scarce work on medicine among the Arabs, referencing Avicenna and Rhazes among other authorities. "The thought of the Arabs was not derivative [...] The original nature of Arab contributions has had an impact on Europe [...] The book by Jacobus Allaxinus found an audience for its treatise [...] on medical topics in the viewpoint of both European and Arabic medicine" (Jordan, The Mentally Retarded, p. 75). - Occasional light brownstains to margins, otherwise a very good, prettily bound copy. Rare: a single copy in auction records of the last 40 years internationally. BM-STC French 11. Durling 172. Wellcome I, 222. Jöcher I, 280. OCLC 14325907. Not in Adams.‎

‎Allied Printing Trade Council Publisher‎

‎History of the Lithographers' Strike 1896‎

‎New. unknown‎

Referentie van de boekhandelaar : A9781166639877 ISBN : 1166639878 9781166639877

‎Allied Printing Trade Council Publisher‎

‎History Of The Lithographers' Strike 1896‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referentie van de boekhandelaar : 1166639878.G ISBN : 1166639878 9781166639877

‎Allied Printing Trades Council‎

‎The Allied Craftsman 1916 Vol. 1 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referentie van de boekhandelaar : 0332024377.G ISBN : 0332024377 9780332024370

‎ALMANAC OF PRINTING].‎

‎Matbuat almanagi 1934.‎

‎Very Good Turkish Cloth bdg. Cr. 8vo. (19 x 13 cm). In Turkish. [xxxii], 227 p., b/w plates. Matbuat almanagi 1934. Almanac of Turkish printing in the period of early Republican Turkey.‎

‎ALPAY KABACALI.‎

‎Baslangicindan günümüze Türkiye'de matbaa, basin ve yayin.‎

‎Fine Turkish Paperback. 4to. (29 x 21 cm). In Turkish. 279 p., ills. Baslangicindan günümüze Türkiye'de matbaa, basin ve yayin. Signed by Ünsal.‎

‎Alston, R. C.‎

‎HANDLIST OF LIBRARY CATALOGUES AND LISTS OF BOOKS AND MANUSCRIPTS IN THE BRITISH LIBRARY DEPARTMENT OF MANUSCRIPTS.‎

‎87p. Double column. Folio. Original printed boards. Occasional Papers of Bibliographical Soc. No. 6. Great reference to early library catalogs. **PRICE JUST REDUCED REF8‎

‎Alvar Gonzalez-Palacios‎

‎Tutto il Sapere del Mondo‎

‎Mondadori Electa, 2005. Brossura con bandelle. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Soft cover in fine conditions, no inscriptions or markings inside. Worldwide delivery.‎

‎Amarin Printing & Publishing Public Co,Ltd‎

‎Easy Japanese Cooking‎

‎Bangkok : White Lotus 2007. Paperback. Good/no dj. 1.00. Amarin Printing & Publishing Public Co.Ltd. Easy Japanese Cooking White Lotus paperback‎

Referentie van de boekhandelaar : N3472 ISBN : 9743870962 9789743870965

‎Amen Lucien‎

‎La typographie à la linotype (2e édition)‎

‎Société Linotype Française. 1932. In-8. Relié toilé. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. XII + 410 pages - nombreuses illustrations en noir et blanc dans et hors texte. Plats tachés. Coiffes et coins frottés. Coiffe de pied légèrement déchirée.. . . . Classification Dewey : 686.2-Imprimerie‎

‎Classification Dewey : 686.2-Imprimerie‎

Referentie van de boekhandelaar : R300324894