‎Imprimerie‎

‎EINSTEIN, ALBERT - FIRST PRINTING OF E=mc2‎

‎Über die Möglichkeit einer neuen Prüfung des Relativitätsprinzips; withbound: Bemerkungen zu der Notiz von Hrn. Paul Ehrenfest: "Die Translation deformierbarer Elektronen und der Flächensatz"; withbound: Über die vom Relativitätsprinzip gefordert.‎

‎Leipzig J.A. Barth 1907. Contep. hcloth. Both hinges with a tear at upper part. "Annalen der Physik Vierte Folge. Band 23. Herausgegeben von W.Wien und M. Planck" VIII1000 pp. and 4 plates. Einstein's papers pp. 197-98 a. 206-209 a. 371-384. Internally fine and clean. The whole volume offered. <br/><br/><em>All 3 papers in first edition. - The first paper "New possibility of testing the relativity principle" deals with the shift of canal rays in the Dobbler effect as a possible confirmation of the Principle of Relativity - the confirmation became actual only in 1938 when new improved instrumentation made it possible. - The second paper "remarks concerning Paul Ehrenfest's note: 'Translation of the deformable electron and the momentum law' Einstein gives his answer by relating it to his Theory of Relativity. - The third paper "The inertia of energy as demanded by the principle of relativity" which is a importen paper as it i is the first to state E=mc2 in its general form. general form. This new relation which was adumbrated already in his paper of 1906 Das prinzip von der Erhaltung der Schwerpunktsbewegung brings about the complete unification of mass and energy into a single concept. In natural units which make c=1 we have E=m i.e. mass and energy are one and the same quantity. Every form of energy also has a mass value just as every mass represents a definite amount of energy. - Weil Nos 1718 a. 19 </em> hardcover‎

Referentie van de boekhandelaar : 38817

‎Eisen, Charles ? Salomons, Vera‎

‎Charles Eisen. Illustrated with 35 photogravures from negatives by the author.‎

‎London, Verlag John & Edward Bumpus, 1914 [1921]. 8°. 22,5 x 15 cm. 2 Blatt, 195 Seiten. 26 Tafeln. Original-Seidenmoiré-Einband mit golgeprägten Titeln und floralem Buchschmuck sowie Kopfgoldschnitt. (XVIIIth century French book-illustrators).‎

‎1. Auflage. Englischsprachige Ausgabe. Mit Frontispiz (mit Portrait von Chales Eisen) und allegorischem Titelblatt sowie 33 weiteren Heliogravuren auf 26 Tafeln unter betiteltem Seidenhemdchen. Ursprünglich für eine Veröffentlichung im Jahr 1914 vorgesehen, verzögerte sich die Publikation dieses maßgeblichen Werks um 7 Jahre, sodass es, entgegen der dem Titelblatt zu entnehmenden Information, erst im Jahr 1921 erschien. Seiten zum Teil unaufgeschnitten, zum Teil rauer Schnitt. Rücken aufgehellt, Frontispiz und Titelblatt mit Abklatsch, Frontispiz recto und letzte Tafel verso stark, die übrigen Seiten nur leicht gebräunt, ansonsten sehr gutes Exemplar. First edition. English edition. Original silk moiré binding with gilt embossed title and floral book decoration as well as gilt top edge. With frontispiece (portrait of Charles Eisen) and and allegorical title page as well as 33 further heliogravures on 26 plates. This volume was prepared and mainly printed in 1914. Owing to the war, difficulties of production supervened, and in 1921 it is offered as a companion to the preceding volumes on Choffard and Gravelot. Untrimmed. Spine brightened, frontispiece and allegorical title page with set-off, frontispiece recto and last plate verso intensely otherwise lightly darkened, otherwise fine copy.‎

Referentie van de boekhandelaar : 63341CB

‎Eisenstein, Elizabeth L‎

‎The Printing Revolution in Early Modern Europe. [By Elizabeth L. Eisenstein].‎

‎Cambridge, London, New York u.a.: Cambridge University Press 1984. 336 Seiten. Mit vereinzelten Illustrationen. 4° (25-35 cm). Orig.-Leinenband mit Goldprägung. [Hardcover / fest gebunden].‎

‎Cover a bit dusted. Edges partly foxed. - Still very good copy. ISBN: 9780521258586‎

Referentie van de boekhandelaar : 3122904

‎Elie Vidal‎

‎Les cahiers de provence n°12 Lou Rèi dou Kataplama en provençal‎

‎Imprimerie de la Mulatière 1967 83 pages in8. 1967. broché. 83 pages.‎

‎Bon état‎

Referentie van de boekhandelaar : 8001

‎Eliraz, Israel / Bolle, Catherine [Intervention artistique]‎

‎ITACA n'est pas très loin d'ici - Sept poèmes d'Israel Eliraz traduit de l'hebreu par l'auteur [LIMITED EDITION OF 32 COPIES SIGNED BY POET AND ARTIST]. Accompagné d'une intevention artistique de Catherine Bolle - dessins, ampreinte et encre.‎

‎LIMITED EDITION OF 32 COPIES SIGNED BY POET AND ARTIST! RARE poetry book by the acclaimed Israeli poet Israel Eliraz (1936-2016), winner of the Bialik Prize (2008), the Brenner Prize (2013), the ACUM lifetime achievement award (2003), the Nathan Alterman Award (2002), the Jerusalem Foundation-Jerusalem Municipality's Belles-Lettres Award (1992 and 1999), the Israeli Council of Culture and Art Award (1963 and 1965), the Ministry of Culture and Sport Award (2009), and the Prime Minister’s Prize for Creative Work (1994, 2008, and 2009). The illustrations and art works which accompany this de-luxe publication are by an eminent Swiss painter and graphic artist Catherine Bolle (b.1956). This copy is marked C (5 exemplaires réservés à l'auteur, lettré A à E) and contains aquarelle illustrations and a large fold-out color print on cloth. Le présent portfolio composé en Bodoni Antiqua de corps 12 a été achevé d'imprimer le 24 mars 2003 par Jo Cocconi, m+h à Chéne-Bourg sur papier BFK Rives 250g et pour la reilure, Jacques Ménétrey à Lausanne. 245x170mm. 10 unbound double sheets with softcover laid in both an illustrated grey cloth folder and illustrated grey cloth slipcase. [SUMMARY]: This extremely rare de-luxe limited edition of poems by an influential 20th-century Israeli poet, lavishly illustrated by an acclaimed Swiss artist, is in very good condition.‎

‎Eliraz, Israël [Poem] / Herman, Jean-Luc [Paintings] / Armand Danze [Casing design] / Jeanne, René [Typography] / Schuman, Laurent [Tr.]‎

‎La maison [LIMITED EDITION OF 20 COPIES WITH 7 ORIGINAL PAINTINGS] [SIGNED BY AUTHOR AND ARTIST]. Unpublished poem accompanied by 7 original paintings Casing by Armand Danze Editions de la Séranne‎

‎LIMITED DE-LUXE EDITION OF 20 COPIES SIGNED BY ISRAEL ELIRAZ AND JEAN-LUC HERMAN. CONTAINS 7 ORIGINAL PAINTINGS! This copy is numbered 2/20. RARE poem by the acclaimed Israeli poet Israel Eliraz (1936-2016), winner of numerous awards, such as the Bialik Prize (2008), the Brenner Prize (2013), the ACUM lifetime achievement award (2003), the Nathan Alterman Award (2002), the Jerusalem Foundation-Jerusalem Municipality's Belles-Lettres Award (1992 and 1999), the Israeli Council of Culture and Art Award (1963 and 1965), the Ministry of Culture and Sport Award (2009), and the Prime Minister’s Prize for Creative Work (1994, 2008, and 2009). This de-luxe edition is illustrated with seven original paintings by an eminent Belgian-French painter and engraver Jean-Luc Herman (1936-2014), especially renowned for his book designs. The casing for this artist's book was especially designed by Armand Danze and the typography is by René Jeanne. 210x120mm. 18 unbound double sheets with especially designed double-layer. Mulberry paper (Papier Thaï) Softcover laid in wood & plastic case sized 255x165mm. [SUMMARY]: This extremely rare artist's book with a poem by an influential Israeli poet and illustrations by an acclaimed Belgian-French artist is in very good condition.‎

‎Ellen LUPTON‎

‎COMPRENDRE la TYPOGRAPHIE‎

‎Un ouvrage de 176 pages, format 180 x 215 mm, illustré, broché, publié en 2007, Pyramyd, bon état‎

‎Guide théorique et pratique pour les graphistes, les auteurs, les éditeurs et les étudiants‎

Referentie van de boekhandelaar : LFA-126711070

‎Ellis Hyland. - Lithographe de l'oeuvre reproduite‎

‎Maîtres de l'Affiche : Pl. 96 - Ellis Hyland : The Gay Parisienne‎

‎paris Imprimerie Chaix 1897 Une Affichette Publicitaire [Fac-similé réduit de l'affiche originale], lithographiée en couleurs, format : 40 x 29 cm, Signé en bas à gauche : Ellis Hyland, Timbre sec dans le coin inférieur droit : "Les Maîtres de l'affiche // Imprimerie Chaix", 1897 [Paris] : Les Maîtres de l'Affiche Editeur,‎

‎Édition : [Fac-similé réduit de l'affiche originale], Note : Source : Affiche originale de l'imprimerie de : WATERLOW AND SONS LONDON......... SUPERBE .................. en trés bon état (very good condition). en trés bon état‎

Referentie van de boekhandelaar : 27123

‎Emerson Ralph Waldo text; Cooksey Gabby art/printing/binding‎

‎Blight Artist Book‎

‎Tacoma WA 2020. Limited Edition. Hardcover. Fine in Fine Archival Box. Tight bright and unmarred. Brown textedup paper boards by Hook Pottery Paper in a modified case binding letterpress printed with handset type on inkjet photo transfers silkscreen printed panels and acrylic painted Kozuke paper printing completed at Springtide Press with assistance from Jessica Spring; housed in an archival dropspine box. 4to. np. Illus. color plates. Numbered limited edition of 28. Signed by the artist. <br/><br/>Quiet sophisticated and remarkably powerful Gabby's newest work is an exquiste blend of book art and binding. Gabby has from early in her career gone beyond her roots in design binding creating the text art and printing for several books now. Just as her design bindings push limits and explore possibilities so does her art and print work. It is a remarkable evolution. <br />"Ralph Emerson wrote this poem "Blight" in July of 1843. He spoke out on climate change and the ways we could shift course by not blindly following others. In describing his travels to Europe while writing on life and nature Emerson said "same faces under new caps and jackets another turn of the old kaleidoscope." <br />I took some liberties with Emerson's poem surrounding his words with photographs captured at Owen Beach in Washington state on a rainy winter day in 2019. This public beach in the middle of an urban old-growth forest will close for a year beginning in fall of 2020 to mitigate the effects of climate change and rising sea levels. Emerson's words of anger and disappointment at environmental destruction only resonate more with our current climate of melting glaciers and raging fires. As we continue to twist the kaleidoscope I remain optimistic we will find a way to rearrange these fragments and improve the view for future generations." artist statement hardcover books‎

Referentie van de boekhandelaar : 10426

‎Emerson, Ralph Waldo [text]; Cooksey, Gabby [art/printing/binding]‎

‎Blight Artist Book‎

‎Tacoma WA 2020. Limited Edition. Hardcover. Fine in Fine Archival Box. Limited Edition. Hardcover. Quiet sophisticated and remarkably powerful Gabby's newest work is an exquiste blend of book art and binding. Gabby has from early in her career gone beyond her roots in design binding creating the text art and printing for several books now. Just as her design bindings push limits and explore possibilities so does her art and print work. It is a remarkable evolution.<br /> "Ralph Emerson wrote this poem "Blight" in July of 1843. He spoke out on climate change and the ways we could shift course by not blindly following others. In describing his travels to Europe while writing on life and nature Emerson said "same faces under new caps and jackets another turn of the old kaleidoscope."<br /> I took some liberties with Emerson's poem surrounding his words with photographs captured at Owen Beach in Washington state on a rainy winter day in 2019. This public beach in the middle of an urban old-growth forest will close for a year beginning in fall of 2020 to mitigate the effects of climate change and rising sea levels. Emerson's words of anger and disappointment at environmental destruction only resonate more with our current climate of melting glaciers and raging fires. As we continue to twist the kaleidoscope I remain optimistic we will find a way to rearrange these fragments and improve the view for future generations." <br /> "The words were written by Ralph Emerson in 1843 about the perils of human influence on the world around us. I match his words with my photographs of Owen beach here in Tacoma WA that is about to be renovated because of rising tides and erosion from climate change. The text goes in and out the clear border mimics the tide or erosion and the paper was scrubbed with a brillo pad to feel used. I feel optimistic about our chances to help parts of our planet with more exposure to what is going on. The words were written by Ralph Emerson in 1843 about the perils of human influence on the world around us. I match his words with my photographs of Owen beach here in Tacoma WA that is about to be renovated because of rising tides and erosion from climate change. The text goes in and out the clear border mimics the tide or erosion and the paper was scrubbed with a brillo pad to feel used. I feel optimistic about our chances to help parts of our planet with more exposure to what is going on." artist statement. Tight bright and unmarred. Brown textedup paper boards by Hook Pottery Paper in a modified case binding letterpress printed with handset type on inkjet photo transfers silkscreen printed panels and acrylic painted Kozuke paper printing completed at Springtide Press with assistance from Jessica Spring; housed in an archival dropspine box. 4to. np. Illus. color plates. Numbered limited edition of 28 this being 21. Signed by the artist. hardcover‎

Referentie van de boekhandelaar : 10426

‎Emmanuel (Pierre) :‎

‎Combats avec tes défenseurs.‎

‎[Villeneuve-les-Avignon], Poésie 42 (Mâcon, imprimerie Protat), 1942 ; in-8 (230 mm), broché ; 59, [1] pp., [2] ff. blanc et Justification du tirage, jaquette ocre.‎

‎Edition originale, envoi autographe signé "à Monsieur et Madame Rude, en souvenir des années noires où l'espérance luisait. Pierre Emmanuel". Un des 900 exemplaires sur vergé alfa (après 15 sur Auvergne et 80 sur Arches). Bel exemplaire. Fernand Rude, lyonnais, fut résistant dans le Vercors puis sous-préfet de Vienne et historien du monde ouvrier et des canuts.‎

Referentie van de boekhandelaar : 20375

‎EMRE DÖLEN.‎

‎Çin'den Kocaeli'ne kagidin öyküsü.‎

‎New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [vi], 122 p., color and b/w ills. Çin'den Kocaeli'ne kagidin öyküsü. Paper industry in Kocaeli (SEKA factory) and history of paper from China to Turkey.‎

‎En La Imprenta Nacional Publisher‎

‎Coleccion de Las Leyes Decretos y Declaraciones de Las Cortes V33: Y de Los Reales Decretos 1845‎

‎New. unknown‎

Referentie van de boekhandelaar : A9781168470669 ISBN : 1168470668 9781168470669

‎En La Imprenta Nacional Publisher‎

‎Coleccion De Las Leyes Decretos Y Declaraciones De Las Cortes V33: Y De Los Reales Decretos 1845 Spanish Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referentie van de boekhandelaar : 1168470668.G ISBN : 1168470668 9781168470669

‎Engelbrecht, K‎

‎50 Jahre Geschichte d. Vereins Leipziger Buchdrucker- u. Schriftgießergehilfen. Festschrift.‎

‎Leipzig, Selbstvlg. 1912. 160 S. OBr. Etwas angestaubt.‎

Referentie van de boekhandelaar : 404450

‎Eoin Colfer - SIGNED FIRST PRINTING! DISNEY FILM IN PRODUCTION‎

‎Artemis Fowl - AS NEW!‎

‎London: Viking 2001 2001 Cloth. As New/As New. Signed by Author. The first in the series and NOW VERY RARE and much sought after in this perfect unread state especially with the Disney film in production. This is the true UK and world First in hardback with a perfect protected jacket. The true world first edition first impression. Not only that but signed. Not only that but with a special bookmark. In fact this is what every collector seeks. Archival protected jacket. Clean. Tight. Superb. And utterly collectable. Film is in production. Prices will increase. It is a pity that the publisher used such pulp paper because as with all copies the text block is tanned. 0.0 0.0 0.0. Signed by Author. 1st Edition. Hardcover. As New/As New. London: Viking, 2001 hardcover‎

Referentie van de boekhandelaar : 000811 ISBN : 0670899623 9780670899623

‎Epstein, I. editor‎

‎ESSAYS IN HONOUR OF THE VERY REV. DR. J.H. HERTZ, CHIEF RABBI OF THE UNITED HEBREW CONGREGATIONS OF THE BRITISH EMPIRE, ON THE OCCASION OF HIS SEVENTIETH BIRTHDAY, SEPTEMBER 25, 1942 (5703)‎

‎Original Publisher’s Cloth. 8vo. Xi, 442 pages, 111 pages ports. 25cm.  Hertz (1872–1946) was the chief rabbi of the United Hebrew Congregations of the British Commonwealth and a powerful advocacy of Zionism.  He fought courageously against Nazism and its echoes in England and strongly criticized the policies adopted by the Mandatory government in Palestine, which he visited frequently.  CONTENTS: The Chief Rabbi, by Ephraim Levine. --Talmud manuscripts and editions, by E. N. Adler. --Gnostic themes in rabbinic cosmology, by AlexanderAltmann. --Joseph da Veiga and stock exchange operations in the seventeenth century, by M. B. Amzalak. --Jewish languages, by Salomo Birnbaum. --The ethics of the rabbis, by Abraham Cohen. --The chief rabbis of Vilna, by Israel Cohen. --The meaning of "sacrifices" in the Psalms, by Samuel Daiches. --Collatio 2.6.5., by David Daube. —The so-called "science" movements and their relation to Judaism, by Bernard Drachman. --The conception of the Commandments of the Torah in Aaron Halevi's Sefer ha-hinnuk, by Isidore Epstein. --Incunables about Jews and Judaism, by Aron Freimann. --Popular proverbs in the Jerusalem Talmud, by J. H. Greenstone. --Fasts and fasting, by A. W. Greenup. --Elisha ben Abujah, by R. T. Herford. --The fantastic career of Joshua Abraham Norton, by Louis Hermann. SUBJECT(S) : Jewish literature. Judaism. Littérature juive. Judaïsme. Judentum. Hertz, Joseph H. (Joseph Herman) , 1872-1946. Inscription on title page, bookplate on inside cover. Some staining to spine. Otherwise very good condition.  (FEST-1-15a).‎

‎ERASMUS (Desiderius)‎

‎Epitome Adagiorum ex Novissima D. Erasmi Rot recognitione; per Eberha[rdum] Tappium ad numerum Chiliadum aucta, &,....‎

‎8vo, [16], 632, [78] pp., lprinter's woodcut device on title showing a sea horse holding a mast on the top of which is perched a crane, and above the crane are the words "Discite Ivsticiam Moniti", contemporary ink signature on fly-leaf and erased early signature on title touching 2 letters, occasional ink underscoring, some light damp staining, later vellum with yapp fore-edges, upper cover slightly marked, a very good copy. Bibliographie des oeuvres d'Erasme, pp.299-300; Not listed in Bibliotheca Erasmiana Bruxellensis.‎

‎Erasmus von Rotterdam.‎

‎Morias enkomion, id est Stultitiae laus, libellus vere aureus, nec minus eruditus, & salutaris, quam festiuus, nuper ex ipsius autoris archetypis diligentissime restitutus. Strasbourg, Matthias Schürer, November 1514.‎

‎4to (198 x 145mm). 53, (1) ff. Historiated woodcut border on title-page, one white on black woodcut initial, some Greek type. Modern vellum, red edges. Rare early edition of Erasmus's "Praise of Folly", which was first published in Paris in 1511. Conceived by Erasmus on his journey from Italy to England, it was written in a little over a week during his stay at the house of Thomas More in London in 1509 (to whom the work is also dedicated). - More than a mere distraction or trifle, this work is an acerbic, humorous attack on the foolishness that ruled church and state in the period. "It satirizes the old learning, the old medieval world, the monks and friars, the pilgrimages and processions, the cult of saints, in a style of biting humour. Erasmus was a great humourist, subtly ironical and elusive" (F. A. Yates, Ideas and Ideals in the North European Renaissance [1984], 155). It was extremely popular, said to be enjoyed even by Pope Leo X; 35 editions followed its first printing in Paris. While its author remained steadfastly within the Roman Catholic Church throughout his life, this satire and the critiques it contained played a crucial role in the beginnings of the Protestant Reformation. Early versions of this work are hard to find. - In a letter written in May 1515, Erasmus himself described the book as light relief from the kidney-stone by which he was afflicted: "my library had not yet arrived ... so, for want of employment, I began to amuse myself with Praise of Folly, not with the intention of publishing the result, but to relieve the discomfort of sickness by this sort of distraction" (Praise of Folly [Oxford, 1913], Introduction, p. XIV). He had earlier, in a letter to More, described it as a "trifling thing" (Letter 222, June 1511, Correspondence of Erasmus Vol. II). - Attractive textual annotation in margins, in red ink in the same humanist hand (some lost to trimming of pages) that appears to have dated the title-page 1518, four years after publication. There is also sparser annotation in a second, later hand, in darker ink. - Worming to lower blank margins with loss of a few letters, repaired in gatherings E and F; staining throughout, some loss to title due to trimming. VD 16, E 3182. BM-STC German 282.‎

‎Erben, J‎

‎Ostmitteldeutsche Chrestomathie. Proben d. frühen Schreib- u. Druckersprache d. mitteldeutschen Ostens.‎

‎Berlin, Akad.-Vlg. 1961. XIII, 212 S. (Veröff. d. Inst. f. dt. Sprache u. Lit. 24).‎

Referentie van de boekhandelaar : 406045

‎Erdmann, O‎

‎Über d. Wiener u. Heidelberger Handschrift d. Otfrid.‎

‎Berlin, 1880. M. 5 Taf. 21 S. (PAW; Abh. d. Phil.-Hist. Kl. 1879/7).‎

Referentie van de boekhandelaar : 111238

‎Erminia Ardissino, lise Boillet (eds)‎

‎Gli Italiani e la Bibbia nella prima et moderna. Leggere, interpretare, riscrivere‎

‎, Brepols, 2019 Paperback, 299 pages, Size:156 x 234 mm, Illustrations:12 b/w, 3 col., Language: Italian. ISBN 9782503584065.‎

‎Summary L'Italia ha prodotto prestissimo, seconda solo alla Germania, la stampa della Bibbia in volgare con ben due diverse edizioni nel 1471. Il testo sacro, che era gi molto noto in forma manoscritta, si cos diffuso ampiamente pure tra i laici, anche attraverso riscritture devozionali, erudite e letterarie. Spesso lo accompagnavano immagini, che erano gi interpretazioni, o veniva adattato per essere usato nella liturgia, per l'istruzione dei fanciulli, per la preghiera o l'orientamento morale, per essere letto ad alta voce o in privato, per essere rappresentato. Anche quando i volgarizzamenti delle Sacre Scritture vennero proibiti dalla Chiesa Cattolica, i testi biblici continuarono a essere letti nelle forme consentite o clandestine, rielaborati in forme letterarie o devozionali di grande successo, che ebbero a volte molte edizioni e un largo mercato editoriale. La Bibbia entrata cos nelle case degli Italiani e veniva tenuta presente non solo per la piet , ma anche per le normative sociali, professionali e ovviamente etiche. La raccolta di saggi studia sotto tre prospettive (circolazione del testo, lettura e interpretazione, riscritture letterarie) il modo con cui in Italia il mondo laico ha fruito del libro sacro nella prima et moderna, dall'avvio della stampa a met del Seicento. Permette perci di conoscere come gli Italiani si sono rapportati con la Bibbia da una prospettiva non solo cattolica, illuminando sugli atteggiamenti che stanno alla radice del modo con cui oggi si relazionano con il testo sacro. TABLE OF CONTENTS Erminia Ardissino e Elise Boillet, Introduzione La Bibbia tra produzione editoriale e censura Ugo Rozzo (Istituto storico del libro antico ISLA, Udine), Illustrare l'Apocalisse nell'Europa del Cinquecento (1498-1547) Edoardo Barbieri (Universit Cattolica, Milano), Un long seller biblico nell'Italia moderna: le Epistole e Vangeli di Remigio Nannini da Firenze Elise Boillet (CNRS - Centre d' tudes sup rieures de la Renaissance, Universit de Tours) Tra censura e tolleranza. Le due edizioni del volgarizzamento dei Salmi penitenziali di Domenico Buelli, inquisitore di Novara (1572 e 1602) Contesti e prassi di lettura biblica Danilo Zardin (Universit Cattolica, Milano), Circolazione e usi delle Epistole e vangeli nell'Italia post-tridentina Abigail Brundin (Cambridge University, Cambridge), La lettura domestica della Bibbia nell'Italia rinascimentale Chiara Pilocane (Universit di Torino) "Girala e rigirala perch c' tutto; e contemplala e incanutisci e invecchia su di essa" (Pirq Avot 5, 25). La Bibbia in ambiente ebraico fra XVI e XVII secolo: alcuni casi Riscritture letterarie: poesia, narrativa, teatro Pietro Petteruti Pellegrino (Accademia dell'Arcadia), Come pioggia feconda. Immagini della divina grazia nella lirica del Cinquecento Erminia Ardissino (Universit di Torino) Raccontare la Bibbia nell'Italia della prima et moderna. Cantari, poemi, romanzi Elisabetta Selmi (Universit di Padova), Riscritture bibliche nel dramma sacro fra Seicento e Settecento‎

Referentie van de boekhandelaar : 66037

‎ERNER. - HEEB, Friedrich:‎

‎Albert Berner und die Unionsdruckerei Bern. Ein Lebenswerk.‎

‎Bern, Union, 1946, in-8°, 61 S. + 32 Tafeln, (u.a. Fotos des ersten Standorts), Stempel a.d. Titelbl., Original-Leinenband. O.-Schuber.‎

‎Zeichnet die Geschichte der Unionsdruckerei Bern und ihres Schöpfers nach. .‎

Referentie van de boekhandelaar : 38665aaf

‎Ernst, James E.‎

‎EPHRATA, A HISTORY.‎

‎354p. 8vo. Original coarse linen cloth binding. Also issued as: Pennsylvania German Folklore Society. Volume XXV. A noted semi-monastic (utopian) religious community was founded (c.1732) there by Seventh-Day Baptist Brethren, under the leadership of Johann Conrad Beissel. This austere colony, the Ephrata Cloisters, was famous for its music and mysticism, and established (1745) one of the most important early printing presses in the country. The well-preserved buildings are still maintained as a monument by the state. **PRICE JUST REDUCED! BEFORE ORDERING PLEASE Email to RareBooks@POBox.com so that we can CONFIRM AVAILABILITY‎

‎ESCHYLE.‎

‎[Tragédies (grec ancien). 1552] , π π , , , , .‎

‎Paris, Adrien Turnèbe, 1552. In-12 de (8)-211-(1) pp. (sign. a4, A-N8, O2), caractères grecs, basane fauve granitée, dos lisse orné, pièce de titre en maroquin rouge, tranches jaspées (reliure du XVIIIe siècle).‎

‎Rare deuxième édition grecque des tragédies d'Eschyle (texte grec seul), après Alde en 1518, s'appuyant sur un nouveau manuscrit pour les trois premières pièces Prométhée enchaîné, Les Sept de Thèbes, Les Perses suivies de Agamemnon, Les Euménides et Les Suppliantes. Premier livre d'importance d'Adrien Turnèbe (1512-1565) comme imprimeur du Roi, il utilisa les caractères «grecs du roi» dessinés par Garamond. L'épître dédicatoire en grec est adressée à Michel de L'Hospital. Précieux exemplaire de la famille Tabourot, numéro 76 de la « Liste des livres ayant appartenu aux Tabourot » établie par François Rouget (150 pièces) - avec l'ex-libris manuscrit inscrit à l'encre brune autour de la vignette de titre "A tous accords / Taboroti sum" en guise de devise familiale qui donna lieu au surnom de seigneur des Accords sous lequel poète dijonnais Étienne Tabourot est resté connu ; mention biffée au bas de la page de titre et notes manuscrites de la même main page 109.L'exemplaire est décrit dans la 39e livraison du Bulletin du bouquiniste (1858), n°6729 : « Jolie édit. grecque. cet exempl. porte la signature et de la devise d'Et. Tabourot dijonnais : A tous accords. Taboroti sum ». « Parmi les collections de livres qui furent rassemblées au cours du xvie siècle, l’une des plus remarquables est celle de la famille Tabourot, gens d’église et de l’administration royale établis à Dijon et à Langres, dont le plus célèbre d’entre eux est sans nul doute Étienne Tabourot, seigneur des Accords (1549-1590) dont l’essentiel des oeuvres est à présent mieux connu. Sa popularité, il la doit à ses activités d’écrivain polygraphe, qu’il poursuivit en érudit, et à ses Bigarrures dont la veine facétieuse et rabelaisienne lui a valu la réputation de conteur grivois, voire scatologique. Si cette oeuvre ludique et copieuse avait atteint un large public à la fin du xvie siècle, sa fortune semble avoir pâli au cours du temps. Pourtant, la carrière littéraire de Tabourot ne cesse d’intriguer, ses débuts comme son héritage. Pour mesurer l’étendue des sources d’inspiration de cet écrivain et l’éclectisme intellectuel des membres de sa famille, l’enquête menée sur les livres qui leur ont appartenu offre un point d’observation privilégié. Jusqu’à présent, on était parvenu à identifier et à localiser 116 ouvrages, manuscrits et imprimés, qui avaient rejoint les étagères de cette bibliothèque familiale. Le plus grand possesseur étant sans conteste Étienne, qui avait hérité de certains ouvrages de ses ancêtres, et dont la collection sera partagée entre ses fils Guillaume et Théodecte. » (François Rouget, « La bibliothèque des Tabourot », Arts et Savoirs, 2018). Provenance : famille Tabourot (ex-libris manuscrit) ; Ernest La Jeunesse (1874-1917) écrivain, caricaturiste et critique littéraire avec son ex-libris manuscrit à l'encre rouge au verso de la première garde. Feuillets liminaires aii et aiii non paginés intervertis ; cote ancienne S323 dans l'angle supérieur droit du titre.Graesse, I, 17 : « belle et rare édition de Turnèbe (...) beaucoup plus importante que l'Aldine ».‎

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