‎Printing‎

‎(History of Printing) Panzer, Georg Wolfgang‎

‎Aelteste Buchdruckergeschichte Nürnbergs oder Verzeichnis aller von Erfindung der Buchdruckerkunst bis 1500 in Nürnberg gedruckten Bücher mit litterarischen Anmerkungen‎

‎Nuremberg: Grattenauer 1789. First edition. 16 178 5 iindex pp. 1 vols. 4to. Near contemporary glazed brown calf spine gilt paste paper endleaves edges red. Some rubbing very good overall an attractive copy. First edition. 16 178 5 iindex pp. 1 vols. 4to. Important chroncile of the early printers of Nuremberg. Bigmore & Wyman II 114 Grattenauer unknown‎

Bookseller reference : 372509

‎(History of Printing) [Marchand, Prosper]‎

‎Histoire de l'Origine et des Premiers Progrès de l'Imprimerie‎

‎La Haye: La Veuve Le Vier et Pierre Paupie 1740. First edition. Engraved allegorical frontispiece by Schley. 2 parts in one volumes. 1 vols. 4to. Contemporary French mottled calf gilt spine marbled endpapers. Upper joint starting at bottom and apart from some minor toning this is a lovely unsophisticated copy in contemporary dress. First edition. Engraved allegorical frontispiece by Schley. 2 parts in one volumes. 1 vols. 4to. Printed by Prosper Marchand a Huguenot publisher and journalist who fled France in 1709 the work appeared at the 300th anniversary of the invention of printing. Marchand writes that he produced the book “a la sollicitation de quelques amis qui ont cru que le troisième jubile ou la troisième année séculaire de l'imprimerie reveilleroit infailliblement la curiosité du publique touchant l'origine de ce bel art at the request of some friends who believed that the third jubilee or the tercentenary of printing would infallibly wake the public curiosity concerning the origin of this beautiful art.†The allegorical frontspiece by J.V. Schley show Minerva and Mercury descending from Heaven granting the gift of printing to Germany who in turn gives it to England Holland France and Italy. Bigmore & Wyman II p. 22 La Veuve Le Vier et Pierre Paupie unknown‎

Bookseller reference : 36937

‎(History of Printing) Lambinet, Pierre‎

‎Recherches historiques littéraires et critiques sur l'origine de l'Imprimerie dans la Belgique maintenant réunie à la République Française‎

‎Brussels: Emmanuel Plon 1799. First edition. 2 engraved plates 5 text engravings. 1 vols. 8vo. Half morocco and marbled boards. Slight foxing. First edition. 2 engraved plates 5 text engravings. 1 vols. 8vo. Bigmore & Wyman I 418 "One of the monument of typographical bibliography" Emmanuel Plon unknown‎

Bookseller reference : 214620

‎(Hus, Jan).‎

‎Liber egregius de unitate ecclesiae, cuius autor periit in concilio Constantiensi. [Basel, Adam Petri], (August 1520).‎

‎4to. (8), 231, (1) pp. With a large figurated woodcut "C" initial by Hans Holbein. 18th century half vellum with ms. spine title. First edition of Hus's principal work, commonly known in English as "Treatise on the Church", ascribed to Adam Petri's Basel printshop on the basis of typographical features. Written in 1413 at the castle of one of Hus's protectors in Kozí Hrádek, near Sezimovo Ústí, the book evidences the author's strong intellectual and spiritual ties with the English reformer John Wyclif, whose like-titled "De ecclesiae" has been written in 1378 (Hus however, unlike Wyclif, did not reject the notion of transsubstantiation). "This treatise became Huss's 'apologia pro sua vita', the defense of the views which he had drawn from Wyclif and advocated. [... It] has a place of first importance among works on the church [...] It is the best known work on the subject issued from Augustine to the Reformation period [and] has had a permanent influence upon the development of the idea of the church" (Schaff, Introduction to the 1915 edition, p. xi-xxxi). - A little more than a century after Hus was burned at the stake in Constance, Luther was sent a manuscript copy of the work and, upon reading it, enthusiastically embraced Hus's central tenets, famously writing to Georg Spalatin in February 1520 that "without knowing it, we are all Hussites". But half a year later, two printed versions appeared almost simultaneously in 1520 - one under the original title used here, the other entitled "De causa Boemica" (printed by Anshelm in Hagenau; the precise order of publication remains unclear). These first printings "enabled others to evaluate (or even emulate) Luther's conclusion [... The text was presented] in a disinterested manner, thus allowing an unbiased judgment of its contents"; it was published without polemical introduction or prologue, and the title page, "which did not mention Hus by name, contained the simple epigraph: 'I beg you, my kind reader, to attend not to who speaks, but to what is said'" (Haberkern). - Occasional slight brownstaining; a few insignificant wormholes to blank lower margin near end; old library shelfmark in ink to front pastedown. Quires M and Q bound out of order (3-4-1-2), but a complete, well-preserved and wide-margined copy. Quite scarce: only three copies in auction records internationally since 1975. VD 16, H 6173. BM-STC German 438. Adams H 1210. BNHCat H 630. Haberkern, Patron Saint and Prophet: Jan Hus in the Bohemian and German Reformations [Oxford 2016], p. 158.‎

‎(IMPRIMERIE) - ECOLE ESTIENNE.‎

‎Paris 1931. Ecole Estienne. Programme.‎

‎1931 (Paris, 1931); in - 8° broché , couverture rempliée crème, dos muet, titre illustré en bleu et argent au 1er plat; 24pp. et 5 planches hors texte d'illustrations en couleurs contrecollées sur des feuillets de papier beige. Chaque page de texte est encadrée d'un filet bleu et orné en pied d'un décor géométrique bleu. Travail des élèves de l'Ecole Estienne.‎

‎Couverture poussiéreuse, petits accrocs au dos. (GrMG)‎

Bookseller reference : 10925

‎(IMPRIMERIE].-‎

‎Imprimerie Plon à Paris.-‎

‎Carte postale non datée. 4 clichés au recto, texte imprimé de la Librairie Plon au verso. Vue extérieure des bâtiments et 3 vues animées des ateliers. Trace de pli vertical sinon bon état.‎

Bookseller reference : ORD-5259

‎(Jt) Frank, Rafael‎

‎UBER HEBRAISCHE TYPEN UND SCHRIFTARTEN‎

‎Hardcover, 21-39 pages, Folio, 33 x 25 cm. In German. Contents: Zur einfuhrung. --In memoriam Rafael Frank. --Uber hebraische typen und schriftarten, von Rafael Frank. --Die renaissance des hebraischen, von dr. Jacques Adler. SUBJECT (S) : Hebrew type. Hebrew language. "Sechzehnter Bertholddruck. " "Hergestellt in einer beschrankten auflage fur einem kreis von freunden. "--Leaf at end. Reprinted from Archiv fur buchgewerbe, 48. Jg. , hft. 11. Ex-library. Water stain to front and back cover. Slight browning on edges of pages. Hinge repair. Otherwise, good condition. (BIB-11-7)xx‎

‎(Julius II, Pope).‎

‎Bulla super sententia privationis in publico consistorio facte per s.d.n. contra d. Ber. Carvaialem, Guillermum Brizonettum et Franciscum de Borgia olim S.R.E. cardinales ad futuram rei memoriam. [Rome, Etienne Guillery, likely October 1511].‎

‎4to. (12) ff. With the woodcut Papal arms on the title-page. Modern half vellum over marbled boards. Papal bull deposing Cardinals Bernardino Carvajal, Guillaume Briçonnet, and Francesco Borgia for having convoked the schismatic second Council of Pisa. After the death of Julius II and the election of Leo X in 1513, the surviving rebel cardinals apologized and were once more received into the church. - According to the HAB Wolfenbüttel, the author was Adriano Castellesi (1458-1518). The printer is identified by F. Barberi, Tipografi romani del Cinquecento (S. 49). - Some waterstaining throughout; an old handwritten shelfmark to the title-page (trimmed). Edit 16, CNCE 51375.‎

‎(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J.‎

‎LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE‎

‎McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 32 COPIES in linen-backed blue paper boards from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in linen-backed blue paper boards inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with multiple 3-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÃœNTHER ZAINER AND ANTON KOBERGER. The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown‎

Bookseller reference : ST15039aA

‎(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J.‎

‎LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE‎

‎McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 32 COPIES in linen-backed blue paper boards from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in linen-backed blue paper boards inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with text only AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÃœNTHER ZAINER AND ANTON KOBERGER. â—†The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. We have additional copies of this binding available at different price points. Please contact us directly for more details. Phillip J. Pirages unknown‎

Bookseller reference : ST15039aB

‎(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J.‎

‎LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE‎

‎McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 84 COPIES in floral-patterned cloth from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in floral-patterned cloth after a Morris design by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with multiple six-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÃœNTHER ZAINER AND ANTON KOBERGER. â—†The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown‎

Bookseller reference : ST15039bB

‎(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J.‎

‎LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE‎

‎McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 47 COPIES numbered I-XLVII bound in flexible vellum from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in flexible vellum with ties inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER WITH woodcut borders woodcut beginning word and A WOODCUT SCENE DESIGNED BY EDWARD BURNE-JONES AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÃœNTHER ZAINER AND ANTON KOBERGER the Zainer leaf featuring at least one woodcut initial. â—†The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown‎

Bookseller reference : ST15039cA

‎(Madrid), Imprenta Real‎

‎Arte De Dorar Segun El Que Escribió En Frances Mr. Watin‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 102254943X.G ISBN : 102254943X 9781022549432

‎(Madrid), Imprenta Real‎

‎Censo Español Executado De Órden Del Rey: Comunicada Por El Excelentísimo Señor Conde De Floridablanca Primer Secretario De Estado Y Del Despacho En El Año De 1787‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Bookseller reference : 1019505885.G ISBN : 1019505885 9781019505885

‎(Madrid), Imprenta Real‎

‎Coleccion de Poesias Castellanas Volume 2‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1246489317.G ISBN : 1246489317 9781246489316

‎(Madrid), Imprenta Real‎

‎Continuación Del Memorial Literario Instructivo Y Curioso De La Corte De Madrid . Spanish Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1174712600.G ISBN : 1174712600 9781174712609

‎(Madrid), Imprenta Real‎

‎Curso Completo Diccionario Universal De Agricultura Terica Prctica Econmica Y De Medicina Rural Y Veterinaria Volume 9. Spanish Edition‎

‎Wentworth Press 02-08-2018. paperback. New. 6.14x1.02x9.21. Buy with confidence. Excellent Customer Service & Return policy. Wentworth Press paperback‎

Bookseller reference : DADAX0274789175 ISBN : 0274789175 9780274789177

‎(Madrid), Imprenta Real‎

‎Curso Completo Ó Diccionario Universal De Agricultura Teórica Práctica Económica Y De Medicina Rural Y Veterinaria. Spanish Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1022603779.G ISBN : 1022603779 9781022603776

‎(Madrid), Imprenta Real‎

‎Curso Completo Ó Diccionario Universal De Agricultura Teórica Práctica Económica Y De Medicina Rural Y Veterinaria Volume 15. Spanish Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1275820409.G ISBN : 1275820409 9781275820401

‎(Madrid), Imprenta Real‎

‎Curso Completo Ó Diccionario Universal De Agricultura Teórica Práctica Económica Y De Medicina Rural Y Veterinaria Volume 15. Spanish Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1247304914.G ISBN : 1247304914 9781247304915

‎(Madrid), Imprenta Real‎

‎Diccionario Marítimo Español: Que Además De Las Definiciones De Las Voces Con Sus Equivalentes En Francés Inglés E Italiano Contiene Tres . Castellanas. Spanish Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Bookseller reference : 0274878062.G ISBN : 0274878062 9780274878062

‎(Madrid), Imprenta Real‎

‎Diccionario Marítimo Español: Que Además De Las Definiciones De Las Voces Con Sus Equivalentes En Francés Inglés E Italiano Contiene Tres . Castellanas. Spanish Edition‎

‎Wentworth Press 2018-08-07. Hardcover. New. An Unused unmarked and unblemished copy. THIS BOOK IS A REPRODUCTION OF AN ORIGINAL WORK the 1831 printing WHICH IS IN THE PUBLIC DOMAIN IN THE UNITED STATES OF AMERICA AND POSSIBLY OTHER COUNTRIES. MOST OF THESE WORKS WERE SCANNED FROM LIBRARY COPIES. IT MAY HAVE OCCASIONAL IMPERFECTIONS SUCH AS MISSING OR BLURRED PAGES POOR PICTURES ERRANT MARKS ETC. THAT WERE EITHER PART OF THE ORIGINAL ARTIFACT OR WERE INTRODUCED BY THE SCANNING PROCESS this particular book appears to be quite a good reproduction.; 100% Satisfaction Guaranteed! Ships same or next business day! Wentworth Press hardcover‎

Bookseller reference : 52205050108 ISBN : 0274878062 9780274878062

‎(Madrid), Imprenta Real‎

‎Discurso Sobre El Luxô De Las Señoras Y Proyecto De Un Trage Nacional Spanish Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1024421422.G ISBN : 1024421422 9781024421422

‎(Madrid), Imprenta Real‎

‎El Sacrosanto Y Ecumenico Concilio De Trento. Spanish Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1279891971.G ISBN : 1279891971 9781279891971

‎(Madrid), Imprenta Real‎

‎Estado General De La Real Armada: Año De 1800 Spanish Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1022576887.G ISBN : 1022576887 9781022576889