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Richard Valentino; Screen Printing Academy.
Poster for Richard Valentino Photoscreen Class. Techniques Of Printing Fabric.
San Francisco CA: Richard Valentino 1975. Screen Print Poster Black and Red Ink. 14.5" x 11.5" Very Good. [San Francisco, CA: Richard Valentino, 1975]. unknown
Bookseller reference : 63-5642
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Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Discussion du Budget†plate no. 14 from Politique des Femmes series A&B Catalog no. 1193.
Paris: Le Charivari1835. . 10 x 14.57 inches 25.5 x 37 cm. A&B No. 1193. Unbound sheet. Good with marginal tearing foxing and staining on bottom right corner. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni†“Imp. d’Aubert & Cie.†and “Chez Banger R. du Croissant 16.†Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1835. unknown
Bookseller reference : 19-8244
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Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Comment! Le Champ que j’ai seme What! The field I sowed.†plate no. 2 from L’Eloquence de la Chair series A&B Catalog no. 545.
Paris: Le Charivari1843. 9.75 x 14.25 inches 25 x 36.5 cm. A&B No. 545. Unbound sheet. Very good with marginal creasing. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni†“Imp. d’Aubert & Cie†and “Chez Pannier Edit. R. du Croissant 16.†Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1843. unknown
Bookseller reference : 19-8240
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Carjat, Etienne (artist); Imprimerie Bertrauts (engrav.).
A. Renard.
Paris: Le Boulevard 1863. . 11.5 x 16.75 inches 29.5 x 42 cm. Unbound sheet. Very good with marginal tearing along sides. Original black and white 19th century lithograph by Etienne Carjat signature on right bottom corner: “Et. Carjat.†Additional text on bottom reads: â€Imp. Bertrauts Paris.†Published in Le Boulevard text verso. En Francais. Paris: Le Boulevard, 1863. unknown
Bookseller reference : 19-8251
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Platier, Jules (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Le Bureau du Commissaire de Police: Oui mon commissaire les emondices sortaient de chez Madame.†Office of the Police Commissioner: Yes Officer that filth was leaving Madame’s house. plate no. 2.
Paris: Le Charivari ca. 1840s. . 14 x 9.75 inches 36 x 25 cm. Unbound sheet. Very good with some foxing on upper edge and cropped text on bottom. Original black and white 19th century lithograph by Julies Platier in Le Charivari. Contains signature on bottom left: “J. Platier.†Additional text on bottom reads: “Chez Banger R. du Croissant 16†and “Imp. D’Aubert & Cie.†Verso is newspaper page from Le Charivari. En Francais. Paris: Le Charivari, [ca. 1840s]. unknown
Bookseller reference : 19-8233
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Carjat, Etienne (artist); Imprimerie Bertrauts (engrav.).
Theodore Barriere.
Paris: Le Boulevard ca. 1860s. 11.5 x 16.75 inches 29.5 x 42 cm. Unbound sheet. Good with creasing along top edge and tearing along sides. Original black and white 19th century lithograph by Etienne Carjat signature on left bottom corner: “Et. Carjat.†Additional text on bottom reads: â€Imp. Bertrauts Paris.†Published in Le Boulevard text verso. En Francais. Paris: Le Boulevard, [ca. 1860s]. unknown
Bookseller reference : 19-8255
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Carjat, Etienne (artist); [Imprimerie Bertrauts (engrav.)].
Jules Noriac.
Paris: Le Boulevard ca. 1860s. 11.5 x 16.75 inches 29.5 x 42 cm. Unbound sheet. Good with creasing along top edge and tearing along sides. Original black and white 19th century lithograph by Etienne Carjat. Published in Le Boulevard text verso. En Francais. Paris: Le Boulevard, [ca. 1860s]. unknown
Bookseller reference : 19-8254
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Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Le Cabinet de Jurisconte†plate no. 26 from the “Impressions de Menage†series A&B Catalog no. 729.
Paris: Le Charivari1843. 9.75 x 14.125 inches 25 x 36.5 cm. A&B No. 729. Unbound sheet. Very good with marginal tearing. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni†“Imp. d’Aubert & Cie†“Chez Aubert & Cie. Place de la Bourse 29†and “Chez Pannier. R. du Croissant 16.†Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1843. unknown
Bookseller reference : 19-8241
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Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Voyez-vous mere Marengo.†plate no. 15 from Lecons et Conseils series A&B Catalog no. 755.
Paris: Le Charivari1840. 9.65 x 12.6 inches 24.5 x 32 cm. A&B No. 755. Unbound sheet. Very good with marginal staining on bottom. Original handcolored 19th century lithograph by Paul Gavarni. Gavarni’s signature on bottom right corner of print. Additional text on bottom reads: â€Imp. d’Aubert & Cie†and “Chez Banger R. du Croissant 16.†Published in Le Charivari. En Francais. Paris: Le Charivari,1840. unknown
Bookseller reference : 19-8247
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Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Mr. Maxine est expose a la risee des valets.†plate no.13 from the Les Maris Venges series A&B Catalog no. 855.
Paris: Le Charivari1838. 8.46 x 11 inches 21.5 x 27.9 cm. A&B No. 855. Unbound sheet. Very good with light staining. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Chez Aubert gal. Vero dodat†and “Imp. d’Aubert & Cie.†Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1838. unknown
Bookseller reference : 19-8242
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Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Asseyons-nous commodement.†plate no. 4 from L’Eloquence de la Chair series The Eloquence of Flesh A&B Catalog no. 547.
Paris: Le Charivari1843. 9.25 x 14.25 inches 23.5 x 36.5 cm. A&B No. 547. Unbound sheet. Good with marginal tearing on bottom and staining on upper right corner. Original black and white 19th century lithograph by Paul Gavarni. Contains signature on bottom left: “Gavarni†backwards. Additional text on bottom reads: “Imp. d’Aubert & Cie†and “Chez Pannier Edit. R. du Croissant 16.†Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1843. unknown
Bookseller reference : 19-8239
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Platier, Jules (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“N’Ecoutez pas cet infirme Sergent.†Don’t listen to that infirme sergeant. plate no. 1.
Paris: Le Charivari ca. 1840s. . 14 x 9.75 inches 36 x 25 cm. Unbound sheet. Very good with some foxing on upper edge and light ink staining on left side. Original black and white 19th century lithograph by Julies Platier in Le Charivari. Contains signature on bottom left: “J. Platier.†Additional text on bottom reads: “Chez Banger R. du Croissant 16†and “Imp. D’Aubert & Cie.†Verso is newspaper page from Le Charivari. En Francais. Paris: Le Charivari, [ca. 1840s]. unknown
Bookseller reference : 19-8234
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Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Il vend sa vie pour vivre He sells his life to live†plate no. 3 from Transactions series A&B Catalog no. 960 111.
Paris: Le Charivari1839. 13.75 x 10.25 inches 35 x 26 cm. A&B No. 960. Unbound sheet. Good with some foxing and edgewear along upper edges and residual adhesive from tape on upper corners. Original handcolored 19th century lithograph by Paul Gavarni. Contains signature on bottom left: “Gavarni†backwards. Additional text on bottom reads: “Imp. d’Aubert & Cie†and “Au Bureau du Charivari R. du Croissant 16.†En Francais. Paris: Le Charivari,1839. unknown
Bookseller reference : 19-8237
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Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Mandat de Perquisition†from the Politique des Femmes series A&B Catalog No. 1192.
Paris: Le Charivari 1842. . 10.25 x 15 inches 26 x 37.5 cm. Unbound sheet. A&B No. 1192. Very good with slight edgewear on corners. Original black and white 19th century lithograph by Paul Gavarni. Contains signature on bottom left: “Gavarni†backwards. Additional text on bottom reads: “Chez Banger R. du Croissant 16†and “Imp. D’Aubert & Cie.†Verso is newspaper page from Le Charivari. En Francais. Paris: Le Charivari, 1842. unknown
Bookseller reference : 19-8235
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Carjat, Etienne (artist); Imprimerie Bertrauts (engrav.).
Eugene Pelletan.
Paris: Le Boulevard 1863. . 11.5 x 16.75 inches 29.5 x 42 cm. Unbound sheet. Good with light creasing on top edge marginal tearing along right side and minor staining on left bottom corner. Original black and white 19th century lithograph by Etienne Carjat signature on left bottom corner: “Et. Carjat.†Additional text on bottom reads: â€Imp. Bertrauts Paris.†Published in Le Boulevard text verso. En Francais. Paris: Le Boulevard, 1863. unknown
Bookseller reference : 19-8250
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Platier, Jules (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Le Bureau du Commissaire de Police: Oui Mr. Le Commissaire j’ai ete engorge assasine par Mr. Montonnet.†Office of the Police Commissioner: Yes Officer I was slaughtered assassinated by Mr. Montonnet. plate no. 6.
Paris: Le Charivari ca. 1840s. . 14 x 9.75 inches 36 x 25 cm. Unbound sheet. Good with light staining on right side. Original black and white 19th century lithograph by Julies Platier in Le Charivari. Contains signature on bottom left: “J. Platier.†Additional text on bottom reads: “Chez Banger R. du Croissant 16†and “Imp. D’Aubert & Cie.†Verso is newspaper page from Le Charivari. En Francais. Paris: Le Charivari, [ca. 1840s]. unknown
Bookseller reference : 19-8232
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Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“L’Amant et le Dictionnaire Rimes†The Lover and the Rhyming Dictionary†A&B Catalog no. 892 XVI.
Paris: Le Charivari1839. 9.75 x 14 inches 25 x 36 cm. A&B No. 892. Unbound sheet mounted on paper. Good with marginal tearing on bottom left corner and some staining on surface. Original black and white19th century lithograph by Paul Gavarni. Contains signature on bottom right: “Gavarni†backwards. Additional text on bottom reads: “Imp. d’Aubert & Cie†and “AChez Bauger R. du Croissant 16†En Francais. Paris: Le Charivari,1839. unknown
Bookseller reference : 19-8238
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Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Desapointement†plate no. 9 from Fourberies de Femmes series A&B Catalog no. 1736.
Paris: Le Charivari1837. . 10.6 x 14.17 inches 27 x 36 cm. A&B No. 1736. Unbound sheet. Fair with substantial staining on left side perforations on all four corners and marginal tearing on top edge. Original handcolored 19th century lithograph by Paul Gavarni. Gavarni’s signature on bottom left corner of print. Additional text on bottom reads: “Chez Aubert Gal. Vero dodat†and “Imp. d’Aubert & Cie.†Published in Le Charivari. En Francais. Paris: Le Charivari,1837. unknown
Bookseller reference : 19-8245
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Carjat, Etienne (artist); Imprimerie Bertrauts (engrav.).
Amedee Rolland Jean Du Boys.
Paris: Le Boulevard 1863. . 11.5 x 16.75 inches 29.5 x 42 cm. Unbound sheet. Very good with light creasing on top edge and marginal tearing along left side. Original black and white 19th century lithograph by Etienne Carjat signature on left bottom corner: “Et. Carjat.†Additional text on bottom reads: â€Imp. Bertrauts Paris.†Published in Le Boulevard text verso. En Francais. Paris: Le Boulevard, 1863. unknown
Bookseller reference : 19-8249
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Platier, Jules (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie
“Le Bureau du Commissaire de Police: C’est la verite Monsieur le Commissaire ma poche a ete devalisee par ce morveux.†Office of the Police Commissioner: It’s true Officer my pocket was robbed by this brat! plate no. 5.
Paris: Le Charivari ca. 1840s. . 14 x 9.75 inches 36 x 25 cm. Unbound sheet. Good with marginal tearing along upper left corner and some staining on upper right corner. Original black and white 19th century lithograph by Julies Platier in Le Charivari. Contains signature on bottom left: “J. Platier.†Additional text on bottom reads: “Imp. D’Aubert & Cie.†Verso is newspaper page from Le Charivari. En Francais. Paris: Le Charivari, [ca. 1840s]. unknown
Bookseller reference : 19-8231
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Carjat, Etienne (artist); Imprimerie Bertrauts (engrav.).
Aurelien Scholl.
Paris: Le Boulevard 1863. . 11.5 x 16.75 inches 29.5 x 42 cm. Unbound sheet. Very good with marginal staining on sides and creasing to top edge. Original black and white 19th century lithograph by Etienne Carjat signature on left bottom corner: “Et. Carjat.†Additional text on bottom reads: â€Imp. Bertrauts Paris.†Published in Le Boulevard text verso. En Francais. Paris: Le Boulevard, 1863. unknown
Bookseller reference : 19-8252
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Charles W. Willard, Government Printing Office.
Speech of Hon. Charles W. Willard of Vermont in the House of Representatives March 24 1874.
Washington: Government Printing Office 1874. 8vo. 25 pp. Wraps with string binding. Very Good. Foxing and minor tears on last two pages. The Willard Family papers consist of the papers of lawyer newspaper editor and U.S. Congressman Charles W. Willard 1827-1880 and other family members particularly his son Charles W. Willard Jr. 1869-1922 and his father-in-law Hezekiah H. Reed 1795-1856 all of Montpelier Vermont. The collection spans the period from 1837-1917. Washington: Government Printing Office, 1874. paperback
Bookseller reference : 19-6986
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William C. Ferril; Rocky Mountain Herald.; Allied Printing (Denver, CO).
Promotional political card for William C. Ferril Editor Rocky Mountain Herald. Republican Candidate for State Senator at the Primary Election September 12 1916.
Denver CO: William C. Ferril Rocky Mountain Herald 1916. Card. 3.75 x 2.25 inches Oblong Very Good with minor staining. Possibly the same William C. Ferril known as "the Judge" and on the staff of the Denver Republican and special correspondent to daily newspapers in St. Louis & New York. Denver, CO: William C. Ferril, Rocky Mountain Herald, 1916. unknown
Bookseller reference : 63-2738
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John DePol; Charles V Morris; New York Club of Printing House Craftsmen.
In Appreciation: A Keepsake For Craftsmen.
New York : Privately printed : Club of Printing House Craftsmen of New York 1969. 8vo. 29 pp. Stapled Wraps. VG. Color illustrations. "This keepsake is a portfolio of 20 selected wood engravings from one hundred and fifty illustrations by the celebrated wood engraver John DePol. They appeared in the 16 editions of the Printing Week Library of Benjamin Franklin Keepsakes published in connection with the celebration of Printing Week in New York 1953-1969"--Page facing title page. From the Collection of the Book Designer Philip Grushkin 1921 - 1998. First Edition. New York : Privately printed : [Club of Printing House Craftsmen of New York], 1969. paperback
Bookseller reference : 63-1472
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United States War Department; Army Conservation Project; US Government Printing Office.
Tires Must Be Conserved.
Washington DC: US Government Printing Office 1943. Poster. 36 x 43 cm. Full Color Folded Poster Very Good. Washington, DC: US Government Printing Office, 1943. unknown
Bookseller reference : 15-10618
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San Francisco Printing Industry Welfare Fund.
San Francisco Printing Industry Welfare Fund. Active And Retired Program June 1971.
San Francisco: San Francisco Printing Industry Welfare Fund 1971. Folded Brochure 9.5 x 21 cm. Very Good. Medical plans. San Francisco: San Francisco Printing Industry Welfare Fund, 1971. unknown
Bookseller reference : 15-10393
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Borden's Dairy Delivery Co. San Francisco; Walter Kibbee and Son typography & printing.
Fare Thee Well!
San Francisco: Borden's Dairy Delivery Co. 1955. 32mo. 30 pp. Stapled Booklet Inside Printed Envelope Booklet Near Fine Envelope Good with small tear. Illustrated. Charming promotional profile of restaurants in 1955 San Francisco. Scarce. First Edition. San Francisco: Borden's Dairy Delivery Co., 1955. unknown
Bookseller reference : 15-9773
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The Interplayers; Emlyn Williams; Adrian Wilson (printing).
The Corn Is Green.
San Francisco: Interplayers 1982. THEATRICAL PROGRAM. 8vo. Folded Page Very Good with staining & some creasing. Illustrated. San Francisco: Interplayers, [1982?]. unknown
Bookseller reference : 15-5413
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Gazette Printing Company.
Receipt For Samuel Grim November 18 1874.
Easthampton MA: Gazette Printing Company 1874. 16mo. 1 pp. Very Good some creasing and minor stains. [Easthampton, MA]: Gazette Printing Company, 1874. unknown
Bookseller reference : 15-4306
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Mission-Beatty Printing Co.
Typefaces Available for Efficient Composing Room Production.
San Francisco Calif.: Mission-Beatty Printing Co. ca 1960. 8vo. 32 pp. Catalogue containing specimens from dozens of machine-set type faces such as Tempo Bold Karnak Black Cloister and Huxley Vertical. Good with loose cover which is missing rear panel. San Francisco, Calif.: Mission-Beatty Printing Co., ca, 1960. unknown
Bookseller reference : 07-0792
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Real, Imprenta
Suplemento Al Diccionario Universal De FÃsica; Volume 10 Spanish Edition
Wentworth Press 2018-07-30. paperback. New. 6.14x0.53x9.21. Buy with confidence. Excellent Customer Service & Return policy. Wentworth Press paperback
Bookseller reference : DADAX0274281961 ISBN : 0271035307 9780271035307
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[Bible]; [Isaiah Thomas]; [Early American Printing]
The Holy Bible Containing the Old and New Testaments: Together with the Apocrypha: Translated out of the Original Tongues .
Worcester Massachusetts: Isaiah Thomas 1791. First Thomas edition. Hardcover. Good or better. 4to. 2 3-1310 pp. Contemporary paneled sheep with the spine in six compartments. Illustrated with two engraved frontispieces. Completing the title page: And with the former translations diligently compared and revised by the special command of King James I of England. With marginal notes and references. To which are added an index and an alphabetical table of the names in the Old and New Testaments with their significations. American Antiquarian Society "Isaiah Thomas’s Printing Press: "Old Number One". Darlow and Moule 1353. Isaiah Thomas' printing press first operated out of Boston: producing a newspaper and materials that encouraged American colonists to rebel against the British imperial government. Thomas moved his press to Worcester at the behest of his friends who suspected that it would be impounded by the British authorities. Thomas' Bible was produced in several quarto octavo and duodecimo editions. Darlow and Moule note that Thomas enlisted the help of clergymen and others to compare nearly thirty different editions of the scripture. The Thomas Bible is one of the more attractive productions of early American printing. The clasps largely perished quite a bit of rubbing to the leather's edges. Lacks leaves K3 and K4 the final verses of Maccabees also lacks the endpapers. An armorial bookplate that states "Williams" on the front pastedown an inscription reading Thomas Williams Jr. 1792 on the verso of the Apocrypha title page. Isaiah Thomas hardcover
Bookseller reference : 000015094
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Ninetieth Congress Joint Committee on Printing
Congressional Pictorial Directory January 1967
Government Printing Office. Used - Good. Good condition. Hardcover edition. united states congress biography A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Government Printing Office hardcover
Bookseller reference : S13OS-01607
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[Color Printing]; [Lower Saxony]
Heide-Album; Ein Album mit 53 Bildern in Hochfeiner Farbiger Ausführung
Halberstadt: Louis Koch 1920. Hardcover. Very Good. Oblong 8vo. Unpaginated. Green paper wrappers printed in white with a mounted illustration of trees on the front wrapper. Title page printed in red and black. 53 color prints depicting life in rural Germany especially Lower Saxony. Villages families lanes farms churches town squares and other idyllic scenes are depicted here. Minor fading to the wrappers and a hint or two of foxing. Louis Koch hardcover
Bookseller reference : 000012727
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United States Government Printing Office
Style Manual 1984
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Bookseller reference : 9999036775.G ISBN : 9999036775 9789999036771
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US. Congress, Joint Committee On Printing U. S.
Henry John Heinz III Late A Senator from Pennsylvania Memorial Addresses Delivered in Congress. One Hundred Second Congress
U. S. Gov't Printing Office 1994-01-01. Hardcover. Good. . Book has shelf wear. Pages are lightly tanning but clean. Pages are intact. U. S. Gov't Printing Office hardcover
Bookseller reference : mon0002671091
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[PRINTING -- SAMPLE CATALOGUES].
Art & decoration in crepe & tissue paper. . . .
Boston MA: Dennison Manufacturing Co. 26 Franklin St. 1919. 12mo. 101 1 pp. Title w/ decorative borders. With 100s of text illustrations colour samples for crepe papers. colour-illustrated softcovers cover art of Dennison crepe paper customers crafting a number of different projects black lettering slight shelfwear NF copy. Twenty-third edition of this delightful sample catalogue from the famed distributor of fabulous crepe paper holiday novelties. Dennison’s decorated crepe papers were wildly popular for Halloween and Christmas and their decorations and costume ideas were considered absolutely necessary for holiday parties in the Progressive Era. This sample catalogue and instruction book details how to make crepe paper lamp shades collars Japanese lanterns flower pot covers paper dolls souvenir baskets as well as specific instructions on decorating automobiles for parades & events. The company was originally founded in 1844 and moved from 26 Franklin St. in Boston to Framingham MA in 1897 so this appears to have been a transition catalogue. The company continues to operate today as Avery Dennison headquartered in Glendale CA. No copies in Worldcat for this edition. Dennison Manufacturing Co., 26 Franklin St., paperback
Bookseller reference : 63625
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[PRINTING -- SAMPLE BOOK]. [JOACHIM, Leo H. (Ed. & Publisher).]
The seventh annual advertising and publishing production yearbook: the reference manual of the graphic arts. . . .
New York: Colton Press Inc. 1941. Thick 4to. 468 pp. With sample papers colour print samples type sets illustrated ads divider sheets w/ die-cut folding thumb tabs and text illustrations throughout. Black pictorial publisher’s cloth hand holding two pieces of type on front cover surrounded in gilt logos minor sunning to spine 1 minor soil spot upper right corner still VG copy. First edition of this relatively uncommon reference for printing and advertising design work on the eve of World War II including sections on art -- Faber Birren on Colour advice on art techniques and photography; Engraving & Duplicates - essential information on engraving techniques colour reproduction photo-engravings and Aluminotypes; Paper & Ink; Printing Processes - including sections on lithography collotypes silk screen and copper engraving and more. Colton Press, Inc., hardcover
Bookseller reference : 63576
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[PRINTING -- WINDOW DISPLAYS & SALES DISPLAYS]. GARRISON, [Flint] & WAGNER, [George M.].
Fall sales: catalog no. 62. . . .
St. Louis MO: Garrison-Wagner Co. 1929. 4to. 12 x 12 in. 36 pp. Colour and black & white illustrations throughout. Self-printed colour-illustrated softcovers stapled at gutter margin as issued center crease fold from original mailing minor dustsoiling slight toning & edgewear still a VG bright copy. First edition of this very scarce and lavishly illustrated Jazz Age catalogue issued by the noted St. Louis Missouri printing company filled with colour illustrations of their available printed advertising displays including pennants streamers window trims price cards poster sheets counter displays sales cards and more. Also included are their faux flower displays manufactured from silk other textiles paper around wire stems; a striking selection of crepe paper and embossed paper Halloween decorations and screens along with lanterns lamp shades and even imitation grass mats. The section on Oil Paint Panels draw from contemporary 1920’s artists and convey a rich sense of the intersection of Art Nouveau & Art Deco styles in fashion interior design and decoration of the period. Although purposely undated there is included a store prize giveaway for either enough punchcards or in-store stamps -- “Silver Robin†toy airplane powered by rubberband and based on the famed Curtiss-Wright Model B-2 Robin from 1928-1929 and was inspired by Lindbergh’s “Spirit of St. Louis†and “Wrong way†Douglas Corrigan’s 1929 Curtiss Robin aluminum monoplane. The company was founded originally in 1904 by Flint Garrison 1876-1948 who had come out of Texas before 1900 to work as advertising executive and writer for “The Drygoodsmen†trade journal and George M. Wagner 1872-1948 who served as CEO until his death. No copies in Worldcat. Garrison-Wagner Co., paperback
Bookseller reference : 63619
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Washingt Government Printing Office Compiled Under the Direction of the Joint Committee on Printing
Proceedings in Statuary Hall and the Senate and the House of Representatives upon the Unveiling Reception and Acceptance from the State of South Carolina of the Statue of Hon. John C. Calhoun March 12 1910
1910. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. hardcover
Bookseller reference : GB0057ABIGII3N00
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[PHILOSOPHY -- PRINTING]. FARNESTO, Octavio [FARNESE, Ottavio].
Quaestiones definitae ex triplici philosophia rationali naturali morali in Parmensi Academia publicae triduum disputatae ab . . . .
Parma: Ex Typographia Antaei Viothiis i.e. Anteo Viotti 1613. Folio. 8 374 8 pp including 2 blank leaves. Copper-engraved illustrated title of the Farnese coat of arms of Parma designed by Malossi i.e. Giovanni Battista Trotti 1565-1619 engraved in copper by Francesco Villamena 15660-1624 within an allegorical frame historiated initials and richly embellished throughout with decorative calligraphic woodcut engravings after drawings by Brondolo and engraved by Ferrari. Contemporary full vellum spine expertly repaired minor worming to pastedowns end leaves tidemark to gutter margin through 1st half of textblock w/o the large folding dedicatory engraving very minor worming to spine endpapers still a good copy. First edition of this fascinating work dedicated to Pope Paul V filled with 2370 theses of rational natural and moral philosophy defended at length by the brilliant 15-year old Ottavio Farnese 1598-1643 son of the Duke of Parma displaying a deep understanding of Aristotle and other ancient philosophers. Of particular interest are the wonderfully executed woodcut calligraphic figures throughout the text of sphinxes figures personified allegories musical instruments vegetables plants animals such as turtles storks roosters lions frogs and grasshoppers.No reference this cataloguer could find appears to have identified “Brondulus†possibly G.F. Brondolo. Sadly the year after this brilliant disputation in 1613 Ottavio’s paranoid father the Duke of Parma Ranuncio I Farnese imprisoned him in the notorious Parma La Rocchetta prison stripped him of all his feudal titles and there he languished for the next 30 years dying most likely of the plague in 1643. According to Worldcat listings and descriptive catalogues there appear to be surviving copies with and without the double-page allegorical plate dedicated to Pope Paul V. Worldcat locates 6 in the U.S. Getty Harvard w/o plate Newbery St. Bonaventure Library The Morgan DLC. Ex Typographia Ant[a]ei Viothi[is] (i.e. Anteo Viotti), hardcover
Bookseller reference : 61750
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[PRINTING -- COLOUR CHROMOLITHOGRAPH SAMPLE CARDS]. CLINTON, FL. & AB. F. L. A. B.
Agent’s sample book from Clinton Bros. Salesman sample catalogue filled with raised embossed novelty visiting cards.
Clintonville CT: Clinton Bros. ca. 1880. 12mo. 4.75 x 7 in. 28 pp unpaginated. w/ 29 visiting cards mounted nearly all embossed raised colour-chromolithograph die-cut visiting card samples tipped-in most w/ sales information printed on blank card mounted or in pencil manuscript. Quarter-black cloth over black printed & decorated covers gilt lettering on front cover minor dustsoiling minor toning shelfwear slight offsetting to facing pages still VG exemplar. First edition of this scarce and exceptionally preserved salesman’s catalogue of Victorian die-cut chromolithograph visiting cards. The Clinton Brothers maintained a successful printing house and stationery store which specialized in visiting and address cards often with promotions for note paper pen knives or cuff buttons & shirt studs. The business appears to have possibly drawn upon colour lithography printers in Rochester NY and surrounding areas for their chromolithograph catalogues and novelties which also included greeting cards postcards and advertisements. At the height of the Victorian era many would carry these specially printed cards to introduce themselves for social calls and even for wooing a prospective spouse. Traveling salesmen would often contract with one or more card maker and many could make a very good living selling the beautifully printed pieces. Worldcat locates 2 similar copies Toronto Pub. Lib. & CT Mus. Culture & Hist. Clinton Bros., hardcover
Bookseller reference : 62509
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[PRINTING -- COLOUR CHROMOLITHOGRAPH SAMPLE CARDS].
Agent’s sample book from Crown Card Co. . . Salesman sample catalogue filled with raised embossed novelty visiting cards.
Columbus OH: Crown Card Co. ca. 1890. 12mo. 4.75 x 6.5 in. 32 pp unpaginated. w/ 23 visiting cards mounted nearly all embossed raised colour-chromolithograph die-cut visiting card samples tipped-in most w/ stock no. & price info printed on blank card mounted. Quarter-black cloth over light blue-green printed & decorated covers red lettering & decorative border on front cover minor dustsoiling minor toning thumbing to covers still VG exemplar w/ final sheet listing orders by Obadiah & Norman Shearer E.M. Baley Alice Miller and Lewis Bordner totaling .75¢. First edition of this wonderfully preserved salesman’s catalogue of Victorian die-cut chromolithograph visiting cards from the Crown Card Co. in Columbus OH. The Crown Card Co. does not appear in street directory listings or commercial listings in and around Columbus Ohio through from 1880 through 1910 so it may have been operating purely as mail order subsidiary from the Crown Card Co. located in Cadiz OH through salesmen and sales agents with notice on the front cover here indicating that this catalogue was “given as a premium for a $ 1.00 card order.†At the height of the Victorian era many would carry these specially printed novelty cards to introduce themselves for social calls and even for wooing a prospective spouse. Traveling salesmen would often contract with one or more card maker and many could make a very good living selling the beautifully printed pieces. No copies in Worldcat 1 similar copy located in the Clements Library Univ. of Michigan. Crown Card Co., hardcover
Bookseller reference : 62510
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[PRINTING -- PHOTO-ENGRAVING]. FLADER, Louis (Comp. & Ed).
The art of photo-engraving.
San Francisco CA: American Photo-Engravers Association New Method Photo Engraving Co. 680 Howard St. 1929. 4to. 63 1 pp. Numerous plates illustrations colour illustrations colour-register photo illustrations. Colour-illustrated flexible covers Art Deco zig-zag cover art minor scuffing edgewear neatly rebacked still VG copy from the library of Bill High w/ former ownership marking on front cover. First edition thus of this exceedingly scarce handbook extracted from “Achievement in Photo-Engraving†1927 considered to by many to be one of the best printing sample books of the Jazz Age. Flader has specifically streamlined the selections of chapters and illustrations from the massive work offering step-by-step illustrations of how photo-engravings are etched photographed blocked printed together with instructions on uses of colour and colour balance. The American Photo-Engravers Association specifically contracted with assorted Photo-Engraving printers across the country to issue these in various locales. Worldcat locates 9 copies NYHSL Grolier Newberry Phil. Mus. of Art U So. Carolina SMU State Lib. Victoria SFPL & Victoria & Albert. American Photo-Engravers Association, New Method Photo Engraving Co., 680 Howard St.], unknown
Bookseller reference : 62392
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[TECHNOLOGY & PRINTING -- POWER TOOLS]. BLACK, [S. Duncan] & DECKER, [Alonzo].
Portable electric tools and shop equipment: including electric grinders valve grinders screwdrivers electric bench and pedestal grinders and electric air compressors.
Towson Heights Baltimore MD & Chicago IL: The Black & Decker Mfg. Co. Printed by R.R. Donnelley & Sons Co. 1923. 4to. 8.5 x 11 in. Title in red & black frontisp. in w/ decorative red borders red & black decorative vignette borders throughout numerous plates and text illustrations. Black decorated softcovers embossed raised lettering & decoration in red & gilt on front cover burgundy-coloured decorative border a NF copy. First edition of this beautifully printed catalogue No. 5 which helped launch the growth of the modern power tool industry and was produced by the Donnelley & Sons Lakeside Press. First developed by Black & Decker in 1910 their portable electric drill “with the pistol grip and trigger switch†was patented in 1917 and proved so invaluable for factory floors that employees began taking the drills home to work on their own projects so in 1923 the company introduced an entire line-up of portable tools aimed at non-professionals. Alonzo Decker and S. Duncan Black focused on improving their own inventions as well as other inventors products and they also marketed here their groundbreaking air compressor designed for automobile owners to inflate their tires. Decker 1884-1956 had no formal education beyond the 7th grade and would eventually hold 41 patents; Black 1883-1951 co-founded the company and was a draftsman educated at Baltimore Polytechnic who was essential in securing patents for the company and he himself held 14 patents. Worldcat locates 2 copies Maryland Hist. Soc. Lib. The Henry Ford. The Black & Decker Mfg., Co., [Printed by R.R. Donnelley & Sons Co.], paperback
Bookseller reference : 62452
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US. Government Printing Office U. S.
Officers and Enlisted Men of the United States Navy Who Lost Their Lives during the World War From April 6 1917 to November 11 1918 VOLUME 2
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Bookseller reference : 078843733X.G ISBN : 078843733X 9780788437335
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[PRINTING -- ENGRAVING FACTORY SAMPLE CATALOGUE]. [SMITH, Thomas W. (Manager).]
Massive printer’s sample catalogue filled with 4274 pieces of advertising subscription clipart from the American Publishing & Engraving Co. offering a vast trove of promotional sales illustrations stretching from the Roaring 20’s into the Great Depression. The noted job printer & engraving company while focusing on the automobile industry which represent nearly half of the clipart ads also offered advertisements for radio & electronics shops battery & tire companies fashion beauty products home furnishings paint & varnish awning companies and so much more.
New York: American Publishing & Engraving Co. J.J. Schultz & Co. 184 William St. Bookbinder ca. 1920-1939. Thick folio. 13 x 19 x 3.5 in. 135 leaves numbered reverse in pencil on versos of last half. on linen with 4274 camera-ready clipart samples all w/ inventory numbers rubber stamped below the image sized approx. 2 x 2 in. throughout arranged in montages of 24 28 32 & 40 per page each carefully mounted some crossed out w/ annotation “Killed†and others worn through at the lower right corner of some leaves while just a few have been removed and in once case clipped from the upper fore-edge of the leaf. Contemporary light gray/beige buckram soiled dampstained wear at fore-edges partially shaken rebacked still a VG- exemplar. An extraordinary printing & engraving firm’s factory sample catalogue for over 4000 of their camera-ready clipart advertisements for subscribing businesses following World War II through the Great Depression and the New Deal programs of President Roosevelt. This superlative archive of images traces Art Deco styles spanning nearly two decades advertising campaigns printing styles fonts and with almost not repeated images offered by American Publishing & Engraving Co. AP&E Co. to their extensive client list. In addition these engravings capture the revolutionary changes in American industry and commerce with nearly 50% devoted to the automobile industry including automobile manufacturers and dealerships accessory suppliers automobile repair public safety from bad driving the fast-growing electric motors and battery industries and more. Ford the Dodge Brothers Buick Studebaker Cadillac Plymouth Auburn Chrysler Essex Auburn-Cord DeSoto Hudson Terraplane and many others all are featured here advertising their service departments features speed and more. A significant portion also reveal the very real needs to wash the cars clean engines repaint the lacquer update the automobile tops replace batteries repair radiators and the always pressing need to maintain safety equipment and tires. Interspersed as well are automobile movers commercial body builders for trucks and commercial delivery vehicles with a significant percentage showing cylinder grinding engine rebuilding boiler repair and other very necessary secondary market needs as metal alloys and tolerances were far less durable with breakdowns an ever pressing problem for the motorist. Public safety notices reflecting the impact of the Progressive Era illustrate the dangers of the automobile with many indicating streetcars potentially hitting stalled cars which had not been repaired properly gridlock automobile accidents from ignoring traffic signals and police traffic officers as well as speeders hitting pedestrians or ignoring motorcycle police traps. Early in the sample illustrations are many reflecting the interest in building large Tudor Revival or Arts & Crafts homes installing electric lighting new furniture stylish clothes & shoes beautiful Oriental carpets and jewelry and watches for young flapper-era women. There are also promotional ads for Art & Stained Leaded Glass windows for homes interior decorators a panoply of beauty products many reflecting the Flapper Era hair and dress styles as well as evolution of the Art Deco lettering. As the AP&E Co. continued to add their sample engravings through the Great Depression not only is there a greater emphasis on repairing automobiles shoes recovering furniture and even repairing mattresses reflecting the belt tightening of the 1930’s but there are also increasing influences of more streamlined automobiles introduction of appliances such as refrigerators appearance of beer ads following the repeal of Prohibition and the fast growing radio industry. American Publishing & Engraving Co. based out of New York was one of a myriad of job printer engraving firms who emerged at the end of the 19th Century and initially specialized in publishing local histories and genealogies for historical societies by subscription typically with illustrations. Although this cataloguer could find no specific trade reference either in contemporary magazines or newspapers they appear to have operated out of the same locations as the Atlantic Publishing & Engraving Co. with some overlap and by the beginning of the 20th Century had largely dispensed with publishing local histories engraved portraits or vanity press projects. Contemporary court cases and other references indicate that they operated a subscription service for businesses advertising art to be run in magazines newspapers pulps or added to trade literature for matchbook covers business flyers etc. and by 1916-1925 were managed by Thomas W. Smith. No similar factory sample collection or published collection located in Worldcat. American Publishing & Engraving Co., J.J. Schultz & Co., 184 William St., Bookbinder, hardcover
Bookseller reference : 61659
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U S Government Printing Office (Gpo)
S. Hrg. 111-1005: Examining Enforcement of the Foreign Corrupt Practices ACT
Paperback / softback. New. paperback
Bookseller reference : A9781289589554 ISBN : 1289589550 9781289589554
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U S Government Printing Office (Gpo)
House Hearing 109th Congress: H.R. 5126 the Truth in Caller Id Act of 2006
Paperback / softback. New. paperback
Bookseller reference : A9781293252413 ISBN : 1293252417 9781293252413
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U S Government Printing Office (Gpo)
Florida and the Other Forty-Nine Florida's Business and Demographic Climate with National and State Comparisons
Paperback / softback. New. paperback
Bookseller reference : A9781287322351 ISBN : 1287322352 9781287322351
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