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Baudry G. - Marange R.
Comment on imprime
In-8°, pp. 642, numerose illustrazioni n.t., tela editoriale con titolo al doros e al piatto superiore.
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CHIAPPINO Luigi
Litografia per l'Istituto Professionale e per i corsi Complementari. Secondo le indicazioni dei profili e dei programmi dell'Ente Nazionale Istruzione Professionale Grafica
In-8°, pp. 427, legatura in tela editoriale
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DI BERARDO Marina
Il carattere in tipografia. Omaggio a Bodoni
In - 4° gr., pp- 125, illustrazioni nel testo, tela editoriale con sovraccoperta.
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FRACCHIA C. - RIZZO B.
L'impressore tipografo. Manuale tecnico di stampa. 216 illustrazioni e 13 tavole a colori fuori di testo
In-8°, pp. XXI, , 442, antiporta con raffigurazione di Gutenberg a colori, 216 illustrazioni e 13 tavole a colori f.t. con esempi di tecniche di stampa. Alcune xilogr. originali Testo fondamentale sulle tecniche e norme pratiche relative all’arte tipografica. Al fine termini tecnici essenziali. Brossura editoriale. Biblioteca delle scuole professionali.
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La maison CH. LORILLEUX
Traité de lithographie. Hostoire - Thorie Pratique
In-4°, pp. 380, 3 ritratti di Senefelder, 1 tavola a colori e diverse illustrazioni nel testo di cui molte a piena pagina, brossura editoriale figurata con diverse usure, il corpo del libro è diviso in due, dorso con lacune. Carte di guradie anteriore con alcuni strappi. Alla pagina di occhietto dedica di omaggio dell'editore Lorilleux.
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ROSSI Giorgio
Tecnologia grafica. Scrittura caratteri composizione illustrazioni macchinari riproduzioni inchiostri carta preventivi
In-8°, pp. 449, numerose illustrazioni nel testo e fuori testo, brossura editoriale. alcune bruniture, primo fascicolo in parte staccata.
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SERVOLINI Luigi
La xilografia
In-8°, pp. 242, 32 tavole f.t., tela editoriale con sovraccop.
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TREVISANI Pietro
Bodoni. Epoca. Vita. Arte. Quarantotto tavole fuori testo.
In-8°, pp. 214, 48 tavole (per lo più frontespizi e lettere) in b/n fuori testo, brossura con sovraccop. editoriale figurata. Piccoli strappi e alcune mancanze al dorso della sovraccop.. Al retro della sovraccop. è stata affissa una marca da bollo che segnala l'ufficiale aumento del 5% determinato dal Ministero delle corporazioni datata 25 febbraio 1940
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VALENTI Carlo Attilio
Tipografia: Fotoincisione cenni elementari sul comportamento della luce - cenni storici- La fotografia apllicata alla illustrazione dello stampato - il cliscé - metodi e procedimenti di lavoro - mascherature
In-8°, pp. 337, 145 figure nel testo, cartonatura editoriale con sovraccop. alcune lacune alla sovraccop.. Volume primo dei Trattati di Tecnica Grafica.
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Vallardi Luigi
Nozioni di litografia e rotolitografia
In-8°, pp. 103, numerose illustrazioni nel testo, brossura editoriale. Scoloriture ai margini della brossura superiore
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VERGANI Domenico
Tecnologia poligrafica
In-8°, pp. 557, numerose illustrazioni nel testo, brossura editoriale illustrata. Seconda edizione.
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Vico Giovanni
Dell'intaglio all'acquaforte e di alcuni intagliatori delle province subalpine. Cenni sommari
In-8°, pp. 45 , legatura in mezza tela muta. Estratti dall'album offerto dalla Società Promotrice ai benemeriti che contribuirono alla costruzione dell'edifizio per le esposizioni di Belle Arti in Torino.
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Gallavrini Alfredo
Il correttore. Guida teorica e pratica per chi stampa e per chi fa stampare
In-8°, pp. XVI, 265, numerose tavv. in b.n. f.t , bella cartonatura editoriale illustrata con sovraccop. in velina
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VINDEL Francisco
En papel de fabricación azteca fue impreso el primer libro en América (Apuntes que comprueban la falta de veracidad en un dictamen de la academia mexicana de la historia). con 27 fac simile
In folio, pp. 42, (2), 27 fac simile nel testo, brossura. Bruniture sparse alla brossura e lievi strappetti ai margini. Tiratura limitata, Esemplare n. 83 L'autore documenta con analisi microfotografiche e spettpgrafiche, che il Santo Rosario del XVI secolo fu il primo libro effettivamente stampato in America in un periodo in cui ancora non si era introdotta la carta in Messico utilizzando carta greve di fabbricazione azteca prodotta con corteccia di gelso
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LOZZI (Carlo)
Delle Origini della Stampa.
24pp., modern paper wrappers.
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MacROBERT (T.M.)
Printed Books. A Short Introduction to Fine Typography.
4to, 8pp., followed by 46 plates, orig. printed wrappers.
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WILLIAMSON (Hugh) Compiler.
Photocomposition at the Alden Press, Oxford. A Printer's Type-Specimen Book.
First Edition, oblong 4to, orig. cloth, d.w.
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WOUDE (S. van der) Editor.
Studia Bibliographia in Honorem Herman de la Fontaine Verwey. A Collection of Studies and Essays in Bibliography and Allied Subjects.
First Edition, 478,[2]pp., frontis., numerous plates, orig. cloth, d.w. The book contains 28 contributions of which 13 in English, 13 in French, and 2 in German.
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MARDERSTEIG (Giovanni)
The Officina Bodoni. An Account of the Work of a Hand Press 1923-1977. Edited and Translated by Hans Schmoller.
First edition, 4to, lix, 286, [2]pp., one of 1,500 copies, facsimiles (some printed in two colours), orig. publishers cloth, a very good copy. A detailed illustrated catalogue of all of the editions produced at this world-famous press, with the introduction forming an important account of Mardersteig as scholar, printer and publisher.
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BIRMINGHAM SCHOOL OF PRINTING.
Alderman Byng Kenrick. Tributes and Appreciations of his Retirement as Chairman of the Birmingham Education Committee Expressed at Meetings held on the 28th October and 8th December, 1943.
4to, orig. cloth, gilt. Wallis p.97.
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WILLETT (Ralph)
A Memoir on the Origin of Printing. In a Letter Addressed to John Topman, Esq.
Second Edition, iv, 72pp., one of 150 copies, vignette of title page, a little and light occasional foxing, recent quarter calf, uncut, t.e.g. Willett, 1719-95, English book collector, discusses the origin of printing; the work of Gutenberg and Caxton, the Coster legend, etc., and favours the claims of Mainz to the invention.
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HANSARD (T. C.)
Treatises on Printing and Type-Founding; by T.C. Hansard. From the Seventh Edition of the Encyclop?dia Britannica.
vii,[i],235pp., ex-library, presentation inscription from the publishers, illustrs., in the text, 2 folding plates of facsimiles, 1 folding plate of a printing-machine, orig. cloth, head of spine chipped, hinges slightly torn. Written by Thomas Curson Hansard, eldest son of the author of 'Typographia', of the same name. Includes a section on lithography written by William Nichol. Bigmore & Wyman I, pp.305.
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LOHF (Kenneth A.)
The History of Printing from its Beginnings to 1930. The Subject Catalogue of the American Type Founders Company Library in the Columbia University Libraries.
4 Vols., 4to, over 2740pp., orig. cloth. Reproduces the catalogue cards of the ca. 16,000 items in this very important collection. Some of the many subjects include: incunabula, curiosities of bookmaking (such as chained books), modern fine printing, history of paper, type specimen books, printing manuals, graphic design, trade catalogues, binding, and much more.
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BLISS (Carey S.)
A Pair on Printing. Atkyns' 'The Original and Growth of Printing' & William Caslon and the First English Type Specimen Book. Reproduced in Facsimile with Introductions by Carey S. Bliss.
137-[141]pp., one of 500 copies, orig. cloth, printed paper label on spine.
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WINSHIP (George Parker)
Daniel Berkeley Updike and the Merrymount Press of Boston, Massachusetts 1860-1894-1941.
First Edition, xiv, 141pp., 40 illustrs., orig. cloth.
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LEMOINE (Henry)
Engraving of Henry Lemoine, The Eccentric Bookseller & Author. Engraved by R. Cooper. [Lemoine is represented here in a low-crowned hat, a long coat, knee-breeches, carrying a sack thrown over his shoulder].
255 x 170mm (plate size 205 x 135mm), slightly spotted. Henry Lemoine was a well-known character in the book trade. He translated from the German and other Continental languages and wrote occasional verses. He was for some years a bookseller in Bishopsgate Churchyard, in the City of London. Bigmore & Wyman I, p.432.
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COTTON (Rev. Henry)
The Typographical Gazetteer.
Second Edition, corrected and much enlarged, xviii,393,[1]pp., orig. cloth, re-backed. Bigmore & Wyman, I. p.145. "This is a standard work of reference, and has always enjoyed great authority. The names of the towns are arranged in alphabetical order, and the circumstances attending the introduction into them of the art of printing, the earliest products of their presses, and biographical references to early printers, are given in a succinct manner."
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HOLME (Charles) Editor.
L'Art du Livre. ?tude sur Qurlques-uns des Derni?res Cr?ations en Typographie, Ornamentation de Textes, et Reliure, Ex?cut?es en Europe et en Am?rique.
4to, vii,[i],276+4pp., of adverts, numerous plates and illustrs., (some coloured), orig. printed wrappers, a nice copy. Profusely illustrated and containing some superb coloured plates. Includes an article by Douglas Cockerell 'La Reliure de luxe en Angleterre.' p.69-121. From the library of Pierre Ber?s.
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SCHREIBER (Fred)
Simon de Colines. An Annotated Catalogue of 230 Examples of His Press, 1520-1546. With an Introduction by Jeanne Veyrin-Forrer.
First Edition, 4to, lxxxiv, 242pp., one of 750 copies, frontis., 102 plates, orig. cloth, printed paper label on spine. A full bibliographical catalogue of a collection of 230 books issued by the celebrated French Renaissance printer Simon de Colines. The collection was form by the distinguished bookseller and scholar Fred Schreiber, and sold en bloc to the Brigham Young University. From the library of Pierre Ber?s.
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CLAUDIN (A[natole])
Catalogue de la Collection Typographique ayant fait partie de la Biblioth?que de feu M. A. Claudin.
78pp., orig. printed wrappers (detached), lower wrapper chipped (slightly affecting text), 498 lots. Not in blogie. From the library of Pierre Ber?s.
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LEMOINE (Henry)
Typographical Antiquities. History, Origin, and Progress, of the Art of Printing, from its First Invention in Germany to the End of the Seventeenth Century; and from its Introduction into England, by Caxton, to the Present Time... its Progress in the Provinces; with Chronological Lists of Eminent Printers in England, Scotland, and Ireland... also a Particular and Complete History of the Walpolean Press, Established at Strawberry Hill; with an Accurate List of Every Publication Issued Therefrom, and the Exact Number Printed Thereof... a Curious Dissertation on the Origin of the use of Paper... a Complete History of the Art of Wood-Cutting and Engraving on Copper...
First Edition, 12mo, 156pp., some light foxing, orig. half calf, rubbed, upper cover detached, uncut. Bigmore & Wyman I, p.431. Lemoine was a translator and compiler for various London publishers. For some time he was also a bookseller in Bishopsgate Churchyard, in the city of London.
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ROSSI (Giovanni Bernardo de)
Sinopsi della Ermeneutica Sacra o dell' arte di ben interpretare la Sacra Scrittura.
First Edition, 84pp., small neat stamp to title, orig. quarter vellum, marbled paper sides, uncut.
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ROSSI (Giovanni Bernardo de)
De Praecipuis Caussis: et momentis neglectae a nonnullis hebraicarum litterarum disciplinae. Disquisitio elenchtica.
First Edition, 4to, [viii],207,[9]pp., title vignette, two old small neat stamps, half calf, marbled sides, slightly rubbed.
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TAUBEL (Christian Gottlob)
Allgemeines theoretisch-praktisches Wortebuch der Buchdruckerkunst und Schriftgiesserey, in welchem alle bey der Ausiibung derselben vorkommende und in die damit verwandten Kunste, Wissenschaften und Gewerbe einschlagende Kunstworter, nach alphabet. Ordnung deutlich und ausfuhrlich erklart werden.
First Edition, 2 vols., 4to, [ii], vi, 152; [ii], vi, 88, 40, [148], [4]pp., engraved frontispieces, 8 engraved plates, 27 folding tables, wide-margin copy, some light worming to inner margins (not effecting text), orig. marbled paper wrappers, unopened, uncut, a very nice set. "Arranged as a dictionary, defining printing terms and containing much practical matter. A collection of diagrams and folding sheets shows presses and tools, type-founding utensils and moulds, type-specimens, case-lay, and imposition. Several poems in praise of printing precede a form of ceremony for reception of a new member of a printers' guild."?A List of Printers' Manuals to 1850. JPHS, No. 4, 1968. Without the third volume which was published four years later in 1809. Bigmore & Wyman, III, p.2.
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NATIONAL TYPOGRAPHIC CO.
Report of the Board of Directors of the National Typographic Co., and of the Board of Trustees of the Mergenthaler Printing Co., 154 Nassau St., New York City: Submitted to Stockholders' Meetings, March 19, 1892, and Ordered Printed.
Drop-head title, 6pp., slight tear along old fold line. Folding 6-page stock report brochure for this company; delineating sales of patents, licenses, treasurer's report, by L.G. Hine (President).
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TYPE SPECIMENS.
Specimens of Printing Types in use at the Marion Press, Jamaica, Queensborough, New York. Together with a List of the Publications of the Marion Press.
First Edition, 16pp., woodcut frontis., introduction by Frank E. Hopkins followed by specimens of print types including: Caslon Old-Style, Commercial, Modern in various points, with a list of available publication of the Marion Press on inside cover, orig. paper wrappers, title printed on upper cover within a decorative border, uncut. Hopkins tells us in the introduction that "In October, 1896, while employed at the De Vinne Press, New York, I set up in the attic of my house a small hand-press... and named for my daughter, Marion Day... In February, 1898, I left the De Vinne Press, and set up for myself in the printing business... The types shown on the following pages are new, and most of them are in good-sized fonts."
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STEINBERG (S.H.)
Stanley Morison 1889-1967. Offprint from the Proceedings of the British Academy, Volume LIII.
[2],449-468pp., 1 plate, orig. printed wrappers.
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PRINTING.
Magasins Sp?ciaux pour la Librairie, la Papeterie l'Imprimerie la Fonderie, la Gravure et les Autres Industries qui s'y Rattachent; Avenue de Saxe, No. 42, et rue P?rignon, No. 4. Agr??s par le sous-comptoir du Commerce et de l'Industrie.
14,[2]pp., orig. printed wrappers, small piece of blank margin of lower wrapper torn away. No other copy located.
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LITHOGRAPHY. [RAUCOURT DE CHARLEVILLE (Antoine)]
A Manual of Lithography, Clearly Explaining the Whole Art, and the accidents that may happen in Printing, with different methods of avoiding them. To which is added, (now for the first time printed) selections from the work of M. Br?geaut; forming a sequel to the manual, and bringing down the improvements in the art of the present time. Translated from the French, by C. Hullmandel.
Third Edition, corrected, xix,117,[3]pp., 2 fold-out lithographed plates, the first containing twelve figures of tools and implements, the second nine figures of printing presses and parts, both plates are lightly water-marked affecting the image, & with 1" marginal tear to vertical fold of each, final leaf includes publisher's advertisements for two additional titles by Hullmandel; front & back endpapers soiled, with early owner's signature (L. Stilson) & date on front pastedown, final two blank leaves bit stained, half calf with early marbled paper over boards, red leather label (3x2") with gilt border & title, "A Manual of Lithography", & the name "L. Stilson" added to front board; spine worn & rubbed with 1-1/4" piece missing at head & small label with black "C" at foot; 3" split in front joint; corners, edges & joints worn, paper boards chipped, edges of cover label chipped. Hullmandel's best know work and most influential publication is his book 'The art of drawing on stone' which was first published in 1824. But in terms of establishing lithography in Britain, his translation from the French of this treatise by Raucourt de Charleville was probably just as important. This third and final edition contains some important new additions. Colonel Antoine Raucourt was chief engineer at the Ecole des Ponts et Chauss?es in Paris and ran its in-plant lithographic press. His book was originally published in Toulon in 1819. Hullmandel thought highly of Raucourt's treatise and wrote in the preface: "The books which have hitherto been published on lithography are very imperfect, and are much more adapted to persons who already understand the art than those who wish to learn it... I have repeatedly wished for a guide to explain the new accidents which occur every instant, and which... appear each time so new and intricate, that the beginner is consequently tempted to give up all hopes of ever succeeding. I am consequently better enabled to appreciate the value of this excellent treatise on lithography, and hesitate not an instant to pronounce it the best work which has ever been published on the art." Bigmore & Wyman II, p.240; Twyman, pp.110-14.
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HANSON (Laurence)
Government and the Press 1695-1763.
First Edition, 4to, x,149,[1]pp., frontis., orig. cloth-backed boards, uncut. A scholarly monograph describing the relationship between government and the newspaper press.
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BIRMINGHAM SCHOOL OF PRINTING. CAVE (Thomas)
John Baskerville: The Printer 1706-1775, His Ancestry. A Retrospect.
4to, orig. cloth-backed boards. Wallis, p.84.
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BIRMINGHAM SCHOOL OF PRINTING. CAVE (Thomas)
John Baskerville: The Printer 1706-1775, His Ancestry. A Retrospect.
4to, orig. cloth-backed boards. Wallis, p.84.
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JONES (George W.)
Catalogue of the Library of George W. Jones at The Sign of the Dolphin next to Dr. Johnson's House in Gough Square, Fleet Street, London E.C.4.
4to, [iv],ix,[iii],131,[1]pp., presentation inscription from the author, frontispiece portrait, title-page with typographical border, 31 plates (some in coloured), pictorial endpapers with signs of sellotape residue, orig. boards, uncut, lower spine and corners a little bumped otherwise a nice copy. Jones' library reflected his own career as a printer being almost entirely concerned with fine printing in all its aspects. Several of his designs for Linotype are used, including 'Estienne' for the Incunables, 'Granjon' and 'Bernard' for the American books, and 'Georgian' for the British books. The section devoted to European books is set in 'Venezia' which was originally cut for Jones by Edward Prince before being added to the Linotype list in 1928. "The Second Catalogue... This was the library at his Gough Square premises which, according to Leonard Jay, was complementary to that at Monksbarn which had been sold by Sotheby's in 1936. However, it is likely that some items in the "first" library had been withheld from sale for sentimental reasons and are included here. A study of the contents of both libraries is essential to an understanding of the work of George W. Jones."?Rogerson, George W. Jones. 2.
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JONES (George W.)
Some Books from the Library of George W. Jones Formerly at Monkbarns, Northwood.
Folio, [x],111,[3]pp., printed in Linotype Estienne with Civilite headings, Cockerell marbled paper boards, title label to spine, uncut. "This [library] was designed to be a guide and inspiration to a working printer and to illustrate the history of printing and all its adjuncts: types, pages, margins, woodcut and other decoration. The great names of Gutenberg, Fust and Schoeffer, Zel, Sweynheym and Pannartz, Wendolin of Speier, Jenson, Crantz, Gering and Friburger, and Caxton appear, and there are a number of examples of the fine borders and initials produced by the Zainers at Augsburg and Ulm and by Ratdolt at Venice."?Preface. Rogerson, 26.
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LITHOGRAPHY. BR?GEAUT (R. L.)
Manuel Complet Th?orique et Pratique du Dessinateur et de l'Imprimeur Lithographe. Seconde ?dition revue, corrig?e, augment?e et orn?e de douze lithographies.
Second edition, revised, 12mo, xxxvi,176pp., 12 illustrs., (6 of which are on 2 folding leaves), the folding leaves creased and waterstained, some light spotting and staining, bookplate of Jacob L. Chernofsky, new marbled endpapers, recent full calf. The second revised edition which was published in the same year as the first. It provides a good overall account of the art of lithography up this date and illustrates the apparatus involved along with examples of techniques. Michael Twyman, Lithography 1800-1850, p. 264.
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[DONIOL (Henri)]
Les Vitrines de l'Imprimerie Nationale a l'Exposition Universelle de 1889.
Royal 8vo, 32pp., title vignette, some light browning, orig. paper wrappers.
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LITHOGRAPHY. [GRIMSTON (Charlotte)]
The History of Gorhambury.
First edition, 4to, [2],90pp., lithographed throughout wove paper watermarked "Whatman 1820", inscribed "E. H. Grimston from his affectionate aunt Harriot Grimston Oct 13th 1840", Edward H. Grimston was the second son of the author, and Harriot her sister-in-law, lithographed portrait frontispiece of the author on india-proof paper, title within decorative border, 9 lithographed plates and plans, one etched plate, 11 lithographed armorials in the margins, some light spotting, contemporary half morocco,upper joint split. "Probably the earliest [British] topographical book with its text lithographed... the most striking feature of the book is the discrepancy between the assurance of the writing of the main text and the naivety of the drawings..."?Twyman, Early Lithographed Books, pp. 179-180. Twyman suggests that Charlotte Grimston (wife of the first earl of Verulam who owned Gorhambury) was responsible for the views and plans, but employed a professional lithographic writer for the text. Martin, Privately Printed Books, pp.342-43.
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HUTH LIBRARY.
Catalogue of the Famous Library of Printed Books, Illuminated Manuscripts, Autograph Letters and Engravings Collected by Henry Huth, and Since Maintained and Augmented by his Son Alfred H. Huth, Fosbury Manor, Wiltshire... First [-Ninth and Final] Portion. [With:] The Autograph Letters; Engravings & Woodcuts; Unsold & Imperfect Books.
12 Parts., 4to, numerous plates throughout (some coloured, some folding), all parts illustrated in orig. printed wrappers unless otherwise described. A complete record of the sale of printed books, manuscripts and autographs which De Ricci described as "one of the most striking events in the history of the English sale-rooms". Huth's collection, which ranked among the finest in England, was rich in incunabula, voyages, Shakespearean and early English literature, and Bibles. Together these 12 sales consisted of 8,788 lots and totalled over ?350,000. [i] 12 June 1911. Autograph letters (246 lots). [ii] 4 July 1911. Engravings and woodcuts (341 lots). This catalogue was under printed and is especially difficult to obtain. [iii] 15 November 1911. Library, part I (lots 1-1228). Limited edition, spine broken. [iv] 5 June 1912. Library, part II (lots 1229-2596). Quarter calf. [v] 2 June 1913. Library, part III (lots 2597-3931). Lightly waterstained, spine broken. [vi] 7 July 1914. Library, part IV (lots 3932-4602). Limited edition. [vii] 4 July 1916. Library, part V (lots 4603-5205). New wrappers. [viii] 11 July 1917. Library, part VI (lots 5206-6060). Limited edition. [ix] 1 July 1918. Library, part VII (lots 6061-7182). [x] 8 July 1919. Library, part VIII (7183-7842). Un-illustrated, new wrappers. [xi] 22 June 1920. Library, part IX and final portion (lots 7843-7969). [xii] 27 February 1922. Unsold or imperfect books (232 lots). De Ricci, pp. 151-154.
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GOWAN (Al)
T.J. Lyons. A Biography and Critical Essay.
First Edition, one coloured keepsake tipped-in, 150 illustrs., including photos and one-line type specimens, orig. cloth. A tribute to an American phenomenon: T.J. Lyons of Boston, who printed in one small shop at the same location for sixty-two years, using nineteenth-century typefaces almost exclusively.
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HINDLEY (Charles)
The History of the Catnach Press, at Berwick-upon-Tweed, Alnwick and Newcastle-upon-Tyne, in Northumberland, and Seven Dials, London.
8vo, xlii, 308pp., frontis., numerous coloured illustrs., orig. buckram, printed paper label on spine and upper cover, uncut. Jemmy Catnach, the printer, son of John Catnach, printer in Northumberland, and who founded the press, justly earned the distinction of being one of the great pioneers in the cause of promoting cheap literature.
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