|
Montherlant H
La Reine Morte
Gallimard 1947. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition suitable as a study copy. Gallimard paperback
Bookseller reference : 3364129
|
|
|
De Montherlant H
The Master Of Santiago
Routledge and Kegan Paul 1951. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition suitable as a study copy. Routledge and Kegan Paul paperback
Bookseller reference : 4458700
|
|
|
Henry de Montherlant
Les celibataires
Gallimard 1954. This book has soft covers. Ex-library With usual stamps and markings In fair condition suitable as a study copy. Gallimard paperback
Bookseller reference : 3331865
|
|
|
de Montherlant H
Malatesta
Editions Gallimard 1955. This book has soft covers.Ex-libraryWith usual stamps and markingsIn fair condition suitable as a study copy. Editions Gallimard paperback
Bookseller reference : 2671871
|
|
|
de Montherlant Henry Johnson Robert B
"Henry de Montherlant 1896-1972" in The French Review March 1973
Baltimore: American Association of Teachers of French 1973. Near fine in original wrappers with slight sunning along the spine. First Edition. Soft Cover. Near Fine. American Association of Teachers of French Paperback
Bookseller reference : 022453
|
|
|
De Montherlant Henry
Rock Plants
The Hyperion Press 1948. Illustrated by Arlette Davids. Translated from French by S.P. Skipwith. Very large thin book cloth 32 full-color illustrations of cacti with artist's facsimile signature on heavy paper--suitable for framing. Light brown cloth title embossed on top front in red tiny tear at spine top edge 1/4" tear to spine bottom left and right edge contents excellent. Good. Cloth. Good. Illus. by Davids Arlette. 4to - over 9�" - 12" tall. The Hyperion Press Hardcover
Bookseller reference : 12984
|
|
|
PAR H. DE MONTHERLANT
PAYSAGE DES OLYMPIQUES. PHOTOS PAR KAREL EGERMEIER. 388 grams
PARIS: ED. GRASSET 1940. IN 4. BR MOY. ENV 110 PP. 87 ILL EN NOIR. BE ED. GRASSET unknown
Bookseller reference : 51409
|
|
|
Montherlant Henry de
COSTALS & THE HIPPOGRIFF. Translated from the French by John Rodker
New York Alfred A. Knopf 1940. Spine fading trace of price. A decent copy of a scarce wartime book in spine darkened d/w. 1st US edition. Binding is cloth. F. Hardcover. New York Alfred A. Knopf 1940. Hardcover
Bookseller reference : 004325
|
|
|
Montherlant Henry De; Various Authors
LES MERVEILLES DE LA FRANCE; PARIS ET SES ALENTOURS
Lausanne: Hachette 1961. 344pp. Profusely illustrated with photos & color plates many tipped-in. Dj tears repaired. Cloth. Very Good/Fair. Large 4to. Hachette Hardcover
Bookseller reference : 14103
|
|
|
Montherlant Henry de. SIPRIOT Pierre
Album Montherlant. Iconographie r�unie et comment�e
Paris: Gallimard 1979. 242 iv pp. Small 8vo 11 x 175 cm. Original simili leather spine gilt decorated. With the printed dust jacket. and original slip-case. With 392 illustrations. � Biblioth�que de la Pl�iade. Con�u et r�alis� sp�cialement � l'occasion de la Quinzaine de la Pl�iade 1979. Gallimard, hardcover
Bookseller reference : 2221
|
|
|
De Montherlant Henry Transl Peter Wiles
The Matador
London: Elek 1957. Bull-fighting drama. Expanded condition report/scan on request. 1st UK Edition. Hard Cover with Dust Jacket. VG Wear Stamp Foxing/G PC WearTearsFoxingStain. Elek Hardcover
Bookseller reference : 012898
|
|
|
MONTHERLANT HENRY DE
Th�atre Choisi Classiques Illustres Vaubourdolle
Librairie Hachette Paris FRANCE 1953. 95pp. Couverture Souple. Bon �tat. 18 Cm X 12 Cm. Librairie Hachette, Paris FRANCE Paperback
Bookseller reference : R01213
|
|
|
MONTHERLANT H. De
CARNETS XXIX � XXXV. Du 19 f�vrier 1935 au 11 janvier 1939. Avec un portrait grav� sur bois par Gilbert Poilliot d'apr�s
P. La Table Ronde "Le Choix III 1947. 256pp. Couverture Souple. Tres Bon �tat/Tres Bon Etat. 14 1/2 Cm x 19 1/2 Cm. P. La Table Ronde, "Le Choix III Paperback
Bookseller reference : R01423
|
|
|
H. DE MONTHERLANT
CARNETS XLII et XLIII du 1er janvier 1942 au 31 d�cembre 1943
Le Choix La Table Ronde 1948. 124 pages. Couverture Souple. Tres Bon �tat/Tres Bon Etat. 14 1/2 Cm x 19 1/2 Cm. Le Choix, La Table Ronde Paperback
Bookseller reference : R01424
|
|
|
De Montherlant Henry
Chaos and Night
Grosset & Dunlap January 1968. Trade Trade. Good. Grosset & Dunlap unknown
Bookseller reference : 70047
|
|
|
Montherlant Henry De
La Reine Morte
Livre De Poche Felt-tip mark over former owner's name on first page; interiors unmarked. Spotting on outermost pages. Edgeworn & moderately shelfworn. Binding firm. French Language Text. Mass Market Paperback. Good. Livre De Poche Paperback
Bookseller reference : 65845
|
|
|
MONTHERLANT Preface et Notice Bio Bibliographique Par Roger Secretain
ROMANS et Oeuvres De Fiction Non Theatrales
FRANCE: BIBLIOTHEQUE DE LA PLEIADE 1959. FRENCH TEXT BROWN FLEXIBLE BOARDS. IMITATION LEATHER. FINE/VG. BIBLIOTHEQUE DE LA PLEIADE
Bookseller reference : 030577
|
|
|
MONTHERLANT HENRY DE
Service Inutile
Paris: Bernard Grasset. 1935. Sixteenth Edition. Paperback. Good. 8vo. Original paper covers with glassine wrapper. Uncut. Wrappers worn and frayed with slight loss at head and tail of spine. Paper browned. With a presentation inscription from Montherlant to the 21 year old Pierre Peter Gimpel dated 29 january 1936. Pierre Gimpel Peter Gimpel art dealer: born Paris 26 October 1915; died London 12 June 2005. Art dealers are essentially intermediaries between artists and the buying public but a few genuinely help shape the taste of a generation. Peter Gimpel was one such. With his brother Charles he set up Gimpel Fils in London in 1946 first in South Molton Street W1 then around the corner in much larger premises in Davies Street. No gallery did as much especially in the 1950s and 1960s to put contemporary British artists notably those of the St Ives school the abstract painters of the Ecole de Paris and to a lesser extent rising American painters on the map. They called themselves Gimpel Fils in homage to their father Ren� himself a second generation art dealer of Alsatian Jewish origin who was not merely a dealer in the Duveen class and considerably more of an expert than Joe Duveen but was married to the youngest of the 13 Duveen siblings. Ren� Gimpel was also a peerless diarist whose Journal d'un Collectionneur first published in 1963 and subsequently in translation as The Diary of an Art Dealer wittily chronicled his friendship with the likes of Monet Renoir Forain and Proust as well as his dealings with difficult American mega-collectors like Henry Clay Frick. After the German occupation of France he joined the Resistance aged over 60 and died in Neuengamme concentration camp in 1944. Charles who had been captured working for the same cause was subsequently tortured. The youngest son Jean also in the Resistance evaded capture. Peter joined the British Army. The three Gimpel sons - Jean went into diamonds and became an authority on medieval technology - had been brought up in highly cultured luxury in a house in the Bois de Boulogne on the west side of Paris with some 15 servants. Charles and Peter then called Ernest and Pierre - "Charles" was Ernest's Resistance codename which he adopted permanently were painted by Marie Lauren�in aged seven and five respectively. Peter was sent off in his teens to a smart boarding school in Switzerland Le Rosey which he loathed and then conscripted into the French army. He and Charles did their military service in North Africa as troopers in the turbaned chasseurs d'Afrique both being much concerned with what Peter described as "the personal hygiene and beautification of the horse". After the outbreak of the Second World War Charles hurried back to France from London where he had begun to work for a firm of decorators to join a French tank regiment. Both were bilingual: Peter was soon made a liaison officer with the 51st Highland Division and fought with them during the German breakthrough. Both brothers were evacuated via Dunkirk. Peter was given a commission in the 60th Rifles fought in the battle of El Alamein from the first day survived the Italian campaign and ended up in a small unit 100 miles inside Germany. Gimpel Fils opened sensationally - if misleadingly given the gallery's contemporary mission - in November 1946 with a show entitled "Five Centuries of French Painting" drawn from the small part of their father's collection that had been removed to safety in England before the Second World War. While Ren� knew and collected the Impressionists and post-Impressionists he had specialised in 18th-century French painting and was an expert on Vermeer. The bulk of his stock was lost in Paris during the war. The proceeds from this exhibition and from other works subsequently trickled onto the market helped fund the gallery's commitment to contemporary art and British art in particular. Among artists with whom Gimpel Fils came to be closely associated were: from Britain the sculptors Barbara Hepworth Henry Moore Bernard Meadows Reg Butler Hubert Dalwood Kenneth Armitage and Robert Adams and the painters Alan Davie Peter Lanyon Gillian Ayres Louis le Brocquy William Scott and Ivon Hitchens; from France Pierre Soulages Nicolas de Sta�l Alfred Manessier Serge Poliakoff Yves Klein and Niki de St Phalle; and from the United States Marcel Duchamp Alexander Calder Sam Francis and Larry Rivers. Despite the rise of Marlborough Fine Art and stiff competition from the likes of the Redfern Waddington and Hanover galleries Gimpel Fils was for a time unrivalled in the range and quality of its artists. With the death of Charles in 1973 the rise of noisier less painterly movements and then Peter's progressive withdrawal Gimpel Fils acquired a somewhat split personality shows by veterans such as Alan Davie and Albert Irvin and retrospectives of departed modern masters contrasting oddly with radically conceptual work by the new generation. But it remained a strongly family business with Charles's son Ren� assuming the helm and his widow Kay continuing until the late 1990s to play a role along with Jean's widow Cath�rine who more recently moved to France. The Gimpel fils were very different in style. Charles was more obviously passionate in his approach and a gifted photographer with a mission to record the life and culture of the Inuits of the Canadian Eastern Arctic whose carvings the gallery first showed a first in Europe in 1953. Peter taller darker and with his father's short moustache was a more laconic and analytical observer of life and art and excellent company. Both were dedicated sportsmen. Charles played rugby for Blackheath. Peter sailed - most weekends a Dragon at the Royal Corinthian Yacht Club at Burnham-on-Crouch in Essex which he had joined in 1936 and of which he rose to be commodore; and for holidays a cruiser moored at Antibes which he shared with Jo Poupon of French mustard fame and continued to take around the Mediterranean and Aegean until well into his eighties. Most of Peter Gimpel's friends were drawn from the world of sailing rather than art. He remained a bachelor living for many years with his mother in a large Knightsbridge flat latterly in a Wapping apartment with enviable views up and down the Thames. He also had a house inland from the French Riviera at Carros next to the painters Louis le Brocquy and Anne Madden and a stake in the collective family home not too far away in M�nerbes in the Vaucluse. Roger Berthoud Bernard Grasset. paperback
Bookseller reference : 018363
|
|
|
MONTHERLANT HENRY DE
Pasipha�
Tunis.: �ditions de Mirages. 1934. First edition. Paperback. Very Good. 8vo. Original paper covers and glassine wrapper. Uncut. Covers a little worn at spine glassine frayed with loss at spine. No.173/380 on Alfa. �ditions de Mirages. paperback
Bookseller reference : 018368
|
|
|
MONTHERLANT HENRY DE
Deuxi�me Olympique. Les Onze devant la porte dor�e
Paris: Bernard Grasset. 1924. First edition. Paperback. Very Good. 8vo. Original paper covers and glassine wrapper. Uncut and partially unopened. A little rubbed and frayed several apges dog-eared. No.LXXV one of 100 copies on V�lin pur Fil Lafuma. Bernard Grasset. paperback
Bookseller reference : 018365
|
|
|
MONTHERLANT HENRY DE
Encore un instant de bonheur
Paris: Bernard Grasset. 1934. First edition. Paperback. Very Good. 8vo. Original paper covers and glassine wrapper. Uncut . No.33/120 on Alfa. Covers a little rubbed glassine torn with loss. Bernard Grasset. paperback
Bookseller reference : 018367
|
|
|
MONTHERLANT HENRY DE
Les c�libataires
Paris: Bernard Grasset. 1934. First edition. Paperback. Very Good. 8vo. Original paper covers glassine wrapper. Uncut and unopened. No.360/1340 on Alfa. Covers a little rubbed. Bernard Grasset. paperback
Bookseller reference : 018366
|
|
|
MONTHERLANT HENRY DE
Les Bestiaires
Paris: Bernard Grasset. 1929. First edition. Paperback. Very Good. 8vo. Original paper covers with glassine wrapper. Unopened and uncut. No.504 of an unspecified number on Velin pur Chiffon. Rubbed and glassine frayed with marginal ink stain to bottom edge of last 20 pages. With a lengthy and warm presentation inscription from Montherlant to the 19 year old Pierre Peter Gimpel dated 1st June 1934. Art dealers are essentially intermediaries between artists and the buying public but a few genuinely help shape the taste of a generation. Peter Gimpel was one such. With his brother Charles he set up Gimpel Fils in London in 1946 first in South Molton Street W1 then around the corner in much larger premises in Davies Street. No gallery did as much especially in the 1950s and 1960s to put contemporary British artists notably those of the St Ives school the abstract painters of the Ecole de Paris and to a lesser extent rising American painters on the map. Pierre Gimpel Peter Gimpel art dealer: born Paris 26 October 1915; died London 12 June 2005. Art dealers are essentially intermediaries between artists and the buying public but a few genuinely help shape the taste of a generation. Peter Gimpel was one such. With his brother Charles he set up Gimpel Fils in London in 1946 first in South Molton Street W1 then around the corner in much larger premises in Davies Street. No gallery did as much especially in the 1950s and 1960s to put contemporary British artists notably those of the St Ives school the abstract painters of the Ecole de Paris and to a lesser extent rising American painters on the map. They called themselves Gimpel Fils in homage to their father Ren� himself a second generation art dealer of Alsatian Jewish origin who was not merely a dealer in the Duveen class and considerably more of an expert than Joe Duveen but was married to the youngest of the 13 Duveen siblings. Ren� Gimpel was also a peerless diarist whose Journal d'un Collectionneur first published in 1963 and subsequently in translation as The Diary of an Art Dealer wittily chronicled his friendship with the likes of Monet Renoir Forain and Proust as well as his dealings with difficult American mega-collectors like Henry Clay Frick. After the German occupation of France he joined the Resistance aged over 60 and died in Neuengamme concentration camp in 1944. Charles who had been captured working for the same cause was subsequently tortured. The youngest son Jean also in the Resistance evaded capture. Peter joined the British Army. The three Gimpel sons - Jean went into diamonds and became an authority on medieval technology - had been brought up in highly cultured luxury in a house in the Bois de Boulogne on the west side of Paris with some 15 servants. Charles and Peter then called Ernest and Pierre - "Charles" was Ernest's Resistance codename which he adopted permanently were painted by Marie Lauren�in aged seven and five respectively. Peter was sent off in his teens to a smart boarding school in Switzerland Le Rosey which he loathed and then conscripted into the French army. He and Charles did their military service in North Africa as troopers in the turbaned chasseurs d'Afrique both being much concerned with what Peter described as "the personal hygiene and beautification of the horse". After the outbreak of the Second World War Charles hurried back to France from London where he had begun to work for a firm of decorators to join a French tank regiment. Both were bilingual: Peter was soon made a liaison officer with the 51st Highland Division and fought with them during the German breakthrough. Both brothers were evacuated via Dunkirk. Peter was given a commission in the 60th Rifles fought in the battle of El Alamein from the first day survived the Italian campaign and ended up in a small unit 100 miles inside Germany. Gimpel Fils opened sensationally - if misleadingly given the gallery's contemporary mission - in November 1946 with a show entitled "Five Centuries of French Painting" drawn from the small part of their father's collection that had been removed to safety in England before the Second World War. While Ren� knew and collected the Impressionists and post-Impressionists he had specialised in 18th-century French painting and was an expert on Vermeer. The bulk of his stock was lost in Paris during the war. The proceeds from this exhibition and from other works subsequently trickled onto the market helped fund the gallery's commitment to contemporary art and British art in particular. Among artists with whom Gimpel Fils came to be closely associated were: from Britain the sculptors Barbara Hepworth Henry Moore Bernard Meadows Reg Butler Hubert Dalwood Kenneth Armitage and Robert Adams and the painters Alan Davie Peter Lanyon Gillian Ayres Louis le Brocquy William Scott and Ivon Hitchens; from France Pierre Soulages Nicolas de Sta�l Alfred Manessier Serge Poliakoff Yves Klein and Niki de St Phalle; and from the United States Marcel Duchamp Alexander Calder Sam Francis and Larry Rivers. Despite the rise of Marlborough Fine Art and stiff competition from the likes of the Redfern Waddington and Hanover galleries Gimpel Fils was for a time unrivalled in the range and quality of its artists. With the death of Charles in 1973 the rise of noisier less painterly movements and then Peter's progressive withdrawal Gimpel Fils acquired a somewhat split personality shows by veterans such as Alan Davie and Albert Irvin and retrospectives of departed modern masters contrasting oddly with radically conceptual work by the new generation. But it remained a strongly family business with Charles's son Ren� assuming the helm and his widow Kay continuing until the late 1990s to play a role along with Jean's widow Cath�rine who more recently moved to France. The Gimpel fils were very different in style. Charles was more obviously passionate in his approach and a gifted photographer with a mission to record the life and culture of the Inuits of the Canadian Eastern Arctic whose carvings the gallery first showed a first in Europe in 1953. Peter taller darker and with his father's short moustache was a more laconic and analytical observer of life and art and excellent company. Both were dedicated sportsmen. Charles played rugby for Blackheath. Peter sailed - most weekends a Dragon at the Royal Corinthian Yacht Club at Burnham-on-Crouch in Essex which he had joined in 1936 and of which he rose to be commodore; and for holidays a cruiser moored at Antibes which he shared with Jo Poupon of French mustard fame and continued to take around the Mediterranean and Aegean until well into his eighties. Most of Peter Gimpel's friends were drawn from the world of sailing rather than art. He remained a bachelor living for many years with his mother in a large Knightsbridge flat latterly in a Wapping apartment with enviable views up and down the Thames. He also had a house inland from the French Riviera at Carros next to the painters Louis le Brocquy and Anne Madden and a stake in the collective family home not too far away in M�nerbes in the Vaucluse. Roger Berthoud Bernard Grasset. paperback
Bookseller reference : 018364
|
|
|
Montherlant Henry De
Le Chaos et La Nuit
Grosset and Dunlap Universal Library 1968; VG softcover; TEXT IS IN ENGLISH. paperback
Bookseller reference : 0001841
|
|
|
Montherlant Henry De
Selected Essays
Macmillan 1961. DJ has light wear to top front tip and top front edge. Fine DJ/Very Fine book. Hard Cover. Fine/Fine. Macmillan Hardcover
Bookseller reference : 02393
|
|
|
Henry de Montherlant
The Lepers
George Routledge 1939. First Edition. Hard Back. Good. Good copy in blue cloth. Scarce important work by the French author of a "four-volume cycle 'Les jeunes filles' 1936-1939. Bookplate on the back of the front board previous owner's name on the fep. Tight binding no foxing but slight age tan to the pages. George Routledge hardcover
Bookseller reference : 041812
|
|
|
DE MONTHERLANT HENRY
LA REINE MORTE Drame En Trois Actes
France: GALLIMARD 1983. FRENCH TEXT. Re Issue. PAPERBACK. FINE. GALLIMARD Paperback
Bookseller reference : 038811 ISBN : 2070360121 9782070360123
|
|
|
De Montherlant Henry
UN ASSASSIN EST MON MA�TRE Maitre
Paris France: Gallimard 1971. lxvii 234 pp. blue cloth w/ gold lettering & a built-in yellow ribbon bookmark - clear plastic jacket w/ 2 1/2" high paper band underneath stating title & author; book shows a small nick to bottom edge of one leaf; the name "Elizabeth Callahan" is written neatly in the center of the front free endpaper; there is a brief gift inscription to the leaf preceding the half-title page dated 24.3.1972 & signed as best I can make out by "G Demouliy" though I can't be sure of the spelling of the last part of the name. The clear plastic jacket shows some short tears & chipping to top corners of spine & to top ends of flap folds as well as some light rubbing over all & a few small scrapes. The paper band shows a small rubbed area at the end of the rear inside flap. Overall a very attractive copy. / The limitation page at the rear of the book states: "Ce volume le deux cent quatre - vingt - septi�me de la collection Soleil a �t� � cinq mille six cents exemplaires dont cent hors commerce num�rot�s de I � 5600 et imprim� sur bouffant alfa Calypso des Papeteries Libert par l'Imprimerie Floch � Mayenne. La reliure a �t� ex�cut�e par Babout � Paris d'apr�s la manquette de Massin. Les exemplaires hors commerce sont num�rot�s de 5501 � 5600. Exemplaire 4499" /. Limited/Numbered Edition. Hard Cover. Very Good to Fine/Good to Very Good. 8vo - over 7�" - 9�" tall. Gallimard Hardcover
Bookseller reference : HCA-5479
|
|
|
de Montherlant Henry
La Reine Morte
France: Librairie Gallimard 1947. NB: Text entirely in FRENCH. 1951 reprint. Part of the "Collection Pourpre". Dark red cloth with gilt lettering to spine. Minor wear. Pages yellowed. Dust jacket is a little sunned at the spine. Edges are worn and have some small tears. 187pp. Reprint. Cloth. Good /Fair. 12mo - over 6�" - 7�" tall. Librairie Gallimard Hardcover
Bookseller reference : 12526
|
|
|
Montherlant Henry de
La Rose de Sable
VG. Stiff wraps. Signature to front fly. French fiction Editions Gallimard Paris 1968 Ed. D�finitive 8 x 5 1/2" 578 pp. In the original French. Written 1930-32 mostly in Algiers & treating the colonial question seen through the problem of the natives of North Africa. In 1957 a portion was translated into English and published as "Desert Love". Editions Gallimard paperback
Bookseller reference : MAIN004241I
|
|
|
Montherlant Henry de
Les Bestiaires
VG. Paperback. in wraps. novel French Librairie Gallimard Paris 1954 Livre de Poche 6 1/2 x 4 1/4" 248 pp. No. 268 in the Le Livre de Poche series Librairie Gallimard paperback
Bookseller reference : MAIN007266I
|
|
|
Robert Baldock Georges Schehade Boris Vian Henry De Montherlant
Theatre of War : Vasco The generals' tea-party Civil War
London: Penguin 1967. Blue card covers faded to spine and with reading crease. Slight brown mark to front hinge not affecting the interior some yellowing to page edges. Reprint. Mass Market Paperback. Good/No Jacket. 12mo. Penguin Paperback
Bookseller reference : 50063
|
|
|
De Montherlant Henry
Chaos and Night
Macmillan Company 1964. Nice clean unmarked hardcover in like dustjacket trans from the French by Terence Kilmartin. . First American Edition. Hard Cover. Very Good/Very Good. Macmillan Company Hardcover
Bookseller reference : 021771
|
|
|
Henry de Montherlant
Le songe
10e edition. Some soiling. Inside appears clean. Gallimard
Bookseller reference : biblio6
|
|
|
De Montherlant Henri
Theatre Choisi
Paris FRANCE: Librairie Hachette. Good. 1953. Soft Cover. 16mo good clean copy no marks cover faded with wear to edges and spine no tears but pages beginning to tan language is FRENCH . Librairie Hachette paperback
Bookseller reference : Lang-French1025
|
|
|
Montherlant Henry De
La Reine Morte Le Livre De Poche 289
Gallimard 1947 A play in French. Dated 1947 appears newer. Mass Market. Very Good. Gallimard paperback
Bookseller reference : 007336
|
|
|
Montherlant Henry De
La petite infante de castille/ illustrations originales en couleurs de grau-sala
Rombaldi 1951 in8. 1951. reliure demi-basane a coins. 180 pages. Etat Correct reliure legerement usagée exemplaire numeroté sur velin
Bookseller reference : 15361
|
|
|
Montherlant Henry De
L'histoire d'amour de la rose des sables
Club du livre selectionné 1954 in8. 1954. Reliure editeur. Bon Etat exemplaire numeroté
Bookseller reference : 22040
|
|
|
Montherlant Henry De
Le demon du bien
Grasset 1937 in12. 1937. Broché. 281 pages. Etat Correct
Bookseller reference : 57509
|
|
|
Montherlant Henry De
Les celibataires / orné de lithographies originales par françois-martin salvat
Grasset 1934 in8. 1934. Broché. 310 pages. Bon Etat couverture rempliée exemplaire numeroté sur velin pur chiffon
Bookseller reference : 58455
|
|
|
Montherlant Henry De
Le demon du bien / ex numeroté sur velin
Grasset 1937 in8. 1937. Broché. 282 pages. Etat Correct couverture rempliée
Bookseller reference : 58505
|
|
|
Montherlant Henry De
Le demon du bien
Flammarion 1947 in8. 1947. Reliure demi-chagrin. 280 pages. Bon Etat exemplaire numeroté
Bookseller reference : 59883
|
|
|
De Montherlant Henry
Les célibataires
Fayard 1953 in8. 1953. Broché. 188 pages. Bon Etat nom écrit sur la première page
Bookseller reference : 60525
|
|
|
Montherlant Henry De
Les auligny
Amiot-dumont 1956 in12. 1956. Broché. 139 pages. Bon Etat exemplaire numeroté
Bookseller reference : 62090
|
|
|
Montherlant Henry De
L'histoire d'amour de la rose de sable
Guilde du livre 1955 in8. 1955. Reliure pleine toile sous rhodoid. 226 pages. Bon Etat
Bookseller reference : 78934
|
|
|
De Montherlant Henry
Le maitre de santiago
Poche / j'ai lu 1966 poche. 1966. Broché. 176 pages. Etat Correct
Bookseller reference : 87428
|
|
|
De Montherlant Henry
Pitié pour les femmes
Gallimard 1963 poche. 1963. Broché. 244 pages. Bon Etat
Bookseller reference : 91719
|
|
|
Montherlant Henry De
Service inutile
Laffont 1947 in8. 1947. Broché. 277 pages. Très Bon Etat couverture protégée par papier cristal
Bookseller reference : 124074
|
|
|
De Montherlant Henry
La reine morte ( texte intégral )
Poche 1968 poche. 1968. Broché. 189 pages. Bon Etat
Bookseller reference : 133566
|
|
|
Henry De Montherlant
Port-royal
Gallimard 1958 in8. 1958. Cartonné jaquette rhodoid. 209 pages. Très Bon Etat
Bookseller reference : 151431
|
|
Receive by email
Download as PDF document
RSS feed
Permanent link
