‎Hugo victor‎

‎Victor Hugo (Francia 1802-1885) pittore.‎

‎237 p. : illustrato a colori e in b/n ; 27 cm. Catalogo della mostra tenuta a Venezia, Galleria d’Arte Moderna Ca’ Pesaro nel 1993. Brossura (piccola lacuna all’ultimo piatto, spellature al dorso). Buono. **** Peso 1,400 kg.‎

‎Victor Hugo pittore. Venezia, Galleria d'arte Moderna Ca' Pesaro 1993‎

‎In-4°, pp. 237, 100 illustrazioni delle opere dell'autore, brossura editoriale illustrata.‎

‎Vie (Le) del Mondo. Rivista mensile della Consociazione Turistica Italiana. Anno VIII: N. 9. (Segnaliamo di A.M. GOBBI BELCREDI: Le Isole Anglo-Normanne - E. ANGELINI: L'Alsazia-Lorena - M. ALDERICI: La Dobrugia).‎

‎Milano, C.T.I., 1940, in-8, br. edit., pp. da 779 a 874. Copertina a col. ed ill. in b.n. Dorso rinforzato con fascetta.‎

‎VOGUE PARIS-N°865-MARS 2006-SHARON STONE‎

‎414 PAGES-EN COUVERTURE; SHARON STONE PHOTOGRAPHIEE PAR DAVID SIMS-BOURDIN CLOSE UP; SUR LA SORTIE DU LIVRE GUY BOURDIN A MESSAGE FOR YOU, 3P-GENTLEMAN WRITER; PORTRAIT DE JP DONLEAVY, 6P-D'UN PIED SI LEGER; SUR LA MARQUE ROGER VIVIER ET SON DIRECTEUR ARTISTIQUE BRUNO FRISONI, 2P-LE TRIUMPH DE PAUL SMITH, 1P-À LA PAGE; PHOTOS DE DAVID SIMS, 14P-HOLLYWOOD PARADE; PHOTOS DE DAVID SIMS, 12P-FEMME D'ACTIONS; PHOTOS DE SHARON STONE PAR DAVID SIMS, 6P-STAR SYSTEM; PHOTOS DE DAVID SIMS, 14P-PRETTY DANDY; PHOTOS DE DAVID SIMS, 12P-LES ENGAGES; MELINDA GATES, KLAVDIJ SLUBAN, JEAN CHRISTOPHE RUFIN, RUSSELL BANKS, BONO, FADELA AMARA, ALBINA DU BOISROUVRAY, FRANÇOIS DE COMBRET, 8P-LE GOÛT DES AUTRES; PHOTOS DE DAVID SIMS, 4P-CALIFORNIA TEAM; PAR PETER FRANK, 6P-ARMES DE SEDUCTION; PHOTOS DE MARIO SORRENTI, 6P-BIERE, SEXE & BRITNEY SPEARS; PHOTOS DE RICK GILES, 4P-LA RESIDENTIEL; PHOTOS DE PAUL JASMIN, 10P-LES AILES DU DESIR; PHOTOS DU DEFILE VICTORIA'S SECRET PAR STEPHANE FEUGERE, 2P-LEGERS FROTTEMENTS EN QUATRIEME DE COUVERTURE‎

‎COUVERTURE SOUPLE ETAT TRES BON‎

Riferimento per il libraio : ABE-1674051293872

‎Zoom. La Rivista dell'Immagine. N°14 -dicembre 1981‎

‎<p>32 cm, brossura editoriale; p. 128, numerosi servizi fotografici in b/n e a colori come quello dedicato a Hugo Pratt, Corto maltese</p>‎

‎"DE VRIES, HUGO. - THE REDISCOVERY OF MENDEL'S LAWS - THE BIRTH OF MODERN GENETICS.‎

‎Sur la loi de disjonction des hybrides. (The Law of Segregation of Hybrides - Das Spaltungsgesetzt der Bastarde).‎

‎Paris, Gauthier-Villars, 1900. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 130, No 13. Titlepage to tome 130 a. pp. (809-) 864. (Entire issue offered). De Vries paper: pp. 845-847. Rather poor paperquality, fragile. Small nicks to margins of titlepage.‎

‎First appearance of a milestone paper in genetics being the ""REDISCOVERY"" OF MENDEL'S LAWS OF HEREDITY"" - This paper, together with the two other papers from the same year by Carl Correns and Erich Tschermak, laid the foundations of a new scientific discipline that, in 1906, was given the name ""genetics"", and less than a century later, rose to become the leading science in Western society. This French announcement was published 4 days before his longer paper ""Das Spaltungsgesetzt der Hybride"", in which Mendel is mentioned.De Vries completed most of his hybridization experiments without knowing about Mendel's work. Based on his own results, de Vries drew the same conclusions as Mendel. De Vries published his work in 1900, first in French then in German. In the French report there was no mention of Mendel, but this was amended by de Vries in the German paper. It is possible that de Vries read Mendel's paper before he published his own, and included Mendel's name in the later printing when he realized that other people also knew about Mendel's work. De Vries may have thought that his own conclusions were superior to Mendel's. ""During the 1880s, de Vries became interested in heredity. In 1889 he published Intracellular Pangenesis, in which he critically reviewed previous research on inheritance and advanced the theory that elements in the nucleus, ‘pangenes’, determine hereditary traits. To investigate his theories, he began breeding plants in 1892 and by 1896 had obtained clear evidence for the segregation of characters in the offspring of crosses in 3:1 ratios. He delayed publishing these results, proposing to include them in a larger book, but in 1900 he came across the work of Gregor Mendel, published 34 years earlier, and announced his own findings. This stimulated both Karl Correns and Erich von Tschermak-Seysenegg to publish their essentially similar observations."" (Oxford Dictionary of Scientists).Parkinson ""Breakthroughs"" 1900 B. - PMM 356 (the note).‎

Riferimento per il libraio : 48208

‎"GYLDÉN, HUGO.‎

‎Eine annäherungsmethode im probleme der drei körper.‎

‎(Berlin, Stockholm, Paris, Beijer, 1882.) 4to. Without wrappers as extracted from ""Acta Mathematica. Hrdg. von G. Mittag-Leffler."", Bd. 1 pp.‎

‎First printing of Gyldén's contribution to the famous three body problem which was to be solved 8 years later by Poincaré.Hugo Gyldén was the most impotant swedish astronomer during the 19th century and he initiated celestial mechanics in Sweden.‎

Riferimento per il libraio : 46048

‎"GYLDÉN, HUGO.‎

‎Untersuchungen über die Convergenz der Reihen, welche zur Darstellung der Coordinaten der Planaten angewendet.‎

‎Berlin, Stockholm, Paris, Beijer, 1887. 4to. With the original wrappers in ""Acta Mathematica, 9:3. Band]. No backstrip. Fine and clean. Pp. 185-294. [Entire issue: Pp. 185-320]‎

‎First printing of Gyldén's paper on planetary coordinates. Hugo Gyldén was the most impotant swedish astronomer during the 19th century and he initiated celestial mechanics in Sweden.‎

Riferimento per il libraio : 45903

‎"HUGO, VICTOR.‎

‎Marie Tudor, Drame.‎

‎Bruxelles, Louis Hauman et Compe, 1833. Cont. hcalf w. gilt back. Bdg. w. traces of use. First about 15 and last about 20 leaves waterstained. Lacking half-title (first leaf).‎

‎The Bruxelles-edition from the same year as the first edition (Paris, 1833), which is ""rare et recherché"" (Carteret I:406).‎

Riferimento per il libraio : 31401

‎"MOHL, HUGO VON.‎

‎Grunddragen af den vegetabiliska cellens anatomi och physiologi. Öfversättning.‎

‎Stockholm, Hæggström, 1854. 8vo. In a nice contemporary half calf binding with gilt lettering to spine. With a few marginal annotations in pencil and light occassional browning. VIII, 141, (3) pp. + 1 folded plate.‎

‎First Swedish translation of Mohl's important work in which he saw and described cell division. First published in German ""Grundzüge der anatomie und physiologie der vegetabilischen zelle"" (Braunschweig, 1851).‎

Riferimento per il libraio : 62402

‎"RAVATON, HUGO (HUGUES). - A FUNDAMENTAL WORK ON MILITARY SURGERY.‎

‎Abhandlungen von Schuss=Hieb= und Stichwunden nebst einem Anhange von der Einrichtung eines Feldhospitals und dem Verzeichnisse alles dessen, was dazu erfordert wird. Aus der französischen Handschrift des Verfassers übersetzt.‎

‎Strassburg, Johann Gottfried Bauer, 1767. Contemp. hcalf. A nick to upper compartment with loss of some leather. Raised bands, titlelabel with gilt lettering. Spine a bit rubbed. (8) IX-XLVIII,642,(14) pp. and 7 folded engraved plates. Internally clean and fine.‎

‎Extremely scarce German edition, translated from the French manuscript to the second French edition which is much enlarged in relation to the work which was published in 1750 as ""Traité des playes d'armes à feu...."". The work was only published in French a year later (1768) with the title ""Chirurgie d'armée, ou traité des plaies d'armes à feu, et d'armes blanches...et une infinité d'autres détails neufs & intéressants."".""One of the most importent works on military surgery during the 18th century. Ravaton, a skillfull army surgeon, was the first to employ a tin boot, suspended on four rings, for the ""hanging"" position of broken bones. He was also the first to to adopt the double-flap method in amputations"". (Garrison & Morton No 2154, but here listed the French edition from 1768).This edition not in Wellcome. (Wellcome IV, p. 478 (French editions) - Waller I, p.344.‎

Riferimento per il libraio : 44250

‎"VRIES, HUGO de.‎

‎Die Mutationen und die Mutationsperioden bei der Entstehung der Arten. Vortrag, gehalten in der Allgemeinen Sitzung der Naturwissenschaftlichen Hauptgruppe der Versammlung deutscher Naturforscher und Aertze in Hamburg am 26. September 1901. Mit Acht F...‎

‎Leipzig, Veit & Co., 1901, 1903. Bound in one nice contemp. hcloth. Spine gilt. 64 pp. a. 8 textillustr. + 62 pp.‎

‎First edition of both lectures. In the first lecture he explains his theory of mutation as he published it in ""Die Mutationstheorie"" 1901. In the second lecture he develops further his theory of fertilization and crossfertilization. - Garrison & Morton: 241 (the 1903 lecture).‎

Riferimento per il libraio : 45465

‎"VRIES, HUGO DE.‎

‎Untersuchungen über die mechanischen Ursachen der Zellstreckung, ausgehend von der Einwirkung von Salzlösungen auf den Turgor wachsender Pflanzenzellen. Mit einem Holzschnitt.‎

‎Leipzig, Wilh. Hirsemann, 1877. Cont. leatherbacked boards. VI,120 pp. A few brownspots at end.‎

‎First edition of one of the earliest works on ""osmosis"" in plantcells. - ""The connection between the osmotic properties of plant cells and semi-permeability..of the protoplasm was elucidated in principle by Pfeffer and de Vries in 1877, who both recognized the function of the plasmalemma in the control of entry of solutes into the cell."" (A.G. Morton).‎

Riferimento per il libraio : 32819

‎# AUTEUR: Hugo Victor‎

‎# TITRE: Han d'Islande - Bug Jargal - Le dernier jour d'un condamné - Claude Geux ( un des 5 sur Japon)‎

‎# AUTEUR: Hugo Victor # ÉDITEUR: Ollendorff # ANNÉE ÉDITION: 1910 # ENVOI, BEAUX PAPIERS: Papier Japon # COUVERTURE: conservée # DÉTAILS: Fort in 8° relié 3ff.+ 783pp.+ 2ff. 22 hors-texte illustrés (dont le frontispice). Premier volume des 9 tomes des romans de l'édition des oeuvres complètes de Victor Hugo en 45 volumes, imprimés par l'imprimerie nationale de 1904 à 1952. Exemplaire de 1910, un des cinq sur papier Japon: n°4. Plein Chagrin marron, dos à 5 nerfs, titre doré, tête dorée, couverture et dos conservés. Illustrations par: Nanteuil, Cruikshank, Demarest, Rochegrosse, Boulanger, Devéria, Vogel, Gavarni, Steinlen. # PHOTOS visibles sur www.latourinfernal.com‎

‎1ere édition critique (1902-1952) de Victor Hugo dite de ”l'imprimerie nationale” en 45 volumes. Chaque volume comprend une ”étude du manuscrit”, le texte proprement dit, les variantes et fragments, l'histoire du texte, des notes, une notice bibliographique sur les différentes éditions, une notice iconographique et une sélection de critiques contemporaines. Elle est illustrée de dessins de Victor Hugo, de couvertures des éditions originales, de vignettes, portraits, fac-similés et gravures d'époque. Cet exemplaires est un des 5 sur papier Japon.‎

Riferimento per il libraio : 3085

‎# AUTEUR: Hugo Victor‎

‎# TITRE: Paris (introduction au livre Paris-Guide)‎

‎# AUTEUR: Hugo Victor # ÉDITEUR: Lacroix - Verboeckhoven et Cie - librairie internationale - Paris # ANNÉE ÉDITION: 1867 # COUVERTURE: 1/2 chagrin vert - dos à nerfs - liserés et titre doré # DÉTAILS: In 8° relié 124pp.+1ff. Edition originale. Rédigé en exil à Guernesey en introduction au livre ”Paris-Guide” à l'occasion de l'exposition universelle de 1867. # PHOTOS visibles sur www.latourinfernal.com‎

‎# ÉTAT: Bon état, rousseurs claires‎

Riferimento per il libraio : 2694

‎( HUGO, Victor) - LIMA- BARBOSA, Mario de.‎

‎Victor Hugo et Rosita Rosa. Etude de Mario Lima-Barbosa.‎

‎Paris, Librairie Alnert Blanchard, 1927 ; brochure in-8°, couverture de papier bleue imprimée en noir, dos muet; 62pp.Petites piqûres à la couverture sinon très rares.‎

‎Edition originale de cette rare étude sur l'apparition supposée de Rosita Rosa dans l' oeuvre de Hugo. (CO2)‎

Riferimento per il libraio : c5972

‎(Arthur RIMBAUD) - (Paul VERLAINE) - (Victor HUGO)‎

‎Les Hommes d'aujourd'hui – Almost complete collection 33 issues lacking out of 469Les Femmes du jour – Complete collection‎

‎Paris: Léon Vanier 1878. Fine. Léon Vanier Paris s. d. 1878-1899 & 1886-1892 19.50 x 28.50 cm 5 volumes reliés First edition of Les Hommes d'aujo­urd'hui 33 issues lacking out of 469. Five volumes bound in light blue half-cloth smooth spines blue morocco ti­tle labels decorated with double filets marbled paper boards 4 volumes. The color title pages have been preserved and bound in. Marginal tears without damage to the text no. 163; no. 165; no. 184 p. 2. Mar­ginal restorations without damage to text on 8 leaves be­tween nos. 214 and 223. Two leaves of no. 224 backed. Mar­ginal tear with some paper missing no. 345 p.1. Format of quires in the first vol­ume varies; some are trimmed more than others. First edition of Les Femmes du jour very rare complete collection in 11 issues published between 1886 and 1892 the last very rare Réjane issue appeared in 1892 six years after the other 10. Bound in half red cloth smooth spine mid­night-blue morocco title labels framed in gilt gilt title length­wise marbled paper boards. An impressive gal­lery of prominent 19th century women and men carica­tured and described by the foremost avant-garde artists and writers of the time. Created by writer Félicien Champsaur and illustrator André Gill in 1878 this exceptional literary and satirical review was later directed by Léon Vanier – the publisher of the Parnassiens poets – from 1885 to 1899. Each issue is a portrait of a contem­porary figure in the world of arts and letters politics science or technology. The full set includes 469 monographs written by some of the most provoca­tive voices of the time: Jules Laforgue Gustave Kahn Joris-Karl Huysmans Jean Moréas Félix Fénéon. The only contributor Vanier ever paid for those written portraits was Paul Verlaine fa­mously always short of money. Each issue includes on the front page a large and fine color lithographed cari­cature by artists such as Manuel Luque André Gill and Félix Régamey but also world-renowned painters: Tou­louse-Lautrec Steinlen Pissarro Seur­at Signac to name a few. The actress Sarah Bernhardt was so famous she appeared both in the men-issue Hommes d'aujourd'hui as well as one of the very rare women-is­sues Femmes du jour! The literary issues cover every school and movement of the second half of the 19th century including Buveurs d'eau Vilains bonshommes Hydropathes Parnassiens Naturalists Decadents Symbolists and Incohérents. There is also a number of avant-garde paint­ers belonging to the Pont Aven school Schuffenecker Pissarro Emile Ber­nard Maximilien Luce the circle of the Montmartre Affichistes Chéret Willette Caran d'Ache Georges Auriol Job Steinlen as well as Post-Impres­sionnists Cézanne Toulouse-Lautrec Anquetin Pointillists Signac Seurat and Symbolists Redon. Musicians are also featured with fine portraits of Gounot Massenet Verdi Ca­mille Saint-Saëns Rubinstein and Reyer. An exceptional and rare set bearing witness to the free spirit of 19th century French intellectuals and artists. Léon Vanier hardcover‎

Riferimento per il libraio : 83249

‎(Ball, Hugo) Erdmute Wenzel White:‎

‎The Magic Bishop. Hugo Ball Dada Poet‎

‎-Camden House 1998-. First edition. xv254 pages with index. Illustrated. Cloth. Fine in dustjacket. Hugo Ball 1886-1927 poet musician dancer impresario philosopher was one of the brilliant literary figures of the early twentieth century. Working with some of the great artists of his time including Kandinsky von Laban Tzara and Hans Arp he was at the cutting edge of modern thought as theatre director Dada agitator and leading member of the luminous Berne circle. This study takes a new look at Ball providing above all a close reading of his texts and focussing on works which are seen as open-ended or given to inventing their own form including Tenderenda der Phantast his abstract poem cycle 'Gadji beri bimba' and Simultan Krippenspiel a 'noise concert' or opera which enthralled his audience the night of May 31 1916. The book deals first with Ball's education as an artist and with the important figures in his life notably Max Reinhardt Frank Wedekind and Vassily Kandinsky whose theoretical stance he came in part to adopt. Subsequent chapters examine his theatre work as actor playwright critic and dramaturge comprising his years of apprenticeship in Berlin Plauen and Munich. The Magic Bishop. Hugo Ball Dada Poet. 1571131287 -Camden House (1998)- hardcover‎

Riferimento per il libraio : 12352

‎(BINDINGS - GRUEL). HUGO, VICTOR‎

‎HERNANI OU L'HONNEUR CASTILLAN‎

‎Paris: Mame et Delaunay-Valleé 1830. FIRST EDITION. 225 x 143 mm. 8 3/4 x 5 3/4". 2 p.l. vii 1 154 pp. 7 leaves ads. <br/> DAZZLING AUBERGINE CRUSHED MOROCCO ELABORATELY INLAID AND GILT BY GRUEL stamp-signed at foot of spine and on front turn-in covers inlaid to an Art Nouveau design of curving lines and botanical elements in red citron tobacco ivory and teal morocco raised bands spine compartments with tan morocco and gilt centerpiece BEAUTIFUL MOSAIC DOUBLURES with a complex Moorish lattice design in turquoise red and dark brown morocco and much gilt dark brown jacquard silk endleaves all edges gilt on the rough. In the matching suede-lined morocco-backed chemise and morocco-trimmed slipcase. Original paper wrappers bound in. Bibliotheque de M. René Descamps-Scrive II 423 this copy; Carteret II 399. A FLAWLESS COPY.<br/> <br/> This is the superb Descamps-Scrive copy of Hugo's revolutionary play in a binding by one of the great French masters—a bibliopegic achievement that reflects the play with its memorably exuberant and flamboyant style as seen particularly in the intricacy of its highly decorative doublures. When "Hernani" debuted on 25 February 1830 it caused a fierce argument among the audience--between the young Romantics led by Hugo's friend Théophile Gautier and the fans of classical theatrical styles--that became known as the Battle of Hernani. According to the Library of Congress "The clashes lasted several days and marked the triumph of romantic drama which dominated the stages of French theaters for years to come." Gautier would later reminisce: "February 25 1830! This date remains written in the depths of our past in flamboyant characters: the very first performance of Hernani! That evening decided our lives! It was there that we received the impetus which still drives us on after so many years and which will see us through to the end of our career." The binding here is as uninhibited by tradition and as over-the-top dramatic as the play with arresting design motifs inspired by Art Nouveau and Orientalism and with richly colored leathers that both contrast with and complement each other. In her "Bookbinders and their Craft" Prideaux says that the Gruel firm founded in 1811 "has always had the highest reputation . . . for initiative in artistic matters as well as for irreproachable execution in the detail of its many-sided achievements." Our binding stands as testament to the truth of this statement. The Gruel bindery was managed by several family members over the years most famously by Léon Gruel 1841-1923 and the list of binders who trained at the Gruel atelier is the most distinguished in Europe. Our binding was very probably done by Léon in the late 19th century for the famed French bibliophile René Descamps-Scrive 1853-1924 whose collection was as prestigious as Henri Beraldi's. Descamps-Scrive owned the volume in any case as it was auctioned after his death as part of his library at the Parisian gallery Georges Petit in May 1925 where it was lot no. 423 with full-page illustration. Like Beraldi Descamps-Scrive collected beautiful bindings that typified major styles and periods and was known for his insistence on acquiring only volumes in perfect condition. We have sold many fine bindings with elaborately decorated doublures but nothing quite like the ones seen here: they resemble a kind of fiery thicket although formed with rigorous control by a masterly binder. Mame et Delaunay-Valleé unknown‎

Riferimento per il libraio : ST19754

‎(Brunner, Vratislav Hugo). Polivkova, Bozena; Kybalova, Ludmila‎

‎TVURCE CESKE KNIHY V. H. BRUNNER.‎

‎Praha: Nakladatelstvi Ceskoslovenskych Vytvarnych Umelcu 1961. 1961. Good. - Tall octavo 9-5/8 inches high by 6-7/8 inches wide gray cloth titled in red. The binding is slightly bumped & soiled with the spine & extremities a bit darkened. 138 pages & 1 leaf plus colophon. Profusely illustrated in black & white and color. The page edges are slightly darkened. Good. <p>First edition.<p>"Soupis Knizni Grafiky: Bozena Polivkova. Uvodni Studie: Ludmila Kybalova". A catalog of Brunner's graphic works and book art by Bozena Polivkova with an introduction by Ludmila Kybalova. The text is in Czech.<p>Vratislav Hugo Brunner 1886-1928 was a Czech typographer illustrator graphic designer cartoonist author toy and stage designer and painter. His work significantly affected the development of Czech book arts. Praha: Nakladatelstvi Ceskoslovenskych Vytvarnych Umelcu, 1961. hardcover‎

Riferimento per il libraio : 28550

‎(Collectif)‎

‎ECRIVAINS de NORMANDIE‎

‎Un ouvrage de 81 pages, format 215 x 295 mm, illustré, relié cartonnage couleurs, publié en 1993, Normandie Magazine, bon état‎

‎Présentations des écrivains de Normandie : Maupassant, Victor Hugo, François de Malherbe, Corneille, Tocqueville, Barbey d'Ayrevilly, Michelet etc.‎

Riferimento per il libraio : LFA01db911111111111111111111111111111

‎(Emblem Book) Hugo, Herman‎

‎Pia desideria emblematis elegiis & affectibus SS. Patrvm illustrata‎

‎Antwerp: Vulguait Boëtius a Bolswert Typis Henrici Aertssenii 1624. First edition. Engraved allegorical title page engraved coat of arms of Pope Urban VIiI initial introductory enblem and 45 leaves of engraved emblematic plates by Boëce van Bolswert; 32 412 3. 1 vols. 8vo. Contemporary vellum slightly soiled. Preliminary leaves misbound. First edition. Engraved allegorical title page engraved coat of arms of Pope Urban VIiI initial introductory enblem and 45 leaves of engraved emblematic plates by Boëce van Bolswert; 32 412 3. 1 vols. 8vo. First edition of the most popular spiritual love emblem book which made the genre popular throughout Europe in the 17th century and beyond. By the end of the 18th century the Pia Desideria had been reprinted nearly 40 times in Latin French German Spanish Dutch Polish English Danish and Italian. This emblem book mixes tender messages of care with dire warnings to sinners and while it is written in Latin demanding a well-educated reader it proved to be wildly popular. One of the keys of the popularity of this work are the emblematic designs of Boetius Adamsz. van Bolswert ca. 1580-1633 each of which is accompanied by an explanatory caption. Born in Bolsward Friesland Boetius was a pupil of Abraham Bloemaert at Utrecht and went to Antwerp around 1618 joining the painter's guild in 1620. Boetius also worked in Brussels where he met and was inspired by Pieter Paul Rubens. Herman Hugo 1588-1629 a Brussels Jesuit was teacher at the Jesuit College in Antwerp and confessor of the Duke of Aerschot with whom he went to Spain where he was appointed army chaplain to Spinola. This book was used as a rhetorical example for students of Rhetoric at the Jesuit College at Brussels. Landwehr Emblem & Fable Books 345 Vulguait Boëtius a Bolswert, Typis Henrici Aertssenii unknown‎

Riferimento per il libraio : 244193

‎(Grotius, Hugo). Meulen, Jacob Ter; and Diermanse, P J J‎

‎BIBLIOGRAPHIE DES ECRITS IMPRIMES DE HUGO GROTIUS.‎

‎Zutphen: Matthys de Jongh 1995. 1995. Fine. - Octavo black cloth titled in gilt. xxiv & 708 pp. B&W frontispiece & B&W illustrations. Near fine. <p>Reprint of the 1950 definitive bibliography of Grotius. The text is in French. Zutphen: Matthys de Jongh, 1995. hardcover‎

Riferimento per il libraio : 6509

‎(Hofmannsthal, Hugo von)‎

‎Hesperus; Ein Jahrbuch. Von Hugo von Hofmannsthal Rudolf Alexander Schröder und Rudolf Borchardt‎

‎Leipzig: Insel-Verlag 1909. First edition. Boards. Scattered foxing; tips bumped some shelf rubbing very good. 8vo 181pp; boards. Includes Hofmannsthal's "Alkestis Insel-Verlag unknown‎

Riferimento per il libraio : 203780

‎(HUGO (Victor))‎

‎Catalogue de l'exposition de la Bibliothèque Nationale, intitulée : Soleil d'encre - Manuscrits et dessins de Victor Hugo.‎

‎Paris, Bibliothèque Nationale, 1985. In-4 broché, 303 pp., avec la description de 434 numéros, agrémentée d'un commentaire savant. Exposition organisée par la Bibliothèque Nationale et la ville de Paris, au Petit Palais du 3 octobre 1985 au 5 janvier 1986. Excellente documentation bibliographique, abondamment illustrée, le catalogue de référence sur les dessins et manuscrits de Victor Hugo.‎

Riferimento per il libraio : 3389