‎Make-up‎

‎Mondrian, Piet - FAUCHEREAU, Serge‎

‎MONDRIAN - New York 1994 - Book in english - Ilustrado‎

‎New York. Edit. Rizzoli, 1994. Numerosas ilustraciones en color y b/n. 128p. 4º mayor. Tela editorial con sobrecubierta ilustrada algo rozada. Etiqueta en el lomo. Buen ejemplar. Book in english.‎

‎MONET - SAGNER-DÜCHTING, Karin‎

‎CLAUDE MONET 1840 - 1926 - Köln 2004 - Muy ilustrado‎

‎Köln, Edit. Taschen, 2004. Numerosas ilustraciones en color. 220 p. 4º. Rústica editorial ilustrada. Muy buen ejemplar.‎

‎Monet, Claude‎

‎MONET'S YEARS AT GIVERNY. Beyond impressionism - New York 1978 - Ilustrado‎

‎New York, Edit. Metropolitan Museum of Art, 1978. Numerosas ilustraciones en color y b/n. 180 p. 4º. Rústica editorial ilustrada. Muy buen ejemplar. Book in english.‎

‎Monet, Claude - Catálogo‎

‎MONET ET SON TEMPS - Paris 1987 - Ilustrado‎

‎Paris. Edit. Musée Marmottan, 1987. Numerosas ilustraciones en color y b/n. 177 p. Gran 8º. Rústica editorial ilustrada. Etiqueta en el lomo. Buen ejemplar. Livre en français.‎

‎MONTEJANO, Isabel. PECKER, José luis. PEÑA BARDASANO, Carolina.‎

‎HOMENAJE A BARDASANO.‎

‎24x20. 76p. Fotogr.‎

‎MONTI Raffaele.‎

‎LOS DIAMANTES DEL ARTE. LEONARDO Nº 27.‎

‎MONTILLIER, Philippe.‎

‎MUSTANG DERNIER ROYAUME DU NEPAL.‎

‎MORALES FOLGUERA, José Miguel.‎

‎José Nogales Sevilla.‎

‎Málaga, Caja de Ahorros Provincial, 1975, 24,5 x 17,5 cm., cartulina editorial, retrato + 126 págs.+ XX láminas en negro y color + 2 hojas.‎

‎MORALES Y MARIN, Jose Luis.‎

‎LOS BAYEU.‎

‎Texto a dos columnas, 130 laminas al final del texto en blanco y negro.‎

‎MORALES, Juan Antonio.‎

‎Real Academia de Bellas Artes de San Fernando. Whistler a la sombra de Velázquez. Discurso leído con motivo de su recepción por... Y contestación de D. José Camón Aznar.‎

‎M., 1966, 4º mayor, 39 págs. + 3 láminas.‎

‎MOREAU-VAUTHIER, Ch.‎

‎La Peinture. Les divers procédés. Les maladies des couleurs. Les faux tableaux.‎

‎Paris, Hachette et Cie., 1913, 20'5 x 16 cm., tela original, frontis en color - XI - 321 págs. - XXIV láminas en negro y color.‎

‎MORENO, Teresa‎

‎EL COLOR. Historia, teoría y aplicaciones - Barcelona 1996 - Ilustrado‎

‎Barcelona, Edit. Ariel, 1996. Ilustraciones en color fuera texto. 180p. 4º. Rústica editorial con solapas. Muy buen ejemplar.‎

‎MOTHERWELL‎

‎MOTHERWELL - Barcelona 1980 - Molt il·lustrat‎

‎Barcelona, Edit. La Caixa, 1980. Il·lustracions en b/n i color. s/p. 8è major apaisat. Rústica editorial il·lustrada. Molt bon exemplar.‎

‎Motherwell‎

‎MOTHERWELL - Barcelona 1995 - Ilustrado - Text in Japanese‎

‎Barcelona, Edit. Polígrafa, 1995. Numerosas ilustraciones en color fuera texto. 128 p. Tela editorial con sobrecubierta ilustrada algo rozada. Buen ejemplar. Text in Japanese.‎

‎Motherwell, Robert‎

‎ROBERT MOTHERWELL - Madrid 1980 - Il·lustrat‎

‎Madrid, Edit. Fundacion Juan March, 1980. Nombroses il·lustracions en color i b/n. S.N. 4t. Rústica editorial il·lustrada. Molt bon exemplar.‎

‎MUA Mata.‎

‎PAUL GAUGUIN (1848-1903).‎

‎MUHARREM MIDILLI.‎

‎Klasik Osmanli ceza hukukunda seriat-kanun ayrimi.‎

‎As New Turkish Paperback. Roy. 8vo. (24 x 16 cm). In Turkish. 352 p. Klasik Osmanli ceza hukukunda seriat-kanun ayrimi. The content of sharia and law in the Ottoman state, which is the dominant issue in the field of public law and relations with each of these areas is discussed since the establishment of modern Turkey. The main reason is the preferred model for providing support moving historical potential of the structure of the Republic of Turkey states such matters. Many researchers have tended to turn this potential into open historical evidence, claiming that the classical Ottoman laws were a separate and distinctive clause of provisions outside the law...‎

‎MULLER, Josep-Emile. ELGAR, Frank.‎

‎UN SIGLO DE PINTURA MODERNA.‎

‎32x26. 189p. Fotogr. Trad. J. E. Cirlot. Enc. Tela ed.‎

‎MULLER, Joseph-Émile‎

‎LA PINTURA MODERNA II. De Gauguin a los Fauves - Barcelona 1966 - Muy ilustrado‎

‎Barcelona, Editorial Gustavo Gili, 1966. Colección Pequeña Enciclopedia de Arte nº 68. Numerosas ilustraciones en color. 47p. 8º menor. Rústica editorial ilustrada. Muy buen ejemplar.‎

‎Munch‎

‎MUNCH - Barcelona 1993 - Ilustrado - Text in Japanese‎

‎Barcelona, Edit. Polígrafa, 1993. Numerosas ilustraciones en color fuera texto. 128 p. Tela editorial con sobrecubierta ilustrada algo rozada. Buen ejemplar. Text in Japanese.‎

‎Munch, Edvard - BOE, Alf‎

‎EDVARD MUNCH - Paris 1989 - Muy ilustrado - Texte en français‎

‎Paris, Edit. Albin Michel, 1989. Numerosas ilustraciones en color. 126p. 4º mayor. Tela editorial con sobrecubierta ilustrada. Muy buen ejemplar. Etiqueta. Livre en français.‎

‎MUR, Benito G.‎

‎Sobre un cuadro de Navarrete (El Mudo).‎

‎M., Hauser y Menet, 1920, 26'5 x 19'5 cm., separata del Boletín de la Sociedad Española de Excursiones, lámina - 12 págs. (Se refiere a la obra de Juan Fernández Navarrete, San Juan Evangelista).‎

‎MURAT AKAGÜNDÜZ.‎

‎Murat Akagündüz. Vertigo. [Exhibition catalogue]. Edited by Süreyyya Evren, Ilkay Baliç.‎

‎New English Paperback. Pbo. 4to. (31 x 24 cm). In English and Turkish. 112 p., b/w and color ills. Murat Akagündüz. VErtigi. [Exhibition catalogue]. Edited by Süreyyya Evren, Ilkay Baliç. Murat Akagündüz's exhibition Vertigo brings together 13 paintings from the "Kaf" series. In this new series the artist depicts some of world's highest mountain peaks as seen on Google Earth. How is the act of painting transformed once we rely upon the mediation of digital data to depict an actual physical landscape? The exhibition thus refers to the ontological consequences of such digital mediation in our relationship to the Earth and its implications in terms of vision and image production. While the series, named after the Kaf Mountain, emphasises a mythological narrative, each painting in the "Kaf" series takes its title from the latitude and longitude values defining the position of the images on Google Earth. Akagündüz offers us views over the peaks of the Alpide Belt, spreading across three continents, and provides us with the coordinates of the Kaf Mountains at the same time. In juxtaposing mathematical exactitude with the perceptually challenging monochromatic use of the colour white, Akagündüz's intention is to explore the minimal conditions of visual representation. The "Kaf" series, in its search for a language using different shades of white, winnows down the minimal conditions of pictorial representation to a bare-bones relationship between light and shade and approaches the threshold of visual perception. In the "Kaf" paintings, the line of the horizon is either invisible or it escapes the eye by merging with the upper corner of the canvas. Adopting a satellite view of the Earth the paintings represent a vertical, groundless perspective. As the horizon is nowhere to be found, our sense of being grounded in space is unsettled and a sense of vertigo sets in. This vertigo effect is also echoed in the spatial construction of the exhibition through a subtle intervention on the walls delineating the first floor of Arter. The "Kaf" paintings bring the process of emergence of image to the eye and to memory, between appearance and disappearance, through reverberations in time. At first sight, these appear to be abstract fragments that are difficult to read in terms of their relationships of scale to the reality they were cut off from. The even distribution of light on the entire surface and its movements through various shades of white, by evading the eye, catch and hold the gaze. The stains, which slip away and alter the moment we think we have caught an image, are contiguous with the void and create a silent space of tension. Vertigo denotes the dizziness and loss of balance felt when a subject or the objects surrounding them appear to be moving in space. As reflected through Murat Akagündüz' "Kaf" series, vertigo is a relational phenomenon, it points both to a spatial disorientation on psychological and physiological levels, and to an uncertainty regarding subject-object relationships as perceived within space. By opening up a space for silent contemplation, the paintings invite the viewer to sense the new possibilities found in this loss of ground and thus produce a new perception of the world.‎

‎MURRUGARRA, Jacinto‎

‎MURRUGARRA (Dedicado) - Barcelona 1990 - Ilustrado‎

‎Barcelona, 1990. Catálogo. Ilustraciones en color y negro de Murrugarra. Texto de Fernandez Nieto. Tríptico con ilustraciones. 8º mayor. Rústica editorial ilustrada. Dedicatoria autógrafa del artista peruano. Muy buen ejemplar.‎

‎MUSTAFA ALTINTAS.‎

‎Mustafa Altintas. Abduction from the Seraglio-Mozart.= Saraydan kiz kaçirma. [Exhibition catalogue]. Texts by Ilhan Berk. Translated by Priscilla Mary Isin.‎

‎Fine English Paperback. Pbo. 4to. (29 x 23 cm). Bilingual in English and Turkish. 32 p. Color ills. Mustafa Altintas was born in Aksehir / Turkey on 15 June 1946. He began his art education at Gazi Egitim Enstitüsü teacher training college in Ankara and his works were displayed at a number of exhibitions. In 1970 he won a French scholarship to study in Paris and entered a studio at the CITE INTERNATIONALE DES ARTS. He enrolled at the "E.N.S.B.A" Academy of Fine Arts in Paris and studied painting and monumental painting at the studios of Gustave Singier and Jean Bertholle. Between 1977 and 1980 he studied for his master`s degree at the Faculty of Cinematic Arts at SORBONNE UNIVERSITY and became student of such as famous names as the cinema aestheticist and historian Jean Mitry, Eric Rohmer and Jean Rouch. Some of his many documentary and experimental films were shown at international festivals. His highly disciplined plastic art works have been displayed at international biennials and festivals and at many one man and mixed exhibitions in France and other European countries since 1970. Altintas' paintings are in private and public collections in France, The United States, Switzerland, Finland and Turkey. Artist shares his times between Paris, Istanbul and Bodrum working at his studios in these cities.‎