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(Lalive d’Epinay, Louis-Joseph).
Etrennes Fribourgeoises pour l’an et MDCCCVIII et MDCCCCIX. Reliées ensembles.
Fribourg, chez le rédacteur 1808 - 1809, 160x95mm, broché. fronstice, 194 p., 4 ff., 6 planches pour 1808, frontispice, 170 p., 4 ff., 5 planches (manque la planche Jeux des Rois. Demi-basane, titre et ornementations dorés au dos. Bon état.
Référence libraire : 66248
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(Lalive d’Epinay, Louis-Joseph).
Etrennes Fribourgeoises pour l’an MDCCCCIX.
Fribourg, chez le rédacteur 1809, 195x115mm, 170pages, broché. Non rogné, dos fendu, titre imprimé.
Référence libraire : 61895
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(Lalive d’Epinay, Louis-Joseph).
Etrennes Fribourgeoises pour l’an MDCCCCVI - MDCCCVII - MDCCCVIII et MDCCCIX.
Fribourg, chez le rédacteur 1806-1809, 160x95mm, 195x115mm, cartonnage de l’époque pour les années 1806-1807, brochés et non rognée pour les années 1808-1809. Ensemble complet de la publication de Lalive d’Epinay et de son collaborateur Jean-François Girard, mais sans les planches, sauf pour l’année 1807, qui contient le titre gravé et 12 planches (costumes militaires). Bosson - L’atelier typographique de Fribourg, p. 488/489.
Référence libraire : 94325
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(Lalive d’Epinay, Louis-Joseph).
Etrennes Fribourgeoises pour l’an MDCCCCVIII.
Fribourg, chez le rédacteur 1808, 195x115mm, 194pages, broché. Non rogné, titre imprimé au dos.
Référence libraire : 61893
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(Lalive d’Epinay, Pierre-Louis-Nicolas).
Pratiques d'agriculture, par un cultivateur fribourgeois.
Fribourg, chez Fs. Ls. Piller 1828, 185x115mm, 108pages, relié demi-cuir de l’époque, plats papier marbré avec encadrement guirlande dorée. suparlibros Ecole moyenne centrale de Fribourg, cuir frotté. Bibliographie du canton de Fribourg 2012.
Référence libraire : 97546
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(Lalive d’Epinay, Pierre-Louis-Nicolas).
Pratiques d'agriculture, par un cultivateur fribourgeois.
Fribourg, chez Fs. Ls. Piller 1828, 195x125mm, 108pages, broché. Bel exemplaire.
Référence libraire : 118107
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(LALLY-TOLLENDAL (de) Thomas Arthur) / GARCIN Michel
Le flamboyant et tragique destin du comte Lally-Tollendal
Saint-Cloud, Editions de L'Onde, 2010, 17 x 24, 302-XII pages sous couverture souple illustrée. Avec XII pages d'illustrations couleurs.
Référence libraire : HISTOFRA333301122
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(LAMARTINE) LA FOURNIERE, X. de.
Lamartine.
in-8°, 319 pages, illustrations hors texte N/B, index, broche, couverture illustree plastifiee. Bel exemplaire. [CA31-4]
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(Lambert, Jean-François (1745-1836)
Objet d'une importance capitale et décisive soumis à la considération de l'Assemblée nationale ;Adresse à l'Assemblée nationale pour sauver le droit du pauvre et pour rétablir le calme et la tranquilité publique.
[S.l.] : [s.n.], [ca 1789],IN8 broché,sans couvertures,31 p.Le titre de départ porte : «Adresse à l'Assemblée nationale pour sauver le droit du pauvre et pour rétablir le calme et la tranquilité publique». - Par J.-F. Lambert, d'après Barbier
Référence libraire : 21235
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(LAMBERTY (DE) Guillaume)
MEMOIRES DE LA DERNIERE REVOLUTION D'ANGLETERRE CONTENANT L'ABDICATION DE JACQUES II, L'AVENEMENT DE S. M. LE ROI GUILLAUME III. À LA COURONNE, ET PLUSIUERS CHOSES ARRIVÉES SOUS SON RÉGNE. Par Mr. L.B.T.
In-16 p. (mm. 152x87), 2 volumi, p. pelle coeva (picc. manc.), dorso a cordoni con fregi e tit. oro, dentelles dorate ai risguardi, pp. (22),712,(18); (2),729,(7); con bella antiporta figurata e 7 (su 11) tavv. di ritratti f.t., inc. in rame. Frontespizio del 1° volume, stampato in rosso e nero. Solo qualche rara e lieve fioritura, altrimenti esempl. ben conservato.
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(LANDI VITTORI Mons. Luigi) -
La Repubblica Italiana del 1849. Suo processo.
Napoli, all’Uffizio della Civiltà Cattolica, 1850, 16mo rilegato in mezza pelle coeva con titoli e fregi dorati al dorso, tagli spruzzati, pp. XII-304. Antirisorgimento, severa invettiva contro gli esponenti politici della repubblica romana.
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(LANGHE - MONFERRATO)
Le Langhe e il Monferrato.
Cuneo, Enti Provinciali per il Turismo di Alessandria, Asti, Cuneo, 1968. Questo libro celebra le Langhe e il Monferrato in una serie di fotografie che li ritraggono così come sono. Con scritti di Autori quali: Italo Mario Angeloni, Giovanni Arpino, Luigi Baudoin, Marziano Bernardi, J. B. Breton de la Martinière, Pietro Buonassisi, Ernesto Caballo, Umberto Calosso, Giuseppe Colli, Beppe Fenoglio, Oreste Gallina, Gino Giordanengo, Remo Grigliè, Carlo Levi, Arturo Marescalchi, Augusto Monti, Cesare Pavese, Guido Piovene, Carlo Promis, Stendhal, A. Valéry. In 4to (cm. 27); copertina originale rigida, illustrata a colori, con titoli al piatto e al dorso; pp. 90, (6). Con 51 illustrazioni a colori e in bianco e nero nel testo. Ottima copia. PAx
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(LANNEL, JEAN DE).
Histoire de D. Jean, deuxiesme roy de Castille.
Paris, Robinot, 1640. 8vo. In contemporary full calf with four raised bands and richly gilt spine. Boards with scratches and last half of book with dampstain. (16), 266 pp.
Référence libraire : 61456
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(LANTIER (DE) Etienne-François)
VIAGGI D'ANTENORE NELLA GRECIA E NELL'ASIA. Con alcune notizie sopra l'Egitto. Manoscritto greco trovato nell'antica Ercolano. Versione italiana con note, riveduta e corretta sulla XIV edizione francese per cura di F*** L***.
In-24 gr. (mm. 134x79), 7 volumi in 4 tomi, legatura d'amatore in p. pelle coeva, cornici dorate e ricche impressioni a secco ai piatti, dorso a cordoni con decoraz. e titolo oro su doppio tassello, tagli marmorizzati, pp. 188; 180; 184; 184; 187; 186; 249. "Lo scrittore francese De Lantier (1734-1826) fu autore di commedie ma ebbe maggior fama per i "Viaggi d'Antenore.." che, dieci anni dopo "Il viaggio del giovane Anacarsi in Grecia" dell'Abate Barthélemy, davano della Grecia un'immagine più lusinghiera e sensuale". Cosi' Diz. Larousse,VIII. p. 596. Con lievi aloni interc. nel testo ma certamente un buon esemplare.
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(LARDY, James).
Le château de Rochefort. Notice historique.
Locle, Imprimerie Courvoisier 1864, 180x120mm, 32pages, broché. Couverture muette. Petit manque sur le haut des coins de la couverture supérieure et de la page de titre. Belle dédicace sur le haut de la couverture, datée de l’année de parution de cette brochure et adressée à Frédéric Jacot.
Référence libraire : 120361
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(LAUGIER DE TASSY)
Istoria degli stati di Algeri, Tunisi, Tripoli e Marocco trasportata fedelmente dalla lingua Inglese nell'Italiana.
Cm. 16, pp. (12) 376. Solida legatura strettamente coeva in piena pergamena rigida con nervi passanti e titolo ms. al dorso. Esemplare genuino ed in ottimo stato di conservazione. Si tratta verosimilmente della traduzione di "A compleat history of the piratical states of Barbary", tradotta a sua volta, con aggiunte, da "Histoire du royaume d'Alger" di Laugier de Tassy, cfr. Iccu.
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(LAZZARI MIchele)
Breve e succinta notizia della risposta di Antimaco Filalete al ragionamento intorno le antiche iscrizioni della citta' di Treviso ed alle osservazioni sopra la dissertazione intorno una lapida ritrovata nell'anno 1730 nella Villa di Riese nel territorio di Castelfranco
In 16, pp. 293-355 + (1b). Br. rifatta con carta d'epoca. Estratto dagli Opuscoli scientifici e filologici di Calogera' (tomo XX). Saggio che da' conto della risposta di Antimaco Filalete (Michele Lazzari) al Ragionamento intorno alle antiche iscrizioni di Treviso apparso nel volume X della raccolta del Calogera'. Essendo la risposta di Lazzari molto lunga, venne 'ridotta' in un numero di pagine piu' contenuto per riuscire ad essere inserita in questo tomo degli Opuscoli scientifici.
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(LAZZARINI Alberto - CAMPANINI Graziano) -
Cassa di Risparmio di Cento. Un secolo e mezzo di economia e socialità.
Argelato, Minerva, 2009, 4to (cm. 30,5 x 29) legatura tutta tela con titoli dorati al piatto anteriore e al dorso e sovraccopertina illustrata a colori, pp. 178 completamente illustrato da fotografie, tabelle, grafici e tavole fotografiche in nero e a colori, anche a pagina doppia.
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(LE GOFF Jacques - SCHMITT Jean Claude) -
Dizionario dell'Occidente medievale. Temi e percorsi. Volume primo. Aldilà-Lavoro.
Torino, Einaudi, 2003, 8vo (cm. 21 x 16) legatura tutta tela con sovraccoperta e cofanetto cartonato telato, entrambi illustrati a colori, pp. XXXIV-586 con 32 illustrazioni a colori in tavole fuori testo (Dizionario dell'Occidente medievale, 1) . Stato di nuovo.
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(LE GOFF Jacques) -
L'uomo medievale.
Bari, Laterza, 1988, 8vo tutta tela, sovraccopertina illustrata a colori, pp. 424
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(LE GOFF Jacques) -
L'uomo medievale.
Bari, Laterza, 1987, 8vo brossura editoriale, copertina illustrata a colori, pp. 424
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(LE GRAS, A.) ; [ BAYFIELD, Contre-Amiral Henry-Wolsey ; SHORTLAND, P.-F. ]
Routier de la baie de Fundy et de la Nouvelle Ecosse [ Edition originale de la traduction ]
[ Traduction par A. Le Gras ], 1 vol. in-8 reliure de l'époque demi-chagrin rouge à coins dos orné, double filet doré en mors et coins, coll. Dépôt des Cartes et Plans de la Marine, Imprimerie Administrative de Paul Dupont, 1861, 2 ff., IV-196 pp.
Référence libraire : 63663
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(LE GRAS, A.) ; [ YULE, Charles-B. ]
Routier de l'Australie (Côte est) Détroit de Torrès et Mer de Corail. Volume II [ Edition originale - Livre dédicacé par l'auteur ]
Traduit et annoté d'après les travaux hydrographiques les plus récents par A. le Gras., 1 vol. in-8 reliure de l'époque demi-chagrin rouge à coins dos orné, double filet doré en mors et coins, coll. Dépôt des Cartes et Plans de la Marine, n° 312, Imprimerie Administrative de Paul Dupont, 1861, XXIII-566 pp. avec une grande carte dépliante
Référence libraire : 63664
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(LE LABOUREUR, J.)
Histoire du gouvernement de la France; de l'origine et de l'autorité des Pairs du Royaume et du Parlement. On y a joint un Traité des Pairies d'Angeleterre; et un autre de la Grandesse d'Espagne.
A La Haye & Francfort sur Meyn, Aux dépens de la Compagnie, 1743. With engraved frontispiece, title printed in red and black. (2), 378, (2, catalogue of Jean van Duren, La Haye) pp. 12mo. Contemporary marbled calf, spine gilt with raised bands. Monod, Bibliographie de l'Histoire de France, 1015; De Réal, Science du gouvernement, viii, pp. 252 ff. First published in 1740 as Histoire de la Pairie de France ....... and reprinted in 1743 under the present title. 'Le Laboureur est l'un des écrivains qui ont le plus contribué à éclaircir l'histoire de France' (Michaud). 'L'auteur entreprend de prouver que ..... le Parlement de Paris représente les Etats du Royaume quand le Roy y va avec les Pairs' (De Réal). The work has sometimes been attributed to De Boulainvilliers.
Référence libraire : 18230
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(LE MASSON Alex.).
Storia della campagna di Novara nel 1849. dell'autore di Custoza.
Edizione della traduzione italiana di questa rara narrazione degli avvenimenti militari e politici dopo l'armistizio di Milano. Comparsa contemporaneamente a Torino alle due edizioni in francese.
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(LE ROUGE GEORGE LOUIS)
Atlas portatif des militaires et des voyageurs. Tome second…
Cm. 24,5, frontespizio illustrato su doppia pagina, pp. viii, 20 (2) + 100 carte geografiche a doppia pagina con confini colorati. Solida legatura strettamente coeva in piena pelle, dorso a piccoli nervi con fregi in oro e titoli su doppio tassello. Tagli colorati. Ex libris nobiliare. Abili reintegrazioni alle cuffie, esemplare genuino ed in ottimo stato di conservazione. Seconda parte di quest'opera che però è spesso proposta singolarmente per il suio carattere monografico e la cui prima parte apparve nel 1756. L'iconografia riguarda l'intero mondo germanico con l'aggiunta, in fine, dell'isola di Minorca. Cfr. Philipps 618.
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(Le Sesne d' Étemare Jean-Baptiste)
II° Lettre d'un théologien françois à un théologien des Pays-Bas sur la clôture du collège et du noviciat des jésuites. 10 avril 1762
in 12°, 16 cm, ril. in cartone "alla rustica" recente, tagli colorati; pp. 24
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(Le Sesne d' Étemare, Jean-Baptiste)
Lettre d'un théologien françois à un théologien des Pays-Bas sur l'état présent des Jésuites... (4 octobre 1761)
<p>in 12°, 16 cm, ril. in cartone "alla rustica" recente, tagli colorati; pp. 18. Raro</p>
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. No. VII OF 47 COPIES numbered I-XLVII bound in flexible vellum from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in flexible vellum with ties inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER WITH woodcut borders woodcut beginning word and A WOODCUT SCENE DESIGNED BY EDWARD BURNE-JONES AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER the Zainer leaf featuring at least one woodcut initial. The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. The essay comes in one of three bindings which reflect the degree of decorative elaboration on the accompanying Kelmscott leaf: linen-backed paper boards in imitation of the small format Kelmscott publications with a leaf containing text and small initials; floral patterned cloth after a Morris design with a leaf containing multiple six-line initials; or in the most deluxe version as here in flexible vellum with ties with a leaf featuring a full woodcut frame one or more prominent woodcut initials and a very large and striking Edward Burne-Jones woodcut scene. Phillip J. Pirages unknown
Référence libraire : ST20503
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 32 COPIES in linen-backed blue paper boards from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in linen-backed blue paper boards inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with multiple 3-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown
Référence libraire : ST15039aA
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 47 COPIES numbered I-XLVII bound in flexible vellum from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in flexible vellum with ties inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER WITH woodcut borders woodcut beginning word and A WOODCUT SCENE DESIGNED BY EDWARD BURNE-JONES AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER the Zainer leaf featuring at least one woodcut initial. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown
Référence libraire : ST15039cA
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 47 COPIES numbered I-XLVII bound in flexible vellum from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in flexible vellum with ties inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER WITH woodcut borders and initials and A WOODCUT SCENE DESIGNED BY EDWARD BURNE-JONES AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. We have additional copies of this binding available at different price points. Please contact us directly for more details. Phillip J. Pirages unknown
Référence libraire : ST15039cB
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 84 COPIES in floral-patterned cloth from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in floral-patterned cloth after a Morris design by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with six- and three-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown
Référence libraire : ST15039bC
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 84 COPIES in floral-patterned cloth from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in floral-patterned cloth after a Morris design by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with multiple six-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown
Référence libraire : ST15039bB
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 32 COPIES in linen-backed blue paper boards from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in linen-backed blue paper boards inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with text only AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. We have additional copies of this binding available at different price points. Please contact us directly for more details. Phillip J. Pirages unknown
Référence libraire : ST15039aB
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 84 COPIES in floral-patterned cloth from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in floral-patterned cloth after a Morris design by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with one or more 10-line initials multiple six- and/or three-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. We have additional copies of this binding available at different price points. Please contact us directly for more details. Phillip J. Pirages unknown
Référence libraire : ST15039bA
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(LECAICHOIS-FERAND MARC VALERY)
Précis historique et militaire de l'expédition francaise en Italie par un officier d'état major.
Cm. 21, pp. 94 (2) + 55 (1) di pièces justificatives. Con una tabella e deu grandi tavole topografiche in litografia più volte ripiegate f.t. raffiguranti i movimenti francesi a Roma e dintorni. Solida legatura coeva in mezza pelle con punte, dorso a nervi con titoli e fregi in oro. Esemplare genuino e ben conservato. Relazione dettagliata ed assai rara. Per l'autore cfr. Iccu che riporta Barbier il quale ipotizza anche altra attribuzione a Oudinot, duc De Reggio.
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(LECCE) E.N.I.T.
Lecce.
Roma, E.N.I.T. - Ente Nazionale Industrie Turistiche Ferrovie dello Stato/Novissima, s.d. (anni 30). Edizione francese. In 16mo (cm. 17,2); copertina originale illustrata a colori, in cartoncino flessibile, con titoli al piatto; pp. 15, (1). Con 20 illustrazioni in bianco e nero nel testo + una pianta della città di Lecce e una cartina geografica. Testo in francese. Buono stato di Conservazione. PAx
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(LECLUSE, H. DE).
Le déjeuné de la rapée, ou discours des Halles et des Ports. Nouvelle édition, Revuë & augmentée des Etrennes aux Riboteurs, & des Chansons. Avec Un Extrait de l'Inventaire des Meubles & Effets trouvés dans le magazin d'une des Harangeres de la Halle. Et une liste des plus rares Curiosités trouvées dans le même magazin.
A la Grenouillere; Et se trouvent à Paris, Chez Duchesne, no date (1755?) 48 pp. 12mo. Modern boards. Cioranescu 38382; Conlon 48:604. Originally published in 1748 with the title 'Léclusade, ou déjeuné de la Rapée', 18 pages. A niece piece, characteristic for the literature written in vulgar speech (litterature poissairde) of the 18th century. The author was actor at the Opèra-comique and as such greatly appreciated by Voltaire, as well as dentist (of the king of Poland) - A few leaves with a stain in the blank outer margin, one leaf with a small repair to blank upper margin.
Référence libraire : 25037
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(LEEDOM Tim C. - CHURCHVILLE Maryjane) -
Il libro che nessun Papa ti farebbe mai leggere.
Roma, Newton Compton, 2011, 8vo (cm. 22 x 14,5) brossura editoriale con alette, copertina illustrata a colori, pp. 326.
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(LEGA LOMBARDA) BALAN, Pietro
Storia della Lega Lombarda ai tempi di Alessandro III. Narrata dal Prof. D. Pietro Balan. Con documenti inediti o rari.
Modena, Tipografia Paolo Toschi e C., 1876. PRIMA EDIZIONE. In 16mo (cm. 16); brossura originale di colore giallo con titoli al piatto e al dorso; pp. 732. Dorso leggermente sciupato, per il resto in buono stato di conservazione. PAx
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(Legal History) Hallam, Henry
The Constitutional History of England from the accession of Henry VII to the death of George II
Boston: Little Brown 1854. Seventh Edition. 3 vols. 8vo. Dark brown 3/4 morocco raised bands on spine marbled sides and endpapers t.e.g. some light foxing mostly to prelims else fine and attractive. With the signature in each volume of Geo. Shea and the dates 1858 and 1859: an endpaper note identifies him as being a judge. Seventh Edition. 3 vols. 8vo. A nice copy of a large-type edition of this standard and important work.<br /> <br /> Shea was the Chief-Justice of the Marine Court. Little, Brown unknown
Référence libraire : 14986
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(Legatura alle armi del Duca di Modena - FRANCESCO FERDINANDO - ADELGONDA AUGUSTA)
Albo offerto agli Sposi Eccelsi Francesco Ferdinando d’Austria d’Este e Adelgonda Augusta di Baviera dalla Reale Accademia di Scienze, Lettere, ed Arti di Modena.
Modena, pei Tipi della R. D. Camera, 1842. In folio piccolo (cm. 30,2); preziosa legatura in cartone “zigrino” verde scuro con cornice in oro ai due piatti e stemma degli Estensi in oro ai due piatti; pp. (8), 224. In prosa: Problemi di magnetismo; Sopra la fonte termale della Pieve Fossiana; Centro di studj intorno al principio delle velocità virtuali; Massa e Lunigiana... In Poesia: Alla Pace; La Sposa; La Selva; Felicità rustica... Testi di Johann Von Brignoli a Brunnhoff, Mario Valdrighi, Bartolomeo Veratti, Giovanni Galvani, Cesare Galvani, Severino Fabriani, Celestino Cavedoni, Luigi Cagnoli, Carlo Malmusi... Bella copia stampata su carta pesante. Axs
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(LEGATURA DEGLI ESPOSTI - BOLOGNA - ALFREDO BARUFFI)
Industrie artistiche e botteghe Artigiane Bolognesi.
Bologna edito a cura del Consiglio Provinciale dell’Economia di Bologna, 1928. In 4to grande (cm. 29); rilegatura originale in tela su disegno di Alfredo Baruffi eseguita nelle Officine di LUIGI Degli Esposti di Bologna; pp. 58 + 14 nn. + LXXVI tavole. Dodici tavole illustrano le arti grafiche di Bologna con xilografie originali. Mobili, oggetti, ricami dell’artigianato bolognese. Due Tavole di bellissime Legature eseguite da Luigi Degli ESPOSTI + 2 Tavole di legature di Carati Costa e dell’Istituto dei Salesiani. Edizione speciale di propaganda fuori commercio numerata a mano da 1 a 1000. Axs
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(LEGNANO - MODENA) CASOLI, Pier Biagio
Settimo Centenario della Vittoria di Legnano. Ricordo agli italiani. XXIX Maggio 1876.
Modena, Tipografia Pontificia ed Arcivescovile dell’Immacolata Concezione, 1876. Bella pubblicazione per il settimo centenario della vittoria di Legnano conseguita dalla Lega Lombarda contro il Barbarossa. Oltre vari carmi celebrativi, contiene un cenno storico sull’evento e i profili dei Comuni che aderirono. In 4to (cm. 30); brossura originale illustrata con titolo al piatto; pp. (8), 167, (3), 10. Con 3 tavole a piena pagina fuori testo con i ritratti in bianco e nero di Federico Barbarossa, di Alessandro III e Pio IX e 6 tavole a colori fuori testo con gli stemmi delle città lombarde, piemontesi, venete ed emiliane che aderirono alla Lega (Milano, Verona, Padova, Venezia, Vicenza, Treviso, Bergamo, Brescia, Cremona, Mantova, Modena, Bologna, Lodi, Piacenza, Parma, Ferrara, Alessandria, Novara, Reggio, Tortona, Vercelli, Bobbio). In fine: Il Patto di Pontida, Inno di D. Panizzi musicato per canto e pianoforte dal maestro Isidoro Rossi. Mancano il disegno del Carroccio e 21 pagine dell’Inno. Brossura sciupata, dorso restaurato con nastro adesivo trasparente, macchie di umidità nel testo. Molto raro. PAx
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(LEGROS, J.C.F.)
Analyse des ouvrages de J.J. Rousseau, de Geneve, et de M. Court de Gebelin, Auteur du Monde Primitif; Par un Solitaire.
A Geneve, Chez Barthelemy Chirol, et à Paris, Chez la Veuve Duchesne, 1785. 234 pp. 8vo. Original blind wrappers, spine somewhat defective, a nice uncut copy with ample margins. Conlon, Ouvrages français relatifs à Jean-Jacques Rousseau, 695; INED 2772; L'Illuminismo francese alla Fondazione Feltrinelli, 511. First edition. Analysis of two essays by Rousseau (his famous prize winning Discours from 1750 and the Discours sur l'Origine et les fondemens de l'inégalité) and of several works of Court de Gebelin, particularly his Les Devoirs and his Monde Primitif and in general discussing the question of the origins of man and criticizing the hypothesis of the 'homme sauvage.' The Abbé Legros was member of the Assembly of the Clergy in 1760 and represented the clergy at the Etats-Généraux in 1789. He was also the author of an important critical analysis of the theories of the "Économistes", the physiocrats.
Référence libraire : 26369
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(LENGLET DU FRESNOY NICOLAS)
La catanoise ou histoire secrète des mouvements arrivez au royaume de Naples, sous la Reine Jeanne I.
Cm. 17, pp. 324. Fregio al forntespizio. Solida legatura coeva in piena pergamena rigida con titoli in oro su tassello al dorso. Belle sguardie (singole) in carta dipinta. Ottimo stato di conservazione. Edizione originale. Cfr. Barbier I, 527.
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(LENIN) CARR, Edward Hallet
La morte di Lenin. L’interregno 1923-1924.
Torino, Giulio Einaudi Editore, 1965. Seconda edizione. Traduzione di Paolo Basevi. Volume N. 78/II della Collana: Biblioteca di cultura storica - Storia della Russia sovietica. In 8vo (cm. 21); copertina originale rigida in tutta tela editoriale con titoli al dorso più sovraccoperta illustrata in bianco e nero, con titoli al piatto e al dorso; pp. XIII, (1), 360, (4). Piccolo strappetto alla sovraccoperta, per il resto buono stato di conservazione. PAx
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(LEONARDO) FUSERO, Clemente
Leonardo.
Milano, Dall’Oglio Editore, 1961. Collana Storica. Medaglioni, fregi, diciture di tutti i volumi della Collana ad opera del pittore Mino Buttafava. In 8vo (cm. 21,5); cop. originale rigida in tutta tela editoriale illustrata, con titoli e fregi in oro al dorso più protezione in acetato trasparente con titoli al piatto; pp. 396, (4). Con 16 illustrazioni in bianco e nero a piena pagina su carta patinata fuori testo. Piatto anteriore figurato con busto di Leonardo. Ottima copia. PAx
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(LEONI RAIMONDO)
L'Egira toscana o sia la Cremania con note.
Cm. 14, pp. xiv (2) 80. Leg. del tempo in mezza pelle con punte e titoli in oro al dorso. Ex libris inciso. Ben conservato e stampato su carta forte. Non comune. Cfr. Iccu.
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