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(LE GOFF Jacques) -
L'uomo medievale.
Bari, Laterza, 1987, 8vo brossura editoriale, copertina illustrata a colori, pp. 424
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(LE GRAS, A.) ; [ BAYFIELD, Contre-Amiral Henry-Wolsey ; SHORTLAND, P.-F. ]
Routier de la baie de Fundy et de la Nouvelle Ecosse [ Edition originale de la traduction ]
[ Traduction par A. Le Gras ], 1 vol. in-8 reliure de l'époque demi-chagrin rouge à coins dos orné, double filet doré en mors et coins, coll. Dépôt des Cartes et Plans de la Marine, Imprimerie Administrative de Paul Dupont, 1861, 2 ff., IV-196 pp.
書籍販売業者の参照番号
: 63663
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(LE GRAS, A.) ; [ YULE, Charles-B. ]
Routier de l'Australie (Côte est) Détroit de Torrès et Mer de Corail. Volume II [ Edition originale - Livre dédicacé par l'auteur ]
Traduit et annoté d'après les travaux hydrographiques les plus récents par A. le Gras., 1 vol. in-8 reliure de l'époque demi-chagrin rouge à coins dos orné, double filet doré en mors et coins, coll. Dépôt des Cartes et Plans de la Marine, n° 312, Imprimerie Administrative de Paul Dupont, 1861, XXIII-566 pp. avec une grande carte dépliante
書籍販売業者の参照番号
: 63664
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(LE LABOUREUR, J.)
Histoire du gouvernement de la France; de l'origine et de l'autorité des Pairs du Royaume et du Parlement. On y a joint un Traité des Pairies d'Angeleterre; et un autre de la Grandesse d'Espagne.
A La Haye & Francfort sur Meyn, Aux dépens de la Compagnie, 1743. With engraved frontispiece, title printed in red and black. (2), 378, (2, catalogue of Jean van Duren, La Haye) pp. 12mo. Contemporary marbled calf, spine gilt with raised bands. Monod, Bibliographie de l'Histoire de France, 1015; De Réal, Science du gouvernement, viii, pp. 252 ff. First published in 1740 as Histoire de la Pairie de France ....... and reprinted in 1743 under the present title. 'Le Laboureur est l'un des écrivains qui ont le plus contribué à éclaircir l'histoire de France' (Michaud). 'L'auteur entreprend de prouver que ..... le Parlement de Paris représente les Etats du Royaume quand le Roy y va avec les Pairs' (De Réal). The work has sometimes been attributed to De Boulainvilliers.
書籍販売業者の参照番号
: 18230
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(LE MASSON Alex.).
Storia della campagna di Novara nel 1849. dell'autore di Custoza.
Edizione della traduzione italiana di questa rara narrazione degli avvenimenti militari e politici dopo l'armistizio di Milano. Comparsa contemporaneamente a Torino alle due edizioni in francese.
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(LE ROUGE GEORGE LOUIS)
Atlas portatif des militaires et des voyageurs. Tome second…
Cm. 24,5, frontespizio illustrato su doppia pagina, pp. viii, 20 (2) + 100 carte geografiche a doppia pagina con confini colorati. Solida legatura strettamente coeva in piena pelle, dorso a piccoli nervi con fregi in oro e titoli su doppio tassello. Tagli colorati. Ex libris nobiliare. Abili reintegrazioni alle cuffie, esemplare genuino ed in ottimo stato di conservazione. Seconda parte di quest'opera che però è spesso proposta singolarmente per il suio carattere monografico e la cui prima parte apparve nel 1756. L'iconografia riguarda l'intero mondo germanico con l'aggiunta, in fine, dell'isola di Minorca. Cfr. Philipps 618.
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(Le Sesne d' Étemare Jean-Baptiste)
II° Lettre d'un théologien françois à un théologien des Pays-Bas sur la clôture du collège et du noviciat des jésuites. 10 avril 1762
in 12°, 16 cm, ril. in cartone "alla rustica" recente, tagli colorati; pp. 24
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(Le Sesne d' Étemare, Jean-Baptiste)
Lettre d'un théologien françois à un théologien des Pays-Bas sur l'état présent des Jésuites... (4 octobre 1761)
<p>in 12°, 16 cm, ril. in cartone "alla rustica" recente, tagli colorati; pp. 18. Raro</p>
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. No. VII OF 47 COPIES numbered I-XLVII bound in flexible vellum from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in flexible vellum with ties inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER WITH woodcut borders woodcut beginning word and A WOODCUT SCENE DESIGNED BY EDWARD BURNE-JONES AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER the Zainer leaf featuring at least one woodcut initial. The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. The essay comes in one of three bindings which reflect the degree of decorative elaboration on the accompanying Kelmscott leaf: linen-backed paper boards in imitation of the small format Kelmscott publications with a leaf containing text and small initials; floral patterned cloth after a Morris design with a leaf containing multiple six-line initials; or in the most deluxe version as here in flexible vellum with ties with a leaf featuring a full woodcut frame one or more prominent woodcut initials and a very large and striking Edward Burne-Jones woodcut scene. Phillip J. Pirages unknown
書籍販売業者の参照番号
: ST20503
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 32 COPIES in linen-backed blue paper boards from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in linen-backed blue paper boards inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with multiple 3-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown
書籍販売業者の参照番号
: ST15039aA
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 47 COPIES numbered I-XLVII bound in flexible vellum from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in flexible vellum with ties inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER WITH woodcut borders woodcut beginning word and A WOODCUT SCENE DESIGNED BY EDWARD BURNE-JONES AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER the Zainer leaf featuring at least one woodcut initial. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown
書籍販売業者の参照番号
: ST15039cA
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 47 COPIES numbered I-XLVII bound in flexible vellum from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in flexible vellum with ties inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER WITH woodcut borders and initials and A WOODCUT SCENE DESIGNED BY EDWARD BURNE-JONES AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. We have additional copies of this binding available at different price points. Please contact us directly for more details. Phillip J. Pirages unknown
書籍販売業者の参照番号
: ST15039cB
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 84 COPIES in floral-patterned cloth from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in floral-patterned cloth after a Morris design by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with six- and three-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown
書籍販売業者の参照番号
: ST15039bC
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 84 COPIES in floral-patterned cloth from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in floral-patterned cloth after a Morris design by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with multiple six-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. Phillip J. Pirages unknown
書籍販売業者の参照番号
: ST15039bB
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 32 COPIES in linen-backed blue paper boards from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in linen-backed blue paper boards inspired by Kelmscott Press bindings by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with text only AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. We have additional copies of this binding available at different price points. Please contact us directly for more details. Phillip J. Pirages unknown
書籍販売業者の参照番号
: ST15039aB
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(LEAF BOOK - KELMSCOTT PRESS AND PRINTING HISTORY). PIRAGES, PHILLIP J
LETTERS FROM THE 15TH CENTURY: ON THE ORIGINS OF THE KELMSCOTT CHAUCER TYPEFACE. A STUDY WITH SPECIMEN LEAVES OF THE INFLUENCE OF THE EARLY GERMAN PRINTERS ON WILLIAM MORRIS' MASTERPIECE
McMinnville Oregon: Phillip J. Pirages 2019. ONE OF 84 COPIES in floral-patterned cloth from a total edition of 165 COPIES. Text: 244 x 154 mm. 9 1/8 x 6 1/8"; Case: 502 x 372 mm. 19 3/4 x 14 5/8". ii 75 pp. <br/> Bound in floral-patterned cloth after a Morris design by Amy Borezo who also constructed the case holding the volume and leaves. The book printed letterpress on Zerkall Book Laid Vellum paper by Arthur Larson at Horton Tank Graphics. Book layout by Jill Mann. EACH COPY WITH FIVE LEAVES: ONE FROM THE KELMSCOTT CHAUCER with one or more 10-line initials multiple six- and/or three-line initials AND ONE EACH FROM THE PRESSES OF FOUR GERMAN PRINTERS FROM THE 1470s--PETER SCHOEFFER JOHANN MENTELIN GÜNTHER ZAINER AND ANTON KOBERGER. ◆The incunabular leaves consistently excellent with only minor defects and the Kelmscott leaves which were never part of a bound volume in entirely fine condition.<br/> <br/> This is a unique leaf book in the way that it combines three elements: a significant private press production involving people at the top of their craft a scholarly commentary that contributes to a further understanding of the history of printing and--most important--five leaves: one from the Kelmscott Press "Works" of Geoffrey Chaucer and four from books issued by German printers at work in the 1470s. The book has been printed and bound by hand by gifted professionals; the essay addresses a topic of significance to typophiles in a considerably more thoroughgoing way than has been done before; and the assemblage of leaves represents a powerful visual reinforcement of the text as well as an opportunity to share in the ownership of four important incunabula along with the extraordinary Kelmscott Chaucer. The story of the production is heavy on serendipity: in the winter of 2012 after purchasing a very incomplete copy of the Kelmscott Chaucer at auction we considered the possibility of producing a leaf book but because the Chaucer--universally considered to be one of the most beautiful books ever printed--had been written about by so many different people in so many different ways we didn't know what aspect was left for us to explore. The one topic we fastened on as thus far inadequately examined is the origin of the work's typeface. We soon learned that Morris who is known to have owned more than 500 incunables most admired--and was consequently most likely to have been influenced in his typographic design by--Peter Schoeffer of Mainz Johann Mentelin of Strassburg Günther Zainer of Augsburg and Anton Koberger of Nuremberg. Over the course of the years succeeding the purchase of the defective Chaucer we were fortunate beyond all expectation to acquire incomplete books from each of these four eminent printers. As a result the present leaf book will allow the reader not only to read in the accompanying essay about the influence on Morris of his typographic forebears but also to compare with his or her own eyes the resemblances between the Kelmscott leaf and the leaves from four centuries earlier. We have additional copies of this binding available at different price points. Please contact us directly for more details. Phillip J. Pirages unknown
書籍販売業者の参照番号
: ST15039bA
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(LECAICHOIS-FERAND MARC VALERY)
Précis historique et militaire de l'expédition francaise en Italie par un officier d'état major.
Cm. 21, pp. 94 (2) + 55 (1) di pièces justificatives. Con una tabella e deu grandi tavole topografiche in litografia più volte ripiegate f.t. raffiguranti i movimenti francesi a Roma e dintorni. Solida legatura coeva in mezza pelle con punte, dorso a nervi con titoli e fregi in oro. Esemplare genuino e ben conservato. Relazione dettagliata ed assai rara. Per l'autore cfr. Iccu che riporta Barbier il quale ipotizza anche altra attribuzione a Oudinot, duc De Reggio.
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(LECCE) E.N.I.T.
Lecce.
Roma, E.N.I.T. - Ente Nazionale Industrie Turistiche Ferrovie dello Stato/Novissima, s.d. (anni 30). Edizione francese. In 16mo (cm. 17,2); copertina originale illustrata a colori, in cartoncino flessibile, con titoli al piatto; pp. 15, (1). Con 20 illustrazioni in bianco e nero nel testo + una pianta della città di Lecce e una cartina geografica. Testo in francese. Buono stato di Conservazione. PAx
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(LECLUSE, H. DE).
Le déjeuné de la rapée, ou discours des Halles et des Ports. Nouvelle édition, Revuë & augmentée des Etrennes aux Riboteurs, & des Chansons. Avec Un Extrait de l'Inventaire des Meubles & Effets trouvés dans le magazin d'une des Harangeres de la Halle. Et une liste des plus rares Curiosités trouvées dans le même magazin.
A la Grenouillere; Et se trouvent à Paris, Chez Duchesne, no date (1755?) 48 pp. 12mo. Modern boards. Cioranescu 38382; Conlon 48:604. Originally published in 1748 with the title 'Léclusade, ou déjeuné de la Rapée', 18 pages. A niece piece, characteristic for the literature written in vulgar speech (litterature poissairde) of the 18th century. The author was actor at the Opèra-comique and as such greatly appreciated by Voltaire, as well as dentist (of the king of Poland) - A few leaves with a stain in the blank outer margin, one leaf with a small repair to blank upper margin.
書籍販売業者の参照番号
: 25037
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(LEEDOM Tim C. - CHURCHVILLE Maryjane) -
Il libro che nessun Papa ti farebbe mai leggere.
Roma, Newton Compton, 2011, 8vo (cm. 22 x 14,5) brossura editoriale con alette, copertina illustrata a colori, pp. 326.
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(LEGA LOMBARDA) BALAN, Pietro
Storia della Lega Lombarda ai tempi di Alessandro III. Narrata dal Prof. D. Pietro Balan. Con documenti inediti o rari.
Modena, Tipografia Paolo Toschi e C., 1876. PRIMA EDIZIONE. In 16mo (cm. 16); brossura originale di colore giallo con titoli al piatto e al dorso; pp. 732. Dorso leggermente sciupato, per il resto in buono stato di conservazione. PAx
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(Legal History) Hallam, Henry
The Constitutional History of England from the accession of Henry VII to the death of George II
Boston: Little Brown 1854. Seventh Edition. 3 vols. 8vo. Dark brown 3/4 morocco raised bands on spine marbled sides and endpapers t.e.g. some light foxing mostly to prelims else fine and attractive. With the signature in each volume of Geo. Shea and the dates 1858 and 1859: an endpaper note identifies him as being a judge. Seventh Edition. 3 vols. 8vo. A nice copy of a large-type edition of this standard and important work.<br /> <br /> Shea was the Chief-Justice of the Marine Court. Little, Brown unknown
書籍販売業者の参照番号
: 14986
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(Legatura alle armi del Duca di Modena - FRANCESCO FERDINANDO - ADELGONDA AUGUSTA)
Albo offerto agli Sposi Eccelsi Francesco Ferdinando d’Austria d’Este e Adelgonda Augusta di Baviera dalla Reale Accademia di Scienze, Lettere, ed Arti di Modena.
Modena, pei Tipi della R. D. Camera, 1842. In folio piccolo (cm. 30,2); preziosa legatura in cartone “zigrino” verde scuro con cornice in oro ai due piatti e stemma degli Estensi in oro ai due piatti; pp. (8), 224. In prosa: Problemi di magnetismo; Sopra la fonte termale della Pieve Fossiana; Centro di studj intorno al principio delle velocità virtuali; Massa e Lunigiana... In Poesia: Alla Pace; La Sposa; La Selva; Felicità rustica... Testi di Johann Von Brignoli a Brunnhoff, Mario Valdrighi, Bartolomeo Veratti, Giovanni Galvani, Cesare Galvani, Severino Fabriani, Celestino Cavedoni, Luigi Cagnoli, Carlo Malmusi... Bella copia stampata su carta pesante. Axs
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(LEGATURA DEGLI ESPOSTI - BOLOGNA - ALFREDO BARUFFI)
Industrie artistiche e botteghe Artigiane Bolognesi.
Bologna edito a cura del Consiglio Provinciale dell’Economia di Bologna, 1928. In 4to grande (cm. 29); rilegatura originale in tela su disegno di Alfredo Baruffi eseguita nelle Officine di LUIGI Degli Esposti di Bologna; pp. 58 + 14 nn. + LXXVI tavole. Dodici tavole illustrano le arti grafiche di Bologna con xilografie originali. Mobili, oggetti, ricami dell’artigianato bolognese. Due Tavole di bellissime Legature eseguite da Luigi Degli ESPOSTI + 2 Tavole di legature di Carati Costa e dell’Istituto dei Salesiani. Edizione speciale di propaganda fuori commercio numerata a mano da 1 a 1000. Axs
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(LEGNANO - MODENA) CASOLI, Pier Biagio
Settimo Centenario della Vittoria di Legnano. Ricordo agli italiani. XXIX Maggio 1876.
Modena, Tipografia Pontificia ed Arcivescovile dell’Immacolata Concezione, 1876. Bella pubblicazione per il settimo centenario della vittoria di Legnano conseguita dalla Lega Lombarda contro il Barbarossa. Oltre vari carmi celebrativi, contiene un cenno storico sull’evento e i profili dei Comuni che aderirono. In 4to (cm. 30); brossura originale illustrata con titolo al piatto; pp. (8), 167, (3), 10. Con 3 tavole a piena pagina fuori testo con i ritratti in bianco e nero di Federico Barbarossa, di Alessandro III e Pio IX e 6 tavole a colori fuori testo con gli stemmi delle città lombarde, piemontesi, venete ed emiliane che aderirono alla Lega (Milano, Verona, Padova, Venezia, Vicenza, Treviso, Bergamo, Brescia, Cremona, Mantova, Modena, Bologna, Lodi, Piacenza, Parma, Ferrara, Alessandria, Novara, Reggio, Tortona, Vercelli, Bobbio). In fine: Il Patto di Pontida, Inno di D. Panizzi musicato per canto e pianoforte dal maestro Isidoro Rossi. Mancano il disegno del Carroccio e 21 pagine dell’Inno. Brossura sciupata, dorso restaurato con nastro adesivo trasparente, macchie di umidità nel testo. Molto raro. PAx
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(LEGROS, J.C.F.)
Analyse des ouvrages de J.J. Rousseau, de Geneve, et de M. Court de Gebelin, Auteur du Monde Primitif; Par un Solitaire.
A Geneve, Chez Barthelemy Chirol, et à Paris, Chez la Veuve Duchesne, 1785. 234 pp. 8vo. Original blind wrappers, spine somewhat defective, a nice uncut copy with ample margins. Conlon, Ouvrages français relatifs à Jean-Jacques Rousseau, 695; INED 2772; L'Illuminismo francese alla Fondazione Feltrinelli, 511. First edition. Analysis of two essays by Rousseau (his famous prize winning Discours from 1750 and the Discours sur l'Origine et les fondemens de l'inégalité) and of several works of Court de Gebelin, particularly his Les Devoirs and his Monde Primitif and in general discussing the question of the origins of man and criticizing the hypothesis of the 'homme sauvage.' The Abbé Legros was member of the Assembly of the Clergy in 1760 and represented the clergy at the Etats-Généraux in 1789. He was also the author of an important critical analysis of the theories of the "Économistes", the physiocrats.
書籍販売業者の参照番号
: 26369
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(LENGLET DU FRESNOY NICOLAS)
La catanoise ou histoire secrète des mouvements arrivez au royaume de Naples, sous la Reine Jeanne I.
Cm. 17, pp. 324. Fregio al forntespizio. Solida legatura coeva in piena pergamena rigida con titoli in oro su tassello al dorso. Belle sguardie (singole) in carta dipinta. Ottimo stato di conservazione. Edizione originale. Cfr. Barbier I, 527.
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(LENIN) CARR, Edward Hallet
La morte di Lenin. L’interregno 1923-1924.
Torino, Giulio Einaudi Editore, 1965. Seconda edizione. Traduzione di Paolo Basevi. Volume N. 78/II della Collana: Biblioteca di cultura storica - Storia della Russia sovietica. In 8vo (cm. 21); copertina originale rigida in tutta tela editoriale con titoli al dorso più sovraccoperta illustrata in bianco e nero, con titoli al piatto e al dorso; pp. XIII, (1), 360, (4). Piccolo strappetto alla sovraccoperta, per il resto buono stato di conservazione. PAx
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(LEONARDO) FUSERO, Clemente
Leonardo.
Milano, Dall’Oglio Editore, 1961. Collana Storica. Medaglioni, fregi, diciture di tutti i volumi della Collana ad opera del pittore Mino Buttafava. In 8vo (cm. 21,5); cop. originale rigida in tutta tela editoriale illustrata, con titoli e fregi in oro al dorso più protezione in acetato trasparente con titoli al piatto; pp. 396, (4). Con 16 illustrazioni in bianco e nero a piena pagina su carta patinata fuori testo. Piatto anteriore figurato con busto di Leonardo. Ottima copia. PAx
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(LEONI RAIMONDO)
L'Egira toscana o sia la Cremania con note.
Cm. 14, pp. xiv (2) 80. Leg. del tempo in mezza pelle con punte e titoli in oro al dorso. Ex libris inciso. Ben conservato e stampato su carta forte. Non comune. Cfr. Iccu.
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(LEOPARDI - VERISMO - IDEALISMO - MODENA) MELUCCI, Pasquale
Verismo ed Idealismo in Arte. Leggendo Leopardi. Due Conferenze dell’Avv. Pasquale Melucci.
Modena, E. Sarasino, 1892. In 8vo (cm. 20,6); brossura originale con titolo entro cornice al piatto e al dorso; pp. (6), 152, (2). Dorso leggermente rovinato e qualche sottolineatura a matita. PAx
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(LEOPARDI MONALDO)
Considerazioni sulla storia d'Italia di Carlo Botta in continuazione di quella del Guicciardini…
Cm. 17, pp. 198. Leg. coeva in mezza pelle, dorso liscio con titoli e fregi in oro. Esemplare genuino e ben conservato. Edizione apparsa un anno dopo l'originale di quest'opera che raccoglie i dieci articoli pubblicati su La Voce della Ragione con cui Monaldo aveva portato avanti una critica minuziosa e puntuale della Istoria d’Italia di Carlo Botta.
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(LEOPARDI MONALDO)
Sulle riforme del governo. Una parola ai sudditi del Papa.
Cm. 21,5, pp. 77 (3). Solida legatura coeva in mezza pelle con piccole punte, dorso liscio con titoli e fregi in oro. Esemplare marginoso ed in buono stato di conservazione. Edizione originale di questo scritto apparso anonimo ma attribuito al padre di Giacomo Leopardi. Dall'indice: La rappresentanza Nazionale, La Rappresentanza dei Ministri, La Divisione dei poteri, L'indipendenza dei Giudici, La Libertà di stampa, La Secolarizzazione delle Cariche governative
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(LEPINE Louis) LENEPVEU Victor
[AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°3 "A la niche !"
- Imprimerie Lenepveu, Paris s.d. [octobre 1899], 49,8x65,2cm, une affiche. - Affiche originale lithographiée en couleurs représentant Louis Lépine sous les traits d'un chien. Derrière lui est dessiné un imposant écriteau sur lequel est indiqué : "Liberté ! Egalité ! Fraternité !!! Ordre d'arrêter et de conduire immédiatement au poste tous les vendeurs du Musée des horreurs", en référence aux arrestations des camelots vendant la publication. Pliures transversales, une déchirure sans manque en marge gauche partiellement comblée par un timbre de papier. Diffusés entre octobre 1899 et décembre 1900 dans une France embrasée par l'Affaire Dreyfus, ces immenses portraits à charge en couleurs sont l'uvre de Victor Lenepveu qui annonça la parution de 150 puis 200 dessins et n'en réalisa finalement qu'une cinquantaine. En dépit de la loi sur la liberté de la presse de 1881 permettant la diffusion d'une imagerie politiquement subversive, la parution de ce panthéon cauchemardesque fut interrompue sur ordre du Ministère de l'Intérieur. La fragilité du papier et l'imposant format de ces très violentes affiches, ainsi que leur saisie presque immédiate par la police, contribuèrent à la disparition de ces caricatures qui marquèrent cependant fortement l'opinion publique. Le 1er octobre 1899, L'Intransigeant annonce la parution du Musée des horreurs dans ses colonnes : « Un dessinateur de beaucoup d'esprit, au coup de crayon d'un comique intense, M. V. Lenepveu, a eu l'heureuse idée d'inaugurer une série de portraits des vendus les plus célèbres de la tourbe dreyfusarde. Le titre de cette série « Musée des Horreurs » est suffisamment suggestif et indique bien ce qu'il promet. [...] C'est la maison Hayard qui mettra en vente, à partir d'aujourd'hui, le numéro 1 de cette désopilante série. » D'abord camelot puis libraire-éditeur, Napoléon Hayard (dit Léon Hayard) se spécialisa en effet dans la commercialisation d'éphémères et de placards anti-dreyfusards et antisémites. Ces horreurs bénéficièrent d'une large promotion de la part des journaux antisémites qui annoncèrent un tirage fantasmé de 300.000 exemplaires, insinuant ainsi le succès des idées antisémites dans la population. Il ne subsiste cependant aujourd'hui que de très rares exemplaires en bel état de ces caricatures pamphlétaires qui participèrent à la fracture sociale et politique de la France. Publiés en plein essor de la presse écrite - en même temps que le célèbre « J'accuse ! » d'Emile Zola - ces documents de propagande eurent notamment un impact significatif sur les jeunes générations et préfigurent la violence idéologique du XXème siècle. [ENGLISH DESCRIPTION ON DEMAND]
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(Leroy, Charles-François)
Lettre à M. ***, dans laquelle on rapporte le jugement que portoient sur les jésuites trois grands évêques de France du dernier siècle; M. le Cardinal Le Camus, (...) M. Le Tellier (...) et M. Bossuet (...); auxquels on ajoute M. le Cardinal de Bérulle ..
in 12°, 16 cm, ril. in cartone "alla rustica" recente, tagli colorati; pp. 55
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(Les murailles guerre de 1870)
Les murailles politiques Françaises, depuis le 18 Juillet jusqu'au 25 Mai 1871 - Affiches Françaises et Allemandes - La guerre - La Commune - Paris Province.
Le Chevalier 1874. In/4 relié, reliure pleine toile, 1022 pages, affiches en couleurs et en noir et blanc, tampon de la bibliothèque de Vincent Bertillon. Proclamations, affiches, avis, etc...diffusés lors de la Guerre de 1870 et la Commune, à travers les multiples documents donnés ici en fac-similés, certains sur papier colorés.
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(LESCHASSIER, J.)
Pour la seureté de la vie et de l'Estat des Roys. Contre les impietez de ceux qui ont escrit contre leurs puissances souveraines.
No place, 1626. 32 pp. Small 8vo. Modern hard-grained half morocco, marbled boards, gilt lettering to spine. Bourgeois & André 1974; Lindsay & Neu 5490; Welsh, 993; BMSTC, French books 1601-1700, D.689. Second edition, first published in 1613 as 'Discours pour la sureté de la vie et de l'état des rois'. Against the theory of the Jesuits, and as stated again by Sanctarel in his Tractatus (1625), that 'le Pape peut disposer les Roys; il peut les faire tuer.'Jacques Leschassier (1550-1625), lawyer and partisan of the royal party at the time of the Ligue. His collected works were published in 1649. 'Oeuvre d'un avocat très réputé' (Bourgeois & André). - Somewhat browned.
書籍販売業者の参照番号
: 24719
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(LESUR Charles)
DEI PROGRESSI DELLA POTENZA RUSSA. Dall’origine sua insino al principio del secolo XIX. Del Sig. L. - Traduzione dal francese.
In-8 p. (mm. 220x140), brossura muta coeva (piccole manc., sciupata), pp. XIV,499. "Prima edizione" della versione italiana. Esempl. con barbe, con aloni e fioriture.
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(LETI GREGORIO)
Relazione della Corte di Roma... Cioè Ordini, Riti, Congregazioni, Funzioni, che in essa si osserva, e si prattica. Modernamente revista, e corretta in questa nuova Impressione, et il Maestro di Camera di Francesco Sestini.
Cm. 14,5, pp. (12) 376 (4). Bell'antiporta figurata e marchi tipografici ai due frontespizi i quali riportano identici dati tipografici. Ottima legatura coeva in pergamena semirigida, dorso a piccoli nervi con titoli manoscritti. Tagli colorati. Esemplare fresco ed in perfetto stato di conservazione.
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(LETI GREGORIO)
Vita di Donna Olimpia Maidachini Pamfili Principessa di S. Martino cognata d'Innocenzio X. Sommo Pontefice.
Cm. 18, pp. 183 (1). Con il ritratto inciso in rame su una tavola ripiegata all'antiporta. Solida leg. d'inizio '900 in mezza pelle, dorso a nervi con titoli in oro su tassello. Esemplare ben conservato. Non comune edizione settecenetsca di quest'opera apparsa in originale nel 1666. Cfr. Piantanida, 961.
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(LETI, GREGOIRE).
La Vie D'Olivier Cromwell. Seconde Partie. (of 2).
Amsterdam, Antoine Schelte, 1694. Small 8vo. Contemp. full calf. Back somewhat worn, corners bumped and lacks leather. (2),555,(23) pp. and 4 engraved plates.
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(LETI, GREGOIRE).
La Vie D'Olivier Cromwell. Seconde Partie. (of 2).
Amsterdam, Antoine Schelte, 1694. Small 8vo. Contemp. full calf. Back somewhat worn, corners bumped and lacks leather. (2),555,(23) pp. and 4 engraved plates.
書籍販売業者の参照番号
: 36693
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(LETI, Gregorio):
La vie d'Olivier Cromwel. Premiere (&) seconde partie. En 2 volumes.
A Amsterdam, chez Antoine Schelte MDC XCIV, 1694, in-8vo, frontispice gravé d’Olivier Cromwell + 6 ff. (titre avec vign. gravée - l’auteur Au Lecteur - Avis) + 1 planche gravée Portrait de Yolandee Beatrix grands princesse de Toscane + 10 ff. + 476 p. + 13 ff. (Table) / Titre avec vign. gravée + 555 P. (+1) + 12 ff. (Table), ms sur titre ‘de Merveilleux Guy’, reliure en vaux originale.
書籍販売業者の参照番号
: 105836aaf
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(letteratura - storia)
I reali di Francia.
Cm. 20,5, pp. xl (8) 695 (1). Alcune tavole in nero fuori testo. Piena similpelle editoriale con con sovracoperta a colori. Ottima copia. Introduzione di Alberto Roncaglia, note di Fabrizio Beggiato. Non comune.
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(LEVESQUE DE POUILLY (LOUIS-JEAN))
Theorie des Sentimens agreables, ou, apres avoir indique les regles que la Nature suit dans la distribution du plaisir, on etablit les principes de la Theologie naturelle & ceux de la Philosophie morale.
Paris, David le jeune, 1749. 8vo. In contemporary marbled paper covered boards. Paper-label pasted on to spine. Ex-libris pasted on to verso of front board. Internally nice and clean. XVI, 224 pp. Wanting the frontispiece.
書籍販売業者の参照番号
: 61894
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(LEVESQUE DE POUILLY J.S.)
Vie de Michel de l'Hopital chancelier de France.
Cm. 17, pp. (2) 297. Bella e solida legatura coeva in piena pergamena rigida con titoli in oro su tassello al dorso. Tagli gialli. Perfetta conservazione. Manca verosimilmente il ritratto.
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(LEVESQUE DE POUILLY, L.J.)
Theorie des sentimens agréables, où après avoir indiqué les règles que la nature suit dans la distribution du plaisir, on établit les principes de la théologie naturelle, et ceux de la philosophie morale.
A Paris, Chez Debure père, 1774. With engraved frontispiece and 2 engraved folding plates. xxxii, 352, (4) pp. 12mo. Contemporary marbled calf, spine gilt with raised bands, red label with gilt lettering, red edges, a very, very good copy. Schosler, p. 114; Bibliothèque Voltaire, 2111; Dictionnaire des Journalistes 1600-1789, 516; Cohen, Livres à Gravures, 989. First published in 1736, this is the 5th and best edition of this famous work, enlarged with the Eloge historique de l'auteur (by the abbé de Saulx), and two discourses the author had held in Reims, including his description of an antique monument found in Reims. The content of this work is described in Michaud as 'le dessein de Levesque est de prouver que le bonheur est dans la pratique des devoirs.' Levesque was born in Reims, where he studied at the local university. He went to Paris to continue his studies, especially philosophy, and it was there that he started working on Newton's famous Principia. At the age of 22 he tried to explain the difficulties of Newton's famous work and make it accessible to readers. He lived for a year in London, was a friend of Voltaire and Bolingbroke, whom he introduced to a French audiance, and he received David Hume in Reims, one of Hume's first intellectual contacts in France. - With manuscript ex-libris on title-page: Petit Thouars: Georges Aubert du Petit-Thouars (1724-1794) lieutenant and commander of the city and castle of Saumur.
書籍販売業者の参照番号
: 26990
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(LEVI Giovanni - SCHMITT Jean-Claude) -
Storia dei giovani. I. Dall’antichità all’età moderna. II. L’età contemporanea.
Bari, Laterza, 1994, 8vo (cm. 21 x 14) legatura tutta tela con sovraccoperta illustrata a colori, cofanetto telato illustrato a coloripp. XXI-430 con 22 illustrazioni in tavole fuori testo + p. 464 con 40 illustrazioni in tavole fuori testo (Storia e Società). Stato di nuovo. Con qualche timbro di biblioteca (patrimonio alienato).
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(LEVINSEN, NIELS).
Nogle Bemærkninger om Tvangsafløsning af Fæsteforholdet.
Kjøbenhavn, Høst, 1853. Ubeskåret i orig. bogtrykte omslag. VIII,73 pp.
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(LEVINSEN, NIELS).
Nogle Bemærkninger om Tvangsafløsning af Fæsteforholdet.
Kjøbenhavn, Høst, 1853. Ubeskåret i orig. bogtrykte omslag. VIII,73 pp.
書籍販売業者の参照番号
: 38581
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