‎Archeologie‎

‎Michaud, Jean-Pierre‎

‎Fouilles de Delphes. Tome II. Topographie et architecture. Le sanctuaire d'Ath na Pronaia (Marmaria). Le temple en calcaire. Relev s et restaurations par Hans Jakobsen et Jean Bl con. Texte et planches‎

‎Athens, Ecole fran aise d'Ath nes, 1977 Porte-folio rabats et lacets, 49 x 33 cm 152 pages + 160 figures hors texte - 100 planches. Fran ais.‎

‎On the excavations at Delphi, the topography and architecture.‎

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‎Jean-Claude Golvin‎

‎Amphith tre romain: essai sur la th orisation de sa forme et de ses fonctions. Deux volumes: texte + planches.‎

‎Paris, De Boccard, 1988 reli e, deux volumes, 458 pages + LXII planches, 31 x 23 cm. Texte en Francais. tr s bel tat.‎

‎Extensive and rare book on the Roman amphiteater, its form and functions. Two volumes, text and images.‎

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‎Stephen R. Cosh and David Neal‎

‎Roman Mosaics of Britain Volume III: South-East Britain (2 vols)‎

‎London, Society of Antiquaries of London, 2009 Two volumes, linnen bound, 600 pages, 31 x 24.5 cm. EN. New!. ISBN 9780854312894.‎

‎The third volume in this massive project to create the first complete corpus of the Roman mosaics of Britain covers the areas of Britain that were first to come under Roman control and where some of Britain's most impressive mosaics are to be found - in Colchester, Silchester, London and Verulamium, and in villas and palaces at Brading, Bignor, Fishbourne and Rockbourne. In their introduction to the volume, the authors trace the origins of mosaic-making in Britain, and the development of colour palettes and motifs, from the mainly black-and-white geometric designs of first-century Fishbourne Palace, reflecting contemporary Gaulish fashions, to the more elaborate polychrome designs of the third and fourth centuries, featuring figures from classical mythology, some of which (like Brading's Orpheus taming the animals with his music, or Lullingstone's Bellerophon slaying the Chimera) had been invested with new meaning as symbols of Christianity. They consider too the types of buildings with which mosaics are associated, the functions of mosaic-decorated rooms, the materials from which they are made, the impact of mosaic discoveries on early antiquaries and the pioneering mosaic paintings of artists such as Richard Smirke and Charles Stothard, published in Samuel Lysons' Reliquae Britanniae Romanae (1817). The catalogue follows the format of earlier volumes in providing an account of each mosaic's discovery and locating the mosaic within its building plan. Every mosaic is described, with significant parallels and major references, and illustrated with the authors' own paintings, reproductions of historic engravings and photographs, taken in situ wherever possible, before lifting or restoration. The result is an unrivalled scholarly resource for anyone interested in Roman art, craftsmanship, architecture and social life, which will shortly be complete with the publication of the fourth and final volume on Western Britain, including Wales. About the Author: David S Neal, FSA (b 1940), was first introduced to Roman mosaics and archaeology at Verulamium in 1957 while studying graphic design at Watford School of Art. In 1961 he joined the Ancient Monuments Inspectorate of the then Ministry of Works as an archaeological illustrator and for almost fifteen years supervised the archaeological drawing office. In this period one of his tasks was to record mosaics found on excavations conducted, or sponsored, by the Government. From 1963 he began his own series of excavations on Roman villas in Hertfordshire and in 1975 became a full-time archaeologist with the Department of the Environment (later English Heritage). He is now a freelance consultant. He was made a Fellow of the Society of Antiquaries in 1971 and awarded a Doctor of Letters for his contribution to Romano-British villa studies in 1992. Stephen R Cosh, FSA (b 1950), studied archaeology at Reading University before embarking on a career in teaching. As with David Neal, his interests in art and archaeology led to the study of Romano-British mosaics which he has illustrated since the 1970s, soon adopting Neal's technique. He has written numerous articles on Roman mosaics, particularly the study of regional groups. He has been the Honorary Secretary of ASPROM (the Association for the Study and Preservation of Roman Mosaics) since 1993 and was elected a Fellow of the Society of Antiquaries in 2002. The authors formally agreed to collaborate on the corpus in 1993.‎

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‎Lucy T. Shoe‎

‎Profiles of Greek Mouldings. Vol. I: Text. Vol. II: Plates (complete set)‎

‎Athens, Cambridge, Massachusetts, Harvard University Press, 1936 Two volumes, Text and Plates, xvi & 187 pages + portfolio of 2 pages leaves, 85 plates. Large folio, bound in later red cloth with stamped gilt lettering on the spines and front covers. 54 x 38 cm. One has original dustjacket from editor.‎

‎Rare complete set of 2 volumes. Published for the American School of Classical Studies at Athens at Harvard University Press, Cambridge, Massachusetts, 1936‎

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‎Krauss, Friedrich:‎

‎Tempel von Paestum. Erster Teil. I. Lieferung: Der Athenatempel. (Dankm ler antiker architektur - band 9/1)‎

‎Berlin, Walter de Gruyter, 1959 Original Papp-Fl gelmappe, 1 Blatt Hinweis f r den Benutzer und 37 Tafeln, 50 x 35 cm. German. perfekter Zustand .‎

‎Die Tempel von Paestum. Erster Teil. I. Lieferung: Der Athenatempel. (Dankm ler antiker architektur - band 9/1)‎

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‎settis, la regina, agosti, farinella‎

‎Colonna Traiana‎

‎Turin, Einaudi, 1988 Hardcover with dustjacket in slipcase, 597 pages, 22 x 21 cm. ITALIAN TEXT * FINE ISBN 9788806598891.‎

‎Bound with slipcase Condition: in very good condition dust jacket. first edition. Essays Series, 716. Edited by Salvatore Settis. Photographs by Eugenio Monti. With 288 color illustrations and 92 figures in black and color. Publisher's cloth. Dust jacket‎

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‎LEIBUNDGUT, Annalis‎

‎r mischen Lampen in der Schweiz. Eine Kultur- und Handelsgeschichtliche Studie.‎

‎Bern, Francke, 1977 Original-Leinenband mit Schutzumschlag, 340 Seiten + 56 Tafeln, 30 x 22 cm.Deutsch text. ISBN 3772011810.‎

‎Die r mischen Lampen in der Schweiz. Eine Kultur- und Handelsgeschichtliche Studie.‎

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‎Henri Lechat, Alphonse Defrasse / Epidaure‎

‎pidaure. Restauration & description des principaux monuments du sanctuaire d'Asclepios .‎

‎Paris, Librairies-Imprimeurs R unies, 1895 Reliure d' diteur en toile vert avec titre en or sur le plat sup rieur et sur le dos. in-folio, 45,5 x 32 cm, (8) pages nn ( titre) + iii pages + 249 pages + (2)pages nn (table) + XIII planches hors-texte ( plusieurs double, triple et une planche quadruple), Complet. FR.text.‎

‎*****Le livre a t tir 500 exemplaires num rot s; ceci le nr. 413. *** pidaure ( Epidaure ) Restauration & description des principaux monuments du sanctuaire d'Asclepios .‎

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‎Praschniker, Camillo und Max Theuer‎

‎Mausoleum von Belevi, Forschungen in Ephesos Band VI‎

‎Wien, sterreichisches Arch ologisches Institut, 1979 Halbleiinwand,FOLIO 162 Abbildungen, 40.5 x 30.5 cm. GER.TEXT very fine condition! ISBN 3900305080.‎

‎Das Mausoleum von Belevi, Forschungen in Ephesos Band VI‎

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‎Koch,Herbert‎

‎Dachterrakotten aus Campanien, mit Ausschluss von Pompei. Aufgenommen und beschrieben von Herbert Koch. Veroffentlicht aus Mitteln der Stiftung von Freunden des [Deutschen Archaologischen] Instituts.‎

‎Berlin, Georg Reimer, 1912 Original hardcover, gray cloth, brown lettered on front cover & with two gilt lettered vignettes on the spine, 99 pages, 37.5 x 28.5 cm. XXXV pages illustrations. German text, very fine condition..‎

‎Dachterrakotten aus Campanien, mit Ausschluss von Pompei. Aufgenommen und beschrieben von Herbert Koch. Veroffentlicht aus Mitteln der Stiftung von Freunden des [Deutschen Archaologischen] Instituts.‎

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‎Penrose, F. C‎

‎investigation of the principles of Athenian architecture;: Or, The results of a survey conducted chiefly with reference to the optical refinements . of the ancient buildings at Athens‎

‎Washington DC, McGrath Pub. Co, 1973 Folio, cloth-bound, 127 pages + 47 plates, 47 x 31 cm. ENG text **** PLATE 27 MISSING! ISBN 9780843401424.‎

‎An investigation of the principles of Athenian architecture;: Or, The results of a survey conducted chiefly with reference to the optical refinements . of the ancient buildings at Athens‎

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‎Fremersdorf,Fritz‎

‎Antikes, islamisches und mittelalterliches Glas sowie kleinere Arbeiten aus Stein, Gagat und verwandten Stoffen in den vatikanischen Sammlungen Roms (Museo Sacro, Museo Profano, Museo Egizio, Antiquarium Romanum) (Catalogo del Museo Sacro - Vol. V)‎

‎Vaticano, Museo Sacro, 1975 Folio, 133 pages. 93 plts (2 col.), 41 x 32.5 cm. 1141 illustrations b/w. GER text Fine condition!‎

‎Antikes, islamisches und mittelalterliches Glas sowie kleinere Arbeiten aus Stein, Gagat und verwandten Stoffen in den vatikanischen Sammlungen Roms (Museo Sacro, Museo Profano, Museo Egizio, Antiquarium Romanum) (Catalogo del Museo Sacro - Vol. V)‎

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‎Volker Michael Strocka,Wolfgang Ehrhardt,Dorothea Michel,Florian Seiler,Klaus Stemmer,Margareta Staub Gierow,Thomas Fr hlich,Penelope M. Allison, Frank B. Sear‎

‎H user in Pompeji (vollst ndig,12 B nde)‎

‎Munchen, Hirmer Verlag, 2004 12 B nde, leinen, 49.5 x 34.5 cm (x12). GER. .‎

‎H user in Pompeji war ein Projekt des Deutschen Arch ologischen Instituts, das sich zur Aufgabe gestellt hatte, ausgew hlte Wohnbauten in Pompeji, in besonderem Hinblick auf die Wandmalereien und die Dekorationen zu dokumentieren. Die Ergebnisse wurden in reich mit Zeichnungen und Fotos ausgestatteten B nden publiziert. Initiator und Herausgeber des Projekts war Volker Michael Strocka. Publiziert wurden folgende B nde: Volker Michael Strocka: Casa del Principe di Napoli, 1984 Wolfgang Ehrhardt: Casa dell?Orso, 1988 Dorothea Michel: Casa dei Cei, 1990 Volker Michael Strocka: Casa del Labirinto, 1991 Florian Seiler: Casa degli Amorini dorati, 1992 Klaus Stemmer: Casa dell?Ara massima, 1992 Margareta Staub Gierow: Casa del Granduca und Casa dei Capitelli Figurati, 1994 Thomas Fr hlich: Casa della Fontana Piccola, 1997 Wolfgang Ehrhardt: Casa di Paquius Proculus, 1998 Margareta Staub Gierow: Casa della Parete Nera. Casa delle Forme di creta, 2000 Penelope M. Allison, Frank B. Sear: Casa della Caccia antica, 2002 Wolfgang Ehrhardt: Casa delle Nozze d?Argento, 2004‎

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‎J rgen J. Rasch‎

‎Mausoleum bei Tor de' Schiavi in Rom.‎

‎Mainz am Rhein, Zabern Verlag, 1993 Verlagsneu Leinen, 106 Textseiten, sowie 88 Tafeln mit 276 Abbildungen und 3 Falttafeln, 26 x 35 cm. GER. ISBN 9783805313582.‎

‎Das Mausoleum bei Tor de' Schiavi in Rom. Mit einem Beitrag von Harald Mielsch. Institut f r Baugeschichte der Universit t Karlsruhe und Deutsches Arch ologisches Institut. Sp tantike Zentralbauten in Rom und Latium Band 2.‎

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‎Bell, Malcolm III‎

‎City Plan and Political Agora.Results of the excavations conducted by Princeton University, the University of Illinois, and the University of Virginia. (Morgantina Studies VII).‎

‎Wiesbaden, Reichert, 2022 Hardcover, 444 pages, 32 x 25 cm. ENG -- . BRANDNEW!! . ISBN 9783752000214.‎

‎Excavations beginning in 1955 have made Morgantina into one of the most extensively known ancient cities in Sicily. Volume VII in the series Morgantina Studies describes both the new urban plan of the fifth century BCE and the city s public center or agora, where ten major buildings were added between the late classical and early Hellenistic periods, ca. 400-200 BCE. The ambitious city plan, probably owed to the charismatic indigenous leader Douketios, is shown to reflect the democratic movements of the early century BCE. The plan is characterized by lots of equal size and an unusually large agora for political assemblies. From the start the agora at Morgantina has been a focus of the U.S. excavations. Most buildings belong to an ambitious program adopted ca. 250 BCE, when the city lay under the sway of Hellenistic Syracuse. This was the age of Archimedes, Theokritos, and King Hieron II, whose economic and political reforms are perceptible at Morgantina. The building program exploited the generous available space. The result was a scenographic assemblage of monuments that took advantage of sight lines and changes in level to create a visually coherent whole. Volume VII of Morgantina Studies presents the material evidence for this major Hellenistic complex, offers reconstructions in the form of plans and drawings, and includes catalogues of objects from each structure. Political institutions are identified along with unusual building types and innovative details. While the agora of Morgantina offers a unique window on the lost civic architecture of Hellenistic Syracuse, it also documents the drastic local consequences of the second Punic war. Falling to Rome in 211 BCE, the city was depopulated and assigned to a band of mercenaries. Buildings that formerly housed political institutions were now largely given over to commerce and industry. Morgantina thus offers dramatic and detailed evidence for the traumatic effects on one Sicilian city of the transition from Syracusan to Roman rule. The book is intended for the interested public of scholars and students of ancient architecture and urbanism. Analysis of the relationship between architecture and political institutions will make it of interest to historians, as will the documentation of the specific consequences of depopulation and mercenary resettlement. Included is a study of the geology of the site by the late Sheldon Judson of Princeton University.‎

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‎Kenneth D. S. Lapatin‎

‎Chryselephantine Statuary in the Ancient Mediterranean World‎

‎Oxford, Oxford University Press, 2002 hardcover, Faux-linnen bound with dustjacket, 241 pages + 249 illustrations, 28 x 23 cm. ENG text . As new. ISBN 9780198153115.‎

‎Composite statues of gold (chrysos), ivory (elephas), and other precious materials were the most celebrated artworks of classical antiquity. Greek and Latin authors leave no doubt that such images provided a centrepiece for religious and civic life and that vast sums were spent to produce them. A number of these statues were the creations of antiquity's most highly acclaimed artists: Polykleitos, Alkamenes, Leochares, and, of course, Pheidias, whose magnificent Zeus Olympios came to be ranked among the Seven Wonders of the World. Although a few individual images such as Pheidias' Athena Parthenos have been the subject of detailed scholarly analysis, chryselephantine statuary as a class, from the exquisite statuettes of Minoan Crete to the majestic temple images constructed by classical Greek city-states and imitated by the Romans, has not received comprehensive study since 1815. This book presents not only the ancient literary and epigraphical evidence for lost statues and examines representations of them in other media, but also assembles and analyses much-neglected physical survivals, elucidating throughout the innovative techniques, such as ivory-bending, employed in their production as well as the variety of social, religious, and political roles they played within the ancient societies that produced them.‎

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‎Lancaster, Lynn‎

‎Concrete Vaulted Construction in Imperial Rome‎

‎Cambridge, Cambridge University Press, 2009 Cloth binding with dustjacket, 269 pages,illustr 28.5 x 22.5 cm. ENG ISBN 9780521744362.‎

‎Concrete Vaulted Construction in Imperial Rome examines the methods and techniques that enabled builders to construct some of the most imposing monuments of ancient Rome. Focusing on structurally innovative vaulting and the factors that influenced its advancement, Lynne Lancaster also explores a range of related practices. Lancaster also examines construction techniques in relation to the social, economic, and political contexts of Rome, in an effort to draw connections between changes in the building industry and the events that shaped Roman society from the early empire to late antiquity.‎

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‎William Henry Goodyear‎

‎Greek Refinements: Studies in Temperamental Architecture‎

‎Yale, Yale University Press, 1912 Cloth Binding, 227 pages, 31 x 22.5 cm. EN. Limited to 800 copies.‎

‎William Henry Goodyear (1846 1923) was the Brooklyn Museum s first Curator of Fine Arts from 1899 to 1923. In addition to being a vital force in the early years of the Museum s Fine Arts Department, Goodyear was dedicated to research in art history and architectural theory, which he began pursuing during his post-collegiate education in Europe and continued until his final days at the Brooklyn Museum. He spent much of his life developing and promoting his theory of architectural refinements, often lecturing and exhibiting on the subject and attracting both supportive and critical reactions. Goodyear s professional work and research had an influence on the fields of museology, art, and architectural history and his accomplishments have left an enduring impression.‎

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‎Frank Sear‎

‎Roman Theatres : An Architectural Study‎

‎Oxford , Oxford University Press, 2006 Cloth binding with dustjacket, 465 pages, 144 illustrations, 28.5 x 23 cm. ENG TEXT FINE ISBN 9780198144694.‎

‎This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary, and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.‎

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‎Jens M. Daehner, Kenneth Lapatin‎

‎Power and Pathos: Bronze Sculpture of the Hellenistic World‎

‎Los Angeles, J. Paul Getty Museum, 2015 Hardcover with dustjacket, 367 pages,illustr. 30 x 25 cm. ENG ISBN 9781606064399.‎

‎For the general public and specialists alike, the Hellenistic period (323?31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.‎

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‎Mattusch, Carol C.‎

‎Villa dei Papiri at Herculaneum: Life and Afterlife of a Sculpture Collection‎

‎Los Angeles, J. Paul Getty Museum, 2005 Chocolate cloth binding with dustjacket, 390 pages, 31 x 24 cm. Folding color plan of the villa tucked into envelope inside back cover. EN. Sealed. ISBN 9780892367221.‎

‎The Villa dei Papiri at Herculaneumburied during the eruption of Mt. Vesuvius in A.D. 79, then rediscovered in 1750 contained a large collection of bronze and marble statuary and busts. Before they were published or exhibited, the sculptures were restored so as to appear whole, thereby helping to shape early modern tastes in classical sculpture. This book describes the nature of the ancient sculptures and their impact on the modern public. Their chance discovery affected the interpretation of the statuestheir styles and subjectsover the course of the next 250 years. The ancient sculptures were copied extensively in reproductions of various sizes and patinas. The author traces the popularity of these copies in Europe and America. Also presented in the book is a technical study of the production techniques and materials of the sculptures, as well as of their modern restoration history. Scientific analyses and detailed photographs reveal both how the pieces were cast and pieced together in antiquity and how they were restored in the eighteenth century. Even though this collection has been known for two and a half centuries, this book covers for the first time the eclectic nature of the sculptures, their actual condition, and their quality, pointing in some cases to mass production.‎

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‎Marconi, Clemente‎

‎TEMPLE DECORATION AND CULTURAL IDENTITY IN THE ARCHAIC GREEK WORLD: The Metopes of Selinus‎

‎Cambridge, Cambridge University Press, 2007 Hardcover with dustjacket, 352 pages, 130 illustrations, 26 x 15.5 cm. ENG text fine! ISBN 9780521857970.‎

‎In this book, Clemente Marconi provides a new interpretation for the use of figural decoration in Greek temples of the archaic period, through a study of the archaic metopes of Selinus. The study of figural decoration on Greek temples has traditionally been identified with the broader study of architectural sculpture. At the same time, the original, articulated appearance of archaic temples has been fragmented into a discussion of individual types. Marconi argues against both the typological approach and the tendency to investigate style and iconography as two aspects unrelated to the cultural and social background within which temple decoration operated. He explores the relation between style and function and examines the function of figures on temples within the cultural and social context of the communities for which these images were created. Critical to this exploration are the reintegration of the figures into the fabric of buildings, the space of archaic sanctuaries and cities, and the ritual dimension that represented the context for the reception of the figural decoration of Greek temples.‎

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‎Richard H. Howland‎

‎Greek Lamps and Their Survivals (Athenian Agora IV)‎

‎Princeton, The american school of classical studies at athens, 1958 Blue cloth binding, 261 pages, 56 pages of illustrations, 1 chart, 31 x 24 cm. EN . ISBN 9780876612040.‎

‎The author has used the trustworthy chronological data supplied by the scientific excavation of closed deposits at the Athenian Agora to build a continuous series of lamp types from the 7th century B.C. to the 1st century A.D. Many photographs and profiles of sections permit ready identification, and a handy graphical chart of lamp types facilitates quick checking of the chronological range of each.‎

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‎Giuseppe Panimolle‎

‎Gli acquedotti di Roma antica e gli acquedotti di Roma antica‎

‎Roma, Abete, 1984 2 cloth bound volumes with dustjacket in hard case. 322 pages + LXXX illustrations. 31 x 22 cm. Italian.‎

‎Gli acquedotti di Roma antica e gli acquedotti di Roma antica‎

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‎Nathalie de Haan (Editor) , Stephan Mols (Editor)‎

‎Cultuurgeschiedenis van de oudheid‎

‎Zwolle, WBooks, 2011 Hardcover, 432 pagina's, 29 x 24.5 cm. NL. - ALS NIEUW ISBN 9789040077722.‎

‎Cultuurgeschiedenis van de oudheid behandelt de leefwereld van Grieken en Romeinen. Uitgangspunt vormen twaalf portretten van steden, die een tijdreis bieden van Mycene in de twaalfde eeuw v. Chr. tot Ravenna in de late oudheid. Deze stadsportretten vormen daarmee de rode draad en zijn de opmaat tot de behandeling van cultuurhistorische thema?s. Daarbij komen niet alleen de ?klassieke highlights? zoals Homerus, Vergilius, het Parthenon en het Pantheon aan de orde, maar ook thema?s als handel, sociale structuren en de omgang met perifere gebieden. De thema?s vari ren van mentaliteitsgeschiedenis en sociale geschiedenis tot analyses van literatuur, beeldende kunst en architectuur. Niet alleen de waardering in de oudheid zelf speelt een belangrijke rol, maar ook de overlevingskansen na de oudheid, en de wijze waarop in latere tijd met het klassieke cultuurgoed is omgegaan.‎

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